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Spy [trailer 2]

Cast: Morena Baccarin, Rose Byrne, Jason Statham, Melissa McCarthy, Jude Law, Allison Janney, Bobby Cannavale, 50 Cent, Miranda Hart

trailer for Spy, directed by Paul Feig, screenplay by Paul Feig (2015)
Added by Veronica Serbanoiu
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Spy

Cast: Morena Baccarin, Rose Byrne, Jason Statham, Melissa McCarthy, Jude Law, Allison Janney, Bobby Cannavale, 50 Cent, Miranda Hart

trailer for Spy, directed by Paul Feig, screenplay by Paul Feig (2015)
Added by Veronica Serbanoiu
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Miranda

At the end of the day
The end of the light
She remains of all of her foes
Miranda is dying with all of her might
She never comes
She always goes
She sticks the camera right into her arm
Anything to forget what the troubles about
It causes her pain
Thats part of the charm
Shes down for the count
And finally out
Miranda is taking the stars down
A little something to call her own
By the light there still goes miranda
And miranda is always alone
She sees her face in another magazine
And the walls all close in
As the fancy takes flight
Cant stand to be loved
But she loves to be seen
She slips headlong into the night
Miranda is taking the stars down
A little something to call her own
By the light there still goes miranda
And miranda is always alone
And then all at once
The sun starts to rise
She sees her father holding her down
All the daylight is poison to her eyes
She slips down the shade
And lets herself drown
Miranda is taking the stars down
A little something to call her own
By the light there still goes miranda
And miranda is always alone
The lights shot down in the arena
All across the safety zone
Loneliness follows miranda
And miranda is always alone
Miranda is always alone
Miranda is always alone

song performed by Fleetwood Mac
Added by Lucian Velea
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With Rose In Hand

Prayer is worth more than a rose
in my hand where love grows
for God and all he knows
The rose has a thorn
which Jesus felt on the crown he had worn.
the rose is red as the blood from his head
when he was crucifed before we were born.

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poem by Meg Harrison
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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poem by Robert Browning from The Ring and the Book
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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

poem by Robert Browning from The Ring and the Book
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Me & Bobby Mc Gee

Demo (take 5) 20 07 1970
S130 is not on. not that i'm playin' that great but still in all i oughta be able to hear it, y'know what i mean ?
Are you hearing it now ?
No. now. it's too loud. i can't play that good. am i havin' some of that texas accent back ?
I hope so.
But i always sound like this, man, i hear myself on tape i always sound like this.
Take 5.
God! shall i start that way ? ready ?
Over to you baby.
Busted flat in baton rouge, waiting for a train
And i's feelin' nearly as faded as my jeans.
Bobby thumbed a diesel down just before it rained,
It rode us all the way in to new orleans.
I pulled my harpoon out of my dirty red bandanna,
An' i's playin' soft while bobby sang the blues, yeah.
Windshield wipers slapping time, i was holding bobby's hand in mine,
We sang every song that driver knew.
Freedom is just another word for nothing left to lose,
Nothing don't mean nothing honey if it ain't free.
Yeah, an' feeling good was easy, lord, bobby sang the blues,
You know feeling good was good enough for me, hmm mm,
Good enough for me and my bobby mcgee.
From the kentucky coal mines to the california sun,
Bobby shared the secrets of my soul.
Through all kinds of weather, through everything that we done,
Said bobby baby, he kept me from the cold.
One day up near salinas, lord, i let him slip away,
But he was lookin' for that home and i hope he finds it.
But i'd trade all of my tomorrows for one single yesterday
To be holdin' bobby's body next to mine.
Freedom's just another word for nothing left to lose,
Nothing, that's all that bobby left me, yeah.
Feelin' good was easy, lord, bobby he sang the blues,
I said feeling good was good enough for me, hmm mm,
It's good enough for me and my bobby mcgee.
La la la, la la la la, la la la, la la la la
La la la la la bobby mcgee.
La la la la la, la la la la la
La la la la la la, bobby mcgee.
La la la, la la la la la la,
La la la, la la la la la la,
Na na na na na na na na, bobby mcgee, yeah.
Na na na na na na na na, na na na na,
Na na na na na na na na, na na na na,
Hey now bobby lord, bobby mcgee, yeah.
Hell, i'm calling my lover, calling my man,
I said i'm calling my lover, i do the best i can,
I said now c'mon,bobby now, come on bobby mcgee, yeah.
Lordy, lordy, lordy, lordy, lordy, lordy, lordy lord
Hey, hey, hey, bobby mcgee, yeah!

