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Project Almanac

Cast: Amy Landecker, Sofia Black-D'Elia, Virginia Gardner, Michelle DeFraites, Gary Grubbs, Patrick Johnson, Katie Garfield, Allen Evangelista, Hillary Harley, Cameron Fuller

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Project Almanac [trailer 2]

Cast: Amy Landecker, Sofia Black-D'Elia, Virginia Gardner, Michelle DeFraites, Gary Grubbs, Patrick Johnson, Katie Garfield, Allen Evangelista, Hillary Harley, Cameron Fuller

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Malcolm's Katie: A Love Story - Part III.

The great farm house of Malcolm Graem stood
Square shoulder'd and peak roof'd upon a hill,
With many windows looking everywhere;
So that no distant meadow might lie hid,
Nor corn-field hide its gold--nor lowing herd
Browse in far pastures, out of Malcolm's ken.
He lov'd to sit, grim, grey, and somewhat stern,
And thro' the smoke-clouds from his short clay pipe
Look out upon his riches; while his thoughts
Swung back and forth between the bleak, stern past,
And the near future, for his life had come
To that close balance, when, a pendulum,
The memory swings between me 'Then' and 'Now';
His seldom speech ran thus two diff'rent ways:
'When I was but a laddie, this I did';
Or, 'Katie, in the Fall I'll see to build
'Such fences or such sheds about the place;
'And next year, please the Lord, another barn.'
Katie's gay garden foam'd about the walls,
'Leagur'd the prim-cut modern sills, and rush'd
Up the stone walls--and broke on the peak'd roof.
And Katie's lawn was like a Poet's sward,
Velvet and sheer and di'monded with dew;
For such as win their wealth most aptly take
Smooth, urban ways and blend them with their own;
And Katie's dainty raiment was as fine
As the smooth, silken petals of the rose;
And her light feet, her nimble mind and voice,
In city schools had learn'd the city's ways,
And grafts upon the healthy, lonely vine
They shone, eternal blossoms 'mid the fruit.
For Katie had her sceptre in her hand
And wielded it right queenly there and here,
In dairy, store-room, kitchen--ev'ry spot
Where women's ways were needed on the place.
And Malcolm took her through his mighty fields,
And taught her lore about the change of crops;
And how to see a handsome furrow plough'd;
And how to choose the cattle for the mart;
And how to know a fair day's work when done;
And where to plant young orchards; for he said,
'God sent a lassie, but I need a son--
'Bethankit for His mercies all the same.'
And Katie, when he said it, thought of Max--
Who had been gone two winters and two springs,
And sigh'd, and thought, 'Would he not be your son?'
But all in silence, for she had too much
Of the firm will of Malcolm in her soul
To think of shaking that deep-rooted rock;
But hop'd the crystal current of his love

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Tale II

THE PARTING HOUR.

Minutely trace man's life; year after year,
Through all his days let all his deeds appear,
And then though some may in that life be strange,
Yet there appears no vast nor sudden change:
The links that bind those various deeds are seen,
And no mysterious void is left between.
But let these binding links be all destroyed,
All that through years he suffer'd or enjoy'd,
Let that vast gap be made, and then behold -
This was the youth, and he is thus when old;
Then we at once the work of time survey,
And in an instant see a life's decay;
Pain mix'd with pity in our bosoms rise,
And sorrow takes new sadness from surprise.
Beneath yon tree, observe an ancient pair -
A sleeping man; a woman in her chair,
Watching his looks with kind and pensive air;
Nor wife, nor sister she, nor is the name
Nor kindred of this friendly pair the same;
Yet so allied are they, that few can feel
Her constant, warm, unwearied, anxious zeal;
Their years and woes, although they long have

loved,
Keep their good name and conduct unreproved:
Thus life's small comforts they together share,
And while life lingers for the grave prepare.
No other subjects on their spirits press,
Nor gain such int'rest as the past distress:
Grievous events, that from the mem'ry drive
Life's common cares, and those alone survive,
Mix with each thought, in every action share,
Darken each dream, and blend with every prayer.
To David Booth, his fourth and last-born boy,
Allen his name, was more than common joy;
And as the child grew up, there seem'd in him
A more than common life in every limb;
A strong and handsome stripling he became,
And the gay spirit answer'd to the frame;
A lighter, happier lad was never seen,
For ever easy, cheerful, or serene;
His early love he fix'd upon a fair
And gentle maid--they were a handsome pair.
They at an infant-school together play'd,
Where the foundation of their love was laid:
The boyish champion would his choice attend
In every sport, in every fray defend.
As prospects open'd, and as life advanced,

