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The Jungle Book [King Louie]

Cast: Neel Sethi, Christopher Walken (voice)

clip from The Jungle Book, directed by Jon Favreau, screenplay by Justin Marks, inspired by Rudyard Kipling (2016)
Added by Veronica Serbanoiu
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Christopher, Mr. Christopher

Written by dennis deyoung
Lead vocals by dennis deyoung
I remember christopher
Such a man
So brave and tall
He took the baby jesus
In his arms
Across the waterfall
People cried, "he's holy!
He's a saint not a man!"
All at once it was written
In the book of the land
Christopher, mr. christopher
Why won't they leave you alone?
Christopher, mr. christopher
Why won't they leave you alone?
There was mary margaret
A christian lady
Dressed in black
She believed st. christopher
Helped her find
A way back
She told him all her secrets
And the dreams of her years
So when they took that saint away
All that's left were her tears
Mary cried "they're crazy!
The world is changing too fast!"
It was then she discovered
That her faith couldn't last
Christopher, mr. christopher
Why won't they leave you alone?
Christopher, mr. christopher
Why won't they leave you alone?
Christopher, mr. christopher
Why won't they leave you alone?
Christopher, mr. christopher
Why won't they leave you alone?

song performed by Styx
Added by Lucian Velea
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Come Dance with Me - Parody Christopher Marlowe - Come Live with Me and be My Love

Come dance with me and find release,
howl to the moon, with wild wolves run,
no nightmares now as heart finds peace, -
a stellar future crowned with fun
shall underwrite harvest increase
two reap together, story spun
from morn to night as worries cease,
while one and one at last make one.

Come dance we'll circumnavigate
the seven seas as zephyr’s breeze
anticipates and may translate
past cares to luck which soul strings frees.
Harp, Terpsichore shall play as Fate
unwinds past phantom_mime banshees,
life’s letter stamps ‘reciprocate’
inventing new realities.

Come dance with me, unlearn life’s woe
owe only to your inner voice
as chivalry and honour flow -
no need to justify your choice.
Slow motion – Time stood still – will throw
away wait’s weights as both rejoice
in unexpected overthrow
of anchors as trim sails we hoist.

Come dance with me, no strings attached –
except of harp or violin -
devotion, eloquence unmatched,
will shed all lies of ties that sin.
Thus inner doors may be unlatched,
as new dimensions open in
embracing wave which saves unscratched
soul stirred from hibernation’s bin.

Come dance with me, endearing smile
will echo caring, sharing, joy,
while Lara’s theme will reconcile
true love to trust, no wiles employ.
Tiara crowned Princess no guile
may meet who, sweet, greets verse employ
as an expression timed to dial
away Time’s hands all else destroy.

Come dance with me, no judgment blind
will claim, will, blame, will shame, reject, -
all icicles soon left behind
Spring’s robin sings you’re soul elect.

[...] Read more

poem by Jonathan Robin
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Epilogue

(THE GRAVEYARD OF SPOON RIVER. TWO VOICES ARE HEARD BEHIND A SCREEN DECORATED WITH DIABOLICAL AND ANGELIC FIGURES IN VARIOUS ALLEGORICAL RELATIONS. A FAINT LIGHT SHOWS DIMLY THROUGH THE SCREEN AS IF IT WERE WOVEN OF LEAVES, BRANCHES AND SHADOWS.)

FIRST VOICE

A game of checkers?

SECOND VOICE

Well, I don't mind.

FIRST VOICE

I move the Will.

SECOND VOICE

You're playing it blind.

FIRST VOICE

Then here's the Soul.

SECOND VOICE

Checked by the Will.

FIRST VOICE

Eternal Good!

SECOND VOICE

And Eternal Ill.

FIRST VOICE

I haste for the King row.

SECOND VOICE

Save your breath.

FIRST VOICE

I was moving Life.

SECOND VOICE

You're checked by Death.

