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Open Season: Scared Silly

Cast: Melissa Sturm

trailer for Open Season: Scared Silly, directed by David Feiss (2016)
Added by Veronica Serbanoiu
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Melissa (live)

Melissa" is an Allman Brothers Band song from 1972. A live IG
version appears on "Shades of Indigo."
Melissa.
Crossroads seem to come and go
The gypsy flies from coast to coast
Knowing many, loving none
Bearing sorrow, having fun
But back home he'll always run
To sweet Melissa.
Freight train, each car looks the same - all the same
No one knows the gypsy's name
No one hears his lonely sighs
There are no blankets where he lies
In all his deepest dreams the gypsy flies
With sweet Melissa.
Again the morning's come
Again he's on the run
Sunbeams shining through his hair
Appearing not to have a care
Pick up your gear, and, gypsy, roll on, roll on
Crossroads, will you ever let him go?
Will you hide the dead man's ghost?
Will he lie beneath the clay?
Will his spirit float away?
But I know that he won't stay
Without Melissa
Yes, I know that he won't stay
Without Melissa

song performed by Indigo Girls
Added by Lucian Velea
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Orlando Furioso Canto 3

ARGUMENT
Restored to sense, the beauteous Bradamant
Finds sage Melissa in the vaulted tomb,
And hears from her of many a famous plant
And warrior, who shall issue from her womb.
Next, to release Rogero from the haunt
Of old Atlantes, learns how from the groom,
Brunello hight, his virtuous ring to take;
And thus the knight's and others' fetters break.

I
Who will vouchsafe me voice that shall ascend
As high as I would raise my noble theme?
Who will afford befitting words, and lend
Wings to my verse, to soar the pitch I scheme?
Since fiercer fire for such illustrious end,
Than what was wont, may well my song beseem.
For this fair portion to my lord is due
Which sings the sires from whom his lineage grew.

II
Than whose fair line, 'mid those by heavenly grace
Chosen to minister this earth below,
You see not, Phoebus, in your daily race,
One that in peace or war doth fairer show;
Nor lineage that hath longer kept its place;
And still shall keep it, if the lights which glow
Within me, but aright inspire my soul,
While the blue heaven shall turn about the pole.

III
But should I seek at full its worth to blaze,
Not mine were needful, but that noble lyre
Which sounded at your touch the thunderer's praise,
What time the giants sank in penal fire.
Yet should you instruments, more fit to raise
The votive work, bestow, as I desire,
All labour and all thought will I combine,
To shape and shadow forth the great design.

IV
Till when, this chisel may suffice to scale
The stone, and give my lines a right direction;
And haply future study may avail,
To bring the stubborn labour to perfection.
Return we now to him, to whom the mail
Of hawberk, shield, and helm, were small protection:
I speak of Pinabel the Maganzeze,
Who hopes the damsel's death, whose fall he sees.

[...] Read more

poem by Ludovico Ariosto
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The Princess (part 2)

At break of day the College Portress came:
She brought us Academic silks, in hue
The lilac, with a silken hood to each,
And zoned with gold; and now when these were on,
And we as rich as moths from dusk cocoons,
She, curtseying her obeisance, let us know
The Princess Ida waited: out we paced,
I first, and following through the porch that sang
All round with laurel, issued in a court
Compact of lucid marbles, bossed with lengths
Of classic frieze, with ample awnings gay
Betwixt the pillars, and with great urns of flowers.
The Muses and the Graces, grouped in threes,
Enringed a billowing fountain in the midst;
And here and there on lattice edges lay
Or book or lute; but hastily we past,
And up a flight of stairs into the hall.

