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Finding Altamira

Cast: Clement Sibony, Rupert Everett, Javivi, Irene Escolar, Nicholas Farrell, Allegra Allen, Tabata Cerezo, Golshifteh Farahani

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Goodnight Irene

Sometimes I live in the country
Sometimes I live in the town
Sometimes I take a great notion
To jump in the river and drown
Irene goodnight
Irene goodnight
Goodnight irene
Goodnight irene
Ill see you in my dreams
Last saturday night I got married
Me and my wife settled down
Me and my wife parted
Think Ill take another walk downtown
Irene goodnight
Irene goodnight
Goodnight irene
Goodnight irene
Ill see you in my dreams
I love irene God knows I do
Ill love her all my life
If irene should ever leave me
Ill take morphine and die
Irene goodnight
Irene goodnight
Goodnight irene
Goodnight irene
Ill see you in my dreams
Stop your rambling stop your gambling
Stop staying out late at night
Come home to your wife and family
Sit by the fireside bright
Irene goodnight
Irene goodnight
Goodnight irene
Goodnight irene
Ill see you in my dreams
Goodnight irene
Goodnight irene
Ill see you in my dreams

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Goodnight Irene

Last saturday night I got married
Me and my wife settled down
But me and my wife have parted
Im gonna take another stroll downtown
Irene goodnight (goodnight irene)
Irene goodnight
Goodnight irene, goodnight irene
Ill get you in my dream
Stop your ramblin
Stop your gamblin
Stop stayin out late, late at night
Go home to your wife and your family
Sit down by your fireside so bright
Irene goodnight (irene)
Irene goodnight
Goodnight irene, goodnight irene
Ill get you in my dream
I love irene and I swear I do (yes)
Love er, love er, love er, love er, love er
Love er, love er, love er, love er
Still the sea runs dry
And if irene ever turns her back on me
Im gonna take morphine and die
Irene goodnight
Goodnight, goodnight, goodnight
Goodnight, goodnight, goodnight
Irene goodnight
Goodnight irene, goodnight irene
Ill get you in my dream

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Tale II

THE PARTING HOUR.

Minutely trace man's life; year after year,
Through all his days let all his deeds appear,
And then though some may in that life be strange,
Yet there appears no vast nor sudden change:
The links that bind those various deeds are seen,
And no mysterious void is left between.
But let these binding links be all destroyed,
All that through years he suffer'd or enjoy'd,
Let that vast gap be made, and then behold -
This was the youth, and he is thus when old;
Then we at once the work of time survey,
And in an instant see a life's decay;
Pain mix'd with pity in our bosoms rise,
And sorrow takes new sadness from surprise.
Beneath yon tree, observe an ancient pair -
A sleeping man; a woman in her chair,
Watching his looks with kind and pensive air;
Nor wife, nor sister she, nor is the name
Nor kindred of this friendly pair the same;
Yet so allied are they, that few can feel
Her constant, warm, unwearied, anxious zeal;
Their years and woes, although they long have

loved,
Keep their good name and conduct unreproved:
Thus life's small comforts they together share,
And while life lingers for the grave prepare.
No other subjects on their spirits press,
Nor gain such int'rest as the past distress:
Grievous events, that from the mem'ry drive
Life's common cares, and those alone survive,
Mix with each thought, in every action share,
Darken each dream, and blend with every prayer.
To David Booth, his fourth and last-born boy,
Allen his name, was more than common joy;
And as the child grew up, there seem'd in him
A more than common life in every limb;
A strong and handsome stripling he became,
And the gay spirit answer'd to the frame;
A lighter, happier lad was never seen,
For ever easy, cheerful, or serene;
His early love he fix'd upon a fair
And gentle maid--they were a handsome pair.
They at an infant-school together play'd,
Where the foundation of their love was laid:
The boyish champion would his choice attend
In every sport, in every fray defend.
As prospects open'd, and as life advanced,

