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5 to 7

Cast: Anton Yelchin, Berenice Marlohe, Olivia Thirlby, Glenn Close, Eric Stoltz, Frank Langella, Jocelyn DeBoer, Lambert Wilson

trailer for 5 to 7, directed by Victor Levin, screenplay by Victor Levin (2014)
Added by Veronica Serbanoiu
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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.

Sir Peter

So-
What are their names?

John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-

Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?

John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?

Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.

John Curzon

going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

[...] Read more

poem by William Morris
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Anything You Can Do

ANNIE: Anything you can do I can do better
......I can do anything better than you
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can, yes, I can
FRANK: Anything you can be I can be greater
......Sooner or later I'm greater than you
ANNIE: No, you're not
FRANK: Yes, I am
ANNIE: No, you're not
FRANK: Yes, I am
ANNIE: No, you're not
FRANK: Yes, I am, yes I am
FRANK: I can shoot a partridge with a single cartridge
ANNIE: I can get a sparrow with a bow and arrow
FRANK: I can live on bread and cheese
ANNIE: And only on that?
FRANK: Yes
ANNIE: So can a rat
FRANK: Any note you can reach I can go higher
ANNIE: I can sing anything higher than you
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
ANNIE: Anything you can buy I can buy cheaper
......I can buy anything cheaper than you
FRANK: Fifty cents
ANNIE: Forty cents
FRANK: Thirty cents
ANNIE: Twenty cents
FRANK: No, you can't
ANNIE: Yes, I can, yes, I can
FRANK: Anything you can say I can say softer
ANNIE: I can say anything softer than you
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can, yes, I can

[...] Read more

song performed by Irving Berlin
Added by Lucian Velea
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Allegany Camp

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[...] Read more

poem by Rwetewrt Erwtwer
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Berenice by edgar allan poe

MISERY is manifold. The wretchedness of earth is multiform. Overreaching the wide horizon as the rainbow, its hues are as various as the hues of that arch, -as distinct too, yet as intimately blended. Overreaching the wide horizon as the rainbow! How is it that from beauty I have derived a type of unloveliness? -from the covenant of peace a simile of sorrow? But as, in ethics, evil is a consequence of good, so, in fact, out of joy is sorrow born. Either the memory of past bliss is the anguish of to-day, or the agonies which are have their origin in the ecstasies which might have been.

My baptismal name is Egaeus; that of my family I will not mention. Yet there are no towers in the land more time-honored than my gloomy, gray, hereditary halls. Our line has been called a race of visionaries; and in many striking particulars -in the character of the family mansion -in the frescos of the chief saloon -in the tapestries of the dormitories -in the chiselling of some buttresses in the armory -but more especially in the gallery of antique paintings -in the fashion of the library chamber -and, lastly, in the very peculiar nature of the library's contents, there is more than sufficient evidence to warrant the belief.

The recollections of my earliest years are connected with that chamber, and with its volumes -of which latter I will say no more. Here died my mother. Herein was I born. But it is mere idleness to say that I had not lived before -that the soul has no previous existence. You deny it? -let us not argue the matter. Convinced myself, I seek not to convince. There is, however, a remembrance of aerial forms -of spiritual and meaning eyes -of sounds, musical yet sad -a remembrance which will not be excluded; a memory like a shadow, vague, variable, indefinite, unsteady; and like a shadow, too, in the impossibility of my getting rid of it while the sunlight of my reason shall exist.

In that chamber was I born. Thus awaking from the long night of what seemed, but was not, nonentity, at once into the very regions of fairy-land -into a palace of imagination -into the wild dominions of monastic thought and erudition -it is not singular that I gazed around me with a startled and ardent eye -that I loitered away my boyhood in books, and dissipated my youth in reverie; but it is singular that as years rolled away, and the noon of manhood found me still in the mansion of my fathers -it is wonderful what stagnation there fell upon the springs of my life -wonderful how total an inversion took place in the character of my commonest thought. The realities of the world affected me as visions, and as visions only, while the wild ideas of the land of dreams became, in turn, -not the material of my every-day existence-but in very deed that existence utterly and solely in itself.

Berenice and I were cousins, and we grew up together in my paternal halls. Yet differently we grew -I ill of health, and buried in gloom -she agile, graceful, and overflowing with energy; hers the ramble on the hill-side -mine the studies of the cloister -I living within my own heart, and addicted body and soul to the most intense and painful meditation -she roaming carelessly through life with no thought of the shadows in her path, or the silent flight of the raven-winged hours. Berenice! -I call upon her name -Berenice! -and from the gray ruins of memory a thousand tumultuous recollections are startled at the sound! Ah! vividly is her image before me now, as in the early days of her light-heartedness and joy! Oh! gorgeous yet fantastic beauty! Oh! sylph amid the shrubberies of Arnheim! -Oh! Naiad among its fountains! -and then -then all is mystery and terror, and a tale which should not be told. Disease -a fatal disease -fell like the simoom upon her frame, and, even while I gazed upon her, the spirit of change swept, over her, pervading her mind, her habits, and her character, and, in a manner the most subtle and terrible, disturbing even the identity of her person! Alas! the destroyer came and went, and the victim -where was she, I knew her not -or knew her no longer as Berenice.

