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Miss You Already [trailer 2]

Cast: Drew Barrymore, Dominic Cooper, Toni Collette, Jacqueline Bisset, Charlotte Hope, Paddy Considine, Tyson Ritter, Noah Huntley, Honor Kneafsey

trailer for Miss You Already, directed by Catherine Hardwicke, screenplay by Morwenna Banks (2015)
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Miss You Already

Cast: Drew Barrymore, Dominic Cooper, Toni Collette, Jacqueline Bisset, Charlotte Hope, Paddy Considine, Tyson Ritter, Noah Huntley, Honor Kneafsey

trailer for Miss You Already, directed by Catherine Hardwicke, screenplay by Morwenna Banks (2015)
Added by Veronica Serbanoiu
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Paddy Malone In Australia

Och! my name's Pat Malone, and I'm from Tipperary.
Sure, I don't know it now I'm so bothered, Ohone!
And the gals that I danced with, light-hearted and airy,
It's scarcely they'd notice poor Paddy Malone.
'Tis twelve months or more since our ship she cast anchor
In happy Australia, the Emigrant's home,
And from that day to this there's been nothing but canker,
And grafe and vexation for Paddy Malone.
Oh, Paddy Malone! Oh, Paddy, Ohone!
Bad luck to the agent that coaxed ye to roam.

Wid a man called a squatter I soon got a place, sure,
He'd a beard like a goat, and such whiskers, Ohone!
And he said—as he peeped through the hair on his faitures
That he liked the appearance of Paddy Malone.
Wid him I agreed to go up to his station,
Saying abroad in the bush you'll find yourself at home.
I liked his proposal, and 'out hesitation
Signed my name wid a X that spelt Paddy Malone.
Oh, Paddy Malone, you're no scholard, Ohone!
Sure, I made a cris-crass that spelt Paddy Malone.

A-herding my sheep in the bush, as they call it
It was no bush at all, but a mighty great wood,
Wid all the big trees that were small bushes one time,
A long time ago, faith I 'spose 'fore the flood.
To find out this big bush one day I went further,
The trees grew so thick that I couldn't, Ohone!
I tried to go back then, but that I found harder,
And bothered and lost was poor Paddy Malone.
Oh, Paddy Malone, through the bush he did roam
What a Babe in the Wood was poor Paddy Malone.

I was soon overcome, sure, wid grafe and vexation,
And camped, you must know, by the side of a log;
I was found the next day by a man from the station,
For I coo-ey'd and roared like a bull in a bog.
The man said to me, "Arrah, Pat! where's the sheep now?"
Says I, "I dunno! barring one here at home,"
And the master began and kicked up a big row too,
And swore he'd stop the wages of Paddy Malone.
Arrah! Paddy Malone, you're no shepherd, Ohone!
We'll try you with bullocks now, Paddy Malone.

To see me dressed out with my team and my dray too,
Wid a whip like a flail and such gaiters, Ohone!
But the bullocks, as they eyed me, they seemed for to say too,
"You may do your best, Paddy, we're blest if we go."
"Gee whoa! Redman! come hither, Damper!
Hoot, Magpie! Gee, Blackbird! Come hither,

[...] Read more

poem by Andrew Barton Paterson
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Poor Paddy

[the pogues version]
-----------------------------------------
In eighteen hundred and forty-one
The corduroy breeches I put on
Me corduroy breeches I put on
To work upon the railway, the railway
Im weary of the railway
Poor paddy works on the railway
In eighteen hundred and forty-two
From hartlepool I moved to crewe
Found myself a job to do
A working on the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-three
I broke the shovel across me knee
I went to work for the company
On the leeds to selby railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-four
I landed on the liverpool shore
My belly was empty me hands were raw
With working on the railway, the railway
Im sick to my guts of the railway
Poor paddy works on the railway
In eighteen hundred and forty-five
When daniel oconnell he was alive
When daniel oconnell he was alive
And working on the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-six
I changed my trade to carrying bricks
I changed my trade to carrying bricks
To work upon the railway
I was wearing corduroy breeches
Digging ditches, pulling switches
Dodging pitches, as I was
Working on the railway
In eighteen hundred and forty-seven
Poor paddy was thinking of going to heaven
The old bugger was thinking of going to heaven
To work upon the railway, the railway

[...] Read more

song performed by Pogues
Added by Lucian Velea
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Were There Hope

I was never in a league of noble gentlemen
To whom she'd cast polite and flitting smiles,
Only distant hope and dying dreams for me!
Or perhaps descent into a game of wiles

To give a chance of sipping wine on heady nights
With her angelic presence to declare;
Above, an aura playing out hypnotic hues,
And I in awe of blonde cascades of hair.