[...] Read more

poem by Edgar Lee Masters
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Christopher Tracey's Parade

Everyone come behold Christopher Tracy's Parade
The show will proceed,
unless it should rain strawberry lemonade
Hopefully, that will not occur;
the man above has been paid
Give what you can,
all you can stand,
and all of your life will be made
Everyone should come and dig
Christopher Tracy's piano
The chord strikes,
the devil no like,
so he runs 2 his evil car
Everyone come behold Christopher Tracy's Parade
Goodness will guide us if love is inside us
Christopher Tracy's Parade (Christopher Tracy's Parade)
Christopher Tracy's Parade (Christopher Tracy's Parade)
Christopher Tracy's Parade

song performed by Prince
Added by Lucian Velea
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Gotham - Book I

Far off (no matter whether east or west,
A real country, or one made in jest,
Nor yet by modern Mandevilles disgraced,
Nor by map-jobbers wretchedly misplaced)
There lies an island, neither great nor small,
Which, for distinction sake, I Gotham call.
The man who finds an unknown country out,
By giving it a name, acquires, no doubt,
A Gospel title, though the people there
The pious Christian thinks not worth his care
Bar this pretence, and into air is hurl'd
The claim of Europe to the Western world.
Cast by a tempest on the savage coast,
Some roving buccaneer set up a post;
A beam, in proper form transversely laid,
Of his Redeemer's cross the figure made--
Of that Redeemer, with whose laws his life,
From first to last, had been one scene of strife;
His royal master's name thereon engraved,
Without more process the whole race enslaved,
Cut off that charter they from Nature drew,
And made them slaves to men they never knew.
Search ancient histories, consult records,
Under this title the most Christian lords
Hold (thanks to conscience) more than half the ball;
O'erthrow this title, they have none at all;
For never yet might any monarch dare,
Who lived to Truth, and breathed a Christian air,
Pretend that Christ, (who came, we all agree,
To bless his people, and to set them free)
To make a convert, ever one law gave
By which converters made him first a slave.
Spite of the glosses of a canting priest,
Who talks of charity, but means a feast;
Who recommends it (whilst he seems to feel
The holy glowings of a real zeal)
To all his hearers as a deed of worth,
To give them heaven whom they have robb'd of earth;
Never shall one, one truly honest man,
Who, bless'd with Liberty, reveres her plan,
Allow one moment that a savage sire
Could from his wretched race, for childish hire,
By a wild grant, their all, their freedom pass,
And sell his country for a bit of glass.
Or grant this barbarous right, let Spain and France,
In slavery bred, as purchasers advance;
Let them, whilst Conscience is at distance hurl'd,
With some gay bauble buy a golden world:
An Englishman, in charter'd freedom born,
Shall spurn the slavish merchandise, shall scorn

[...] Read more

poem by Charles Churchill
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Hang On St. Christopher

Hang on St. Christopher
Through the smoke and the oil
Pumpin' iron around the scene
Let the radiator boil
Got no back down shift
And a two dollar grill
Got an '85 cab
......
*Hang on St. Christopher
On the passenger side
Open it up tonight
So the devil can ride
Hang on St. Christopher
With a ballast door
Kick me up ...
Throw me out in the fog
Tell ... Jack ...
Drive a stake through his heart
Do a hundred on the grapevine
Do a jump on the start
Hang on St. Christopher
Now don't let me go
Get me to Reno
And bring it in low, low
Hang On St. Christopher
With the hammer to the floor
Put a highball in the crankcase
Nail a crow to the door
Give me a bottle for the jockey
Give me a two ...
There's a certain ...
Bustin' down Johnny's door
(*Repeat)
Let the devil ride
Let the devil ride
Let the devil ride
Hang On St. Christopher
Now don't let me go
Get me to Reno
Got to bring it in low
Put my baby on a flatcar
Tell 'em to burn down the caboose
Get 'em all jacked up with whiskey
And we'll turn the mad dog loose
(*Repeat)
Let him ride, let him ride
Let him ride, let him ride
Let him ride, let him ride
HAng on St. Christopher
Through the smoke and the oil

[...] Read more

song performed by Rod Stewart
Added by Lucian Velea
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Metaphors, Similes and stuff - Pooh Bear Explains

Christopher Robin and Pooh walked slowly down the path in the woods, treading on the occasional crackly twig.

'CR...' said Pooh, 'What's a Poeh Tree? Is it the same as a Poem, or a hum? '

'Well, Pooh, the very very best Poeh Tree in the world is your own:

'Isn't it funny
how bears like hunny?

It's what I call rum-ti-tum-itry. Everyone likes rum-ti-tum-itry. Even grown-ups. Rum-ti-tum-itry is friendly. Rum-ti-tum-itry is like two friends walking together. Like you and me, Pooh. Which makes you the very best rum-ti-tum-iter in the world...'

'That's tum as in...? ' asked the Very Stout Bear, cautiously.

'As in a Hum' said Christopher Robin. 'But then there's other things in Poetry such as Truth, and Other People Reading It And Nodding. And Similes. And Metaphors. There's a lot in Poetry.'