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Rupert

Rupert:
Sey yuh waan know Rupert
Blouse and skirt (repeat)
Sey yuh waan know Rupert
Blouse and skirt (repeat)
Verse 1:
Mi get up dis mawning
Sey mi nah ga a nuh work
Put on a pants and a likkle pretty shirt
Yow burn steel wi a go mek a gal splurt
Me hear a man start lick out alert
People dead! Me sey who? - Rupert
Mi go over deh a mi go see him inna dirt
Di way how me bex, mi sey everybody hurt
Mi a di fus' man sey, nuh mek di jeep splurt
A man draw fi a stone outta di dirt
And sey A obstacle must get hurt
Boop an lick a girl in har skirt
Mi hear she shout out Blouse and skirt
Dem deh time blood a decorate di skirt
Rupert:
Sey you waa know Rupert
Blouse and skirt (repeat)
Sey yuh waa know Rupert
Blouse and skirt
Verse 2:
Bop! Bop! shot start fire
A man sey "Hombre come we retire"
Shines say "no man, puncture di tire"
Yeah! Yuh go dweet, cause yuh a Bag-A-Wire
Bop!Bop! more shot start pop
"What is a uzi dat, no is a glock"
Yow! Stop yuh noise man, a chat you love chat?
See smoke deh, a tear gas
Tek yuh sheet dem, move di mattras
Lock di door from di bottom to di top
Mi did wake but mi gone sleep back
Mi naw go out deh fi get nuh gun shot -
Rupert:
Suh yuh nuh know Rupert, alright
Blouse and skirt
Verse 3:
Mi a go tell yuh how di youth get hurt
Him sey him eat till him belly did a run
So him wake up and go do-do Over di burial ground
So a come him a come See a jeep and go run
Bow! an dem shoot him dung
A man started to talk whey did dumb
Three couple man jump a fence Whey dem
Nobody know dem nuh waa get gun dung

[...] Read more

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Christine Irene

(robin wilson, jesse valenzuela)
Well Im a little too ripe to be actin like this
Like some young guy barely got his first kiss
From my first baby steps to my last cigarette
Every single little thing was leading to this
Christine irene
Pretty as a girl on a magazine
Christine irene
My christine irene
Youve been around too long to react so coy
Like Im something that youd best avoid
Like a first date kiss from an anxious guy
Knowing that hes got a little more in mind
Christine irene
Pretty as a girl on a magazine
Christine irene
My christine irene
We can last til dawn if the moon stays bright
And hang our secret on its last light
From a first date kiss that could not hide
We both wanted something more tonight
Christine irene
Pretty as a girl on a magazine
Christine irene
My christine irene
Christine irene
Prettiest girl as Ive ever seen
Christine irene
My christine irene

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Tale IV

PROCRASTINATION.

Love will expire--the gay, the happy dream
Will turn to scorn, indiff'rence, or esteem:
Some favour'd pairs, in this exchange, are blest,
Nor sigh for raptures in a state of rest;
Others, ill match'd, with minds unpair'd, repent
At once the deed, and know no more content;
From joy to anguish they, in haste, decline,
And, with their fondness, their esteem resign;
More luckless still their fate, who are the prey
Of long-protracted hope and dull delay:
'Mid plans of bliss the heavy hours pass on,
Till love is withered, and till joy is gone.
This gentle flame two youthful hearts possess'd,
The sweet disturber of unenvied rest;
The prudent Dinah was the maid beloved,
And the kind Rupert was the swain approved:
A wealthy Aunt her gentle niece sustain'd,
He, with a father, at his desk remain'd;
The youthful couple, to their vows sincere,
Thus loved expectant; year succeeding year,
With pleasant views and hopes, but not a prospect

near.
Rupert some comfort in his station saw,
But the poor virgin lived in dread and awe;
Upon her anxious looks the widow smiled,
And bade her wait, 'for she was yet a child.'
She for her neighbour had a due respect,
Nor would his son encourage or reject;
And thus the pair, with expectation vain,
Beheld the seasons change and change again;
Meantime the nymph her tender tales perused,
Where cruel aunts impatient girls refused:
While hers, though teasing, boasted to be kind,
And she, resenting, to be all resign'd.
The dame was sick, and when the youth applied
For her consent, she groan'd, and cough'd, and

cried,
Talk'd of departing, and again her breath
Drew hard, and cough'd, and talk'd again of death:
'Here may you live, my Dinah! here the boy
And you together my estate enjoy:'
Thus to the lovers was her mind expressed,
Till they forbore to urge the fond request.
Servant, and nurse, and comforter, and friend,
Dinah had still some duty to attend;
But yet their walk, when Rupert's evening call

[...] Read more

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Rokeby: Canto III.

