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The Gambler

Cast: Jessica Lange, Mark Wahlberg, Brie Larson, John Goodman, Michael Kenneth Williams, Sonya Walger, Erika Jordan, Anne McDaniels, Caitlin O'Connor, Richard Schiff, George Kennedy, Leland Orser, Emory Cohen

trailer for The Gambler, directed by Rupert Wyatt, screenplay by William Monahan (2014)
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Allegany Camp

amazing grace circus camp
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amelia earhart in japanese war camp

[...] Read more

poem by Rwetewrt Erwtwer
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Jessica

When you walked into the room looking like jean harlow
Oh jessie, everyone looked at you, youre a lady
Though I know that youve been around the world
Maybe two or three times in your daddys pocket
Im gonna break that rich-bitch thing with you
Oh, jessica, youre a lady
If it takes all night youre gonna be nice
Oh, jessica, I think lady
That cold, hard front could melt like ice
Jessica, jessica, jessica, jessica
Cold like a killers eyes
Stay with me jessica
Youre a lady of the world, youve been to paris and london
But jessie, it doesnt mean a thing to you when youre lonely
Though youd have to have a heart of stone
To put me on my knees
I know you aint got it
Im gonna get to you no matter what you do
Oh, jessica, youre a lady
If it takes all night youre gonna be nice
Oh, jessica, I think lady
That cold, hard front could melt like ice
Jessica, jessica,
Jessica, jessica
Cold like a killers eyes
Stay with me jessica
Jessica, youre a lady
Jessica, youre a lady
Jessica, jessica, oh
Jessica, youre a lady
Take me home in your big black car
Oh jessica, I think lady
Youre not as hard as they think you are
Jessica, jessica, jessica, jessica
Fire up your cold heart
And stay with me, jessica
Stay with me, jessica
Stay with me, jessica
Jessica, youre a lady
Jessica, youre a lady
Jessica, jessica

song performed by Rick Springfield
Added by Lucian Velea
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Give Your Heart To The Hawks

1 he apples hung until a wind at the equinox,

That heaped the beach with black weed, filled the dry grass

Under the old trees with rosy fruit.

In the morning Fayne Fraser gathered the sound ones into a

basket,

The bruised ones into a pan. One place they lay so thickly
She knelt to reach them.

Her husband's brother passing
Along the broken fence of the stubble-field,
His quick brown eyes took in one moving glance
A little gopher-snake at his feet flowing through the stubble
To gain the fence, and Fayne crouched after apples
With her mop of red hair like a glowing coal
Against the shadow in the garden. The small shapely reptile
Flowed into a thicket of dead thistle-stalks
Around a fence-post, but its tail was not hidden.
The young man drew it all out, and as the coil
Whipped over his wrist, smiled at it; he stepped carefully
Across the sag of the wire. When Fayne looked up
His hand was hidden; she looked over her shoulder
And twitched her sunburnt lips from small white teeth
To answer the spark of malice in his eyes, but turned
To the apples, intent again. Michael looked down
At her white neck, rarely touched by the sun,
But now the cinnabar-colored hair fell off from it;
And her shoulders in the light-blue shirt, and long legs like a boy's
Bare-ankled in blue-jean trousers, the country wear;
He stooped quietly and slipped the small cool snake
Up the blue-denim leg. Fayne screamed and writhed,
Clutching her thigh. 'Michael, you beast.' She stood up
And stroked her leg, with little sharp cries, the slender invader
Fell down her ankle.

Fayne snatched for it and missed;

Michael stood by rejoicing, his rather small

Finely cut features in a dance of delight;

Fayne with one sweep flung at his face

All the bruised and half-spoiled apples in the pan,

[...] Read more

poem by Robinson Jeffers
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Robin Hood and the Monk

In somer, when the shawes be sheyne,
And leves be large and long,
Hit is full mery in feyre foreste
To here the foulys song,

To se the dere draw to the dale,
And leve the hilles hee,
And shadow hem in the leves grene,
Under the grene wode tre.

Hit befel on Whitson
Erly in a May mornyng,
The son up feyre can shyne,
And the briddis mery can syng.

