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Masterminds [trailer 2]

Cast: Kristen Wiig, Jason Sudeikis, Zach Galifianakis, Owen Wilson, Mary Elizabeth Ellis, Kate McKinnon, Devin Ratray, Ken Marino, Allegra Nova

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Mary had a Little Vamp and Other Parodies after Sarah Josepha HALE

Mary had a little vamp,
whose teeth glowed white as snow,
each night from sightly vent – no cramp -
the crimson droplets flow.

Some followed her from school one day;
though stalking's 'gainst the rules;
it made goose pimples grow and stay
to see them play at ghouls.

But they were caught, their tale remains
from history well hid,
though we discovered their remains
beneath oak coffin lid.

And so blood flowed from inside out,
none dared to lingered near
when shadows shiver, hang about
until Vamps disappear.

'Why does the Vamp love Mary so? '
the eager children cry;
'Why, Mary loves the Vamp, you know, '
the teacher did reply.

Sleep-overs followed, - little Vamp
A, B, AB, O, drew
by light of Mary’s lurid lamp
new haemoglobulu.

Thus vampire Vlad made Mary glad
hark! men well-read may read,
from kid school lad to college grad, -
mark then welt's red fey bead.

He wore a scarlet cape to match
sweet Mary’s ruddy lips,
attached thereto a cup to catch
the rhesus drips he sips.

No fly-by-night awed Mary’s Vamp,
he could fear blend at need,
though sky high flight soared scary champ -
we here end batty screed.

© Jonathan Robin parody written 3 May 2007 revised 3 September 2008 - for previous version see below


Mary had a little vamp,
whose teeth were white as snow,

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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

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To Mary in Heaven

I.
I met thee first in May, Mary!
The flower-crowned month of May;
But now thou art away, Mary!
Away from me—away!
Thou wert that all to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

II.
Ah! then thine eyes were mild, Mary!
Thy deep blue eyes were mild;
For thou wert then a child, Mary!
And I another child.
Thou wert that all to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

III.
Thy face was then so meek, Mary!
So saintly mild, so meek,
Thy lily-form seemed weak, Mary!
And mine for thine grew weak
For thou wert that to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

IV.
You led me through the meads, Mary!
The flower-enameled meads,
By brooks of rustling reeds, Mary!
By brooks of rustling reeds—
Where thou wert that to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.


V.
Wherever you then went, Mary!
No matter where you went—
I followed with content, Mary!
Because you were content.
For thou wert that to me, Mary!
That all on earth to me,
That I will be to thee, Mary!
In Heaven above to thee.

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Ellis Dee

By: jimmy buffett, buzz cason
1970
Why is he cussin and callin disgustin
The city that is now his home
He never smiles or keeps up with styles
He is black and he is all alone
And you ask why hes this way
Well brother youre too blind to see
Its cause ellis dee aint free like you and me
Get out of the street dont get high on my beat
Go on home the policeman warns
Just cause youre poor why do you declare war
I cant help the way that you were born
Why are they holdin him down
Hes spending his life on his knees
cause ellis dee aint free like you and me
Chorus:
Got to help ellis
Got to help ellis
You know we got to help ellis ellis dee
Try and help ellis you and me
Got to get to ellis hear his plea
Try and help ellis get free
Ellis got hooked, he got booked and he shook
In his cold little shivery cell
While out on the street in that same funky beat
Mister pusher was doing well
And ellis junior cries tears his daddy cant see
cause ellis dee aint free like you and me
Chorus:
Got to help ellis
Got to help ellis
You know we got to help ellis ellis dee
Try and help ellis you and me
Got to get to ellis hear his plea
Try and help ellis get free
cause ellis dee aint fee like you and me
No ellis dee aint free like you and me

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Masterminds

Cast: Kristen Wiig, Jason Sudeikis, Zach Galifianakis, Owen Wilson, Mary Elizabeth Ellis, Kate McKinnon, Devin Ratray, Ken Marino, Allegra Nova

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Masterminds [trailer 3]

Cast: Kristen Wiig, Jason Sudeikis, Zach Galifianakis, Owen Wilson, Mary Elizabeth Ellis, Kate McKinnon, Devin Ratray, Ken Marino, Allegra Nova

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Sister Helen

"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)

"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)

"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)

"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)

"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)

"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)

"Here high up in the balcony,
Sister Helen,

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Mary Mary Magdalene

Mary Mary Magdalene,
what do all those stories mean?
Mary, Mary, is it true,
Jesus had a thing for you?

