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Inside Out [Long Term Memory]

Cast: Amy Poehler, Phyllis Smith

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Amys In The Attic

Mr. piser, I think you should come up here
Amys in the attic and brain has gone ecstatic
Not another day of all the suffering and pain I was just a little boy ever so naive
Amy was my best friend, I never want to hurt her
I never wanna ever wanna think about her murder
On the playground, I chase her down the slide
I chase her cross the monkey bars and she would run and hide
Jinglin and tumbling, I pushed her off the sled
Amy coincidently hit her head
Dumbling inside my brain, down came the wade
Amy isnt answering, who would get the blame?
Amy isnt laughing, amy isnt crying
Amy isnt really breathing, God I think shes dying
Suddenly, the air is cold I must get her inside
Even though she died, amy has to hide
Nobody must ever know that I made amy sick
Lock her up forever in the attic
Maybe it is best to die, thinking did she really die
Im thinking if its really true then how come I am telling you
And if I really meant to do it, should I be a victim to
Should I walk the terror stairs, and savior all my
Terror fears, no
Mr. piser, I think you should come up here
Amys in the attic and my brain has gone ecstatic
Every day I suffer but eleven years have passed
How long will this keep and the nightmares last
Sitting in my living room, another strange feeling
I think Im hearing tiny footsteps on the ceiling
Looking in my mirror, the image isnt clear
I feel as if a little girl is standing at my rear and
Then I awake at the blink of an eye
Voices from the attic yellin, why?
What if amy wasnt dead living in the box
Banging on the walls, rattling the locks
Feeding on the roaches, rodents, and filth
And when theres nothing left, she feeds off herself
Why do I think in amy of this way?
She was once a lovely girl running out to play
Maybe its all a dream insane fanatic
Maybe theres no amy in the attic after all
Maybe it is best to die, thinking did she really die
Im thinking if its really true then how come I am telling you
And if I really meant to do it, should I be a victim to
Should I walk the terror stairs, and savior all my
Terror fears, no
Mr. piser, I think you should come up here
Amys in the attic and my brain has gone ecstatic
Maybe it is best to die, thinking did she really die
Im thinking if its really true then how come I am telling you
And if I really meant to do it, should I be a victim to

[...] Read more

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Bruadar And Smith And Glinn

Bruadar and Smith and Glinn,
Amen, dear God, I pray,
May they lie low in waves of woe,
And tortures slow each day!
Amen!

Bruadar and Smith and Glinn
Helpless and cold, I pray,
Amen! I pray, O king,
To see them pine away.
Amen!

Bruadar and Smith and Glinn
May flails of sorrow flay!
Cause for lamenting, snares and cares
Be theirs by night and day!
Amen!

Blindness come down on Smith,
Palsy on Bruadar come,
Amen, O King of Brightness! Smite
Glinn in his members numb,
Amen!

Smith in the pangs of pain,
Stumbling on Bruadar’s path,
King of the Elements, Oh, Amen!
Let loose on Glinn Thy Wrath.
Amen!

For Bruadar gape the grave,
Up-shovel for Smith the mould,
Amen, O King of the Sunday! Leave
Glinn in the devil’s hold.
Amen!

Terrors on Bruadar rain,
And pain upon pain on Glinn,
Amen, O King of the Stars! And Smith
May the devil be linking him.
Amen!

Glinn in a shaking ague,
Cancer on Bruadar’s tongue,
Amen, O King of the Heavens! and Smith
Forever stricken dumb.
Amen!

