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Andrzej Majewski

Well organized criminal group we call mafia, the best organized mafia we call the state.

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The State

Nature, our father and mother,
gave us all we have got.
The state, our elder brother,
swipes the lot.

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In The State Of Rejection

In the state of rejection,
Some are unable...
To accept the affect of it!

But there can be a positive aspect of this.
If one is feeling that this has been done.
At least it is known.

And a self reflection not before accomplished,
Leaves one with time to review one's life.
With a spending of time to enjoy nature.
With no one around to disturb these personal visits.

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Look At The State Of You!

Jumpers down for goalposts
using a plastic ball
playing out in all weather
only stopping at nightfall.
No replica kits on display
No gloves on our hands
No rings or earrings
No girlie Alice Bands.
Covered from head to toe in mud
getting dark score fifteen all
cuts and bruises no shin pads
playing on with punctured ball.
I nod home the winning goal
and we'll all be back next day
'look at the state of you ' shouts Mum
Dad smiles, that'show he used to play.
Back then there wasn't much health and safety
And we weren't ruled by a nanny state
we just had lots of fun playing soccer
which to us football mad lads was great!

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The State Of Play

There is a choice to be made here
There is a will to be known
Either you live your own life or
Follow wherever I go
Nothings forever
And maybe Ill lonely cause you pain
Nothings forever
Or will we remain?
So tell me whats the state of play
Do I leave or do I stay
Tell me whats the state of play
Do you love, do you love, do you love me?
Tell me your darkest of secrets
Offer no thread of a lie
For if theres a key to the future
Youre looking him right in the eyes
Nothings forever
And time always changes everything
Nothings forever
From pauper to king
Do I leave or do I stay
Nothings forever, forever, forever, forever
Forever and ever

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I Pledge Allegiance To The State Of Rock & Roll

Looking back yeah I feel alright
Getting more than my expectations
Yeah my future looks clear and bright
I'm living up to my reputation
Yeah, I'm satisfied
Yeah, until the day I die
I gave my blood and I gave my soul
I stood my ground and I took control
The legend's growing as the story's told
I pledge allegiance to the state, of rock and roll
Oh yeah!
I've been a rebel for all my life
I never cared about regulations
I only went for the things I liked
And my guitar was my inspiration
Yeah, we pay a price
Yeah, I made the sacrifice
I gave my blood and I gave my soul
I stood my ground and I took control
The legend's growing as the story's told
I know that heaven's gonna wait
I pledge allegiance to the state, of rock and roll
Yeah, I'm satisfied
Yeah, until the day I die
I gave my blood and I gave my soul
I stood my ground and I took control
The legend's growing as the story's told
I know that heaven's gonna wait
I gave my blood and I gave my soul
I stood my ground and I took control
The legend's growing as the story's told
I pledge allegiance to the state, I pledge allegiance to the state
Of rock and roll, of rock and roll
Rock and roll

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Ambrose Bierce

Foundations Of The State

Observe, dear Lord, what lively pranks
Are played by sentimental cranks!
First this one mounts his hinder hoofs
And brays the chimneys off the roofs;
Then that one, with exalted voice,
Expounds the thesis of his choice,
Our understandings to bombard,
Till all the window panes are starred!
A third augments the vocal shock
Till steeples to their bases rock,
Confessing, as they humbly nod,
They hear and mark the will of God.
A fourth in oral thunder vents
His awful penury of sense
Till dogs with sympathetic howls,
And lowing cows, and cackling fowls,
Hens, geese, and all domestic birds,
Attest the wisdom of his words.
Cranks thus their intellects deflate
Of theories about the State.
This one avers 'tis built on Truth,
And that on Temperance. This youth
Declares that Science bears the pile;
That graybeard, with a holy smile,
Says Faith is the supporting stone;
While women swear that Love alone
Could so unflinchingly endure
The heavy load. And some are sure
The solemn vow of Christian Wedlock
Is the indubitable bedrock.

Physicians once about the bed
Of one whose life was nearly sped
Blew up a disputatious breeze
About the cause of his disease:
This, that and t' other thing they blamed.
'Tut, tut!' the dying man exclaimed,
'What made me ill I do not care;
You've not an ounce of it, I'll swear.
And if you had the skill to make it
I'd see you hanged before I'd take it!'

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The State Of My Life

Check the last time you took wine,
Blackman watch yourself in the land of your muse!
To the graves of the earth,
Whiteman you will always rule because of a little reason;
But, what are these medicines for?

Remember! The Creator created us all;
But, the great night is broken today,
And, the trumpets have sounded! !
There i saw people carrying weapons of war all along,
But the African cats have no chains on their necks.

