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Straight Outta Compton

Cast: Rebecca Olejniczak, Keith Stanfield, O'Shea Jackson Jr., Paul Giamatti, Alexandra Shipp, Corey Hawkins, Jason Mitchell, Aldis Hodge

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I Saw It Myself (Short Verse Drama)

Dramatis Personae: Adrian, his wife Ester, his sisters Rebecca and Johanna, his mother Elizabeth, the high priest Chiapas, the disciple Simon Peter, the disciple John, Mary Magdalene, worshipers, priests, two angels and Jesus Christ.

Act I

Scene I.- Adrian’s house in Jerusalem. Adrian has just returned home after a business journey in Galilee, in time to attend the Passover feast. He sits at the table with his wife Ester and his sisters, Rebecca and Johanna. It’s just before sunset on the Friday afternoon.

Adrian. (Somewhat puzzled) Strange things are happening,
some say demons dwell upon the earth,
others angelic beings, miracles take place
and all of this when they had put a man to death,
had crucified a criminal. Everybody knows
the cross is used for degenerates only!

Rebecca. (With a pleasant voice) Such harsh words used,
for a good, a great man brother?
They say that without charge
he healed the sick, brought back sight,
cured leprosy, even made some more food,
from a few fishes and loafs of bread…

Adrian. (Somewhat harsh) They say many things!
That he rode into Jerusalem
to be crowned as the new king,
was a rebel against the state,
even claimed to be
the very Son of God,
now that is blasphemy
if there is no truth to it!

Johanna. I met him once.
He’s not the man
that you make him, brother.
There was a strange tranquilly to Him.
Some would say a divine presence,
while He spoke of love that is selfless,
visited the sick, the poor
and even the destitute, even harlots.

Adrian. (Looks up) There you have it!
Harlots! Tax collecting thieves!
A man is know by his friends,
or so they say and probably
there is some truth to it.

Ester. Husband, do not be so quick to judge.
I have seen Him myself, have seen
Roman soldiers marching Him to the hill
to take His life, with a angry crowd
following and mocking Him.

[...] Read more

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Rebecca

In my mind , talk about rebecca , suddenly so fine
In my mind , visions of rebecca , suddenly shes mine
All night , seems she put a spell on me , oh yeah
All night , gonna be the death of me
Ill go out and get her
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds
Youre savin yourself for someone , rebecca
Hangin on tight , waiting for rebecca , dancin in the dark
Satin and lace , shes so fine and mellow
Creature from the stars
So wrong , runnin with rebecca now , oh yeah
So wrong , gonna be the death of me
Ill go out and get her
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds , alright
Youre savin yourself for someone , rebecca
Rebecca , youre runnin away
Rebecca , you cant face the day , alright
Cos you only live for the night
Rebecca , youre always runnin around
(break)
Ooh , talk about rebeccas eyes
Evrything you fantasize
Well, she drag you down to earth
Shes the devil in disguise
Break you down to size
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds , alright
Savin yourself for someone
Rebecca , ooh , youre runnin away
Rebecca , you cant face the day , alright
You only live for the night , rebecca
Rebecca , youre dreamin out loud
Rebecca , you got your head in the clouds , alright
Savin yourself for someone , rebecca (fade)

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Sir Andrew Barton

The First Part
'When Flora with her fragrant flowers
Bedeckt the earth so trim and gaye,
And Neptune with his daintye showers
Came to present the monthe of Maye;
King Henrye rode to take the ayre,
Over the river of Thames past hee;
When eighty merchants of London came,
And downe they knelt upon their knee.

'O yee are welcome, rich merchants,
Good saylors, welcome unto mee.'
They swore by the rood, they were saylors good,
But rich merchants they cold not bee.
'To France nor Flanders dare we pass,
Nor Bordeaux voyage dare we fare;
And all for a rover that lyes on the seas,
Who robbs us of our merchant ware.'

King Henrye frownd, and turned him rounde,
And swore by the Lord that was mickle of might,
'I thought he had not beene in the world,
Durst have wrought England such unright.'
The merchants sighed, and said, 'Alas!'
And thus they did their answer frame;
'He is a proud Scott, that robbs on the seas,
And Sir Andrewe Barton is his name.'

The king loot over his left shoulder,
And an angrye look then looked hee;
'Have I never a lorde in all my realme,
Will feitch yond traytor unto mee?'
'Yea, that dare I,' Lord Howard sayes;
If it please your grace to give me leave,
Myselfe wil be the only man.'