Among the numerous train of maladies superinduced by that fatal and primary one which effected a revolution of so horrible a kind in the moral and physical being of my cousin, may be mentioned as the most distressing and obstinate in its nature, a species of epilepsy not unfrequently terminating in trance itself -trance very nearly resembling positive dissolution, and from which her manner of recovery was in most instances, startlingly abrupt. In the mean time my own disease -for I have been told that I should call it by no other appelation -my own disease, then, grew rapidly upon me, and assumed finally a monomaniac character of a novel and extraordinary form -hourly and momently gaining vigor -and at length obtaining over me the most incomprehensible ascendancy. This monomania, if I must so term it, consisted in a morbid irritability of those properties of the mind in metaphysical science termed the attentive. It is more than probable that I am not understood; but I fear, indeed, that it is in no manner possible to convey to the mind of the merely general reader, an adequate idea of that nervous intensity of interest with which, in my case, the powers of meditation (not to speak technically) busied and buried themselves, in the contemplation of even the most ordinary objects of the universe.

To muse for long unwearied hours with my attention riveted to some frivolous device on the margin, or in the topography of a book; to become absorbed for the better part of a summer's day, in a quaint shadow falling aslant upon the tapestry, or upon the door; to lose myself for an entire night in watching the steady flame of a lamp, or the embers of a fire; to dream away whole days over the perfume of a flower; to repeat monotonously some common word, until the sound, by dint of frequent repetition, ceased to convey any idea whatever to the mind; to lose all sense of motion or physical existence, by means of absolute bodily quiescence long and obstinately persevered in; -such were a few of the most common and least pernicious vagaries induced by a condition of the mental faculties, not, indeed, altogether unparalleled, but certainly bidding defiance to anything like analysis or explanation.

Yet let me not be misapprehended. -The undue, earnest, and morbid attention thus excited by objects in their own nature frivolous, must not be confounded in character with that ruminating propensity common to all mankind, and more especially indulged in by persons of ardent imagination. It was not even, as might be at first supposed, an extreme condition or exaggeration of such propensity, but primarily and essentially distinct and different. In the one instance, the dreamer, or enthusiast, being interested by an object usually not frivolous, imperceptibly loses sight of this object in a wilderness of deductions and suggestions issuing therefrom, until, at the conclusion of a day dream often replete with luxury, he finds the incitamentum or first cause of his musings entirely vanished and forgotten. In my case the primary object was invariably frivolous, although assuming, through the medium of my distempered vision, a refracted and unreal importance. Few deductions, if any, were made; and those few pertinaciously returning in upon the original object as a centre. The meditations were never pleasurable; and, at the termination of the reverie, the first cause, so far from being out of sight, had attained that supernaturally exaggerated interest which was the prevailing feature of the disease. In a word, the powers of mind more particularly exercised were, with me, as I have said before, the attentive, and are, with the day-dreamer, the speculative.

My books, at this epoch, if they did not actually serve to irritate the disorder, partook, it will be perceived, largely, in their imaginative and inconsequential nature, of the characteristic qualities of the disorder itself. I well remember, among others, the treatise of the noble Italian Coelius Secundus Curio 'de Amplitudine Beati Regni dei'; St. Austin's great work, the 'City of God'; and Tertullian 'de Carne Christi, ' in which the paradoxical sentence 'Mortuus est Dei filius; credible est quia ineptum est: et sepultus resurrexit; certum est quia impossibile est' occupied my undivided time, for many weeks of laborious and fruitless investigation.

Thus it will appear that, shaken from its balance only by trivial things, my reason bore resemblance to that ocean-crag spoken of by Ptolemy Hephestion, which steadily resisting the attacks of human violence, and the fiercer fury of the waters and the winds, trembled only to the touch of the flower called Asphodel. And although, to a careless thinker, it might appear a matter beyond doubt, that the alteration produced by her unhappy malady, in the moral condition of Berenice, would afford me many objects for the exercise of that intense and abnormal meditation whose nature I have been at some trouble in explaining, yet such was not in any degree the case. In the lucid intervals of my infirmity, her calamity, indeed, gave me pain, and, taking deeply to heart that total wreck of her fair and gentle life, I did not fall to ponder frequently and bitterly upon the wonder-working means by which so strange a revolution had been so suddenly brought to pass. But these reflections partook not of the idiosyncrasy of my disease, and were such as would have occurred, under similar circumstances, to the ordinary mass of mankind. True to its own character, my disorder revelled in the less important but more startling changes wrought in the physical frame of Berenice -in the singular and most appalling distortion of her personal identity.

During the brightest days of her unparalleled beauty, most surely I had never loved her. In the strange anomaly of my existence, feelings with me, had never been of the heart, and my passions always were of the mind. Through the gray of the early morning -among the trellised shadows of the forest at noonday -and in the silence of my library at night, she had flitted by my eyes, and I had seen her -not as the living and breathing Berenice, but as the Berenice of a dream -not as a being of the earth, earthy, but as the abstraction of such a being-not as a thing to admire, but to analyze -not as an object of love, but as the theme of the most abstruse although desultory speculation. And now -now I shuddered in her presence, and grew pale at her approach; yet bitterly lamenting her fallen and desolate condition, I called to mind that she had loved me long, and, in an evil moment, I spoke to her of marriage.

And at length the period of our nuptials was approaching, when, upon an afternoon in the winter of the year, -one of those unseasonably warm, calm, and misty days which are the nurse of the beautiful Halcyon*, -I sat, (and sat, as I thought, alone,) in the inner apartment of the library. But uplifting my eyes I saw that Berenice stood before me.

*For as Jove, during the winter season, gives twice seven days of warmth, men have called this clement and temperate time the nurse of the beautiful Halcyon -Simonides.