'What's a Simile, CR? ' asked Pooh. It sounded like what bees said just before they landed on something, like a hunny jar, or Pooh's nose.

'It's when you say something is like something else, to help people imagine it.' said CR.

Pooh had a Think. A Pondery sort of Think.

'Like perhaps - 'happiness is like hunny'? ' asked Pooh tentatively. He suddenly felt very five-to-four-ish at this Thought.

'That's exactly it, Pooh' said Christopher Robin happily. 'Or even sometimes the other way around! '

Pooh felt warm inside - almost like after eating honey - knowing now that a Simile wasn't a threat any more. 'What's a Metaphor, CR? '

'That's rather more difficult, Pooh. It's when you say something is something else, and people know what you mean somehow, and say 'Aha! ' and nod their heads...

Pooh had a longer, Pondery sort of Think.

'Like... teatime means honey? ' he offered hesitantly. Though he knew this was Truth and Other People Nodding, anyway.

'Something like that' said Christopher Robin. 'And then...' he said carefully, in case it was a bit too much for Beloved Bear for one day, but wanting to tell him all the same, 'there's the Extended Metaphor - which I think you might like, Pooh...' (he said hastily In Case) - 'like in a poem by Rupert Brooke, where he says 'Is there hunny still for tea? ' but what he really means is, he's a long way from home and can't get back in time for tea, and feels rather sorry about it...'

'I see...' said Pooh, thoughtfully - like people do who Don't Quite, but like to be polite...

Pooh decided there and then that the Poeh Tree was worth finding, now that he knew three things about it or was it four? It called for an Expedishun.

'Can you talk Poeh Tree, CR? Is it like what we are talking now?

'I think that's called a Prose Poem, Pooh' said Christopher Robin.

*

It was getting near to what Metaphoric Poets like Edward Bear call Time for a Little Something. Christopher Robin and Pooh turned and walked back slowly, the silence broken now and then by a crackly twig just waiting to be trodden on.

Pooh held Christopher's hand tight, as he was doing a lot of Poetic Thinking. He was wondering how anyone could be so far away from home that they couldn't get back home for tea. And worse, not knowing whether there was hunny in the cupboard or not...

But then he had a little five-to-fourish Hum, when he remembered that there was indeed hunny still for tea...

[...] Read more

poem by Michael Shepherd
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A Man Of A Thousand Faces

(music: marillion lyrics: john helmer)
Im the man of a thousand faces
A little piece of me in every part I take
I hold the tape for a thousand races
A different point of view in every speech I make
Cut me a piece of my divided soul
Cry me a river, call it rock and roll
Speak to a leader with the voice of command
And when I talk to God I know hell understand
I speak to machines with the voice of humanity
Ill speak to the wise with the voice of insanity
Im the man of a thousand faces
A little piece of me in every part I take
I hold the tape for a thousand races
A different point of view in every speech I make
Cut me a piece of my divided soul
Cry me a river, call it rock and roll
Give me an attitude and watch me make it lie
Pass me a microphone
I need to testify
Well I speak to machines with the voice of humanity
Speak to the wise with the voice of insanity
Speak to the present in the past and future tense
Speak to a slave with the voice of obedience
Im the man of a thousand ages
You see my face in the stones of the parthenon
You hear my song in the babble of babylon
Im the man of a thousand riches
Be my guest at the feast of satyricon
You spend the money that my logos printed on
Well Ill speak to machines with the voice of humanity
Speak to the wise with the voice of insanity
Speak to the present in the past and future tense
Speak to a slave with the voice of obedience
I stole a fire but it burned up much too soon
I took a leap and I landed on the moon
Look at my life and it looks like cnn
You see something once yknow its gonna come around again
Well Ill speak to machines with the voice of humanity
Speak to the wise with the voice of insanity
Speak to a woman with the fatal charm of a snake
Forgive like a giver and account for all I take
Yes, I speak to machines with the voice of humanity
Speak to the wise with the voice of insanity
Speak like a leader with the voice of power and command
And when I talk to God I know hell understand
Cause Im the man of a thousand faces
Yes Im the man of a thousand faces
I stole a fire but it burned up too much too soon
I took a leap and I landed on the moon..