I.
The hunting tribes of air and earth
Respect the brethren of their birth;
Nature, who loves the claim of kind,
Less cruel chase to each assign'd.
The falcon, poised on soaring wing,
Watches the wild-duck by the spring;
The slow-hound wakes the fox's lair;
The greyhound presses on the hare;
The eagle pounces on the lamb;
The wolf devours the fleecy dam:
Even tiger fell, and sullen bear,
Their likeness and their lineage spare,
Man, only, mars kind Nature's plan,
And turns the fierce pursuit on man;
Plying war's desultory trade,
Incursion, flight, and ambuscade,
Since Nimrod, Cush's mighty son,
At first the bloody game begun.

II.
The Indian, prowling for his prey,
Who hears the settlers track his way,
And knows in distant forest far
Camp his red brethren of the war;
He, when each double and disguise
To baffle the pursuit he tries,
Low crouching now his head to hide,
Where swampy streams through rushes glide
Now covering with the wither'd leaves
The foot-prints that the dew receives;
He, skill'd in every sylvan guile,
Knows not, nor tries, such various wile,
As Risingham, when on the wind
Arose the loud pursuit behind.
In Redesdale his youth had heard
Each art her wily dalesmen dared,
When Rooken-edge, and Redswair high,
To bugle rung and bloodhound's cry,
Announcing Jedwood-axe and spear,
And Lid'sdale riders in the rear;
And well his venturous life had proved
The lessons that his childhood loved.

III.
Oft had he shown, in climes afar
Each attribute of roving war;
The sharpen'd ear, the piercing eye,
The quick resolve in danger nigh;
The speed, that in the flight or chase,

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Goodnight Irene

(huddie ledbetter/john lomax)
(e) - (e7) - (a) - (b7)
(e) I asked your mother for (b7) you
She told me that you was too (e) young
I wish dear (e7) lord never have (a) seen your face
And Im (b7) sorry that you ever been (e) born.
(e) irene good (b7) night, irene good (e) night
Goodnight I (e7) rene, good (a) night irene
Ill (b7) get you in my (e) dreams
Sometimes I lives in the country
Sometimes I lives in town
Sometimes I have a great notion
To jump into the river and drown
I loves irene, God knows I do
Loves her till the sea runs dry
If irene turns her back on me
Im gonna take morphine and die
Stop ramblin and stop gamblin
Quit staying out late at night
Come home into your wife and your family
Sit down by the fireside bright
Irene goodnight, irene goodnight
Goodnight irene, goodnight irene
Ill get you in my dreams

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The Fair of Beauty

I must confess! An angel must hide placidly undermine eyelids, for when I close them I see a word magnanimously delightful, and when I open them I see a pageant as sweet as a garden of sugar. I see the land of Lucien.

With languorous sunsets, charming lakes and emerald grass the land of Lucien is a place of beauty. It is a kingdom where romance lavishes the land. In the heart of Lucien, a small castle stands, ornamented with stained glass, beautiful balustrades and gothic arches. The gray stone which holds it together is forged by the hands of many peasants, but its form was conceived by the mind of one talented artisan. This gives the building a real integrity and a strange personality peculiar to one man. To that man no one knew or knows, no myth even could or can shed light into its mystery. "Mysteries shall be left mysterious, for shall they be discovered they lose their charm, " Madame Rupert once said with the eloquence of an aristocrat.