Thirst but no drink for Glinn,
Smith in a cloud of grief,

[...] Read more

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Once In Love With Amy

I caught you sir
Having a look at her
As she went strolling by
Now didn't your heart go
Boom,boom,boom,boom,boom
And didn't you sigh a sigh
I warned you sir
Never to dream of her
Just bid such thoughs begone
Or it'll be
Boom,boom,boom,boom,boom,boom,boom
Boom,boom,boom,boom
From then on
For once in love with Amy
Always in love with Amy
Ever and ever fasinated by her
Sets your heart a fire to stay
Once you're kissed by Amy
Tear up your list it's Amy
Ply her with bon-bons, poetry,and flowers
Moon a million hours away
You might be quiet the fickle hearted rover
So care free and bold
Who loves a girl
And later thinks it over
And just quits cold
But once in love with Amy
Alway in love with Amy
Ever and ever sweetly you'll romance her
Trouble is the answer will be
That Amy rather stay in love with me
Da,da,da,da,da,da,da,da,da,da
Ever and ever fasinated by her
(Barry talks) oh I just love this song so much
I want everybody to sing along with me
Once your kissed by Amy
(backround singers)once your kissed by Amy
(Barry)tear up your list it's Amy
(backround singers)tear up your list it's Amy
(Barry) ply her with bon-bon,poetry,and flowers
(backround singers)ply her with bon-bons, poetry,and flowers
(Barry) moon a million hours away
(backround singers)moon a million hours away
(Barry)come on let me take it please
You might be quite the fickle hearted rover
So care free and bold
Who loves a girl and later thinks it over
And just quits cold
(Barry)everybody sing
Once in love with Amy

[...] Read more

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What Smith Knew About Farming

There wasn't two purtier farms in the state
Than the couple of which I'm about to relate;--
Jinin' each other--belongin' to Brown,
And jest at the edge of a flourishin' town.
Brown was a man, as I understand,
That allus had handled a good 'eal o' land,
And was sharp as a tack in drivin' a trade--
For that's the way most of his money was made.
And all the grounds and the orchards about
His two pet farms was all tricked out
With poppies and posies
And sweet-smellin' rosies;
And hundreds o' kinds
Of all sorts o' vines,
To tickle the most horticultural minds
And little dwarf trees not as thick as your wrist
With ripe apples on 'em as big as your fist:
And peaches,--Siberian crabs and pears,
And quinces--Well! ANY fruit ANY tree bears;
And th purtiest stream--jest a-swimmin' with fish,
And--JEST O'MOST EVERYTHING HEART COULD WISH!
The purtiest orch'rds--I wish you could see
How purty they was, fer I know it 'ud be
A regular treat!--but I'll go ahead with
My story! A man by the name o' Smith--
(A bad name to rhyme,
But I reckon that I'm
Not goin' back on a Smith! nary time!)
'At hadn't a soul of kin nor kith,
And more money than he knowed what to do with,--
So he comes a-ridin' along one day,
And HE says to Brown, in his offhand way--
Who was trainin' some newfangled vines round a bay-
Winder--'Howdy-do--look-a-here--say:
W hat'll you take fer this property here?--
I'm talkin' o' leavin' the city this year,
And I want to be
Where the air is free,
And I'll BUY this place, if it ain't too dear!'--
Well--they grumbled and jawed aroun'--
'I don't like to part with the place,' says Brown;
'Well,' says Smith, a-jerkin' his head,
'That house yonder--bricks painted red--
Jest like this'n--a PURTIER VIEW--
Who is it owns it?' 'That's mine too,'
Says Brown, as he winked at a hole in his shoe,
'But I'll tell you right here jest what I KIN do:--
If you'll pay the figgers I'll sell IT to you.,'
Smith went over and looked at the place--
Badgered with Brown, and argied the case--

[...] Read more

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Astrophel's Song Of Phyllida And Corydon

Fair in a morn (O fairest morn!),
Was never morn so fair,
There shone a sun, though not the sun
That shineth in the air.
For the earth, and from the earth,
(Was never such a creature!)
Did come this face (was never face
That carried such a feature).
Upon a hill (O blessèd hill!
Was never hill so blessèd),
There stood a man (was never man
For woman so distressed):
This man beheld a heavenly view,
Which did such virtue give
As clears the blind, and helps the lame,
And makes the dead man live.
This man had hap (O happy man!
More happy none than he);
For he had hap to see the hap
That none had hap to see.
This silly swain (and silly swains
Are men of meanest grace):
Had yet the grace (O gracious gift!)
To hap on such a face.
He pity cried, and pity came
And pitied so his pain,
As dying would not let him die
But gave him life again.
For joy whereof he made such mirth
As all the woods did ring;
And Pan with all his swains came forth
To hear the shepherd sing;
But such a song sung never was,
Nor shall be sung again,
Of Phyllida the shepherds' queen,
And Corydon the swain.
Fair Phyllis is the shepherds' queen,
(Was never such a queen as she,)
And Corydon her only swain
(Was never such a swain as he):
Fair Phyllis hath the fairest face
That ever eye did yet behold,
And Corydon the constant'st faith
That ever yet kept flock in fold;
Sweet Phyllis is the sweetest sweet
That ever yet the earth did yield,
And Corydon the kindest swain
That ever yet kept lambs in field.
Sweet Philomel is Phyllis' bird,
Though Corydon be he that caught her,

