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Entourage [trailer 2]

Cast: Emily Ratajkowski, Emmanuelle Chriqui, Mark Wahlberg, Alice Eve, Haley Joel Osment, Ronda Rousey, Billy Bob Thornton, Jeremy Piven, Debi Mazar

trailer for Entourage, directed by Doug Ellin, screenplay by Doug Ellin, inspired by Rob Weiss (2015)
Added by Veronica Serbanoiu
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Help Me Ronda

Well since she put me down I 've been out doin' in my head
Come in late at night and in the mornin' I just lay in bed
Well, Ronda you look so fine (look so fine)
And I know it wouldn't take much time
For you to help me Ronda
Help me get her out of my heart
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda yeah
Get her out of my heart
She was gonna be my wife
And I was gonna be her man
But she let another guy come between us
And it ruined our plan
Well, Ronda you caught my eye (caught my eye)
And I can give you lotsa reasons why
You gotta help me Ronda
Help me get her out of my heart
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda yeah
Get her out of my heart
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda
Help me Ronda
Help, help me Ronda

[...] Read more

song performed by Beach Boys
Added by Lucian Velea
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Z. Comments

CRYSTAL GLOW

Madhur Veena Comment: Who is she? ? ? ? ? ? ? ? ? ? ? ....You write good!

Margaret Alice Comment: Beautiful, it stikes as heartfelt words and touches the heart, beautiful sentiments, sorry, I repeat myself, but I am delighted. Your poem is like the trinkets I collect to adorn my personal space, pure joy to read, wonderful! Only a beautiful mind can harbour such sentiments, you have a beautiful mind. I am glad you have found someone that inspires you to such heights and that you share it with us, you make the world a mroe wonderful place.

Margaret Alice Comment: Within the context set by the previous poem, “Cosmic Probe”, the description of a lover’s adoration for his beloved becomes a universal ode sung to the abstract values of love, joy and hope personified by light, colours, fragrance and beauty, qualities the poet assigns to his beloved, thus elevating her to the status of an uplifting force because she brings all these qualities to his attention. The poet recognises that these personified values brings him fulfilment and chose the image of a love relationship to illustrate how this comes about; thus a love poem becomes the vehicle to convey spiritual epiphany.

FRAGRANT JASMINE

Margaret Alice Comment: Your words seem to be directed to a divine entity, you seem to be addressing your adoration to a divinity, and it is wonderful to read of such sublime sentiments kindled in a human soul. Mankind is always lifted up by their vision and awareness of divinity, thank you for such pure, clear diction and sharing your awareness of the sublime with us, you have uplifted me so much by this vision you have created!

Margaret Alice Comment: The poet’s words seem to be directed to a divine entity, express adoration to a divinity who is the personification of wonderful qualities which awakens a sense of the sublime in the human soul. An uplifting vision and awareness of uplifting qualities of innocence represented by a beautiful person.

I WENT THERE TO BID HER ADIEU

Kente Lucy Comment: wow great writing, what a way to bid farewell

Margaret Alice Comment: Sensory experience is elevated by its symbolical meaning, your description of the scene shows two souls becoming one and your awareness of the importance of tempory experience as a symbol of the eternal duration of love and companionship - were temporary experience only valid for one moment in time, it would be a sad world, but once it is seen as a symbol of eternal things, it becomes enchanting.

I’M INCOMPLETE WITHOUT YOU

Margaret Alice Comment: You elevate the humnan experience of longing for love to a striving for sublimity in uniting with a beloved person, and this poem is stirring, your style of writing is effective, everything flows together perfectly.

Margaret Alice Comment:

'To a resplendent glow of celestial flow
And two split halves unite never to part.'

Reading your fluent poems is a delight, I have to tear myself away and return to the life of a drudge, but what a treasure trove of jewels you made for the weary soul who needs to contemplate higher ideals from time to time!

IN CELESTIAL WINGS

Margaret Alice Comment: When you describe how you are strengthened by your loved one, it is clear that your inner flame is so strong that you need not fear growing old, your spirit seems to become stronger, you manage to convey this impression by your striking poetry. It is a privilege to read your work.

