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San Andreas [trailer 2]

Cast: Alexandra Daddario, Carla Gugino, Dwayne Johnson, Colton Haynes, Ioan Gruffudd, Archie Panjabi, Paul Giamatti, Kylie Minogue

trailer for San Andreas, directed by Brad Peyton (2015)
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San Andreas

Cast: Alexandra Daddario, Carla Gugino, Dwayne Johnson, Colton Haynes, Ioan Gruffudd, Archie Panjabi, Paul Giamatti, Kylie Minogue

trailer for San Andreas, directed by Brad Peyton (2015)
Added by Veronica Serbanoiu
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San Andreas [trailer 3]

Cast: Alexandra Daddario, Carla Gugino, Dwayne Johnson, Colton Haynes, Ioan Gruffudd, Archie Panjabi, Paul Giamatti, Kylie Minogue

trailer for San Andreas, directed by Brad Peyton (2015)
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Handles Bermuda

bean bag spokane
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beijo bags

[...] Read more

poem by Rwetewrt Erwtwer
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How the Boy Stole Christmas

Based on 'How the Grinch Stole Christmas', by Dr. Seuss.
Done for a school project=)

Once, upon a falling snowflake,
In a land far, far away,
There lived all the Whats,
Preparing for Christmas day.

There was one What that stuck out,
The richest What of them all,
He had light brown hair, and big brown eyes
His given name was Paul.

Paul was a greedy boy,
His best friend was Ebenezer Scrooge
And anytime Paul lied,
His little nose turned huge!

Paul was the only What in Whattown,
That really hated this time of the year,
He ruined all the children’s fun,
His pranks were in full gear.

Paul thought Christmas was just trouble,
He only thought of himself,
He thought that Santa Claus was stupid,
And hurt the feelings of every single elf.

He hated everybody that liked Christmas,
There was only one exception of his,
A beautiful What named Rachel,
Whom he never wanted to diss.

Now every story has a problem,
And this one’s is pretty big,
Paul crushed on the Christmas-lover Rachel,
But Rachel thought Paul was a pig.

You see, Rachel was an EXTREME Christmas fanatic,
Loving every aspect of it,
She volunteered everywhere that she could,
And her money? Donated every bit.

She helped out at school and Church,
Sang carols at the old folks’ home,
Baked cookies with younger children,
Made ornaments out of foam.

Rachel hated anybody that hated Christmas,
She was like a packaged deal,

[...] Read more

poem by Selina Marie
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Luggage Canada

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[...] Read more

poem by Rwetewrt Erwtwer
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The Shadow

Paul Jannes was working very late,
For this watch must be done by eight
To-morrow or the Cardinal
Would certainly be vexed. Of all
His customers the old prelate
Was the most important, for his state
Descended to his watches and rings,
And he gave his mistresses many things
To make them forget his age and smile
When he paid visits, and they could while
The time away with a diamond locket
Exceedingly well. So they picked his pocket,
And he paid in jewels for his slobbering kisses.
This watch was made to buy him blisses
From an Austrian countess on her way
Home, and she meant to start next day.

Paul worked by the pointed, tulip-flame
Of a tallow candle, and became
So absorbed, that his old clock made him wince
Striking the hour a moment since.
Its echo, only half apprehended,
Lingered about the room. He ended
Screwing the little rubies in,
Setting the wheels to lock and spin,
Curling the infinitesimal springs,
Fixing the filigree hands. Chippings
Of precious stones lay strewn about.
The table before him was a rout
Of splashes and sparks of coloured light.
There was yellow gold in sheets, and quite
A heap of emeralds, and steel.
Here was a gem, there was a wheel.
And glasses lay like limpid lakes
Shining and still, and there were flakes
Of silver, and shavings of pearl,
And little wires all awhirl
With the light of the candle. He took the watch
And wound its hands about to match
The time, then glanced up to take the hour
From the hanging clock.
Good, Merciful Power!
How came that shadow on the wall,
No woman was in the room! His tall
Chiffonier stood gaunt behind
His chair. His old cloak, rabbit-lined,
Hung from a peg. The door was closed.
Just for a moment he must have dozed.
He looked again, and saw it plain.