[...] Read more

song performed by Janis Joplin
Added by Lucian Velea
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Margaret's Bridal Eve

I

The old grey mother she thrummed on her knee:
There is a rose that's ready;
And which of the handsome young men shall it be?
There's a rose that's ready for clipping.

My daughter, come hither, come hither to me:
There is a rose that's ready;
Come, point me your finger on him that you see:
There's a rose that's ready for clipping.

O mother, my mother, it never can be:
There is a rose that's ready;
For I shall bring shame on the man marries me:
There's a rose that's ready for clipping.

Now let your tongue be deep as the sea:
There is a rose that's ready;
And the man'll jump for you, right briskly will he:
There's a rose that's ready for clipping.

Tall Margaret wept bitterly:
There is a rose that's ready;
And as her parent bade did she:
There's a rose that's ready for clipping.

O the handsome young man dropped down on his knee:
There is a rose that's ready;
Pale Margaret gave him her hand, woe's me!
There's a rose that's ready for clipping.

II

O mother, my mother, this thing I must say:
There is a rose in the garden;
Ere he lies on the breast where that other lay:
And the bird sings over the roses.

Now, folly, my daughter, for men are men:
There is a rose in the garden;
You marry them blindfold, I tell you again:
And the bird sings over the roses.

O mother, but when he kisses me!
There is a rose in the garden;
My child, 'tis which shall sweetest be!
And the bird sings over the roses.

O mother, but when I awake in the morn!

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poem by George Meredith
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Me Bobby Mc Gee

Demo (take 5) 20 07 1970
S130 is not on. not that Im playin that great but still in all I oughta be able to hear it, yknow what I mean ?
Are you hearing it now ?
No. now. its too loud. I cant play that good. am I havin some of that texas accent back ?
I hope so.
But I always sound like this, man, I hear myself on tape I always sound like this.
Take 5.
God! shall I start that way ? ready ?
Over to you baby.
Busted flat in baton rouge, waiting for a train
And is feelin nearly as faded as my jeans.
Bobby thumbed a diesel down just before it rained,
It rode us all the way in to new orleans.
I pulled my harpoon out of my dirty red bandanna,
An is playin soft while bobby sang the blues, yeah.
Windshield wipers slapping time, I was holding bobbys hand in mine,
We sang every song that driver knew.
Freedom is just another word for nothing left to lose,
Nothing dont mean nothing honey if it aint free.
Yeah, an feeling good was easy, lord, bobby sang the blues,
You know feeling good was good enough for me, hmm mm,
Good enough for me and my bobby mcgee.
From the kentucky coal mines to the california sun,
Bobby shared the secrets of my soul.
Through all kinds of weather, through everything that we done,
Said bobby baby, he kept me from the cold.
One day up near salinas, lord, I let him slip away,
But he was lookin for that home and I hope he finds it.
But Id trade all of my tomorrows for one single yesterday
To be holdin bobbys body next to mine.
Freedoms just another word for nothing left to lose,
Nothing, thats all that bobby left me, yeah.
Feelin good was easy, lord, bobby he sang the blues,
I said feeling good was good enough for me, hmm mm,
Its good enough for me and my bobby mcgee.
La la la, la la la la, la la la, la la la la
La la la la la bobby mcgee.
La la la la la, la la la la la
La la la la la la, bobby mcgee.
La la la, la la la la la la,
La la la, la la la la la la,
Na na na na na na na na, bobby mcgee, yeah.
Na na na na na na na na, na na na na,
Na na na na na na na na, na na na na,
Hey now bobby lord, bobby mcgee, yeah.
Hell, Im calling my lover, calling my man,
I said Im calling my lover, I do the best I can,
I said now cmon,bobby now, come on bobby mcgee, yeah.
Lordy, lordy, lordy, lordy, lordy, lordy, lordy lord
Hey, hey, hey, bobby mcgee, yeah!