But no! my tiring soul is sinking in a mire
To haunt me for an age and evermore, for
How could I expect to hold her silken hand
When I am but a soulless ghost of yore?

Copyright Mark R Slaughter 2009

Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope hope hope?
Hope hope hope hope hope hope?
Hope hope hope hope hope?
Hope, hope?
Hope?

[...] Read more

poem by Mark R Slaughter
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I Think I Can Beat Mike Tyson

Artist: jazzy jeff & the fresh prince
2 old men:
Hey...hey leroy...leroy
Yeah
Did you hear about that boy mike tyson?
Mike...mike tyson hes the boy
That played football from montreal aint he?
No no you old coop, he a...he a boxer man
Yeah
Let me tell ya I went to his fight a couple months ago.
I seen him hit this boy, and he hit the boy so hard
His head flew off into the eigtheenth row
(laughing)
They had to get his head out of the eighteenth row
[prince & jeff]
I was in jeffs crib one night about eight
And we were watchina couple of mike tyson fight tapes
Jeff was like...
Man, you see how hard mikes punchin?
Come on jeff the other guy was just lungin
Left, right, left, right, another k.o.
If that was me Id a been ok though
The very next day I gave russell a ring
With j.l. and omar we all called don king
I said yeah, don I got a problem
Tell em prince
yeah whats up? what you sayin? you tryin to solve em?
forget the small talk lets get to the nitty gritty
me and mike, two months, trump, atlantic city
Yo, you got this you gonna bust dude up
Yeah, you can be my trainer
Word up?
Im rough like a freight train smooth like ice
And yo jeff, straight up, I think I can mike tyson
Man, you can beat him, you can beat him
Yo man, word up
Yo I put on a couple of pounds man we can do this
You can do it
Newspaper boy, old men:
Extra, extra read all about it
Fresh prince challenges iron mike tyson to a fight
(laughing)
Ah hes crazy
Aint that the boy who knocked the guys head in the fifthteen row?
Hey leroy, you read the paper?
That boy done lost his man
[prince, barber]
There was press conference to see what training I was doing
Before then I had never heard reporters booing
Cameras flashing I was in the middle

[...] Read more

song performed by Will Smith
Added by Lucian Velea
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Three Ha'Pence a Foot

I'll tell you an old-fashioned story
That Grandfather used to relate,
Of a joiner and building contractor;
'Is name, it were Sam Oglethwaite.

In a shop on the banks of the Irwell,
Old Sam used to follow 'is trade,
In a place you'll have 'eard of, called Bury;
You know, where black puddings is made.

One day, Sam were filling a knot 'ole
Wi' putty, when in thro' the door
Came an old feller fair wreathed wi' whiskers;
T'ould chap said 'Good morning, I'm Noah.'

Sam asked Noah what was 'is business,
And t'ould chap went on to remark,
That not liking the look of the weather,
'E were thinking of building an Ark.

'E'd gotten the wood for the bulwarks,
And all t'other shipbuilding junk,
And wanted some nice Bird's Eye Maple
To panel the side of 'is bunk.

Now Maple were Sam's Monopoly;
That means it were all 'is to cut,
And nobody else 'adn't got none;
So 'e asked Noah three ha'pence a foot.

'A ha'penny too much,' replied Noah
'A Penny a foot's more the mark;
A penny a foot, and when t'rain comes,
I'll give you a ride in me Ark.'
But neither would budge in the bargain;
The whole daft thing were kind of a jam,
So Sam put 'is tongue out at Noah,
And Noah made 'Long Bacon ' at Sam

In wrath and ill-feeling they parted,
Not knowing when they'd meet again,
And Sam had forgot all about it,
'Til one day it started to rain.

It rained and it rained for a fortni't,
And flooded the 'ole countryside.
It rained and it kept' on raining,
'Til the Irwell were fifty mile wide.