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Narrative [ My Perspective ]

Patrick Jonathan Derilus
Mr. Filie
Period 6/7
Poetry

My Perspective

Patrick Jonathan Derilus is a young boy trying to turn his life around by defeating the demons that continue to destroy him….His life is somewhat different from how society sees everything else….
Feeling as if he is a cursed child …Cursed as if he is forever trapped in a cold cell…”Understanding” reality and how things happen is one of the things that attempts to get the best out of him and ironically it is succeeding…
But Patrick tries to look on the bright side of things and persists to becoming the best of the best…but there are spawns in which the devil created that prevents the young warrior from doing so…
“Depression”, “Doubt” and “Self Confidence” are some of the demons capable of easily annihilating Patrick…addressing these entity’s…Patrick is half way through this mile run..
But not aware of what goes on in his Penetrable temple, Destruction carries on to running amuck..
Patrick can hardly make it through the day when these Demons try to pursue him…Blood is spilled, but the low class warrior is still persistently consistent…
The only things that keep him alive are “Hope”, “Faith”, and the little confidence he has left…Inside the doors of the devil, as a New Jack; Patrick was clueless on how and why he reacts to things a certain way…Also to the way he is to this very day…Feeling like he was being controlled by a puppet master, he foolishly is put into one of Satan’s traps..As years went by, Patrick slowly began to picking up things in his mind and how it worked…
He learned on how to adapt and respond to these subliminal messages… but in time, Satan is able to quickly counteract on anything Patrick optimistically attempted to do. Leaving him with loopholes that would destroy Patrick from the inside…”WHY DOES MY MOOD AND PERSONALITY CONTINUE TO FLUCTUATE…? ” Patrick asks himself. So many questions asked but none of them answered… Satan has Patrick right where he wants him. “If I can’t rid of Patrick any other way, I can only destroy him mentally in which Patrick is easily fooled” Satan says.
Once internally defeated, pessimistic venoms leak into the sanctum of Patrick’s temple and slowly it is melting...”WHY ME? ! ” Patrick asks. Having the ability to even think for himself, Patrick wonders if he shall continue to fight off these Demons or become feasted upon…”Words coming from another voice will not be able to help me” Patrick says. Solutions being formed in his mind are to making the evil Entity’s disappear for good by finding an antidote to purifying Patrick’s mind…
But believing they are “antidotes” is too good to be true…Satan has created a loophole for everything in order to rid of Patrick anyway he can… Then realizing Patrick is seemingly hopeless on what to do for himself to Destroy Satan, He comes to the conclusion that Satan cannot destroy what does not exist… “WHEN MY SHACKLES OF DEPRESSION ARE BROKEN, I SHALL FIND TRUE HAPPINESS” Patrick sadly says. But he does not believe he shall rid of himself… He believes he shall continue to fight this everlasting war with Satan until these Demons are extinguished from the inside...Until he is Mentally Strong and is at peace with his mind…Patrick has vowed to attempting to destroy “Depression”, “Doubt” and “Negativity” in order to becoming the Man that he intends to be…Trying to recover from his internal scars.

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Malcolm's Katie: A Love Story - Part VI.

