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Love the Coopers

Cast: Amanda Seyfried, Olivia Wilde, Marisa Tomei, Ed Helms, Diane Keaton, John Goodman, Anthony Mackie, Alan Arkin, Quinn McColgan

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Allegany Camp

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amelia earhart in japanese war camp

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Love the Coopers [trailer 2]

Cast: Amanda Seyfried, Olivia Wilde, Marisa Tomei, Ed Helms, Diane Keaton, John Goodman, Anthony Mackie, Alan Arkin, Quinn McColgan

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Robin Hood and the Monk

In somer, when the shawes be sheyne,
And leves be large and long,
Hit is full mery in feyre foreste
To here the foulys song,

To se the dere draw to the dale,
And leve the hilles hee,
And shadow hem in the leves grene,
Under the grene wode tre.

Hit befel on Whitson
Erly in a May mornyng,
The son up feyre can shyne,
And the briddis mery can syng.

'This is a mery mornyng,' seid Litull John,
'Be Hym that dyed on tre;
A more mery man then I am one
Lyves not in Cristianté.

'Pluk up thi hert, my dere mayster,'
Litull John can sey,
'And thynk hit is a full fayre tyme
In a mornyng of May.'

'Ye, on thyng greves me,' seid Robyn,
'And does my hert mych woo:
That I may not no solem day
To mas nor matyns goo.

'Hit is a fourtnet and more,' seid he,
'Syn I my Savyour see;
To day wil I to Notyngham,' seid Robyn,
'With the myght of mylde Marye.'

Than spake Moche, the mylner sun,
Ever more wel hym betyde!
'Take twelve of thi wyght yemen,
Well weppynd, be thi side.
Such on wolde thi selfe slon,
That twelve dar not abyde.'

'Of all my mery men,' seid Robyn,
'Be my feith I wil non have,
But Litull John shall beyre my bow,
Til that me list to drawe.'

'Thou shall beyre thin own,' seid Litull Jon,
'Maister, and I wyl beyre myne,
And we well shete a peny,' seid Litull Jon,

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Wat Tyler - Act III

ACT III.


SCENE—SMITHFIELD.


PIERS (meeting JOHN BALL.)

You look disturb'd, my father?


JOHN BALL.

Piers, I am so.
Jack Straw has forced the Tower: seized the Archbishop,
And beheaded him.


PIERS.

The curse of insurrection!


JOHN BALL.

Aye, Piers! our nobles level down their vassals—
Keep them at endless labour like their brutes,
Degrading every faculty by servitude:
Repressing all the energy of the mind.
We must not wonder then, that like wild beasts,
When they have burst their chains, with brutal rage
They revenge them on their tyrants.


PIERS.

This Archbishop!
He was oppressive to his humble vassals:
Proud, haughty, avaricious.—


JOHN BALL.

A true high-priest!
Preaching humility with his mitre on!
Praising up alms and Christian charity
Even whilst his unforgiving hand distress'd
His honest tenants.

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Wilde Angel....Doc Wilde

Wilde Angel the sun that brightens my every day
Wilde Angel the brightest star that lights up my darkest night

Wilde Angel my divine super hero
Wilde Angel chases away the scary monsters from under my bed

Wilde Angel big soft cuddly teady bear
Wilde Angel with outstreched wings ready to break my every fall

Wilde Angel with invisible wings
Wings that lift my spirits
Make them soar high above the heavens

Wilde Angel you graced my life and made it worth living
You heard my thoughts my inner voice
The silent pain
The deafening silence

Wilde Angel your voice sings a lullaby to my heart
Sweeter than any chocolate kiss
Cradles my pain and rocks my world

Wilde Angel your heart brought forth and did lay before me a gift
A gift of friendship unconditional
Lily white and pure

Wilde Angel you wipe away the tears even before they fall
Turning them into pearls of wisdom

Wilde Angel......you are the answer to my every prayer
You are the love, the blind faith, the healing friend my strenght and my joy

You are Doc Wilde......Leila's very own Wilde Angel
Don't ever tuck away those wings Doc.......Love LeilaXXXX

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Brent River Bride

Flow proudly fair river,
For one who fell under
Your spell was the liver
Doc, Gershon - asunder
Found all his plans, muddled
By nymphs of the water -
He greatly befuddled
Then married the daughter
Of Count Joe of Wandle
Far south of the city
And went on to fondle
Her milk flowing titty.
I send this wet letter
To Brentische planners;
Such amour is better
Than yekkishe manners.

