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The Mule

Cast: Hugo Weaving, Angus Sampson, Leigh Whannell, Ewen Leslie, Geoff Morrell, Georgina Haig, Nick Farnell, Chris Pang, Lasarus Ratuere, Marsha Vassilevskaia

trailer for The Mule (2014)
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Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Eighth Book

ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.

The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Ninth Book

EVEN thus. I pause to write it out at length,
The letter of the Lady Waldemar.–

'I prayed your cousin Leigh to take you this,
He says he'll do it. After years of love,
Or what is called so,–when a woman frets
And fools upon one string of a man's name,
And fingers it for ever till it breaks,–
He may perhaps do for her such thing,
And she accept it without detriment
Although she should not love him any more
And I, who do not love him, nor love you,
Nor you, Aurora,–choose you shall repent
Your most ungracious letter, and confess,
Constrained by his convictions, (he's convinced)
You've wronged me foully. Are you made so ill,
You woman–to impute such ill to me?
We both had mothers,–lay in their bosom once.
Why, after all, I thank you, Aurora Leigh,
For proving to myself that there are things
I would not do, . . not for my life . . nor him . .
Though something I have somewhat overdone,–
For instance, when I went to see the gods
One morning, on Olympus, with a step
That shook the thunder in a certain cloud,
Committing myself vilely. Could I think,
The Muse I pulled my heart out from my breast
To soften, had herself a sort of heart,
And loved my mortal? He, at least, loved her;
I heard him say so; 'twas my recompence,
When, watching at his bedside fourteen days,
He broke out ever like a flame at whiles
Between the heats of fever . . . 'Is it thou?
'Breathe closer, sweetest mouth!' and when at last
The fever gone, the wasted face extinct
As if it irked him much to know me there,
He said, Twas kind, 'twas good, 'twas womanly,'
(And fifty praises to excuse one love)
'But was the picture safe he had ventured for?'
And then, half wandering . . 'I have loved her well,
Although she could not love me.'–'Say instead,'
I answered, 'that she loves you.'–'Twas my turn
To rave: (I would have married him so changed,
Although the world had jeered me properly
For taking up with Cupid at his worst,
The silver quiver worn off on his hair.)
'No, no,' he murmured, 'no, she loves me not;
'Aurora Leigh does better: bring her book
'And read it softly, Lady Waldemar,
'Until I thank your friendship more for that,

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Third Book

'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.

For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!

Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.

Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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The Gift