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Phyllis

PHYLLIS, ah, Phyllis, my life is a gray day,
Few are my years, but my griefs are not few,
Ever to youth should each day be a May-day,
Warm wind and rose-breath and diamonded dew—
Phyllis, ah, Phyllis, my life is a gray day.
Oh for the sunlight that shines on a May-day!
Only the cloud hangeth over my life.
Love that should bring me youth's happiest heyday
Brings me but seasons of sorrow and strife:
Phyllis, ah, Phyllis, my life is a gray day.

Sunshine or shadow, or gold day or gray day,
Life must be lived as our destinies rule;
Leisure or labor or work day or play day—
Feasts for the famous and fun for the fool;
Phyllis, ah, Phyllis, my life is a gray day.

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A Pastoral Ballad III: Solicitude

Why will you my passion reprove?
Why term it a folly to grieve?
Ere I shew you the charms of my love,
She is fairer than you can believe.
With her mien she enamours the brave;
With her wit she engages the free;
With her modesty pleases the grave;
She is ev'ry way pleasing to me.

O you that have been of her train,
Come and join in my amorous lays;

I could lay down my life for the swain,
That will sing but a song in her praise.
When he sings, may the nymphs of the town
Come trooping, and listen the while;
Nay on him let not Phyllida frown;
-- But I cannot allow her to smile.
For when Paridel tries in the dance
Any favour with Phyllis to find,
O how, with one trivial glance,
Might she ruin the peace of my mind!

In ringlets he dresses his hair,
And his crook is be-studded around;
And his pipe -- oh may Phyllis beware
Of a magic there is in the sound.
'Tis his with mock passion to glow;
'Tis his in smooth tales to unfold,
``How her face is as bright as the snow,
And her bosom, be sure, is as cold?
How the nightingales labour the strain,
With the notes of his charmer to vie;

How they vary their accents in vain,
Repine at her triumphs, and die.''
To the grove or the garden he strays,
And pillages every sweet;
Then, suiting the wreath to his lays
He throws it at Phyllis's feet.
``O Phyllis, he whispers, more fair,
More sweet than the jessamine's flow'r!
What are pinks, in a morn, to compare?
What is eglantine, after a show'r?

Then the lily no longer is white;
Then the rose is depriv'd of its bloom;
Then the violets die with despight,
And the wood-bines give up their perfume.''
Thus glide the soft numbers along,

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G.K. Chesterton

Antichrist, or the Reunion of Christendom: An Ode

Are they clinging to their crosses,
F. E. Smith,
Where the Breton boat-fleet tosses,
Are they, Smith?
Do they, fasting, trembling, bleeding,
Wait the news from this our city?
Groaning "That's the Second Reading!"
Hissing "There is still Committee!"
If the voice of Cecil falters,
If McKenna's point has pith,
Do they tremble for their altars?
Do they, Smith?

Russian peasants round their pope
Huddled, Smith,
Hear about it all, I hope,
Don't they, Smith?
In the mountain hamlets clothing
Peaks beyond Caucasian pales,
Where Establishment means nothing
And they never heard of Wales,
Do they read it all in Hansard -
With a crib to read it with -
"Welsh Tithes: Dr. Clifford answered."
Really, Smith?

In the lands where Christians were,
F. E. Smith,
In the little lands laid bare,
Smith, O Smith!
Where the Turkish bands are busy
And the Tory name is blessed
Since they hailed the Cross of Dizzy
On the banners from the West!
Men don't think it half so hard if
Islam burns their kin and kith,
Since a curate lives in Cardiff
Saved by Smith.

It would greatly, I must own,
Soothe me, Smith!
If you left this theme alone,
Holy Smith!
For your legal cause or civil
You fight well and get your fee;
For your God or dream or devil
You will answer, not to me.
Talk about the pews and steeples
And the cash that goes therewith!
But the souls of Christian peoples...

