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Arsenal

Cast: Nicolas Cage, John Cusack, Johnathon Schaech, Adrian Grenier, Lydia Hull, William Mark McCullough, Heather Johansen, Tyler Jon Olson

trailer for Arsenal, directed by Steven C. Miller, screenplay by Jason Mosberg (2017)
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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

[...] Read more

poem by Gert Strydom
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Wat Tyler - Act I

ACT I.

SCENE, A BLACKSMITH'S-SHOP

Wat Tyler at work within. A May-pole
before the Door.

ALICE, PIERS, &c.

SONG.

CHEERFUL on this holiday,
Welcome we the merry May.

On ev'ry sunny hillock spread,
The pale primrose rears her head;
Rich with sweets the western gale
Sweeps along the cowslip'd dale.
Every bank with violets gay,
Smiles to welcome in the May.

The linnet from the budding grove,
Chirps her vernal song of love.
The copse resounds the throstle's notes,
On each wild gale sweet music floats;
And melody from every spray,
Welcomes in the merry May.

Cheerful on this holiday,
Welcome we the merry May.

[Dance.

During the Dance, Tyler lays down his
Hammer, and sits mournfully down before
his Door.

[To him.

HOB CARTER.

Why so sad, neighbour?—do not these gay sports,
This revelry of youth, recall the days
When we too mingled in the revelry;
And lightly tripping in the morris dance
Welcomed the merry month?

TYLER.

[...] Read more

poem by Robert Southey
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Robin Hood and the Monk

In somer, when the shawes be sheyne,
And leves be large and long,
Hit is full mery in feyre foreste
To here the foulys song,

To se the dere draw to the dale,
And leve the hilles hee,
And shadow hem in the leves grene,
Under the grene wode tre.

Hit befel on Whitson
Erly in a May mornyng,
The son up feyre can shyne,
And the briddis mery can syng.

'This is a mery mornyng,' seid Litull John,
'Be Hym that dyed on tre;
A more mery man then I am one
Lyves not in Cristianté.

'Pluk up thi hert, my dere mayster,'
Litull John can sey,
'And thynk hit is a full fayre tyme
In a mornyng of May.'

'Ye, on thyng greves me,' seid Robyn,
'And does my hert mych woo:
That I may not no solem day
To mas nor matyns goo.

'Hit is a fourtnet and more,' seid he,
'Syn I my Savyour see;
To day wil I to Notyngham,' seid Robyn,
'With the myght of mylde Marye.'

Than spake Moche, the mylner sun,
Ever more wel hym betyde!
'Take twelve of thi wyght yemen,
Well weppynd, be thi side.
Such on wolde thi selfe slon,
That twelve dar not abyde.'

'Of all my mery men,' seid Robyn,
'Be my feith I wil non have,
But Litull John shall beyre my bow,
Til that me list to drawe.'

'Thou shall beyre thin own,' seid Litull Jon,
'Maister, and I wyl beyre myne,
And we well shete a peny,' seid Litull Jon,

[...] Read more

poem by Anonymous Olde English
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Wat Tyler - Act II

ACT II.

SCENE— BLACKHEATH.

TYLER, HOB, &c.

SONG.

' When Adam delv'd, and Eve span,
' Who was then the gentleman?'

Wretched is the infant's lot,
Born within the straw-roof'd cot!
Be he generous, wise, or brave,
He must only be a slave.
Long, long labour, little rest,
Still to toil to be oppress'd;
Drain'd by taxes of his store,
Punish'd next for being poor;
This is the poor wretch's lot,
Born within the straw-roof'd cot.

While the peasant works— to sleep;
What the peasant sows— to reap;
On the couch of ease to lie,
Rioting in revelry;
Be he villain, be he fool,
Still to hold despotic rule,
Trampling on his slaves with scorn;
This is to be nobly born.

' When Adam delv'd, and Eve span,
' Who was then the gentleman?'

JACK STRAW.

The mob are up in London— the proud courtiers
Begin to tremble.

TOM MILLER.

Aye, aye, 'tis time to tremble;
Who'll plow their fields, who'll do their drudgery now?
And work like horses, to give them the harvest?

JACK STRAW.

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poem by Robert Southey
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Wat Tyler - Act III

ACT III.