(reed, cale, morrison, tucker)
Waldo jeffers had reached his limit. it was now mid-august which meant that he had been separated from marsha for more than two months. two months, and all he had to show was three dog-eared let
And two very expensive long-distance phone calls. true, when school had ended and shed returned to wisconsin, and he to locust, pennsylvania. she had sworn to maintain a certain fidelity, she w
Date occasionally, but merely as amusement. she would remain faithful.
But lately waldo had begun to worry. he had trouble sleeping at night and when he did, he had horrible dreams. he lay awake at night, tossing and turning underneath his pleated quilt protector,
Welling in his eyes. as he pictured marsha, her sworn vows overcome by liquor and the smooth soothing of some neanderthal, finally submitting to the final caresses of sexual oblivion. it was mo
An the human mind could bear.
Visions of marshas faithlessness haunted him. daytime fantasies of sexual abandon permeated his thoughts. and the thing was they wouldnt understand how she really was. he, waldo, alone, unders
This. he had intuitively grasped every nook and cranny of her psyche. he had made her smile, and she needed him, and he wasnt there (aaahh..). the idea came to him on the thursday before the mu
Parade was scheduled to appear. he had just finished mowing and etching the edelsons lawn for a dollar fifty and had checked the mailbox to see if there was at least a word from marsha. there w
Thing more than a circular form the amalgamated aluminum company of america inquiring into his awing needs. at least they cared enough to write.
It was a new york company. you could go anywhere in the mail. then it struck him, he didnt have enough money to go to wisconsin in the accepted fashion, true, but why not mail himself? it was a
Ly simple. he would ship himself parcel post special delivery. the next day waldo went to the supermarket to purchase the necessary equipment. he bought masking tape, a staple gun and a medium s
Cardboard box, just right for a person of his built. he judged that with a minimum of jostling he could ride quite comfortably. a few airholes, some water, perhaps some midnight snacks and it wo
Robably be as good as going tourist.
By friday afternoon, waldo was set. he was packed and the post office had agreed to pick him up at three oclock. hed marked the package fragile, and as he sat curled up inside, res
The foam rubber cushioning hed thoughtfully included, he tried to picture the look of awe and happiness on marshas face as she opened the door, saw the package, tipped the deliverer, and then o
It to see her waldo finally there in person. she would kiss him, then, maybe they could see a movie. if hed only thought of this before. suddenly rough hands gripped his package and he felt hi
Barne up. he landed with a thud in a truck and then he was off.
Marsha bronson had just finished setting her hair. it had been a very rough weekend. she had to remember not to drink like that. bill had been nice about it though. after it was over hed said t
E still respected her and, after all, it was certainly the way of nature, and even though, no he didnt love her, he did feel an affection for her. and, after all, they were grown adults. oh, wh
Lly could teach waldo - but that seemed like years ago. sheila klein, her very, very best friend walked in through the porch screen door and into the kitchen. oh, its absolutely maudlin o
E. ach, I know what you mean, I feel all icky! marsha tightened her cotton robe with the silk outer edge. sheila ran her finger over some salt grains on the kitchen table, lick
R fingers and made a face. Im supposed to take these salt pills, but she wrinkled her nose, they make me feel like throwing up. marsha started to pat herself under the c
An exercise shed seen on television. g-d, dont even talk about tha
T. she got up from the table and went to the sink where she picked up a bottle of pink and blue vitamins. want one? supposed to be better than steak. and attempted to touch her
S. I dont think Ill ever touch a daiquiri again. she gave up and sat down, this time nearer the table that supported the telephone. maybe hell call. she said to sheila
Ance. sheila nibbled on a cuticle. after last night, I thought maybe youd be through with him. I know what you mean, my g-d, he was like an octopus. hands all over the place.&
She gestured, raising her arms upwards in defense. the thing is after a while, you get tired of fighting with him, you know, and after all he didnt really do anything friday and saturday
Kind of owed it to him, you know what I mean. she started to scratch. sheila was giggling with her hand over her mouth. Ill tell you, I feel the same way, and even after a while,&q
Here she bend forward in a whisper, wanted to, and now she was laughing very loudly.
It was at this point that mr. jameison of the clarence darrow post office rang the door bell of the large colored stucco frame house. when marsha bronson opened the door, he helped her carry the
Age in. he had his yellow and green slips of paper signed and left with a fifteen cent tip that marsha had gotten out of her mothers small beige pocket book in the den. what do you think i
Sheila asked. marsha stood with her arms folded behind her back. she stared at the brown cardboard carton that sat in the middle of the living room: I dont know.
Inside the package waldo quivered with excitement as he listened to the muffled voices. sheila ran her fingernail over the masking tape that ran down the center of the carton. why dont yo
K at the return address and see who it is from? waldo felt his heart beating. he could feel the vibrating footsteps. it would be soon.
Marsha walked around the carton and read the ink-scratched label. its from waldo. that schmuck! said sheila. waldo trembled with expecta- tion. you might as well o
T, said sheila. both of them tried to flip the stable flap. ah, said marsha groaning. he must have nailed it shut. they tagged at the flap again. my god, you
A power drill to get this thing opened. they pulled again. you cant get a grip! they both stood still, breathing heavily. why dont you get the scissors, said shei
Arsha ran into the kitchen, but all she could find was a little sewing scissors. then she remembered that her father kept a collection of tools in the basement. she ran downstairs and when she c
Ack, she had a large metal cutter in her hand. this is the best I could find. she was out of breath. here, you do it. Im gonna die. she sank into a large fluffy couch an
Aled noisily. sheila tried to make a slit between the masking tape and the end of the cardboard, but the blade was too big and th
Ere was not enough room. g-ddamn this thing! she said feeling very exaspe- rated. then smiling I got an idea. what? said marsha. just watch, said
A touching her finger to her head.
Inside the package, waldo was transfixed with excitement that he could hardly breathe. his skin felt prickly from the heat and he could feel his heart beating in his throat. it would be soon. sh
Stood upright and walked around to the other side of the package. then she sank down to her knees, grasped the cutter by both hands, took a deep breath and plunged the long blade through the mid
F the package, through the middle of the masking tape, through the card- board through the cushioning and (thud) right through the center of waldo jeffers head, which split slightly and caused l
Rhythmic arcs of red to pulsate gently in the morning sun...