'Thou art but yong,' the kyng replyed,
'Yond Scott hath numbred manye a yeare.'
'Trust me, my liege, Ile make him quail,
Or before my prince I will never appeare.'
'Then bowemen and gunners thou shalt have,
And chuse them over my realme so free;
Besides good mariners, and shipp-boyes,
To guide the great shipp on the sea.'

The first man that Lord Howard chose,
Was the ablest gunner in all the realme,
Thoughe he was threescore yeeres and ten;
Good Peter Simon was his name.
'Peter,' sais hee, 'I must to the sea,

[...] Read more

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How the Boy Stole Christmas

Based on 'How the Grinch Stole Christmas', by Dr. Seuss.
Done for a school project=)

Once, upon a falling snowflake,
In a land far, far away,
There lived all the Whats,
Preparing for Christmas day.

There was one What that stuck out,
The richest What of them all,
He had light brown hair, and big brown eyes
His given name was Paul.

Paul was a greedy boy,
His best friend was Ebenezer Scrooge
And anytime Paul lied,
His little nose turned huge!

Paul was the only What in Whattown,
That really hated this time of the year,
He ruined all the children’s fun,
His pranks were in full gear.

Paul thought Christmas was just trouble,
He only thought of himself,
He thought that Santa Claus was stupid,
And hurt the feelings of every single elf.

He hated everybody that liked Christmas,
There was only one exception of his,
A beautiful What named Rachel,
Whom he never wanted to diss.

Now every story has a problem,
And this one’s is pretty big,
Paul crushed on the Christmas-lover Rachel,
But Rachel thought Paul was a pig.

You see, Rachel was an EXTREME Christmas fanatic,
Loving every aspect of it,
She volunteered everywhere that she could,
And her money? Donated every bit.

She helped out at school and Church,
Sang carols at the old folks’ home,
Baked cookies with younger children,
Made ornaments out of foam.

Rachel hated anybody that hated Christmas,
She was like a packaged deal,

[...] Read more

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Amy Lowell

The Shadow

Paul Jannes was working very late,
For this watch must be done by eight
To-morrow or the Cardinal
Would certainly be vexed. Of all
His customers the old prelate
Was the most important, for his state
Descended to his watches and rings,
And he gave his mistresses many things
To make them forget his age and smile
When he paid visits, and they could while
The time away with a diamond locket
Exceedingly well. So they picked his pocket,
And he paid in jewels for his slobbering kisses.
This watch was made to buy him blisses
From an Austrian countess on her way
Home, and she meant to start next day.


Paul worked by the pointed, tulip-flame
Of a tallow candle, and became
So absorbed, that his old clock made him wince
Striking the hour a moment since.
Its echo, only half apprehended,
Lingered about the room. He ended
Screwing the little rubies in,
Setting the wheels to lock and spin,
Curling the infinitesimal springs,
Fixing the filigree hands. Chippings
Of precious stones lay strewn about.
The table before him was a rout
Of splashes and sparks of coloured light.
There was yellow gold in sheets, and quite
A heap of emeralds, and steel.
Here was a gem, there was a wheel.
And glasses lay like limpid lakes
Shining and still, and there were flakes
Of silver, and shavings of pearl,
And little wires all awhirl
With the light of the candle. He took the watch
And wound its hands about to match
The time, then glanced up to take the hour
From the hanging clock.
Good, Merciful Power!
How came that shadow on the wall,
No woman was in the room! His tall
Chiffonier stood gaunt behind
His chair. His old cloak, rabbit-lined,
Hung from a peg. The door was closed.
Just for a moment he must have dozed.
He looked again, and saw it plain.

[...] Read more

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Alexandra Leaving

Suddenly the night has grown colder.
The God of love preparing to depart.
Alexandra hoisted on his shoulder,
They slip between the sentries of the heart.
Upheld by the simplicities of pleasure,
They gain the light, they formlessly entwine;
And radiant beyond your widest measure
They fall among the voices and the wine.
Its not a trick, your senses all deceiving,
A fitful dream, the morning will exhaust c
Say goodbye to alexandra leaving.
Then say goodbye to alexandra lost.
Even though she sleeps upon your satin;
Even though she wakes you with a kiss.
Do not say the moment was imagined;
Do not stoop to strategies like this.
As someone long prepared for this to happen,
Go firmly to the window. drink it in.
Exquisite music. alexandra laughing.
Your firm commitments tangible again.
And you who had the honor of her evening,
And by the honor had your own restored c
Say goodbye to alexandra leaving;
Alexandra leaving with her lord.
Even though she sleeps upon your satin;
Even though she wakes you with a kiss.
Do not say the moment was imagined;
Do not stoop to strategies like this.
As someone long prepared for the occasion;
In full command of every plan you wrecked c
Do not choose a cowards explanation
That hides behind the cause and the effect.
And you who were bewildered by a meaning;
Whose code was broken, crucifix uncrossed c
Say goodbye to alexandra leaving.
Then say goodbye to alexandra lost.
Say goodbye to alexandra leaving.
Then say goodbye to alexandra lost.