Obed Dela Cruz Comment: wow.... i remembered will shakespeare.... nice poem!

Margaret Alice Comment: The poet has transcended the barriers of time and space by becoming an image of his beloved and being able to find peace in the joy he confers to his beloved.

'You transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.'

Margaret Alice Comment: You are my peace and solace, I know, I am, yours too; A mere flash of your thoughts Enlivens my tired soul And fills me with light, peace and solace, A giant in new world, I become, I rise to divine heights in celestial wings. How I desire to reciprocate To fill you with light and inner strength raise you to divine heights; I must cross over nd hold you in arms, light up your soul, Fill you with strength from my inner core, Wipe away your tears burst out in pure joy How I yearn to instill hope and confidence in you we never part And we shall wait, till time comes right. the flame in my soul always seeks you, you transcend my limits, transcend my soul, I forget my distress in your thoughts And discover my peace in your joy, For, I’m mere image of you, my beloved.

RAGING FIRE

[...] Read more

poem by Praveen Kumar
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Entourage

Cast: Emily Ratajkowski, Emmanuelle Chriqui, Mark Wahlberg, Alice Eve, Haley Joel Osment, Ronda Rousey, Billy Bob Thornton, Jeremy Piven, Debi Mazar

trailer for Entourage, directed by Doug Ellin, screenplay by Doug Ellin, inspired by Rob Weiss (2015)
Added by Veronica Serbanoiu
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To My Godchild Alice

ALICE, Alice, little Alice,
My new-christened baby Alice,
Can there ever rhymes be found
To express my wishes for thee
In a silvery flowing, worthy
Of that silvery sound?
Bonnie Alice, Lady Alice,
Sure, this sweetest name must be
A true omen to thee, Alice,
Of a life's long melody.

Alice, Alice, little Alice,
Mayst thou prove a golden chalice,
Filled with holiness like wine:
With rich blessings running o'er
Yet replenished evermore
From a fount divine:
Alice, Alice, little Alice,
When this future comes to thee,
In thy young life's brimming chalice
Keep some drops of balm for me!

Alice, Alice, little Alice,
Mayst thou grow a goodly palace,
Fitly framed from roof to floors,
Pure unto the inmost centre,
While high thoughts like angels enter
At the open doors:
Alice, Alice, little Alice,
When this beauteous sight I see,
In thy woman-heart's wide palace
Keep one nook of love for me.

Alice, Alice, little Alice,--
Sure the verse halts out of malice
To the thoughts it feebly bears,
And thy name's soft echoes, ranging
From quaint rhyme to rhyme, are changing
Into silent prayers.
God be with thee, little Alice,
Of His bounteousness may He
Fill the chalice, build the palace,
Here, unto eternity!

poem by Dinah Maria Mulock Craik
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Paradise Lost: Book 09

No more of talk where God or Angel guest
With Man, as with his friend, familiar us'd,
To sit indulgent, and with him partake
Rural repast; permitting him the while
Venial discourse unblam'd. I now must change
Those notes to tragick; foul distrust, and breach
Disloyal on the part of Man, revolt,
And disobedience: on the part of Heaven
Now alienated, distance and distaste,
Anger and just rebuke, and judgement given,
That brought into this world a world of woe,
Sin and her shadow Death, and Misery
Death's harbinger: Sad talk!yet argument
Not less but more heroick than the wrath
Of stern Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespous'd;
Or Neptune's ire, or Juno's, that so long
Perplexed the Greek, and Cytherea's son:

If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplor'd,
And dictates to me slumbering; or inspires
Easy my unpremeditated verse:
Since first this subject for heroick song
Pleas'd me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroick deem'd chief mastery to dissect
With long and tedious havock fabled knights
In battles feign'd; the better fortitude
Of patience and heroick martyrdom
Unsung; or to describe races and games,
Or tilting furniture, imblazon'd shields,
Impresses quaint, caparisons and steeds,
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshall'd feast
Serv'd up in hall with sewers and seneshals;
The skill of artifice or office mean,
Not that which justly gives heroick name
To person, or to poem. Me, of these
Nor skill'd nor studious, higher argument
Remains; sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years, damp my intended wing
Depress'd; and much they may, if all be mine,
Not hers, who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring

[...] Read more

poem by John Milton
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Adam: A Sacred Drama. Act 3.