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Antichrist, or the Reunion of Christendom: An Ode

Are they clinging to their crosses,
F. E. Smith,
Where the Breton boat-fleet tosses,
Are they, Smith?
Do they, fasting, trembling, bleeding,
Wait the news from this our city?
Groaning "That's the Second Reading!"
Hissing "There is still Committee!"
If the voice of Cecil falters,
If McKenna's point has pith,
Do they tremble for their altars?
Do they, Smith?

Russian peasants round their pope
Huddled, Smith,
Hear about it all, I hope,
Don't they, Smith?
In the mountain hamlets clothing
Peaks beyond Caucasian pales,
Where Establishment means nothing
And they never heard of Wales,
Do they read it all in Hansard --
With a crib to read it with --
"Welsh Tithes: Dr. Clifford answered."
Really, Smith?

In the lands where Christians were,
F. E. Smith,
In the little lands laid bare,
Smith, O Smith!
Where the Turkish bands are busy
And the Tory name is blessed
Since they hailed the Cross of Dizzy
On the banners from the West!
Men don't think it half so hard if
Islam burns their kin and kith,
Since a curate lives in Cardiff
Saved by Smith.

It would greatly, I must own,
Soothe me, Smith!
If you left this theme alone,
Holy Smith!
For your legal cause or civil
You fight well and get your fee;
For your God or dream or devil
You will answer, not to me.
Talk about the pews and steeples
And the cash that goes therewith!
But the souls of Christian peoples...

[...] Read more

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Amy

D folger
Wish that I could wish away love
Every memory
All the things young dreams are made of
That ever used to be
Cos if I could leave it all behind me
Thered be nothing left to constantly remind me
Of amy, of amy
She comes and goes just like the seasons
Keeping me on the run
Between the fever and the reason
Im not the only one
And I guess Ill always feel the same about love
And Ill find it hard to even live without the love
Of amy, amy, oh amy
Amy, amy, amy, amy...

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I Need Thee Every Hour / Nothing But The Blood

(Duet with Vince Gill)
(Amy)
I need Thee every hour, most gracious Lord;
No tender voice like Thine can peace afford.
I need Thee, O I need Thee;
Every hour I need Thee;
O bless me now, my Savior,
I come to Thee.
(Amy)
What can wash away my sin?
(Amy and Vince)
Nothing but the blood of Jesus;
(Vince)
What can make me whole again?
(Amy and Vince)
Nothing but the blood of Jesus.
(Amy Vince and background vocals)
Oh! Precious is the flow
That makes me white as snow;
No other fount I know,
Nothing but the blood of Jesus.
(Amy)
For my pardon, this I see,
(Amy and Vince)
Nothing but the blood of Jesus;
(Vince)
For my cleansing, this my plea,
(Amy and Vince)
Nothing but the blood of Jesus.
(Amy Vince and background vocals)
Oh! Precious is the flow
That makes me white as snow;
No other fount I know,
Nothing but the blood of Jesus.
Oh! Precious is the flow
That makes me white as snow;
No other fount I know,
Nothing but the blood of Jesus.
Oh! Precious is the flow
That makes me white as snow;
No other fount I know,
Nothing but the blood of Jesus.

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John Smith

To-day I strayed in Charing Cross as wretched as could be
With thinking of my home and friends across the tumbling sea;
There was no water in my eyes, but my spirits were depressed
And my heart lay like a sodden, soggy doughnut in my breast.
This way and that streamed multitudes, that gayly passed me by--
Not one in all the crowd knew me and not a one knew I!
'Oh, for a touch of home!' I sighed; 'oh, for a friendly face!
Oh, for a hearty handclasp in this teeming desert place!'
And so, soliloquizing as a homesick creature will,
Incontinent, I wandered down the noisy, bustling hill
And drifted, automatic-like and vaguely, into Lowe's,
Where Fortune had in store a panacea for my woes.
The register was open, and there dawned upon my sight
A name that filled and thrilled me with a cyclone of delight--
The name that I shall venerate unto my dying day--
The proud, immortal signature: 'John Smith, U.S.A.'