[...] Read more

song performed by Marillion
Added by Lucian Velea
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Se tarata

Delanain kichhi a rati mate
Aau chaligala aasithila joubate.
Rati galaparebi kian se tarata
sethi semiti rahichhi kejani!
Jane mu mora mora jaiparibi
dekhi dekhi mo bata mi aau
kahiparibi tarataku thare achhuta
jiropawar bulb pari sethi.
Kie kaha katha sune?
Tara kanei rahiba mo kathaku
aau kahiba saante hela sunili
jibe ni mate chhadi ta!
mu galabele kholi jae mo chhapala aau mu
tanka suna ghara badi pain jibaku
mana kare na aau jain
jain hataku kichhi aasena mora.
mu mora semiti padurahe saradina
phatibara thile phate pahada
nai uchhule kula langhe
pabana piti hue munuga gachhare
ethi sethi semiti sabuthi.

poem by Gajanan Mishra
Added by Poetry Lover
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The Songs of Selma

ARGUMENTAddress to the evening star:

An apostrophe to Fingal and his times. Minonasings before the king the song of the unfortunate Colma; and the bards exhibit other specimens of their poetical talents; according to an annual custom established by the monarchs of the ancient Caledonians.

STAR of descending night! fair is thy light in the west! thou that liftest thy unshorn head from thy cloud: thy steps are stately on thy hill. What dost thou behold in the plain? The stormy winds are laid. The murmur of the torrent comes from afar. Roaring waves climb the distant rock. The flies of evening are on their feeble wings: the hum of their course is in the field. What dost thou behold, fair light? But thou dost smile and depart. The waves come with joy around thee: they bathe thy lovely hair. Farewell, thou silent beam! Let the light of Ossian's soul arise!

And it does arise in its strength! I behold my departed friends. Their gathering is on Lora, as in the days of other years. Fingal comes like a watery column of mist! his heroes are around: and see the bards of song, gray-haired Ullin! Stately Ryno! Alpin with the tuneful voice! the soft complaint of Minona! How are ye changed, my friends, since the days of Selma's feast! when we contended, like gales of spring, as they fly along the hill, and bend by turns the feebly whistling grass.

Minona came forth in her beauty: with downcast look and tearful eye. Her hair flew slowly on the blast, that rushed unfrequent from the hill. The souls of the heroes were sad when she raised the tuneful voice. Often had they seen the grave of Salgar, the dark dwelling of white-bosomed Colma. Colma left alone on the hill, with all her voice of song! Salgar promised to come: but the night descended around. Hear the voice of Colma, when she sat alone on the hill.

Colma. It is night, I am alone, forlorn on the hill of storms. The wind is heard on the mountain. The torrent pours down the rock. No hut receives me from the rain; forlorn on the hill of winds!

Rise, moon! from behind thy clouds. Stars of the night, arise! Lead me, some light, to the place where my love rests from the chase alone! his bow near him, unstrung: his dogs panting around him. But here I must sit alone, by the rock of the mossy stream. The stream and the wind roar aloud. I hear not the voice of my love! Why delays my Salgar, why the chief of the hill, his promise? here is the rock, and here the tree! here is the roaring stream! Thou didst promise with night to be here. Ah! whither is my Salgar gone? With thee, I would fly from my father; with thee, from my brother of pride. Our race have long been foes; we are not foes, O Salgar!

Cease a little while, O wind! stream, be thou silent awhile! let my voice be heard around. Let my wanderer hear me! Salgar! it is Colma who calls. Here is the tree, and the rock. Salgar, my love! I am here. Why delayest thou thy coming? Lo! the calm moon comes forth. The flood is bright in the vale. The rocks are gray on the steep, I see him not on the brow. His dogs come not before him, with tidings of his near approach. Here I must sit alone!

Who lie on the heath beside me? Are they my love and my brother? Speak to me, O my friends! To Colma they give no reply. Speak to me; I am alone! My soul is tormented with fears! Ah! they are dead! Their swords are red from the fight. O my brother! my brother! why hast thou slain my Salgar? why, O Salgar! hast thou slain my brother? Dear were ye both to me! what shalt I say in your praise? Thou wert fair on the hill among thousands! he was terrible in fight. Speak to me; hear my voice; hear me, song of my love! They are silent; silent for ever! Cold, cold, are their breasts of clay! Oh! from the rock on the hill, from the top of the windy steep, speak, ye ghosts of the dead! speak, I will not be afraid! Whither are ye gone to rest? In what cave of the hill shall I find the departed? No feeble voice is on the gale: no answer half-drowned in the storm!