The 'ouses were soon under water,

[...] Read more

poem by Marriott Edgar
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Charlotte The Harlot '88

Dave Murray
Giving a swish with your arse in the air, don't you know what they're saying?
Charlotte you're so refined when you take all the love that they're giving.
Sticking with every man that you find, don't you know what they're after?
Charlotte you've got your legs in the air, don't you hear all the laughter?
*Chorus*:
Charlotte the Harlot show me your legs,
Charlotte the Harlot take me to bed.
Charlotte the Harlot let me see blood,
Charlotte the Harlot let me see love.
Taking so many men to your room, don't you feel no remorse?
You charge them a "fiver", It's only for starters.
And ten for the main course.
And you've got no feelings, they died long ago.
Don't you care who you let in?
And don't you know you're breaking the law with the service you're giving.
*Chorus*
There was a time when you left me standing there,
Picking up pieces of love off the floor.
Well Charlotte you left me alone in there,
To make your ends as a bloody whore.
Well Charlotte you told me you love me true,
Picking up pieces of love yesterday.
Well Charlotte you're draws are off color too
'Cause you're making love all day.
Giving a swish with your arse in the air, don't you know what they're saying?
Charlotte you're so refined when you take all the love that they're giving.
Sticking with every man that you find, don't you know what they're after?
Charlotte you've got your legs in the air, don't you hear all the laughter?
*Chorus*

song performed by Iron Maiden
Added by Lucian Velea
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An Invitation To Tea (A Dark Comedy) Part 3

(It is advisable you read parts 1 and 2 first)

Grace watched him for a few minutes, and then moved to the back of the shop. “He is going to come around at six tonight. I do hop Mr Potter like him.”

“I’m sure he will. Grace.”

“I can’t help feeling bit concerned after Mr Armad.”

“It was the curry Mr Armad insisted on making. Revolting stuff. I felt queasy as Mr Potter afterwards. Anyway Mr Potter always prefers Englishmen, even when Aunty had him staying with her.”

Charles checked his watch, and then knocked the door. The lights appeared in the shop and the silhouette of one of the sisters grew large in the glass panel of the door. Charlotte smiled.

“Do come in Mr Latimer.”

Charles entered and followed Charlotte through to the back of the shop. As they entered the room, Grace turned from the oven with a tray of freshly baked scones. She smiled.

“Please have a seat, Mr Latimer. Tea is ready.”

“Call me Charles, Mr Latimer seems so formal.” he replied as he sat where Charlotte directed. “I hope you don’t mind me asking but where is Mr Potter going to sit? ”

“Unfortunately, Mr Potter prefers to eat alone. You will meet him later. I have told him you are coming and h I looking forward to meeting you.” Grace replied and brought forward the tray if scones. “Please help yourself Charles.”

Charles waited until the sisters were seated before starting.

“I think these are your best scones, Grace.”

“Thank you Charlotte.”

“I will second that. These are best scones I’ve ever tasted. I hope that Mr Potter will appreciate them.”

“I’m sure he will.” Grace replied and watched with satisfaction as the scones disappeared from the plate.

“Another cup of tea Charles? ” Charlotte asked holding the teapot poised.
“Thank you.”
As Charlotte poured out the tea, Grace collected the dishes from the table. “While Charlotte and I do the washing up you sit and enjoy your tea.”
“What about Mr Potter? ”
“We’ll collect his dishes later.”
“Charles drank his tea slowly. He wondered how he could thank the two women. He would have to think of a way later.
Grace and Charlotte smiled and nodded to one another. Mr Potter would enjoy Charles. They dried their hands and placed the dishes into the cupboard.
“I see you have almost drunk your tea. I presume you would like to see Mr Potter now? ”
“Yes please.”
“If you will follow us.”
Charles followed the sisters out of the room and into the garden.
“Unfortunately we have only one pair of stairs leading to the basement.”
“Basement? ”
“Yes, Mr Potter is not one for coming into the house. He is a bit eccentric.”
“Oh.”
2Grace dear, would you put the light on? You will have to watch the bottom step Charles. It can be a bit slippery at times.”
“Aren’t you ladies coming down? ”

[...] Read more

poem by David Harris
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Dominic