Wildly I clutched the register and brooded on that name--
I knew John Smith, yet could not well identify the same.
I knew him North, I knew him South, I knew him East and West--
I knew him all so well I knew not which I knew the best.
His eyes, I recollect, were gray, and black, and brown, and blue,
And, when he was not bald, his hair was of chameleon hue;
Lean, fat, tall, short, rich, poor, grave, gay, a blonde and a brunette--
Aha, amid this London fog, John Smith, I see you yet;
I see you yet, and yet the sight is all so blurred I seem
To see you in composite, or as in a waking dream,
Which are you, John? I'd like to know, that I might weave a rhyme
Appropriate to your character, your politics and clime;
So tell me, were you 'raised' or 'reared'--your pedigree confess
In some such treacherous ism as 'I reckon' or 'I guess';
Let fall your tell-tale dialect, that instantly I may
Identify my countryman, 'John Smith, U.S.A.'

It's like as not you are the John that lived a spell ago
Down East, where codfish, beans 'nd bona-fide school-marms grow;
Where the dear old homestead nestles like among the Hampshire hills
And where the robin hops about the cherry boughs and trills;
Where Hubbard squash 'nd huckleberries grow to powerful size,
And everything is orthodox from preachers down to pies;
Where the red-wing blackbirds swing 'nd call beside the pickril pond,
And the crows air cawin' in the pines uv the pasture lot beyond;
Where folks complain uv bein' poor, because their money's lent
Out West on farms 'nd railroads at the rate uv ten per cent;
Where we ust to spark the Baker girls a-comin' home from choir,
Or a-settin' namin' apples round the roarin' kitchen fire:
Where we had to go to meetin' at least three times a week,
And our mothers learnt us good religious Dr. Watts to speak,
And where our grandmas sleep their sleep--God rest their souls, I say!
And God bless yours, ef you're that John, 'John Smith, U.S.A.'

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The Knotting Song

"Hears not my Phyllis how the birds
Their feathered mates salute?
They tell their passion in their words:
Must I alone be mute?"
Phyllis, without frown or smile,
Sat and knotted all the while.

"The god of love in thy bright eyes
Does like a tyrant reign;
But in thy heart a child he lies,
Without his dart of flame."
Phyllis, without frown or smile,
Sat and knotted all the while.

"So many months in silence past,
And yet in raging love,
Might well deserve one word at last
My passion should approve."
Phyllis, without frown or smile,
Sat and knotted all the while.

"Must then your faithful swain expire,
And not one look obtain,
Which he, to soothe his fond desire,
Might pleasingly explain?"
Phyllis, without frown or smile,
Sat and knotted all the while.

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How Da Beat Goes On

[chorus tra-knox and (will smith)]
Its all night, and its all right, til the sunlight
(this is how da beat goes on)
Big will, tra-knox, so hot
(this is how da beat goes on)
Poppin, rockin, and stompin
(this is how da beat goes on)
Big will, tra-knox, so hot
(this is how da beat goes on)
(verse 1 - will smith)
Its the bizzi, wizza, jizzi, wizzil
Bizon, wizzay, wizzat, fizzil
Back again but with a couple of friends
Thought my reign would end, well now Im rubbin it in
Im back yes, yes yallin, back again ballin
Out for a couple of years thought I had fallen
You seen me with denzel and russ crowe
But yo the movies just a chick on the side Im in love with the flow
Time off to be an oscar nominee now
Back to the m-i-c to mc now
Rockin the ol heads blazing the youth
Only rapper had the president raising the roof
Check the tape, checkmate, its one mission
Make your move, dont fight submission
To dawn to dusk, we on a trust
Just dont miss the bus, to jam on with us, come on
[chorus tra-knox and (will smith)]
Its all night, and its all right, til the sunlight
(this is how da beat goes on)
Big will, tra-knox, so hot
(this is how da beat goes on)
Poppin, rockin, and stompin
(this is how da beat goes on)
Big will, tra-knox, so hot
(this is how da beat goes on)
(verse 2 - will smith)
This is, how the
Beat goes on and on and on and
Me and tra-knox keep keepin it on and
Jokers aint stoppin til the mornin, so
(tra-knox)
Every, everybody come feel this
This union, this spirit
Created from the soul, oh yeah
Its big will (who else)
And tra-knox keepin it real
Tearing up the club
We got what you want
So you cannot front
Everybody get on the floor