Mary, Mary – He lay with you?
Mary, Mary, tell me true
Mary, Mary, red hair wild,
did He leave you great with child?

Mary, was your love so steady,
that you had had His kids already?
Mary, Mary, at the Cross,
did it feel a gain or loss?

Mary, Mary – on that third day,
what was it like with the stone rolled away?
Mary, Mary, running there with love,
what did you think when He rose above?

Mary, Mary – what was it like, after?
Were there tears or joyful laughter?
Mary, Mary – the kids you had –
did they turn out like their Dad?

Mary, Mary, whore redeemed,
did it work out like you dreamed?
Mary, Mary – your afterlife –
was it mostly love, or mostly strife?

Mary, Mary, were you worshipped or despised
As Mary’s daughter-in-law, Mrs. Christ?
Mary, Mary, did you stay,
or feel you had to take the kids away?

Mary, Mary, with so much love,
did you, too, rise to heaven above?
Mary, Mary, in the sky,
all we ask are the reasons why…

Mary, Mary Magdalene,
What is really true? What does it really mean?

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Wilson

Wilson
Wilson
Wilson
Wilson
Oh out near stonehenge, I lived alone
Oh out near gamehendge, I chafed a bone
Wilson, king of prussia, I lay this hate on you
Wilson, duke of lizards, I beg it all trune for you
Talk my duke a mountain, helping friendly book
Inasfar as fiefdom, I think you bad crook
Wilson, king of prussia, I lay this hate on you
Wilson, duke of lizards, I beg it all trune for you
Wilson
Wilson
Wilson
Wilson
I talked to mike christian, rog and pete the same
When we had that meeting, over down near game(henge)
Wilson, king of prussia, I lay this hate on you
Wilson, duke of lizards, I beg it all trune for you
You got me back thinkin that youre the worst one
I must inquire, wilson, can you still have fun?
Wilson, can you still have fun?
Wilson, can you still have fun?
Wilson

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Lazarus

“No, Mary, there was nothing—not a word.
Nothing, and always nothing. Go again
Yourself, and he may listen—or at least
Look up at you, and let you see his eyes.
I might as well have been the sound of rain,
A wind among the cedars, or a bird;
Or nothing. Mary, make him look at you;
And even if he should say that we are nothing,
To know that you have heard him will be something.
And yet he loved us, and it was for love
The Master gave him back. Why did he wait
So long before he came? Why did he weep?
I thought he would be glad—and Lazarus—
To see us all again as he had left us—
All as it was, all as it was before.”

Mary, who felt her sister’s frightened arms
Like those of someone drowning who had seized her,
Fearing at last they were to fail and sink
Together in this fog-stricken sea of strangeness,
Fought sadly, with bereaved indignant eyes,
To find again the fading shores of home
That she had seen but now could see no longer
Now she could only gaze into the twilight,
And in the dimness know that he was there,
Like someone that was not. He who had been
Their brother, and was dead, now seemed alive
Only in death again—or worse than death;
For tombs at least, always until today,
Though sad were certain. There was nothing certain
For man or God in such a day as this;
For there they were alone, and there was he—
Alone; and somewhere out of Bethany,
The Master—who had come to them so late,
Only for love of them and then so slowly,
And was for their sake hunted now by men
Who feared Him as they feared no other prey—
For the world’s sake was hidden. “Better the tomb
For Lazarus than life, if this be life,”
She thought; and then to Martha, “No, my dear,”
She said aloud; “not as it was before.
Nothing is ever as it was before,
Where Time has been. Here there is more than Time;
And we that are so lonely and so far
From home, since he is with us here again,
Are farther now from him and from ourselves
Than we are from the stars. He will not speak
Until the spirit that is in him speaks;
And we must wait for all we are to know,
Or even to learn that we are not to know.