Was it my own excited imagination -or the misty influence of the atmosphere -or the uncertain twilight of the chamber -or the gray draperies which fell around her figure -that caused in it so vacillating and indistinct an outline? I could not tell. She spoke no word, I -not for worlds could I have uttered a syllable. An icy chill ran through my frame; a sense of insufferable anxiety oppressed me; a consuming curiosity pervaded my soul; and sinking back upon the chair, I remained for some time breathless and motionless, with my eyes riveted upon her person. Alas! its emaciation was excessive, and not one vestige of the former being, lurked in any single line of the contour. My burning glances at length fell upon the face.

The forehead was high, and very pale, and singularly placid; and the once jetty hair fell partially over it, and overshadowed the hollow temples with innumerable ringlets now of a vivid yellow, and Jarring discordantly, in their fantastic character, with the reigning melancholy of the countenance. The eyes were lifeless, and lustreless, and seemingly pupil-less, and I shrank involuntarily from their glassy stare to the contemplation of the thin and shrunken lips. They parted; and in a smile of peculiar meaning, the teeth of the changed Berenice disclosed themselves slowly to my view. Would to God that I had never beheld them, or that, having done so, I had died!

The shutting of a door disturbed me, and, looking up, I found that my cousin had departed from the chamber. But from the disordered chamber of my brain, had not, alas! departed, and would not be driven away, the white and ghastly spectrum of the teeth. Not a speck on their surface -not a shade on their enamel -not an indenture in their edges -but what that period of her smile had sufficed to brand in upon my memory. I saw them now even more unequivocally than I beheld them then. The teeth! -the teeth! -they were here, and there, and everywhere, and visibly and palpably before me; long, narrow, and excessively white, with the pale lips writhing about them, as in the very moment of their first terrible development. Then came the full fury of my monomania, and I struggled in vain against its strange and irresistible influence. In the multiplied objects of the external world I had no thoughts but for the teeth. For these I longed with a phrenzied desire. All other matters and all different interests became absorbed in their single contemplation. They -they alone were present to the mental eye, and they, in their sole individuality, became the essence of my mental life. I held them in every light. I turned them in every attitude. I surveyed their characteristics. I dwelt upon their peculiarities. I pondered upon their conformation. I mused upon the alteration in their nature. I shuddered as I assigned to them in imagination a sensitive and sentient power, and even when unassisted by the lips, a capability of moral expression. Of Mad'selle Salle it has been well said, 'que tous ses pas etaient des sentiments, ' and of Berenice I more seriously believed que toutes ses dents etaient des idees. Des idees! -ah here was the idiotic thought that destroyed me! Des idees! -ah therefore it was that I coveted them so madly! I felt that their possession could alone ever restore me to peace, in giving me back to reason.

And the evening closed in upon me thus-and then the darkness came, and tarried, and went -and the day again dawned -and the mists of a second night were now gathering around -and still I sat motionless in that solitary room; and still I sat buried in meditation, and still the phantasma of the teeth maintained its terrible ascendancy as, with the most vivid hideous distinctness, it floated about amid the changing lights and shadows of the chamber. At length there broke in upon my dreams a cry as of horror and dismay; and thereunto, after a pause, succeeded the sound of troubled voices, intermingled with many low moanings of sorrow, or of pain. I arose from my seat and, throwing open one of the doors of the library, saw standing out in the antechamber a servant maiden, all in tears, who told me that Berenice was -no more. She had been seized with epilepsy in the early morning, and now, at the closing in of the night, the grave was ready for its tenant, and all the preparations for the burial were completed.

I found myself sitting in the library, and again sitting there alone. It seemed that I had newly awakened from a confused and exciting dream. I knew that it was now midnight, and I was well aware that since the setting of the sun Berenice had been interred. But of that dreary period which intervened I had no positive -at least no definite comprehension. Yet its memory was replete with horror -horror more horrible from being vague, and terror more terrible from ambiguity. It was a fearful page in the record my existence, written all over with dim, and hideous, and unintelligible recollections. I strived to decypher them, but in vain; while ever and anon, like the spirit of a departed sound, the shrill and piercing shriek of a female voice seemed to be ringing in my ears. I had done a deed -what was it? I asked myself the question aloud, and the whispering echoes of the chamber answered me, 'what was it? '

On the table beside me burned a lamp, and near it lay a little box. It was of no remarkable character, and I had seen it frequently before, for it was the property of the family physician; but how came it there, upon my table, and why did I shudder in regarding it? These things were in no manner to be accounted for, and my eyes at length dropped to the open pages of a book, and to a sentence underscored therein. The words were the singular but simple ones of the poet Ebn Zaiat, 'Dicebant mihi sodales si sepulchrum amicae visitarem, curas meas aliquantulum fore levatas.' Why then, as I perused them, did the hairs of my head erect themselves on end, and the blood of my body become congealed within my veins?

There came a light tap at the library door, and pale as the tenant of a tomb, a menial entered upon tiptoe. His looks were wild with terror, and he spoke to me in a voice tremulous, husky, and very low. What said he? -some broken sentences I heard. He told of a wild cry disturbing the silence of the night -of the gathering together of the household-of a search in the direction of the sound; -and then his tones grew thrillingly distinct as he whispered me of a violated grave -of a disfigured body enshrouded, yet still breathing, still palpitating, still alive!