In this story there is no place for mystery, for beauty is forever revealing itself to us, but here is short history of Lucien. In order to understand this story I must give an account of the castle. The castle is called the house of Rupert, for the Rupert's have reigned over the land of Lucien for many a century. The family is everything royal except their horrible habit of being unconventional. They never marry within royal line, for they suffer from the malady of beauty and love and the lads of the family hold beauty contests to chose the wife they think the most beautiful. Dowries mean nil compared to a charming countenance in this world. They worship love, as other's worship the mammoth, however, they worship love with as much avidity as others worship the latter, that it would be quite pernicious to their name in a practical world, therefore, I thank Venus for making my land of Lucien quite unpractical, for here the Rupert's mania for beauty doesn't seem to affect their status, or their sanity, and more importantly their virtue.

Beauty! Beauty is the way of life here. The Rupert's excessive love of beauty transcends the emotion of admiration and even slips importunately into the realm of Justice. To the Rupert's, justice must follow the law of beauty, hence the inscription engraved in marble adorning the head of the entrance way which reads Beauty is Thine Nature, Justice Must Protect Thine Nature, and Good Shall Prosper Here, For Justice is Not Just Shall It Produce Bad Results.

The Story begins.

On this day, the 11th of August, the patriarch, the king, the majestic lord, King Eric de Rupert, dressed in raiment ebony, laced with gold ruffles, calls into session the Fair of Beauty. The king's brown Moorish eyes overlook the crowd and its meticulous beauty. The praetorian guards stand erect and proud; magenta rubies are sewn into the turbans resting upon their heads; their scarlet cloaks are stained with the blood of dead youth and underneath their pleasant attire lay a well of gold, for their skin appears to be laced with gold.

Dear reader, music always seems to sing from the heart. For musicians play lovely tunes with their skillfully wrought instruments. The ceremony is conducted in a way to infuse a merry emollient on all the hearts of all the spectators'. The scenery is potent in beautiful colors, an elegant display of fashion rests listlessly on all who attend, and an uncanny feast is prepared and served in lovely style, that one didn't notice, if what one is eating, is good or not. That is the charm of beauty here, it has no taste, like water, it is a necessity to live.
A squire whispers to his wanton mistress, "The King appears to be alone, for where is his noble wife and her amorous spirit? "
"The King looks so handsome this evening maybe he'll notice my azure mascara, " said Lyla to her girlfriend Plenie.
"The King sees nothing but beauty, that is what makes him so irresistible, " replied Plenie.
'For twenty years he has ruled with compassion and benevolence, and twenty years more shall he be loved with compassion and benevolence, " said Lorenzo the accountant.

(The King rises from a throne made of Persian Wood)

The King: "Tis my favorite time of all my life. The Fair of Beauty is born again. My apologies, my fellow citizens, for my wife's heart is empty of jealously; for it flows through her purple veins. I am sorry for time has wrinkled her very forehead and shriveled her very hands. She will not attend this lovely noble ceremony because she is conceived herself not beautiful enough. I, myself, could not convince her, that she herself, is still beautiful in body and soul. For she is a woman and gentleman we know how women can be. I give thee my humble apologies for her absence. My people, dear citizens of Lucien, thou shall receive a barrel of honey for such a grievous loss. For I know how thee cherish her beauty as a school of fish cherish the sea. Therefore let us partake of the glorious ceremony. Shall it begin! "

Here is the Ode of Beauty that my ancestors have passed to me by way of memory and mouth.

Sympathy is in thy sigh,
Kindness blessed thy hand
Beauty is in thy eye
Love looks on thy land
Live and be Free
And thou will See
What is Noble
In You and Me.

King: "Beauty shall triumph! As you know, my son Menillo Rupert, has been courting five exquisite women for the last year. Tonight he shall chose the love of his life, and forever live in happiness, because love is the panacea to all our sorrows. For to have love means to never die, to know nothing of vulgarity, to dwell lazily under the eyes of another, and to never know of loneliness. For your beloved knows thee without inquiry and loves thee without scruples."

(Menillo enters escorted by five guardsmen of refined physical features and envious beauty.)

King: "For my son to see true beauty and know real truth his eyes shall be covered by the cloth of Tangerine."

(A Guard places a vermillion blindfold over the eyes of Menillo)

King: Call on the beauties of earth so they can test their heart to the heart of mine son.