[...] Read more

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Driver Smith

'Twas Driver Smith of Battery A was anxious to see a fight;
He thought of the Transvaal all the day, he thought of it all the night --
"Well, if the battery's left behind, I'll go to the war," says he,
"I'll go a-driving and ambulance in the ranks of the A.M.C.
"I'm fairly sick of these here parades -- it's want of a change that kills --
A-charging the Randwick Rifle Range and aiming at Surry Hills.
And I think if I go with the ambulance I'm certain to find a show,
For they have to send the Medical men wherever the troops can go.

"Wherever the rifle bullets flash and the Maxims raise a din,
It's here you'll find the Medical men a-raking the wounded in --
A-raking 'em in like human flies -- and a driver smart like me
Will find some scope for his extra skill in the ranks of the A.M.C."

So Driver Smith he went to war a-cracking his driver's whip,
From ambulance to collecting base they showed him his regular trip.
And he said to the boys that were marching past, as he gave his whip a crack,
"You'll walk yourselves to the fight," says he -- "Lord spare me, I'll drive you back."

Now the fight went on in the Transvaal hills for the half of a day or more,
And Driver Smith he worked his trip -- all aboard for the seat of war!
He took his load from the stretcher men and hurried 'em homeward fast
Till he heard a sound that he knew full well -- a battery rolling past.

He heard the clink of the leading chains and the roll of the guns behind --
He heard the crack of the drivers' whips, and he says to 'em, "Strike me blind,
I'll miss me trip with this ambulance, although I don't care to shirk,
But I'll take the car off the line today and follow the guns at work."

Then up the Battery Colonel came a-cursing 'em black in the face.
"Sit down and shift 'e,, you drivers there, and gallop 'em into place."
So off the Battery rolled and swung, a-going a merry dance,
And holding his own with the leading gun goes Smith with his ambulance.

They opened fire on the mountain side, a-peppering by and large,
When over the hill above their flank the Boers came down at the charge;
They rushed the guns with a daring rush, a-volleying left and right,
And Driver Smith and his ambulance moved up to the edge of the fight.

The gunners stuck to their guns like men, and fought as the wild cats fight,
For a Battery man don't leave his gun with ever a hope in sight;
But the bullets sang and the Mausers cracked and the Battery men gave away,
Till Driver Smith with his ambulance drove into the thick of the fray.

He saw the head of the Transvaal troop a-thundering to and fro,
A hard old face with a monkey beard -- a face that he seemed to know;
"Now who's that leader?" said Driver Smith. "I've seen him before today.
Why, bless my heart, but it's Kruger's self," and he jumped for him straight away.

He collared old Kruger round the waist and hustled him into the van.

[...] Read more

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Saltbush Bill's Second Flight

The news came down on the Castlereagh, and went to the world at large,
That twenty thousand travelling sheep, with Saltbush Bill in charge,
Were drifting down from a dried-out run to ravage the Castlereagh;
And the squatters swore when they heard the news, and wished they were well away:
For the name and the fame of Saltbush Bill were over the country-side
For the wonderful way that he fed his sheep, and the dodges and tricks he tried.
He would lose his way on a Main Stock Route, and stray to the squatters' grass;
He would come to a run with the boss away, and swear he had leave to pass;
And back of all and behind it all, as well the squatters knew,
If he had to fight, he would fight all day, so long as his sheep got through:
But this is the story of Stingy Smith, the owner of Hard Times Hill,
And the way that he chanced on a fighting man to reckon with Saltbush Bill.

'Twas Stingy Smith on his stockyard sat, and prayed for an early Spring,
When he started at sight of a clean-shaved tramp, who walked with a jaunty swing;
For a clean-shaved tramp with a jaunty walk a-swinging along the track
Is as rare a thing as a feathered frog on the desolate roads out back.
So the tramp he made for the travellers' hut, to ask could he camp the night;
But Stingy Smith had a bright idea, and called to him, "Can you fight?"
"Why, what's the game?" said the clean-shaved tramp, as he looked at him up and down;
"If you want a battle, get off that fence, and I'll kill you for half-a-crown!
But, Boss, you'd better not fight with me -- it wouldn't be fair nor right;
I'm Stiffener Joe, from the Rocks Brigade, and I killed a man in a fight:
I served two years for it, fair and square, and now I'm trampin' back,
To look for a peaceful quiet life away on the outside track."