SCENE—SMITHFIELD.

PIERS (meeting JOHN BALL.)

You look disturb'd, my father?

JOHN BALL.

Piers, I am so.
Jack Straw has forced the Tower: seized the Archbishop,
And beheaded him.

PIERS.

The curse of insurrection!

JOHN BALL.

Aye, Piers! our nobles level down their vassals—
Keep them at endless labour like their brutes,
Degrading every faculty by servitude:
Repressing all the energy of the mind.
We must not wonder then, that like wild beasts,
When they have burst their chains, with brutal rage
They revenge them on their tyrants.

PIERS.

This Archbishop!
He was oppressive to his humble vassals:
Proud, haughty, avaricious.—

JOHN BALL.

A true high-priest!
Preaching humility with his mitre on!
Praising up alms and Christian charity
Even whilst his unforgiving hand distress'd
His honest tenants.

[...] Read more

poem by Robert Southey
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Leetle Lac Grenier

Leetle Lac Grenier, she 's all alone,
Right on de mountain top,
But cloud sweepin' by, will fin' tam to stop
No matter how quickly he want to go,
So he'll kiss leetle Grenier down below.

Leetle Lac Grenier, she 's all alone,
Up on de mountain high
But she never feel lonesome, 'cos for w'y?
So soon as de winter was gone away
De bird come again an' sing to her ev'ry day.

Leetle Lac Grenier, she 's all alone,
Back on de mountain dere,
But de pine tree an' spruce stan' ev'rywhere
Along by de shore, an' mak' her warm
For dey kip off de win' an' de winter storm.

Leetle Lac Grenier, she 's all alone,
No broder, no sister near,
But de swallow will fly, an' de beeg moose
deer
An' caribou too, will go long way
To drink de sweet water on Lac Grenier.

Leetle Lac Grenier, I see you now,
Onder de roof of spring
Ma canoe 's afloat, an' de robin sing,
De lily's beginnin' her summer dress,
An' trout 's wakin' up from hees long long res'.

Leetle Lac Grenier, I 'm happy now,
Out on de ole canoe,
For I 'm all alone, ma chere, wit' you,
An' if only a nice light rod I had
I 'd try dat fish near de lily pad!

Leetle Lac Grenier, O! let me go,
Don't spik no more,
For your voice is strong lak de rapid 's roar,
An' you know youse'f I 'm too far away,
For visit you now -leetle Lac Grenier!

poem by William Henry Drummond
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Using Boot Camp

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poem by Caasder Fronds
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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.

Sir Peter

So-
What are their names?

John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-

Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?

John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?

Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.

John Curzon

going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

[...] Read more

poem by William Morris
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Carmen Seculare. For the Year 1700. To The King

Thy elder Look, Great Janus, cast
Into the long Records of Ages past:
Review the Years in fairest Action drest
With noted White, Superior to the rest;
Aera's deriv'd, and Chronicles begun
From Empires founded, and from Battels won:
Show all the Spoils by valiant Kings achiev'd,
And groaning Nations by Their Arms reliev'd;
The Wounds of Patriots in their Country's Cause,
And happy Pow'r sustain'd by wholesom Laws:
In comely Rank call ev'ry Merit forth:
Imprint on ev'ry Act it's Standard Worth:
The glorious Parallels then downward bring
To Modern Wonders, and to Britain's King:
With equal Justice and Historic Care
Their Laws, Their Toils, Their Arms with His compare:
Confess the various Attributes of Fame
Collected and compleat in William's Name:
To all the list'ning World relate
(As Thou dost His Story read)
That nothing went before so Great,
And nothing Greater can succeed.
Thy Native Latium was Thy darling Care,
Prudent in Peace, and terrible in War:
The boldest Virtues that have govern'd Earth
From Latium's fruitful Womb derive their Birth.
Then turn to Her fair-written Page:
From dawning Childhood to establish'd Age,
The Glories of Her Empire trace:
Confront the Heroes of Thy Roman Race:
And let the justest Palm the Victor's Temples grace.
The Son of Mars reduc'd the trembling Swains,
And spread His Empire o'er the distant Plains:
But yet the Sabins violated Charms
Obscur'd the Glory of His rising Arms.
Numa the Rights of strict Religion knew;
On ev'ry Altar laid the Incense due;
Unskill'd to dart the pointed Spear,
Or lead the forward Youth to noble War.
Stern Brutus was with too much Horror good,
Holding his Fasces stain'd with Filial Blood.
Fabius was Wise, but with Excess of Care;
He sav'd his Country; but prolonged the War:
While Decius, Paulus, Curius greatly fought;
And by Their strict Examples taught,
How wild Desires should be controll'd;
And how much brighter Virtue was, than Gold;
They scarce Their swelling Thirst of Fame could hide;
And boasted Poverty with too much Pride.
Excess in Youth made Scipio less rever'd:

[...] Read more

poem by Matthew Prior
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

[...] Read more

poem by Robinson Jeffers
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Lord William

No eye beheld when William plunged
Young Edmund in the stream,
No human ear but William's heard
Young Edmund's drowning scream.

Submissive all the vassals own'd
The murderer for their Lord,
And he, the rightful heir, possessed
The house of Erlingford.

The ancient house of Erlingford
Stood midst a fair domain,
And Severn's ample waters near
Roll'd through the fertile plain.

And often the way-faring man
Would love to linger there,
Forgetful of his onward road
To gaze on scenes so fair.

But never could Lord William dare
To gaze on Severn's stream;
In every wind that swept its waves
He heard young Edmund scream.

In vain at midnight's silent hour
Sleep closed the murderer's eyes,
In every dream the murderer saw
Young Edmund's form arise.

In vain by restless conscience driven
Lord William left his home,
Far from the scenes that saw his guilt,
In pilgrimage to roam.

To other climes the pilgrim fled,
But could not fly despair,
He sought his home again, but peace
Was still a stranger there.

Each hour was tedious long, yet swift
The months appear'd to roll;
And now the day return'd that shook
With terror William's soul.

A day that William never felt
Return without dismay,
For well had conscience kalendered
Young Edmund's dying day.

[...] Read more

poem by Robert Southey
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John Daniel

(Dolly Parton)
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
John Daniel was a young man, not more than twenty-four
And there was an air about him that one could not ignore
And in spite of callused hands & dirty clothes, his face was kind
And I wanted so to know what was in John Daniel's mind
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
I rented him a room; he went upstairs like all the rest
It was Saturday and he'd be goin' in to town, I guessed
But he left in a robe and sandals, with a Bible in his hand;
And I thought to myself, John Daniel, I don't understand
Now I'd planned to meet some friends of mine when I got off at three,
In the park we often gather to talk of love and peace
When I got there I found that a crowd had gathered 'round;
And there I saw John Daniel a sittin' on the ground
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
So, "You want to be free," he said, "Well, this is how you can."
As he read from the Bible he held in his hand
We were searchin' for the truth not knowin' where to look,
Not knowin' that the answers all were in John Daniel's book
John Daniel told us all how we could be free
John Daniel taught us all a better way for you and me
He came to us in our own way so we'd be sure to see
He had the light and essence of the man from Galilee
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
John Daniel, John Daniel, John Daniel
John Daniel do you hold the answer to a higher plan?
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
Ooh, John Daniel, tell me where did you come from
Tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?

song performed by Dolly Parton
Added by Lucian Velea
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Le Grenier

Je viens revoir l'asile ou ma jeunesse
De la misere a subi les lecons.
J'avais vingt ans, une folle maitresse,
De francs amis et l'amour des chansons.
Bravant le monde et les sots et les sages,
Sans avenir, riche de mon printemps,
Leste et joyeux je montais six etages,
Dans un grenier qu'on est bien a vingt ans.

C'est un grenier, point ne veux qu'on l'ignore.
La fut mon lit, bien chetif et bien dur;
La fut ma table; et je retrouve encore
Trois pieds d'un vers charbonnes sur le mur.
Apparaissez, plaisirs de mon bel age,
Que d'un coup d'aile a fustiges le temps,
Vingt fois pour vous j'ai ma montre en gage.
Dans un grenier qu'on est bien a vingt ans!

Lisette ici doit surtout apparaitre,
Vive, jolie, avec un frais chapeau;
Deja sa main a l'etroite fenetre
Suspend son schal, en guise de rideau.
Sa robe aussi va parer ma couchette;
Respecte, Amour, ses plis longs et flottans.
Jai su depuis qui payait sa toilette
Dans un grenier qu'on est bien a vingt ans!