[...] Read more

poem by Amy Lowell
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Alexandra Leaving

Suddenly the night has grown colder.
The God of love preparing to depart.
Alexandra hoisted on his shoulder,
They slip between the sentries of the heart.
Upheld by the simplicities of pleasure,
They gain the light, they formlessly entwine;
And radiant beyond your widest measure
They fall among the voices and the wine.
Its not a trick, your senses all deceiving,
A fitful dream, the morning will exhaust c
Say goodbye to alexandra leaving.
Then say goodbye to alexandra lost.
Even though she sleeps upon your satin;
Even though she wakes you with a kiss.
Do not say the moment was imagined;
Do not stoop to strategies like this.
As someone long prepared for this to happen,
Go firmly to the window. drink it in.
Exquisite music. alexandra laughing.
Your firm commitments tangible again.
And you who had the honor of her evening,
And by the honor had your own restored c
Say goodbye to alexandra leaving;
Alexandra leaving with her lord.
Even though she sleeps upon your satin;
Even though she wakes you with a kiss.
Do not say the moment was imagined;
Do not stoop to strategies like this.
As someone long prepared for the occasion;
In full command of every plan you wrecked c
Do not choose a cowards explanation
That hides behind the cause and the effect.
And you who were bewildered by a meaning;
Whose code was broken, crucifix uncrossed c
Say goodbye to alexandra leaving.
Then say goodbye to alexandra lost.
Say goodbye to alexandra leaving.
Then say goodbye to alexandra lost.

song performed by Leonard Cohen
Added by Lucian Velea
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Canto the Eighth

I
Oh blood and thunder! and oh blood and wounds!
These are but vulgar oaths, as you may deem,
Too gentle reader! and most shocking sounds:
And so they are; yet thus is Glory's dream
Unriddled, and as my true Muse expounds
At present such things, since they are her theme,
So be they her inspirers! Call them Mars,
Bellona, what you will -- they mean but wars.

II
All was prepared -- the fire, the sword, the men
To wield them in their terrible array.
The army, like a lion from his den,
March'd forth with nerve and sinews bent to slay, --
A human Hydra, issuing from its fen
To breathe destruction on its winding way,
Whose heads were heroes, which cut off in vain
Immediately in others grew again.

III
History can only take things in the gross;
But could we know them in detail, perchance
In balancing the profit and the loss,
War's merit it by no means might enhance,
To waste so much gold for a little dross,
As hath been done, mere conquest to advance.
The drying up a single tear has more
Of honest fame, than shedding seas of gore.

IV
And why? -- because it brings self-approbation;
Whereas the other, after all its glare,
Shouts, bridges, arches, pensions from a nation,
Which (it may be) has not much left to spare,
A higher title, or a loftier station,
Though they may make Corruption gape or stare,
Yet, in the end, except in Freedom's battles,
Are nothing but a child of Murder's rattles.

V
And such they are -- and such they will be found:
Not so Leonidas and Washington,
Whose every battle-field is holy ground,
Which breathes of nations saved, not worlds undone.
How sweetly on the ear such echoes sound!
While the mere victor's may appal or stun
The servile and the vain, such names will be
A watchword till the future shall be free.

[...] Read more

poem by Byron from Don Juan (1824)
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Dorothy Moore

A bachelor gray, was Valentine Brown;
He lived in a mansion just out of the town,
A mansion spacious and grand;
He was wealthy as Vanderbilt, Astor or Tome,
Had money invested abroad and at home,
And thousands of acres of land.

A friend of his boyhood was Archibald Gray;
And to prove what queer antics Dame Fortune will play
When she sets about trying to plan,
She heaped all her favors on Valentine, bold,
And always left Archibald out of her fold,
The harmless, and weak-minded man.

So, while Valentine reigned like a king on his throne,
Poor Archibald ne'er had a home of his own,
Yet never was known to complain;
Year in and year out, he wandered around,
In mansion and farmhouse a welcome he found
As long as he chose to remain.

The lilacs and snowballs which guarded the door
Of the ivy-decked cottage of good Parson Moore,
Were waking from out their long sleep;
For the last month of winter was hastening by,
The last hours of Valentine's day had drawn nigh,
When Archibald's travel-worn feet

Were heard on the door-step; he entered and smiled,
Then sat down and slept like a play-weary child,
Woke, and told them how long he would stay;
Then slumbered again, while sweet Dorothy Moore,
The motherless daughter, who loved all God's poor,
Made him welcome around the tea-tray.