He pointed to garments; -they were muddy and clotted with gore. I spoke not, and he took me gently by the hand; -it was indented with the impress of human nails. He directed my attention to some object against the wall; -I looked at it for some minutes; -it was a spade. With a shriek I bounded to the table, and grasped the box that lay upon it. But I could not force it open; and in my tremor it slipped from my hands, and fell heavily, and burst into pieces; and from it, with a rattling sound, there rolled out some instruments of dental surgery, intermingled with thirty-two small, white and ivory-looking substances that were scattered to and fro about the floor.

poem by Erie Morganmaples
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Wilson

Wilson
Wilson
Wilson
Wilson
Oh out near stonehenge, I lived alone
Oh out near gamehendge, I chafed a bone
Wilson, king of prussia, I lay this hate on you
Wilson, duke of lizards, I beg it all trune for you
Talk my duke a mountain, helping friendly book
Inasfar as fiefdom, I think you bad crook
Wilson, king of prussia, I lay this hate on you
Wilson, duke of lizards, I beg it all trune for you
Wilson
Wilson
Wilson
Wilson
I talked to mike christian, rog and pete the same
When we had that meeting, over down near game(henge)
Wilson, king of prussia, I lay this hate on you
Wilson, duke of lizards, I beg it all trune for you
You got me back thinkin that youre the worst one
I must inquire, wilson, can you still have fun?
Wilson, can you still have fun?
Wilson, can you still have fun?
Wilson

song performed by Phish
Added by Lucian Velea
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Tamerton Church-Tower, Or, First Love

I.
We left the Church at Tamerton
In gloomy western air;
To greet the day we gallop'd on,
A merry-minded pair.
The hazy East hot noon did bode;
Our horses sniff'd the dawn;
We made ten Cornish miles of road
Before the dew was gone.
We clomb the hill where Lanson's Keep
Fronts Dartmoor's distant ridge;
Thence trotted South; walk'd down the steep
That slants to Gresson Bridge;
And paused awhile, where Tamar waits,
In many a shining coil,
And teeming Devon separates
From Cornwall's sorry soil.

II.
Our English skies contain'd, that Spring,
A Caribbean sun;
The singing birds forgot to sing,
The rivulets to run.
For three noons past, the skies had frown'd,
Obscured with blighting shades
That only mock'd the thirsty ground
And unrejoicing glades.
To-day, before the noon was nigh,
Bright-skirted vapours grew,
And on the sky hung languidly;
The sky was languid too.
Our horses dropp'd their necks, and nosed
The dusty wayside grass,
Whilst we beneath still boughs reposed
And watch'd the water pass.
We spoke of plighted Bertha: Frank
Shot pebbles in the stream;
And I lay by him on the bank,
But dreamt no lover's dream.
She was a blythe and bashful maid,
Much blushing in her glee;
Yet gracing all she did and said
With sweet sufficiency.
‘Is Blanche as fair?’ ask'd I, who yearn'd
To feel my life complete;
To taste unselfish pleasures earn'd
By service strict and sweet.
‘Well, some say fairer: she'll surprise
Your heart with crimson lips;

[...] Read more

poem by Coventry Patmore
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Ode To Eric Clapton

Hear Eric Clapton's got the blues
did he pay his dues
have you heard the news
hear Eric Clapton's got the blues.

Nicknamed old slow hand in band
Eric is the master blues guitar hand
always with his back against the wall
yet Eric Clapton stands noble and tall.

Started out over thirty years ago
his guitar style developed blues flow
an second only too late Jimi Hendrix
Eric played with heavy cream mix.

Through the high times and the bad
sometimes feeling crazy and mad
battling wild destructive stardom scene
taking trips both right and wrong dream.

Road to excess leads to wisdom song
although the road is often long
I'm quoting Eric's favourite line
these words that spring to mine.

Having self confessed addictive personality
is Eric's dark blues self analysis key
but today Eric lets his guitar talk
all the way from London to New York.

Doing the prince charity time trust
each and every year is indeed a must
playing regularly London's Albert Hall
Eric stands tall and isn't about to fall.

Admired by every guitar slinger around
Eric's guitar creates the blues sound
with master blues ace calling card
Eric Clapton plays honest and hard.

And the blues is always played real
let's you have honest emotion to feel
singing about love affairs of the heart
blows all our false pretense apart.

Nineties Eric wears his blues mantle proud
playing his guitar notes inspired and loud
with both subtle and heavy born emotion
laying down blues flavour stylish devotion.

[...] Read more

poem by Wayne Falconer
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Death At Ones Elbow

Oh glenn
Dont come to the house tonight
Oh glenn
Oh glenn
Dont come to the house tonight
Oh glenn
Because theres somebody here
Who really really loves you
Oh glenn
Stay home
Be bored
(its crap, I know)
Tonight
Oh glenn
Oh glenn
Dont come to the house tonight
Oh glenn
Oh glenn
Dont come to the house tonight
Because theres somebody here
Wholl take a hatchet to your ear
The frustration it renders me
Hateful, oh ...
Oh, dont come to the house tonight
Oh, dont come to the house tonight
Because youll slip on the
Trail of all my sad remains
Thats why, thats why
Goodbye my love, goodbye my love
Goodbye my love, goodbye my love
Goodbye my love, goodbye my love
Belch

song performed by Smiths
Added by Lucian Velea
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Twist It Feat. Lloyd Banks