'Who curseth Sorrow knows her not at all.
Dark matrix she, from which the human soul
Has its last birth; whence, with its misty thews,
Close-knitted in her blackness, issues out;
Strong for immortal toil up such great heights,
As crown o'er crown rise through Eternity,
Without the loud, deep clamour of her wail,
The iron of her hands; the biting brine
Of her black tears; the Soul but lightly built
of indeterminate spirit, like a mist
Would lapse to Chaos in soft, gilded dreams,
As mists fade in the gazing of the sun.
Sorrow, dark mother of the soul, arise!
Be crown'd with spheres where thy bless'd children dwell,
Who, but for thee, were not. No lesser seat
Be thine, thou Helper of the Universe,
Than planet on planet pil'd!--thou instrument,
Close-clasp'd within the great Creative Hand!'

* * * * *

The Land had put his ruddy gauntlet on,
Of Harvest gold, to dash in Famine's face.
And like a vintage wain, deep dy'd with juice,
The great moon falter'd up the ripe, blue sky,
Drawn by silver stars--like oxen white
And horn'd with rays of light--Down the rich land
Malcolm's small valleys, fill'd with grain, lip-high,
Lay round a lonely hill that fac'd the moon,
And caught the wine-kiss of its ruddy light.
A cusp'd, dark wood caught in its black embrace
The valleys and the hill, and from its wilds,
Spic'd with dark cedars, cried the Whip-poor-will.
A crane, belated, sail'd across the moon;
On the bright, small, close link'd lakes green islets lay,
Dusk knots of tangl'd vines, or maple boughs,
Or tuft'd cedars, boss'd upon the waves.
The gay, enamell'd children of the swamp
Roll'd a low bass to treble, tinkling notes
Of little streamlets leaping from the woods.
Close to old Malcolm's mills, two wooden jaws
Bit up the water on a sloping floor;
And here, in season, rush'd the great logs down,
To seek the river winding on its way.
In a green sheen, smooth as a Naiad's locks,
The water roll'd between the shudd'ring jaws--
Then on the river level roar'd and reel'd--
In ivory-arm'd conflict with itself.
'Look down,' said Alfred, 'Katie, look and see
'How that but pictures my mad heart to you.

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Malcolm's Katie: A Love Story - Part I.

Max plac'd a ring on little Katie's hand,
A silver ring that he had beaten out
From that same sacred coin--first well-priz'd wage
For boyish labour, kept thro' many years.
'See, Kate,' he said, 'I had no skill to shape
Two hearts fast bound together, so I grav'd
Just K. and M., for Katie and for Max.'
'But, look; you've run the lines in such a way,
That M. is part of K., and K. of M.,'
Said Katie, smiling. 'Did you mean it thus?
I like it better than the double hearts.'
'Well, well,' he said, 'but womankind is wise!
Yet tell me, dear, will such a prophecy
Not hurt you sometimes, when I am away?
Will you not seek, keen ey'd, for some small break
In those deep lines, to part the K. and M.
For you? Nay, Kate, look down amid the globes
Of those large lilies that our light canoe
Divides, and see within the polish'd pool
That small, rose face of yours,--so dear, so fair,--
A seed of love to cleave into a rock,
And bourgeon thence until the granite splits
Before its subtle strength. I being gone--
Poor soldier of the axe--to bloodless fields,
(Inglorious battles, whether lost or won).
That sixteen summer'd heart of yours may say:
''I but was budding, and I did not know
My core was crimson and my perfume sweet;
I did not know how choice a thing I am;
I had not seen the sun, and blind I sway'd
To a strong wind, and thought because I sway'd,
'Twas to the wooer of the perfect rose--
That strong, wild wind has swept beyond my ken--
The breeze I love sighs thro' my ruddy leaves.'
'O, words!' said Katie, blushing, 'only words!
You build them up that I may push them down;
If hearts are flow'rs, I know that flow'rs can root--
'Bud, blossom, die--all in the same lov'd soil;
They do so in my garden. I have made
Your heart my garden. If I am a bud
And only feel unfoldment--feebly stir
Within my leaves: wait patiently; some June,
I'll blush a full-blown rose, and queen it, dear,
In your lov'd garden. Tho' I be a bud,
My roots strike deep, and torn from that dear soil
Would shriek like mandrakes--those witch things I read
Of in your quaint old books. Are you content?'
'Yes--crescent-wise--but not to round, full moon.
Look at yon hill that rounds so gently up
From the wide lake; a lover king it looks,