[...] Read more

song performed by Janis Joplin
Added by Lucian Velea
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Metamorphoses: Book The Seventh

THE Argonauts now stemm'd the foaming tide,
And to Arcadia's shore their course apply'd;
Where sightless Phineus spent his age in grief,
But Boreas' sons engage in his relief;
And those unwelcome guests, the odious race
Of Harpyes, from the monarch's table chase.
With Jason then they greater toils sustain,
And Phasis' slimy banks at last they gain,
Here boldly they demand the golden prize
Of Scythia's king, who sternly thus replies:
That mighty labours they must first o'ercome,
Or sail their Argo thence unfreighted home.
The Story of Meanwhile Medea, seiz'd with fierce desire,
Medea and By reason strives to quench the raging fire;
Jason But strives in vain!- Some God (she said)
withstands,
And reason's baffl'd council countermands.
What unseen Pow'r does this disorder move?
'Tis love,- at least 'tis like, what men call love.
Else wherefore shou'd the king's commands appear
To me too hard?- But so indeed they are.
Why shou'd I for a stranger fear, lest he
Shou'd perish, whom I did but lately see?
His death, or safety, what are they to me?
Wretch, from thy virgin-breast this flame expel,
And soon- Oh cou'd I, all wou'd then be well!
But love, resistless love, my soul invades;
Discretion this, affection that perswades.
I see the right, and I approve it too,
Condemn the wrong- and yet the wrong pursue.
Why, royal maid, shou'dst thou desire to wed
A wanderer, and court a foreign bed?
Thy native land, tho' barb'rous, can present
A bridegroom worth a royal bride's content:
And whether this advent'rer lives, or dies,
In Fate, and Fortune's fickle pleasure lies.
Yet may be live! for to the Pow'rs above,
A virgin, led by no impulse of love,
So just a suit may, for the guiltless, move.
Whom wou'd not Jason's valour, youth and blood
Invite? or cou'd these merits be withstood,
At least his charming person must encline
The hardest heart- I'm sure 'tis so with mine!
Yet, if I help him not, the flaming breath
Of bulls, and earth-born foes, must be his death.
Or, should he through these dangers force his way,
At last he must be made the dragon's prey.
If no remorse for such distress I feel,
I am a tigress, and my breast is steel.
Why do I scruple then to see him slain,

[...] Read more

poem by Ovid
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Sun-Up

(Shadows over a cradle…
fire-light craning….
A hand
throws something in the fire
and a smaller hand
runs into the flame and out again,
singed and empty….
Shadows
settling over a cradle…
two hands
and a fire.)

I

CELIA

Cherry, cherry, glowing on the hearth, bright red cherry…. When you try to pick up cherry Celia's shriek sticks in you like a pin.

When God throws hailstones you cuddle in Celia's shawl and press your feet on her belly high up like a stool. When Celia makes umbrella of her hand. Rain falls through big pink spokes of her fingers. When wind blows Celia's gown up off her legs she runs under pillars of the bank— great round pillars of the bank have on white stockings too.

Celia says my father
will bring me a golden bowl.
When I think of my father
I cannot see him
for the big yellow bowl
like the moon with two handles
he carries in front of him.

Grandpa, grandpa…
(Light all about you…
ginger… pouring out of green jars…)
You don't believe he has gone away and left his great coat…
so you pretend… you see his face up in the ceiling.
When you clap your hands and cry, grandpa, grandpa, grandpa,
Celia crosses herself.

It isn't a dream…. It comes again and again…. You hear ivy crying on steeples the flames haven't caught yet and images screaming when they see red light on the lilies on the stained glass window of St. Joseph. The girl with the black eyes holds you tight, and you run… and run past the wild, wild towers… and trees in the gardens tugging at their feet and little frightened dolls shut up in the shops crying… and crying… because no one stops… you spin like a penny thrown out in the street. Then the man clutches her by the hair…. He always clutches her by the hair…. His eyes stick out like spears. You see her pulled-back face and her black, black eyes lit up by the glare…. Then everything goes out. Please God, don't let me dream any more of the girl with the black, black eyes.