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Metamorphoses: Book The Seventh

THE Argonauts now stemm'd the foaming tide,
And to Arcadia's shore their course apply'd;
Where sightless Phineus spent his age in grief,
But Boreas' sons engage in his relief;
And those unwelcome guests, the odious race
Of Harpyes, from the monarch's table chase.
With Jason then they greater toils sustain,
And Phasis' slimy banks at last they gain,
Here boldly they demand the golden prize
Of Scythia's king, who sternly thus replies:
That mighty labours they must first o'ercome,
Or sail their Argo thence unfreighted home.
The Story of Meanwhile Medea, seiz'd with fierce desire,
Medea and By reason strives to quench the raging fire;
Jason But strives in vain!- Some God (she said)
withstands,
And reason's baffl'd council countermands.
What unseen Pow'r does this disorder move?
'Tis love,- at least 'tis like, what men call love.
Else wherefore shou'd the king's commands appear
To me too hard?- But so indeed they are.
Why shou'd I for a stranger fear, lest he
Shou'd perish, whom I did but lately see?
His death, or safety, what are they to me?
Wretch, from thy virgin-breast this flame expel,
And soon- Oh cou'd I, all wou'd then be well!
But love, resistless love, my soul invades;
Discretion this, affection that perswades.
I see the right, and I approve it too,
Condemn the wrong- and yet the wrong pursue.
Why, royal maid, shou'dst thou desire to wed
A wanderer, and court a foreign bed?
Thy native land, tho' barb'rous, can present
A bridegroom worth a royal bride's content:
And whether this advent'rer lives, or dies,
In Fate, and Fortune's fickle pleasure lies.
Yet may be live! for to the Pow'rs above,
A virgin, led by no impulse of love,
So just a suit may, for the guiltless, move.
Whom wou'd not Jason's valour, youth and blood
Invite? or cou'd these merits be withstood,
At least his charming person must encline
The hardest heart- I'm sure 'tis so with mine!
Yet, if I help him not, the flaming breath
Of bulls, and earth-born foes, must be his death.
Or, should he through these dangers force his way,
At last he must be made the dragon's prey.
If no remorse for such distress I feel,
I am a tigress, and my breast is steel.
Why do I scruple then to see him slain,

[...] Read more

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Ginger's Cobber

''E wears perjarmer soots an' cleans 'is teeth,'
That's wot I reads. It fairly knocked me flat,
'Me soljer cobber, be the name o' Keith.'
Well, if that ain't the limit, strike me fat!
The sort that Ginger Mick would think beneath
'Is notice once. Perjarmers! Cleans 'is teeth?

Ole Ginger Mick 'as sent a billy-doo
Frum somew'ere on the earth where fightin' thick.
The Censor wus a sport to let it thro',
Considerin' the choice remarks o' Mick.
It wus that 'ot, I'm wond'rin' since it came
It didn't set the bloomin' mail aflame.

I'd love to let yeh 'ave it word fer word;
But, strickly, it's a bit above the odds;
An' there's remarks that's 'ardly ever 'eard
Amongst the company to w'ich we nods.
It seems they use the style in Ginger's trench
Wot's written out an' 'anded to the Bench.

I tones the langwidge down to soot the ears
Of sich as me an' you resorts wiv now.
If I should give it jist as it appears
Partic'lar folk might want ter make a row.
But say, yeh'd think ole Ginger wus a pote
If yeh could read some juicy bits 'e's wrote.

It's this noo pal uv 'is that tickles me;
'E's got a mumma, an' 'is name is Keith.
A knut upon the Block le used to be,
'Ome 'ere; the sort that flashes golden teeth,
An' wears 'or socks, an' torks a lot o' guff;
But Ginger sez they're cobbers till they snuff.

It come about like this: Mick spragged 'im first
Fer swankin' it too much abroad the ship.
'E 'ad nice manners an' 'e never cursed;
Which set Mick's teeth on edge, as you may tip.
Likewise, 'e 'ad two silver brushes, w'ich
'Is mumma give 'im, 'cos 'e fancied sich.