song performed by Velvet Underground
Added by Lucian Velea
Comment! | Vote! | Copy!

The Gift

(reed, cale, morrison, tucker)
Waldo jeffers had reached his limit. it was now mid-august which meant that he had been separated from marsha for more than two months. two months, and all he had to show was three dog-eared let
And two very expensive long-distance phone calls. true, when school had ended and shed returned to wisconsin, and he to locust, pennsylvania. she had sworn to maintain a certain fidelity, she w
Date occasionally, but merely as amusement. she would remain faithful.
But lately waldo had begun to worry. he had trouble sleeping at night and when he did, he had horrible dreams. he lay awake at night, tossing and turning underneath his pleated quilt protector,
Welling in his eyes. as he pictured marsha, her sworn vows overcome by liquor and the smooth soothing of some neanderthal, finally submitting to the final caresses of sexual oblivion. it was mo
An the human mind could bear.
Visions of marshas faithlessness haunted him. daytime fantasies of sexual abandon permeated his thoughts. and the thing was they wouldnt understand how she really was. he, waldo, alone, unders
This. he had intuitively grasped every nook and cranny of her psyche. he had made her smile, and she needed him, and he wasnt there (aaahh..). the idea came to him on the thursday before the mu
Parade was scheduled to appear. he had just finished mowing and etching the edelsons lawn for a dollar fifty and had checked the mailbox to see if there was at least a word from marsha. there w
Thing more than a circular form the amalgamated aluminum company of america inquiring into his awing needs. at least they cared enough to write.
It was a new york company. you could go anywhere in the mail. then it struck him, he didnt have enough money to go to wisconsin in the accepted fashion, true, but why not mail himself? it was a
Ly simple. he would ship himself parcel post special delivery. the next day waldo went to the supermarket to purchase the necessary equipment. he bought masking tape, a staple gun and a medium s
Cardboard box, just right for a person of his built. he judged that with a minimum of jostling he could ride quite comfortably. a few airholes, some water, perhaps some midnight snacks and it wo
Robably be as good as going tourist.
By friday afternoon, waldo was set. he was packed and the post office had agreed to pick him up at three oclock. hed marked the package fragile, and as he sat curled up inside, res
The foam rubber cushioning hed thoughtfully included, he tried to picture the look of awe and happiness on marshas face as she opened the door, saw the package, tipped the deliverer, and then o
It to see her waldo finally there in person. she would kiss him, then, maybe they could see a movie. if hed only thought of this before. suddenly rough hands gripped his package and he felt hi
Barne up. he landed with a thud in a truck and then he was off.
Marsha bronson had just finished setting her hair. it had been a very rough weekend. she had to remember not to drink like that. bill had been nice about it though. after it was over hed said t
E still respected her and, after all, it was certainly the way of nature, and even though, no he didnt love her, he did feel an affection for her. and, after all, they were grown adults. oh, wh
Lly could teach waldo - but that seemed like years ago. sheila klein, her very, very best friend walked in through the porch screen door and into the kitchen. oh, its absolutely maudlin o
E. ach, I know what you mean, I feel all icky! marsha tightened her cotton robe with the silk outer edge. sheila ran her finger over some salt grains on the kitchen table, lick
R fingers and made a face. Im supposed to take these salt pills, but she wrinkled her nose, they make me feel like throwing up. marsha started to pat herself under the c
An exercise shed seen on television. g-d, dont even talk about tha
T. she got up from the table and went to the sink where she picked up a bottle of pink and blue vitamins. want one? supposed to be better than steak. and attempted to touch her