The state of my life,
I do thank Father Yahweh for everything;
For, the European cats do have chains on their necks.

Fore consumes what it touches,
But a will or a testament can only go into effect once a person dies;
And like the secret of the Seventh Seal! !
But the army of horsemen are now ready for war!

The truth is already known around you,
Because, action speaks louder than words! !
And, a picture is worth a thousand words,
But, receive the truth always from the right people.

Deceived churches and assembles,
And like a woman clothed with the sun;
For the law of thought is around you,
And like a great wonder in heaven! !

The law od peace,
The 'Ishtar Egg' has nothing to do with the Messiah!
And like 'Isi and Iswara';
But today, a donkey's head is now sold for eighty shekels.

Of virginity and motherhood,
But fornication is sin;
And from the beginning to the end,
But like the muse of 'Ahoofe' in 'Gonja land'.

He knew he had done wrong,
She knew she had done worng,
But i am from 'Krachi' in the Northern Volta;
And, i knew nothing by myself,
Except being guided by the muse of love.

I planted and you watered,
But check the last time that you took wine;
For eye has not seen nor ear heard of it!
But the first light of dawn brings hope,
And like the state of my life in the land of your muse.

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I. The Ring and the Book

Do you see this Ring?
'T is Rome-work, made to match
(By Castellani's imitative craft)
Etrurian circlets found, some happy morn,
After a dropping April; found alive
Spark-like 'mid unearthed slope-side figtree-roots
That roof old tombs at Chiusi: soft, you see,
Yet crisp as jewel-cutting. There's one trick,
(Craftsmen instruct me) one approved device
And but one, fits such slivers of pure gold
As this was,—such mere oozings from the mine,
Virgin as oval tawny pendent tear
At beehive-edge when ripened combs o'erflow,—
To bear the file's tooth and the hammer's tap:
Since hammer needs must widen out the round,
And file emboss it fine with lily-flowers,
Ere the stuff grow a ring-thing right to wear.
That trick is, the artificer melts up wax
With honey, so to speak; he mingles gold
With gold's alloy, and, duly tempering both,
Effects a manageable mass, then works:
But his work ended, once the thing a ring,
Oh, there's repristination! Just a spirt
O' the proper fiery acid o'er its face,
And forth the alloy unfastened flies in fume;
While, self-sufficient now, the shape remains,
The rondure brave, the lilied loveliness,
Gold as it was, is, shall be evermore:
Prime nature with an added artistry—
No carat lost, and you have gained a ring.
What of it? 'T is a figure, a symbol, say;
A thing's sign: now for the thing signified.

Do you see this square old yellow Book, I toss
I' the air, and catch again, and twirl about
By the crumpled vellum covers,—pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since?
Examine it yourselves! I found this book,
Gave a lira for it, eightpence English just,
(Mark the predestination!) when a Hand,
Always above my shoulder, pushed me once,
One day still fierce 'mid many a day struck calm,
Across a Square in Florence, crammed with booths,
Buzzing and blaze, noontide and market-time,
Toward Baccio's marble,—ay, the basement-ledge
O' the pedestal where sits and menaces
John of the Black Bands with the upright spear,
'Twixt palace and church,—Riccardi where they lived,
His race, and San Lorenzo where they lie.
This book,—precisely on that palace-step
Which, meant for lounging knaves o' the Medici,
Now serves re-venders to display their ware,—
Mongst odds and ends of ravage, picture-frames
White through the worn gilt, mirror-sconces chipped,
Bronze angel-heads once knobs attached to chests,
(Handled when ancient dames chose forth brocade)
Modern chalk drawings, studies from the nude,
Samples of stone, jet, breccia, porphyry
Polished and rough, sundry amazing busts
In baked earth, (broken, Providence be praised!)
A wreck of tapestry, proudly-purposed web
When reds and blues were indeed red and blue,
Now offered as a mat to save bare feet
(Since carpets constitute a cruel cost)
Treading the chill scagliola bedward: then
A pile of brown-etched prints, two crazie each,
Stopped by a conch a-top from fluttering forth
—Sowing the Square with works of one and the same
Master, the imaginative Sienese
Great in the scenic backgrounds—(name and fame
None of you know, nor does he fare the worse:)
From these … Oh, with a Lionard going cheap
If it should prove, as promised, that Joconde
Whereof a copy contents the Louvre!—these
I picked this book from. Five compeers in flank
Stood left and right of it as tempting more—
A dogseared Spicilegium, the fond tale
O' the Frail One of the Flower, by young Dumas,
Vulgarized Horace for the use of schools,
The Life, Death, Miracles of Saint Somebody,
Saint Somebody Else, his Miracles, Death and Life,—
With this, one glance at the lettered back of which,
And "Stall!" cried I: a lira made it mine.