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Amys In The Attic

Mr. piser, I think you should come up here
Amys in the attic and brain has gone ecstatic
Not another day of all the suffering and pain I was just a little boy ever so naive
Amy was my best friend, I never want to hurt her
I never wanna ever wanna think about her murder
On the playground, I chase her down the slide
I chase her cross the monkey bars and she would run and hide
Jinglin and tumbling, I pushed her off the sled
Amy coincidently hit her head
Dumbling inside my brain, down came the wade
Amy isnt answering, who would get the blame?
Amy isnt laughing, amy isnt crying
Amy isnt really breathing, God I think shes dying
Suddenly, the air is cold I must get her inside
Even though she died, amy has to hide
Nobody must ever know that I made amy sick
Lock her up forever in the attic
Maybe it is best to die, thinking did she really die
Im thinking if its really true then how come I am telling you
And if I really meant to do it, should I be a victim to
Should I walk the terror stairs, and savior all my
Terror fears, no
Mr. piser, I think you should come up here
Amys in the attic and my brain has gone ecstatic
Every day I suffer but eleven years have passed
How long will this keep and the nightmares last
Sitting in my living room, another strange feeling
I think Im hearing tiny footsteps on the ceiling
Looking in my mirror, the image isnt clear
I feel as if a little girl is standing at my rear and
Then I awake at the blink of an eye
Voices from the attic yellin, why?
What if amy wasnt dead living in the box
Banging on the walls, rattling the locks
Feeding on the roaches, rodents, and filth
And when theres nothing left, she feeds off herself
Why do I think in amy of this way?
She was once a lovely girl running out to play
Maybe its all a dream insane fanatic
Maybe theres no amy in the attic after all
Maybe it is best to die, thinking did she really die
Im thinking if its really true then how come I am telling you
And if I really meant to do it, should I be a victim to
Should I walk the terror stairs, and savior all my
Terror fears, no
Mr. piser, I think you should come up here
Amys in the attic and my brain has gone ecstatic
Maybe it is best to die, thinking did she really die
Im thinking if its really true then how come I am telling you
And if I really meant to do it, should I be a victim to

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Katie

It may be through some foreign grace,
And unfamiliar charm of face;
It may be that across the foam
Which bore her from her childhood's home,
By some strange spell, my Katie brought,
Along with English creeds and thought --
Entangled in her golden hair --
Some English sunshine, warmth, and air!
I cannot tell -- but here to-day,
A thousand billowy leagues away
From that green isle whose twilight skies
No darker are than Katie's eyes,
She seems to me, go where she will,
An English girl in England still!

I meet her on the dusty street,
And daisies spring about her feet;
Or, touched to life beneath her tread,
An English cowslip lifts its head;
And, as to do her grace, rise up
The primrose and the buttercup!
I roam with her through fields of cane,
And seem to stroll an English lane,
Which, white with blossoms of the May,
Spreads its green carpet in her way!
As fancy wills, the path beneath
Is golden gorse, or purple heath:
And now we hear in woodlands dim
Their unarticulated hymn,
Now walk through rippling waves of wheat,
Now sink in mats of clover sweet,
Or see before us from the lawn
The lark go up to greet the dawn!
All birds that love the English sky
Throng round my path when she is by:
The blackbird from a neighboring thorn
With music brims the cup of morn,
And in a thick, melodious rain
The mavis pours her mellow strain!
But only when my Katie's voice
Makes all the listening woods rejoice
I hear -- with cheeks that flush and pale --
The passion of the nightingale!

Anon the pictures round her change,
And through an ancient town we range,
Whereto the shadowy memory clings
Of one of England's Saxon kings,
And which to shrine his fading fame
Still keeps his ashes and his name.

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Byron

Canto the Eighth

I
Oh blood and thunder! and oh blood and wounds!
These are but vulgar oaths, as you may deem,
Too gentle reader! and most shocking sounds:
And so they are; yet thus is Glory's dream
Unriddled, and as my true Muse expounds
At present such things, since they are her theme,
So be they her inspirers! Call them Mars,
Bellona, what you will -- they mean but wars.