And archly she said as she gave him his tea,
'Where's the valentine Archy, you promised to me?
All maidens expect one to-day;'
Then forgot it; nor noticed when supper was done,
And her father had gone to his study alone,
That Archie had stolen away.

But, drawing the curtains on darkness and night!
She sat down to spin by the cheery fire-light,
While before it, so cozy and warm,
Slept the kitten,-a snowy white ball of content-
And her wheel, with its humming activity, lent
To the hour, a picturesque charm.

No scene more enchanting could artist dream know,

[...] Read more

poem by Mary Eliza Ireland
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Gimme The Light Remix,

[Intro]
[Busta Rhymes:] Ay yo Sean Paul!!!
[Sean Paul:] Yo yo
[Busta Rhymes:] A Busta Rhymes this yuh know
[Sean Paul:] Wah gwaan
[Busta Rhymes]
Pass me the blow torch let me light up this big head nigga
[Sean Paul:] No doubt
[Busta Rhymes:] Bring dat come rudebwoy
[Sean Paul:] A Dutty Yeah!!!
[Busta Rhymes:] Flipmode check it!!!
[Chorus (Busta Rhymes):]
Just gimme the light and pass the dro! Buss anotha bokkle a moe
(Huh huh huh huh huh come on)
Gal dem inna mi sight and I got to know (Yeah, yeah)
Which one is gonna catch my flow (Busta Bus now)
Cause I'm inna di vibe and I got my dough! (Yeah, Sean Paul now)
Buss anotha bokkle a moe
(Remix, remix, remix) Gal dem lookin hype and I got to know!!!
[Verse 1: Busta Rhymes]
Yeah yeah check it, clap oonu hand oonu fi clap oonu hand
Busta Bus inna di place oonu fi clap oonu hand
Seh mi and Sean Paul link up come fi create a plan
To go a dancehall buss it up and mek couple grand
Run the streets you never move without the rest of the clan
With a nine in the door panel in the side of the van
Despite the hate that be always comin for you and your man
It's Flipmode and Sean Paul nigga, understand
[Sean Paul]
Tell dem nuh ready fi di level weh di Dutty deh pon
Turn up di bass and di treble music a di weopen
Gal a whine up dem waist like a phenomenom
All over di world oonu fi sing this a song yo
[Chorus]
Just gimme the light and pass the dro! Buss anotha bottle a moe
Gal dem inna mi sight and I got to know (Yo, yo, yo yo yo)
Which one is gonna catch my flow
Cause mi inna di vibe and I got my dough! (Flipmode baby!!!)
Buss anotha bottle a moe (Come on, Sean Paul baby!!!)
Gal dem lookin hype and I got to know!!!
(Come on, yeah, yeah, Busta Bus now!!!)
[Verse 2: Busta Rhymes]
We be blazin cellular phones in wire or cingular
And still gotta connect to smoke a piece of the rizla
See if you could in a philly or a chalice I'm givin you
The chance to smoke up until a ugly chick look like Vivica Fox
Clap oonu hand oonu fi clap oonu hand
Busta Bus inna di place oonu fi clap oonu hand
Seh mi and Sean Paul link up come fi create a plan
To go a dancehall buss it up and mek couple grand

[...] Read more

song performed by Sean Paul
Added by Lucian Velea
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Johnson’s Antidote

Down along the Snakebite River, where the overlanders camp,
Where the serpents are in millions, all of the most deadly stamp;
Where the station-cook in terror, nearly every time he bakes,
Mixes up among the doughboys half-a-dozen poison-snakes:
Where the wily free-selector walks in armour-plated pants,
And defies the stings of scorpions, and the bites of bull-dog ants:
Where the adder and the viper tear each other by the throat,—
There it was that William Johnson sought his snake-bite antidote.
Johnson was a free-selector, and his brain went rather queer,
For the constant sight of serpents filled him with a deadly fear;
So he tramped his free-selection, morning, afternoon, and night,
Seeking for some great specific that would cure the serpent’s bite.
Till King Billy, of the Mooki, chieftain of the flour-bag head,
Told him, “Spos’n snake bite pfeller, pfeller mostly drop down dead;
Spos’n snake bite old goanna, then you watch a while you see,
Old goanna cure himself with eating little pfeller tree.”
“That’s the cure,” said William Johnson, “point me out this plant sublime,”
But King Billy, feeling lazy, said he’d go another time.
Thus it came to pass that Johnson, having got the tale by rote,
Followed every stray goanna, seeking for the antidote.

