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Jake Squared

Cast: Elias Koteas, Jennifer Jason Leigh, Virginia Madsen, Kevin Railsback, Jane Seymour, Mike Vogel, Gia Mantegna, Tanner Buchanan, Ron Gilbert

trailer for Jake Squared, directed by Howard Goldberg, screenplay by Howard Goldberg (2013)
Added by Veronica Serbanoiu
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Twin State

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poem by Caasder Fronds
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Da Doo Ron Ron

I met him on a monday and my heart stood still
Da doo ron ron ron
Da doo ron ron
Somebody told me that his name was bill
Da doo ron ron ron
Da doo ron ron
Yeah, my heart stood still
Yeah, his name was bill
And when he walked me home
Da doo ron ron ron
Da doo ron ron
Yeah, he looked so fine
Yeah, Ill make him mine
And when he walked me home
Da doo ron ron ron
Da doo ron ron
Yeah da doo ron ron
Da doo ron ron ron
Da doo ron ron
Yeah da doo ron ron
Da doo ron ron ron
Da doo ron ron

song performed by Carpenters
Added by Lucian Velea
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Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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King Edward IV. And The Tanner of Tamworth

In summer time, when leaves grow greene,
And blossoms bedecke the tree,
King Edward wolde a hunting ryde,
Some pastime for to see.

With hawke and hounde he made him bowne,
With horne, and eke with bowe;
To Drayon Basset he tooke his waye,
With all his lordes a rowe.

And he had ridden ore dale and downe
By eight of clocke in the day,
When he was ware of a bold tanner,
Come ryding along the waye.

A fayre russet coat the tanner had on,
Fast buttoned under his chin,
And under him a good cow-hide,
And a mare of four shilling.

'Nowe stand you still, my good lordes all,
Under the grene wood spraye;
And I will wend to yonder fellowe,
To weet what he will saye.

'God speede, God speede thee,' said our king,
'Thou art welcome, sir,' sayd hee.
'The readyest waye to Drayton Basset
I praye thee to shewe to mee.'

'To Drayton Basset woldst thou goe,
Fro the place where thou dost stand?
The next payre of gallowes thou comest unto,
Turne in upon thy right hand.'

'That is an unreadye waye,' sayd our king,
'Thou doest but jest I see;
Nowe shewe me out the nearest waye,
And I pray thee wend with mee.'

'Awaye with a vengeance!' quoth the tanner:
'I hold thee out of thy witt:
All day have I rydden on Brocke, my mare,
And I am fasting yett.'

'Go with me downe to Drayton Basset,
No daynties we will spare;
All daye shalt thou eate and drinke of the best,
And I will paye thy fare.'

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poem by Anonymous Olde English
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Eighth Book

ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.

The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Ninth Book

EVEN thus. I pause to write it out at length,
The letter of the Lady Waldemar.–

'I prayed your cousin Leigh to take you this,
He says he'll do it. After years of love,
Or what is called so,–when a woman frets
And fools upon one string of a man's name,
And fingers it for ever till it breaks,–
He may perhaps do for her such thing,
And she accept it without detriment
Although she should not love him any more
And I, who do not love him, nor love you,
Nor you, Aurora,–choose you shall repent
Your most ungracious letter, and confess,
Constrained by his convictions, (he's convinced)
You've wronged me foully. Are you made so ill,
You woman–to impute such ill to me?
We both had mothers,–lay in their bosom once.
Why, after all, I thank you, Aurora Leigh,
For proving to myself that there are things
I would not do, . . not for my life . . nor him . .
Though something I have somewhat overdone,–
For instance, when I went to see the gods
One morning, on Olympus, with a step
That shook the thunder in a certain cloud,
Committing myself vilely. Could I think,
The Muse I pulled my heart out from my breast
To soften, had herself a sort of heart,
And loved my mortal? He, at least, loved her;
I heard him say so; 'twas my recompence,
When, watching at his bedside fourteen days,
He broke out ever like a flame at whiles
Between the heats of fever . . . 'Is it thou?
'Breathe closer, sweetest mouth!' and when at last
The fever gone, the wasted face extinct
As if it irked him much to know me there,
He said, Twas kind, 'twas good, 'twas womanly,'
(And fifty praises to excuse one love)
'But was the picture safe he had ventured for?'
And then, half wandering . . 'I have loved her well,
Although she could not love me.'–'Say instead,'
I answered, 'that she loves you.'–'Twas my turn
To rave: (I would have married him so changed,
Although the world had jeered me properly
For taking up with Cupid at his worst,
The silver quiver worn off on his hair.)
'No, no,' he murmured, 'no, she loves me not;
'Aurora Leigh does better: bring her book
'And read it softly, Lady Waldemar,
'Until I thank your friendship more for that,