SCENE I.-- Adam and Eve.

Oh, my beloved companion!
Oh thou of my existence,
The very heart and soul!
Hast thou, with such excess of tender haste,
With ceaseless pilgrimage,
To find again thy Adam,
Thus solitary wandered?
Behold him! Speak! what are thy gentle orders?
Why dost thou pause? what ask of God? what dost thou?

Eve. Adam, my best beloved!
My guardian and my guide!
Thou source of all my comfort, all my joy!
Thee, thee alone I wish,
And in these pleasing shades
Thee only have I sought.

Adam. Since thou hast called thy Adam,
(Most beautiful companion),
The source and happy fountain of thy joy;
Eve, if to walk with me
It now may please thee, I will show thee love,
A sight thou hast not seen;
A sight so lovely, that in wonder thou
Wilt arch thy graceful brow.
Look thou, my gentle bride, towards that path,
Of this so intricate and verdant grove,
Where sit the birds embowered;
Just there, where now, with soft and snowy plumes,
Two social doves have spread their wings for flight,
Just there, thou shalt behold, (oh pleasing wonder),
Springing amid the flowers,
A living stream, that with a winding course
Flies rapidly away;
And as it flies, allures
And tempts you to exclaim, sweet river, stay!
Hence eager in pursuit
You follow, and the stream, as it it had
Desire to sport with you,
Through many a florid, many a grassy way,
Well known to him, in soft concealment flies:
But when at length he hears,
You are afflicted to have lost his sight,
He rears his watery locks, and seems to say,
Gay with a gurgling smile,
'Follow! ah, follow still my placid course!
If thou art pleased with me, with thee I sport.
And thus with sweet deceit he leads you on

[...] Read more

poem by William Cowper
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Adam: A Sacred Drama. Act 2.

SCENE I. -- CHORUS OF ANGELS Singing.

Now let us garlands weave
Of all the fairest flowers,
Now at this early dawn,
For new-made man, and his companion dear;
Let all with festive joy,
And with melodious song,
Of the great Architect
Applaud this noblest work,
And speak the joyous sound,
Man is the wonder both of Earth and Heaven.

FIRST Angel.

Your warbling now suspend,
You pure angelic progeny of God,
Behold the labour emulous of Heaven!
Behold the woody scene,
Decked with a thousand flowers of grace divine;
Here man resides, here ought he to enjoy
In his fair mate eternity of bliss.

SECOND Angel.

How exquisitely sweet
This rich display of flowers,
This airy wild of fragrance,
So lovely to the eye,
And to the sense so sweet.

THIRD Angel.

O the sublime Creator,
How marvellous his works, and more his power!
Such is the sacred flame
Of his celestial love,
Not able to confine it in himself,
He breathed, as fruitful sparks
From his creative breast,
The Angels, Heaven, Man, Woman, and the World.

FOURTH Angel.

Yes, mighty Lord! yes, hallowed love divine!
Who, ever in thyself completely blest,
Unconscious of a want,
Who from thyself alone, and at thy will,
Bright with beignant flames,
Without the aid of matter or of form,

[...] Read more

poem by William Cowper
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Billy Barlow In Australia

When I was at home I was down on my luck,
And I earned a poor living by drawing a truck;
But old aunt died, and left me a thousand—"Oh, oh,
I'll start on my travels," said Billy Barlow.
Oh dear, lackaday, oh,
So off to Australia came Billy Barlow.
When to Sydney I got, there a merchant I met,
Who said he would teach me a fortune to get;
He'd cattle and sheep past the colony's bounds,
Which he sold with the station for my thousand pounds.
Oh dear, lackaday, oh,
He gammon'd the cash out of Billy Barlow.
When the bargain was struck, and the money was paid,
He said, "My dear fellow, your fortune is made;
I can furnish supplies for the station, you know,
And your bill is sufficient, good Mr. Barlow."
Oh dear, lackaday, oh,
A gentleman settler was Billy Barlow.
So I got my supplies, and I gave him my bill,
And for New England started, my pockets to fill;
But by bushrangers met, with my traps they made free,
Took my horse and left Billy bailed to a tree.
Oh dear, lackaday, oh,
"I shall die of starvation," thought Billy Barlow.