Here it is, this I toss and take again;
Small-quarto size, part print part manuscript:
A book in shape but, really, pure crude fact
Secreted from man's life when hearts beat hard,
And brains, high-blooded, ticked two centuries since.
Give it me back! The thing's restorative
I'the touch and sight.

That memorable day,
(June was the month, Lorenzo named the Square)
I leaned a little and overlooked my prize
By the low railing round the fountain-source
Close to the statue, where a step descends:
While clinked the cans of copper, as stooped and rose
Thick-ankled girls who brimmed them, and made place
For marketmen glad to pitch basket down,
Dip a broad melon-leaf that holds the wet,
And whisk their faded fresh. And on I read
Presently, though my path grew perilous
Between the outspread straw-work, piles of plait
Soon to be flapping, each o'er two black eyes
And swathe of Tuscan hair, on festas fine:
Through fire-irons, tribes of tongs, shovels in sheaves,
Skeleton bedsteads, wardrobe-drawers agape,
Rows of tall slim brass lamps with dangling gear,—
And worse, cast clothes a-sweetening in the sun:
None of them took my eye from off my prize.
Still read I on, from written title-page
To written index, on, through street and street,
At the Strozzi, at the Pillar, at the Bridge;
Till, by the time I stood at home again
In Casa Guidi by Felice Church,
Under the doorway where the black begins
With the first stone-slab of the staircase cold,
I had mastered the contents, knew the whole truth
Gathered together, bound up in this book,
Print three-fifths, written supplement the rest.
"Romana Homicidiorum"—nay,
Better translate—"A Roman murder-case:
"Position of the entire criminal cause
"Of Guido Franceschini, nobleman,
"With certain Four the cutthroats in his pay,
"Tried, all five, and found guilty and put to death
"By heading or hanging as befitted ranks,
"At Rome on February Twenty Two,
"Since our salvation Sixteen Ninety Eight:
"Wherein it is disputed if, and when,
"Husbands may kill adulterous wives, yet 'scape
"The customary forfeit."

Word for word,
So ran the title-page: murder, or else
Legitimate punishment of the other crime,
Accounted murder by mistake,—just that
And no more, in a Latin cramp enough
When the law had her eloquence to launch,
But interfilleted with Italian streaks
When testimony stooped to mother-tongue,—
That, was this old square yellow book about.