"Oh, it's not myself, but a drover chap," said Stingy Smith with glee,
"A bullying fellow called Saltbush Bill, and you are the man for me.
He's on the road with his hungry sheep, and he's certain to raise a row,
For he's bullied the whole of the Castlereagh till he's got them under cow --
Just pick a quarrel and raise a fight, and leather him good and hard,
And I'll take good care that his wretched sheep don't wander a half a yard.
It's a five-pound job if you belt him well -- do anything short of kill,
For there isn't a beak on the Castlereagh will fine you for Saltbush Bill."

"I'll take the job," said the fighting man; "and, hot as this cove appears,
He'll stand no chance with a bloke like me, what's lived on the game for years;
For he's maybe learnt in a boxing school, and sparred for a round or so,
But I've fought all hands in a ten-foot ring each night in a travelling show;
They earned a pound if they stayed three rounds, and they tried for it every night.
In a ten-foot ring! Oh, that's the game that teaches a bloke to fight,
For they'd rush and clinch -- it was Dublin Rules, and we drew no colour line;
And they all tried hard for to earn the pound, but they got no pound of mine.
If I saw no chance in the opening round I'd slog at their wind, and wait
Till an opening came -- and it always came -- and I settled 'em, sure as fate;
Left on the ribs and right on the jaw -- and, when the chance comes, make sure!
And it's there a professional bloke like me gets home on an amateur:
For it's my experience every day, and I make no doubt it's yours,
That a third-class pro is an over-match for the best of the amateurs --"
"Oh, take your swag to the travellers' hut," said Smith, "for you waste your breath;

[...] Read more

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Sitting hurting alone

I sit here all alone.
I hear someone call my name.
Amy Amy Amy.
I turn to see who it is.
But at that poin no one is there.
Its the voices in my head.
Of the past truamatic events.

Sitting here on my own.
I hear the familar call my name.
Amy it was your fualt.
You made me do it to you amy.
You neede punishing amy.

Sat here all on my own.
You appear once again.
Standing over me.
I know what is about to come.
The familar pain.
The sting and hurt.
The stabbing peneration.
The feel of you inside

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Amy Margaret's Five Year Old

Amy Margaret's five years old,
Amy Margaret's hair is gold,
Dearer twenty-thousand-fold
Than gold, is Amy Margaret.
"Amy" is friend, is "Margaret"
The pearl for crown or carkanet?
Or peeping daisy, summer's pet?
Which are you, Amy Margaret?
A friend, a daisy, and a pearl,
A kindly, simple, precious girl, --
Such, howsoe'er the world may twirl,
Be ever, -- Amy Margaret!

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I Dont Know Your Name

Emily:
I walked into my favorite place one night
Id just gotten back from a lecture
And I was feeling kind of uptight
And at the edge of the bar there was this guy
And you know I wasnt really looking
But I caught him out of the corner of my eye
The next thing I know he was moving my way
I thought he wanted to talk
But this is what he had to say
Amy:
I dont know your name babe
But I want to be your lover
Yall sing it with me
I dont know your name babe
But I want to be your lover
Your lover your lover your lover
One time or another baby
I want to be your lover
Emily:
I have to admit I was a little bit surprised
But I wasnt really scared cause I was twice his size
So I said to myself, okay, Ill play his game
And when he turned to me
I gave him my name
Amy:
I know your name babe
But I got to know your number
I know your name babe
But I got to know your number your number
I said one time or another baby
Im gonna be your lover
Yeah I wanna be your lover
Emily:
Well I said to myself this guy is persistent
Hes a little bit dumb but at least hes consistent
I tried to talk cool but when we touched I went under
I made a quick decision and I gave him my number
Amy:
I know your number
But I dont know what to say babe
Emily:
Thats ok
Amy:
I know your number
Your number babe
But I dont know what to say to you
Say to you say to you say to you darling
Oh it dont matter anyway no
I dont talk when Im make love to you babe

[...] Read more

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