At last I got loose, and I walked on my way;
A constable came up, and to me did say,
"Are you free?" Says I, "Yes, to be sure; don't you know?"
And I handed my card, "Mr. William Barlow."
Oh dear, lackaday, oh,
He said, "That's all gammon," to Billy Barlow.
Then he put on the handcuffs, and brought me away
Right back down to Maitland, before Mr. Day.
When I said I was free, why the J.P. replied,
"I must send you down to be i—dentified."
Oh dear, lackaday, oh,
So to Sydney once more went poor Billy Barlow.
They at last let me go, and I then did repair
For my station once more, and at length I got there;
But a few days before, the blacks, you must know,
Had spear'd all the cattle of Billy Barlow.
Oh dear, lackaday, oh,
"It's a beautiful country," said Billy Barlow.

And for nine months before no rain there had been,
So the devil a blade of grass could be seen;
And one-third of my wethers the scab they had got,
And the other two-thirds had just died of the rot.
Oh dear, lackaday, oh,
"I shall soon be a settler," said Billy Barlow.

[...] Read more

poem by Andrew Barton Paterson
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The Lawyer’s First Tale: Primitiæ or Third Cousins

I

‘Dearest of boys, please come to-day,
Papa and mama have bid me say,
They hope you’ll dine with us at three;
They will be out till then, you see,
But you will start at once, you know,
And come as fast as you can go.
Next week they hope you’ll come and stay
Some time before you go away.
Dear boy, how pleasant it will be,
Ever your dearest Emily!’
Twelve years of age was I, and she
Fourteen, when thus she wrote to me,
A schoolboy, with an uncle spending
My holidays, then nearly ending.
My uncle lived the mountain o’er,
A rector, and a bachelor;
The vicarage was by the sea,
That was the home of Emily:
The windows to the front looked down
Across a single-streeted town,
Far as to where Worms-head was seen,
Dim with ten watery miles between;
The Carnedd mountains on the right
With stony masses filled the sight;
To left the open sea; the bay
In a blue plain before you lay.
A garden, full of fruit, extends,
Stone-walled, above the house, and ends
With a locked door, that by a porch
Admits to churchyard and to church;
Farm-buildings nearer on one side,
And glebe, and then the countrywide.
I and my cousin Emily
Were cousins in the third degree;
My mother near of kin was reckoned
To hers, who was my mother’s second:
My cousinship I held from her.
Such an amount of girls there were,
At first one really was perplexed:
’Twas Patty first, and Lydia next,
And Emily the third, and then,
Philippa, Phoebe, Mary Gwen.
Six were they, you perceive, in all;
And portraits fading on the wall,
Grandmothers, heroines of old,
And aunts of aunts, with scrolls that told
Their names and dates, were there to show
Why these had all been christened so.

[...] Read more

poem by Arthur Hugh Clough from Mari Magno or Tales on Board
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Alice Deejay

Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
I close my eyes
Im music
Im rhythm
Im a dj, I am alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
I close my eyes
Im music
Im rhythm
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
Im a dj, alice deejay
I am alice deejay

song performed by Alice Deejay
Added by Lucian Velea
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Palamon And Arcite; Or, The Knight's Tale. From Chaucer. In Three Books. Book III.

The day approached when Fortune should decide
The important enterprise, and give the bride;
For now the rivals round the world had sought,
And each his number, well appointed, brought.
The nations far and near contend in choice,
And send the flower of war by public voice;
That after or before were never known
Such chiefs, as each an army seemed alone:
Beside the champions, all of high degree,
Who knighthood loved, and deeds of chivalry,
Thronged to the lists, and envied to behold
The names of others, not their own, enrolled.
Nor seems it strange; for every noble knight
Who loves the fair, and is endued with might,
In such a quarrel would be proud to fight.
There breathes not scarce a man on British ground
(An isle for love and arms of old renowned)
But would have sold his life to purchase fame,
To Palamon or Arcite sent his name;
And had the land selected of the best,
Half had come hence, and let the world provide the rest.
A hundred knights with Palamon there came,
Approved in fight, and men of mighty name;
Their arms were several, as their nations were,
But furnished all alike with sword and spear.