Mick pinched 'em. Not, as you will understand,
Becos uv any base desire fer loot,
But jist becos, in that rough soljer band,
Them silver-backed arrangements didn't soot:
An' etiket must be observed always.
(They fetched ten drinks in Cairo, Ginger says.)

That satisfied Mick's honour fer a bit,

[...] Read more

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Tale III

THE GENTLEMAN FARMER.

Gwyn was a farmer, whom the farmers all,
Who dwelt around, 'the Gentleman' would call;
Whether in pure humility or pride,
They only knew, and they would not decide.
Far different he from that dull plodding tribe
Whom it was his amusement to describe;
Creatures no more enliven'd than a clod,
But treading still as their dull fathers trod;
Who lived in times when not a man had seen
Corn sown by drill, or thresh'd by a machine!
He was of those whose skill assigns the prize
For creatures fed in pens, and stalls, and sties;
And who, in places where improvers meet,
To fill the land with fatness, had a seat;
Who in large mansions live like petty kings,
And speak of farms but as amusing things;
Who plans encourage, and who journals keep,
And talk with lords about a breed of sheep.
Two are the species in this genus known;
One, who is rich in his profession grown,
Who yearly finds his ample stores increase,
From fortune's favours and a favouring lease;
Who rides his hunter, who his house adorns;
Who drinks his wine, and his disbursements scorns;
Who freely lives, and loves to show he can, -
This is the Farmer made the Gentleman.
The second species from the world is sent,
Tired with its strife, or with his wealth content;
In books and men beyond the former read
To farming solely by a passion led,
Or by a fashion; curious in his land;
Now planning much, now changing what he plann'd;
Pleased by each trial, not by failures vex'd,
And ever certain to succeed the next;
Quick to resolve, and easy to persuade, -
This is the Gentleman, a farmer made.
Gwyn was of these; he from the world withdrew
Early in life, his reasons known to few;
Some disappointments said, some pure good sense,
The love of land, the press of indolence;
His fortune known, and coming to retire,
If not a Farmer, men had call'd him 'Squire.
Forty and five his years, no child or wife
Cross'd the still tenour of his chosen life;
Much land he purchased, planted far around,
And let some portions of superfluous ground
To farmers near him, not displeased to say
'My tenants,' nor 'our worthy landlord,' they.

[...] Read more

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Gimme The Light Remix,

[Intro]
[Busta Rhymes:] Ay yo Sean Paul!!!
[Sean Paul:] Yo yo
[Busta Rhymes:] A Busta Rhymes this yuh know
[Sean Paul:] Wah gwaan
[Busta Rhymes]
Pass me the blow torch let me light up this big head nigga
[Sean Paul:] No doubt
[Busta Rhymes:] Bring dat come rudebwoy
[Sean Paul:] A Dutty Yeah!!!
[Busta Rhymes:] Flipmode check it!!!
[Chorus (Busta Rhymes):]
Just gimme the light and pass the dro! Buss anotha bokkle a moe
(Huh huh huh huh huh come on)
Gal dem inna mi sight and I got to know (Yeah, yeah)
Which one is gonna catch my flow (Busta Bus now)
Cause I'm inna di vibe and I got my dough! (Yeah, Sean Paul now)
Buss anotha bokkle a moe
(Remix, remix, remix) Gal dem lookin hype and I got to know!!!
[Verse 1: Busta Rhymes]
Yeah yeah check it, clap oonu hand oonu fi clap oonu hand
Busta Bus inna di place oonu fi clap oonu hand
Seh mi and Sean Paul link up come fi create a plan
To go a dancehall buss it up and mek couple grand
Run the streets you never move without the rest of the clan
With a nine in the door panel in the side of the van
Despite the hate that be always comin for you and your man
It's Flipmode and Sean Paul nigga, understand
[Sean Paul]
Tell dem nuh ready fi di level weh di Dutty deh pon
Turn up di bass and di treble music a di weopen
Gal a whine up dem waist like a phenomenom
All over di world oonu fi sing this a song yo
[Chorus]
Just gimme the light and pass the dro! Buss anotha bottle a moe
Gal dem inna mi sight and I got to know (Yo, yo, yo yo yo)
Which one is gonna catch my flow
Cause mi inna di vibe and I got my dough! (Flipmode baby!!!)
Buss anotha bottle a moe (Come on, Sean Paul baby!!!)
Gal dem lookin hype and I got to know!!!
(Come on, yeah, yeah, Busta Bus now!!!)
[Verse 2: Busta Rhymes]
We be blazin cellular phones in wire or cingular
And still gotta connect to smoke a piece of the rizla
See if you could in a philly or a chalice I'm givin you
The chance to smoke up until a ugly chick look like Vivica Fox
Clap oonu hand oonu fi clap oonu hand
Busta Bus inna di place oonu fi clap oonu hand
Seh mi and Sean Paul link up come fi create a plan
To go a dancehall buss it up and mek couple grand

