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Central Intelligence

Cast: Dwayne Johnson, Aaron Paul, Kevin Hart, Amy Ryan, Ryan Hansen, Megan Park, Danielle Nicolet, Kristen Annese

trailer for Central Intelligence, directed by Rawson Marshall Thurber (2016)Report problemRelated quotes
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Healthy Back Bag

animated bag of chips
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Central Intelligence [trailer 2]

Cast: Dwayne Johnson, Aaron Paul, Kevin Hart, Amy Ryan, Ryan Hansen, Megan Park, Danielle Nicolet, Kristen Annese

trailer for Central Intelligence, directed by Rawson Marshall Thurber (2016)Report problemRelated quotes
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Handles Bermuda

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How the Boy Stole Christmas

Based on 'How the Grinch Stole Christmas', by Dr. Seuss.
Done for a school project=)

Once, upon a falling snowflake,
In a land far, far away,
There lived all the Whats,
Preparing for Christmas day.

There was one What that stuck out,
The richest What of them all,
He had light brown hair, and big brown eyes
His given name was Paul.

Paul was a greedy boy,
His best friend was Ebenezer Scrooge
And anytime Paul lied,
His little nose turned huge!

Paul was the only What in Whattown,
That really hated this time of the year,
He ruined all the children’s fun,
His pranks were in full gear.

Paul thought Christmas was just trouble,
He only thought of himself,
He thought that Santa Claus was stupid,
And hurt the feelings of every single elf.

He hated everybody that liked Christmas,
There was only one exception of his,
A beautiful What named Rachel,
Whom he never wanted to diss.

Now every story has a problem,
And this one’s is pretty big,
Paul crushed on the Christmas-lover Rachel,
But Rachel thought Paul was a pig.

You see, Rachel was an EXTREME Christmas fanatic,
Loving every aspect of it,
She volunteered everywhere that she could,
And her money? Donated every bit.

She helped out at school and Church,
Sang carols at the old folks’ home,
Baked cookies with younger children,
Made ornaments out of foam.

Rachel hated anybody that hated Christmas,
She was like a packaged deal,

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Luggage Canada

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Amys In The Attic

Mr. piser, I think you should come up here
Amys in the attic and brain has gone ecstatic
Not another day of all the suffering and pain I was just a little boy ever so naive
Amy was my best friend, I never want to hurt her
I never wanna ever wanna think about her murder
On the playground, I chase her down the slide
I chase her cross the monkey bars and she would run and hide
Jinglin and tumbling, I pushed her off the sled
Amy coincidently hit her head
Dumbling inside my brain, down came the wade
Amy isnt answering, who would get the blame?
Amy isnt laughing, amy isnt crying
Amy isnt really breathing, God I think shes dying
Suddenly, the air is cold I must get her inside
Even though she died, amy has to hide
Nobody must ever know that I made amy sick
Lock her up forever in the attic
Maybe it is best to die, thinking did she really die
Im thinking if its really true then how come I am telling you
And if I really meant to do it, should I be a victim to
Should I walk the terror stairs, and savior all my
Terror fears, no
Mr. piser, I think you should come up here
Amys in the attic and my brain has gone ecstatic
Every day I suffer but eleven years have passed
How long will this keep and the nightmares last
Sitting in my living room, another strange feeling
I think Im hearing tiny footsteps on the ceiling
Looking in my mirror, the image isnt clear
I feel as if a little girl is standing at my rear and
Then I awake at the blink of an eye
Voices from the attic yellin, why?
What if amy wasnt dead living in the box
Banging on the walls, rattling the locks
Feeding on the roaches, rodents, and filth
And when theres nothing left, she feeds off herself
Why do I think in amy of this way?
She was once a lovely girl running out to play
Maybe its all a dream insane fanatic
Maybe theres no amy in the attic after all
Maybe it is best to die, thinking did she really die
Im thinking if its really true then how come I am telling you
And if I really meant to do it, should I be a victim to
Should I walk the terror stairs, and savior all my
Terror fears, no
Mr. piser, I think you should come up here
Amys in the attic and my brain has gone ecstatic
Maybe it is best to die, thinking did she really die
Im thinking if its really true then how come I am telling you
And if I really meant to do it, should I be a victim to

[...] Read more

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Christina Georgina Rossetti

Maiden-Song

Long ago and long ago,
And long ago still,
There dwelt three merry maidens
Upon a distant hill.
One was tall Megan,
And one was dainty May,
But one was fair Margaret,
More fair than I can say,
Long ago and long ago.