II
All was prepared -- the fire, the sword, the men
To wield them in their terrible array.
The army, like a lion from his den,
March'd forth with nerve and sinews bent to slay, --
A human Hydra, issuing from its fen
To breathe destruction on its winding way,
Whose heads were heroes, which cut off in vain
Immediately in others grew again.

III
History can only take things in the gross;
But could we know them in detail, perchance
In balancing the profit and the loss,
War's merit it by no means might enhance,
To waste so much gold for a little dross,
As hath been done, mere conquest to advance.
The drying up a single tear has more
Of honest fame, than shedding seas of gore.

IV
And why? -- because it brings self-approbation;
Whereas the other, after all its glare,
Shouts, bridges, arches, pensions from a nation,
Which (it may be) has not much left to spare,
A higher title, or a loftier station,
Though they may make Corruption gape or stare,
Yet, in the end, except in Freedom's battles,
Are nothing but a child of Murder's rattles.

V
And such they are -- and such they will be found:
Not so Leonidas and Washington,
Whose every battle-field is holy ground,
Which breathes of nations saved, not worlds undone.
How sweetly on the ear such echoes sound!
While the mere victor's may appal or stun
The servile and the vain, such names will be
A watchword till the future shall be free.

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The Disgarded Garden

Their once was a young man who wanted to become a Gardner. There once was a young Rose Tree that wanted a Gardener. They met each other one summer day and began what seemed to be a beautiful relationship. The Gardner was attentive of his garden along with his Rose Tree and the Rose Tree was so happy that its tender branches grew and it bloomed continuously for the Gardner so he’d always be happy.

As time went by the Rose Tree noticed that Gardner wouldn’t tend to her as much as he once did. And when he did he would cut away harshly at the Rose Tree. The Rose Tree being a simple plant who did not need much attention still bloomed for the Gardner. It seemed the more she tried, the more the Gardner would cut away and the tree was now nestled in the ground. Why could this be? He had a bountiful garden that any Gardner would have loved to have. What more could anyone want thought the Rose Tree.

Now in an abandoned garden the Rose Tree grows back its branches, with very thick thorn’s to protect it self. As time goes by one day, out of nowhere appears a Gardener who has silently admired the Rose Tree from outside the garden gates and begins to nurture the Rose Tree in her garden. He tenderly and sympathetically pulls away all the weeds and brush from the Rose Tree so the air, rain & sunshine can reach her again. Allowing her the opportunity to grow back as she once was; vibrant, strong, colorful and to be simply, herself.

This is something the Rose Tree had long forgotten and is very grateful for the loving words of encouragement and kindness that her new Gardner has shown. She longingly awaits for his visits and when the Gardner comes to see her she bloom’s for him and relaxes underneath his beautifully kind smile. My darling Gardner, I am glad fate has brought you to walk along the path leading to the once lost garden and Rose Tree.

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Rokeby: Canto III.

I.
The hunting tribes of air and earth
Respect the brethren of their birth;
Nature, who loves the claim of kind,
Less cruel chase to each assign'd.
The falcon, poised on soaring wing,
Watches the wild-duck by the spring;
The slow-hound wakes the fox's lair;
The greyhound presses on the hare;
The eagle pounces on the lamb;
The wolf devours the fleecy dam:
Even tiger fell, and sullen bear,
Their likeness and their lineage spare,
Man, only, mars kind Nature's plan,
And turns the fierce pursuit on man;
Plying war's desultory trade,
Incursion, flight, and ambuscade,
Since Nimrod, Cush's mighty son,
At first the bloody game begun.

