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Mr. Turner

Cast: Timothy Spall, Paul Jesson, Dorothy Atkinson, Marion Bailey, Karl Johnson, Ruth Sheen, Sandy Foster, Amy Dawson, Lesley Manville, Martin Savage

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Healthy Back Bag

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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The Ew-Bughts Marion. A Scottish Song.

Will ze gae to the ew-bughts, Marion,
And wear in the sheip wi' mee?
The sun shines sweit, my Marion,
But nae half sae sweit as thee.
O Marion's a bonnie lass,
And the blyth blinks in her ee;
And fain wad I marrie Marion,
Gin Marion wad marrie mee.

Theire's gowd in zour garters, Marion;
And siller on zour white haussbane;
Fou faine wad I kisse my Marion
At eene quhan I cum hame.
Theire's braw lads in Earnslaw, Marion,
Quha gape and glowr wi' their ee
At kirk, quhan they see my Marion;
Bot nane of them lues like mee.

Ive nine milk-ews, my Marion,
A cow and a brawney quay;
Ise gie tham au to my Marion,
Just on her bridal day.
And zees get a grein sey apron,
And waistcote o' London broun,
And wow bot ze will be vaporing
Quhanier ze gang to the toun.

Ime yong and stout, my Marion,
None dance lik mee on the greine;
And gin ze forsak me, Marion,
Ise een gae draw up wi' Jeane.
Sae put on zour pearlins, Marion,
And kirtle oth' cramasie,
And sune as my chin has nae haire on,
I sall cum west and see zee.

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Legend Of A Mind

Timothy learys dead.
No, no, no, no, hes outside looking in.
Timothy learys dead.
No, no, no, no, hes outside looking in.
Hell fly his astral plane,
Takes you trips around the bay,
Brings you back the same day,
Timothy leary. timothy leary.
Timothy learys dead.
No, no, no, no, hes outside looking in.
Timothy learys dead.
No, no, no, no, hes outside looking in.
Hell fly his astral plane,
Takes you trips around the bay,
Brings you back the same day,
Timothy leary. timothy leary.
Along the coast youll hear them boast
About a light they say that shines so clear.
So raise your glass, well drink a toast
To the little man who sells you thrills along the pier.
Hell take you up, hell bring you down,
Hell plant your feet back firmly on the ground.
He flies so high, he swoops so low,
He knows exactly which way hes gonna go.
Timothy leary. timothy leary.
Hell take you up, hell bring you down,
Hell plant your feet back on the ground.
Hell fly so high, hell swoop so low.
Timothy leary.
Hell fly his astral plane.
Hell take you trips around the bay.
Hell bring you back the same day.
Timothy leary. timothy leary.
Timothy leary. timothy leary.
Timothy leary.

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Handles Bermuda

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Henry Wadsworth Longfellow

Tales Of A Wayside Inn : Part 3. The Sicilian's Tale; The Monk of Casal-Maggiore

Once on a time, some centuries ago,
In the hot sunshine two Franciscan friars
Wended their weary way, with footsteps slow
Back to their convent, whose white walls and spires
Gleamed on the hillside like a patch of snow;
Covered with dust they were, and torn by briers,
And bore like sumpter-mules upon their backs
The badge of poverty, their beggar's sacks.

The first was Brother Anthony, a spare
And silent man, with pallid cheeks and thin,
Much given to vigils, penance, fasting, prayer,
Solemn and gray, and worn with discipline,
As if his body but white ashes were,
Heaped on the living coals that glowed within;
A simple monk, like many of his day,
Whose instinct was to listen and obey.

A different man was Brother Timothy,
Of larger mould and of a coarser paste;
A rubicund and stalwart monk was he,
Broad in the shoulders, broader in the waist,
Who often filled the dull refectory
With noise by which the convent was disgraced,
But to the mass-book gave but little heed,
By reason he had never learned to read.

Now, as they passed the outskirts of a wood,
They saw, with mingled pleasure and surprise,
Fast tethered to a tree an ass, that stood
Lazily winking his large, limpid eyes.
The farmer Gilbert of that neighborhood
His owner was, who, looking for supplies
Of fagots, deeper in the wood had strayed,
Leaving his beast to ponder in the shade.

As soon as Brother Timothy espied
The patient animal, he said: 'Good-lack!
Thus for our needs doth Providence provide;
We'll lay our wallets on the creature's back.'
This being done, he leisurely untied
From head and neck the halter of the jack,
And put it round his own, and to the tree
Stood tethered fast as if the ass were he.