[Olivia:] I make it hot...
[Lloyd Banks:] G-Unit
[Olivia:] I make it hot
[Lloyd Banks:]
Olivia, let's go
What's up ladies, I'm back baby
The boy wonder got the club goin' crazy
I'm two-steppin' in my armor in my 80
But I ain't in the VIP unless they pay me
It's like I practice stuntin', ma I have ya matress jumpin'
And I know it sounds like I'm frontin', but I ain't
Jerk jerk ya body, and work work 'em proudly, go and hurt somebody if I don't hit that
If you don't see 'em wit me don't ask bout 50
Cuz if he was here he'd be standin' right here
And if you don't care so much about my fame
Then why you keep starin' at my chain? I'm doin' my thing
From the club to the telly on a late night
Box of Magnums sippin' hen, finna get right
Checkout time ain't til daylight
From the club to the telly on a late night
[Olivia:]
Ooh babe you know I like it when you feel on me
Pullin on my waist I'm feelin energy
Gettin' kinda hard to keep ya hands off me (yeah right there)
So slide a little lower put ya hands on my thigh
Maybe I know you like it if that right
I'ma show you how to make it last all night
Now let me see you shake it
[Hook-Olivia]:
Twist it, shake it, bend but don't break it
Work that body gettin' so crazy
Don't hurt nobody up in this party
Twist it, shake it, bend but don't break it
Twist it, shake it, bend but don't break it
Work that body gettin' butt naked
Don't hurt nobody up in this party
Twist it, shake it, bend but don't break it
[Olivia:]
Mix a little hypno with some hennessey
Like the way this jig goes when it goes through me
Think I need to stop because I'm feelin' tipsy (one more drink)
Baby now I can't stop cuz I'm in the zone
Shorty keep it comin' boy I'm grown
I don't wanna finish this dance alone
Ooh I wanna see ya
[Hook-Olivia]:
Twist it, shake it, bend but don't break it
Work that body gettin' so crazy
Don't hurt nobody up in this party
Twist it, shake it, bend but don't break it

[...] Read more

song performed by Olivia
Added by Lucian Velea
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Look Around (feat. Jimmy Cozier)

feat. Jimmy Cozier)
[Verse1: Olivia]
I feel so lost
This emptiness deep inside me
u might as well just stay with her
Did you lay with her?
'Cause whereever you were
You sure ain't thinking 'bout me
I've been spining around
Thinking about our love
And so far you helped me babe oooh
You've been messin' around
And lettin' me down
Simple lies and alibies
If you walk out the door you should..
[Chorus:]
[Chorus1: Olivia]
Just look around
And see that she ain't me
And she'll never be
[Chorus2: Jimmy]
Take a look around
And know that you're lettin' go
The best love you'll ever know
[Verse2: Jimmy]
It's just those simple things
Like Jealosy, houndin' me
Accusing me of things
I never did yea
And Thursday you're so in love
Then Friday comes you flip again
Tell me does the drama ever end?
I've been spinnin' around
Thinking about our love
And so far it's crazy
And you keep on talking about
I'm messing around
I cheated you, mistreated you
There's nothing in the world for you I won't do
[Chorus2: Jimmy]
Take a look around
And know that you're lettin' go
The best love you'll ever know
[Chorus1: Olivia]
Just look around
And see that she ain't me
And she'll never be
[Verse3: Olivia]
Look around
[Jimmy:]

[...] Read more

song performed by Olivia
Added by Lucian Velea
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Look Around Ft. Jimmy Cozier

[Verse1: Olivia]
I feel so lost
This emptiness deep inside me
u might as well just stay with her
Did you lay with her?
'Cause whereever you were
You sure ain't thinking 'bout me
I've been spining around
Thinking about our love
And so far you helped me babe oooh
You've been messin' around
And lettin' me down
Simple lies and alibies
If you walk out the door you should..
[Chorus:]
[Chorus1: Olivia]
Just look around
And see that she ain't me
And she'll never be
[Chorus2: Jimmy]
Take a look around
And know that you're lettin' go
The best love you'll ever know
[Verse2: Jimmy]
It's just those simple things
Like Jealosy, houndin' me
Accusing me of things
I never did yea
And Thursday you're so in love
Then Friday comes you flip again
Tell me does the drama ever end?
I've been spinnin' around
Thinking about our love
And so far it's crazy
And you keep on talking about
I'm messing around
I cheated you, mistreated you
There's nothing in the world for you I won't do
[Chorus2: Jimmy]
Take a look around
And know that you're lettin' go
The best love you'll ever know
[Chorus1: Olivia]
Just look around
And see that she ain't me
And she'll never be
[Verse3: Olivia]
Look around
[Jimmy:]
Look around and realize

[...] Read more

song performed by Olivia
Added by Lucian Velea
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Punch You In The Eye

I come from the land where the oceans freeze
Spent three long months on the open seas
Paddled 'til it seemed I could take no more
When my ship hit ground on Prussia's shores
How was I to know that day
That the winds had swept me Wilson's way
'Cause soon towards me from the East
Came Wilson and his men on multi-beasts
Well it seems he didn't like my face
And I quickly learned that Prussia was an evil place
They tied me to a chair with a giant clip
And held a piece of paper to my tender nip(ple)
Then they tossed the chair in a tiny shack
And told me not to worry 'cause they'd soon be back
But I loosened up the binds where my hands were lashed
And ran towards the cove where my boat was stashed
Singing "Oh Wilson, someday I'll kill you 'til you die
Oh Wilson, Punch you in the Eye"
When Wilson knew that I was loose
I'd surely be subjected to some real abuse
Maybe end up hanging from the nearest tree
So angrily I paddled to the open sea
But the sea was eager to beat me back
And the waves grew huge and deadly black
And the gray clouds rumbled over my head
And I feared in my heart that I'd soon be dead
[Solo over "Landlady" changes]
When the morning came and the storm had passed
And the dismal fog began at last
To open up before my eyes
And there I saw to my surprise
Chains and specks of islands curved
Where palm trees dipped and seagulls swerved
And I parked my kayak on a stone
And yelled across the ocean to his evil throne
I said "Oh Wilson, someday I'll kill you 'til you die
Oh Wilson, Punch you in the Eye
Wilson, kill you 'til you die
Oh Wilson, Punch you in the Eye"
[Solo over "Landlady" changes]

song performed by Phish
Added by Lucian Velea
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Frank & Lola