. . . . .
Loafing once beside the river, while he thought his heart would break,
There he saw a big goanna fighting with a tiger-snake,
In and out they rolled and wriggled, bit each other, heart and soul,
Till the valiant old goanna swallowed his opponent whole.
Breathless, Johnson sat and watched him, saw him struggle up the bank,
Saw him nibbling at the branches of some bushes, green and rank;
Saw him, happy and contented, lick his lips, as off he crept,
While the bulging in his stomach showed where his opponent slept.
Then a cheer of exultation burst aloud from Johnson’s throat;
“Luck at last,” said he, “I’ve struck it! ’tis the famous antidote.

“Here it is, the Grand Elixir, greatest blessing ever known,—
Twenty thousand men in India die each year of snakes alone.
Think of all the foreign nations, negro, chow, and blackamoor,
Saved from sudden expiration, by my wondrous snakebite cure.
It will bring me fame and fortune! In the happy days to be,
Men of every clime and nation will be round to gaze on me—
Scientific men in thousands, men of mark and men of note,
Rushing down the Mooki River, after Johnson’s antidote.
It will cure delirium tremens, when the patient’s eyeballs stare
At imaginary spiders, snakes which really are not there.
When he thinks he sees them wriggle, when he thinks he sees them bloat,
It will cure him just to think of Johnson’s Snakebite Antidote.”

Then he rushed to the museum, found a scientific man—
“Trot me out a deadly serpent, just the deadliest you can;
I intend to let him bite me, all the risk I will endure,

[...] Read more

poem by Andrew Barton Paterson
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Make It Clap

[Intro: Sean Paul (Busta Rhymes)]
We make it clap, we make it clap (Huh!)
Yeah yeah yeah (Flipmode!!!) Busta Rhymes (Busta Rhymes!!!)
Sean-A-Paul (Sean Paul!!!)
One more time (Ha!!!) kill 'em with a rhyme (Huh!!!)
Remix time (remix!!!) a dutty yeah, yo, Spliff Star (Spliff!!!)
Flipmode Squad (Ha!!!) we kill 'em with a rhyme, a dutty yeah
[Verse 1: Busta Rhymes]
Cau mi seh jump up clap oonu hand and siddung get up
And mi nah wig out mek everybody flip out oonu fi carry on
To get tired I waan chillout, all a di gal a sweat out
Mek your body keep clappin on
[Sean Paul]
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands, so push it up deh
[Busta Rhymes]
Back with the remix with Spliff and Sean-A-Paul on the corner
Can't believe when we do it we smack it down how we wanna
Keepin it comin keepin it goin cause we ain't playin
I'm talkin to all my people cause what I'm sayin is
[Chorus: Busta Rhymes]
In case you ain't know and in case you ain't heard
And if you want us to set it just give me the word
This one goes out to my soldiers that be flippin them birds
To all my shorties wigglin they shakin they curves
[Sean Paul]
We make it clap, we make it clap, we make it clap, we make it clap
[Verse 2: Spliff Star]
Poor snapper, lookin at shorty shakin it and makin it clap
Booty big pokin out like twenties on the lap
When I give it to her shorty know how to throw it back
Booty bangin to the beat sometimes we overlap-sing
Gal peel out your blouse and your tight-jeans
Let me lick you down dip you with some ice-cream
Gal holla holla my name when I slide-in
Thunderstorm, rain, sleet and light-ning
Hold me tight feel the triniman grin-ding and grin-ding and grin-ding
Gal dip and bounce start whin-ning
You see Spliff, Sean Paul and Busta Rhymes, seen
([Busta Rhymes:] We got dough) You could tell by what we dri-ving
([Busta Rhymes:] Lookin to chose) How it's different and blin-ding
And blin-ding and blin-ding it's like that make it clap now
[Chorus]
[Sean Paul]

[...] Read more

song performed by Busta Rhymes
Added by Lucian Velea
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Make It Clap (remix)