LRH
6.5.06 In reply to GWH's Bride of Brent of 6.5.06

Bride of Brent

Unlike Lucia from far Lammermoor,
fair Linda, hailing from far Chaumonix,
excels when she’s preparing salmon or
deep-frying spuds and spinach that aren’t gammony.

She tried to keep the frog which wooing went
outside the net she guarded as a goalie
till she became the Bride of River Brent
and played the role of Princess Rowley-Powley.

The frog, he always used to say “Heigh-ho, '
because he knew that he could never find a
more lovely princess once she’d kissed him so
he was more charmed than Chaumonix by Linda.

Inspired by Linda, who married me at the Brent Bridge Hotel in August 1996, and by “A frog he would a-wooing go”: [Old folk song].

A Frog he would a-wooing go,
Heigho! says Rowley,
Whether his mother would let him or no.
With a rowley, powley, gammon and spinach,
Heigho! says Anthony Rowley.

So off he set with his opera hat,
Heigho! says Rowley,
And on the way he met with a Rat.
With a rowley, powley, gammon and spinach,
Heigho! says Anthony Rowley.

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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.


Sir Peter

So-
What are their names?


John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-


Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?


John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?


Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.


John Curzon


going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

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John Daniel

(Dolly Parton)
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
John Daniel was a young man, not more than twenty-four
And there was an air about him that one could not ignore
And in spite of callused hands & dirty clothes, his face was kind
And I wanted so to know what was in John Daniel's mind
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
I rented him a room; he went upstairs like all the rest
It was Saturday and he'd be goin' in to town, I guessed
But he left in a robe and sandals, with a Bible in his hand;
And I thought to myself, John Daniel, I don't understand
Now I'd planned to meet some friends of mine when I got off at three,
In the park we often gather to talk of love and peace
When I got there I found that a crowd had gathered 'round;
And there I saw John Daniel a sittin' on the ground
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's somethin' about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
So, "You want to be free," he said, "Well, this is how you can."
As he read from the Bible he held in his hand
We were searchin' for the truth not knowin' where to look,
Not knowin' that the answers all were in John Daniel's book
John Daniel told us all how we could be free
John Daniel taught us all a better way for you and me
He came to us in our own way so we'd be sure to see
He had the light and essence of the man from Galilee
John Daniel, tell me where did you come from; tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?
John Daniel, John Daniel, John Daniel
John Daniel do you hold the answer to a higher plan?
John Daniel came to town one summer afternoon
Wearin' dirty work clothes so everyone presumed
He was just another logger from the loggin' camp nearby
And he was, but there was somethin' different in John Daniel's eyes
Ooh, John Daniel, tell me where did you come from
Tell me where is it you've been
John Daniel, tell me why are you different from all of these other men
John Daniel, there's something about you that I don't quite understand
John Daniel, do you hold the answer to a higher plan?

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John, John

John, oh, john,
John,
Let's hope for peace.
Oh, john, let's hope for peace.
John, oh, john,
Let's hope for peace,
Let's hope for peace,
Let's hope for peace,
Peace, peace, peace.
Oh, john, oh, john, john, john,
Oh, john,
John,
Oh, oh, john, john, john,
John, john, john, john, john, john,
John, john, john, john, john, john, john,
Let's hope, hope, hope, hope, hope, hope, hope for peace.
Peace -
John.

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John, John

John, oh, john,
John,
Let's hope for peace.
Oh, john, let's hope for peace.
John, oh, john,
Let's hope for peace,
Let's hope for peace,
Let's hope for peace,
Peace, peace, peace.
Oh, john, oh, john, john, john,
Oh, john,
John,
Oh, oh, john, john, john,
John, john, john, john, john, john,
John, john, john, john, john, john, john,
Let's hope, hope, hope, hope, hope, hope, hope for peace.
Peace -
John.

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Tale XIX

THE CONVERT.