S. I dont think Ill ever touch a daiquiri again. she gave up and sat down, this time nearer the table that supported the telephone. maybe hell call. she said to sheila
Ance. sheila nibbled on a cuticle. after last night, I thought maybe youd be through with him. I know what you mean, my g-d, he was like an octopus. hands all over the place.&
She gestured, raising her arms upwards in defense. the thing is after a while, you get tired of fighting with him, you know, and after all he didnt really do anything friday and saturday
Kind of owed it to him, you know what I mean. she started to scratch. sheila was giggling with her hand over her mouth. Ill tell you, I feel the same way, and even after a while,&q
Here she bend forward in a whisper, wanted to, and now she was laughing very loudly.
It was at this point that mr. jameison of the clarence darrow post office rang the door bell of the large colored stucco frame house. when marsha bronson opened the door, he helped her carry the
Age in. he had his yellow and green slips of paper signed and left with a fifteen cent tip that marsha had gotten out of her mothers small beige pocket book in the den. what do you think i
Sheila asked. marsha stood with her arms folded behind her back. she stared at the brown cardboard carton that sat in the middle of the living room: I dont know.
Inside the package waldo quivered with excitement as he listened to the muffled voices. sheila ran her fingernail over the masking tape that ran down the center of the carton. why dont yo
K at the return address and see who it is from? waldo felt his heart beating. he could feel the vibrating footsteps. it would be soon.
Marsha walked around the carton and read the ink-scratched label. its from waldo. that schmuck! said sheila. waldo trembled with expecta- tion. you might as well o
T, said sheila. both of them tried to flip the stable flap. ah, said marsha groaning. he must have nailed it shut. they tagged at the flap again. my god, you
A power drill to get this thing opened. they pulled again. you cant get a grip! they both stood still, breathing heavily. why dont you get the scissors, said shei
Arsha ran into the kitchen, but all she could find was a little sewing scissors. then she remembered that her father kept a collection of tools in the basement. she ran downstairs and when she c
Ack, she had a large metal cutter in her hand. this is the best I could find. she was out of breath. here, you do it. Im gonna die. she sank into a large fluffy couch an
Aled noisily. sheila tried to make a slit between the masking tape and the end of the cardboard, but the blade was too big and th
Ere was not enough room. g-ddamn this thing! she said feeling very exaspe- rated. then smiling I got an idea. what? said marsha. just watch, said
A touching her finger to her head.
Inside the package, waldo was transfixed with excitement that he could hardly breathe. his skin felt prickly from the heat and he could feel his heart beating in his throat. it would be soon. sh
Stood upright and walked around to the other side of the package. then she sank down to her knees, grasped the cutter by both hands, took a deep breath and plunged the long blade through the mid
F the package, through the middle of the masking tape, through the card- board through the cushioning and (thud) right through the center of waldo jeffers head, which split slightly and caused l
Rhythmic arcs of red to pulsate gently in the morning sun...

song performed by Velvet Underground
Added by Lucian Velea
Comment! | Vote! | Copy!

Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Second Book

TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Fourth Book

THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'

So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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A Modern Day Miracle

Where could you find an example
of true faith in the twentieth century?

‘Faith Like Potatoes’ to plant
in El Nino, in drought, in dust
a never grown before potato crop?