A table un jour, jour de grande richesse,
De mes amis les voix brillaient en choeur,
Quand jusqu'ici monte on cri d'allegresse;
A Marengo Bonaparte est vainqueur.
Le canon gronde; un autre chant commence;
Nous celebrons tant de faits eclatans.
Les rois jamais n'envahiront la France.
Dans un grenier qu'on est bien a vingt ans!

Quittons ce toit ou ma raison s'enivre.
Oh! qu'ils sont loin ces jours si regrettes!
J'echangerais ce qu'il me reste a vivre
Contre un des mois qu'ici Dieu ma comptes.
Pour rever gloire, amour, plaisir, folie,
Pour depenser sa vie en peu d'instans,
D'un long espoir pour la voir embellie,
Dans un grenier qu'on est bien a vingt ans!

The Garret

With pensive eyes the little room I view,
Where, in my youth, I weathered it so long;

[...] Read more

poem by William Makepeace Thackeray
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Tale XIX

THE CONVERT.

Some to our Hero have a hero's name
Denied, because no father's he could claim;
Nor could his mother with precision state
A full fair claim to her certificate;
On her own word the marriage must depend -
A point she was not eager to defend:
But who, without a father's name, can raise
His own so high, deserves the greater praise;
The less advantage to the strife he brought,
The greater wonders has his prowess wrought;
He who depends upon his wind and limbs,
Needs neither cork nor bladder when he swims;
Nor will by empty breath be puff'd along,
As not himself--but in his helpers--strong.
Suffice it then, our Hero's name was clear,
For call John Dighton, and he answer'd 'Here!'
But who that name in early life assign'd
He never found, he never tried to find:
Whether his kindred were to John disgrace,
Or John to them, is a disputed case;
His infant state owed nothing to their care -
His mind neglected, and his body bare;
All his success must on himself depend,
He had no money, counsel, guide, or friend;
But in a market-town an active boy
Appear'd, and sought in various ways employ;
Who soon, thus cast upon the world, began
To show the talents of a thriving man.
With spirit high John learn'd the world to

brave,
And in both senses was a ready knave;
Knave as of old obedient, keen, and quick,
Knave as of present, skill'd to shift and trick;
Some humble part of many trades he caught,
He for the builder and the painter wrought;
For serving-maids on secret errands ran,
The waiter's helper, and the ostler's man;
And when he chanced (oft chanced he) place to lose,
His varying genius shone in blacking shoes:
A midnight fisher by the pond he stood,
Assistant poacher, he o'erlook'd the wood;
At an election John's impartial mind
Was to no cause nor candidate confined;
To all in turn he full allegiance swore,
And in his hat the various badges bore:
His liberal soul with every sect agreed,
Unheard their reasons, he received their creed:

[...] Read more

poem by George Crabbe
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John, John

John, oh, john,
John,
Let's hope for peace.
Oh, john, let's hope for peace.
John, oh, john,
Let's hope for peace,
Let's hope for peace,
Let's hope for peace,
Peace, peace, peace.
Oh, john, oh, john, john, john,
Oh, john,
John,
Oh, oh, john, john, john,
John, john, john, john, john, john,
John, john, john, john, john, john, john,
Let's hope, hope, hope, hope, hope, hope, hope for peace.
Peace -
John.

song performed by Yoko Ono
Added by Lucian Velea
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John, John

John, oh, john,
John,
Let's hope for peace.
Oh, john, let's hope for peace.
John, oh, john,
Let's hope for peace,
Let's hope for peace,
Let's hope for peace,
Peace, peace, peace.
Oh, john, oh, john, john, john,
Oh, john,
John,
Oh, oh, john, john, john,
John, john, john, john, john, john,
John, john, john, john, john, john, john,
Let's hope, hope, hope, hope, hope, hope, hope for peace.
Peace -
John.

song performed by Yoko Ono
Added by Lucian Velea
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Tyler