I sit in my grief; I wait for morning in my tears! Rear the tomb, ye friends of the dead. Close it not till Colma come. My life flies away like a dream: why should I stay behind? Here shall I rest with my friends, by the stream of the sounding rock. When night comes on the hilt; when the loud winds arise; my ghost shall stand in the blast, and mourn the death of my friends. The hunter shall hear from his booth. he shall fear but love my voice! For sweet shall my voice be for my friends: pleasant were her friends to Colma!

Such was thy song, Minona, softly-blushing daughter of Torman. Our tears descended for Colma, and our souls were sad! Ullin came with his harp! he gave the song of Alpin. The voice of Alpin was pleasant: the soul of Ryno was a beam of fire! But they had rested in the narrow house: their voice had ceased in Selma. Ullin had returned, one day, from the chase, before the heroes fell. He heard their strife on the hilt; their song was soft but sad! They mourned the fall of Morar, first of mortal men! His soul was like the soul of Fingal: his sword like the sword of Oscar. But he fell, and his father mourned: his sister's eyes were full of tears. Minona's eyes were full of tears, the sister of car-borne Morar. She retired from the song of Ullin, like the moon in the west, when she foresees the shower, and hides her fair head in a cloud. I touched the harp with Ullin; the song of mourning rose!

Ryno. The wind and the rain are past; calm is the noon of day. The clouds are divided in heaven. Over the green hills flies the inconstant sun. Red through the stony vale comes down the stream of the hill. Sweet are thy murmurs, O stream! but more sweet is the voice I hear. It is the voice of Alpin, the son of song, mourning for the dead! Bent is his head of age; red his tearful eye. Alpin, thou son of song, why alone on the silent hill? why complainest thou, as a blast in the wood; as a wave on the lonely shore?

Alpin. My tears, O Ryno! are for the dead; my voice for those that have passed away. Tall thou art on the hill; fair among the sons of the vale. But thou shalt fall like Morar; the mourner shall sit on thy tomb. The hills shall know thee no more; thy bow shall in thy hall unstrung.

Thou wert swift, O Morar! as a roe on the desert; terrible as a meteor of fire. Thy wrath was as the storm. Thy sword in battle, as lightning in the field. Thy voice was a stream after rain; like thunder on distant hills. Many fell by thy arm; they were consumed in the flames of thy wrath. But when thou didst return from war, how peaceful was thy brow! Thy face was like the sun after rain; like the moon in the silence of night; calm as the breast of the lake when the loud wind is laid.

Narrow is thy dwelling now! Dark the place of thine abode! With three steps I compass thy grave. O thou who wast so great before! Four stones, with their heads of moss, are the only memorial of thee. A tree with scarce a leaf, long grass, which whistles in the wind, mark to the hunter's eye the grave of the mighty Morar. Morar! thou art low indeed. Thou hast no mother to mourn thee; no maid with her tears of love. Dead is she that brought thee forth. Fallen is the daughter of Morglan.

Who on his staff is this? who is this whose head is white with age; whose eyes are red with tears? who quakes at every step? It is thy father, O Morar! the father of no son but thee. He heard of thy fame in war; he heard of foes dispersed. He heard of Morar's renown; why did he not hear of his wound? Weep, thou father of Morar! weep; but thy son heareth thee not. Deep is the sleep of the dead; low their pillow of dust. No more shall he hear thy voice; no more awake at thy call. When shall it be morn in the grave, to bid the slumberer awake Farewell, thou bravest of men! thou conqueror in the field! but the field shall see thee no more; nor the dark wood be lightened with the splendor of thy steel. Thou hast left no son. The song shall preserve thy name. Future times shall hear of thee; they shall hear of the fallen Morar.

The grief of all arose, but most the bursting sigh of Armin. He remembers the death of his son, who fell in the days of his youth. Carmor was near the hero, the chief of the echoing Galmal. Why burst the sigh of Armin? he said. Is there a cause to mourn? The song comes, with its music, to melt and please the soul. It is like soft mist, that, rising from a lake, pours on the silent vale; the green flowers are filled with dew, but the sun returns in his strength, and the mist is gone. Why art thou sad, O Armin, chief of sea-surrounded Gorma?

Sad I am! nor small is my cause of wo. Carmor, thou hast lost no son; thou hast lost no daughter of beauty. Colgar the valiant lives; and Annira, fairest maid. The boughs of thy house ascend, O Carmor! but Armin is the last of his race. Dark is thy bed, O Daura! deep thy sleep in the tomb! When shalt thou awake with thy songs? with all thy voice of music?