Angus Buchan, a farmer, in Durban

South Africa declared before 35,000
“To hell with El Nino! We are going
to plant this year! And we are going
to plant potatoes.” Fool or Man of Faith?

The Wisdom Of The Modern World
Scientists warned farmers not to plant!

“Do not plant this season unless
you have irrigation.” Angus had none!

Planting planting potatoes in dust
would be a massive massive risk!

It would require a miracle!

Did Angus expect a miracle?
Or was he an experienced potato farmer?

Angus was a maize and cattle farmer!
He had never grown potatoes!
No farmer could grow potatoes in drought!
Not in drought without irrigation!

But all farmers and men of faith
know a crop, a harvest is grown,
from a seed, a seed of planted faith.

Angus prayed and prayed
during the planting and he knew;
in his heart that the Lord;
wanted him to plant potatoes.

Angus expected a modern day miracle from God!

God has complained men lack faith!
To dream their dreams large enough!

Angus planted potatoes in dust on his farm in drought!
Without irrigation without water on his farm in faith!

[...] Read more

poem by Terence George Craddock
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The Ghost,

There stands a City,-- neither large nor small,
Its air and situation sweet and pretty;
It matters very little -- if at all --
Whether its denizens are dull or witty,
Whether the ladies there are short or tall,
Brunettes or blondes, only, there stands a city!--
Perhaps 'tis also requisite to minute
That there's a Castle and a Cobbler in it.

A fair Cathedral, too, the story goes,
And kings and heroes lie entomb'd within her;
There pious Saints, in marble pomp repose,
Whose shrines are worn by knees of many a Sinner;
There, too, full many an Aldermanic nose
Roll'd its loud diapason after dinner;
And there stood high the holy sconce of Becket,
-- Till four assassins came from France to crack it.

The Castle was a huge and antique mound,
Proof against all th' artillery of the quiver,
Ere those abominable guns were found
To send cold lead through gallant warrior's liver.
It stands upon a gently rising ground,
Sloping down gradually to the river,
Resembling (to compare great things with smaller),
A well-scooped, mouldy Stilton cheese,-- but taller.

The Keep, I find, 's been sadly alter'd lately,
And, 'stead of mail-clad knights, of honour jealous,
In martial panoply so grand and stately,
Its walls are fill'd with money-making fellows,
And stuff'd, unless I'm misinformed greatly,
With leaden pipes, and coke, and coals, and bellows;
In short, so great a change has come to pass,
'Tis now a manufactory of Gas.

But to my tale.-- Before this profanation,
And ere its ancient glories were cut short all,
A poor hard-working Cobbler took his station
In a small house, just opposite the portal;
His birth, his parentage, and education,
I know but little of -- a strange, odd mortal;
His aspect, air, and gait, were all ridiculous;
His name was Mason -- he'd been christen'd Nicholas.

Nick had a wife possessed of many a charm,
And of the Lady Huntingdon persuasion;
But, spite of all her piety, her arm
She'd sometimes exercise when in a passion;
And, being of a temper somewhat warm,

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poem by Richard Harris Barham
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Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Little Saint Nick

Oooooooo
Merry christmas saint nick
Christmas comes this time each year
Oooooooo oooooooo
Well, way up north where the air gets cold
Theres a tale about christmas that youve all been told
And a real famous cat all dressed up in red
And he spends the whole year workin out on his sled
Its the little saint nick
Ooooo, little saint nick
Its the little saint nick
Ooooo, little saint nick
Just a little bobsled we call it old saint nick
But shell walk a toboggan with a four speed stick
Shes candy-apple red with a ski for a wheel
And when santa hits the gas, man, just watch her peel
Its the little saint nick
Ooooo, little saint nick
Its the little saint nick
Ooooo, little saint nick
Run run reindeer
Run run reindeer
Whoaa
Run run reindeer
Run run reindeer
He dont miss no one
And haulin through the snow at a frightenin speed
With a half a dozen deer with rudy to lead
Hes gotta wear his goggles cause the snow really flies
And hes cruisin every pad with a little surprise
Its the little saint nick
Ooooo, little saint nick
Its the little saint nick
Ooooo, little saint nick
Ahhhhhh
Oooooooo
Merry christmas saint nick
Christmas comes this time each year
Ahhhhhh
Oooooooo
Merry christmas saint nick
Christmas comes this time each year
Ahhhhhh
Oooooooo
Merry christmas saint nick
Christmas comes this time each year