Some wore coat armour, imitating scale,
And next their skins were stubborn shirts of mail;
Some wore a breastplate and a light juppon,
Their horses clothed with rich caparison;
Some for defence would leathern bucklers use
Of folded hides, and others shields of Pruce.
One hung a pole-axe at his saddle-bow,
And one a heavy mace to stun the foe;
One for his legs and knees provided well,
With jambeux armed, and double plates of steel;
This on his helmet wore a lady's glove,
And that a sleeve embroidered by his love.

With Palamon above the rest in place,
Lycurgus came, the surly king of Thrace;
Black was his beard, and manly was his face
The balls of his broad eyes rolled in his head,
And glared betwixt a yellow and a red;
He looked a lion with a gloomy stare,
And o'er his eyebrows hung his matted hair;
Big-boned and large of limbs, with sinews strong,
Broad-shouldered, and his arms were round and long.
Four milk-white bulls (the Thracian use of old)
Were yoked to draw his car of burnished gold.

[...] Read more

poem by John Dryden
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Dont Lose My Number

They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
Im never coming back
They heard him cry
And I believe him
Well he never meant to do anything wrong
Its gonna get worse if he waits too long
Billy, billy dont you lose my number
Cos youre not anywhere
That I can find you
Oh now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh no
Searching through the day and into the night
They wouldnt stop till they found him
They didnt know him and they didnt understand
They never asked him why
Get out of my way
They heard him shout
Then a blinding light
Ooh all I could see was him running down the street
Out of the shadows and into the night
Now billy, billy dont you lose my number
Cos youre not anywhere
That I can find you, oh
Now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh
Dont give up
Keep running, keep hiding
Dont give up
Billy, if you know youre right
Dont give up
You know that I am on your side
Dont give up
Oh billy, you better, you better, you better run for your life
Now billy, billy dont you lose my number
Cos youre not anywhere
That I can find you, oh
Now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh
They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
Im never coming back
They heard him cry
And I believe him
He never meant to do anything wrong
Its gonna get worse if he waits too long

[...] Read more

song performed by Phil Collins
Added by Lucian Velea
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Dont Lose My Number

They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
Im never coming back
They heard him cry
And I believe him
Well he never meant to do anything wrong
Its gonna get worse if he waits too long
Billy, billy dont you lose my number
Cos youre not anywhere
That I can find you
Oh now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh no
Searching through the day and into the night
They wouldnt stop till they found him
They didnt know him and they didnt understand
They never asked him why
Get out of my way
They heard him shout
Then a blinding light
Ooh all I could see was him running down the street
Out of the shadows and into the night
Now billy, billy dont you lose my number
Cos youre not anywhere
That I can find you, oh
Now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh
Dont give up
Keep running, keep hiding
Dont give up
Billy, if you know youre right
Dont give up
You know that I am on your side
Dont give up
Oh billy, you better, you better, you better run for your life
Now billy, billy dont you lose my number
Cos youre not anywhere
That I can find you, oh
Now billy, billy dont you lose my number
Cos youre not anywhere that I can find you, oh
They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
Im never coming back
They heard him cry
And I believe him
He never meant to do anything wrong
Its gonna get worse if he waits too long

[...] Read more

song performed by Phil Collins
Added by Lucian Velea
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Don't Loose My Number

They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
"I'm never coming back"
They heard him cry
And I believe him
Well he never meant to do anything wrong
It's gonna get worse if he waits too long
Billy, Billy don't you lose my number
Cos you're not anywhere
That I can find you
Oh now Billy, Billy don't you lose my number
Cos you're not anywhere that I can find you, oh no
Searching through the day and into the night
They wouldn't stop till they found him
They didn't know him and they didn't understand
They never asked him why
"Get out of my way"
They heard him shout
Then a blinding light
Ooh all I could see was him running down the street
Out of the shadows and into the night
Now Billy, Billy don't you lose my number
Cos you're not anywhere
That I can find you, oh
Now Billy, Billy don't you lose my number
Cos you're not anywhere that I can find you, oh
Don't give up
Keep running, keep hiding
Don't give up
Billy, if you know you're right
Don't give up
You know that I am on your side
Don't give up
Oh Billy, you better, you better, you better run for your life
Now Billy, Billy don't you lose my number
Cos you're not anywhere
That I can find you, oh
Now Billy, Billy don't you lose my number
Cos you're not anywhere that I can find you, oh
They came at night leaving fear behind
Shadows were on the ground
Nobody knew where to find him
No evidence was found
"I'm never coming back"
They heard him cry
And I believe him
He never meant to do anything wrong
It's gonna get worse if he waits too long