Arise, winds of autumn, arise; blow along the heath! streams of the mountains, roar! roar, tempests, in the groves of my oaks! walk through broken clouds, O moon! show thy pale face, at intervals! bring to my mind the night, when all my children fell; when Arindal the mighty fell! when Daura the lovely failed! Daura, my daughter! thou wert fair; fair as the moon on Fura , white as the driven snow; sweet as the breathing gale. Arindal, thy bow was strong. Thy spear was swift on the field. Thy look was like mist on the wave: thy shield, a red cloud in a storm. Armar, renowned in war, came, and sought Daura's love. He was not long refused: fair was the hope of their friends!

Erath, son of Odgal, repined: his brother had been slain by Armar. He came disguised like a son of the sea: fair was his skiff on the wave; white his locks of age; calm his serious brow. Fairest of women, he said, lovely daughter of Armin! a rock not distant in the sea bears a tree on its side: red shines the fruit afar! There Armar waits for Daura. I come to carry his love! She went; she called on Armar. Nought answered, but the son of the rock. Armar, my love! my love! why tormentest thou me with fear! hear, son of Arnart, hear: it is Daura who calleth thee! Erath the traitor fled laughing to the land. She lifted up her voice; she called for her brother and for her father. Arindal! Armin! none to relieve your Daura!

Her voice came over the sea. Arindal my son descended from the hill; rough in the spoils of the chase. His arrows rattled by his side; his bow was in his hand; five dark-gray dogs attended his steps. He saw fierce Erath on the shore: he seized and bound him to an oak. Thick wind the thongs of the hide around his limbs: he loads the winds with his groans . Arindal ascends the deep in his boat, to bring Daura to land. Armar came in his wrath, and let fly the gray-feathered shaft. It sunk, it sunk in thy heart, O Arindal, my son! for Erath the traitor thou diest. The oar is stopped at once; he panted on the rock and expired. What is thy grief, O Daura, when round thy feet is poured thy brother's blood! The boat is broke in twain. Armar plunges into the sea, to rescue his Daura, or die. Sudden a blast from a hill came over the waves. He sunk, and he rose no more.

Alone on the sea-beat rock, my daughter was heard to complain. Frequent and loud were her cries. What could her father do? All night I stood on the shore. I saw her by the faint beam of the moon. All night I heard her cries. Loud was the wind; the rain beat hard on the hill. Before morning appeared her voice was weak. it died away, like the evening breeze among the grass of the rocks. Spent with grief, she expired; and left thee, Armin, alone. Gone is my strength in war! fallen my pride among women! When the storms aloft arise; when the north lifts the wave on high! I sit by the sounding shore, and look on the fatal rock. Often by the setting moon, I see the ghosts of my children. Half viewless, they walk in mournful conference together. Will none of you speak in pity. They do not regard their father. I am sad, O Carmor, nor small is my cause of wo.

Such were the words of the bards in the days of song: when the king heard the music of harps, the tales of other times! The chiefs gathered from all their hills, and heard the lovely sound. They praised the voice of Cona; the first among a thousand bards! But age is now on my tongue; my soul has failed: I hear, at times, the ghosts of bards, and learn their pleasant Song. But memory fails on my mind. I hear the call of years; they say, as they pass along, Why does Ossian sing? Soon shall he lie in the narrow house, and no bard shall raise his fame! Roll on, ye dark-brown years; ye bring no joy on your course! Let the tomb open to Ossian, for his strength has failed. The sons of song are gone to rest. My voice remains, like a blast, that roars, lonely, on a sea-surrounded rock, after the winds are laid. The dark moss whistles there; the distant mariner sees the waving trees!

By "the son of the rock," the poet means the echoing back of the human voice from a rock.

Ossian is sometimes poetically called "the voice of Cona".

[...] Read more

poem by James Macpherson
Added by Poetry Lover
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Buckingham Palace

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
Alice is marrying one of the guard.
"A soldier's life is terrible hard,"
Says Alice.

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
We saw a guard in a sentry-box.
"One of the sergeants looks after their socks,"
Says Alice.

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
We looked for the King, but he never came.
"Well, God take care of him, all the same,"
Says Alice.

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
They've great big parties inside the grounds.
"I wouldn't be King for a hundred pounds,"
Says Alice.

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
A face looked out, but it wasn't the King's.
"He's much too busy a-signing things,"
Says Alice.

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
"Do you think the King knows all about me?"
"Sure to, dear, but it's time for tea,"
Says Alice.

poem by Alan Alexander Milne
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Sand-Between-The-Toes

I went down to the shouting sea,
Taking Christopher down with me,
For Nurse had given us sixpence each-
And down we went to the beach.