(Enter the Five Beauties of Earth)

King: "Shatalana, the first beauty, who comes from the Ivory Coast, whose skin smells of coconuts, whose vigorous eyes stir my lands imagination. How lovely are thee."

King: "Carmelita, the second beauty, who comes from South America, the Incan sun light rests inside thine skin, and your thick strands of hair flow like a gentle spring wind. How lovely are thee."

King: "Unchi, the third beauty, who comes from the Korean peninsula, your skin is a like a doll's skin, and your heart burns with the intensity of a hot spring which colors thy cheek. How lovely are thee."

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Barbara Allen's Cruelty

In Scarlet towne, where I was borne,
There was a faire maid dwellin,
Made every youth crye, wel-awaye!
Her name was Barbara Allen.

All in the merrye month of May,
When greene buds they were swellin,
Yong Jemmye Grove on his death-bed lay,
For love of Barbara Allen.

He sent his man unto her then,
To the town, where shee was dwellin;
You must come to my master deare,
Giff your name be Barbara Allen.

For death is printed on his face,
And ore his hart is stealin:
Then haste away to comfort him,
O lovelye Barbara Allen.

Though death be printed on his face,
And ore his harte is stealin,
Yet little better shall he bee,
For bonny Barbara Allen.

So slowly, slowly, she came up,
And slowly she came nye him;
And all she sayd, when there she came,
Yong man, I think y'are dying.

He turnd his face unto her strait,
With deadlye sorrow sighing;
O lovely maid, come pity mee,
Ime on my death-bed lying.

If on your death-bed you doe lye,
What needs the tale you are tellin:
I cannot keep you from your death;
Farewell, sayd Barbara Allen.

He turnd his face unto the wall,
As deadlye pangs he fell in:
Adieu! adieu! adieu to you all,
Adieu to Barbara Allen.

As she was walking ore the fields,
She heard the bell a knellin;
And every stroke did seem to saye,
Unworthy Barbara Allen.

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Rupeat The Riley

Wholl ride in my rupert the riley
Ride on for mile after miley
Im the bravest driver, sit by my side
Ill drive you so wild if you sit by my side
See how far we travel, take ov the wheel,
Shell drive us to hell if you take ov the wheel
Whoa oh oh whoa, yeah yeah yeah yeah
Toot beep-beep, beep-beep
Toot beep-beep, beep-beep
Wholl ride in my rupert the riley
Ride on for mile after miley
Like to take a ride, that riley of mine
Shes shakey on her legs that riley of mine
Im the bravest driver, sit by my side
Ill drive you so wild if you sit by my side
Whoa oh oh whoa, yeah yeah yeah yeah
Toot beep-beep, beep-beep
Toot beep-beep, beep-beep
Toot beep-beep, beep-beep
Toot beep-beep, beep-beep
Toot beep-beep, beep-beep
Toot beep-beep, beep-beep
Wholl ride in my rupert the riley
Ride on for mile after miley
Wholl ride in my rupert the riley
Ride on for mile after miley
Wholl ride in my rupert the riley
Ride on for mile after miley
Wholl ride in my rupert the riley

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Barbara Allen's Cruelty

IN Scarlet town, where I was born,
   There was a fair maid dwellin',
Made every youth cry Well-a-way!
   Her name was Barbara Allen.

All in the merry month of May,
   When green buds they were swellin',
Young Jemmy Grove on his death-bed lay,
   For love of Barbara Allen.

He sent his man in to her then,
   To the town where she was dwellin',
'O haste and come to my master dear,
   If your name be Barbara Allen.'

So slowly, slowly rase she up,
   And slowly she came nigh him,
And when she drew the curtain by--
   'Young man, I think you're dyin'.'

'O it 's I am sick and very very sick,
   And it 's all for Barbara Allen.'
'O the better for me ye'se never be,
   Tho' your heart's blood were a-spillin'!

'O dinna ye mind, young man,' says she,
   'When the red wine ye were fillin',
That ye made the healths go round and round,
   And slighted Barbara Allen?'

He turn'd his face unto the wall,
   And death was with him dealin':
'Adieu, adieu, my dear friends all,
   And be kind to Barbara Allen!'