And, bursting forth into a merry laugh,
He cried to Brother Anthony: 'Away!
And drive the ass before you with your staff;
And when you reach the convent you may say
You left me at a farm, half tired and half

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Dorothy Parker

Dorothy Parker [Controversy Music, ASCAP - 1987]
--------------
Dorothy was a waitress on the promenade
She worked the night shift
Dishwater blonde, tall and fine
She got a lot of tips
Well, earlier I'd been talkin' stuff
In a violent room
Fighting with lovers past
I needed someone with a quicker wit than mine
Dorothy was fast
Well, I ordered - "Yeah, let me get a fruit cocktail, I ain't 2 hungry"
Dorothy laughed
She said "Sounds like a real man 2 me"
Kinda cute, U wanna take a bath?
(do you wanna, do you wanna, bath)
I said "Cool, but I'm leaving my pants on" (she say)
"Cuz I'm kind of going with someone"
She said "Sounds like a real man 2 me"
"Mind if I turn on the radio?"
"Oh, my favorite song" she said
And it was Joni singing "Help me I think I'm falling"
(Ring)
The phone rang and she said
"Whoever's calling can't be as cute as U"
Right then I knew I was through
(Dorothy Parker was cool)
My pants where wet, they came off
But she didn't see the movie
Cuz she hadn't read the book first
Instead she pretended she was blind
An affliction brought on by a witch's curse
Dorothy made me laugh (ha ha)
I felt much better so I went back
2 the violent room (tell us what U did)
Let me tell U what I did...
I took another bubble bath with my pants on
All the fighting stopped
Next time I'll do it sooner
This is the ballad of Dorothy Parker
Dorothy Parker, Dorothy Parker, Dorothy Parker
Dorothy Parker, Dorothy Parker, Dorothy Parker
Well
Dorothy Parker, Dorothy Parker
Well

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Mogg Megone - Part I.

Who stands on that cliff, like a figure of stone,
Unmoving and tall in the light of the sky,
Where the spray of the cataract sparkles on high,
Lonely and sternly, save Mogg Megone?
Close to the verge of the rock is he,
While beneath him the Saco its work is doing,
Hurrying down to its grave, the sea,
And slow through the rock its pathway hewing!
Far down, through the mist of the falling river,
Which rises up like an incense ever,
The splintered points of the crags are seen,
With water howling and vexed between,
While the scooping whirl of the pool beneath
Seems an open throat, with its granite teeth!

But Mogg Megone never trembled yet
Wherever his eye or his foot was set.
He is watchful: each form in the moonlight dim,
Of rock or of tree, is seen of him:
He listens; each sound from afar is caught,
The faintest shiver of leaf and limb:
But he sees not the waters, which foam and fret,
Whose moonlit spray has his moccasin wet, -
And the roar of their rushing, he bears it not.

The moonlight, through the open bough
Of the gnarl'd beech, whose naked root
Coils like a serpent at his foot,
Falls, checkered, on the Indian's brow.
His head is bare, save only where
Waves in the wind one lock of hair,
Reserved for him, whoe'er he be,
More mighty than Megone in strife,
When breast to breast and knee to knee,
Above the fallen warrior's life
Gleams, quick and keen, the scalping-knife.

Megone hath his knife and hatchet and gun,
And his gaudy and tasselled blanket on:
His knife hath a handle with gold inlaid,
And magic words on its polished blade, -
'Twas the gift of Castine to Mogg Megone,
For a scalp or twain from the Yengees torn:
His gun was the gift of the Tarrantine,
And Modocawando's wives had strung
The brass and the beads, which tinkle and shine
On the polished breach, and broad bright line
Of beaded wampum around it hung.
What seeks Megone? His foes are near, -
Grey Jocelyn's eye is never sleeping,

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How the Boy Stole Christmas

Based on 'How the Grinch Stole Christmas', by Dr. Seuss.
Done for a school project=)

Once, upon a falling snowflake,
In a land far, far away,
There lived all the Whats,
Preparing for Christmas day.

There was one What that stuck out,
The richest What of them all,
He had light brown hair, and big brown eyes
His given name was Paul.

Paul was a greedy boy,
His best friend was Ebenezer Scrooge
And anytime Paul lied,
His little nose turned huge!

Paul was the only What in Whattown,
That really hated this time of the year,
He ruined all the children’s fun,
His pranks were in full gear.

Paul thought Christmas was just trouble,
He only thought of himself,
He thought that Santa Claus was stupid,
And hurt the feelings of every single elf.