There at a board by tome and paper sat,
With two tame leopards couched beside her throne,
All beauty compassed in a female form,
The Princess; liker to the inhabitant
Of some clear planet close upon the Sun,
Than our man's earth; such eyes were in her head,
And so much grace and power, breathing down
From over her arched brows, with every turn
Lived through her to the tips of her long hands,
And to her feet. She rose her height, and said:

'We give you welcome: not without redound
Of use and glory to yourselves ye come,
The first-fruits of the stranger: aftertime,
And that full voice which circles round the grave,
Will rank you nobly, mingled up with me.
What! are the ladies of your land so tall?'
'We of the court' said Cyril. 'From the court'
She answered, 'then ye know the Prince?' and he:
'The climax of his age! as though there were
One rose in all the world, your Highness that,
He worships your ideal:' she replied:
'We scarcely thought in our own hall to hear
This barren verbiage, current among men,
Light coin, the tinsel clink of compliment.
Your flight from out your bookless wilds would seem
As arguing love of knowledge and of power;
Your language proves you still the child. Indeed,
We dream not of him: when we set our hand
To this great work, we purposed with ourself
Never to wed. You likewise will do well,
Ladies, in entering here, to cast and fling

[...] Read more

poem by Alfred Lord Tennyson
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The Princess (part 3)

Morn in the wake of the morning star
Came furrowing all the orient into gold.
We rose, and each by other drest with care
Descended to the court that lay three parts
In shadow, but the Muses' heads were touched
Above the darkness from their native East.

There while we stood beside the fount, and watched
Or seemed to watch the dancing bubble, approached
Melissa, tinged with wan from lack of sleep,
Or grief, and glowing round her dewy eyes
The circled Iris of a night of tears;
'And fly,' she cried, 'O fly, while yet you may!
My mother knows:' and when I asked her 'how,'
'My fault' she wept 'my fault! and yet not mine;
Yet mine in part. O hear me, pardon me.
My mother, 'tis her wont from night to night
To rail at Lady Psyche and her side.
She says the Princess should have been the Head,
Herself and Lady Psyche the two arms;
And so it was agreed when first they came;
But Lady Psyche was the right hand now,
And the left, or not, or seldom used;
Hers more than half the students, all the love.
And so last night she fell to canvass you:
~Her~ countrywomen! she did not envy her.
"Who ever saw such wild barbarians?
Girls?--more like men!" and at these words the snake,
My secret, seemed to stir within my breast;
And oh, Sirs, could I help it, but my cheek
Began to burn and burn, and her lynx eye
To fix and make me hotter, till she laughed:
"O marvellously modest maiden, you!
Men! girls, like men! why, if they had been men
You need not set your thoughts in rubric thus
For wholesale comment." Pardon, I am shamed
That I must needs repeat for my excuse
What looks so little graceful: "men" (for still
My mother went revolving on the word)
"And so they are,--very like men indeed--
And with that woman closeted for hours!"
Then came these dreadful words out one by one,
"Why--these--~are~--men:" I shuddered: "and you know it."
"O ask me nothing," I said: "And she knows too,
And she conceals it." So my mother clutched
The truth at once, but with no word from me;
And now thus early risen she goes to inform
The Princess: Lady Psyche will be crushed;
But you may yet be saved, and therefore fly;
But heal me with your pardon ere you go.'

[...] Read more

poem by Alfred Lord Tennyson
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The Princess (part 4)

'There sinks the nebulous star we call the Sun,
If that hypothesis of theirs be sound'
Said Ida; 'let us down and rest;' and we
Down from the lean and wrinkled precipices,
By every coppice-feathered chasm and cleft,
Dropt through the ambrosial gloom to where below
No bigger than a glow-worm shone the tent
Lamp-lit from the inner. Once she leaned on me,
Descending; once or twice she lent her hand,
And blissful palpitations in the blood,
Stirring a sudden transport rose and fell.

But when we planted level feet, and dipt
Beneath the satin dome and entered in,
There leaning deep in broidered down we sank
Our elbows: on a tripod in the midst
A fragrant flame rose, and before us glowed
Fruit, blossom, viand, amber wine, and gold.

Then she, 'Let some one sing to us: lightlier move
The minutes fledged with music:' and a maid,
Of those beside her, smote her harp, and sang.

'Tears, idle tears, I know not what they mean,
Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,
In looking on the happy Autumn-fields,
And thinking of the days that are no more.

'Fresh as the first beam glittering on a sail,
That brings our friends up from the underworld,
Sad as the last which reddens over one
That sinks with all we love below the verge;
So sad, so fresh, the days that are no more.

'Ah, sad and strange as in dark summer dawns
The earliest pipe of half-awakened birds
To dying ears, when unto dying eyes
The casement slowly grows a glimmering square;
So sad, so strange, the days that are no more.