(words & music by weisman - wayne)
Dominic, dominic why are you stallin
Dont you hear love callin to you
Moo, moo, move your little foot do
Dominic, dominic pick one of them ticker
Theres acres and acres to choose
Oh, oh, only a fool would refuse
I, i, if I had your trouble
Life would be double good sweet
Thered be no grass growin under my feet
Listen dominic, dominic when will you hunger
You aint gettin younger my friend
Love, love, love em all right to the end
I, i, I cant understand you, leavin them beauties forlorn
Its time to take the old bull by the horn
Come on dominic, dominic, theyre itchin and twitchin
Better start pickin some woo
Moo, moo, move your little foot do!

song performed by Elvis Presley
Added by Lucian Velea
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Charlotte Sometimes

All the faces
All the voices blur
Change to one face
Change to one voice
Prepare yourself for bed
The light seems bright
And glares on white walls
All the sounds of charlotte sometimes
Into the night
With charlotte sometimes
Night after night she lay alone in bed
Her eyes so open to the dark
The streets all looked so strange
They seemed so far away
But charlotte sometimes did not cry
The people seemed so close
Playing expressionless games
The people seemed so close
So close
So many
Other names
Sometimes i'm dreaming
Where all the other people dance
Sometimes i'm dreaming
Charlotte sometimes
Sometimes i'm dreaming
Expressionless the trance
Sometimes i'm dreaming
So many different names
Sometimes i'm dreaming
The sounds all stay the same
Sometimes i'm dreaming
She hopes to open shadowed eyes
On a different world
Come to me
Scared princess
Charlotte sometimes
On that bleak track
(see the sun is gone again)
The tears were pouring down her face
She was crying and crying for a girl
Who died so many years before...
Sometimes i dream
Where all the people dance
Sometimes i dream
Charlotte sometimes
Sometimes i dream
The sounds all stay the same
Sometimes i'm dreaming
There are so many different names

[...] Read more

song performed by Cure
Added by Lucian Velea
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The Hearts Filthy Lesson

Hearts filthy lesson
Hearts filthy lesson
Hearts filthy lesson
Theres always the diamond friendly
Sitting in the laugh hotel
The hearts filthy lesson
With her hundred miles to hell
Oh, ramona, if there was only something between us
If there was only something between us
Other than our clothes
Something in our skies
Something in our skies
Something in our blood
Something in our skies
Paddy
Paddy, whos been wearing mirandas clothes?
Its the hearts filthy lesson
Hearts filthy lesson
Hearts filthy lesson
Falls upon deaf ears
Its the hearts filthy lesson
Hearts filthy lesson
Hearts filthy lesson
Falls upon deaf ears
Falls upon dead years
Oh ramona, if there was only some kind of future
Oh ramona, if there was only some kind of future
And these cerulean skies
Something in our skies
Something in our skies
Something in our blood
Something in our skies
Paddy, paddy?
Paddy will you carry me, I think Ive lost my way
Im already five years older Im already in my grave
Im already
Im already
Im already
Will you carry me?
Oh paddy, I think Ive lost my way
Paddy
What a fantastic death abyss
Paddy
What a fantastic death abyss
Its the hearts filthy lesson
Tell the others
Its the hearts filthy lesson
What a fantastic death abyss
Tell the others
Its the hearts filthy lesson

[...] Read more

song performed by David Bowie
Added by Lucian Velea
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Anthony Considine

OUT in the wastes of the West countrie,
Out where the white stars shine,
Grim and silent as such men be,
Rideth a man with a history—
Anthony Considine.
For the ways of men they are manifold
As their differing views in life;
Some sell themselves for the lust of gold,
And some for the lust of strife:
But this man counted the world well lost
For the love of his neighbour’s wife.

They fled together, as those must flee
Whom all men hold in blame;
Each to the other must all things be
Who cross the gulf of iniquity
And live in the land of shame.

But a light-o’-love, if she sins with one,
She sinneth with ninety-nine:
The rule holds good since the world begun—
Since ever the streams began to run
And the stars began to shine.
The rule holds still, and he found it true—
Anthony Considine.

A nobler spirit had turned in scorn
From a love that was stained with mire;
A weaker being might mourn and mourn
For the loss of his Heart’s Desire:
But the anger of Anthony Considine
Blazed up like a gaming fire

And she, with her new love, presently
Came past with her eyes ashine;
And Gad so willed it, and God knows why,
She turned and laughed as they passed hire by—
Anthony Considine.

Her laughter stung as a whip might sting;
And mad with his wounded pride
He turned and sprang with a panther’s spring,
And struck at his rival’s side:
And only the woman, shuddering,
Could tell how the dead man died!