He hated everybody that liked Christmas,
There was only one exception of his,
A beautiful What named Rachel,
Whom he never wanted to diss.

Now every story has a problem,
And this one’s is pretty big,
Paul crushed on the Christmas-lover Rachel,
But Rachel thought Paul was a pig.

You see, Rachel was an EXTREME Christmas fanatic,
Loving every aspect of it,
She volunteered everywhere that she could,
And her money? Donated every bit.

She helped out at school and Church,
Sang carols at the old folks’ home,
Baked cookies with younger children,
Made ornaments out of foam.

Rachel hated anybody that hated Christmas,
She was like a packaged deal,

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The Ballad Of Dorothy Parker

Dorothy was a waitress on the promenade
She worked the night shift
Dishwater blonde, tall and fine
She got a lot of tips
Well, earlier Id been talkin stuff
In a violent room
Fighting with lovers past
I needed someone with a quicker wit than mine
Dorothy was fast
Well, I ordered - yeah, let me get a fruit cocktail, I aint 2 hungry
Dorothy laughed
She said sounds like a real man 2 me
Kinda cute, u wanna take a bath?
(do you wanna, do you wanna, bath)
I said cool, but Im leaving my pants on (she say)
Cuz Im kind of going with someone
She said sounds like a real man 2 me
Mind if I turn on the radio?
Oh, my favorite song she said
And it was joni singing help me I think Im falling
(ring)
The phone rang and she said
Whoevers calling cant be as cute as u
Right then I knew I was through
(dorothy parker was cool)
My pants where wet, they came off
But she didnt see the movie
Cuz she hadnt read the book first
Instead she pretended she was blind
An affliction brought on by a witchs curse
Dorothy made me laugh (ha ha)
I felt much better so I went back
2 the violent room (tell us what u did)
Let me tell u what I did...
I took another bubble bath with my pants on
All the fighting stopped
Next time Ill do it sooner
This is the ballad of dorothy parker
Dorothy parker, dorothy parker, dorothy parker
Dorothy parker, dorothy parker, dorothy parker
Well
Dorothy parker, dorothy parker
Well

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Luggage Canada

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Marmalades Revenge......Part of a long poem story

Please note... this is part of a book i am trying to write and is far from finished, based on characters i drew....or the other way round :)

'its a beautiful day, lets go for a lark' said Lady Marmalade 'i know Hyde Park! '
To her pal Lord Bailey, a short stout chap
'Oh whoopy! ' said he as he leapt on her lap
Before setting off they sat at the table
Gingham cloth, silverware as they called for Maid Mabel
Burnt toast, poached eggs, their just delight
Marmalade cross-legged
Bailey relished the sight
Mabel laid down two cups of Earl Grey
Whilst two happy chums made plans for the day

They would take Flamdunk the dog from next door
Who rarely got out, which they thought quite poor

Marmalade dashed off for her favourite toy
A bright yellow skateboard she'd took from a boy
Whilst Bailey leaned in his bestest toy box
Took out some poo sticks and some garish striped socks
His umbrella he grabbed as he dashed through the hall
Then round for Flamdunk, they went to call

The sun shone bright, flowers on parade
Smiled at Mabel who enthusiastically waved

They stood for the bus for quite a while
It arrived, they boarded, single file
Marmalade and Bailey first in the queue
Ran to the back... oh and Flamdunk did too!
They gazed out the window, so much to see
Poor Marmalade squashed, one on each knee
Dog on her left, Bailey her right
His unkempt bouffant, obscuring her sight
Sit on the seat Bailey, theres a good chap
Your crushing my knee, hurting my lap

Overexcited, unable to listen
Bailey gazed at the Thames 'Ooh how it glistens! '
'I cant said Marmalade getting hot
She gave him a shove and up she got
Moved to the seat on the opposite side
Showing Flamdunk a newly wed bride

Time rolled, the bus did too
Arrived at Hyde park, off they all flew
They got three ice-creams
A different one each
Chocolate Bailey, nut for her and Flamdink peach
Perched under a tree, watched world roll by

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Byron

Canto the Eighth

I
Oh blood and thunder! and oh blood and wounds!
These are but vulgar oaths, as you may deem,
Too gentle reader! and most shocking sounds:
And so they are; yet thus is Glory's dream
Unriddled, and as my true Muse expounds
At present such things, since they are her theme,
So be they her inspirers! Call them Mars,
Bellona, what you will -- they mean but wars.