'Dear as remembered kisses after death,
And sweet as those by hopeless fancy feigned
On lips that are for others; deep as love,
Deep as first love, and wild with all regret;
O Death in Life, the days that are no more.'

She ended with such passion that the tear,

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poem by Alfred Lord Tennyson
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Orlando Furioso canto 13

ARGUMENT
The Count Orlando of the damsel bland
Who loves Zerbino, hears the piteous woes.
Next puts to death the felons with his hand
Who pent her there. Duke Aymon's daughter goes,
Seeking Rogero, where so large a band
The old Atlantes' magic walls enclose.
Her he impounds, deceived by fictions new.
Agramant ranks his army for review.

I
Those ancient cavaliers right happy were,
Born in an age, when, in the gloomy wood,
In valley, and in cave, wherein the bear,
Serpent, or lion, hid their savage brood,
They could find that, which now in palace rare
Is hardly found by judges proved and good;
Women, to wit, who in their freshest days
Of beauty worthily deserve the praise.

II
Above I told you how a gentle maid
Orlando had discovered under ground,
And asked, by whom she thither was conveyed?
Pursuing now my tale, I tell, how drowned
In grief (her speech by many a sob delayed),
The damsel fair, in sweet and softest sound,
Summing them with what brevity she might,
Her ills recounted to Anglantes' knight.

III
'Though I am sure,' she said, 'O cavalier,
To suffer punishment for what I say;
Because I know, to him who pens me here,
This woman quickly will the fact display;
I would not but thou shouldst the story hear.
- And let my wretched life the forfeit pay!
For what can wait me better than that he,
My gaoler, should one day my death decree?

IV
'Lo! I am Isabel, who once was styled
The daughter of Gallicia's hapless king:
I said aright who was; but now the child
(No longer his) of care and suffering:
The fault of Love, by whom I was beguiled;
For against him alone this charge I bring.
Who sweetly, at the first, our wish applauds,
And weaves in secret but deceit and frauds.

[...] Read more

poem by Ludovico Ariosto
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Orlando Furioso Canto 7

ARGUMENT
Rogero, as directed by the pair,
The giantess Eriphila o'erthrows.
That done, he to Alcina's labyrinth, where
More than one knight is tied and prisoned, goes.
To him Melissa sage the secret snare,
And remedy for that grave evil shows.
Whence he, by her advised, with downcast eye,
And full of shame forthwith resolves to fly.

I
The traveller, he, whom sea or mountain sunder
From his own country, sees things strange and new;
That the misjudging vulgar, which lies under
The mist of ignorance, esteems untrue:
Rejecting whatsoever is a wonder,
Unless 'tis palpable and plain to view:
Hence inexperience, as I know full well,
Will yield small credence to the tale I tell.

II
But this be great or small, I know not why
The rabble's silly judgement I should fear,
Convinced you will not think the tale a lie,
In whom the light of reason shines so clear.
And hence to you it is I only try
The fruit of my fatigues to render dear.
I ended where Eriphila in guard
Of bridge and stream was seen, the passage barred.

III
Of finest metal was her armour bright,
With gems of many colours overspread,
The tawny jacinth, yellow chyrsolite,
The emerald green of hue, and ruby red.
Mounted, but not on palfrey, for the fight:
In place of that, she on a wolf had sped,
Sped on a wolf towards the pass; and rode
On sell, that rich beyond all custom showed.

IV
No larger wolf, I ween, Apulia roams;
More huge than bull, unguided by her hand;
Although upon no bit the monster foams,
Docile, I know not why, to her command.
The accursed Plague, arrayed in surcoat, comes
Above her arms, in colour like the sand;
That, saving in its dye, was of the sort
Which bishops and which prelates wear at court.

[...] Read more

poem by Ludovico Ariosto
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Orlando Furioso Canto 8

ARGUMENT
Rogero flies; Astolpho with the rest,
To their true shape Melissa does restore;
Rinaldo levies knights and squadrons, pressed
In aid of Charles assaulted by the Moor:
Angelica, by ruffians found at rest,
Is offered to a monster on the shore.
Orlando, warned in visions of his ill,
Departs from Paris sore against his will.

