I open the envelope
Of childhood accordingly to the original signs the grandfather
poem by Costel Zăgan from Parallel universes
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Grandfather Squeers
'My grandfather Squeers,' said The Raggedy Man,
As he solemnly lighted his pipe and began--
'The most indestructible man, for his years,
And the grandest on earth, was my grandfather Squeers!
'He said, when he rounded his three-score-and-ten,
'I've the hang of it now and can do it again!'
'He had frozen his heels so repeatedly, he
Could tell by them just what the weather would be;
'And would laugh and declare, 'while the _Almanac_ would
Most falsely prognosticate, _he_ never could!'
'Such a hale constitution had grandfather Squeers
That, 'though he'd used '_navy_' for sixty odd years,
'He still chewed a dime's-worth six days of the week,
While the seventh he passed with a chew in each cheek:
'Then my grandfather Squeers had a singular knack
Of sitting around on the small of his back,
'With his legs like a letter Y stretched o'er the grate
Wherein 'twas his custom to ex-pec-tor-ate.
'He was fond of tobacco in _manifold_ ways,
And would sit on the door-step, of sunshiny days,
'And smoke leaf-tobacco he'd raised strictly for
The pipe he'd used all through The Mexican War.'
And The Raggedy Man said, refilling the bowl
Of his own pipe and leisurely picking a coal
From the stove with his finger and thumb, 'You can see
What a tee-nacious habit he's fastened on me!
'And my grandfather Squeers took a special delight
In pruning his corns every Saturday night
'With a horn-handled razor, whose edge he excused
By saying 'twas one that his grandfather used;
'And, though deeply etched in the haft of the same
Was the ever-euphonious Wostenholm's name,
''Twas my grandfather's custom to boast of the blade
As 'A Seth Thomas razor--the best ever made!'
[...] Read more
poem by James Whitcomb Riley
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- quotes about time
- quotes about tobacco
- quotes about Mexico
- quotes about fashion
- quotes about dollars
- quotes about abundance
- quotes about frost
- quotes about weather
- quotes about men
The greatest sin
Having supremely spell binding eyes was simply not a sin at all; but
pretending that you were gruesomely blind; unable to see a step
further even after possessing them right since innocent childhood;
was the greatest sin,
Having robust complexioned feet was simply not a sin at all; but
pretending that you couldn't walk even an inch forward; had not the
slightest of capacity to run even after possessing them right since
innocent childhood; was the greatest sin,
Having tenaciously knotted fingers projecting from the palm was
simply not a sin at all; but pretending that you had grave difficulty
in hoisting objects; didn't posses the most minuscule of power to
defend yourself even after possessing them right since innocent
childhood; was the greatest sin,
Having dangling earlobes delectably cascading from the periphery of
your rubicund cheek was simply not a sin at all; but pretending that
you couldn't bear the tiniest of sound; floundered miserably to
decipher the intricacy of voice even after possessing them right
since innocent childhood; was the greatest sin,
Having a perfectly throbbing heart palpitating in marvellous
synchrony inside your chest was simply not a sin at all; but
pretending that you just didn't have the power to love; the virtue to
embrace other humans of your kind even after possessing it right
since innocent childhood; was the greatest sin,
Having dual pairs of luscious lips was simply not a sin at all; but
pretending that you couldn't speak a single word; abysmally stuttered
to convey the most infinitesimal of message to your compatriots even
after possessing them right since innocent childhood; was the
greatest sin,
Having ravishing clusters of hair on your scalp was simply not a sin
at all; but pretending that God had kept you disdainfully bald; that
your head shivered uncontrollably in cold even after possessing them
right since innocent childhood; was the greatest sin,
Having boundless lines on your glowing palm was simply not a sin at
all; but pretending that your entire life was ruined; your progress
had come to an abrupt standstill even after possessing them right
since innocent childhood; was the greatest sin,
Having pompously bulging muscle in your arms was simply not a sin at
all; but pretending that you were as feeble as a mosquito; couldn't
lift your very own body even after having them right since innocent
childhood; was the greatest sin,
Having thousands of voluptuously tantalizing eyelashes extruding from
[...] Read more
poem by Nikhil Parekh
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Grandfather Bridgeman
I
'Heigh, boys!' cried Grandfather Bridgeman, 'it's time before dinner to-day.'