When Megan plucked the thorny rose,
And when May pulled the brier,
Half the birds would swoop to see,
Half the beasts draw nigher;
Half the fishes of the streams
Would dart up to admire:
But when Margaret plucked a flag-flower,
Or poppy hot aflame,
All the beasts and all the birds
And all the fishes came
To her hand more soft than snow.

Strawberry leaves and May-dew
In brisk morning air,
Strawberry leaves and May-dew
Make maidens fair.
'I go for strawberry leaves,'
Megan said one day:
'Fair Margaret can bide at home,
But you come with me, May;
Up the hill and down the hill,
Along the winding way 30
You and I are used to go.'

So these two fair sisters
Went with innocent will
Up the hill and down again,
And round the homestead hill:
While the fairest sat at home,
Margaret like a queen,
Like a blush-rose, like the moon
In her heavenly sheen,
Fragrant-breathed as milky cow
Or field of blossoming bean,
Graceful as an ivy bough
Born to cling and lean;
Thus she sat to sing and sew.

When she raised her lustrous eyes
A beast peeped at the door;

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Amy Lowell

The Shadow

Paul Jannes was working very late,
For this watch must be done by eight
To-morrow or the Cardinal
Would certainly be vexed. Of all
His customers the old prelate
Was the most important, for his state
Descended to his watches and rings,
And he gave his mistresses many things
To make them forget his age and smile
When he paid visits, and they could while
The time away with a diamond locket
Exceedingly well. So they picked his pocket,
And he paid in jewels for his slobbering kisses.
This watch was made to buy him blisses
From an Austrian countess on her way
Home, and she meant to start next day.


Paul worked by the pointed, tulip-flame
Of a tallow candle, and became
So absorbed, that his old clock made him wince
Striking the hour a moment since.
Its echo, only half apprehended,
Lingered about the room. He ended
Screwing the little rubies in,
Setting the wheels to lock and spin,
Curling the infinitesimal springs,
Fixing the filigree hands. Chippings
Of precious stones lay strewn about.
The table before him was a rout
Of splashes and sparks of coloured light.
There was yellow gold in sheets, and quite
A heap of emeralds, and steel.
Here was a gem, there was a wheel.
And glasses lay like limpid lakes
Shining and still, and there were flakes
Of silver, and shavings of pearl,
And little wires all awhirl
With the light of the candle. He took the watch
And wound its hands about to match
The time, then glanced up to take the hour
From the hanging clock.
Good, Merciful Power!
How came that shadow on the wall,
No woman was in the room! His tall
Chiffonier stood gaunt behind
His chair. His old cloak, rabbit-lined,
Hung from a peg. The door was closed.
Just for a moment he must have dozed.
He looked again, and saw it plain.