I
How many enchantresses among us! oh,
How many enchanters are there, though unknown!
Who for their love make man or woman glow,
Changing them into figures not their own.
Nor this by help of spirits from below,
Nor observation of the stars is done:
But these on hearts with fraud and falsehood plot,
Binding them with indissoluble knot.

II
Who with Angelica's, or rather who
Were fortified with Reason's ring, would see
Each countenance, exposed to open view,
Unchanged by art or by hypocrisy.
This now seems fair and good, whose borrowed hue
Removed, would haply foul and evil be.
Well was it for Rogero that he wore
The virtuous ring which served the truth to explore!

III
Rogero, still dissembling, as I said,
Armed, to the gate on Rabican did ride;
Found the guard unprepared, not let his blade,
Amid that crowd, hang idle at his side:
He passed the bridge, and broke the palisade,
Some slain, some maimed; then t'wards the forest hied;
But on that road small space had measured yet,
When he a servant of the fairy met.

IV
He on his fist a ravening falcon bore,
Which he made fly for pastime every day;
Now on the champaign, now upon the shore
Of neighbouring pool, which teemed with certain prey;
And rode a hack which simple housings wore,
His faithful dog, companion of his way.
He, marking well the haste with which he hies,
Conjectures truly what Rogero flies.

[...] Read more

poem by Ludovico Ariosto
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Melissa

Crossroads, seem to come and go, yeah.
The gypsy flies from coast to coast
Knowing many, loving none,
Bearing sorrow havin fun,
But back home hell always run
To sweet melissa... mmm...
Freight train, each car looks the same, all the same.
And no one knows the gypsys name
No one hears his lonely sigh,
There are no blankets where he lies.
In all his deepest dreams the gypsy flies
With sweet melissa... mmm...
Again the mornings come,
Again hes on the run,
Sunbeams shining through his hair,
Appearing not to have a care.
Well, pick up your gear and gypsy roll on, roll on.
Crossroads, will you ever let him go? (lord, lord)
Will you hide the dead mans ghost,
Or will he lie, beneath the clay,
Or will his spirit roll away?
But I know that he wont stay without melissa.
Yes I know that he wont stay without melissa.

song performed by Allman Brothers Band
Added by Lucian Velea
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Melissa

Crossroads
Seem to come and go
The gypsy flies from coast to coast
Knowing many, loving none
Bearing sorrow, having fun
But back home hell always run
To sweet melissa
Freight train
Each car looks the same
All the same
No one knows the gypsys name
No one hears his lonely sighs
There are no blankets where he lies
In all his deepest dreams the gypsy flies
With sweet melissa
Again the mornings come
Again hes on the run
Sunbeams shining through his hair
Appearing not to have a care
Pick up your gear and gypsy roll on
Roll on
Crossroads
Will you ever let him go
Will you hide the dead mans ghost
Will he lie beneath the clay
Will his spirit float away
But I know that he wont stay
Without melissa
Yes I know that he wont stay
Without melissa

song performed by Indigo Girls
Added by Lucian Velea
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Orlando Furioso Canto 10

ARGUMENT
Another love assails Bireno's breast,
Who leaves one night Olympia on the shore.
To Logistilla's holy realm addressed,
Rogero goes, nor heeds Alcina more:
Him, of that flying courser repossest,
The hippogryph on airy voyage bore:
Whence he the good Rinaldo's levy sees,
And next Angelica beholds and frees.

I
Of all the loves, of all fidelity
Yet proved, of all the constant hearts and true,
Of all the lovers, in felicity
Or sorrow faithful found, a famous crew,
To Olympia I would give the first degree
Rather than second: if this be not due,
I well may say that hers no tale is told
Of truer love, in present times or old.

II
And this she by so many proofs and clear,
Had made apparent to the Zealand lord,
No woman's faith more certain could appear
To man, though he her open heart explored:
And if fair truth such spirits should endear,
And they in mutual love deserve reward,
Bireno as himself, nay, he above
Himself, I say, should kind Olympia love.

III
Not only should he nevermore deceive
Her for another, were that woman she
Who so made Europe and wide Asia grieve,
Or fairer yet, if one more fair there be;
But rather that quit her the light should leave,
And what is sweet to taste, touch, hear, and see,
And life and fame, and all beside; if aught
More precious can in truth be styled, or thought.