'This is a mery mornyng,' seid Litull John,
'Be Hym that dyed on tre;
A more mery man then I am one
Lyves not in Cristianté.

'Pluk up thi hert, my dere mayster,'
Litull John can sey,
'And thynk hit is a full fayre tyme
In a mornyng of May.'

'Ye, on thyng greves me,' seid Robyn,
'And does my hert mych woo:
That I may not no solem day
To mas nor matyns goo.

'Hit is a fourtnet and more,' seid he,
'Syn I my Savyour see;
To day wil I to Notyngham,' seid Robyn,
'With the myght of mylde Marye.'

Than spake Moche, the mylner sun,
Ever more wel hym betyde!
'Take twelve of thi wyght yemen,
Well weppynd, be thi side.
Such on wolde thi selfe slon,
That twelve dar not abyde.'

'Of all my mery men,' seid Robyn,
'Be my feith I wil non have,
But Litull John shall beyre my bow,
Til that me list to drawe.'

'Thou shall beyre thin own,' seid Litull Jon,
'Maister, and I wyl beyre myne,
And we well shete a peny,' seid Litull Jon,

[...] Read more

poem by Anonymous Olde English
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The Vision of Judgment

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.

III

The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.

IV

His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.

V

This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;

[...] Read more

poem by Byron
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Vision of Judgment, The

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.

III

The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.

IV

His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.

V

This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;

[...] Read more

poem by George Gordon Byron
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A Man

George was lying in his trailer, flat on his back, watching a small portable T.V. His
dinner dishes were undone, his breakfast dishes were undone, he needed a shave, and ash
from his rolled cigarettes dropped onto his undershirt. Some of the ash was still burning.
Sometimes the burning ash missed the undershirt and hit his skin, then he cursed, brushing
it away. There was a knock on the trailer door. He got slowly to his feet and answered the
door. It was Constance. She had a fifth of unopened whiskey in a bag.
"George, I left that son of a bitch, I couldn't stand that son of a bitch
anymore."
"Sit down."
George opened the fifth, got two glasses, filled each a third with whiskey, two thirds
with water. He sat down on the bed with Constance. She took a cigarette out of her purse
and lit it. She was drunk and her hands trembled.
"I took his damn money too. I took his damn money and split while he was at work.
You don't know how I've suffered with that son of a bitch." "
Lemme have a smoke," said George. She handed it to him and as she leaned near,
George put his arm around her, pulled her over and kissed her.
"You son of a bitch," she said, "I missed you."
"I miss those good legs of yours , Connie. I've really missed those good
legs."
"You still like 'em?"
"I get hot just looking."
"I could never make it with a college guy," said Connie. "They're too
soft, they're milk toast. And he kept his house clean. George , it was like having a maid.
He did it all. The place was spotless. You could eat beef stew right off the crapper. He
was antiseptic, that's what he was."
"Drink up, you'll feel better."
"And he couldn't make love."
"You mean he couldn't get it up?"
"Oh he got it up, he got it up all the time. But he didn't know how to make a
woman happy, you know. He didn't know what to do. All that money, all that education, he
was useless."
"I wish I had a college education."
"You don't need one. You have everything you need, George."
"I'm just a flunky. All the shit jobs."
"I said you have everything you need, George. You know how to make a woman
happy."
"Yeh?"
"Yes. And you know what else? His mother came around! His mother! Two or three
times a week. And she'd sit there looking at me, pretending to like me but all the time
she was treating me like I was a whore. Like I was a big bad whore stealing her son away
from her! Her precious Wallace! Christ! What a mess!" "He claimed he loved me.
And I'd say, 'Look at my pussy, Walter!' And he wouldn't look at my pussy. He said, 'I
don't want to look at that thing.' That thing! That's what he called it! You're not afraid
of my pussy, are you, George?"
"It's never bit me yet." "But you've bit it, you've nibbled it, haven't
you George?"
"I suppose I have."
"And you've licked it , sucked it?"
"I suppose so."
"You know damn well, George, what you've done."