song performed by Beach Boys
Added by Lucian Velea
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Oscar Of Alva: A Tale

How sweetly shines through azure skies,
The lamp of heaven on Lora's shore;
Where Alva's hoary turrets rise,
And hear the din of arms no more!

But often has yon rolling moon
On Alva's casques of silver play'd;
And view'd at midnight's silent noon,
Her chief's in gleaming mail array'd:

And on the crimson'd rocks beneath,
Which scowl o'er ocean's sullen flow,
Pale in the scatter'd runks of death,
She saw the gasping warrior low;

While many an eye which ne'er again
Could mark the rising orb of day,
T'urn'd feebly from the gory plain,
Beheld in death her fading ray.

Once to those eyes the lamp of Love,
They blest her dear propitious light;
But now she glimmer'd from above,
A sad, funereal torch of night.

Faded is Alva's noble race,
And gray her towers are seen afar;
No more her heroes urge the chase,
Or roll the crimson tide of war.

But who was last of Alva's clan?
Why grows the moss on Alva's stone?
Her towers resound no steps of man,
They echo to the gale alone.

And when that gale is fierce and high,
A sound is heard in yonder hall;
It rises hoarsely through the sky,
And vibrates o'er the mould'ring wall.

Yes, when the eddying tempest sighs,
It shakes the shield of Oscar brave;
But there no more his banners rise,
No more his plumes of sable wave.

Fair shone the sun on Oscar's birth,
When Angus hail'd his eldest born
The vassals round their chieftain's hearth
Crowd to applaud the happy morn.

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poem by Byron
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Parisina

1

It is the hour when from the boughs
The nightingale’s high note is heard;
It is the hour when lovers’ vows
Seem sweet in every whisper’d word;
And gentle winds, and waters near,
Make music to the lonely ear.
Each flower the dews have lightly wet,
And in the sky the stars are met,
And on the wave is deeper blue,
And on the leaf a browner hue,
And in the heaven that clear obscure,
So softly dark, and darkly pure,
Which follows the decline of day,
As twilight melts beneath the moon away.

2

But it is not to list to the waterfall
That Parisina leaves her hall,
And it is not to gaze on the heavenly light
That the lady walks in the shadow of night;
And if she sits in Este’s bower,
’Tis not for the sake of its full-blown flower—
She listens—but not for the nightingale—
Though her ear expects as soft a tale.
There glides a step through the foliage thick,
And her cheek grows pale—and her heart beats quick.
There whispers a voice through the rustling leaves,
And her blush returns, and her bosom heaves:
A moment more—and they shall meet—
’Tis past—her lover’s at her feet.

3

And what unto them is the world beside
With all its change of time and tide?
Its living things—its earth and sky—
Are nothing to their mind and eye.
And heedless as the dead are they
Of aught around, above, beneath;
As if all else had passed away,
They only for each other breathe;
Their very sighs are full of joy
So deep, that did it not decay,
That happy madness would destroy
The hearts which feel its fiery sway:
Of guilt, of peril, do they deem
In that tumultuous tender dream?