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Baby Kate

Kate closes the door
falls to her bedroom floor
kate cant even stand
the results in her hand

Kate closes her eyes
sees happiness she tries
to see a new world
but theres a worried girl

A girl stood staring
showing concern, caring
her heart is broken
looks up her eyes open

Kate picks herself up
a nightmare kate is shook
sees her reflection
then she asks a question

Can i get through this?
it was also her whish
can this pain be gone?
but kate doesnt respond

Puts on her lipstick
she had been feeling sick
so she took the test
kates chronicaly depressed

Posative results
kate took many insults
through out her life time
now isnt the right time

A jobs on the way
to give kate better pay
but kate can not work
it is over for her

Kate sits in her room
mayby a baby soon
kates next door neighber
kates neighbers in laber

Kates neighbers baby
is so small its crazy
the test was posative
kate never had a kid

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Rose Mary

Of her two fights with the Beryl-stone
Lost the first, but the second won.

PART I

MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.

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Metamorphoses: Book The Seventh

THE Argonauts now stemm'd the foaming tide,
And to Arcadia's shore their course apply'd;
Where sightless Phineus spent his age in grief,
But Boreas' sons engage in his relief;
And those unwelcome guests, the odious race
Of Harpyes, from the monarch's table chase.
With Jason then they greater toils sustain,
And Phasis' slimy banks at last they gain,
Here boldly they demand the golden prize
Of Scythia's king, who sternly thus replies:
That mighty labours they must first o'ercome,
Or sail their Argo thence unfreighted home.
The Story of Meanwhile Medea, seiz'd with fierce desire,
Medea and By reason strives to quench the raging fire;
Jason But strives in vain!- Some God (she said)
withstands,
And reason's baffl'd council countermands.
What unseen Pow'r does this disorder move?
'Tis love,- at least 'tis like, what men call love.
Else wherefore shou'd the king's commands appear
To me too hard?- But so indeed they are.
Why shou'd I for a stranger fear, lest he
Shou'd perish, whom I did but lately see?
His death, or safety, what are they to me?
Wretch, from thy virgin-breast this flame expel,
And soon- Oh cou'd I, all wou'd then be well!
But love, resistless love, my soul invades;
Discretion this, affection that perswades.
I see the right, and I approve it too,
Condemn the wrong- and yet the wrong pursue.
Why, royal maid, shou'dst thou desire to wed
A wanderer, and court a foreign bed?
Thy native land, tho' barb'rous, can present
A bridegroom worth a royal bride's content:
And whether this advent'rer lives, or dies,
In Fate, and Fortune's fickle pleasure lies.
Yet may be live! for to the Pow'rs above,
A virgin, led by no impulse of love,
So just a suit may, for the guiltless, move.
Whom wou'd not Jason's valour, youth and blood
Invite? or cou'd these merits be withstood,
At least his charming person must encline
The hardest heart- I'm sure 'tis so with mine!
Yet, if I help him not, the flaming breath
Of bulls, and earth-born foes, must be his death.
Or, should he through these dangers force his way,
At last he must be made the dragon's prey.
If no remorse for such distress I feel,
I am a tigress, and my breast is steel.
Why do I scruple then to see him slain,

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Malcolm's Katie: A Love Story - Part IV.

From his far wigwam sprang the strong North Wind
And rush'd with war-cry down the steep ravines,
And wrestl'd with the giants of the woods;
And with his ice-club beat the swelling crests.
Of the deep watercourses into death,
And with his chill foot froze the whirling leaves
Of dun and gold and fire in icy banks;
And smote the tall reeds to the harden'd earth;
And sent his whistling arrows o'er the plains,
Scatt'ring the ling'ring herds--and sudden paus'd
When he had frozen all the running streams,
And hunted with his war-cry all the things
That breath'd about the woods, or roam'd the bleak
Bare prairies swelling to the mournful sky.
'White squaw,' he shouted, troubl'd in his soul,
'I slew the dead, wrestl'd with naked chiefs
'Unplum'd before, scalped of their leafy plumes;
'I bound sick rivers in cold thongs of death,
'And shot my arrows over swooning plains,
'Bright with the Paint of death--and lean and bare.
'And all the braves of my loud tribe will mock
'And point at me--when our great chief, the Sun,
'Relights his Council fire in the moon
'Of Budding Leaves.' 'Ugh, ugh! he is a brave!
'He fights with squaws and takes the scalps of babes!
'And the least wind will blow his calumet--
'Fill'd with the breath of smallest flow'rs--across
'The warpaint on my face, and pointing with
'His small, bright pipe, that never moved a spear
'Of bearded rice, cry, 'Ugh! he slays the dead!'
'O, my white squaw, come from thy wigwam grey,
'Spread thy white blanket on the twice-slain dead;
'And hide them, ere the waking of the Sun!'