He lifted the crumpled letter, and thumped a surprising 'Hurrah!'
Up jumped all the echoing young ones, but John, with the starch in his throat,
Said, 'Father, before we make noises, let's see the contents of the note.'
The old man glared at him harshly, and twinkling made answer: 'Too bad!
John Bridgeman, I'm always the whisky, and you are the water, my lad!'
II
But soon it was known thro' the house, and the house ran over for joy,
That news, good news, great marvels, had come from the soldier boy;
Young Tom, the luckless scapegrace, offshoot of Methodist John;
His grandfather's evening tale, whom the old man hailed as his son.
And the old man's shout of pride was a shout of his victory, too;
For he called his affection a method: the neighbours' opinions he knew.
III
Meantime, from the morning table removing the stout breakfast cheer,
The drink of the three generations, the milk, the tea, and the beer
(Alone in its generous reading of pints stood the Grandfather's jug),
The women for sight of the missive came pressing to coax and to hug.
He scattered them quick, with a buss and a smack; thereupon he began
Diversions with John's little Sarah: on Sunday, the naughty old man!
IV
Then messengers sped to the maltster, the auctioneer, miller, and all
The seven sons of the farmer who housed in the range of his call.
Likewise the married daughters, three plentiful ladies, prime cooks,
Who bowed to him while they condemned, in meek hope to stand high in his books.
'John's wife is a fool at a pudding,' they said, and the light carts up hill
Went merrily, flouting the Sabbath: for puddings well made mend a will.
V
The day was a van-bird of summer: the robin still piped, but the blue,
As a warm and dreamy palace with voices of larks ringing thro',
Looked down as if wistfully eyeing the blossoms that fell from its lap:
A day to sweeten the juices: a day to quicken the sap.
All round the shadowy orchard sloped meadows in gold, and the dear
Shy violets breathed their hearts out: the maiden breath of the year!
VI
Full time there was before dinner to bring fifteen of his blood,
To sit at the old man's table: they found that the dinner was good.
But who was she by the lilacs and pouring laburnums concealed,
[...] Read more
poem by George Meredith
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- quotes about France
- quotes about Russia
- quotes about elders
- quotes about kiss
- quotes about snow
- quotes about Sunday
- quotes about palaces
- quotes about pain
This Is No Fish Story
We had been up and down Redwood Creek
For what seemed to me to be all day
Watching my grandfather fish for salmon
We started at the mouth of the river
Hiked over sand rocks and slippery green moss
The only reason I was there was
The fried chicken and potato salad
My grandmother made the night before
Lunch seemed so far away
My grandfather was out of sight
He had worked his way upstream
When we heard him yell 'FISH ON! '
My grandmother who had been hanging back with me
Left me in the sand
I had to move fast to catch up
Moving around large pieces of driftwood
He had certainly hooked something
His rod bending if half then straightening
As he let line out
With the reel's drag on
I knew how to fish
I just didn't like to
I had no patience
I wasn't like bird hunting
If I got bored bird hunting
When I was by myself
With just my dog
I could take a shot anyway
Just for practice
To get the dog used to the noise
Because I had no patience
At the age of twelve
I had never seen so much line out before
He kept backing further up the wide beach
It looked to me as if the fish knew the way
And was headed back to the ocean
Hook in his mouth
My guess was he was no longer
In the mood for spawning
He had my grandfather on
[...] Read more
poem by Tom J. Mariani
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Accordingly
someday everyone will be wise in the future
everyone will be sensible and forward thinking
wear sensible shoes and act accordingly in the future
wise action according to everyone will be the act
of the future everyone will be futuristic someday
according to god according to everyone and their shoes
in the future everyone will be godless and free
act accordingly in the future or else
play accordions wisely in your godless future
in the future accordions will play themselves
act three in the future: there will be no accordions
everyone will get nostalgic for the accordion god
and act as if they were wise in the future
everyone will be according to god
in the future everyone will not act accordingly
wisdom is unholy in the future
to act accordingly is to stay out of trouble
in the future jails will be bigger and much better
everyone will need some punishment in the future
thinking of accordions will be a crime
lawrence welk is a revolutionary in the future
to act accordingly is to act with wisdom
everyone will act as one in the future
accordingly for everyone to act
in the future everyone will be discredited
everyone must act now to avoid the future
be wise and dont act accordingly
play accordions in the street the future cannot
wait for wisdom and forced accord
one chord might save the future
poem by Stephen Roxborough
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Thespis: Act II
DRAMATIS PERSONAE
GODS
Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury
THESPIANS
Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon
ACT II - The same Scene, with the Ruins Restored
SCENE-the same scene as in Act I with the exception that in place
of the ruins that filled the foreground of the stage, the
interior of a magnificent temple is seen showing the background
of the scene of Act I, through the columns of the portico at the
back. High throne. L.U.E. Low seats below it. All the substitute
gods and goddesses [that is to say, Thespians] are discovered
grouped in picturesque attitudes about the stage, eating and
drinking, and smoking and singing the following verses.