II.
The Indian, prowling for his prey,
Who hears the settlers track his way,
And knows in distant forest far
Camp his red brethren of the war;
He, when each double and disguise
To baffle the pursuit he tries,
Low crouching now his head to hide,
Where swampy streams through rushes glide
Now covering with the wither'd leaves
The foot-prints that the dew receives;
He, skill'd in every sylvan guile,
Knows not, nor tries, such various wile,
As Risingham, when on the wind
Arose the loud pursuit behind.
In Redesdale his youth had heard
Each art her wily dalesmen dared,
When Rooken-edge, and Redswair high,
To bugle rung and bloodhound's cry,
Announcing Jedwood-axe and spear,
And Lid'sdale riders in the rear;
And well his venturous life had proved
The lessons that his childhood loved.

III.
Oft had he shown, in climes afar
Each attribute of roving war;
The sharpen'd ear, the piercing eye,
The quick resolve in danger nigh;
The speed, that in the flight or chase,

[...] Read more

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Once In Love With Amy

I caught you sir
Having a look at her
As she went strolling by
Now didn't your heart go
Boom,boom,boom,boom,boom
And didn't you sigh a sigh
I warned you sir
Never to dream of her
Just bid such thoughs begone
Or it'll be
Boom,boom,boom,boom,boom,boom,boom
Boom,boom,boom,boom
From then on
For once in love with Amy
Always in love with Amy
Ever and ever fasinated by her
Sets your heart a fire to stay
Once you're kissed by Amy
Tear up your list it's Amy
Ply her with bon-bons, poetry,and flowers
Moon a million hours away
You might be quiet the fickle hearted rover
So care free and bold
Who loves a girl
And later thinks it over
And just quits cold
But once in love with Amy
Alway in love with Amy
Ever and ever sweetly you'll romance her
Trouble is the answer will be
That Amy rather stay in love with me
Da,da,da,da,da,da,da,da,da,da
Ever and ever fasinated by her
(Barry talks) oh I just love this song so much
I want everybody to sing along with me
Once your kissed by Amy
(backround singers)once your kissed by Amy
(Barry)tear up your list it's Amy
(backround singers)tear up your list it's Amy
(Barry) ply her with bon-bon,poetry,and flowers
(backround singers)ply her with bon-bons, poetry,and flowers
(Barry) moon a million hours away
(backround singers)moon a million hours away
(Barry)come on let me take it please
You might be quite the fickle hearted rover
So care free and bold
Who loves a girl and later thinks it over
And just quits cold
(Barry)everybody sing
Once in love with Amy

[...] Read more

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William Butler Yeats

Narrative And Dramatic The Wanderings Of Oisin

BOOK I

S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.

S. Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain

[...] Read more

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Katies Been Gone

(by j. r. robertson and r. manuel)
Katies been gone since the spring time;
She wrote one timen sent her love.
Katies been gone for such a long time now.
I wonder what kind of love shes thinkin of.
Dear katie,
If you can hear me,
I cant wait to have ya near me.
Oh, katie, since ya caught that bus,
Well, I just dont know how things are with us.
Im still here and youre out there.
Katie laughed when I said I was lonely.
She said, theres no need tfeel that way.
Katie said that I was her only one,
But then I wonder why she didnt wanna stay.
Dear katie, if Im the only one,
How much longer will you be gone?
Oh, katie, wont ya tell me straight:
How much longer do I have to wait?
Ill believe you,
But please come through.
I know its wrong to be apart this long;
You should be here, near me.
Katies been gone and now her face is slowly fading from my mind.
Shes gone to find some newer places,
Left the old life far behind.
Dear katie, dont ya miss your home?
I dont see why you had to roam.
Dear katie, since youve been away
I lose a little something every day
I need you here, but youre still out there.
Dear katie, please drop me a line,
Just write, love, to tell me youre fine.
Oh, katie, if you can hear me,
I just cant wait to have you near me.
I can only think
Where are you,
What ya do, may be theres someone new.

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Michelle

Michelle
I heard your lured howling
I cant resist temptation
I cant resist your smile
I cought your raddle eyes
Michelle
Michelle
My hagridden goblin
Michelle
My mellow
Michelle
Michelle
I must be insane
Its not me to blame
She loves only fame
Michelle caused me really pain
Michelle
Michelle
Michelle
Michelle
Auw

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