Celia's shadow rocks and rocks… and mama's eyes stare out of the pillow as though she had gone away and the night had come in her place as it comes in empty rooms… you can't bear it— the night threshing about and lashing its tail on its sides as bold as a wolf that isn't afraid— and you scream at her face, that is white as a stone on a grave and pull it around to the light, till the night draws backward… the night that walks alone and goes away without end. Mama says, I am cold, Betty, and shivers. Celia tucks the quilt about her feet, but I run for my little red cloak because red is hot like fire.

I wish Celia
could see the sea climb up on the sky
and slide off again…

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poem by Lola Ridge
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Oye Mi Canto - Feat. Nina Sky, Tego Calderon

If You proud to be Latino Stand The F**k Up!!!
SBK...(SBK)
Alive...(Alive We Comin' Up!)
Nina Sky...
N.O.R.E & Tego...(N.O.R.E. , Tego)
Gem Star...(Gem Star) Big Nato..(Ah Big Nato)
C'mon,..C'mon
Whoa...Whoa...Whoa...Whoa
What U Say?
pueriqua (HA!) Morena (HA!) Dominicano (HA!) Columbiano (HA!)
Pueriqua (HA!) Morena (HA!) Cubano(HA!) Mexicano (HA!)
Oye Mi Canto
You See This Is What they Want,
They want reggaeton,
What! What!
They Want Reggaeton,
Esta Lo Que Quieren,
Toma Reggaeton,
QUE? QUE?
Toma Reggaeton,
You See, I'm N.O.R.E. Keep My Story,
My Story I Always Kick It QUE?
When I Bone Shorty I Slap Culo And Listen QUE?
Soy El Gem Estrella Cuando Canto Lo Que Dicen, (WHAT?)
Una Nalga En El Culo Ella Grita, (WHAT?)
See Her Booty Gotta Rep For It's Own,
I Be fajardo,San Juan, Bayamon,
Sol En Campo Santiago, Tabacco Y Rome,
Aya En Puerto-Rico Con Bacardi Y Rome
Ahh This All That
and you can tell spanky on it
the remix to the remix we yankey on it
Toma Reggaeton,
Remix Wit' Tego On It
Esto moffongo, ma
Con N.O.R.E. On It
Un Reggaeton Con Gem Star Y Big Nato On It
Chorus:
Whoa...Whoa...Whoa...Whoa
pueriqua (HA!) Morena (HA!) Dominicano (HA!) Columbiano (HA!)
pueriqua (HA!) Morena (HA!) Cubano (HA!) Mexicano (HA!)
Oye Mi Canto
Al Dormir Cuando Suenan Venden Como Pan Caliente
No Se Me Duerman Con Aquella Gente
Si Quieren Comprar Vendale La Muerte
Y Contarle La Consencia Por Que No Le Encuentren
Digo Ayuda, Pero Si No Tiro La Sulla
La Jaula Esta Segura Antoja La Caulla
So Pica La Cuasahita Especialmente El Dia De Visita
Que No Llego Mi Viejita

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song performed by N.O.R.E.
Added by Lucian Velea
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Jude

When you tell mama
you are going to do something great
she looks at you
as though you were a window
she were trying to see through,
and says she hopes you will be good
instead of great.

When you are five years old
you spend the day in the Gardens.
The grass is greener than cabbages,
and orange lilies
stand up very straight
and will not curtsey to the sun
when the wind tells them.
Only pansies bow down very low.
Pansies make little purple cushions
for queen bees to stand on.
Bees
have brown silk hair on their bodies.
If you are careful
they will let you stroke them.

The trees over the marble man
catch up all the sunbeams
so the shadows have it their way—
the shadows swallow him up
like a blue shark.
When you scoop a sunbeam up on your palm
and offer it to the marble man,
he does not notice…
he looks into his stone beard.
… When you do something great
people give you a stone face,
so you do not care any more
when the sun throws gold on you
through leaf-holes the wind makes
in green bushes….
This thought makes me very sad.

Jude has eyes like tobacco
with yellow specks on it
and his hair is red as a red orange.
Jude and I
have made a garden in the field
that no one knows about.