CHO. Of all symposia
The best by half
Upon Olympus, here await us.
We eat ambrosia.
And nectar quaff,
It cheers but don't inebriate us.
We know the fallacies,
Of human food
So please to pass Olympian rosy,
We built up palaces,
Where ruins stood,
And find them much more snug and cosy.
SILL. To work and think, my dear,
Up here would be,
[...] Read more
poem by William Schwenck Gilbert
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The Original Wrapper
I was sittin home on the west end
Watchin cable tv with a female friend
We were watchin the news, the worlds in a mess
The poor and the hungry, a world in distress
Herpes, aids, the middle east at full throttle
Better check that sausage, before you put it in the waffle
And while youre at it, check whats in the batter
Make sure that candys in the original wrapper
Hey, pitcher, better check that batter
Make sure that candys in the original wrapper
Reagan says abortions murder
While hes looking at cardinal oconnor
Look at jerry falwell louis farrakhan
Both talk religion and the brotherhood of man
They both sound like they belong in teheran
Watch out, theyre goin full throttle
Better check that sausage, before you stick it in the waffle
And while youre at it better check, whats in the batter
Make sure that candys in the original wrapper
Hey, pitcher, better check that batter
Make sure that candys in the original wrapper
White against white, black against jew
It seems like its 1942
The baby sits in front of mtv
Watching violent fantasies
While dad guzzles beer with his favorite sport
Only to find his heroes are all coked up
Classic, original, the same old story
The politics of hate in a new surrounding
Hate if its good and hate if its bad
And if this all dont make you mad
Ill keep yours and Ill keep mine
Nothing sacred and nothing divine
Father, bless me, were at full throttle
Better check that sausage, before you put it in the waffle
And while youre at it better check that batter
Make sure the candys in the original wrapper
Hey, pitcher, better check that batter
Make sure that candys in the original wrapper, hey, hey
I was born in the united states
And I grew up hard but I grew up straight
I saw a lack of morals and a lack of concern
A feeling that theres nowhere to turn
Yippies, hippies and upwardly mobile yuppies
Dont treat me like Im some dumb lackey
cause the murderer lives while the victims die
Id much rather see it an eye for an eye
A heart for a heart, a brain for a brain
And if this all makes you feel a little insane
Kick up your heels, turn the music up loud
[...] Read more
song performed by Lou Reed
Added by Lucian Velea
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Jesse James
(neil morris)
I'll tell you about jesse and frank james
My grandfather was personally acquainted with them
My grandfather lived in the southern edge of baxter county, arkansas
And they stayed all night with him lots of nights
And my grandfather told me there was a lot of those robberies that was layed to jesse and frank james
And he knew they didn't do it 'cause they was at his place when it happened
But you couldn't tell the public that
When they get their minds made up that somebody's done something
Why the public's gonna stick to it anyway
My grandfather, he knew them as boys
And they could come to his place and go without anybody paying attention 'cause nobody expected them
Down in arkansas, see, 'cause they was from missouri
Now that's the story that my grandfather told me when i was just a boy
And he said that frank james, at that world's fair,
I think it was 1901 in st. louis him and jesse were both there
My grandfather and frank james were together there
And that frank james offered to bring jesse there alive
He said that the man that the ford boys killed wasn't jesse james at all
But the fellow they killed was just about the size of jesse and he was red headed
And he wasn't any relation to the fords
See, jesse james was a known cousin to charles and bob ford
That's what my grandfather said
He said jesse and frank were not even in that part of the country when that fellow was killed
And the ford boys, why, they collected a thousand dollars for killing jesse james!