[Sean Paul]
We make it clap, we make it clap (Huh!)
Yeah yeah yeah (Flipmode!!!) Busta Rhymes (Busta Rhymes!)
Sean-A-Paul (Sean Paul!)
One more time (Ha!) kill 'em with a rhyme (Huh!)
Remix time (remix!) a Dutty yeah, yo, Spliff Star (Spliff!)
Flipmode Squad (Ha!) we kill 'em with a rhyme, a dutty yeah
[Busta Rhymes]
Cau mi seh jump up clap oonu hand and siddung get up
And mi nah wig out mek everybody flip out oonu fi carry on
To get tired I waan chillout, all a di gal a sweat out
Mek your body keep clappin on
[Sean Paul]
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands
Flipmode a roll wid all di hottest set a gal dem inna di dance
And Dutty Cup we deyah mek di gal dem jump up and prance
Busta Rhymes and Sean-A-Paul di lyrical magician
There fi mek dem switch and jump up wave up dem hands, so push it up deh
[Busta Rhymes]
Back with the remix with Spliff and Sean-A-Paul on the corner
Can't believe when we do it we smack it down how we wanna
Keepin it comin keepin it goin cause we ain't playin
I'm talkin to all my people cause what I'm sayin is
[Busta Rhymes]
In case you ain't know and in case you ain't heard
And if you want us to set it just give me the word
This one goes out to my soldiers that be flippin them birds
To all my shorties wigglin they shakin they curves
[Sean Paul]
We make it clap,
We make it clap,
We make it clap,
We make it clap
[Spliff Star]
Poor snapper, lookin at shorty shakin it and makin it clap
Booty big pokin out like twenties on the lap
When I give it to her shorty know how to throw it back
Booty bangin to the beat sometimes we overlap-sing
Gal peel out your blouse and your tight-jeans
Let me lick you down dip you with some ice-cream
Gal holla holla my name when I slide-in
Thunderstorm, rain, sleet and light-ning
Hold me tight feel the triniman grin-ding and grin-ding and grin-ding
Gal dip and bounce start whin-ning
You see Spliff, Sean Paul and Busta Rhymes, seen
(We got dough) You could tell by what we dri-ving
(Lookin to chose) How it's different and blin-ding

[...] Read more

song performed by Sean Paul
Added by Lucian Velea
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Johnson, alias Crow

Where the seasons are divided and the bush begins to change,
and the links are rather broken in the Great Dividing Range;
where the atmosphere is hazy underneath the summer sky,
lies the little town of Eton, rather westward of Mackay.
Near the township, in the graveyard, where the dead of Eton go,
lies the body of a sinner known as “Johnson alias Crow”.
He was sixty-four was Johnson, and in other days, lang syne,
was apprenticed to a ship-wright in the land across the Rhine;
but, whatever were his prospects in the days of long ago,
things went very bad with Johnson—Heinrich Johnson (alias Crow).
He, at Eton—where he drifted in his age, a stranded wreck—
got three pounds by false pretences, in connection with a cheque.
But he didn’t long enjoy it, the police soon got to know;
and the lockup closed on Johnson, lonely Johnson alias Crow.
Friday night, and Crow retired, feeling, as he said, unwell;
and the warder heard the falling of a body in the cell.
Going in, the warder saw him bent with pain and crouching low—
Death had laid his hand on Johnson, Heinrich Johnson, alias Crow.
Then the constable bent o’er him—asked him where he felt the pain. Johnson only said, “I’m dying”—and he never spoke again.
They had waited for a witness, and the local people say
Johnson’s trial would have ended on that very Saturday;
but he took his case for judgment where our cases all must go,
and the higher court is trying Heinrich Johnson (alias Crow).

poem by Henry Lawson
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Dr Samuel Johnson's Dictionary Masterpiece

June 1746 deeply dissatisfied
with the dictionaries of the period
London booksellers contracted

Dr Samuel Johnson to write
'A Dictionary of the English Language'
15 April 1755 finally published.

Johnson took nine years to create
an authoritative dictionary of the English language
could finish in three years he claimed?

Preposterous Académie Française employed;
in comparison over forty learned scholars
spending needing forty years to complete;

its dictionary in the French language.
Forty Frenchmen times forty years
is not nine but 1600 years to complete.

Miracle miracle Johnson 1591 years defeats.
For what princely sum did Johnson contract
with William Strahan and printer associates;

a preeminent Dictionary in English to complete?
18 June 1746 in historic morning was signed
a project prestigious contact worth 1,500 guineas?

This sum of 1,500 guineas is
in pounds £1,575 equivalent
in 2012 to about £230,000.

A consortium of London's most
successful printers including Robert
Dodsley, Thomas Longman, would

finance a dictionary none could afford;
on such scale to undertake alone, thus was
contracted to be; a meticulous feat of legend.