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Third Book

'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.

For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!

Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.

Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Gilbert

I. THE GARDEN.

Above the city hung the moon,
Right o'er a plot of ground
Where flowers and orchard-trees were fenced
With lofty walls around:
'Twas Gilbert's garden­there, to-night
Awhile he walked alone;
And, tired with sedentary toil,
Mused where the moonlight shone.

This garden, in a city-heart,
Lay still as houseless wild,
Though many-windowed mansion fronts
Were round it closely piled;
But thick their walls, and those within
Lived lives by noise unstirred;
Like wafting of an angel's wing,
Time's flight by them was heard.

Some soft piano-notes alone
Were sweet as faintly given,
Where ladies, doubtless, cheered the hearth
With song, that winter-even.
The city's many-mingled sounds
Rose like the hum of ocean;
They rather lulled the heart than roused
Its pulse to faster motion.

Gilbert has paced the single walk
An hour, yet is not weary;
And, though it be a winter night,
He feels nor cold nor dreary.
The prime of life is in his veins,
And sends his blood fast flowing,
And Fancy's fervour warms the thoughts
Now in his bosom glowing.

Those thoughts recur to early love,
Or what he love would name,
Though haply Gilbert's secret deeds
Might other title claim.
Such theme not oft his mind absorbs,
He to the world clings fast,
And too much for the present lives,
To linger o'er the past.

But now the evening's deep repose
Has glided to his soul;
That moonlight falls on Memory,

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poem by Charlotte Brontë from Poems by Currer, Ellis, and Acton Bell (1846)
Added by Veronica Serbanoiu
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Little Liza Jane

Traditional
Where is my tambourine wait a minute I'll get your tambourine
Got my tambourine get your thing baby
What's wrong with you what is it you want
Can't forget my tambourine boy want a minute
This is a folk tune nad it's called Little Liza Jane
We get some rhythm started here and see what happens
I got a beau you ain't got none Little Liza Jean
I got a beau you ain't got none Little Liza Jean
I got a beau you ain't got none Little Liza Jean
I got a beau you ain't got none Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Come my love and live with me
I will take good care of thee Little Liza Jean
Come my love and live with me
I will take good care of thee Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Hambone Hammer where you've been
Down by the river making gin
I know a man that's three feet tall
Drink his liquor and has a ball
Saw him just the other day
He had a horse and a ball of hay
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean
He took me to his great big town
Lots of people standing around
They were listening to a great big band
the bestest music in the land
I tell you once and tell you twice
Enjoy yourself and live your life
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Lisa Jane Jane Little Liza
Little Liza Jean Little Liza Jean
Oh Little Liza Liza Jane oh Little Liza Liza Jean

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song performed by Nina Simone
Added by Lucian Velea
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Little Liza Jean