* * * * *

High grew the snow beneath the low-hung sky,
And all was silent in the Wilderness;
In trance of stillness Nature heard her God
Rebuilding her spent fires, and veil'd her face
While the Great Worker brooded o'er His work.

* * * * *

'Bite deep and wide, O Axe, the tree,
What doth thy bold voice promise me?'

* * * * *

'I promise thee all joyous things,

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La Fontaine

The Nightingale

NO easy matter 'tis to hold,
Against its owner's will, the fleece
Who troubled by the itching smart
Of Cupid's irritating dart,
Eager awaits some Jason bold
To grant release.
E'en dragon huge, or flaming steer,
When Jason's loved will cause no fear.

Duennas, grating, bolt and lock,
All obstacles can naught avail;
Constraint is but a stumbling block;
For youthful ardour must prevail.
Girls are precocious nowadays,
Look at the men with ardent gaze,
And longings' an infinity;
Trim misses but just in their teens
By day and night devise the means
To dull with subtlety to sleep
The Argus vainly set to keep
In safety their virginity.
Sighs, smiles, false tears, they'll fain employ
An artless lover to decoy.
I'll say no more, but leave to you,
Friend reader, to pronounce if true
What I've asserted when you have heard
How artful Kitty, caged her bird.

IN a small town in Italy,
The name of which I do not know,
Young Kitty dwelt, gay, pretty, free,
Varambon's child.--Boccacio
Omits her mother's name, which not
To you or me imports a jot.
At fourteen years our Kitty's charms
Were all that could be wished--plump arms,
A swelling bosom; on her cheeks
Roses' and lilies' mingled streaks,
A sparkling eye--all these, you know,
Speak well for what is found below.
With such advantages as these
No virgin sure could fail to please,
Or lack a lover; nor did Kate;
But little time she had to wait;
One soon appeared to seal her fate.
Young Richard saw her, loved her, wooed her--
What swain I ask could have withstood her?
Soft words, caresses, tender glances,
The battery of love's advances,
Soon lit up in the maiden's breast

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Mary, Mary

Words and music by michael nesmith
Mary, mary, where you goin to?
Mary, mary, can I go too.
This one thing I will vow ya,
Id rather die than to live without ya.
Mary, mary, where you goin to?
Mary, mary, tell me truly
What did I do to make you leave me.
Whatever it was I didnt mean to,
You know I never would try and hurt ya.
Mary, mary, where you goin to?
What more, mary, can I do
To prove my love is truly yours?
Ive done more now than a clear-thinkin man would do.
Mary, mary, its not over.
Where you go, I will follow.
til I win your love again
And walk beside you,
But until then.
Mary, mary, where you goin to?
Mary, mary, where you goin to?
Mary, where you goin to?
Mary, mary, mary, mary, mary, where you goin to?
[repeat adlib]

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Malcolm's Katie: A Love Story - Part VI.

'Who curseth Sorrow knows her not at all.
Dark matrix she, from which the human soul
Has its last birth; whence, with its misty thews,
Close-knitted in her blackness, issues out;
Strong for immortal toil up such great heights,
As crown o'er crown rise through Eternity,
Without the loud, deep clamour of her wail,
The iron of her hands; the biting brine
Of her black tears; the Soul but lightly built
of indeterminate spirit, like a mist
Would lapse to Chaos in soft, gilded dreams,
As mists fade in the gazing of the sun.
Sorrow, dark mother of the soul, arise!
Be crown'd with spheres where thy bless'd children dwell,
Who, but for thee, were not. No lesser seat
Be thine, thou Helper of the Universe,
Than planet on planet pil'd!--thou instrument,
Close-clasp'd within the great Creative Hand!'