[...] Read more

poem by Charles Bukowski
Added by Dan Costinaş
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Sir Peter Harpdon's End

In an English Castle in Poictou. Sir Peter Harpdon, a Gascon knight in the English service, and John Curzon, his lieutenant.

John Curzon

Of those three prisoners, that before you came
We took down at St. John's hard by the mill,
Two are good masons; we have tools enough,
And you have skill to set them working.

Sir Peter

So-
What are their names?

John Curzon

Why, Jacques Aquadent,
And Peter Plombiere, but-

Sir Peter

What colour'd hair
Has Peter now? has Jacques got bow legs?

John Curzon

Why, sir, you jest: what matters Jacques' hair,
Or Peter's legs to us?

Sir Peter

O! John, John, John!
Throw all your mason's tools down the deep well,
Hang Peter up and Jacques; they're no good,
We shall not build, man.

John Curzon

going.

Shall I call the guard
To hang them, sir? and yet, sir, for the tools,
We'd better keep them still; sir, fare you well.

[...] Read more

poem by William Morris
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Tale XX

THE BROTHERS.

Than old George Fletcher, on the British coast
Dwelt not a seaman who had more to boast:
Kind, simple and sincere--he seldom spoke,
But sometimes sang and chorus'd--'Hearts of Oak:'
In dangers steady, with his lot content,
His days in labour and in love were spent.
He left a Son so like him, that the old
With joy exclaim'd, ''Tis Fletcher we behold;'
But to his Brother, when the kinsmen came
And view'd his form, they grudged the father's

name.
George was a bold, intrepid, careless lad,
With just the failings that his father had;
Isaac was weak, attentive, slow, exact,
With just the virtues that his father lack'd.
George lived at sea: upon the land a guest -
He sought for recreation, not for rest;
While, far unlike, his brother's feebler form
Shrank from the cold, and shudder'd at the storm;
Still with the Seaman's to connect his trade,
The boy was bound where blocks and ropes were made.
George, strong and sturdy, had a tender mind,
And was to Isaac pitiful and kind;
A very father, till his art was gain'd,
And then a friend unwearied he remain'd;
He saw his brother was of spirit low,
His temper peevish, and his motions slow;
Not fit to bustle in a world, or make
Friends to his fortune for his merit's sake;
But the kind sailor could not boast the art
Of looking deeply in the human heart;
Else had he seen that this weak brother knew
What men to court--what objects to pursue;
That he to distant gain the way discern'd,
And none so crooked but his genius learn'd.
Isaac was poor, and this the brother felt;
He hired a house, and there the Landman dwelt,
Wrought at his trade, and had an easy home,
For there would George with cash and comforts come;
And when they parted, Isaac look'd around
Where other friends and helpers might be found.
He wish'd for some port-place, and one might

fall,
He wisely thought, if he should try for all;
He had a vote--and were it well applied,
Might have its worth--and he had views beside;

[...] Read more

poem by George Crabbe
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Wat Tyler - Act III

ACT III.

SCENE—SMITHFIELD.

PIERS (meeting JOHN BALL.)

You look disturb'd, my father?

JOHN BALL.

Piers, I am so.
Jack Straw has forced the Tower: seized the Archbishop,
And beheaded him.

PIERS.

The curse of insurrection!

JOHN BALL.

Aye, Piers! our nobles level down their vassals—
Keep them at endless labour like their brutes,
Degrading every faculty by servitude:
Repressing all the energy of the mind.
We must not wonder then, that like wild beasts,
When they have burst their chains, with brutal rage
They revenge them on their tyrants.

PIERS.

This Archbishop!
He was oppressive to his humble vassals:
Proud, haughty, avaricious.—

JOHN BALL.

A true high-priest!
Preaching humility with his mitre on!
Praising up alms and Christian charity
Even whilst his unforgiving hand distress'd
His honest tenants.