Frank and lola
By: jimmy buffett, steve goodman
1982
Lucy and ricky, fred and ethel, laurel and hardy, spanky
And buckwheat, rocky and bullwinkle, and frank and lola...
Theyre all good for a laugh.
Lola loves frank, frankie loves lola
On their second honeymoon in pensacola
Tryin to find a little privacy
Oh me there been too much screamin, fussin and fightin
The doggies were yellin, the children were bitin
Frank and lola tryin to get together again
So he took her to this movie called body heat
She said the junior mints were mushy and the sex was neat
Oh my, frankie werent we better than that, before our spat
Frank told lola, honey cant you see
That Ill jump start you if youll kick start me
Frank and lola tryin to get together again
So they strolled along the highway, they walked along the beach
They stopped at several raw bars where they slurped a dozen each
Bought a bunch of popcorn from the fat man on the dock
Baby turn back the pages, turn round the clock
Lola told frankie time we put it to the test
After frankie told lola she was still the best
They fell asleep in the sand underneath the florida moon, in june
Lola counted rainbows, frankie counted sheep
til they almost got run over by the lifeguards jeep
Frank and lola tryin to get together again
Go, frank, go
Lo la, lo
Go, frank, go, wow
(instrumental)
So they strolled along the highway, they walked along the beach
Stopped at several raw bars where they slurped a dozen each
Bought a bunch of popcorn from the fat man on the dock
Baby turn back the pages, turn round the clock
Lola loves frank, frankie loves lola
On their second honeymoon in pensacola
Tryin to find a little priva-
Tryin to find a little priva-
Tryin to find a little privacy
Go, frank, go
Lo la, lo
Go, mango
- notes:
Featuring the harmonica of fingers taylor

song performed by Jimmy Buffett
Added by Lucian Velea
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Haunted By Tigers

NATHAN BEANS and William Lambert were two wild New England boys,
Known from infancy to revel only in forbidden joys.
Many a mother of Nantucket bristled when she heard them come,
With a horrid skulking whistle, tempting her good lad from home.
But for all maternal bristling little did they seem to care,
And they loved each other dearly, did this good-for-nothing pair.

So they lived till eighteen summers found them in the same repute,—
They had well-developed muscles, and loose characters to boot.
Then they did what wild Nantucket boys have never failed to do,—
Went and filled two oily bunks among a whaler's oily crew.
And the mothers,—ah! they raised their hands and blessed the lucky day,
While Nantucket waved its handkerchief to see them sail away.

On a four years' cruise they started in the brave old 'Patience Parr,'
And were soon initiated in the mysteries of tar.
There they found the truth that whalers' tales are unsubstantial wiles,—
They were sick and sore and sorry ere they passed the Western Isles;
And their captain, old-man Sculpin, gave their fancies little scope,
For he argued with a marlinspike and reasoned with a rope.
But they stuck together bravely, they were Ishmaels with the crew:
Nathan's voice was never raised but Bill's support was uttered too;
And whenever Beans was floored by Sculpin's cruel marlinspike,
Down beside him went poor Lambert, for his hand was clenched to strike.
So they passed two years in cruising, till one breathless burning day
The old 'Patience Parr' in Sunda Straits with flapping canvas lay.
On her starboard side Sumatra's woods were dark beneath the glare,
And on her port stretched Java, slumbering in the yellow air,—
Slumbering as the jaguar slumbers, as the tropic ocean sleeps,
Smooth and smiling on its surface with a devil in its deeps.
So swooned Java's moveless forest, but the jungle round its root
Knew the rustling anaconda and the tiger's padded foot.
There in Nature's rankest garden, Nature's worst alone is rife,
And a glorious land is wild-beast ruled for want of human life.
Scarce a harmless thing moved on it, not a living soul was near
From the frowning rocks of Java Head right northward to Anjier.
Crestless swells, like wind-raised canvas, made the whaler rise and dip,
Else she lay upon the water like a paralytic ship;

And beneath a topsail awning lay the lazy, languid crew,
Drinking in the precious coolness of the shadow,—all save two:
Two poor Ishmaels,—they were absent, Heaven help them!— roughly tied
'Neath the blistering cruel sun-glare in the fore-chains, side by side.
Side by side as it was always, each one with a word of cheer
For the other, and for his sake bravely choking back the tear.
Side by side, their pain or pastime never yet seemed good for one;
But whenever pain came, each in secret wished the other gone.

You who stop at home and saunter o'er your flower scattered path,
With life's corners velvet cushioned, have you seen a tyrant's wrath? —

[...] Read more

poem by John Boyle O'Reilly
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Introduction Narration