Now the song says that the ford boys killed jesse
None of us up here in the mountains believe that, no sir!
song performed by Ry Cooder
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My Last Afternoon With Uncle Devereux Winslow
1922: the stone porch of my Grandfather’s summer house
I
“I won’t go with you. I want to stay with Grandpa!”
That’s how I threw cold water
on my Mother and Father’s
watery martini pipe dreams at Sunday dinner.
... Fontainebleau, Mattapoisett, Puget Sound....
Nowhere was anywhere after a summer
at my Grandfather’s farm.
Diamond-pointed, athirst and Norman,
its alley of poplars
paraded from Grandmother’s rose garden
to a scary stand of virgin pine,
scrub, and paths forever pioneering.
One afternoon in 1922,
I sat on the stone porch, looking through
screens as black-grained as drifting coal.
Tockytock, tockytock
clumped our Alpine, Edwardian cuckoo clock,
slung with strangled, wooden game.
Our farmer was cementing a root-house under the hill.
One of my hands was cool on a pile
of black earth, the other warm
on a pile of lime. All about me
were the works of my Grandfather’s hands:
snapshots of his Liberty Bell silver mine;
his high school at Stuttgart am Neckar;
stogie-brown beams; fools’-gold nuggets;
octagonal red tiles,
sweaty with a secret dank, crummy with ant-stale;
a Rocky Mountain chaise longue,
its legs, shellacked saplings.
A pastel-pale Huckleberry Finn
fished with a broom straw in a basin
hollowed out of a millstone.
Like my Grandfather, the décor
was manly, comfortable,
overbearing, disproportioned.
What were those sunflowers? Pumpkins floating shoulder-high?
It was sunset, Sadie and Nellie
bearing pitchers of ice-tea,
oranges, lemons, mint, and peppermints,
and the jug of shandygaff,
[...] Read more
poem by Robert Lowell
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Blind Curve
(fish / marillion)
A) vocal under a bloodlight
Last night you said I was cold, untouchable
A lonely piece of action from another town
I just want to be free, Im happy to be lonely
Cant you stay away?
Just leave me alone with my thoughts
Just a runaway, just a runaway, Im saving myself
B) passing strangers
Strung out below a necklace of carnival lights
Cold moan, held on the crest of the night
Im too tired to fight
So now were passing strangers, at single tables
Still trying to get over, still trying to write love songs for passing strangers
All those passing strangers
And the twinkling lies, all those twinkling lies
Sparkle with the wet ink on the paper
C) mylo
Oh I remember toronto when mylo went down
And we sat and we cried on the phone
I never felt so alone
He was the first of our own
Some of us go down in a blaze of obscurity
Some of us go down in a haze of publicity
The price of infamy, the edge of insanity
Another holiday inn, another temporary home
And an interviewer threatened me with a microphone
talk to me, wont you tell me your stories.
So I talked about conscience and I talked about pain
And he looked out the window and it started to rain
I thought maybe Ive already gone crazy
So I reached for a bottle and he reached for the door
And I picked up the sleeping pills crushed on the floor
Inviting me to a casual obscenity
D) perimeter walk
It would be incredible if we could retrace all the times that we lived here
All the collisions
Wasted, Ive never been so wasted
Ive never been this far out before
Perimeter walk
Theres a presence here
I feel could have been ancient, I could have been mystical
Theres a presence
A childhood, my childhood
My childhood, childhood
A misplaced childhood
My childhood, a misplaced childhood
Give it back to me, give it back to me
A childhood, that childhood, that childhood, that childhood, that childhood
Oh please give it back to me
[...] Read more
song performed by Marillion
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Grandfather, Grandfather
Grandfather, Grandfather,
what do pandas say?