II
All was prepared -- the fire, the sword, the men
To wield them in their terrible array.
The army, like a lion from his den,
March'd forth with nerve and sinews bent to slay, --
A human Hydra, issuing from its fen
To breathe destruction on its winding way,
Whose heads were heroes, which cut off in vain
Immediately in others grew again.

III
History can only take things in the gross;
But could we know them in detail, perchance
In balancing the profit and the loss,
War's merit it by no means might enhance,
To waste so much gold for a little dross,
As hath been done, mere conquest to advance.
The drying up a single tear has more
Of honest fame, than shedding seas of gore.

IV
And why? -- because it brings self-approbation;
Whereas the other, after all its glare,
Shouts, bridges, arches, pensions from a nation,
Which (it may be) has not much left to spare,
A higher title, or a loftier station,
Though they may make Corruption gape or stare,
Yet, in the end, except in Freedom's battles,
Are nothing but a child of Murder's rattles.

V
And such they are -- and such they will be found:
Not so Leonidas and Washington,
Whose every battle-field is holy ground,
Which breathes of nations saved, not worlds undone.
How sweetly on the ear such echoes sound!
While the mere victor's may appal or stun
The servile and the vain, such names will be
A watchword till the future shall be free.

[...] Read more

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Amys In The Attic

Mr. piser, I think you should come up here
Amys in the attic and brain has gone ecstatic
Not another day of all the suffering and pain I was just a little boy ever so naive
Amy was my best friend, I never want to hurt her
I never wanna ever wanna think about her murder
On the playground, I chase her down the slide
I chase her cross the monkey bars and she would run and hide
Jinglin and tumbling, I pushed her off the sled
Amy coincidently hit her head
Dumbling inside my brain, down came the wade
Amy isnt answering, who would get the blame?
Amy isnt laughing, amy isnt crying
Amy isnt really breathing, God I think shes dying
Suddenly, the air is cold I must get her inside
Even though she died, amy has to hide
Nobody must ever know that I made amy sick
Lock her up forever in the attic
Maybe it is best to die, thinking did she really die
Im thinking if its really true then how come I am telling you
And if I really meant to do it, should I be a victim to
Should I walk the terror stairs, and savior all my
Terror fears, no
Mr. piser, I think you should come up here
Amys in the attic and my brain has gone ecstatic
Every day I suffer but eleven years have passed
How long will this keep and the nightmares last
Sitting in my living room, another strange feeling
I think Im hearing tiny footsteps on the ceiling
Looking in my mirror, the image isnt clear
I feel as if a little girl is standing at my rear and
Then I awake at the blink of an eye
Voices from the attic yellin, why?
What if amy wasnt dead living in the box
Banging on the walls, rattling the locks
Feeding on the roaches, rodents, and filth
And when theres nothing left, she feeds off herself
Why do I think in amy of this way?
She was once a lovely girl running out to play
Maybe its all a dream insane fanatic
Maybe theres no amy in the attic after all
Maybe it is best to die, thinking did she really die
Im thinking if its really true then how come I am telling you
And if I really meant to do it, should I be a victim to
Should I walk the terror stairs, and savior all my
Terror fears, no
Mr. piser, I think you should come up here
Amys in the attic and my brain has gone ecstatic
Maybe it is best to die, thinking did she really die
Im thinking if its really true then how come I am telling you
And if I really meant to do it, should I be a victim to

[...] Read more

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Amy Lowell

The Shadow

Paul Jannes was working very late,
For this watch must be done by eight
To-morrow or the Cardinal
Would certainly be vexed. Of all
His customers the old prelate
Was the most important, for his state
Descended to his watches and rings,
And he gave his mistresses many things
To make them forget his age and smile
When he paid visits, and they could while
The time away with a diamond locket
Exceedingly well. So they picked his pocket,
And he paid in jewels for his slobbering kisses.
This watch was made to buy him blisses
From an Austrian countess on her way
Home, and she meant to start next day.