As she was walking o'er the fields,
   She heard the dead-bell knellin';
And every jow the dead-bell gave
   Cried 'Woe to Barbara Allen.'

'O mother, mother, make my bed,
   O make it saft and narrow:
My love has died for me to-day,
   I'll die for him to-morrow.

'Farewell,' she said, 'ye virgins all,
   And shun the fault I fell in:
Henceforth take warning by the fall
   Of cruel Barbara Allen.'

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John Dryden

Annus Mirabilis, The Year Of Wonders, 1666

1
In thriving arts long time had Holland grown,
Crouching at home and cruel when abroad:
Scarce leaving us the means to claim our own;
Our King they courted, and our merchants awed.

2
Trade, which, like blood, should circularly flow,
Stopp'd in their channels, found its freedom lost:
Thither the wealth of all the world did go,
And seem'd but shipwreck'd on so base a coast.

3
For them alone the heavens had kindly heat;
In eastern quarries ripening precious dew:
For them the Idumaean balm did sweat,
And in hot Ceylon spicy forests grew.

4
The sun but seem'd the labourer of the year;
Each waxing moon supplied her watery store,
To swell those tides, which from the line did bear
Their brimful vessels to the Belgian shore.

5
Thus mighty in her ships, stood Carthage long,
And swept the riches of the world from far;
Yet stoop'd to Rome, less wealthy, but more strong:
And this may prove our second Punic war.

6
What peace can be, where both to one pretend?
(But they more diligent, and we more strong)
Or if a peace, it soon must have an end;
For they would grow too powerful, were it long.

7
Behold two nations, then, engaged so far
That each seven years the fit must shake each land:
Where France will side to weaken us by war,
Who only can his vast designs withstand.

8
See how he feeds the Iberian with delays,
To render us his timely friendship vain:
And while his secret soul on Flanders preys,
He rocks the cradle of the babe of Spain.

9
Such deep designs of empire does he lay

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Edgar Lee Masters

The Spooniad

[The late Mr. Jonathan Swift Somers, laureate of Spoon River, planned The Spooniad as an epic in twenty-four books, but unfortunately did not live to complete even the first book. The fragment was found among his papers by William Marion Reedy and was for the first time published in Reedy's Mirror of December 18th, 1914.]


Of John Cabanis' wrath and of the strife
Of hostile parties, and his dire defeat
Who led the common people in the cause
Of freedom for Spoon River, and the fall
Of Rhodes' bank that brought unnumbered woes
And loss to many, with engendered hate
That flamed into the torch in Anarch hands
To burn the court-house, on whose blackened wreck
A fairer temple rose and Progress stood --
Sing, muse, that lit the Chian's face with smiles,
Who saw the ant-like Greeks and Trojans crawl
About Scamander, over walls, pursued
Or else pursuing, and the funeral pyres
And sacred hecatombs, and first because
Of Helen who with Paris fled to Troy
As soul-mate; and the wrath of Peleus' son,
Decreed to lose Chryseis, lovely spoil
Of war, and dearest concubine.
Say first,
Thou son of night, called Momus, from whose eyes
No secret hides, and Thalia, smiling one,
What bred 'twixt Thomas Rhodes and John Cabanis
The deadly strife? His daughter Flossie, she,
Returning from her wandering with a troop
Of strolling players, walked the village streets,
Her bracelets tinkling and with sparkling rings
And words of serpent wisdom and a smile
Of cunning in her eyes. Then Thomas Rhodes,
Who ruled the church and ruled the bank as well,
Made known his disapproval of the maid;
And all Spoon River whispered and the eyes
Of all the church frowned on her, till she knew
They feared her and condemned.
But them to flout
She gave a dance to viols and to flutes,
Brought from Peoria, and many youths,
But lately made regenerate through the prayers
Of zealous preachers and of earnest souls,
Danced merrily, and sought her in the dance,
Who wore a dress so low of neck that eyes
Down straying might survey the snowy swale
Till it was lost in whiteness.
With the dance
The village changed to merriment from gloom.
The milliner, Mrs. Williams, could not fill
Her orders for new hats, and every seamstress
Plied busy needles making gowns; old trunks

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Nicholas Nye

Thistle and darnell and dock grew there,
And a bush, in the corner, of may,
On the orchard wall I used to sprawl
In the blazing heat of the day;

Half asleep and half awake,
While the birds went twittering by,
And nobody there my lone to share
But Nicholas Nye.