Grandfather, Grandfather,
as among the rocks they roll
and rather sadly play
a game that seems
to do with dreams
of places far away.
Grandfather, Grandfather,
what do pandas say?
Grand-daughter, Grand-daughter,
when the pandas play
rather sadly in the rocks
this is what they say
to one another as they seem
to remember in a dream
those places far away:
'Let us tell no one
the word that we say
softly to one another
as we roll and play.
For if they ever heard it,
the tall two-legged Understanders
who always want to know what pandas
like us love to say,
yes, if they ever heard it
they would take it away.'
poem by George Barker
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An Old Man With His Hat
There Little Robbie found him in an old yellow album
A blurred picture of a half old man with his hat
Standing in front of the coffin
He smiles shy but wide with his teeth gone making a hole like Little Robbie when he lose his baby teeth
Little Robbie doesn’t recognize him and he wonder where he is now
Maybe he is one of his grandfathers, one of his great uncles, one of his old families
So he asks to his big sister
But his sister doesn’t recognize him and she wonder who he is
Maybe he is one of his grandfathers, one of his great uncles, one of his old families
So he asks to his mother
But his mother doesn’t recognize him and she wonder how he was there
Maybe he is one of his grandfathers, one of his great uncles, one of his old families
So he asks to his father
But his father doesn’t recognize him and he wonder what he did there
Maybe he is one of his grandfathers, one of his great uncles, one of his old families
So he asks to his uncle
But his uncle doesn’t recognize him and he wonder when the picture taken
Maybe he is one of his grandfathers, one of his great uncles, one of his old families
So he asks hopelessly to his grandfather
His grandfather takes a deep look to that picture and wonders why Little Robbie asks
Little Robbie says, “I want to meet him! I want to know about him! I want to play with him! ”
Maybe he is one of his grandfathers, one of his great uncles, one of his old families
But his grandfather shakes his head, “No, he is not.”
He is not one of his grandfathers, one of his great uncles, one of his old families
He is just an old man with his hat
“He accompanied your great grandfather when he sick until his death. This picture is taken in a burial of your great grandfather.”
His grandfather stares at little Robbie
“Now, are you disappointed? ”
He is not one of his grandfathers, one of his great uncles, one of his old families
He is just an old man with his hat
Little Robbie shakes his head, “No, I am not.”
Though he is not one of his grandfathers, one of his great uncles, one of his old families
Though he is just an old man with his hat
“But I still want to meet him, I want to know about him, and I want to play with him! ”
And then he could be one of his grandfathers, one of his great uncles, one of his old families
poem by Maria Sudibyo
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Signs
Words and music by neil diamond
Signs that burn like shooting stars
That pass across the nighttime skies,
They reach out in their mystic language
For us to read between the lines.
Some are born who would defy them,
Others still who would deny them, signs.
Signs like moments hung suspended,
Echoes just beneath the heart
Speak in voices half remembered
And half forgotten play their part.
Signs that come as we lay sleeping
Left behind for our keeping, signs.
Sail along, sail along the reefs and the coves inside your soul.
Sail along, sail along in search of a star that you can hold.
And we journey far to where that star may lead to (lead to).
Signs that whisper in the dreams of sailors
And of river queens of paupers and of men with means,
It all depends on how it reads.
Some are born who never need them,
Others still who never read them, signs.
Sail along, sail along the reefs and the coves inside your soul.
Sail along, sail along in search of a star that you can hold.
And we journey far to where that star may lead to (lead to).
Signs, signs.
Some are born who never need them,
Others still who never read them, signs.
song performed by Neil Diamond
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An Alliterative Amorous Answer
Alliterative Love Letter
Adored and angelic Amelia. Accept an ardent and artless amourist’s affections, alleviate an anguished admirer’s alarms, and answer an amorous applicant’s avowed ardour. Ah, Amelia! all appears an awful aspect! Ambition, avarice and arrogance, alas are attractive allurements, and abase an ardent attachement. Appease an aching and affectionate adorer’s alarms, and anon acknowledge affianced Albert’s alliance as agreeable and acceptable.