Paul worked by the pointed, tulip-flame
Of a tallow candle, and became
So absorbed, that his old clock made him wince
Striking the hour a moment since.
Its echo, only half apprehended,
Lingered about the room. He ended
Screwing the little rubies in,
Setting the wheels to lock and spin,
Curling the infinitesimal springs,
Fixing the filigree hands. Chippings
Of precious stones lay strewn about.
The table before him was a rout
Of splashes and sparks of coloured light.
There was yellow gold in sheets, and quite
A heap of emeralds, and steel.
Here was a gem, there was a wheel.
And glasses lay like limpid lakes
Shining and still, and there were flakes
Of silver, and shavings of pearl,
And little wires all awhirl
With the light of the candle. He took the watch
And wound its hands about to match
The time, then glanced up to take the hour
From the hanging clock.
Good, Merciful Power!
How came that shadow on the wall,
No woman was in the room! His tall
Chiffonier stood gaunt behind
His chair. His old cloak, rabbit-lined,
Hung from a peg. The door was closed.
Just for a moment he must have dozed.
He looked again, and saw it plain.

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Once In Love With Amy

I caught you sir
Having a look at her
As she went strolling by
Now didn't your heart go
Boom,boom,boom,boom,boom
And didn't you sigh a sigh
I warned you sir
Never to dream of her
Just bid such thoughs begone
Or it'll be
Boom,boom,boom,boom,boom,boom,boom
Boom,boom,boom,boom
From then on
For once in love with Amy
Always in love with Amy
Ever and ever fasinated by her
Sets your heart a fire to stay
Once you're kissed by Amy
Tear up your list it's Amy
Ply her with bon-bons, poetry,and flowers
Moon a million hours away
You might be quiet the fickle hearted rover
So care free and bold
Who loves a girl
And later thinks it over
And just quits cold
But once in love with Amy
Alway in love with Amy
Ever and ever sweetly you'll romance her
Trouble is the answer will be
That Amy rather stay in love with me
Da,da,da,da,da,da,da,da,da,da
Ever and ever fasinated by her
(Barry talks) oh I just love this song so much
I want everybody to sing along with me
Once your kissed by Amy
(backround singers)once your kissed by Amy
(Barry)tear up your list it's Amy
(backround singers)tear up your list it's Amy
(Barry) ply her with bon-bon,poetry,and flowers
(backround singers)ply her with bon-bons, poetry,and flowers
(Barry) moon a million hours away
(backround singers)moon a million hours away
(Barry)come on let me take it please
You might be quite the fickle hearted rover
So care free and bold
Who loves a girl and later thinks it over
And just quits cold
(Barry)everybody sing
Once in love with Amy

[...] Read more

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Bible Stories: Ruth (Part II)

A man of wealth great was Boaz-
A kinsman of Elimelech,
The (dead) husband of Naomi.

Ruth asked Naomi to permit
Her glean among the ears of grain
In rich Boaz’s field that day;
Naomi told her to do so.

Young Ruth began to glean the ears
After the reapers, in the field
Of rich Boaz, from morn that day;

From Bethlehem, then Boaz came
And told the reapers all that day,
‘May Lord, our God be with you all.’
And they replied, ‘May He bless you! ’

Boaz then asked his servant nigh,
‘Who is that young woman that gleans? ’
The servant said, ‘A Moabite
With Naomi, from Moab-land.’

Ruth begged Boaz, ‘Please let me glean
And gather grain after reapers! ’
Boaz told Ruth, ‘You may do so,
But venture not into next field.’

She could stay on with his maids there.
He told the servants, ‘Don’t touch her.’
If thirsty, drink from water-jars
Or from what servants shall too draw.

Ruth fell upon her face on ground
And bowed and asked, ‘Is it because
She was a foreigner, she found
Good favor in Boaz’s sight? ’

To this, Boaz replied to her,
‘I am aware of all you’ve done
For your mother-in-law after
Your husband died and how you’d left
Your parents and your place of birth
To people whom you never knew.’

‘May Lord, the God of Israel then
(Under whose wings, you take refuge)
Reward your work that looks so great
And pay wages in accordance.’

[...] Read more

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Pasha Bailey Ben

A proud Pasha was BAILEY BEN,
His wives were three, his tails were ten;
His form was dignified, but stout,
Men called him "Little Roundabout."

HIS IMPORTANCE

Pale Pilgrims came from o'er the sea
To wait on PASHA BAILEY B.,
All bearing presents in a crowd,
For B. was poor as well as proud.

HIS PRESENTS

They brought him onions strung on ropes,
And cold boiled beef, and telescopes,
And balls of string, and shrimps, and guns,
And chops, and tacks, and hats, and buns.

MORE OF THEM

They brought him white kid gloves, and pails,
And candlesticks, and potted quails,
And capstan-bars, and scales and weights,
And ornaments for empty grates.

WHY I MENTION THESE

My tale is not of these - oh no!
I only mention them to show
The divers gifts that divers men
Brought o'er the sea to BAILEY BEN.