[...] Read more

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Ego Trippin' 2000

[c.gee] spaceman on the bass..
Classic..
Party peoples, in the place to be
Just for you, it's the ultra-magnetic, mc's!
[c.gee] yeah...
[keith] say what, peter piper?
[c.gee] to hell with childish rhymes!
[keith] cause this jam is just movin
[c.gee] the crowd is steady groovin
[keith] to a supersonic pace
[c.gee] with highs and stupid bass
[keith] with some pep
[c.gee] and the step
[ultra] cause the beat is so funky the pace is well kept
Cause we're..
"ultra.." {magnetic, magnetic} doo doo doo-doo
"mc's ultra.." {magnetic, magnetic} doo doo doo-doo
"mc's ultra.." {magnetic, magnetic} doo doo doo-doo "mc's"
[c.gee] so what's his name? uhh
[keith] i'm kool keith
[kool keith]
They use the simple back and forth, the same, old rhythm
That a baby can pick up, and join, right with them
But their rhymes are pathetic, they think they copacetic
Youse a nerds that returns, at least, not poetic
On a educated base, intelligent wise
As the record just turn, you learn, plus burn
By the flame of the lyrics which cooks the human brain
Providing overheating knowledge, by means causing pain
Make a migraine, hated yourself, start to melt
While the technics spin, the wax is on the belt
Motivating clockwise the more you realize
Moe love's moving steady, by most, with everready
Like a battery, charged, i'm worth the alkaline
Yes the mystery to solve, so seek and define
These words i've given, extremely now driven
With a datsun, a maxima to glide
Yes the wizard kool keith and i'm sportin my ride
Cause we're
"ultra.." {magnetic, magnetic} doo doo doo-doo
"mc's ultra.." {magnetic, magnetic} doo doo doo-doo
"mc's ultra.." {magnetic, magnetic} doo doo doo-doo "mc's"
[c.gee] yeah, what's my name?
Uhh, ced gee
[ced gee]
Usin frequencies and data, i am approximate
Leaving revolutions turning, emerging chemistry
With the precise implications, acheived, ??
Explorating demonstrating, ruling, dominating
Igniting causing friction with nu-clear alarms

[...] Read more

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Tough Love

Tough love

Rebecca was a horrid child.
Her antics drove her mother wild..
Child experts offered their advice
but seldom came to visit twice.

Although her mother tried her best
Rebecca outdid all the rest.
She was unpleasant rude and crude.
An anti social attitude.

She seldom did as she was told
and thought she had the right to scold.
Her mother’s efforts at control
She seemed to have no other goal.

Than making life a misery
for members of her family.
But then her grandma came to stay.
Rebecca came to rue the day.

Grandma applied psychology
Rebecca placed across her knee
She tanned her little bottom hard.
Grandma had but scant regard.

For what the experts had to say
She raised her kids in the old way.
A firm hand lovingly applied
across Rebecca’s small backside.

Quickly changed her attitude.
Because her Grandma understood.
That little girls should never be
allowed to think that they were free.

To act and speak unpleasantly
without they paid the penalty.
Rebecca very swiftly learned
she got exactly what she earned..

She soon became a paragon.
Her bad behaviour was all gone.
Which demonstrates that Grandma knew
exactly what she had to do.

To make Rebecca toe the line
applied a little discipline.
In her own old fashioned way.

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“O’Shea”

OShea was a big railway ganger, clean-hearted, and clean-limbed and shy,
With a glint of grey hair at his temples, and smile in his Irish blue eye;
He’d but one speech for every occasion, as you told him the news of the day,
And I know I will shock pious people-but poor Tim meant no harm when he’s say.
“Aw! g’long, go-to-hell, go-to-hell now! In a mildly expostulant way.

Oft the boys told, with winking and laughter, how OShea courted early in life
The dashing and voluble lady who’d make him an excellent wife;
And how slowly that courtship proceeded, till herself had to “settle the day”.
For Tim, though he madly adored her, could find nothing better to say
Than ‘Aw! G’long, go-to-hell go-to-hell now,” in a tender and loverlike way.