Twas said 'the world contemplated
with wonder so stupendous a work achieved
by one man, while other countries

had thought such undertakings
fit only for whole academies'.'
OED took writers 70 years to complete.

[...] Read more

poem by Terence George Craddock
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A Pre Nup Is Vital

Paul's now married Nancy Shevell,
He knows she won't put him through Hell
It's great that he can now be sure,
She'll take him on a, ‘' Magical Mystery Tour ‘'

Paul has had a nasty fright,
He was having, '' A Hard Days Night ‘',
His ex behaved like a bloody whelp,
That's why he deserved some, '' Help ''.

All she wanted was'' A Taste Of Honey '',
Then she said, ‘' I Want Money '',
Poor Pauls mind was in a whirl,
He wishes he'd met ‘'Another Girl ‘'.

If he had there would be no frown,
All he asked was ‘'Don't Let Me Down ‘',
He told his Stella in a letter,
You warned me ‘' I Should Have Known Better ‘'.

Next time if there are signs of strife,
Take my advice and ‘'Run For Your Life ‘',
No need to listen to any more yammer,
Just use old ‘' Maxwells Silver Hammer ‘'.

His lawyers advised him don't say a word,
We'll soon have you as ‘' Free As A Bird '',
Don't get angry or even, ‘' Shout '',
Leave it to us ‘' We Can Work It Out ‘'.

Take a holiday perhaps to Rome,
You can celebrate now ‘' She's Leaving Home ‘',
Now you've finally given her shove,
Your money will make her a ‘' Soldier Of Love ‘'.

Some of the claims were really wild,
They should be thinking of their, '' Little Child ‘'.
She kept saying it wasn't me,
He really wished she'd ' Let It Be ‘'''.

Paul stayed silent despite the flak,
He only wished she would '' Get Back ‘',
Perhaps to Russia that's quite far,
Then she'd be'' Back In The U.S.S.R. ‘'.

Throughout it all felt like Digby,
He wishes he'd married '' Eleanor Rigby ‘',
The lurid claims kept the trouble brewing,
Paul asked her do you know, ‘' What You're Doing ‘'.

[...] Read more

poem by Bri Mar
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Strength in weakness

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

A typical Pauline sophism?
A typical Pauline syllogism?
A typical Pauline casuistry?
A typical Pauline homily.

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

Paul was disabled, you see
Was he blind? You ask
Was he lame? You ask
Was it a speech impediment?

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

Oh! He was strong in spirit
But weak in appearance
He can’t be our leader, they said
He’s an embarrassment

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

Paul said: “Yes, I am weak
But God’s strength is made perfect
In my weakness not in my strength
So up the weak and down the strong! (my words!)

Paul’s thorn in the flesh
When I am weak,
Then I am strong
Strength in weakness

We are all weak in some way
Weak in our words
Weak in our walk
Weak in our talk

[...] Read more

poem by James Hart
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International Affair

International Affair
[Intro: Sean Paul]
Well in come di ting dem a call di ol' to di new
Dun know a say Sean-A-Paul a get it fi new
Mike Ranson and Debbie Nova pon di track
Dutty haffi bring it come back
A Dutty Yeah!
[Rakim sample] - "With the record that was mixed a long time ago"
[Sean Paul]
Don't worry baby I'm a naturalist
I got ya livin in Wonderland like ya name was Alice
And ova here we don't keep malice
We just keepin it live, we get our just ago bun gallis
Dey say ya girls can't understand it
Well I an I, Sean-A-Paul and well dey a nuh fret pon it
So tell ya sistren get pon it
A mek we roll inna di right part, pass di Cris, and bump di Chris Wallace
I got di crisp bills inna mi wallet
And yuh should know when mi floss ain't nobody a cyaan come stall it
Anyting ya want nuh fear fi call it
Sean-A-Paul, Mike Ranson we a dey pon di top alla it
[Chorus: Sean Paul]
All day, all night
Ready fi get di cook up hype an
Ya see we nah stray, we roll tight
Alla mi girls get ya hands up for mi hype
All night, all day
Dutty Rockin' it from Kingston J-A
Let's ride, all night
It's alright
[Debbie Nova (Sean Paul)]
(Girl)
You can take me there (yeah, mon)
Damn right, that's if I go anyweh (Girl I'll take you there)
Ohhh, we're off to San Jose (Oonu girl)
Then we'll see you and me back down to J-A (International Affair)
Oh baby
[Sean Paul]
She a take di Bible out the city girl
An we normal back it wit we it is a crazy and a tricky world
Forget ti bring it ya hippie girl
We gonna tug it inna di club, shake ya ass mek ya titties swirl
Di way ya heart a nuh go flop me nuh ga ease up
Woman fi make mi blood pressure, start to increase up
Cold shoulder wey you a give me, mek me freeze up
What's di hold up, what's di tease up
My girl, I just want di chance to make ya body please up
Too much dog wey ya hang with, dem all a fleas up
Now ya say ya waan fi come smoke all a mi trees up
All mi gangstas and all mi G's up