Appeal to the governor of louisiana
You may get an answer the process is slow
Federal government too much to help him
It's been nearly five years
And they won't let him go
(chorus)
Tyler is guilty the white judge has said so
What right do we have to say it's not so
Tyler is guilty the white judge has said so
What right do we have to say it's not so
Testify under pressure, a racist jury
Government lawyers its all for show
With rows of white faces
False accusations
He's framed up for murder
They won't let him go
(chorus)
Tyler is guilty the white judge has said so
What right do we have to say it's not so
Tyler ..... etc
Police gun was planted
No matching bullets
No prints on the handle, no proof to show
But tyler is guilty the white judge has said so
They show him no mercy
They won't let him go
(chorus)
Tyler is guilty the white judge has said so
What right do we have to say it's not so
Tyler...... etc
Appeal to the governor of louisiana
You may get an answer the process is slow
Federal government too much to help him
It's been nearly five years
And they won't let him go
(chorus)
Tyler is guilty the white judge has said so
What right do we have to say it's not so
Tyler .... etc

song performed by Ub40
Added by Lucian Velea
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St. Adrian

to St. Adrian I give thanks
the dead leader of dead Roman ranks
a silent prayer to the Roman man
that calm man like deadly white hands
his steadfast wife even locked her door
when she thought he was like her no more

so a prayer to Adrian, saint of knights
a St. only after the lion beasts rites
to him be a morsel of honor, be it true
not more flames or a blunt corkscrew
to Saint Adrian I give thanks
the dead leader of dead Roman ranks

enter the night of Adrianus Incarsaurus
the holy, now, of Rome...MARTYR US!
to Saint Adrian, the saint, the beast
oh cover us, Adrian, from Abaddon and the beast
to Saint Adrian I give thanks
the dead leader of dead Roman ranks

sing your hymn with the name on your lips
or simply, silently 'Adrian' in felt tips
to him be a morsel of honor, be it true
not more flames, or unjust undo
to the leader of dead Roman ranks
to St. Adrian I give thanks

poem by Michael Cook
Added by Poetry Lover
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An Ode - In Imitation of Horace, Book III. Ode II.

How long, deluded Albion, wilt thou lie
In the lethargic sleep, the sad repose
By which thy close thy constant enemy
Has softly lull'd thee to thy woes?
Or wake, degenerate isle, or cease to own
What thy old kings in Gallic camps have done,
The spoils they brought thee back, the crowns they won,
William (so Fate requires) again is arm'd,
Thy father to the field is gone,
Again Maria weeps her absent lord,
For thy repose content to rule alone.
Are thy enervate sons not yet alarm'd?
When William fights dare they look tamely on,
So slow to get their ancient fame restored,
As not to melt at Beauty's tears nor follow Valour's sword?

See the repenting isle awakes,
Her vicious chains the generous goddess breaks;
The fogs around her temples are dispell'd;
Abroad she looks, and sees arm'd Belgia stand
Prepared to meet heir common lord's command,
Her lions roaring by her side, her arrows in her hand,
And blushing to have been so long withheld,
Weeps off her crime, and hastens to the field:
Henceforth her youth shall be inured to bear
Hazardous toil and active war:
To march beneath the dogstar's raging heat,
Patient of summer's drought and martial sweat,
And only grieve in winter's camp to find
Its days too short for labours they design'd:
All night beneath hard heavy arms to watch,
All day to mount the trench, to storm the breach,
And all the rugged paths to tread
Where William and his virtue led.

Silence is the soul of war;
Deliberate counsel must prepare
The mighty work which valour must complete:
Thus William rescued, thus preserves the state,
Thus teaches us to think and dare:
As, whilst his cannon just prepared to breathe
Avenging anger and swift death,
In the tried metal the close dangers glow,
And now, too late, the dying foe
Perceives the flame, yet cannot ward the blow;
So whilst in William's breast ripe counsels lie,
Secret and sure as brooding Fate,
No more of his design appears
Than what awakens Gallia's fears,
And (though Guilt's eye can sharply penetrate)

[...] Read more

poem by Matthew Prior
Added by Poetry Lover
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Marauders

Cast: Bruce Willis, Christopher Meloni, Dave Bautista, Adrian Grenier, Lydia Hull, Tyler Jon Olson, Christopher Rob Bowen, Chris Hill

trailer for Marauders, directed by Steven C. Miller, screenplay, inspired by Michael Cody (2016)
Added by Veronica Serbanoiu
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