[...] Read more

poem by Robert Southey
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Oh Jordan River Lord Say Lay My Burdens On Thee

Oh Jordan River Lord Say Lay My Burdens On Thee

Oh Jordan River down yonder where the
Black sea sings,
Oh Jordan River, cry loud with me
Oh Jordan River the blood in my hand
Oh Jordan River, the black sea sings

Oh Jordan River, lord come for me
Oh Jordan River lord say I be free
Oh Jordan River, lord protect me
Negroes at the river wanna be free

Oh Jordan river put chains on me
Oh Jordan river take my baby from me
Oh Jordan river lord waits for me
Going to break the chains
Down yonder by the black sea

Oh Jordan river I sing to thee
Oh Jordan River the master say
Nigger’s got to serve them
But lord say I free
Oh Jordan River, I'm bound to lord savior,
walking in the black river,
Oh Jordan River saves me.
I‘sa a free mind train
I set me free
Oh Jordan River
Lord say I Free

poem by Jacqueline Amos
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This Friendly World

R.E.M., Andy, Tony---This Friendly World
ANDY: Hi, Michael.
MICHAEL: Hi, Andy. Thanks for joining us. Do you
wanna ... you wanna sing a song together?
ANDY: Sure! Is it a sweet song?
MICHAEL: Yeah, it's real sweet.
ANDY: O.K.!
[They laugh.]
MICHAEL:
In this friendly, friendly world
With each day so full of joy
Why should any heart be lonely?
ANDY: My turn!
In this friendly, friendly world
With each night so full of dreams
Why should any heart be afraid?
The world is ...
MICHAEL ANDY:
... such a wonderful place
To wander through
When you've got someone you love
MICHAEL:
To wander along with you
ANDY: O.K., now take every second word! With ...
MICHAEL: ... the ...
ANDY: ... sky ...
MICHAEL: ... so ...
ANDY: ... full ...
MICHAEL: ... of ...
ANDY: ... stars
MICHAEL: And ...
ANDY: ... the ...
MICHAEL: ... river ...
ANDY: ... so ...
MICHAEL: ... full ...
ANDY: ... of ...
MICHAEL: ... song, Every ...
ANDY: ... heart ...
MICHAEL: ... should ...
ANDY: ... be ...
MICHAEL: ... so ...
ANDY: ... thankful
It's a friendly world! Don't you think so, Michael?
MICHAEL: Yup!
TONY: Oh yeah?! What's so friendly about it?!!
This is Tony Clifton, and, and I demand a part in
this song! I'm just as big a part of the movie as
these guys are! And, and I will not sit back while
some sought-after Colonel Kurtz wanna-be, uh, uh
has his day in the sun! I think he's enough

[...] Read more

song performed by REM
Added by Lucian Velea
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Cuckhold

Two unsuspecting gentlemen were sitting in a room, conspicuous for its opulence and comfortable because of its color. John was reading a newspaper, contemplating the morbid style of journalistic writing, while Michael was staring intensely, as if he was in a trance, like one stares at a fire. The silence of the room gave John a potent feeling of loneliness, so he broke the quietude.

John: The problem with life is that it is so lifeless. Can't we just live? Or must we always live under the tyranny of compulsion.

Michael gave a furtive glance and proceeded to look mesmerized and emotionless.

John: What is this dreadful look? Clearly you have found a cure for the world's economic disease and have lost it?

Michael was displeased with the topic of politics and John knew this. Michael was forced to talk, to change the subject, he confessed.

Michael: I am in love! Just last month or was it longer ago? I met a woman, who I swear to the sweet Virgin Mary, whose heart beats the scarlet blood of Juliet directly into her voluptuous lips. Her brown eyes remind me of a hidden cave, containing a treasure of passion and an amulet of life. Her dainty little hands have the purity of a child's but the sensuality of a woman's. Her walk is so delicate, not even the tender blades of grass bend under her feet. Her mind is so elevated; it's as if the wings of an angel carry it. Her breasts are as fruitful as watermelons and her voice as sincere as this confession.
My only wish is to kiss her lips, caress her cheeks, and smell her long ebony colored hair. I wish to brush my nose against her nose, bury my soul into the grave of her soul, live by her not with her and even die next to her.

John: Certainly you're on to something. Women have a remarkable quality of bringing out the worst in good men. You are so moral Michael, it's charming to hear you utter words of one of life's most mortal sins; lust.

Tears came down Michael's face at hearing such detestable language.