[...] Read more

poem by Byron (1816)
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Amours de Voyage, Canto II

Is it illusion? or does there a spirit from perfecter ages,
Here, even yet, amid loss, change, and corruption abide?
Does there a spirit we know not, though seek, though we find, comprehend not,
Here to entice and confuse, tempt and evade us, abide?
Lives in the exquisite grace of the column disjointed and single,
Haunts the rude masses of brick garlanded gaily with vine,
E'en in the turret fantastic surviving that springs from the ruin,
E'en in the people itself? is it illusion or not?
Is it illusion or not that attracteth the pilgrim transalpine,
Brings him a dullard and dunce hither to pry and to stare?
Is it illusion or not that allures the barbarian stranger,
Brings him with gold to the shrine, brings him in arms to the gate?

I. Claude to Eustace.

What do the people say, and what does the government do?--you
Ask, and I know not at all. Yet fortune will favour your hopes; and
I, who avoided it all, am fated, it seems, to describe it.
I, who nor meddle nor make in politics,--I who sincerely
Put not my trust in leagues nor any suffrage by ballot,
Never predicted Parisian millenniums, never beheld a
New Jerusalem coming down dressed like a bride out of heaven
Right on the Place de la Concorde,--I, nevertheless, let me say it,
Could in my soul of souls, this day, with the Gaul at the gates shed
One true tear for thee, thou poor little Roman Republic;
What, with the German restored, with Sicily safe to the Bourbon,
Not leave one poor corner for native Italian exertion?
France, it is foully done! and you, poor foolish England,--
You, who a twelvemonth ago said nations must choose for themselves, you
Could not, of course, interfere,--you, now, when a nation has chosen----
Pardon this folly! The Times will, of course, have announced the occasion,
Told you the news of to-day; and although it was slightly in error
When it proclaimed as a fact the Apollo was sold to a Yankee,
You may believe when it tells you the French are at Civita Vecchia.

II. Claude to Eustace.

Dulce it is, and decorum, no doubt, for the country to fall,--to
Offer one's blood an oblation to Freedom, and die for the Cause; yet
Still, individual culture is also something, and no man
Finds quite distinct the assurance that he of all others is called on,
Or would be justified even, in taking away from the world that
Precious creature, himself. Nature sent him here to abide here;
Else why send him at all? Nature wants him still, it is likely;
On the whole, we are meant to look after ourselves; it is certain
Each has to eat for himself, digest for himself, and in general

[...] Read more

poem by Arthur Hugh Clough
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Marmion: Canto V. - The Court

I.

The train has left the hills of Braid;
The barrier guard have open made
(So Lindesay bade) the palisade,
That closed the tented ground;
Their men the warders backward drew,
And carried pikes as they rode through
Into its ample bound.
Fast ran the Scottish warriors there,
Upon the Southern band to stare.
And envy with their wonder rose,
To see such well-appointed foes;
Such length of shaft, such mighty bows,
So huge, that many simply thought,
But for a vaunt such weapons wrought;
And little deemed their force to feel,
Through links of mail, and plates of steel,
When rattling upon Flodden vale,
The clothyard arrows flew like hail.

II.

Nor less did Marmion's skilful view
Glance every line and squadron through;
And much he marvelled one small land
Could marshal forth such various band:
For men-at-arms were here,
Heavily sheathed in mail and plate,
Like iron towers for strength and weight,
On Flemish steeds of bone and height,
With battle-axe and spear.
Young knights and squires, a lighter train,
Practised their chargers on the plain,
By aid of leg, of hand, and rein,
Each warlike feat to show,
To pass, to wheel, the croupe to gain,
The high curvet, that not in vain
The sword sway might descend amain
On foeman's casque below.
He saw the hardy burghers there
March armed, on foot, with faces bare,
For vizor they wore none,
Nor waving plume, nor crest of knight;
But burnished were their corslets bright,
Their brigantines, and gorgets light,
Like very silver shone.
Long pikes they had for standing fight,
Two-handed swords they wore,
And many wielded mace of weight,

[...] Read more

poem by Sir Walter Scott
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Sestina Otiosa

Our great work, the Otia Merseiana,
Edited by learned Mister Sampson,
And supported by Professor Woodward,
Is financed by numerous Bogus Meetings
Hastily convened by Kuno Meyer
To impose upon the Man of Business.