IV
If her Bireno loved, as she had loved
Bireno, if her love he did repay
With faith like hers, and still with truth unmoved,
Veered not his shifting sail another way;
Or ingrate for such service - cruel proved
For such fair love and faith, I now will say;
And you with lips comprest and eye-brows bent,
Shall listen to the tale for wonderment;

[...] Read more

poem by Ludovico Ariosto
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Orlando Furioso Canto 10

ARGUMENT
Another love assails Bireno's breast,
Who leaves one night Olympia on the shore.
To Logistilla's holy realm addressed,
Rogero goes, nor heeds Alcina more:
Him, of that flying courser repossest,
The hippogryph on airy voyage bore:
Whence he the good Rinaldo's levy sees,
And next Angelica beholds and frees.

I
Of all the loves, of all fidelity
Yet proved, of all the constant hearts and true,
Of all the lovers, in felicity
Or sorrow faithful found, a famous crew,
To Olympia I would give the first degree
Rather than second: if this be not due,
I well may say that hers no tale is told
Of truer love, in present times or old.

II
And this she by so many proofs and clear,
Had made apparent to the Zealand lord,
No woman's faith more certain could appear
To man, though he her open heart explored:
And if fair truth such spirits should endear,
And they in mutual love deserve reward,
Bireno as himself, nay, he above
Himself, I say, should kind Olympia love.

III
Not only should he nevermore deceive
Her for another, were that woman she
Who so made Europe and wide Asia grieve,
Or fairer yet, if one more fair there be;
But rather that quit her the light should leave,
And what is sweet to taste, touch, hear, and see,
And life and fame, and all beside; if aught
More precious can in truth be styled, or thought.

IV
If her Bireno loved, as she had loved
Bireno, if her love he did repay
With faith like hers, and still with truth unmoved,
Veered not his shifting sail another way;
Or ingrate for such service - cruel proved
For such fair love and faith, I now will say;
And you with lips comprest and eye-brows bent,
Shall listen to the tale for wonderment;

[...] Read more

poem by Ludovico Ariosto
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Bridges To Melissa

I close my eyes in front of the nebular sppeal
I feel it dragging me this suicidal desire!
I am who claim for our blood
Melissa waits for me in the distance...far away!
Beyond the ocean
Beyond the southern lair
There lays your cradle
I'll build four bridges to you!
You are the light on the other side of the sky
I am the shadow of this side of hell
Melissa hear me far away!
You will cover the sun, you will charm the moon
By my side!
Show me the other...
Show me the other spell
I'll fly to your cradle
I'll build four bridges to you!
You're my end, you're my dreams
You're my path
You're another temple's stone of our race
Melissa guide me to your cradle
I will be the Baptist of the black forgotten arts!
And flying together
Under the frozen clouds
Feasting the demons
Running on the bridges!

song performed by Undercroft
Added by Lucian Velea
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Her Hero

Like behemoths sunning themselves.
The shiny fire engines
sat before the cavelike doors
that led to their den.

As if pampering the giant beasts.
Firefighters wipe and polish
shining the apparatus.
Awaiting a frantic call for help.

In wide eyed wonder
maybe somewhat apprehensive.
She approached the engine house
clearly in distress.

Watching a crocodile tear
find its way down a rosy cheek.
With a smile the fireman asked.
“Hi can I help you? ”

“It’s Melissa she’s broken.”
She held out a tiny bundle.
To heal a broken friend
Would mend a broken heart.

The fireman with his smile
took the blanket wrapped doll.
With his life saving tools
made Melissa well again.

Handing the well Melissa
to her young guardian.
Her tears disappeared
A smile a hug of thanks.

Now happily on her way
brought a tingle in the heart
of the fireman.
Whose kindness made her day.