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Once In Love With Amy

I caught you sir
Having a look at her
As she went strolling by
Now didn't your heart go
Boom,boom,boom,boom,boom
And didn't you sigh a sigh
I warned you sir
Never to dream of her
Just bid such thoughs begone
Or it'll be
Boom,boom,boom,boom,boom,boom,boom
Boom,boom,boom,boom
From then on
For once in love with Amy
Always in love with Amy
Ever and ever fasinated by her
Sets your heart a fire to stay
Once you're kissed by Amy
Tear up your list it's Amy
Ply her with bon-bons, poetry,and flowers
Moon a million hours away
You might be quiet the fickle hearted rover
So care free and bold
Who loves a girl
And later thinks it over
And just quits cold
But once in love with Amy
Alway in love with Amy
Ever and ever sweetly you'll romance her
Trouble is the answer will be
That Amy rather stay in love with me
Da,da,da,da,da,da,da,da,da,da
Ever and ever fasinated by her
(Barry talks) oh I just love this song so much
I want everybody to sing along with me
Once your kissed by Amy
(backround singers)once your kissed by Amy
(Barry)tear up your list it's Amy
(backround singers)tear up your list it's Amy
(Barry) ply her with bon-bon,poetry,and flowers
(backround singers)ply her with bon-bons, poetry,and flowers
(Barry) moon a million hours away
(backround singers)moon a million hours away
(Barry)come on let me take it please
You might be quite the fickle hearted rover
So care free and bold
Who loves a girl and later thinks it over
And just quits cold
(Barry)everybody sing
Once in love with Amy

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Byron

Canto the Eighth

I
Oh blood and thunder! and oh blood and wounds!
These are but vulgar oaths, as you may deem,
Too gentle reader! and most shocking sounds:
And so they are; yet thus is Glory's dream
Unriddled, and as my true Muse expounds
At present such things, since they are her theme,
So be they her inspirers! Call them Mars,
Bellona, what you will -- they mean but wars.

II
All was prepared -- the fire, the sword, the men
To wield them in their terrible array.
The army, like a lion from his den,
March'd forth with nerve and sinews bent to slay, --
A human Hydra, issuing from its fen
To breathe destruction on its winding way,
Whose heads were heroes, which cut off in vain
Immediately in others grew again.

III
History can only take things in the gross;
But could we know them in detail, perchance
In balancing the profit and the loss,
War's merit it by no means might enhance,
To waste so much gold for a little dross,
As hath been done, mere conquest to advance.
The drying up a single tear has more
Of honest fame, than shedding seas of gore.

IV
And why? -- because it brings self-approbation;
Whereas the other, after all its glare,
Shouts, bridges, arches, pensions from a nation,
Which (it may be) has not much left to spare,
A higher title, or a loftier station,
Though they may make Corruption gape or stare,
Yet, in the end, except in Freedom's battles,
Are nothing but a child of Murder's rattles.

V
And such they are -- and such they will be found:
Not so Leonidas and Washington,
Whose every battle-field is holy ground,
Which breathes of nations saved, not worlds undone.
How sweetly on the ear such echoes sound!
While the mere victor's may appal or stun
The servile and the vain, such names will be
A watchword till the future shall be free.

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Gimme The Light Remix,

[Intro]
[Busta Rhymes:] Ay yo Sean Paul!!!
[Sean Paul:] Yo yo
[Busta Rhymes:] A Busta Rhymes this yuh know
[Sean Paul:] Wah gwaan
[Busta Rhymes]
Pass me the blow torch let me light up this big head nigga
[Sean Paul:] No doubt
[Busta Rhymes:] Bring dat come rudebwoy
[Sean Paul:] A Dutty Yeah!!!
[Busta Rhymes:] Flipmode check it!!!
[Chorus (Busta Rhymes):]
Just gimme the light and pass the dro! Buss anotha bokkle a moe
(Huh huh huh huh huh come on)
Gal dem inna mi sight and I got to know (Yeah, yeah)
Which one is gonna catch my flow (Busta Bus now)
Cause I'm inna di vibe and I got my dough! (Yeah, Sean Paul now)
Buss anotha bokkle a moe
(Remix, remix, remix) Gal dem lookin hype and I got to know!!!
[Verse 1: Busta Rhymes]
Yeah yeah check it, clap oonu hand oonu fi clap oonu hand
Busta Bus inna di place oonu fi clap oonu hand
Seh mi and Sean Paul link up come fi create a plan
To go a dancehall buss it up and mek couple grand
Run the streets you never move without the rest of the clan
With a nine in the door panel in the side of the van
Despite the hate that be always comin for you and your man
It's Flipmode and Sean Paul nigga, understand
[Sean Paul]
Tell dem nuh ready fi di level weh di Dutty deh pon
Turn up di bass and di treble music a di weopen
Gal a whine up dem waist like a phenomenom
All over di world oonu fi sing this a song yo
[Chorus]
Just gimme the light and pass the dro! Buss anotha bottle a moe
Gal dem inna mi sight and I got to know (Yo, yo, yo yo yo)
Which one is gonna catch my flow
Cause mi inna di vibe and I got my dough! (Flipmode baby!!!)
Buss anotha bottle a moe (Come on, Sean Paul baby!!!)
Gal dem lookin hype and I got to know!!!
(Come on, yeah, yeah, Busta Bus now!!!)
[Verse 2: Busta Rhymes]
We be blazin cellular phones in wire or cingular
And still gotta connect to smoke a piece of the rizla
See if you could in a philly or a chalice I'm givin you
The chance to smoke up until a ugly chick look like Vivica Fox
Clap oonu hand oonu fi clap oonu hand
Busta Bus inna di place oonu fi clap oonu hand
Seh mi and Sean Paul link up come fi create a plan
To go a dancehall buss it up and mek couple grand