Michael: It isn't lust! It's love. My heart melts into sweet wine and I feel drunk at every coy gesture she makes. My soul skips like a child on a summer day every time she laughs. She is nature. Nature is she. She is art expressed through the body and a body expressed by the soul, she is complete, marvelous, magnificent, delicate, fragile, and strong; she is beauty.

Michael's countenance revealed a soul drunk with dreams, no rational man would believe a word he said, but a child, with its curious mind, would stop and be enchanted with his incantations, even though a child might not understand what he was saying.

Michael: Her beauty makes Cleopatra conscious of her imperfections, her rosette cheeks make a garden of roses shrivel with jealousy, the gleam in her eyes pierce harder than the rays of the sun, her smile makes the moon feel loved, her spirit causes quarrels between all the Saints, her melancholy robs sentimentalist of their tears. She is the river of life, the ocean of life and all its force!

John: Michael you're committing the common sin of blasphemy, so common even Jesus fell to its error. Who is this demi-god you speak so reverently about?

Michael: She is mystery clothed in a brown body. She is the symbol of all mysticism, she is the sorrow painted on the Madonna's face, she is the love contained in the beatitudes of Christ, she is the obsession in Shakespeare's sonnets, she is the Beatrice of Dante's Divine Comedy; she is the blue of the ocean, the green in emeralds, the purity of pearls, the fire of the sun, the power of mother nature… O! She is so beautiful!

John: Ok! Who is she?

Michael: A married woman

At this utterance Michael's body collapsed in to the sofa he was sitting in, as if he had just been exorcised. John gave an incredulous look and grinned. He reveled in other people's misery; it was the source of his happiness. He loved seeing morality whiter away… it gave him a keens sense of reality.

Ding Dong! A doorbell rang and protruded into John's thought.

John: We aren't expecting any guests?

With avidity, John quickly fled to answer the door expecting an uninvited guest, while Michael laid listlessly dwelling. John opened the door, let out a quiet "O my Lord, " and fainted. Michael's face metamorphosed from a pallid listlessness to a fiery smile; he transformed from a Christian to a Pagan; he grew Cuckold horns…

poem by Kevin Michael Murphy
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Ghost Train

We were off to visit the Carnival,
Me, George and Julie Anne,
George was our mother's boyfriend,
(Though in fact, he was a man!)
I was seven and Julie six
And our Mum waved us goodbye,
She said she had some shopping to do
Told Julie not to cry!

George looked up to the heavens with
His fake, long-suffering grin,
For Julie cried a helluva lot,
She couldn't keep it in,
He took us down on the bus that night
There wasn't room to park,
The evening stars were coming out
It was getting kinda dark.

We saw the lights of the Carnival
And Julie's face lit up,
There were lots of rides and coconut shies
And Julie rode in a duck,
While George and I on the rifle range
Picked off some metal bears,
That raced across at the back, stood up,
Then fell to the pellets there.

There were clowns and men with megaphones,
And Chili Dogs with cheese,
And plenty of fluffy candy floss
That Julie stuck to her knees,
There was soda pop at this little shop
And we ate and drank our fill,
While George went up on a flying fox
And he said: ‘Now you be still! '

The evening mist came down at last
And George said we should go,
For Julie Anne was ready for bed
But I said, ‘Can't we go? '
I pointed over the other side
Where a stall was draped in black,
With a skeleton painted on the front
Near a man with a bowler hat.

The sign had said ‘The Ghost Train'
And it looked all creepy, too,
With little cars that rumbled along
With room on them for two,
So George went over and paid the man

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poem by David Lewis Paget
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Jessica