Some to our Hero have a hero's name
Denied, because no father's he could claim;
Nor could his mother with precision state
A full fair claim to her certificate;
On her own word the marriage must depend -
A point she was not eager to defend:
But who, without a father's name, can raise
His own so high, deserves the greater praise;
The less advantage to the strife he brought,
The greater wonders has his prowess wrought;
He who depends upon his wind and limbs,
Needs neither cork nor bladder when he swims;
Nor will by empty breath be puff'd along,
As not himself--but in his helpers--strong.
Suffice it then, our Hero's name was clear,
For call John Dighton, and he answer'd 'Here!'
But who that name in early life assign'd
He never found, he never tried to find:
Whether his kindred were to John disgrace,
Or John to them, is a disputed case;
His infant state owed nothing to their care -
His mind neglected, and his body bare;
All his success must on himself depend,
He had no money, counsel, guide, or friend;
But in a market-town an active boy
Appear'd, and sought in various ways employ;
Who soon, thus cast upon the world, began
To show the talents of a thriving man.
With spirit high John learn'd the world to

brave,
And in both senses was a ready knave;
Knave as of old obedient, keen, and quick,
Knave as of present, skill'd to shift and trick;
Some humble part of many trades he caught,
He for the builder and the painter wrought;
For serving-maids on secret errands ran,
The waiter's helper, and the ostler's man;
And when he chanced (oft chanced he) place to lose,
His varying genius shone in blacking shoes:
A midnight fisher by the pond he stood,
Assistant poacher, he o'erlook'd the wood;
At an election John's impartial mind
Was to no cause nor candidate confined;
To all in turn he full allegiance swore,
And in his hat the various badges bore:
His liberal soul with every sect agreed,
Unheard their reasons, he received their creed:

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Oh Diane

Written by lindsey buckingham and richard dashut.
Oh no, here I go again
Fallin in love again
Love is like a grain of sand
Slowly slippin through your hand
Oh, oh, whoa...
Oh, oh, diane
Oh, oh, diane
Will I love you, I will, always
Will you stand by me always
Cause love is like a grain of sand
Slowly slippin through your hand
Oh, oh, whoa...
Oh, oh, diane
Oh, oh, diane
(talkin bout diane)
Oh, oh, whoa...
Oh, oh, diane
Oh, oh, diane
(talkin bout diane)
Oh, oh, diane

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Amanda Jane

Amanda Jane

Just thirteen, with wide bright smile
Across the field, she'd ride a mile.
Encampment there, with tents galore
Too much excitement... she can't ignore.

Then she see's him standing there
Young leath lad, wavy brown hair
A soldier boy who stands so tall
He's answered now, his countries call.

Amanda Jane, Amanda Jane,
A fine young soldier you have seen,
With shoulders wide and eyes gray-blue
Some day He'll ask to marry you.

For nigh four years, men fought and died
Mothers wept and Widows cried
What's left of family, moved up North
These trends of war, no longer worth.

This fine young man of twenty one
No longer carries a soldiers gun,
But now must try to ply his trade
Three years a carpenter, some money made.

Amanda Jane, Amanda Jane,
A fine young soldier you have seen
With shoulders wide and eyes gray-blue
Someday this man will marry you.

Now a young woman of nineteen
Among the young men she would preen
So far He'd travel, for her hand
And to her soldier she'd remand.

Back from Indiana to Kentucky
A blushing bride, She'd feel so lucky,
A home He'd built there just for her
And in his arms, she'd surely purr.

Amanda Jane, Amanda Jane
A fine young soldier you have seen
With shoulders wide and eyes gray-blue
This time He's finally married you.

Three boys, God blessed, this family with
A simple life, they now would live.
Builder of ships, this man became

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The White Cliffs

I
I have loved England, dearly and deeply,
Since that first morning, shining and pure,
The white cliffs of Dover I saw rising steeply
Out of the sea that once made her secure.
I had no thought then of husband or lover,
I was a traveller, the guest of a week;
Yet when they pointed 'the white cliffs of Dover',
Startled I found there were tears on my cheek.
I have loved England, and still as a stranger,
Here is my home and I still am alone.
Now in her hour of trial and danger,
Only the English are really her own.

II
It happened the first evening I was there.
Some one was giving a ball in Belgrave Square.
At Belgrave Square, that most Victorian spot.—
Lives there a novel-reader who has not
At some time wept for those delightful girls,
Daughters of dukes, prime ministers and earls,
In bonnets, berthas, bustles, buttoned basques,
Hiding behind their pure Victorian masks
Hearts just as hot - hotter perhaps than those
Whose owners now abandon hats and hose?
Who has not wept for Lady Joan or Jill
Loving against her noble parent's will
A handsome guardsman, who to her alarm
Feels her hand kissed behind a potted palm
At Lady Ivry's ball the dreadful night
Before his regiment goes off to fight;
And see him the next morning, in the park,
Complete in busbee, marching to embark.
I had read freely, even as a child,
Not only Meredith and Oscar Wilde
But many novels of an earlier day—
Ravenshoe, Can You Forgive Her?, Vivien Grey,
Ouida, The Duchess, Broughton's Red As a Rose,
Guy Livingstone, Whyte-Melville— Heaven knows
What others. Now, I thought, I was to see
Their habitat, though like the Miller of Dee,
I cared for none and no one cared for me.