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The Brus Book 20

King Robert in Northumberland]

Sone eftre that the erle Thomas
Fra Wardaill thus reparyt was
The king assemblyt all his mycht
And left nane that wes worth to fycht,
5 A gret ost than assemblit he
And delt his ost in partis thre.
A part to Norame went but let
And a stark assege has set
And held thaim in rycht at thar dyk,
10 The tother part till Anwyk
Is went and thar a sege set thai,
And quhill that thir assegis lay
At thir castellis I spak off ar,
Apert eschewys oft maid thar war
15 And mony fayr chevalry
Eschevyt war full douchtely.
The king at thai castellis liand
Left his folk, as I bar on hand
And with the thrid ost held hys way
20 Fra park to park hym for to play
Huntand as all hys awn war,
And till thaim that war with him thar
The landis off Northummyrland
That neyst to Scotland war liand
25 In fe and heritage gave he,
And thai payit for the selys fe.

[The peace with England]

On this wys raid he destroyand
Quhill that the king of Ingland
Throu consaill of the Mortymar
30 And his moder that that tym war
Ledaris of him that than young wes
To King Robert to tret off pes
Send messyngeris, and sua sped thai
That thai assentyt on this way
35 Than a perpetuale pes to tak,
And thai a mariage suld mak
Off the King Robertis sone Davy
That than bot fyve yer had scarsly
And off Dame Jhone als off the Tour
40 That syne wes of full gret valour,
Systre scho wes to the ying king
That had Ingland in governyng,
That than of eild had sevyn yer.
And monymentis and lettrys ser
45 That thai of Ingland that tyme had

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Mephisto And Kevin

In 1986, the University of Californa at Davis
saw two of its all-time brightest stars,
Dr. Alphonse Mephisto and Dr. Arnie Abesacraben.
Dr. Mephisto worked hard towards his thesis - his goal
was to genetically duplicate the DNA structure of Asparagus,
so that all Asparagus would grow to the same girth and length,
Giving Asparagus a much more pleasent presentation in the world's
supermarkter vegetable bins.
Dr. Abesacraben's goal was to genetically create the greatest
musical entertainer the world had ever seen.
Dr. Abesacraben knew that if he could assemble the right elements,
he could theoretically build a DNA structure that would ensure
his creation had talent far surpassing the average individual.
At the time, one subject of urban myth was the story that
Michael Jackson - in an effort to maintain his youthful look and
feminie vocal characteristics - had his testicles surgically removed,
thereby making him a modern-day castrato.
If such a rumor were true, Michael Jackson more that likely would have
had some of his semen preserved before the surgery, to ensure his the
future of his name and lineage.
Word came back to Dr. Abesacraben of a secret cold storage locker
deep within the bowels of the UCLA research center, that not only
contained four containers of frozen semen, but also held a pair of
testicles, each was labeled with the name "Jack Michaelson".
I once heard a noise,
In the night the most sensual voice.
Song of love from a eight year-old boy,
Stuck in my head.
And this is what he said:
I am gopher boy!
Pondering reality!
I am gopher boy!
Who will buy my raspberries?
This had to be the seed of the king of pop!
Dr. Abesacraben was able to use his charm and and chissled Greek
feature to woo a young lab technician by the name of Jennifer, who of
course happened to have the proper access needed to obtain a small vial
of the precious semen.
The search for the egg was a short one - Dr. Mephisto simply ran an ad
in the classified section of an airline music magazine.The ad read:
"Wanted: unfertilized human eggs for genetic experiment.Donors must
have musical background."With a pleathera of young, eager wanna-be
music starlets willing to sell their eggs, the two doctors - after
rigorous
auditioning - picked... and purchased.
Dr. Abesacraben felt that it would be far less complicated legally if the
fetus were brought to term in the womb of a non-human.He had long since
secured the services of the University volleyball mascot, a llama by the
name of "Missy".
When the baby was ready, the child via cesarean.It was a healthy baby