The flying gang loved and served him, for OShea was a leader of men,
But we never knew Tim for a hero, till the train smash at Appletree, when
The seven forty-five lay in ruins in a setting of scrub, ferns and flowers,
With the summer sky smiling above it, and the air fresh and fragrant from
showers.
There was tragedy, death and confusion, there was horror and grief beyond words,
Pain blent with the incense of blossoms, and groans with the song of the birds.
The flying gang came to the rescue, ah OShea was magnificent then,
When there’s danger and death and destruction-God send us the silent men!

His clothing in rents and in tatters, fire-blackened on forehead and cheek,
He fought with grim death like a hero, but never a word did he speak.
All were saved, but the wreckage was blazing, the flames rushing madly up, where
A great ’Prince-of Wales’ feather orchid blossom just out of reach of the glare.
Then a child’s cry arose from beneath it, and we shrank back aghast as it came
But OShea, with a roar like a lion, leaped right in the heart of the flames.
And he saved her, we found her unscathed, as we rushed to the spot where they lay,
But we laid on the cinder scorched grasses what that furnace had left of OShea.

We were paying the last loving tribute to our hero, who lay there at rest,
His grizzled hair singed at the temples, his hands fold still on his breast,
The ‘beads’ round his sinewy fingers, that the never neglected to say,
Ah, we all know that God’s Holy Mother had his soul in her keeping that day.
On his breast lay a big creamy orchid, unspoiled by the smoke and the flame
(‘Twas McCarthy, the city reporter, had carefully gathered the same).
His poor wife and girls clung together and stifled their heartbroken cries
While Simpson, the posy old Mayor, was lauding OShea to the skies;
‘The noblest of heroes,” he called him, while serene in his coffin Tim lay
With a smile on his smoke-blackened features and the quiet dry smile seemed to say:
“Aw! g’long, go-to-hell, go-to-hell now! In a mildly expostulant way.

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Keith B-real 1

(keith)my name is keith b-real and i'm will smiths cousin
(will)keith, whatchu doin?
(keith)uh, nutin will nutin
(woman)wow! your're his cousin?!?
(keith)uh, will let me expla-
(will)keith!!!!!! you are a liar and a half!
(keith)i just couldn't help myself will...your're the most famous guy i know
(will)we met yesterday in a strip club...i barely even know you
(keith)well i know your sister, uh hillary
(will)she was on the fresh prince of bel-air, keith! it's a show!
(keith)uh, i gotta go. see ya later will{the sound of his feet running}
(will)boy, come back here!{the sound of will's feet running, now}

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Make It Clap

[Intro: Sean Paul (Busta Rhymes)]
We make it clap, we make it clap (Huh!)
Yeah yeah yeah (Flipmode!!!) Busta Rhymes (Busta Rhymes!!!)
Sean-A-Paul (Sean Paul!!!)
One more time (Ha!!!) kill 'em with a rhyme (Huh!!!)
Remix time (remix!!!) a dutty yeah, yo, Spliff Star (Spliff!!!)
Flipmode Squad (Ha!!!) we kill 'em with a rhyme, a dutty yeah
[Verse 1: Busta Rhymes]
Cau mi seh jump up clap oonu hand and siddung get up
And mi nah wig out mek everybody flip out oonu fi carry on
To get tired I waan chillout, all a di gal a sweat out
Mek your body keep clappin on
[Sean Paul]
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands, so push it up deh
[Busta Rhymes]
Back with the remix with Spliff and Sean-A-Paul on the corner
Can't believe when we do it we smack it down how we wanna
Keepin it comin keepin it goin cause we ain't playin
I'm talkin to all my people cause what I'm sayin is
[Chorus: Busta Rhymes]
In case you ain't know and in case you ain't heard
And if you want us to set it just give me the word
This one goes out to my soldiers that be flippin them birds
To all my shorties wigglin they shakin they curves
[Sean Paul]
We make it clap, we make it clap, we make it clap, we make it clap
[Verse 2: Spliff Star]
Poor snapper, lookin at shorty shakin it and makin it clap
Booty big pokin out like twenties on the lap
When I give it to her shorty know how to throw it back
Booty bangin to the beat sometimes we overlap-sing
Gal peel out your blouse and your tight-jeans
Let me lick you down dip you with some ice-cream
Gal holla holla my name when I slide-in
Thunderstorm, rain, sleet and light-ning
Hold me tight feel the triniman grin-ding and grin-ding and grin-ding
Gal dip and bounce start whin-ning
You see Spliff, Sean Paul and Busta Rhymes, seen
([Busta Rhymes:] We got dough) You could tell by what we dri-ving
([Busta Rhymes:] Lookin to chose) How it's different and blin-ding
And blin-ding and blin-ding it's like that make it clap now
[Chorus]
[Sean Paul]