We had sand in the eyes and the ears and the nose,
And sand in the hair, and sand-between-the-toes.
Whenever a good nor'wester blows,
Christopher is certain of
Sand-between-the-toes.

The sea was galloping grey and white;
Christopher clutched his sixpence tight;
We clambered over the humping sand-
And Christopher held my hand.

We had sand in the eyes and the ears and the nose,
And sand in the hair, and sand-between-the-toes.
Whenever a good nor'wester blows,
Christopher is certain of
Sand-between-the-toes.

There was a roaring in the sky;
The sea-gulls cried as they blew by;
We tried to talk, but had to shout-
Nobody else was out.

When we got home, we had sand in the hair,
In the eyes and the ears and everywhere;
Whenever a good nor'wester blows,
Christopher is found with
Sand-between-the-toes.

poem by Alan Alexander Milne
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Song of Wink Star

The Song of Wink Star
a happy story for children of all ages
story and text © Raj Arumugam, June 2008

☼ ☼

☼ Preamble

Come…children all, children of all ages…sit close and listen…
Come and listen to this happy story of the stars and of life…
Come children of the universe, children of all nations and of all races, and of all climates and of all kinds of space and dimensions and universes…
Come, dearest children of all beings of the living universe, come and listen to The Song of Wink Star…

Come and listen to this story, this happy story…listen, as the story itself sings to you…

Sit close then, and listen to the story that was not made by any, or written by a poet, or fashioned by grandfathers and grandmothers warming themselves at the fire of burning stars…

O dearest children all, come and listen to the story that lives
of itself, and that glows bright and happy….

Come…children all, children of all ages, come and listen to this happy story, the story so natural and smooth as life, as it sings itself to you….

☼ The Song of Wink Star
a happy story for children of all ages

☼ 1

Night Child, always so light and gentle, slept on a flower.
And every night, before he went to sleep, he would look up at the sky.
He would look at the eastern corner, five o’clock.

And there he would see all the stars in near and distant galaxies that were only visible to the People of Star Eyes.

Night Child was one of the People of Star Eyes. And so he could see the stars. And of all the stars he could see, he loved to watch Wink Star.

Wink Star twinkled and winked and laughed.
Every night Wink Star did that. Winked and laughed.

[...] Read more

poem by Raj Arumugam
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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

[...] Read more

poem by Robinson Jeffers
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I Hear

(diana ross/stan scates)
What is this i hear
Falling softly in my ears
Quietly telling me to wipe away my tears
Yesterdays are gone
And love has cleared the way
No matter who you are
You can touch the stars
Life's interactions can make you smile
Just listen to the voice in your heart
The voice is near you, it's never too far
The voice is with you, where ever you are
It's closer than close, calling to your heart
I hear the voice of love
I hear the voice of love
The voice will never leave you
It lives deep down inside
It's calling you, asking you
To open up your heart
All things are achievable
Nothing is impossible
You can reach your highest high
You can make it if you try
Life's interactions can make you smile
Just listen to the voice in your heart
The voice is near you, it's never too far
The voice is with you, where ever you are
It's closer than close, calling to your heart
I hear the voice of love
I hear the voice of love
Follow where it leads you in the dark
The voice will guide your heart
The voice is always near
I hear the voice, i found the voice
From the mountains to the sea
The voice of love is calling me
Where ever you are, the voice is near you
It's never too far, the voice is with you
I hear the voice of love
I hear the voice of love
I hear the voice of love

song performed by Diana Ross
Added by Lucian Velea
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House At Pooh Corner

Christopher robin and I walked along
As the branches lit up by the moon
Posing our questions to owl and eyore
As our days disappeared all too soon
But I wandered much farther today than I should
And I cant seem to find my way back to the woods
So help me if you can Ive got to get
Back to the house at pooh corner by one
Youd be surprised theres so much to be done
Count all the bees in the hive
Chase all the clouds from the sky
Back to the days of christopher robin and pooh
Winnie the pooh doesnt know what to do
Got a honey jar stuck on his nose
Now he came to me asking help and advice
And from here no one knows where he goes
So I sent him to ask of the owl if hes there
How to loosen a jar from the nose of a bear
So help me if you can Ive got to get
Back to the house at pooh corner by one
Youd be surprised theres so much to be done
Count all the bees in the hive
Chase all the clouds from the sky
Back to the days of christopher robin and pooh
So help me if you can Ive got to get
Back to the house at pooh corner by one
Youd be surprised theres so much to be done
Count all the bees in the hive
Chase all the clouds from the sky
Back to the days of christopher robin
Back to the ways of christopher robin
Back to the ways of pooh

song performed by Indigo Girls
Added by Lucian Velea
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Tales Of A Wayside Inn : Part 3. The Landlord's Tale; The Rhyme of Sir Christopher

It was Sir Christopher Gardiner,
Knight of the Holy Sepulchre,
From Merry England over the sea,
Who stepped upon this continent
As if his august presence lent
A glory to the colony.