[...] Read more

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Mephisto & Kevin

In 1986, the university of californa at davis
Saw two of its all-time brightest stars,
Dr. alphonse mephisto and dr. arnie abesacraben.
Dr. mephisto worked hard towards his thesis - his goal
Was to genetically duplicate the dna structure of asparagus,
So that all asparagus would grow to the same girth and length,
Giving asparagus a much more pleasent presentation in the worlds
Supermarkter vegetable bins.
Dr. abesacrabens goal was to genetically create the greatest
Musical entertainer the world had ever seen.
Dr. abesacraben knew that if he could assemble the right elements,
He could theoretically build a dna structure that would ensure
His creation had talent far surpassing the average individual.
At the time, one subject of urban myth was the story that
Michael jackson - in an effort to maintain his youthful look and
Feminie vocal characteristics - had his testicles surgically removed,
Thereby making him a modern-day castrato.
If such a rumor were true, michael jackson more that likely would have
Had some of his semen preserved before the surgery, to ensure his the
Future of his name and lineage.
Word came back to dr. abesacraben of a secret cold storage locker
Deep within the bowels of the ucla research center, that not only
Contained four containers of frozen semen, but also held a pair of
Testicles, each was labeled with the name jack michaelson.
I once heard a noise,
In the night the most sensual voice.
Song of love from a eight year-old boy,
Stuck in my head.
And this is what he said:
I am gopher boy!
Pondering reality!
I am gopher boy!
Who will buy my raspberries?
This had to be the seed of the king of pop!
Dr. abesacraben was able to use his charm and and chissled greek
Feature to woo a young lab technician by the name of jennifer, who of
Course happened to have the proper access needed to obtain a small vial
Of the precious semen.
The search for the egg was a short one - dr. mephisto simply ran an ad
In the classified section of an airline music magazine. the ad read:
Wanted: unfertilized human eggs for genetic experiment. donors must
Have musical background. with a pleathera of young, eager wanna-be
Music starlets willing to sell their eggs, the two doctors - after
Rigorous
Auditioning - picked... and purchased.
Dr. abesacraben felt that it would be far less complicated legally if the
Fetus were brought to term in the womb of a non-human. he had long since
Secured the services of the university volleyball mascot, a llama by the
Name of missy.
When the baby was ready, the child via cesarean. it was a healthy baby

[...] Read more

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In Pursuit of the Poetic Soul of Ryan Adams