Nicholas Nye was lean and gray,
Lame of leg and old,
More than a score of donkey's years
He had been since he was foaled;
He munched the thistles, purple and spiked,
Would sometimes stoop and sigh,
And turn to his head, as if he said,
"Poor Nicholas Nye!"

Alone with his shadow he'd drowse in the meadow,
Lazily swinging his tail,
At break of day he used to bray,--
Not much too hearty and hale;
But a wonderful gumption was under his skin,
And a clean calm light in his eye,
And once in a while; he'd smile:--
Would Nicholas Nye.

Seem to be smiling at me, he would,
From his bush in the corner, of may,--
Bony and ownerless, widowed and worn,
Knobble-kneed, lonely and gray;
And over the grass would seem to pass
'Neath the deep dark blue of the sky,
Something much better than words between me
And Nicholas Nye.

But dusk would come in the apple boughs,
The green of the glow-worm shine,
The birds in nest would crouch to rest,
And home I'd trudge to mine;
And there, in the moonlight, dark with dew,
Asking not wherefore nor why,
Would brood like a ghost, and as still as a post,
Old Nicholas Nye.

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Elegy for a Poet

I hark back to the days when I
Began, in pen and ink,
To scrawl some petty poems,
How to feel, and how to think,
And people seemed to like the way
My simple little rhymes
Would trace a basic pattern
Through the heartache of their times.

So I continued writing; then
I typed my manuscripts,
I hit the keys so hard that
All my paper fell to bits,
But still I persevered, until
Computers stole the scene,
And little plastic keyboards
Put the words up on a screen.

But all along I used the name
Of Earle E. Everett,
I used it in the magazines,
And on the Internet,
My work was always copyright
I'd scrawl that little ©,
To keep the rights forever
For my family and me.

Then recently, while surfing through
A site I'd never seen,
A poem that I'd written years ago
Came on the screen,
I read it with nostalgia then,
I sat and read it all,
But written at the bottom was
The name of - 'Charles McFall'.

I looked in vain for something
That would say that it was mine,
That poem was a grape I'd plucked,
New fallen from the vine,
But nowhere did it state the name
I'd always seen there yet,
No sign that it was written by
The poet Everett.

I sat there stunned, and fearful
And angry, fit to burst,
I mailed the new Webmaster,
And I must admit - I cursed!
I said that stolen copyrights

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Whiskey In The Jar

I was a-goin over gilgarra mountain
I met with captain farrell, and his money he was countin.
First I drew my pistols and then I drew my rapier,
Sayin stand and deliver, for I am your bold deceiver.
Musha ringum duram da,
Whack fol the daddy-o,
Whack fol the daddy-o,
Theres whiskey in the jar.
He counted out his money and it made a pretty penny;
I put it in my pocket to take home to jenny.
She sighed and swore she loved me and never would deceive me,
But the devil take the women, for they always lie so easy!
Musha ringum duram da
I went into me chamber all for to take a slumber,
To dream of gold and girls, and of course it was no wonder:
Me jenny took me charges and she filled them up with water,
Called on captain farrell to get ready for the slaughter.
Musha ringum duram da
Next mornin early, before I rose for travel,
Up came a band of footmen and likewise captain farrell.
I goes to draw my pistol, for shed stole away my rapier,
But I couldnt shoot for water, so a prisoner I was taken
Musha ringum duram da
They put me into jail with a judge all a-writin:
For robbin colonel farrell on gilgarra mountain.
But they didnt take me fists and I knocked the jailer down
And bid me a farewell to this tight-fisted town.
Musha ringum duram da
Id like to find me brother, the one whos in the army;
I dont know where hes stationed, be it cork or in killarney.
Together wed go roamin oer the mountains of kilkenny,
And I swear hed treat me fairer than my darlin sportin jenny!
Musha ringum duram da
Theres some that takes delight in the carriages and rollin,
Some that takes delight in the hurley or the bollin,
But I takes delight in the juice of the barley,
Courtin pretty maids in the mornin, o so early!
Musha ringum duram da