You should have seen him in the street
Of the little Boston of Winthrop's time,
His rapier dangling at his feet
Doublet and hose and boots complete,
Prince Rupert hat with ostrich plume,
Gloves that exhaled a faint perfume,
Luxuriant curls and air sublime,
And superior manners now obsolete!

He had a way of saying things
That made one think of courts and kings,
And lords and ladies of high degree;
So that not having been at court
Seemed something very little short
Of treason or lese-majesty,
Such an accomplished knight was he.

His dwelling was just beyond the town,
At what he called his country-seat;
For, careless of Fortune's smile or frown,
And weary grown of the world and its ways,
He wished to pass the rest of his days
In a private life and a calm retreat.

But a double life was the life he led,
And, while professing to be in search
Of a godly course, and willing, he said,
Nay, anxious to join the Puritan church,
He made of all this but small account,
And passed his idle hours instead
With roystering Morton of Merry Mount,
That pettifogger from Furnival's Inn,
Lord of misrule and riot and sin,
Who looked on the wine when it was red.

This country-seat was little more
Than a cabin of log's; but in front of the door
A modest flower-bed thickly sown
With sweet alyssum and columbine
Made those who saw it at once divine
The touch of some other hand than his own.
And first it was whispered, and then it was known,
That he in secret was harboring there

[...] Read more

poem by Henry Wadsworth Longfellow
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The Jungle Book [Hibernation]

Cast: Neel Sethi, Bill Murray (voice), Ben Kingsley (voice)

clip from The Jungle Book, directed by Jon Favreau, screenplay by Justin Marks, inspired by Rudyard Kipling (2016)
Added by Veronica Serbanoiu
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The Jungle Book [Mowgli Leaves the Pack]

Cast: Neel Sethi, Ben Kingsley (voice), Lupita Nyong'o (voice)

clip from The Jungle Book, directed by Jon Favreau, screenplay by Justin Marks, inspired by Rudyard Kipling (2016)
Added by Veronica Serbanoiu
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Book IV - Part 03 - The Senses And Mental Pictures

Bodies that strike the eyes, awaking sight.
From certain things flow odours evermore,
As cold from rivers, heat from sun, and spray
From waves of ocean, eater-out of walls
Around the coasts. Nor ever cease to flit
The varied voices, sounds athrough the air.
Then too there comes into the mouth at times
The wet of a salt taste, when by the sea
We roam about; and so, whene'er we watch
The wormword being mixed, its bitter stings.
To such degree from all things is each thing
Borne streamingly along, and sent about
To every region round; and Nature grants
Nor rest nor respite of the onward flow,
Since 'tis incessantly we feeling have,
And all the time are suffered to descry
And smell all things at hand, and hear them sound.
Besides, since shape examined by our hands
Within the dark is known to be the same
As that by eyes perceived within the light
And lustrous day, both touch and sight must be
By one like cause aroused. So, if we test
A square and get its stimulus on us
Within the dark, within the light what square
Can fall upon our sight, except a square
That images the things? Wherefore it seems
The source of seeing is in images,
Nor without these can anything be viewed.

Now these same films I name are borne about
And tossed and scattered into regions all.
But since we do perceive alone through eyes,
It follows hence that whitherso we turn
Our sight, all things do strike against it there
With form and hue. And just how far from us
Each thing may be away, the image yields
To us the power to see and chance to tell:
For when 'tis sent, at once it shoves ahead
And drives along the air that's in the space
Betwixt it and our eyes. And thus this air
All glides athrough our eyeballs, and, as 'twere,
Brushes athrough our pupils and thuswise
Passes across. Therefore it comes we see
How far from us each thing may be away,
And the more air there be that's driven before,
And too the longer be the brushing breeze
Against our eyes, the farther off removed
Each thing is seen to be: forsooth, this work
With mightily swift order all goes on,
So that upon one instant we may see

[...] Read more

poem by Lucretius
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