III
A light blue carpet on the stair
And tall young footmen everywhere,
Tall young men with English faces
Standing rigidly in their places,
Rows and rows of them stiff and staid

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The Exiles. 1660

The goodman sat beside his door
One sultry afternoon,
With his young wife singing at his side
An old and goodly tune.

A glimmer of heat was in the air,-
The dark green woods were still;
And the skirts of a heavy thunder-cloud
Hung over the western hill.

Black, thick, and vast arose that cloud
Above the wilderness,

As some dark world from upper air
Were stooping over this.

At times the solemn thunder pealed,
And all was still again,
Save a low murmur in the air
Of coming wind and rain.

Just as the first big rain-drop fell,
A weary stranger came,
And stood before the farmer's door,
With travel soiled and lame.

Sad seemed he, yet sustaining hope
Was in his quiet glance,
And peace, like autumn's moonlight, clothed
His tranquil countenance,-

A look, like that his Master wore
In Pilate's council-hall:
It told of wrongs, but of a love
Meekly forgiving all.

'Friend! wilt thou give me shelter here?'
The stranger meekly said;
And, leaning on his oaken staff,
The goodman's features read.

'My life is hunted,-evil men
Are following in my track;
The traces of the torturer's whip
Are on my aged back;

'And much, I fear, 't will peril thee
Within thy doors to take
A hunted seeker of the Truth,
Oppressed for conscience' sake.'

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The Mighty Quinn

Everybodys building the big ships and the boats.
Some are building monuments, others jotting down notes.
Everybodys in despair, every girl and boy,
But when quinn the eskimo gets here everybodys gonna jump for joy.
Come all without, come all within.
Youll not see nothing like the mighty quinn.
Now I like to do just like the rest, I like my sugar sweet.
But guarding fumes and making haste, it aint my cup of meat.
Everybodys just standing around neath the trees
Feeding pigeons on a limb.
But when quinn the eskimo gets here, all the pigeons gonna run to him.
Come all without, come all within.
Youll not see nothing like the mighty quinn.
A cats meow and a cows moo, I cant recite em all.
Just tell me where it hurts and Ill tell you who to call.
Nobody can get any sleep, theres someone on everybodys toes.
But when quinn the eskimo gets here, everybodys gonna wanna doze.
Come all without, come all within.
Youll not see nothing like the mighty quinn.
Come all without, come all within.
Youll not see nothing like the mighty quinn.

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It's Five O'clock Somewhere

The sun is hot and that old clock is movin' slow,
An' so am I.
Work day passes like molasses in wintertime,
But it's July.
I'm gettin' paid by the hour, an' older by the minute.
My boss just pushed me over the limit.
I'd like to call him somethin',
I think I'll just call it a day.
Pour me somethin' tall an' strong,
Make it a "Hurricane" before I go insane.
It's only half-past twelve but I don't care.
It's five o'clock somewhere.
Oh, this lunch break is gonna take all afternoon,
An' half the night.
Tomorrow mornin', I know there'll be hell to pay,
Hey, but that's all right.
I ain't had a day off now in over a year.
Our Jamaican vacation's gonna start right here.
if the 'phones for me,
You can tell 'em I just sailed away.
An' pour me somethin' tall an' strong,
Make it a "Hurricane" before I go insane.
It's only half-past twelve but I don't care.
It's five o'clock somewhere.
I could pay off my tab, pour myself in a cab,
An' be back to work before two.
At a moment like this, I can't help but wonder,
What would Jimmy Buffett do?
JIMMY BUFFETT:
Funny you should ask Alan,
I'd say:
Pour me somethin' tall an' strong,
Make it a "Hurricane" before I go insane.
It's only half-past twelve but I don't care.
ALAN JACKSON & JIMMY BUFFETT:
Pour me somethin' tall an' strong,
Make it a "Hurricane" before I go insane.
It's only half-past twelve but I don't care.
He don't care.
I don't care.
It's five o'clock somewhere.
JIMMY BUFFETT:
What time zone am I on? What country am I in?
ALAN JACKSON:
It doesn't matter, it's five o'clock somewhere.
JIMMY BUFFETT:
It's always on five in Margaritaville, come to think of it.
ALAN JACKSON:
Yeah, I heard that.
JIMMY BUFFETT:

[...] Read more

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Quinn The Eskimo

Ev'rybody's building the big ships and the boats,
Some are building monuments,
Others, jotting down notes,
Ev'rybody's in despair,
Ev'ry girl and boy
But when quinn the eskimo gets here,
Ev'rybody's gonna jump for joy.
Come all without, come all within,
You'll not see nothing like the mighty quinn.
I like to do just like the rest, i like my sugar sweet,
But guarding fumes and making haste,
It ain't my cup of meat.
Ev'rybody's 'neath the trees,
Feeding pigeons on a limb
But when quinn the eskimo gets here,
All the pigeons gonna run to him.
Come all without, come all within,
You'll not see nothing like the mighty quinn.
A cat's meow and a cow's moo, i can recite 'em all,
Just tell me where it hurts yuh, honey,
And i'll tell you who to call.
Nobody can get no sleep,
There's someone on ev'ryone's toes
But when quinn the eskimo gets here,
Ev'rybody's gonna wanna doze.
Come all without, come all within,
You'll not see nothing like the mighty quinn.

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Quinn The Eskimo (The Mighty Quinn)

Evrybodys building the big ships and the boats,
Some are building monuments,
Others, jotting down notes,
Evrybodys in despair,
Evry girl and boy
But when quinn the eskimo gets here,
Evrybodys gonna jump for joy.
Come all without, come all within,
Youll not see nothing like the mighty quinn.
I like to do just like the rest, I like my sugar sweet,
But guarding fumes and making haste,
It aint my cup of meat.
Evrybodys neath the trees,
Feeding pigeons on a limb
But when quinn the eskimo gets here,
All the pigeons gonna run to him.
Come all without, come all within,
Youll not see nothing like the mighty quinn.
A cats meow and a cows moo, I can recite em all,
Just tell me where it hurts yuh, honey,
And Ill tell you who to call.
Nobody can get no sleep,
Theres someone on evryones toes
But when quinn the eskimo gets here,
Evrybodys gonna wanna doze.
Come all without, come all within,
Youll not see nothing like the mighty quinn.

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Twist It Feat. Lloyd Banks

[Olivia:] I make it hot...
[Lloyd Banks:] G-Unit
[Olivia:] I make it hot
[Lloyd Banks:]
Olivia, let's go
What's up ladies, I'm back baby
The boy wonder got the club goin' crazy
I'm two-steppin' in my armor in my 80
But I ain't in the VIP unless they pay me
It's like I practice stuntin', ma I have ya matress jumpin'
And I know it sounds like I'm frontin', but I ain't
Jerk jerk ya body, and work work 'em proudly, go and hurt somebody if I don't hit that
If you don't see 'em wit me don't ask bout 50
Cuz if he was here he'd be standin' right here
And if you don't care so much about my fame
Then why you keep starin' at my chain? I'm doin' my thing
From the club to the telly on a late night
Box of Magnums sippin' hen, finna get right
Checkout time ain't til daylight
From the club to the telly on a late night
[Olivia:]
Ooh babe you know I like it when you feel on me
Pullin on my waist I'm feelin energy
Gettin' kinda hard to keep ya hands off me (yeah right there)
So slide a little lower put ya hands on my thigh
Maybe I know you like it if that right
I'ma show you how to make it last all night
Now let me see you shake it
[Hook-Olivia]:
Twist it, shake it, bend but don't break it
Work that body gettin' so crazy
Don't hurt nobody up in this party
Twist it, shake it, bend but don't break it
Twist it, shake it, bend but don't break it
Work that body gettin' butt naked
Don't hurt nobody up in this party
Twist it, shake it, bend but don't break it
[Olivia:]
Mix a little hypno with some hennessey
Like the way this jig goes when it goes through me
Think I need to stop because I'm feelin' tipsy (one more drink)
Baby now I can't stop cuz I'm in the zone
Shorty keep it comin' boy I'm grown
I don't wanna finish this dance alone
Ooh I wanna see ya
[Hook-Olivia]:
Twist it, shake it, bend but don't break it
Work that body gettin' so crazy
Don't hurt nobody up in this party
Twist it, shake it, bend but don't break it

[...] Read more

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