All in vain! The accomplished Man of Business
Disapproves of Otia Merseiana,
Turns his back on Doctor Kuno Meyer;
Cannot be enticed by Mister Sampson,
To be present at the Bogus Meetings,
Though attended by Professor Woodward.

Little cares the staid Professor Woodward:
He, being something of a man of business,
Knows that not a hundred Bogus Meetings
To discuss the Otia Merseiana
Can involve himself and Mister Sampson
In the debts of Doctor Kuno Meyer.

So the poor deluded Kuno Meyer,
Unenlightened by Professor Woodward --
Whom, upon the word of Mister Sampson,
He believes to be a man of business
Fit to run the Otia Merseiana --
Keeps on calling endless Bogus Meetings.

Every week has now its Bogus Meetings,
Punctually convened by Kuno Meyer
In the name of Otia Merseiana:
Every other week Professor Woodward
Takes his place, and, as a man of business,
Audits the accounts with Mister Sampson.

He and impecunious Mister Sampson
Are the mainstay of the Bogus Meetings;
But the alienated Man of Business
Cannot be allured by Kuno Meyer
To attend and meet Professor Woodward,
Glory of the Otia Merseiana.

Kuno Meyer! Great Professor Woodward!
Bogus Meetings damn, for men of business,
Mister Sampson's Otia Merseiana.

poem by Sir Walter Raleigh
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First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Amours de Voyage, Canto I

Over the great windy waters, and over the clear-crested summits,
Unto the sun and the sky, and unto the perfecter earth,
Come, let us go,--to a land wherein gods of the old time wandered,
Where every breath even now changes to ether divine.
Come, let us go; though withal a voice whisper, 'The world that we live in,
Whithersoever we turn, still is the same narrow crib;
'Tis but to prove limitation, and measure a cord, that we travel;
Let who would 'scape and be free go to his chamber and think;
'Tis but to change idle fancies for memories wilfully falser;
'Tis but to go and have been.'--Come, little bark! let us go.

I. Claude to Eustace.

Dear Eustatio, I write that you may write me an answer,
Or at the least to put us again en rapport with each other.
Rome disappoints me much,--St Peter's, perhaps, in especial;
Only the Arch of Titus and view from the Lateran please me:
This, however, perhaps is the weather, which truly is horrid.
Greece must be better, surely; and yet I am feeling so spiteful,
That I could travel to Athens, to Delphi, and Troy, and Mount Sinai,
Though but to see with my eyes that these are vanity also.
Rome disappoints me much; I hardly as yet understand it, but
Rubbishy seems the word that most exactly would suit it.
All the foolish destructions, and all the sillier savings,
All the incongruous things of past incompatible ages,
Seem to be treasured up here to make fools of present and future.
Would to Heaven the old Goths had made a cleaner sweep of it!
Would to Heaven some new ones would come and destroy these churches!
However, one can live in Rome as also in London.*
It is a blessing, no doubt, to be rid, at least for a time, of
All one's friends and relations,--yourself (forgive me!) included,--
All the assujettissement of having been what one has been,
What one thinks one is, or thinks that others suppose one;
Yet, in despite of all, we turn like fools to the English.
Vernon has been my fate; who is here the same that you knew him,--
Making the tour, it seems, with friends of the name of Trevellyn.
* The 1968 Oxford Edition, edited by A.L.P. Norrington,
includes a line immediately following this:
Rome is better than London, because it is other than London.

II. Claude to Eustace.

Rome disappoints me still; but I shrink and adapt myself to it.
Somehow a tyrannous sense of a superincumbent oppression
Still, wherever I go, accompanies ever, and makes me
Feel like a tree (shall I say?) buried under a ruin of brickwork.

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poem by Arthur Hugh Clough
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