Wilson
Wilson
Wilson
Wilson
Wilson
Once upon a time there was a mountain that rose out of a vast green forest. and in the forest there were birds and lakes and rocks and trees and rivers. the forest was also inhabited by a small group of people called the lizards. the lizards were a simple people and they had lived in the forest undisturbed for thousands of years in utter peace and tranquillity. once a year when spring came, and the first blossoms began to show, the lizards would gather at the base of the mountain, to give thanks for all that they had. they thanked the birds and they thanked the lakes and they thanked the rocks and the trees and the rivers; but most importantly, they thanked icculus. icculus lived at the top of the mountain, or at least everyone thought so, for no one had actually ever seen him. but they knew he existed, because they had the helping friendly book. icculus had given the helping friendly book to the lizards thousands of years earlier as a gift. it contained all of the knowledge inherent
In the universe, and had
Enabled the lizards to exist in harmony with nature for years. and so they lived; until one day a traveler arrived in gamehendge.
His name was wilson and he quickly became intrigued by the lizards way of life. he asked if he could stay on and live in the forest; and the lizards, who had never seen an outsider, were happy to oblige. wilson lived with the lizards for a few years, studying the ways of the helping friendly book, and all was well. until one morning when they awoke and the book was gone. wilson explained that he had hidden the book, knowing that the lizards had become dependent on it for survival. he declared himself king and enslaved the innocent people of gamehendge. he cut down the trees and built a city, which he called prussia. and in the center of the city he built a castle, and locked in the highest tower of the castle lay the helping friendly book out of the reach of the lizards forever. but our story begins at a different time, not in gamehendge, but on a suburban street in long island, and our hero is no king sitting in a castle, he is a retired colonel shaving in his bathroom.
Colonel forbin looked square in the mirror and dragged the blade across his cold creamed skin. he saw the tired little folds of flesh that lay in a heap beneath his eyes. fifty-two years of obedient self-restraint, of hiding his tension behind a serene veil of composure. for fifty-two years he had piled it all on the back burner, and for fifty-two years it had boiled, frothing over in a turbulent storm inside of him. it had escaped through his eyes, reacting with the cigarette smoke and the fluorescent lights and slowly accumulating into a sagging mass.
He ran his dripping palm across the stubble on the nape of his neck and thought again about the door. he had discovered the door some months back on one of his ritualistic morning walks with his dog mcgrupp. it had started out as a typical stroll with mcgrupp bounding joyously ahead of the preoccupied colonel. as they reached the apex of the hill, he saw it and he knew it had always been there, and felt foolish for overlooking the door for so long. at first, he tried to ignore it, but he soon found that it was impossible, and slowly his newly acquired knowledge transformed his dreary life into a prison from which there was only one escape. and on this morning, colonel forbin stepped through the door.

song performed by Phish
Added by Lucian Velea
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The Man Who Stepped Into Yesterday

INTRODUCTION
Wilson
Wilson
Wilson
Wilson
Wilson
Once upon a time there was a mountain that rose out of a vast green forest. And in the forest there were birds and lakes and rocks and trees and rivers. The forest was also inhabited by a small group of people called the lizards. The lizards were a simple people and they had lived in the forest undisturbed for thousands of years in utter peace and tranquillity. Once a year when spring came, and the first blossoms began to show, the
lizards would gather at the base of the mountain, to give thanks for all that they had. They thanked the birds and they thanked the lakes and they thanked the rocks and the trees and the rivers; but most importantly, they thanked Icculus.
Icculus lived at the top of the mountain, or at least everyone thought so, for no one had actually ever seen him. But they knew he existed, because they had the Helping Friendly Book. Icculus had given the Helping Friendly Book to the Lizards thousands of years earlier as a gift. It contained all of the knowledge inherent in the universe, and had
enabled the Lizards to exist in harmony with nature for years. And so they lived; until one day a traveler arrived in Gamehendge. His name was Wilson and he quickly became intrigued by the Lizards way of life. He asked if he could stay on and live in the forest; and the Lizards, who had never seen an outsider, were happy to oblige.
Wilson lived with the Lizards for a few years, studying the ways of the Helping Friendly Book, and all was well. Until one morning when they awoke and the book was gone. Wilson explained that he had hidden the book, knowing that the Lizards had become dependent on it for survival. He declared himself king and enslaved the innocent
people of Gamehendge. He cut down the trees and built a city, which he called Prussia. And in the center of the city he built a castle, and locked in the highest tower of the castle lay the Helping Friendly Book out of the reach of the Lizards forever. But our story begins at a different time, not in Gamehendge, but on a suburban street in Long Island, and our hero is no king sitting in a castle, he is a retired colonel shaving in his bathroom.
Colonel Forbin looked square in the mirror and dragged the blade across his cold creamed skin. He saw the tired little folds of flesh that lay in a heap beneath his eyes. Fifty-two years of obedient self-restraint, of hiding his tension behind a serene veil of composure. For fifty-two years he had piled it all on the back burner, and for fifty-two years it had boiled, frothing over in a turbulent storm inside of him. It had escaped through his eyes, reacting with the cigarette smoke and the fluorescent lights and slowly accumulating into a sagging mass. He ran his dripping palm across the stubble on the nape of his neck and thought again about the door. He had discovered the door some months back on one of his ritualistic morning walks with his dog McGrupp. It had started out as a typical stroll with McGrupp bounding joyously ahead of the preoccupied colonel. As they reached the apex of the hill, he saw it and he knew it had always been there, and felt foolish for overlooking the door for so long. At first, he tried to ignore it, but he soon found that it was impossible, and slowly his newly acquired knowledge transformed his dreary life into a prison from which there was only one escape. And on this morning, Colonel Forbin stepped through the door...

song performed by Phish
Added by Lucian Velea
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My Defenses Are Down