Traditional
Where is my tambourine wait a minute Ill get your tambourine
Got my tambourine get your thing baby
Whats wrong with you what is it you want
Cant forget my tambourine boy want a minute
This is a folk tune nad its called little liza jane
We get some rhythm started here and see what happens
I got a beau you aint got none little liza jean
I got a beau you aint got none little liza jean
I got a beau you aint got none little liza jean
I got a beau you aint got none little liza jean
Oh little liza liza jane oh little liza liza jean
Oh little liza liza jane oh little liza liza jean
Come my love and live with me
I will take good care of thee little liza jean
Come my love and live with me
I will take good care of thee little liza jean
Oh little liza liza jane oh little liza liza jean
Oh little liza liza jane oh little liza liza jean
Hambone hammer where youve been
Down by the river making gin
I know a man thats three feet tall
Drink his liquor and has a ball
Saw him just the other day
He had a horse and a ball of hay
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Oh little liza liza jane oh little liza liza jean
Oh little liza liza jane oh little liza liza jean
He took me to his great big town
Lots of people standing around
They were listening to a great big band
The bestest music in the land
I tell you once and tell you twice
Enjoy yourself and live your life
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Little lisa jane jane little liza
Little lisa jane jane little liza
Little lisa jane jane little liza
Little liza jean little liza jean
Oh little liza liza jane oh little liza liza jean

[...] Read more

song performed by Nina Simone
Added by Lucian Velea
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poem by Caasder Fronds
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Seventh Book

'THE woman's motive? shall we daub ourselves
With finding roots for nettles? 'tis soft clay
And easily explored. She had the means,
The moneys, by the lady's liberal grace,
In trust for that Australian scheme and me,
Which so, that she might clutch with both her hands,
And chink to her naughty uses undisturbed,
She served me (after all it was not strange,;
'Twas only what my mother would have done)
A motherly, unmerciful, good turn.

'Well, after. There are nettles everywhere,
But smooth green grasses are more common still;
The blue of heaven is larger than the cloud;
A miller's wife at Clichy took me in
And spent her pity on me,–made me calm
And merely very reasonably sad.
She found me a servant's place in Paris where
I tried to take the cast-off life again,
And stood as quiet as a beaten ass
Who, having fallen through overloads, stands up
To let them charge him with another pack.

'A few months, so. My mistress, young and light,
Was easy with me, less for kindness than
Because she led, herself, an easy time
Betwixt her lover and her looking-glass,
Scarce knowing which way she was praised the most.
She felt so pretty and so pleased all day
She could not take the trouble to be cross,
But sometimes, as I stooped to tie her shoe,
Would tap me softly with her slender foot
Still restless with the last night's dancing in't,
And say 'Fie, pale-face! are you English girls
'All grave and silent? mass-book still, and Lent?
'And first-communion colours on your cheeks,
'Worn past the time for't? little fool, be gay!'
At which she vanished, like a fairy, through
A gap of silver laughter.
'Came an hour
When all went otherwise. She did not speak,
But clenched her brows, and clipped me with her eyes
As if a viper with a pair of tongs,
Too far for any touch, yet near enough
To view the writhing creature,–then at last,
'Stand still there, in the holy Virgin's name,
'Thou Marian; thou'rt no reputable girl,
'Although sufficient dull for twenty saints!
'I think thou mock'st me and my house,' she said;
'Confess thou'lt be a mother in a month,

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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All I Have (feat. Jennifer Lopez)

(LL Cool J)
Baby, don't go... Baby, don't go...
Baby, dont go... Baby, don't go...
Baby, don't go... Baby, don't go...
(Jennifer)
Ooh... Yeah... Yeah... Yeah...
(Jennifer)
It's such a shame but I'm leaving
Can't take the way you're mistreating me
And it's crazy, but oh baby
It don't matter, whatever
Don't phase me
(LL Cool J)
I don't believe you wanna leave like this
I don't believe I just had my last real kiss
I do believe we'll laugh and reminisce
Wait a minute, don't bounce baby,
let's talk about this, man...
(Jennifer)
Well I'm bouncin' and I'm out son
I gotta leave you alone
'Cause I'm good
Holdin' down my spot
And I'm good
Reppin' the girls on the block
And I'm good
I got this thing on lock
So without me you'll be fine - right
(Jennifer)
All my pride is all I have
(LL Cool J)
Pride is what you had, baby girl I'm what you have
(Jennifer)
You'll be needing me but too bad
(LL Cool J)
Be easy, don't make decisions while you're mad
(Jennifer)
The path you chose to run alone
(LL Cool J)
I know you're independent, you can make it on your own
(Jennifer)
Here with me you had a home, oh yeah...
(LL Cool J)
But time is of the essence, why spend it alone
(Jennifer)
The nights I waited up for you
Promises you made about coming through
So much time you wasted
That's why I had to replace you
(LL Cool J)