[...] Read more

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Make It Clap (remix)

[Sean Paul]
We make it clap, we make it clap (Huh!)
Yeah yeah yeah (Flipmode!!!) Busta Rhymes (Busta Rhymes!)
Sean-A-Paul (Sean Paul!)
One more time (Ha!) kill 'em with a rhyme (Huh!)
Remix time (remix!) a Dutty yeah, yo, Spliff Star (Spliff!)
Flipmode Squad (Ha!) we kill 'em with a rhyme, a dutty yeah
[Busta Rhymes]
Cau mi seh jump up clap oonu hand and siddung get up
And mi nah wig out mek everybody flip out oonu fi carry on
To get tired I waan chillout, all a di gal a sweat out
Mek your body keep clappin on
[Sean Paul]
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands, so push it up deh
[Busta Rhymes]
Back with the remix with Spliff and Sean-A-Paul on the corner
Can't believe when we do it we smack it down how we wanna
Keepin it comin keepin it goin cause we ain't playin
I'm talkin to all my people cause what I'm sayin is
[Busta Rhymes]
In case you ain't know and in case you ain't heard
And if you want us to set it just give me the word
This one goes out to my soldiers that be flippin them birds
To all my shorties wigglin they shakin they curves
[Sean Paul]
We make it clap,
We make it clap,
We make it clap,
We make it clap
[Spliff Star]
Poor snapper, lookin at shorty shakin it and makin it clap
Booty big pokin out like twenties on the lap
When I give it to her shorty know how to throw it back
Booty bangin to the beat sometimes we overlap-sing
Gal peel out your blouse and your tight-jeans
Let me lick you down dip you with some ice-cream
Gal holla holla my name when I slide-in
Thunderstorm, rain, sleet and light-ning
Hold me tight feel the triniman grin-ding and grin-ding and grin-ding
Gal dip and bounce start whin-ning
You see Spliff, Sean Paul and Busta Rhymes, seen
(We got dough) You could tell by what we dri-ving
(Lookin to chose) How it's different and blin-ding

[...] Read more

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The Mistletoe (A Christmas Tale)

A farmer's wife, both young and gay,
And fresh as op'ning buds of May;
Had taken to herself, a Spouse,
And plighted many solemn vows,
That she a faithful mate would prove,
In meekness, duty, and in love!
That she, despising joy and wealth,
Would be, in sickness and in health,
His only comfort and his Friend--
But, mark the sequel,--and attend!

This Farmer, as the tale is told--
Was somewhat cross, and somewhat old!
His, was the wintry hour of life,
While summer smiled before his wife;
A contrast, rather form'd to cloy
The zest of matrimonial joy!

'Twas Christmas time, the peasant throng
Assembled gay, with dance and Song:
The Farmer's Kitchen long had been
Of annual sports the busy scene;
The wood-fire blaz'd, the chimney wide
Presented seats, on either side;
Long rows of wooden Trenchers, clean,
Bedeck'd with holly-boughs, were seen;
The shining Tankard's foamy ale
Gave spirits to the Goblin tale,
And many a rosy cheek--grew pale.

It happen'd, that some sport to shew
The ceiling held a MISTLETOE.
A magic bough, and well design'd
To prove the coyest Maiden, kind.
A magic bough, which DRUIDS old
Its sacred mysteries enroll'd;
And which, or gossip Fame's a liar,
Still warms the soul with vivid fire;
Still promises a store of bliss
While bigots snatch their Idol's kiss.

This MISTLETOE was doom'd to be
The talisman of Destiny;
Beneath its ample boughs we're told
Full many a timid Swain grew bold;
Full many a roguish eye askance
Beheld it with impatient glance,
And many a ruddy cheek confest,
The triumphs of the beating breast;
And many a rustic rover sigh'd