In Pursuit of the Poetic Soul of Ryan Adams

By Uriah Lee Hamilton

Last day of summer, football Saturday afternoon. A Warm breeze was pushing me toward Ann Arbor like a happy autumn leaf in pursuit of the beautiful poetic soul of Ryan Adams. Lovely charming mood all the way playing Easy Tiger and Demolition and feeling like the universe was kind and smiling.
Exit off 94 West onto State Street and all excited to make my way to Liberty Street and the heart of the College town I love. Kids were milling around everywhere in their gold and blue, gleeful and happy that Michigan is now playing 500 football after a discouraging start. Parking spaces across the street from Michigan Theater in the parking structure are all taken, I have to drive to the roof and still wait for a football fan to leave.
Me and my friend Cassandra start walking around and dig everything and everyone we see. Ann Arbor brings out your gentle Jack Kerouac nature, the part of you that wants to praise everything for it’s sad but beautiful, integral purpose to this existence.
We enter an Eastern clothing and folk art store that is positively charming and enlightening. I can’t remember the name of the store. Perhaps, it is called the Enchanted Sarong. It almost felt like George Harrison was there with us, beautiful carved statues of Buddha and Krishna and Ganesha were everywhere. The sales lady was friendly and helpful and said sweetly, “we’re Om friendly” as we asked about carved symbols for the breath-word Om. The serene incense Nag Champa drifted through the room but it was now time to leave and make our way to the Ryan Adams concert at Michigan Theater.
I purchased my tickets the very minute they went on sale and prayed I had front row despite my tickets saying double A. No Such luck, but I was still happy to be in row 27. As I was waiting for the show to begin, I saw my concert friend Jeremy and got his attention. He looked as happy and as excited as myself and said he had spent a fortune at some cool record store. Jeremy then handed me a beautiful soundboard copy of Ryan Adams at the Gem Theater in downtown Detroit June 20th 2007. Man, how I’ve been longing for that show! I then gave Jeremy a copy of Ryan’s punk rock band the Finger.
Now the lights go out and the music begins. Ryan Opens with Goodnight Rose and closes with Goodnight Hollywood Boulevard. Everything in-between is just magical. The first auspicious sign was that Ryan came out playing guitar! ! In June, he only sang, he didn’t play any instruments, some injury sidelined him. The June Show as a result was more subtle, almost like MTV Unplugged. Subtle but amazing. Last night was more rocking and adventurous with reworked extended arrangements, ala the Grateful Dead. In particular was a long and lovely version of Off Broadway from Easy Tiger. At the completion of Off Broadway, I shouted, “That was gorgeous! ” Of course, I may have added an expletive, all in the interest of ecstatic joy for music.
Ryan told a story during the show about running into a girl on her way to the concert that didn’t recognize him because he dresses like a plumber. My friend after the show said she thought she saw Ryan Adams on the street near the theater. I asked, “Really? ” She said, “I saw someone that looked like a plumber.” I can say, I didn’t see Ryan on the streets anywhere in Ann Arbor yesterday, but I have been known to miss a plumber or two in my day.
The first two songs in the encore made the whole show for me. Ryan came out by himself with an acoustic guitar and sang Call Me On Your Way Back Home. Toward the end of the song, Ryan played harmonica and I screamed like a schoolgirl, pretty much the way I do whenever Bobby Dylan plays harmonica! And if that wasn’t enough to make the end of summer completely magical, Ryan then sat down at the piano and sang Sylvia Plath: Oh my God, the point of tears! I’ve waited six years to hear him sing that song live from the Album Gold. As I told my friend, that was the song that sealed the deal making Ryan Adams my modern hero! If you want to get my attention and loyalty, sing about one of the tragic poets I love.

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Johnson’s Antidote

Down along the Snakebite River, where the overlanders camp,
Where the serpents are in millions, all of the most deadly stamp;
Where the station-cook in terror, nearly every time he bakes,
Mixes up among the doughboys half-a-dozen poison-snakes:
Where the wily free-selector walks in armour-plated pants,
And defies the stings of scorpions, and the bites of bull-dog ants:
Where the adder and the viper tear each other by the throat,—
There it was that William Johnson sought his snake-bite antidote.
Johnson was a free-selector, and his brain went rather queer,
For the constant sight of serpents filled him with a deadly fear;
So he tramped his free-selection, morning, afternoon, and night,
Seeking for some great specific that would cure the serpent’s bite.
Till King Billy, of the Mooki, chieftain of the flour-bag head,
Told him, “Spos’n snake bite pfeller, pfeller mostly drop down dead;
Spos’n snake bite old goanna, then you watch a while you see,
Old goanna cure himself with eating little pfeller tree.”
“That’s the cure,” said William Johnson, “point me out this plant sublime,”
But King Billy, feeling lazy, said he’d go another time.
Thus it came to pass that Johnson, having got the tale by rote,
Followed every stray goanna, seeking for the antidote.