* * * * *

The Land had put his ruddy gauntlet on,
Of Harvest gold, to dash in Famine's face.
And like a vintage wain, deep dy'd with juice,
The great moon falter'd up the ripe, blue sky,
Drawn by silver stars--like oxen white
And horn'd with rays of light--Down the rich land
Malcolm's small valleys, fill'd with grain, lip-high,
Lay round a lonely hill that fac'd the moon,
And caught the wine-kiss of its ruddy light.
A cusp'd, dark wood caught in its black embrace
The valleys and the hill, and from its wilds,
Spic'd with dark cedars, cried the Whip-poor-will.
A crane, belated, sail'd across the moon;
On the bright, small, close link'd lakes green islets lay,
Dusk knots of tangl'd vines, or maple boughs,
Or tuft'd cedars, boss'd upon the waves.
The gay, enamell'd children of the swamp
Roll'd a low bass to treble, tinkling notes
Of little streamlets leaping from the woods.
Close to old Malcolm's mills, two wooden jaws
Bit up the water on a sloping floor;
And here, in season, rush'd the great logs down,
To seek the river winding on its way.
In a green sheen, smooth as a Naiad's locks,
The water roll'd between the shudd'ring jaws--
Then on the river level roar'd and reel'd--
In ivory-arm'd conflict with itself.
'Look down,' said Alfred, 'Katie, look and see
'How that but pictures my mad heart to you.

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The Fortune-Teller, a Gypsy Tale

LUBIN and KATE, as gossips tell,
Were Lovers many a day;
LUBIN the damsel lov'd so well,
That folks pretend to say
The silly, simple, doting Lad,
Was little less than loving mad:
A malady not known of late--
Among the little-loving Great!

KATE liked the youth; but woman-kind
Are sometimes giv'n to range.
And oft, the giddy Sex, we find,
(They know not why)
When most they promise, soonest change,
And still for conquest sigh:
So 'twas with KATE; she, ever roving
Was never fix'd, though always loving!

STEPHEN was LUBIN'S rival; he
A rustic libertine was known;
And many a blushing simple She,
The rogue had left,--to sigh alone!
KATE cared but little for the rover,
Yet she resolv'd to have her way,
For STEPHEN was the village Lover,
And women pant for Sov'reign sway.
And he, who has been known to ruin,--
Is always sought, and always wooing.

STEPHEN had long in secret sigh'd;
And STEPHEN never was deny'd:
Now, LUBIN was a modest swain,
And therefore, treated with disdain:
For, it is said, in Love and War ,--
The boldest, most successful are!

Vows, were to him but fairy things
Borne on capricious Fancy's wings;
And promises, the Phantom's Airy
Which falsehood form'd to cheat th' unwary;
For still deception was his trade,
And though his traffic well was known,
Still, every trophy was his own
Which the proud Victor, Love, display'd.
In short, this STEPHEN was the bane
Of ev'ry maid,--and ev'ry swain!

KATE had too often play'd the fool,
And now, at length, was caught;
For she, who had been pleas'd to rule,

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The Daft Days

The midnight hour is clinking, lads,
An' the douce an' the decent are winking, lads;
Sae I tell ye again,
Be't weel or ill ta'en,
It's time ye were quatting your drinking, lads.
Gae ben, 'an mind your gauntry, Kate,

Gi'es mair o' your beer, an' less bantry, Kate,
For we vow, whaur we sit,
That afore we shall flit,
We'se be better acquaint wi' your pantry, Kate.
The "daft days" are but beginning, Kate,

An we're sworn. Would you hae us a sinning, Kate?
By our faith an' our houp,
We will stick by the stoup
As lang as the barrel keeps rinning, Kate.

Thro' hay, an' thro' hairst, sair we toil it, Kate,
Thro' Simmer, an' Winter, we moil it, Kate;
Sae ye ken, whan the wheel
Is beginning to squeal,
It's time for to grease an' to oil it, Kate.

Sae draw us anither drappy, Kate,
An' gie us a cake to our cappy, Kate;
For, by spiggot an' pin!
It's waur than a sin
To flit when we're sitting sae happy, Kate.

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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;


Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

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