[...] Read more

song performed by Phil Collins
Added by Lucian Velea
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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.

Sir Peter

So-
What are their names?

John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-

Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?

John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?

Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.

John Curzon

going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

[...] Read more

poem by William Morris
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Where's My Billy Goat Gone To?

'Twas a birthday gift Miss Posie had
When she was nine, and twenty:
Not of gold -- Oh, no! -- nor gem, nor pearl,
Tho' he who gave had plenty.
'Twas a gift she took so much to heart,
Her neighbors thought her silly;
'Twas a B-A-B-Y (Baby) Goat,
A snow-white Baby Billy!
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?

Take my home! Take my farm!
Yes, me too (if you want to);
But tell me! tell me!
Where's my Billy Goat gone to?
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?

When she tried to teach him how to read,
Twas only "baa" he'd utter;
As she coaxed him then with cake and cream,
He'd slyly turn to butt her.
Yet he taught himself a thousand tricks,
And many a curious caper;
He would clamber to her chimney top,
And dine there on brown paper.

When the winter came she bought him shoes,
And flannel red she ordered
For a Sunday suit, with trousers cut
Four-legged and embroidered
On the steeple soon in tatters hung,
They set the parson snarling;
And he called that goat Be-el-ze-bub --
The one that she called Darling.
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?

He was fond of roaming on the rocks,
With workmen in the quarry;
And if there he found their luncheon pails,
Not he but they were sorry.
For he raised aloft his iron brow,
Despite the foreman's clamor;
And the pails, he crushed them one by one,
As with a blacksmith's hammer.
Pretty little Billy, Billy -- Oh!
Where's my Billy Goat gone to?

Then for pails replaced and pails concealed

[...] Read more

poem by Henry Clay Work
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Little Billy

Little billy was the fattest kid in his class
Little billy was the fattest kid in his class
Always the last in line
Always the last in line
All the other little kids would laugh at him
All the other little kids would laugh at him
Said hed die before his time
Said hed die before his time
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Little billy didnt mind
Little billy didnt mind
Most of the kids smoked cigarettes
Most of the kids smoked cigarettes
Just to prove that they were cool
Just to prove that they were cool
The teacher didnt know about the childrens games
The teacher didnt know about the childrens games
And billy always followed the rules
And billy always followed the rules
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Little billy didnt mind
Little billy didnt mind
Billy was big on the outside
Billy was big on the outside
But theres an even bigger man inside
But theres an even bigger man inside
Ten million cigarettes burning every day
Ten million cigarettes burning every day
And billys still doing fine
And billys still doing fine
Now billy and his classmates are middle-aged
Now billy and his classmates are middle-aged
With children of their own
With children of their own
Their smoking games are reality now
Their smoking games are reality now
And cancers seed is sown
And cancers seed is sown
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Ha ha ha ha
Little billys didnt mind
Little billys didnt mind

[...] Read more

song performed by Who
Added by Lucian Velea
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Buckingham Palace

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
Alice is marrying one of the guard.
"A soldier's life is terrible hard,"
Says Alice.

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
We saw a guard in a sentry-box.
"One of the sergeants looks after their socks,"
Says Alice.

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
We looked for the King, but he never came.
"Well, God take care of him, all the same,"
Says Alice.

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
They've great big parties inside the grounds.
"I wouldn't be King for a hundred pounds,"
Says Alice.

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
A face looked out, but it wasn't the King's.
"He's much too busy a-signing things,"
Says Alice.