. . . . .
Loafing once beside the river, while he thought his heart would break,
There he saw a big goanna fighting with a tiger-snake,
In and out they rolled and wriggled, bit each other, heart and soul,
Till the valiant old goanna swallowed his opponent whole.
Breathless, Johnson sat and watched him, saw him struggle up the bank,
Saw him nibbling at the branches of some bushes, green and rank;
Saw him, happy and contented, lick his lips, as off he crept,
While the bulging in his stomach showed where his opponent slept.
Then a cheer of exultation burst aloud from Johnson’s throat;
“Luck at last,” said he, “I’ve struck it! ’tis the famous antidote.

“Here it is, the Grand Elixir, greatest blessing ever known,—
Twenty thousand men in India die each year of snakes alone.
Think of all the foreign nations, negro, chow, and blackamoor,
Saved from sudden expiration, by my wondrous snakebite cure.
It will bring me fame and fortune! In the happy days to be,
Men of every clime and nation will be round to gaze on me—
Scientific men in thousands, men of mark and men of note,
Rushing down the Mooki River, after Johnson’s antidote.
It will cure delirium tremens, when the patient’s eyeballs stare
At imaginary spiders, snakes which really are not there.
When he thinks he sees them wriggle, when he thinks he sees them bloat,
It will cure him just to think of Johnson’s Snakebite Antidote.”

Then he rushed to the museum, found a scientific man—
“Trot me out a deadly serpent, just the deadliest you can;
I intend to let him bite me, all the risk I will endure,

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The Brus Book XI

[Criticism of the compact about Stirling Castle]

And quhen this connand thus wes mad
Schir Philip intill Ingland raid
And tauld the king all haile his tale,
How he a tuelf moneth all hale
5 Had as it writyn wes in thar taile
To reskew Strevillyne with bataill.
And quhen he hard Schyr Philip say
That Scottismen had set a day
To fecht and that sic space he had
10 To purvay him he wes rycht glaid,
And said it wes gret sukudry
That set thaim apon sic foly,
For he thocht to be or that day
Sa purvayit and in sic aray
15 That thar suld nane strenth him withstand,
And quhen the lordis off Ingland
Herd that this day wes set planly
Thai jugyt all to gret foly,
And thoucht to haiff all thar liking
20 Giff men abaid thaim in fechting,
Bot oft faillys the fulis thocht
And yeit wys mennys ay cummys nocht
To sic end as thai wene allwayis.
A litill stane oft, as men sayis,
25 May ger weltyr a mekill wayn,
Na mannys mycht may stand agayn
The grace off God that all thing steris,
He wate quhat till all thing afferis
And disponys at his liking
30 Efter his ordynance all thing.

[King Robert criticises his brother]

Quhen Schyr Edward, as I you say,
Had gevyn sa outrageous a day
To yeld or reskew Strevillyne,
Rycht to the king he went him syne
35 And tauld quhat tretys he had mad
And quhat day he thaim gevyn had.
The king said quhen he hard the day,
'That wes unwisly doyn, perfay.
Ik herd never quhar sa lang warnyng
40 Wes gevyn to sa mychty a king
As is the king off Ingland,
For he has now intill hand
Ingland, Ireland and Walis alsua
And Aquitayngne yeit with all tha,
45 And off Scotland yeit a party