HIS CONFIDANT

A confidant had BAILEY B.,
A gay Mongolian dog was he;
I am not good at Turkish names,
And so I call him SIMPLE JAMES.

HIS CONFIDANT'S COUNTENANCE

A dreadful legend you might trace
In SIMPLE JAMES'S honest face,
For there you read, in Nature's print,
"A Scoundrel of the Deepest Tint."

HIS CHARACTER

A deed of blood, or fire, or flames,

[...] Read more

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Gimme The Light Remix,

[Intro]
[Busta Rhymes:] Ay yo Sean Paul!!!
[Sean Paul:] Yo yo
[Busta Rhymes:] A Busta Rhymes this yuh know
[Sean Paul:] Wah gwaan
[Busta Rhymes]
Pass me the blow torch let me light up this big head nigga
[Sean Paul:] No doubt
[Busta Rhymes:] Bring dat come rudebwoy
[Sean Paul:] A Dutty Yeah!!!
[Busta Rhymes:] Flipmode check it!!!
[Chorus (Busta Rhymes):]
Just gimme the light and pass the dro! Buss anotha bokkle a moe
(Huh huh huh huh huh come on)
Gal dem inna mi sight and I got to know (Yeah, yeah)
Which one is gonna catch my flow (Busta Bus now)
Cause I'm inna di vibe and I got my dough! (Yeah, Sean Paul now)
Buss anotha bokkle a moe
(Remix, remix, remix) Gal dem lookin hype and I got to know!!!
[Verse 1: Busta Rhymes]
Yeah yeah check it, clap oonu hand oonu fi clap oonu hand
Busta Bus inna di place oonu fi clap oonu hand
Seh mi and Sean Paul link up come fi create a plan
To go a dancehall buss it up and mek couple grand
Run the streets you never move without the rest of the clan
With a nine in the door panel in the side of the van
Despite the hate that be always comin for you and your man
It's Flipmode and Sean Paul nigga, understand
[Sean Paul]
Tell dem nuh ready fi di level weh di Dutty deh pon
Turn up di bass and di treble music a di weopen
Gal a whine up dem waist like a phenomenom
All over di world oonu fi sing this a song yo
[Chorus]
Just gimme the light and pass the dro! Buss anotha bottle a moe
Gal dem inna mi sight and I got to know (Yo, yo, yo yo yo)
Which one is gonna catch my flow
Cause mi inna di vibe and I got my dough! (Flipmode baby!!!)
Buss anotha bottle a moe (Come on, Sean Paul baby!!!)
Gal dem lookin hype and I got to know!!!
(Come on, yeah, yeah, Busta Bus now!!!)
[Verse 2: Busta Rhymes]
We be blazin cellular phones in wire or cingular
And still gotta connect to smoke a piece of the rizla
See if you could in a philly or a chalice I'm givin you
The chance to smoke up until a ugly chick look like Vivica Fox
Clap oonu hand oonu fi clap oonu hand
Busta Bus inna di place oonu fi clap oonu hand
Seh mi and Sean Paul link up come fi create a plan
To go a dancehall buss it up and mek couple grand

[...] Read more

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Ruth

When Ruth was left half desolate,
Her Father took another Mate;
And Ruth, not seven years old,
A slighted child, at her own will
Went wandering over dale and hill,
In thoughtless freedom, bold.

And she had made a pipe of straw,
And music from that pipe could draw
Like sounds of winds and floods;
Had built a bower upon the green,
As if she from her birth had been
An infant of the woods.

Beneath her father's roof, alone
She seemed to live; her thoughts her own;
Herself her own delight;
Pleased with herself, nor sad, nor gay;
And, passing thus the live-long day,
She grew to woman's height.

There came a Youth from Georgia's shore--
A military casque he wore,
With splendid feathers drest;
He brought them from the Cherokees;
The feathers nodded in the breeze,
And made a gallant crest.

From Indian blood you deem him sprung:
But no! he spake the English tongue,
And bore a soldier's name;
And, when America was free
From battle and from jeopardy,
He 'cross the ocean came.

With hues of genius on his cheek
In finest tones the Youth could speak:
--While he was yet a boy,
The moon, the glory of the sun,
And streams that murmur as they run,
Had been his dearest joy.

He was a lovely Youth! I guess
The panther in the wilderness
Was not so fair as he;
And, when he chose to sport and play,
No dolphin ever was so gay
Upon the tropic sea.

Among the Indians he had fought,

[...] Read more

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