He used to walk with jessica
Down to the diner
Theyd sit and talk for hours
About nothin in particular
Just bullshit the time away
Thats what she used to say
Shed wrinkle her nose when she said it
Thats how you know she meant it
Jessica
Jessica
Shed call him at nine a.m.
To see how sleep had been treatin him
And though they were never lovers
They were soulmates under cover
Theyd drink beer and sit around
Or just sit still and not make a sound
And he would shudder to think
Of what life would be like
Without his best friend -slash- shrink
Jessica
Bridge:
Shes an angel at his table
Forced to feel but not to see
Blinded by her absence
Haunted by her memory
If only you were able to see the angel at your table
He got a phone call
From her mother
He said, yeah, right stop kidding around.
He felt his heart fall to the ground
Since then everyday
Seems to feel like winter
Everything is colorless
As he cant see it with her
Jessica
Jessica
He could easily have been with her
Driving home in the car
It was her birthday
Its sick how things work out that way
Now at night when he sleeps
A watch over him she keeps
She whispers in his ear
For his heart to hear
Jessica
Jessica
Its amazing how a soul can leave
Suddenly from a body
Rendering it useless
And stealing its desire to breathe

[...] Read more

song performed by Jewel
Added by Lucian Velea
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Carrie Ann

The Hollies
Carrie Anne
(Alan Clarke, Tony Hicks & Graham Nash)
Single release 1967
Doo-doo-roo-roo-doot-doot-doo-roo-roo
doo-d-doo-roo-doot-doot-doo-roo-roo
doo-
hey Carrie Anne
hey Carrie Anne
{Allan Clarke vocal:}
When we were at school our games were simple
I played the janitor you played a monitor.
Then you played with older boys and prefects.
What's the attraction in what they're doing?
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Tony Hicks vocal:}
You're always something special to me.
Quite independent, never caring.
You lost your charm as you were aging
Where is your magic dissappearing?
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Allan Clarke lead vocal:}
You're so, so like a woman to me
(so like a woman to me)
So (so) so like (so) a woman to me
So like a woman to me.
{interlude}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
{Graham Nash vocal:}
People live and learn but you're still learning
you use my mind and I'll be your teacher.
When the lesson's over you'll be with me
Then I'll hear the other people saying:
{All 3 vocal:}
Hey Carrie Anne, what's your game now
can anybody play?
Hey Carrie Anne, what's your game now
can anybody play?
Carrie Anne (Carrie Anne, Carrie Anne)

song performed by Hollies
Added by Lucian Velea
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New

We knew.
Anne to come.
Anne to come.
Be new.
Be new too.
Anne to come
Anne to come
Be new
Be new too.
And anew.
Anne to come.
Anne anew.
Anne do come.
Anne do come too, to come and to come not to come and as to
and new, and new too.
Anne do come.
Anne knew.
Anne to come.
Anne anew.
Anne to come.
And as new.
Anne to come to come too.
Half of it.
Was she
Windows
Was she
Or mine
Was she
Or as she
For she or she or sure.
Enable her to say.
And enable her to say.
Or half way.
Sitting down.
Half sitting down.
And another way.
Their ships
And please.
As the other side.
And another side
Incoming
Favorable and be fought.
Adds to it.
In half.
Take the place of take the place of take the place of taking
place.
Take the place of in places.
Take the place of taken in place of places.
Take the place of it, she takes it in the place of it. In the way
of arches architecture.

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poem by Gertrude Stein
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The Case Of Conscience

THOSE who in fables deal, bestow at ease
Both names and titles, freely as they please.
It costs them scarcely any thing, we find.
And each is nymph or shepherdess designed;
Some e'en are goddesses, that move below,
From whom celestial bliss of course must flow.

THIS Horace followed, with superior art:--
If, to the trav'ller's bed, with throbbing heart,
The chambermaid approached, 'twas Ilia found,
Or fair Egeria, or some nymph renowned.

GOD, in his goodness, made, one lovely day,
Apollo, who directs the lyrick lay,
And gave him pow'rs to call and name at will,
Like father Adam, with primordial skill.
Said he, go, names bestow that please the ear;
In ev'ry word let sweetest sound appear.
This ancient law then proves, by right divine,
WE oft are sponsors to the royal line.

WHEN pleasing tales and fables I endite,
I, who in humble verse presume to write,
May surely use this privilege of old,
And, to my fancy, appellations mould.
If I, instead of Anne, should Sylvia say,
And Master Thomas (when the case I weigh)
Should change to Adamas, the druid sage,
Must I a fine or punishment engage?
No, surely not:--at present I shall choose
Anne and the Parson for my tale to use.