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poem by Lola Ridge
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Baila Morena (feat. Man)

Creo en los milagros desde que te vi
en esta noche de tequila boom, boom.
Eres tan sexy, eres sexy thing
mis ojos te persiguen solo a ti.
Y debe haber un caos dentro de ti
para que brotes de una estrella que baila.
Infierno y paraiso dentro de ti,
la luna es un sol mira como brilla.
Baby the night is on fire
Seamos fuego en el cielo,
llamas en lo obscuro... what you say
Baila, baila morena
bajo de esta luna llena,
Under the moonlight
Under the moonlight
Ven chica, ven loca, dame tu boca,
en esta noche cualquier cosa te toca.
Mi corazn se revienta y no aguanto,
morena rebuena te quiero yo tanto.
Baby, the night is on fire
Seamos fuego en el cielo,
escandalo en lo obscuro... what you say
Baila, baila morena
bajo de esta luna llena
Under the moonlight
Y baila, under the moonlight
bajo de esta luna llena
baila morena
yeah.... yeah.... yeah....
You got me hutin' so bad, so bad
You let me so, so bad
What you say...
Baila, baila morena
bajo de esta luna llena
under the moonlight (under the moonlight)
y baila (baila), under the moonlight,
bajo de esta luna llena (baila morena)
baila morena (come on baby, come on).
Bajo de esta luna llena,
bajo de esta luna llena,
bajo de esta luna llena...
Under the moonlight

song performed by Zucchero
Added by Lucian Velea
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The Brus Book 20

King Robert in Northumberland]

Sone eftre that the erle Thomas
Fra Wardaill thus reparyt was
The king assemblyt all his mycht
And left nane that wes worth to fycht,
5 A gret ost than assemblit he
And delt his ost in partis thre.
A part to Norame went but let
And a stark assege has set
And held thaim in rycht at thar dyk,
10 The tother part till Anwyk
Is went and thar a sege set thai,
And quhill that thir assegis lay
At thir castellis I spak off ar,
Apert eschewys oft maid thar war
15 And mony fayr chevalry
Eschevyt war full douchtely.
The king at thai castellis liand
Left his folk, as I bar on hand
And with the thrid ost held hys way
20 Fra park to park hym for to play
Huntand as all hys awn war,
And till thaim that war with him thar
The landis off Northummyrland
That neyst to Scotland war liand
25 In fe and heritage gave he,
And thai payit for the selys fe.

[The peace with England]

On this wys raid he destroyand
Quhill that the king of Ingland
Throu consaill of the Mortymar
30 And his moder that that tym war
Ledaris of him that than young wes
To King Robert to tret off pes
Send messyngeris, and sua sped thai
That thai assentyt on this way
35 Than a perpetuale pes to tak,
And thai a mariage suld mak
Off the King Robertis sone Davy
That than bot fyve yer had scarsly
And off Dame Jhone als off the Tour
40 That syne wes of full gret valour,
Systre scho wes to the ying king
That had Ingland in governyng,
That than of eild had sevyn yer.
And monymentis and lettrys ser
45 That thai of Ingland that tyme had

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poem by John Barbour
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Me & Bobby Mcgee

(kristofferson/foster)
Busted flat in baton rouge
Headin for the train
Feelin nearly faded as my jeans
Bobby thumbed a diesel down
Just before it rained
Took us all the way to new orleans
I took my harpoon out of my dirty red bandanna
I was blowin sad while bobby sang the blues
With them windshield wipers slappin time
And bobby clappin hands
We finally sang up every song that driver knew
Freedoms just another word for nothin left to lose
And nothin aint worth nothin but its free
Feelin good was easy, lord, when bobby sang the blues
Buddy, that was good enough for me
Good enough for me and bobby mcgee
From the coal mines of kentucky
To the california sun
Bobby shared the secrets of my soul
Standin right beside me
Through everything Ive done
And every night he kept me from the cold
Then somewhere near salinas
I let him slip away
Lookin for the home I hope hell find
And Ill trade all my tomorrows for a single yesterday
Holdin bobbys body next to mine
Freedoms just another word for nothin left to lose
And nothin aint worth nothin but its free
Feelin good was easy, lord, when bobby sang the blues
Buddy, that was good enough for me
Good enough for me and bobby mcgee
Enough for me and bobby mcgee
Good enough for me and my bobby mcgee
I let him slip away
Lookin for the home I hope he finds
Enough for me and my bobby mcgee
Enough for me and my bobby mcgee, yeah

song performed by Olivia Newton-John
Added by Lucian Velea
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Memory Will Endure (Revised)