Anxiously awaiting an affectionate and affirmative answer, accept an ardent admirer’s aching adieu. Always angelic and admirable Amelia’s admiring and affectionate amourist, Albert
Wit and Wisdom 1826
An Alliterative Answer
Artless Amelia Acme’s answer adamantly admonishing artful Albert Acne’s announced amorous ambitions, and assertive advances, actively advocates appropriate alternatives. Also, attesting abhorrent Albert’s attempted abduction, Amelia asks an adequate aureate award. Advance “ amical ” arrangements are altogether abjured.
Adieu Albert!
Abused Amelia, an adorable angel, aghast and askance, acknowledges agile apostate Albert’s apparently avuncular, albeit astonishingly audacious application, and, as alleged affiancement alliances and anticipations are absent, appends an acceptable, accurate answer.
Aggressively accosted, Amelia acts advisedly, asking an acceptably authentic apology affirming all Albert’s avowed affiancement allegations as archetypal authoritarian autocratic attempts at annulling Amelia’s autonomy. Also, Albert’s absolutely alarmingly acquisitive ambitions afford anguish, anxiety, and, afterall, acute anger. All are anathema, as Albert, an adder, assumed angelic approbation after an abject attempt at abrogating and appropriating all Amelia’s assets.
Agamous Albert’s age, adiposity, and abnormally abrasive accents also argued against amorous agglutination. Agamy appeared advisable as Amelia always aspired at attaining an absolute amour, assiduously avoiding ambiguity. Ardent admiration activated Albert’s appetite as Amelia’s allure and accomplishments attracted all-round applause.
Amelia and Albert are at an apogee. Alliance anticipations are antilogical as Amelia’s aplomb and articulateness, and Albert ’s anthropomorphic antics are as antipodes apart as Aphrodite and an anthropoid ape. Acataleptic Albert, Amelia’s antithesis, acting almost as an aggressive animal, abused Amelia’s adolescent acquaintance, Anabelle, an alluring afro actress, - actually auditionning as an aria alto, - adventuring affront abruptly abbreviated.
Albert’s apologists are accomplices aiding and abetting an attack (after anticipating advantages agreed aforehand) .... At Ashcloth Abbey altar agnostic Albert asked Assyriac Abyssinian Archdeacon Ahasuerus and Arabian acolyte Abdul abn Abdulaziz abn Abdullah Abu an aboveboard absolution although Abbott Abraham Allsaints’ anterior abjuration altered all accomodating actions.
Apprehending arrogant acquiline Albert’s arbitrary approach, Amelia appositely acted appropriately, adjusting apparel. Applause and approbation are apropos.
Albert abusively alledges aristocratic alabaster Amelia’s assent - an assumption as absurd as an ass astride an advocate assiduously assembling an ascorbic acid apparatus!
Abstemious Amelia’s abilities attract acclaim - above all admirable administrative aptitudes, artistic aims, analytical assurance, amiability and amenability. Altruistic Amelia amalgamating agreeableness and authority, always assists aliens.
Alcoholic Albert’s abominations abound, as aforementioned as all adults agree, admonishing an aggressive ambiance........Albert apes affability!
Abusive adulation appalls, accelerates aversion and attracts adverse acknowledgements alienating affirmative adhesions. Allegorical accolades, artificially addressed, accumulate absurdities. although amiable acolytes are acceptable additions. Argot argues against acceptance as avid adventurers assume affected accents -, acquiring added artificial accomplishments.
Addressing amoral Albert, and apprehending amorphous arrangements, Amelia advises acrimonious Albert’s accepting any alternative Abigail, Alice and Anabella, as affianced amourette. Auburns are also admired as are armed assegaie’d ashanti, andalousian, algonquin, anabaptist and amerindian amours:
Abigail, Ada, Adrienne, Adriana, Adelaide, Agatha, Aglaë, Alice, Aliette, await Albert,
Aline, Alison, Amy Amanda, Amandine Andrea, Angela, Angelica, Ann, anticipate Albert
Anna, Annabelle, Anne, Annette, Angelina, Annick, Annie, Andrée, Anthea, alleviate Albert
April, Ariane, Ariane, Arlette, Armande, Armelle, Ashley, Astarte, Ava, appreciate Albert
.....And Albert annoys Amelia! - aggravating!