[...] Read more

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When I Burn

[ced gee]
Aiyyo kool keith
Man i hooked this beat up just for you in the ultra lab man
So yo i want you to dog it, man youknahmsayin?
[kool keith]
Yeahhh
[ced gee]
Aight man, so ease back, y'know kick the lyrics man
[kool keith]
Word up
[ced gee]
Go for yours, aight do it man, right now
[kool keith]
Aight..
Yo i'm on, with the freaky style
When you wait debate and rate my
Rhythm expansion, dimension lyric extension
Rise above, amazing days
Crashin your brain, changin ways, sore for days
Figurin out
Many channels, triggerin out forth
I'm sendin, brains are bendin
Like metal, crust to rust corrode
And low stacks, pick up the was while you ask
How you do it, show me through it
I never knew it, could be done, no way my son
Cause i'm the one, smackin em up, stackin em up
Boxin you ducks
Packin em up, cause i burn
[ced gee]
Aiyyo keith man, that was kinda of dope man
But you know what man?
I want you to increase your metaphor, you know uh
Make it better for, somethin like that man, aight?
[kool keith]
Yeah i know what you mean, like this right?
[ced gee]
Yeah man
[kool keith]
Aight watch..
Droppin the word to make you think
You're buggin and illin out on, vocab
Connect the ?, then switch it
Changin range easily, steadily
Slow it down, ride the beat, throw em down
And sweepin em down
Mc's, all dirt on the floor
Stand back in fact you're wack to prove to me
That you're ready to be and willin to see, rhymes flow
Match and go, deep in your brain so

[...] Read more

song performed by Ultramagnetic Mc'sReport problemRelated quotes
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Kool Keith Housing Things

[kool keith]
Well i'm sonically, high bionically
For you dummies, ironically stupid
What are you, cupid?
You steal my rhymes, and then you loop it
Wrong! back this way
Follow me now, head this way
Into this, while i rap on through this
For many germs, who never knew this
Switches, upside down
Turn around, look in the mirror
You rap catchers are makin a error
Every inning, i'm back to the dugout
You on the field, i'm ready to bugout
Like a manager, smackin up your team
Male or female, ducks who dream
Of takin me, on the mic and makin me
Rack up, mc's i stack up
Foreign precinct rappers need to back up
Quickly, i'ma rip your brain off
Throw it down so the blood can drain off
My hands, while i wave to a fan
I'm kool keith, not a bill or a dan
But a general, equal to a mineral
Pushin a crowd, to keep on dancin
I'm housing things
{moe love cuts up "kool keith"}
[kool keith]
Now i'm back, to continue my verses
I'm never screamin loud with any curses
Rougly, that a child can learn
I teach kids, and ducks that burn
With a flamethrower, and how do you show a
A grass rapper, cut him with a lawnmower
Twice, into golden wheat
Ground the rest into moldin meat
And cook em, til they all well done
They not ready, they don't smell done
Like fish, it ain't my favorite dish
I grab a steak and to battle i wish
A coke mc or pepsi i'll sip up
Drop your face and bring the other lip up
Watch, while i stun and amaze you
Kick out lyrics that truly'll daze you
I'm your boss, the one that pays you
Nine to five, all ducks are hired
And when i come mc's are fired
No pay, no way today
You're an employer with nothin to say
But i can say, one thing for sure

[...] Read more

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A Pre Nup Is Vital

Paul's now married Nancy Shevell,
He knows she won't put him through Hell
It's great that he can now be sure,
She'll take him on a, ‘' Magical Mystery Tour ‘'

Paul has had a nasty fright,
He was having, '' A Hard Days Night ‘',
His ex behaved like a bloody whelp,
That's why he deserved some, '' Help ''.

All she wanted was'' A Taste Of Honey '',
Then she said, ‘' I Want Money '',
Poor Pauls mind was in a whirl,
He wishes he'd met ‘'Another Girl ‘'.

If he had there would be no frown,
All he asked was ‘'Don't Let Me Down ‘',
He told his Stella in a letter,
You warned me ‘' I Should Have Known Better ‘'.

Next time if there are signs of strife,
Take my advice and ‘'Run For Your Life ‘',
No need to listen to any more yammer,
Just use old ‘' Maxwells Silver Hammer ‘'.

His lawyers advised him don't say a word,
We'll soon have you as ‘' Free As A Bird '',
Don't get angry or even, ‘' Shout '',
Leave it to us ‘' We Can Work It Out ‘'.

Take a holiday perhaps to Rome,
You can celebrate now ‘' She's Leaving Home ‘',
Now you've finally given her shove,
Your money will make her a ‘' Soldier Of Love ‘'.

Some of the claims were really wild,
They should be thinking of their, '' Little Child ‘'.
She kept saying it wasn't me,
He really wished she'd ' Let It Be ‘'''.

Paul stayed silent despite the flak,
He only wished she would '' Get Back ‘',
Perhaps to Russia that's quite far,
Then she'd be'' Back In The U.S.S.R. ‘'.

Throughout it all felt like Digby,
He wishes he'd married '' Eleanor Rigby ‘',
The lurid claims kept the trouble brewing,
Paul asked her do you know, ‘' What You're Doing ‘'.

[...] Read more

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