‘Cent Mille Chansons’ stirs memory, beautiful
voice, melody of such bitter-sweet nostalgia, a
whispering spirit crying in the cupboard: no drag
worm relates stories of new knights and dragons

Just dream sustained characters who take their
bows, spirits bolstered by lyrics of this song, there
always will be a hundred thousand loves – and
castles and stars to remain untouched by us

One hundred thousand horizons of love, we shall
add new another romance as we join a hundred
thousand lovers in the blue sphere of earth; the
world will never need to know –

but memory endures a hundred thousand years
in my sensitive soul

[ORIGINAL: ]

Listening to Cent Mille Chansons stirred a memory:
a beautiful voice, a melody conveying such bitter-
sweet nostalgia - the whispering spirit in the cup-
board crying: there is no dragworm to tell me a
new story of knights and dragons

Just dreams sustain as my characters take their bows,
the spirit bolstered by the lyrics of this song, there
always will be a hundred thousand loves; castles
and stars will remain untouched by us in this
ocean of love, there will always be

A hundred thousand horizons, we shall add another
romance as we join a hundred thousand lovers in
the blue sphere of the earth; the world will never
know - but the memory will endure a hundred
thousand years in my sensitive soul...

1.Lyrics “Cent Mille Chansons” Frida Boccara

Il y aura cent mille chansons
Quand viendra le temps des cent mille saisons
Cent mille amoureux
Pareils à nous deux
Dans le lit tout bleu de la terre
Cent mille chansons rien qu'à nous
Cent mille horizons devant nous
Partagés de bonheur

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poem by Margaret Alice Second
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IX. Juris Doctor Johannes-Baptista Bottinius, Fisci et Rev. Cam. Apostol. Advocatus

Had I God's leave, how I would alter things!
If I might read instead of print my speech,—
Ay, and enliven speech with many a flower
Refuses obstinate to blow in print,
As wildings planted in a prim parterre,—
This scurvy room were turned an immense hall;
Opposite, fifty judges in a row;
This side and that of me, for audience—Rome:
And, where yon window is, the Pope should hide—
Watch, curtained, but peep visibly enough.
A buzz of expectation! Through the crowd,
Jingling his chain and stumping with his staff,
Up comes an usher, louts him low, "The Court
"Requires the allocution of the Fisc!"
I rise, I bend, I look about me, pause
O'er the hushed multitude: I count—One, two—

Have ye seen, Judges, have ye, lights of law,—
When it may hap some painter, much in vogue
Throughout our city nutritive of arts,
Ye summon to a task shall test his worth,
And manufacture, as he knows and can,
A work may decorate a palace-wall,
Afford my lords their Holy Family,—
Hath it escaped the acumen of the Court
How such a painter sets himself to paint?
Suppose that Joseph, Mary and her Babe
A-journeying to Egypt, prove the piece:
Why, first he sedulously practiseth,
This painter,—girding loin and lighting lamp,—
On what may nourish eye, make facile hand;
Getteth him studies (styled by draughtsmen so)
From some assistant corpse of Jew or Turk
Or, haply, Molinist, he cuts and carves,—
This Luca or this Carlo or the like.
To him the bones their inmost secret yield,
Each notch and nodule signify their use:
On him the muscles turn, in triple tier,
And pleasantly entreat the entrusted man
"Familiarize thee with our play that lifts
"Thus, and thus lowers again, leg, arm and foot!"
—Ensuring due correctness in the nude.
Which done, is all done? Not a whit, ye know!
He,—to art's surface rising from her depth,—
If some flax-polled soft-bearded sire be found,
May simulate a Joseph, (happy chance!)—
Limneth exact each wrinkle of the brow,
Loseth no involution, cheek or chap,
Till lo, in black and white, the senior lives!
Is it a young and comely peasant-nurse

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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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The Court Of Love

With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.

The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right

No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.

Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,

That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.

But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:

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poem by Anonymous Olde English
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Rose Mary

Of her two fights with the Beryl-stone
Lost the first, but the second won.

PART I

“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.

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poem by Dante Gabriel Rossetti
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