[...] Read more
poem by Jonathan Robin
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Original Sin
Ive been looking for an original sin.
One with a twist and a bit of a spin.
Ive done all of the old ones.
Till theyve all been done in.
Now Im just looking -
Then Im gone with the wind -
Endlessly searching for an original sin.
You can dance forever.
You got a fire in your feet.
But will it ever be enough?
You know itll never be enough.
You can fly and never land.
And never need to sleep.
But will it ever be enough?
You know itll never be enough.
Not enough to make the nightmares go away.
Not enough to make the tears run dry.
Not enough to live a littel better everyday.
Everything that they taught us.
Was nothing but lies.
Everthing thing they brought us.
Was nothing but bribes.
But itll all be over now -
All I wanted was a piece of the night.
I never got an equal share.
When the stars are out of sight.
And the moon is down -
The natives are so restless tonight.
Ive been looking for an original sin.
One with a twist and a bit of a spin.
Ive done all of the old ones.
Till theyve all been done in.
Now Im just looking -
Then Im gone with the wind -
Endlessly searching for an original sin.
You can lose yourself in pleasure.
Till your bodys going numb.
But will it ever be enough?
You know itll never be enough.
You can always take whatever.
You conceivably could want.
But will it ever be enough?
You know itll never be enough.
Not enough to make the nightmares go away.
Not enough to make the tears run dry.
Not enough to live a littel better everyday.
Everything that they taught us.
Was nothing but lies.
Everthing thing they brought us.
Was nothing but bribes.
[...] Read more
song performed by Meat Loaf
Added by Lucian Velea
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IV. Tertium Quid
True, Excellency—as his Highness says,
Though she's not dead yet, she's as good as stretched
Symmetrical beside the other two;
Though he's not judged yet, he's the same as judged,
So do the facts abound and superabound:
And nothing hinders that we lift the case
Out of the shade into the shine, allow
Qualified persons to pronounce at last,
Nay, edge in an authoritative word
Between this rabble's-brabble of dolts and fools
Who make up reasonless unreasoning Rome.
"Now for the Trial!" they roar: "the Trial to test
"The truth, weigh husband and weigh wife alike
"I' the scales of law, make one scale kick the beam!"
Law's a machine from which, to please the mob,
Truth the divinity must needs descend
And clear things at the play's fifth act—aha!
Hammer into their noddles who was who
And what was what. I tell the simpletons
"Could law be competent to such a feat
"'T were done already: what begins next week
"Is end o' the Trial, last link of a chain
"Whereof the first was forged three years ago
"When law addressed herself to set wrong right,
"And proved so slow in taking the first step
"That ever some new grievance,—tort, retort,
"On one or the other side,—o'ertook i' the game,
"Retarded sentence, till this deed of death
"Is thrown in, as it were, last bale to boat
"Crammed to the edge with cargo—or passengers?
"'Trecentos inseris: ohe, jam satis est!
"'Huc appelle!'—passengers, the word must be."
Long since, the boat was loaded to my eyes.
To hear the rabble and brabble, you'd call the case
Fused and confused past human finding out.
One calls the square round, t' other the round square—
And pardonably in that first surprise
O' the blood that fell and splashed the diagram:
But now we've used our eyes to the violent hue
Can't we look through the crimson and trace lines?
It makes a man despair of history,
Eusebius and the established fact—fig's end!
Oh, give the fools their Trial, rattle away
With the leash of lawyers, two on either side—
One barks, one bites,—Masters Arcangeli
And Spreti,—that's the husband's ultimate hope
Against the Fisc and the other kind of Fisc,
Bound to do barking for the wife: bow—wow!
Why, Excellency, we and his Highness here
Would settle the matter as sufficiently
[...] Read more
poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Childhoods End (live)
Track 9 _Misplaced Childhood_
And it was morning.
And I found myself mourning,
for a childhood that I thought had disappeared.