She dared not speak—and the mystery
Is buried in auld lang syne,
But out on the wastes of the West countrie,

[...] Read more

poem by Andrew Barton Paterson
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Baby Charlotte Lullabye

Baby Charlotte, Baby Charlotte
With your eyes big and brown
Your silent slumber so peaceful
You don't make a sound

Baby Charlotte, Baby Charlotte
With your smile so sweet
Your full head of hair
Your tiny, precious feet

Baby Charlotte, Baby Charlotte
With your dimples so deep
Your laughter contagious
Your personality unique

Baby Charlotte, Baby Charlotte
With your expressions devine
Your smarter than most
Your namesake is mine.

poem by Gail Godin
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Baby Charlotte Song

Baby Charlotte, baby Charlotte
With your eyes big and brown
Your silent slumber so peaceful
You don't make a sound.

Baby Charlotte, baby Charlotte
With your smile so sweet
Your full head of hair
Your tiny, precious feet.

Baby Charlotte, baby Charlotte
With your dimples so deep
Your laughter contagious
Your personality unique.

Baby Charlotte, baby Charlotte
With your expression divine
Your smarter than most
Your namesake is mine.

poem by Gail Godin
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

[...] Read more

poem by Byron from Don Juan (1824)
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Paddy Magee

What are you doing now, Paddy Magee?
Grafting, or spelling now, Paddy Magee?
Breaking, or branding?
Or overlanding,
Out on the sand ridges, Paddy Magee?
Is your mouth parched, from an all-night spree?
Taking a pick-me-up, Paddy Magee?
Cocktail - or simple soda and b.? -
Which is the 'antidote,' Paddy Magee?

Still 'shook' on some beautiful, blushing she?
Girl in the Bogan side, Paddy Magee?
A hack providing
For moonlight riding,
Side-saddle foolery, Paddy Magee?

Up on the station - or in the town -
Or on the Warrego, droving down,
Whatever you're doing - wherever you be!
'There's lashin's o' luck to ye!' Paddy Magee!

poem by Harry 'Breaker' Harbord Morant
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Paddy Murphy's Wake

The priest had been here earlier and the rosary was said
and relatives and friends in single file were offering condolences.
'Sorry for your troubles, ' one by one they said,
bending over Maggie Murphy, silent in her rocker,
a foot or so from Paddy, resplendent in his casket,
the two of them much closer now than they had ever been.
A silent guest of honor, Paddy now had nothing more to say,
waked in aspic, if you will, in front of his gothic fireplace.

But the hour was getting late and still the widow hadn't wept.
Her eyes were swept Saharas and the mourners wanted tears.
They had fields to plow come morning and they needed sleep
but the custom in County Kerry was
no one leaves a wake until the widow weeps.

Fair Maggie could have married any man in Kerry,
according to her mother, who almost every day reminded her of that.
'Maggie, ' she would say, 'you should have married Mickey.
His limp was not that bad, ' but Maggie wouldn't listen.
Instead, she married Paddy, 'that pestilence out walking'
as her mother often called him
even on a Sunday but only after Mass.

Maggie married Paddy the day he scored the only goal
the year that Kerry took the trophy back from Galway.
That goal was no small thing, Paddy would remind us all forever
until one of us would gag and buy him another drink.
That goal, he'd shout, was something historians would one day note,
even if they hadn't yet, and every time he'd mention it,
which was almost daily, Maggie's mother would remind her daughter
that she should have married Mickey and had a better life.
The final time her mother praised poor Mickey,
a screaming match ensued, so loud it woke the rooster
the day before her mother, feverish in bed,
gurgled like a frog and died.

This evening, though, as the wake wore on,
the mourners grew more weary
waiting for the tears the widow hadn't shed.
Restless in his folding chair, Mickey put his bottle down
and rose to give the eulogy it had taken days to memorize.
'Folks, ' he said, 'if all of us would holler down to Paddy now,
he'd holler back, I'm sure, and tell us,
despite the flames and all that smoke, that Kerry
winning over Galway is all that ever mattered, even now.
We'll always have cold Paddy over there to thank for that.'

[...] Read more

poem by Donal Mahoney
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The Victories Of Love. Book I

I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;

[...] Read more

poem by Coventry Patmore
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A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

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poem by James Russell Lowell
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University Of Central Florida Volleyball

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poem by Caasder Fronds
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