[...] Read more

song performed by Sean Paul
Added by Lucian Velea
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The Golden Legend: IV. The Road To Hirschau

PRINCE HENRY _and_ ELSIE, _with their attendants, on
horseback._

_Elsie._ Onward and onward the highway runs
to the distant city, impatiently bearing
Tidings of human joy and disaster, of love and of
hate, of doing and daring!

_Prince Henry._ This life of ours is a wild aeolian
harp of many a joyous strain,
But under them all there runs a loud perpetual wail,
as of souls in pain.

_Elsie._ Faith alone can interpret life, and the heart
that aches and bleeds with the stigma
Of pain, alone bears the likeness of Christ, and can
comprehend its dark enigma.

_Prince Henry._ Man is selfish, and seeketh pleasure
with little care of what may betide;
Else why am I travelling here beside thee, a demon
that rides by an angel's side?

_Elsie._ All the hedges are white with dust, and
the great dog under the creaking wain
Hangs his head in the lazy heat, while onward the
horses toil and strain

_Prince Henry._ Now they stop at the wayside inn,
and the wagoner laughs with the landlord's daughter,
While out of the dripping trough the horses distend
their leathern sides with water.

_Elsie._ All through life there are wayside inns,
where man may refresh his soul with love;
Even the lowest may quench his thirst at rivulets fed
by springs from above.

_Prince Henry._ Yonder, where rises the cross of
stone, our journey along the highway ends,
And over the fields, by a bridle path, down into the
broad green valley descends.

_Elsie._ I am not sorry to leave behind the beaten
road with its dust and heat;
The air will be sweeter far, and the turf will be softer
under our horses' feet.

(_They turn down a green lane._)

[...] Read more

poem by Henry Wadsworth Longfellow
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Paul Bunyan

He rode through the woods on a big blue ox,
He had fists as hard as choppin' blocks,
Five hundred pounds and nine feet tall...that's Paul.

Talk about workin', when he swung his axe
You could hear it ring for a mile and a half.
Then he'd yell'Timber!' and down she'd fall...for Paul.

Talk about drinkin', that man's so mean
That he'd never drink nothin' but kerosene,
And a five-gallon can is a little bit small...for Paul.

Talk about tough, well he once had a fight
With a thunderstorm on a cold dark night.
I ain't sayin' who won,
But it don't storm at all...round here...thanks to Paul.

He was ninety years old when he said with a sigh,
'I think I'm gonna lay right down and die
'Cause sunshine and sorrow, I've seen it all...says Paul.

He says, 'There ain't no man alive can kill me,
Ain't no woman 'round can thrill me,
And I think heaven just mught be a ball'...says Paul.

So he died...can we cried.

It took eighteen men just to bust the ground,
It took twenty-four more just to lower him down.
And we covered him up and we figured that was all...for Paul.

But late one night the trees started shakin',
The dogs started howlin' and the earth started quakin',
And out of the ground with a 'Hi, y'all'...comes Paul!

He shook the dirt from off his clothes,
He scratched his butt and wiped his nose.
'Y'kknow, bein' dead wasn't no fun at all'...says Paul.

He says, 'Up in heaven they got harps on their knees,
They got clouds and wings but they got no trees.
I don't think that's much of a heaven at all'...says Paul.

So he jumps on his ox with a fare-thee-well,
He says, 'I'll find out if there's trees in hell.'
And he rode away, and that was all...we ever seen...of Paul.

But the next time you hear a 'Timber!' yell
That sounds like it's comin' from the pits of hell,
Then a weird and devilish ghostly wail

[...] Read more

poem by Sheldon Allan Silverstein
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