I looked out the window,
And I saw a magpie in the rainbow, the rain had gone
I'm not alone, I turned to the mirror,
I saw you, the child, that once loved.
The child before they broke his heart,
Our heart, the heart that I believed was lost.
Hey you, surprised? More than surprised,
to find the answers to the questions,
Were always in your own eyes.
Do you realize that you give it on back to her?
But that would only be retraced in all the problems that you ever knew,
So untrue.
For she's got to carry on with her life,
and you've got to carry on with yours.
So I see it's me, I can do anything
And still the child,
'Cos the only thing misplaced was direction
And I found direction.
There is no Childhood's End.
There is no Childhood's End.
Cos' you are my childhood friend.
Cos' you are my childhood friend.
Oh lead me on.
Hey you, you've survived.
Now you've arrived,
to be reborn in the shadow of the magpie.
Now you realize, that you've got to get out of here.
You've found the leading light of destiny,
burning in the ashes of your memory.
You want to change the world.
You'd resigned yourself to die a broken rebel,
But that was looking backward.
Now you've found the light.
You, the child that once loved,
The child before they broke his heart.
The heart, the heart that I believed was lost
So it's me I see, I can do anything.
I'm still the child.
'Cos the only thing misplaced was direction, and I found direction.
There is no childhood's end.
There is no childhood's end.
There is no childhood's end.
I am your childhood friend.
Oh.. lead me on
song performed by Marillion
Added by Lucian Velea
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Childhood Is...
Childhood is hanging your pictures on the refrigerator, and tea parties you always have to cater.
Childhood is chasing butterflies and picking flowers,
playing with blocks and making towers.
Childhood is hating nap time,
and thinking everything is always MINE
Childhood is crayons and coloring books,
Playing hide and go seek in all the right nooks.
Childhood is falling asleep to your favorite lullaby,
wishing you had wings so you could soar into the sky.
Childhood is only crying over a scrapped knee,
or being stung by a bumble bee
Childhood is thinking boys have cooties,
or your mom making you wear itchy booties.
Childhood is ruining mommy's new leather,
and making friends and keeping them forever.
Childhood finally ends,
When you start to grow up,
And not having to drink out of a sippy cup
poem by Shenika Vermaak
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My Childhood Garden
my childhood garden
my childhood garden
lush and green
it was so happy it made me scream
my joy and hopes
and all my mopes
my childhood garden
my childhood garden
with the ups and downs
when i jumped i could not touch the ground
with my purle ponys
it made it homey
my childhood garden
my childhood garden
flying high
with the little lies
the grass fine
up in the sky my kite
my childhood garden
my childhood garden
now in the past
i now know that it can never last
now as i get taller
it was differnt when i was smaller
my childhood garden
poem by Danielle Eager
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No Man's Land
I'd been cleaning out the attic
And the gables in the roof,
Which were dusty, full of cobwebs
And a horror, tell the truth,
There were boxes, wooden chests
And mouldy papers overall,
'Til the ceiling couldn't take it,
It was bowed, about to fall.
So we shunted all this detritus
Until it filled the space
We had cleared on the landing
To gain access to the place,
'What on earth are we to do with it? '
My wife said in despair,
'We'll have to burn the lot, ' I said,
'Except that old box chair.'
I remembered the old box chair
From my Grandad's, Arthur Oates,
It was taken from a hallstand
Where we'd hung our hats and coats,
It was made of polished oak, and sat
So proudly, just inside,
My father must have brought it home
When my Grandfather died.
Later, when we'd finished sorting,
Burning, and so on,
I lifted up the lid to see
What treasures I had won,
My gas mask from the second war
That looked like Mickey Mouse,
Was sitting still within that box,
So many years had passed.
I tipped out scarves and ancient gloves
That still lay buried there,
My sister's broken China Doll
The type that had no hair,
And at the bottom, going brown
And brittle, somewhat dank,
My Grandad's faded diary,
With Number, Name and Rank.
I read it through that very night,
I sat there in the gloom,
And there the 'War to End all Wars'
Unfolded in my room,
It left me pensive, sitting there
[...] Read more
poem by David Lewis Paget
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