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Make It Clap

[Intro: Sean Paul (Busta Rhymes)]
We make it clap, we make it clap (Huh!)
Yeah yeah yeah (Flipmode!!!) Busta Rhymes (Busta Rhymes!!!)
Sean-A-Paul (Sean Paul!!!)
One more time (Ha!!!) kill 'em with a rhyme (Huh!!!)
Remix time (remix!!!) a dutty yeah, yo, Spliff Star (Spliff!!!)
Flipmode Squad (Ha!!!) we kill 'em with a rhyme, a dutty yeah
[Verse 1: Busta Rhymes]
Cau mi seh jump up clap oonu hand and siddung get up
And mi nah wig out mek everybody flip out oonu fi carry on
To get tired I waan chillout, all a di gal a sweat out
Mek your body keep clappin on
[Sean Paul]
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands, so push it up deh
[Busta Rhymes]
Back with the remix with Spliff and Sean-A-Paul on the corner
Can't believe when we do it we smack it down how we wanna
Keepin it comin keepin it goin cause we ain't playin
I'm talkin to all my people cause what I'm sayin is
[Chorus: Busta Rhymes]
In case you ain't know and in case you ain't heard
And if you want us to set it just give me the word
This one goes out to my soldiers that be flippin them birds
To all my shorties wigglin they shakin they curves
[Sean Paul]
We make it clap, we make it clap, we make it clap, we make it clap
[Verse 2: Spliff Star]
Poor snapper, lookin at shorty shakin it and makin it clap
Booty big pokin out like twenties on the lap
When I give it to her shorty know how to throw it back
Booty bangin to the beat sometimes we overlap-sing
Gal peel out your blouse and your tight-jeans
Let me lick you down dip you with some ice-cream
Gal holla holla my name when I slide-in
Thunderstorm, rain, sleet and light-ning
Hold me tight feel the triniman grin-ding and grin-ding and grin-ding
Gal dip and bounce start whin-ning
You see Spliff, Sean Paul and Busta Rhymes, seen
([Busta Rhymes:] We got dough) You could tell by what we dri-ving
([Busta Rhymes:] Lookin to chose) How it's different and blin-ding
And blin-ding and blin-ding it's like that make it clap now
[Chorus]
[Sean Paul]

[...] Read more

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Make It Clap (remix)

[Sean Paul]
We make it clap, we make it clap (Huh!)
Yeah yeah yeah (Flipmode!!!) Busta Rhymes (Busta Rhymes!)
Sean-A-Paul (Sean Paul!)
One more time (Ha!) kill 'em with a rhyme (Huh!)
Remix time (remix!) a Dutty yeah, yo, Spliff Star (Spliff!)
Flipmode Squad (Ha!) we kill 'em with a rhyme, a dutty yeah
[Busta Rhymes]
Cau mi seh jump up clap oonu hand and siddung get up
And mi nah wig out mek everybody flip out oonu fi carry on
To get tired I waan chillout, all a di gal a sweat out
Mek your body keep clappin on
[Sean Paul]
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands, so push it up deh
[Busta Rhymes]
Back with the remix with Spliff and Sean-A-Paul on the corner
Can't believe when we do it we smack it down how we wanna
Keepin it comin keepin it goin cause we ain't playin
I'm talkin to all my people cause what I'm sayin is
[Busta Rhymes]
In case you ain't know and in case you ain't heard
And if you want us to set it just give me the word
This one goes out to my soldiers that be flippin them birds
To all my shorties wigglin they shakin they curves
[Sean Paul]
We make it clap,
We make it clap,
We make it clap,
We make it clap
[Spliff Star]
Poor snapper, lookin at shorty shakin it and makin it clap
Booty big pokin out like twenties on the lap
When I give it to her shorty know how to throw it back
Booty bangin to the beat sometimes we overlap-sing
Gal peel out your blouse and your tight-jeans
Let me lick you down dip you with some ice-cream
Gal holla holla my name when I slide-in
Thunderstorm, rain, sleet and light-ning
Hold me tight feel the triniman grin-ding and grin-ding and grin-ding
Gal dip and bounce start whin-ning
You see Spliff, Sean Paul and Busta Rhymes, seen
(We got dough) You could tell by what we dri-ving
(Lookin to chose) How it's different and blin-ding

[...] Read more

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The Court Of Love

With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.


The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right


No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.


Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,


That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.


But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:

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