WITHIN her village, Anne was thought the belle,
And ev'ry other charmer to excel.
As near a river once she chanced to stray,
She saw a youth in Nature's pure array,
Who bathed at ease within the gliding stream;
The girl was brisk, and worthy of esteem,
Her eyes were pleased; the object gave delight;
Not one defect could be produced in sight;
Already, by the shepherdess adored,
If with the belle to pleasing flights he'd soared,
The god of love had all they wished concealed
None better know what should not be revealed.
Anne nothing feared: the willows were her shade,
Which, like Venetian blinds, a cov'ring made;
Her eyes, howe'er, across had easy view,
And, o'er the youth, each beauty could pursue.

SHE back four paces drew, at first, through shame;

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poem by La Fontaine
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A Pleasant Ballad Of King Henry II. And The Miller Of Mansfield

Part the First.

Henry, our royall kind, would ride a hunting
To the greene forest so pleasant and faire;
To see the harts skipping, and dainty does tripping,
Unto merry Sherwood his nobles repaire:
Hawke and hound were unbound, all things prepar'd
For the game, in the same, with good regard.

All a long summers day rode the king pleasantlye,
With all his princes and nobles eche one;
Chasing the hart and hind, and the bucke gallantlye,
Till the dark evening forc'd all to turne home.
Then at last, riding fast, he had lost quite
All his lords in the wood, late in the night.

Wandering thus wearilye, all alone, up and downe,
With a rude miller he mett at the last;
Asking the ready way unto faire Nottingham,
'Sir,' quoth the miller, 'I meane not to jest,
Yet I thinke, what I thinke, sooth for to say;
You doe not lightlye ride out of your way.'

'Why, what dost thou tihnk of me,' quoth our king merrily,
'Passing thy judgement upon me so briefe?'
'Good faith,' sayd the miller, 'I meane not to flatter thee,
I guess thee to bee but some gentleman thiefe;
Stand thee backe, in the darke; light not adowne,
Lest that I presently crack thy knaves crowne.'

'Thou dost abuse me much,' quoth the king, 'saying thus;
I am a gentleman; lodging I lacke.'
'Thou hast not,' quoth th' miller, 'one groat in thy purse;
All thy inheritance hanges on thy backe.'
'I have gold to discharge all that I call;
If it be forty pence, I will pay all.'

'If thou beest a true man,' then quoth the miller,
'I sweare by my toll-dish, I'll lodge thee all night.'
'Here's my hand,' quoth the king, 'that was I ever.'
'Nay, soft,' quoth the miller, 'thou may'st be a sprite.
Better I'll know thee, ere hands we will shake;
With none but honest men hands will I take.'

Thus they went all along unto the millers house,
Where they were seething of puddings and souse;
The miller first enter'd in, after him went the king;
Never came hee in soe smoakye a house.
'Now,' quoth hee, 'let me see here what you are.'
Quoth our king, 'Looke your fill, and do not spare.'

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poem by Anonymous Olde English
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Epitaph on an Unread Verse after William Carlos Williams' Red Wheelbarrow

This is just to play on plum phrases
hibernating in your brainbox,
which your neurones were probably waiting for
to break free fast.

Forgive me their taste is delicious,
so neat and so bold.

An agèd poet with hollow laughter
swiftly sprayed her incisive syllables
in consonant activity and, yearning,
paid [s]lip service:

so much depends
upon lifelong learning's expectations,
an unread verse [s]pokes for comments,
reigns above lily-livered chicken-hearted critics
before a blank screen.

so much more depends
upon monochromatic ash clouds
glazed with silicates
beside Icelandic
eruptions.

Life is verse role-reversing uninclined ignorance
shadowing dis...inclined ink lined page.

(Revised 3 October 2009 and19 Aptil 2010)

This is Just to Say

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold
William Carlos Williams 1883_1963

Variation on a Theme by William Carlos Williams
1 I chopped down the house that you had been saving to live in next summer. I am sorry, but it was morning, and I had nothing to do and its wooden beams were so inviting.

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poem by Jonathan Robin
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