They're changing guard at Buckingham Palace -
Christopher Robin went down with Alice.
"Do you think the King knows all about me?"
"Sure to, dear, but it's time for tea,"
Says Alice.

poem by Alan Alexander Milne
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The Grocery

'Hullo, Alice!'
'Hullo, Leon!'
'Say, Alice, gi' me a couple
O' them two for five cigars,
Will yer?'
'Where's your nickel?'
'My! Ain't you close!
Can't trust a feller, can yer.'
'Trust you! Why
What you owe this store
Would set you up in business.
I can't think why Father 'lows it.'
'Yer Father's a sight more neighbourly
Than you be. That's a fact.
Besides, he knows I got a vote.'
'A vote! Oh, yes, you got a vote!
A lot o' good the Senate'll be to Father
When all his bank account
Has run away in credits.
There's your cigars,
If you can relish smokin'
With all you owe us standin'.'
'I dunno as that makes 'em taste any diff'rent.
You ain't fair to me, Alice, 'deed you ain't.
I work when anythin's doin'.
I'll get a carpenterin' job next Summer sure.
Cleve was tellin' me to-day he'd take me on come Spring.'
'Come Spring, and this December!
I've no patience with you, Leon,
Shilly-shallyin' the way you do.
Here, lift over them crates o' oranges
I wanter fix 'em in the winder.'
'It riles yer, don't it, me not havin' work.
You pepper up about it somethin' good.
You pick an' pick, and that don't help a mite.
Say, Alice, do come in out o' that winder.
Th' oranges c'n wait,
An' I don't like talkin' to yer back.'
'Don't you! Well, you'd better make the best o' what
you can git.
Maybe you won't have my back to talk to soon.
They look good in pyramids with the 'lectric light on 'em,
Don't they?
Now hand me them bananas
An' I'll string 'em right acrost.'
'What do yer mean
'Bout me not havin' you to talk to?
Are yer springin' somethin' on me?'
'I don't know 'bout springin'
When I'm tellin' you right out.

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poem by Amy Lowell
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Thurso’s Landing

I
The coast-road was being straightened and repaired again,
A group of men labored at the steep curve
Where it falls from the north to Mill Creek. They scattered and hid
Behind cut banks, except one blond young man
Who stooped over the rock and strolled away smiling
As if he shared a secret joke with the dynamite;
It waited until he had passed back of a boulder,
Then split its rock cage; a yellowish torrent
Of fragments rose up the air and the echoes bumped
From mountain to mountain. The men returned slowly
And took up their dropped tools, while a banner of dust
Waved over the gorge on the northwest wind, very high
Above the heads of the forest.
Some distance west of the road,
On the promontory above the triangle
Of glittering ocean that fills the gorge-mouth,
A woman and a lame man from the farm below
Had been watching, and turned to go down the hill. The young
woman looked back,
Widening her violet eyes under the shade of her hand. 'I think
they'll blast again in a minute.'
And the man: 'I wish they'd let the poor old road be. I don't
like improvements.' 'Why not?' 'They bring in the world;
We're well without it.' His lameness gave him some look of age
but he was young too; tall and thin-faced,
With a high wavering nose. 'Isn't he amusing,' she said, 'that
boy Rick Armstrong, the dynamite man,
How slowly he walks away after he lights the fuse. He loves to
show off. Reave likes him, too,'
She added; and they clambered down the path in the rock-face,
little dark specks
Between the great headland rock and the bright blue sea.

II
The road-workers had made their camp
North of this headland, where the sea-cliff was broken down and
sloped to a cove. The violet-eyed woman's husband,
Reave Thurso, rode down the slope to the camp in the gorgeous
autumn sundown, his hired man Johnny Luna
Riding behind him. The road-men had just quit work and four
or five were bathing in the purple surf-edge,
The others talked by the tents; blue smoke fragrant with food
and oak-wood drifted from the cabin stove-pipe
And slowly went fainting up the vast hill.
Thurso drew rein by
a group of men at a tent door
And frowned at them without speaking, square-shouldered and
heavy-jawed, too heavy with strength for so young a man,
He chose one of the men with his eyes. 'You're Danny Woodruff,

[...] Read more

poem by Robinson Jeffers
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