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song performed by LL Cool J
Added by Lucian Velea
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Second Book

TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Annie Protheroe. A Legend of Stratford-le-Bow

OH! listen to the tale of little ANNIE PROTHEROE.
She kept a small post-office in the neighbourhood of BOW;
She loved a skilled mechanic, who was famous in his day -
A gentle executioner whose name was GILBERT CLAY.

I think I hear you say, "A dreadful subject for your rhymes!"
O reader, do not shrink - he didn't live in modern times!
He lived so long ago (the sketch will show it at a glance)
That all his actions glitter with the lime-light of Romance.

In busy times he laboured at his gentle craft all day -
"No doubt you mean his Cal-craft," you amusingly will say -
But, no - he didn't operate with common bits of string,
He was a Public Headsman, which is quite another thing.

And when his work was over, they would ramble o'er the lea,
And sit beneath the frondage of an elderberry tree,
And ANNIE'S simple prattle entertained him on his walk,
For public executions formed the subject of her talk.

And sometimes he'd explain to her, which charmed her very much,
How famous operators vary very much in touch,
And then, perhaps, he'd show how he himself performed the trick,
And illustrate his meaning with a poppy and a stick.

Or, if it rained, the little maid would stop at home, and look
At his favourable notices, all pasted in a book,
And then her cheek would flush - her swimming eyes would dance with
joy
In a glow of admiration at the prowess of her boy.

One summer eve, at supper-time, the gentle GILBERT said
(As he helped his pretty ANNIE to a slice of collared head),
"This reminds me I must settle on the next ensuing day
The hash of that unmitigated villain PETER GRAY."

He saw his ANNIE tremble and he saw his ANNIE start,
Her changing colour trumpeted the flutter at her heart;
Young GILBERT'S manly bosom rose and sank with jealous fear,
And he said, "O gentle ANNIE, what's the meaning of this here?"

And ANNIE answered, blushing in an interesting way,
"You think, no doubt, I'm sighing for that felon PETER GRAY:
That I was his young woman is unquestionably true,
But not since I began a-keeping company with you."

Then GILBERT, who was irritable, rose and loudly swore
He'd know the reason why if she refused to tell him more;
And she answered (all the woman in her flashing from her eyes)
"You mustn't ask no questions, and you won't be told no lies!

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poem by William Schwenck Gilbert
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Fourth Book

THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'

So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side

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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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Sweet Jane

Standin' on the corner, suit case in my hand, Jack is in his coat, Jane is in her vest, and, me, I'm in a rock 'n' roll band. Riding in a Stutz-Bearcat, Jim. Ya know, those were different times. The poets, they studied rules of verse, and the ladies, they rolled their eyes.Sweet Jane! Sweet Jane! Sweet Jane!
Now, Jack, he is a banker, and Jane, she is a clerk. Both of them save their monies, when they come home from work. Sittin' down there by the fire, the radio does play. The classic music is, "The March of Wooden Soldiers", and you can heard Jack say, Sweet Jane, Sweet Jane, Sweet Jane.
Some people like to go out dancin'. Now other people they go to work. There's even some evil mothers, they'll tell you life's just made out of dirt.That women, they never really faint, and villains always blink their eyes.That childeren are the only ones who blush, and life is just to die. That every one who ever had a heart...that wouldn't turn round and break it, anyone that played a part, whooa, and wouldn't turn round and hate it.Sweet Jane, Sweet Jane, Sweet Jane.
Sweet Jane! (Sweet Jane) Sweet Jane! (Sweet Jane)...Sweet Jane! (Sweet Jane)...(Sweet Jane)...(Sweet Jane)...(Sweet Jane).