FRANK BUTLER:
I've had my way with so many girls
An' was lots of fun.
My scheme was to know many girls
To keep me safe from one
I find it can be done.
My defenses are down
She's broken my resistance
And I don't know where I am
I went into the fight like a lion
But I came out like a lamb.
My defenses are down
She's got me where she wants me
And I can't escape no how
I could speak to my heart when it wakened
But my heart won't listen now.
Like a toothless, clawless tiger,
Like an organ-grinder's bear,
Like a knight without his armor,
Like Samson without his hair.
My defenses are down
I might as well surrender
For the battle can't be won.
But I must confess that I like it,
So there's nothing to be done.
Yes, I must confess that I like it
Being miserable's gonna be fun
MALE CHORUS:
His defenses are down
She's broken my resistance
And he's in an awful jam.
FRANK BUTLER:
I went into the fight like a lion
MALE CHORUS:
But you came out like a lamb.
FRANK BUTLER:
My defenses are down
MALE CHORUS:
She's got you where she wants you
And you can't escape no how
FRANK BUTLER:
I could speak to my heart when it wakened
MALE CHORUS:
But my heart won't listen now.
FRANK BUTLER:
Like a toothless, clawless tiger,
Like an organ-grinder's bear,
MALE CHORUS:
Like a knight without his armor,
FRANK BUTLER:

[...] Read more

song performed by Irving Berlin
Added by Lucian Velea
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Out at Home

Jackie Robinson is exalted
as the first Black man to play,
but far fewer fans remember Glenn Burke,
the first ballplayer openly gay.

Like Jackie, he played for the Dodgers-
(different coast and a different time.)
Glenn came up to the Majors
In the summer of 79'

Burke was strong and tall and fast
And some teammates called him " King Kong"
Though he roomed with Reggie Smith on the road
most nights Reggie Smith slept alone.

Burke befriended Young Tommy Lasorda
which was why he was traded away.
Old Lasorda couldn't deal with the rumors,
Nor acknowledge his own son was gay.

Glenn Burke rode the pines while in Oakland
Billy Martin never gave him much chance
When Burke injured his leg in Spring Training
That ended his time at the dance.

He drifted, his playing days over,
He used, he stole and did time.
An accident left him a cripple
Unprotected sex ended his line.

No shock was the A.I.D.s diagnosis-
His sister had long known he was gay.
When she took him in he was dying
when all others turned him away.

Sandy Alderson, with the Athletics,
took pity on Burke in despair.
The team paid for his A.I.D.S. medication
and covered the cost of his care.

Sad is the fate of the Athlete unsung,
dying apart from his team.
Glenn Burke showed that a gay man could play,
That a Gay Athlete also can dream.

Glenn Burke passed a long time ago
But his story deserves to be told.
He said when your suffering, dying of A.I.D.S.
Even days in the summer are cold.

poem by John F. McCullagh
Added by Poetry Lover
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At Lambert's Bay The Fishing Trawlers Sail Out

At Lambert's Bay the fishing trawlers sail out
where clouds of smoke hang over the boats
while the rain pours down in buckets.

The waves hit, the sea foams and bubble,
it looks as if a storm is rising
and 'my girlfriend has a fine fellow, '

one sings in darkness before he starts whistling
where clouds of smoke hang over the boats.
At Lambert's Bay the fishing trawlers sail out

seeking snoek, cod and sea-trout
and the boat turns to get out fishing gear,
it looks as if a storm is rising

and the men wait on the sea's first gifts
with rain like only God's hosepipe brings
while the rain pours down in buckets.

'Look at that shining bodies, tons of trout, they are running free, '
the song continues and something falls down
and the boat turns to get out fishing gear,

with engines roaring loudly
every fisherman is caught for a moment.
At Lambert's Bay the fishing trawlers sail out

'my girlfriend has a fine fellow and he is a wild goat, '
one sings against the wind with more joining voices,
the song continues and something falls down

and the tiller-man wonders about the sudden rain
but the fishermen are catching
while the rain pours down in buckets

they are standing ready but half-blinded
'Where are we going on the wide, wide sea'
one sings against the wind with more joining voices,

gigantic waves hits and pulls the boat
and some fishermen are scared.
At Lambert's Bay the fishing trawlers sail out
while the rain pours down in buckets

while the fishermen sing their song:
'The waves hit, the sea foams and bubble, '
'where are we going on the wide, wide sea'
and 'my girlfriend has a fine fellow.'

[...] Read more

poem by Gert Strydom
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Henry the Seventh

Henry the Seventh of England
Wasn't out of the Royal top drawer,
The only connection of which he could boast,
He were King's nephew's brother-in-law.

It were after the Wars of the Roses
That he came to the front, as it were,
When on strength of his having slain Richard the Third
He put himself up as his heir.

T'were a bit of a blow to the Barons
When Henry aspired to the Throne,
And some who'd been nursing imperial hopes
Started pushing out claims of their own.

But they didn't get far with their scheming,
For the moment the matter were pressed
A stroke of the pen took them off to the Tower,
Where a stroke of the axe did the rest.

A feller they called Perkin Warbeck
Was the one who led Henry a dance,
To make sure that nowt awkward should happen to him
He worked from an office in France.

He claimed to be one of the Princes
As were smothered to death in the Tower.
His tale was that only his brother was killed
And that he had escaped the seas ower.

Henry knew the appeal of the Princes
Was a strong one for Perkin to make,
And he reckoned he'd best have a chat with the lad
And find out the least he would take.

In reply to his kind invitation
Perkin said he'd he happy to call,
But he'd bring his own escort of ten thousand men
And a hundred pipers an' all.

This reply put the King in a passion
He swore as he'd stop Perkin's fun,
Then he offered a fortune per annum to him
As could tell him how his could be done.

Then up spoke the bold Lambert Simne
The King's private scullion he were,
He said: "Just one word in thy ear 'ole, O King,
I've a plan as will stop all this 'ere."

[...] Read more

poem by Marriott Edgar
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