(15JUN99)

poem by Kurt Hearth
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I Like Girls

I bought a Porsche
And I'm leavin' Grand Rapids
Quit my job, quit my school,
Quit this place
My mother cried
My father was fried
Hey, I've got no time, man
I wanna say goodbye to my babes
I like girls
I dumped Sheila on Thursday
I'll drop Melissa today
I'll kiss some tears off of Donna
Ask if she'll call on Shauna
Amanda, and Sandra and Kay
I like girls, I love 'em to death
Hey Valentino! You goin' somewhere?
You wouldn't sneak out on me, would you?
What's that a blond hair?
He must visualize himself an Errol Flynn
I see myself a suave sophisticated lover
I'll meet a rich hot old Hollywood dame
You see, my ultimate goal
Will be my life bein' told
In a penthouse letter that I can frame
And keep at home.
I like girls, I love 'em, oh yeah
New luggage? Did you say you were going
Somewhere? Oh, just out for some fresh air.
Does she have a nice pair?
He was swallowed alive by the freeway
Turned into an ant on parade
He bravely drove off that beast
Aimed his car back to the east
Why be a snack at home?
I'm a feast, for the girls
I like girls, I really like 'em
Well, well, well. Look who's back. Run out of gas?
Patty, I was just gonna call you. Look...
I left Donna and Shauna
And Katy and Carrie
Melissa and Dena
I just didn't have any use for 'em
I just want you
Really, no really, honest!
Oink off

song performed by Alice Cooper
Added by Lucian Velea
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Colin Clouts Come Home Againe

Colin Clouts Come Home Againe
THe shepheards boy (best knowen by that name)
That after Tityrus first sung his lay,
Laies of sweet loue, without rebuke or blame,
Sate (as his custome was) vpon a day,
Charming his oaten pipe vnto his peres,
The shepheard swaines, that did about him play:
Who all the while with greedie listfull eares,
Did stand astonisht at his curious skill,
Like hartlesse deare, dismayed with thunders sound.
At last when as he piped had his fill,
He rested him: and sitting then around,
One of those groomes (a iolly groome was he,
As euer piped on an oaten reed,
And lou'd this shepheard dearest in degree,
Hight Hobbinol) gan thus to him areed.
Colin my liefe, my life, how great a losse
Had all the shepheards nation by thy lacke?
And I poore swaine of many greatest crosse:
That sith thy Muse first since thy turning backe
Was heard to sound as she was wont on hye,
Hast made vs all so blessed and so blythe.
Whilest thou wast hence, all dead in dole did lye:
The woods were heard to waile full many a sythe,
And all their birds with silence to complaine:
The fields with faded flowers did seem to mourne,
And all their flocks from feeding to refraine:
The running waters wept for thy returne,
And all their fish with langour did lament:
But now both woods and fields, and floods reuiue,
Sith thou art come, their cause of meriment,
That vs late dead, hast made againe aliue:
But were it not too painfull to repeat
The passed fortunes, which to thee befell
In thy late voyage, we thee would entreat,
Now at thy leisure them to vs to tell.
To whom the shepheard gently answered thus,
Hobbin thou temptest me to that I couet:
For of good passed newly to discus,
By dubble vsurie doth twise renew it.
And since I saw that Angels blessed eie,
Her worlds bright sun, her heauens fairest light,
My mind full of my thoughts satietie,
Doth feed on sweet contentment of that sight:
Since that same day in nought I take delight,
Ne feeling haue in any earthly pleasure,
But in remembrance of that glorious bright,
My lifes sole blisse, my hearts eternall threasure.
Wake then my pipe, my sleepie Muse awake,
Till I haue told her praises lasting long:

[...] Read more

poem by Edmund Spenser
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Elegy V. He Compares the Turbulence of Love With the Tranquillity of Friendship

From Love, from angry Love's inclement reign
I pass awhile to Friendship's equal skies;
Thou, generous Maid! reliev'st my partial pain,
And cheer'st the victim of another's eyes.

'Tis thou, Melissa, thou deserv'st my care;
How can my will and reason disagree?
How can my passion live beneath despair?
How can my bosom sigh for aught but thee?

Ah! dear Melissa! pleased with thee to rove,
My soul has yet survived its dreariest time
Ill can I bear the various clime of Love!
Love is a pleasing, but a various clime.

So smiles immortal Maro's favourite shore,
Parthenope, with every verdure crown'd;
When straight Vesuvio's horrid cauldrons roar,
And the dry vapour blasts the regions round.

Oh, blissful regions, oh, unrivall'd plains,
When Maro to these fragrant haunts retired!
Oh, fatal realms, and oh, accursed domains,
When Pliny, 'mid sulphureous clouds, expired!