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A Lay of St. Nicholas

'Statim sacerdoti apparuit diabolus in specie puellæ pulchritudinis miræ, et ecce Divus, fide catholica et cruce et aqua benedicta armatus, venit, et aspersit aquam in nomine Sanctæ et Individuæ Trinitatis, quam, quasi ardentem, diabolus, nequaquam sustinere valens, mugitibus fugit.'
-- Roger Hoveden.

Lord Abbot! Lord Abbot! I'd fain confess;
I am a-weary, and worn with woe;
Many a grief doth my heart oppress,
And haunt me whithersoever I go!'

On bended knee spake the beautiful Maid;
'Now lithe and listen, Lord Abbot, to me!'--
'Now naye, Fair Daughter,' the Lord Abbot said,
'Now naye, in sooth it may hardly be;

'There is Mess Michael, and holy Mess John,
Sage Penitauncers I ween be they!
And hard by doth dwell, in St. Catherine's cell,
Ambrose, the anchorite old and grey!'

'-- Oh, I will have none of Ambrose or John,
Though sage Penitauncers I trow they be;
Shrive me may none save the Abbot alone.
Now listen, Lord Abbot, I speak to thee.

'Nor think foul scorn, though mitre adorn
Thy brow, to listen to shrift of mine.
I am a Maiden royally born,
And I come of old Plantagenet's line.

'Though hither I stray in lowly array,
I am a Damsel of high degree;
And the Compte of Eu, and the Lord of Ponthieu,
They serve my father on bended knee!

'Counts a many, and Dukes a few,
A suitoring came to my father's Hall;
But the Duke of Lorraine, with his large domain,
He pleased my father beyond them all.

'Dukes a many, and Counts a few,
I would have wedded right cheerfullie;
But the Duke of Lorraine was uncommonly plain,
And I vow'd that he ne'er should my bridegroom be!

'So hither I fly, in lowly guise,
From their gilded domes and their princely halls;
Fain would I dwell in some holy cell,
Or within some Convent's peaceful walls!'

-- Then out and spake that proud Lord Abbot,
'Now rest thee, Fair Daughter, withouten fear;

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Lizard

a. Prince Rupert Awakes
Farewell the temple master's bells
His kiosk and his black worm seed
Courtship solely of his word
With Eden guaranteed.
For now Prince Rupert's tears of glass
Make saffron sabbath eyelids bleed
Scar the sacred tablet of wax
On which the Lizards feed.
Wake your reason's hollow vote
Wear your blizzard season coat
Burn a bridge and burn a boat
Stake a Lizard by the throat.
Go Polonius or kneel
The reapers name their harvest dawn
All your tarnished devil's spoons
Will rust beneath our corn.
Now bears Prince Rupert's garden roam
Across his rain tree shaded lawn
Lizard bones become the clay-
And there a Swan is born
Wake your reasons' hollow vote
Wear your blizzard season coat
Burn a bridge and burn a boat
Stake a Lizard by the throat.
Gone soon Piepowder's moss-weed court
Round which upholstered Lizards sold
Visions to their leaden flock
Of rainbows' ends and gold.
Now tales Prince Rupert's peacock brings
Of walls and trumpets thousand fold
Prophets chained for burning masks
And reels of dream unrolled . . .
b. Bolero - the Peacock's Tale (Instrumental)
c. The Battle of Glass Tears
Night enfolds her cloak of holes
Around the river meadow.
Old moon-light stalks by broken ploughs
Hides spokeless wheels in shadow.
Sentries lean on thorn wood spears
Blow on their hands, stare eastwards.
Burnt with dream and taut with fear
Dawn's misty shawl upon them.
Three hills apart great armies stir
Spit oat and curse as day breaks.
Forming lines of horse and steel
By even yards march forward.
d. Big Top (Instrumental)
Your request matches 1 albums and 5 songs.

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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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