song performed by David Bowie
Added by Lucian Velea
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Mary Jane

Now when I go to work, I work all day,
Always turns out the same.
When I bring home my hard-earned pay
I spend my money all on mary jane.
Mary jane, mary jane, lord, my mary jane.
Oh if a man should look tame now, mean and mature,
They all turn out the same.
cause they cant do nothing to make a man feel good
Like my old mary jane.
Mary jane, mary jane, lord, my mary jane.
Now I walk in the street now lookin for a friend
One that can lend me some change.
And he never questions my reason why,
cause he too loves mary jane.
Mary jane, mary jane, lord, my mary jane.
Well, I have known women that wanted no man,
Some that wanted to stay.
But I never knew what happened in this world
Till I met up with mary jane,
Mary jane, mary jane, lord my mary jane.
Oh, when Im feelin lonesome and Im feelin blue,
Theres only one way to change.
Now I walk down the street now lookin for a man,
One that knows my mary jane,
Mary jane, mary jane, lord my mary jane.

song performed by Janis Joplin
Added by Lucian Velea
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Jane

Jane you say its all over for you and me girl
Theres a time for love and a time for letting it be baby
Jane youre playing a game called, called hard to get by its real name,
Making believe that you just dont feel the same. oh jane
Jane youre playing a game you never can win girl
Youre staying away so Ill ask you where you been baby
Like a cat and a mouse, (cat and a mouse) from door to door and house to house
Dont you pretend you dont know what Im talking about
Were all those nights we spent together, hey hey
Only because you didnt know better, I gotta know
Jane, youre playin a game, playin a game, playin a game
(jane, jane, jane)
Ah jane youre playing a game of hide and go seek
Jane youre playing for fun but I play for keeps, yes I do
(jane, jane, jane) thats a game on me
(jane, jane, jane) so plain to see
Janey jane why you foolin with me
(jane, jane, jane)

song performed by Starship
Added by Lucian Velea
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Sixth Book

THE English have a scornful insular way
Of calling the French light. The levity
Is in the judgment only, which yet stands;
For say a foolish thing but oft enough,
(And here's the secret of a hundred creeds,–
Men get opinions as boys learn to spell,
By re-iteration chiefly) the same thing
Shall pass at least for absolutely wise,
And not with fools exclusively. And so,
We say the French are light, as if we said
The cat mews, or the milch-cow gives us milk:
Say rather, cats are milked, and milch cows mew,
For what is lightness but inconsequence,
Vague fluctuation 'twixt effect and cause,
Compelled by neither? Is a bullet light,
That dashes from the gun-mouth, while the eye
Winks, and the heart beats one, to flatten itself
To a wafer on the white speck on a wall
A hundred paces off? Even so direct,
So sternly undivertible of aim,
Is this French people.
All idealists
Too absolute and earnest, with them all
The idea of a knife cuts real flesh;
And still, devouring the safe interval
Which Nature placed between the thought and act,
They threaten conflagration to the world
And rush with most unscrupulous logic on
Impossible practice. Set your orators
To blow upon them with loud windy mouths
Through watchword phrases, jest or sentiment,
Which drive our burley brutal English mobs
Like so much chaff, whichever way they blow,–
This light French people will not thus be driven.
They turn indeed; but then they turn upon
Some central pivot of their thought and choice,
And veer out by the force of holding fast.
–That's hard to understand, for Englishmen
Unused to abstract questions, and untrained
To trace the involutions, valve by valve,
In each orbed bulb-root of a general truth,
And mark what subtly fine integument
Divides opposed compartments. Freedom's self
Comes concrete to us, to be understood,
Fixed in a feudal form incarnately
To suit our ways of thought and reverence,
The special form, with us, being still the thing.
With us, I say, though I'm of Italy
My mother's birth and grave, by father's grave
And memory; let it be,–a poet's heart

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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