So smiles the surface of the treacherous main,
As o'er its waves the peaceful halcyons play;
When soon rude winds their wonted rule regain,
And sky and ocean mingle in the fray.

But let or air contend, or ocean rave,
Even Hope subside, amid the billows tost;
Hope, still emergent, still contemns the wave,
And not a feature's wonted smile is lost.

poem by William Shenstone
Added by Poetry Lover
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Los

Wir waren namenlos
Und ohne Lieder
Recht wortlos
Waren wir nie wieder
Etwas sanglos
Sind wir immer noch
Dafr nicht klanglos
Man hrt uns doch
Nach einem Windsto
Ging ein Sturm los
Einfach beispiellos
Es wurde Zeit
Los
Sie waren sprachlos
So sehr schockiert
Und sehr ratlos
Was war passiert
Etwas fassungslos
Und garantiert
Verstndnislos
Das wird zensiert
Sie sagten grundlos
Schade um die Noten
So schamlos
Das gehrt verboten
Es ist geistlos
Was sie da probieren
So geschmacklos
Wie sie musizieren
Ist es hoffnungslos
Sinnlos
Hilflos
Sie sind gottlos
Wir waren namenlos
Wir haben einen Namen
Waren wortlos
Die Worte kamen
Etwas sanglos
Sind wir immer noch
Dafr nicht klanglos
Das hrt man doch
Wir sind nicht fehlerlos
Nur etwas haltlos
Ihr werdet lautlos
Uns nie los
Wir waren los

song performed by Rammstein
Added by Lucian Velea
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I Prefer Crazed Blue Eyes

I prefer crazed blue eyes
How they
Magnetize
The ache
I have
To make your insanity
My own

I prefer crazed blue eyes
Won't
Apologize
How I take
Your flesh
And make your absurdity
My home

I prefer crazed blue eyes
Don't you
Realize?
Nutcase
Lover
Wackity wack wackify
My soul

Let me look into your
Anarchic mind
Transfixed by those
Wild baby blues

Let's share the final
Gasps of time
While we wear
Each other's shoes

Let me hold your body
In such strange ways
Even monkeys
Would be ashamed

Let's meld our chaos
Lunatic babe
One body joined
Perverse, deranged

I prefer crazed blue eyes
Delirious blues
In the way they
Stare at me
All Sturm und Drang
Staring

[...] Read more

poem by Catman Cohen
Added by anonym
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The Feast Of Stephen

I

The coltish horseplay of the locker room,
Moist with the steam of the tiled shower stalls,
With shameless blends of civet, musk and sweat,
Loud with the cap-gun snapping of wet towels
Under the steel-ribbed cages of bare bulbs,
In some such setting of thick basement pipes
And janitorial realities
Boys for the first time frankly eye each other,
Inspect each others’ bodies at close range,
And what they see is not so much another
As a strange, possible version of themselves,
And all the sparring dance, adrenal life,
Tense, jubilant nimbleness, is but a vague,
Busy, unfocused ballet of self-love.

II

If the heart has its reasons, perhaps the body
Has its own lumbering sort of carnal spirit,
Felt in the tingling bruises of collision,
And known to captains as esprit de corps.
What is this brisk fraternity of timing,
Pivot and lobbing arc, or indirection,
Mens sana in men’s sauna, in the flush
Of health and toilets, private and corporal glee,
These fleet caroms, plies and genuflections
Before the salmon-leap, the leaping fountain
All sheathed in glistening light, flexed and alert?
From the vast echo-chamber of the gym,
Among the stumbled shouts and shrill of whistles,
The bounced basketball sound of a leather whip.

III

Think of those barren places where men gather
To act in the terrible name of rectitude,
Of acned shame, punk’s pride, muscle or turf,
The bully’s thin superiority.
Think of the Sturm-Abteilungs Kommandant
Who loves Beethoven and collects Degas,
Or the blond boys in jeans whose narrowed eyes
Are focussed by some hard and smothered lust,
Who lounge in a studied mimicry of ease,
Flick their live butts into the standing weeds,
And comb their hair in the mirror of cracked windows

[...] Read more

poem by Anthony Evan Hecht
Added by Poetry Lover
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