Now, as the ingot, ere the ring was forged,
Lay gold, (beseech you, hold that figure fast!)
So, in this book lay absolutely truth,
Fanciless fact, the documents indeed,
Primary lawyer-pleadings for, against,
The aforesaid Five; real summed-up circumstance
Adduced in proof of these on either side,
Put forth and printed, as the practice was,
At Rome, in the Apostolic Chamber's type,
And so submitted to the eye o' the Court
Presided over by His Reverence
Rome's Governor and Criminal Judge,—the trial
Itself, to all intents, being then as now
Here in the book and nowise out of it;
Seeing, there properly was no judgment-bar,
No bringing of accuser and accused,
And whoso judged both parties, face to face
Before some court, as we conceive of courts.
There was a Hall of Justice; that came last:
For Justice had a chamber by the hall
Where she took evidence first, summed up the same,
Then sent accuser and accused alike,
In person of the advocate of each,
To weigh its worth, thereby arrange, array
The battle. 'T was the so-styled Fisc began,
Pleaded (and since he only spoke in print
The printed voice of him lives now as then)
The public Prosecutor—"Murder's proved;
"With five … what we call qualities of bad,
"Worse, worst, and yet worse still, and still worse yet;
"Crest over crest crowning the cockatrice,
"That beggar hell's regalia to enrich
"Count Guido Franceschini: punish him!"
Thus was the paper put before the court
In the next stage, (no noisy work at all,)
To study at ease. In due time like reply
Came from the so-styled Patron of the Poor,
Official mouthpiece of the five accused
Too poor to fee a better,—Guido's luck
Or else his fellows',—which, I hardly know,—
An outbreak as of wonder at the world,
A fury-fit of outraged innocence,
A passion of betrayed simplicity:
"Punish Count Guido? For what crime, what hint
"O' the colour of a crime, inform us first!
"Reward him rather! Recognize, we say,
"In the deed done, a righteous judgment dealt!
"All conscience and all courage,—there's our Count
"Charactered in a word; and, what's more strange,
"He had companionship in privilege,
"Found four courageous conscientious friends:
"Absolve, applaud all five, as props of law,
"Sustainers of society!—perchance
"A trifle over-hasty with the hand
"To hold her tottering ark, had tumbled else;
"But that's a splendid fault whereat we wink,
"Wishing your cold correctness sparkled so!"
Thus paper second followed paper first,
Thus did the two join issue—nay, the four,
Each pleader having an adjunct. "True, he killed
"—So to speak—in a certain sort—his wife,
"But laudably, since thus it happed!" quoth one:
Whereat, more witness and the case postponed.
"Thus it happed not, since thus he did the deed,
"And proved himself thereby portentousest
"Of cutthroats and a prodigy of crime,
"As the woman that he slaughtered was a saint,
"Martyr and miracle!" quoth the other to match:
Again, more witness, and the case postponed.
"A miracle, ay—of lust and impudence;
"Hear my new reasons!" interposed the first:
"—Coupled with more of mine!" pursued his peer.
"Beside, the precedents, the authorities!"
From both at once a cry with an echo, that!
That was a firebrand at each fox's tail
Unleashed in a cornfield: soon spread flare enough,
As hurtled thither and there heaped themselves
From earth's four corners, all authority
And precedent for putting wives to death,
Or letting wives live, sinful as they seem.
How legislated, now, in this respect,
Solon and his Athenians? Quote the code
Of Romulus and Rome! Justinian speak!
Nor modern Baldo, Bartolo be dumb!
The Roman voice was potent, plentiful;
Cornelia de Sicariis hurried to help
Pompeia de Parricidiis; Julia de
Something-or-other jostled Lex this-and-that;
King Solomon confirmed Apostle Paul:
That nice decision of Dolabella, eh?
That pregnant instance of Theodoric, oh!
Down to that choice example Ælian gives
(An instance I find much insisted on)
Of the elephant who, brute-beast though he were,
Yet understood and punished on the spot
His master's naughty spouse and faithless friend;
A true tale which has edified each child,
Much more shall flourish favoured by our court!
Pages of proof this way, and that way proof,
And always—once again the case postponed.
Thus wrangled, brangled, jangled they a month,
—Only on paper, pleadings all in print,
Nor ever was, except i' the brains of men,
More noise by word of mouth than you hear now—
Till the court cut all short with "Judged, your cause.
"Receive our sentence! Praise God! We pronounce
"Count Guido devilish and damnable:
"His wife Pompilia in thought, word and deed,
"Was perfect pure, he murdered her for that:
"As for the Four who helped the One, all Five—
"Why, let employer and hirelings share alike
"In guilt and guilt's reward, the death their due!"

So was the trial at end, do you suppose?
"Guilty you find him, death you doom him to?
"Ay, were not Guido, more than needs, a priest,
"Priest and to spare!"—this was a shot reserved;
I learn this from epistles which begin
Here where the print ends,—see the pen and ink
Of the advocate, the ready at a pinch!—
"My client boasts the clerkly privilege,
"Has taken minor orders many enough,
"Shows still sufficient chrism upon his pate
"To neutralize a blood-stain: presbyter,
"Primæ tonsuræ, subdiaconus,
"Sacerdos, so he slips from underneath
"Your power, the temporal, slides inside the robe
"Of mother Church: to her we make appeal
"By the Pope, the Church's head!"

A parlous plea,
Put in with noticeable effect, it seems;
"Since straight,"—resumes the zealous orator,
Making a friend acquainted with the facts,—
"Once the word 'clericality' let fall,
"Procedure stopped and freer breath was drawn
"By all considerate and responsible Rome."
Quality took the decent part, of course;
Held by the husband, who was noble too:
Or, for the matter of that, a churl would side
With too-refined susceptibility,
And honour which, tender in the extreme,
Stung to the quick, must roughly right itself
At all risks, not sit still and whine for law
As a Jew would, if you squeezed him to the wall,
Brisk-trotting through the Ghetto. Nay, it seems,
Even the Emperor's Envoy had his say
To say on the subject; might not see, unmoved,
Civility menaced throughout Christendom
By too harsh measure dealt her champion here.
Lastly, what made all safe, the Pope was kind,
From his youth up, reluctant to take life,
If mercy might be just and yet show grace;
Much more unlikely then, in extreme age,
To take a life the general sense bade spare.
'T was plain that Guido would go scatheless yet.

But human promise, oh, how short of shine!
How topple down the piles of hope we rear!
How history proves … nay, read Herodotus!
Suddenly starting from a nap, as it were,
A dog-sleep with one shut, one open orb,
Cried the Pope's great self,—Innocent by name
And nature too, and eighty-six years old,
Antonio Pignatelli of Naples, Pope
Who had trod many lands, known many deeds,
Probed many hearts, beginning with his own,
And now was far in readiness for God,—
'T was he who first bade leave those souls in peace,
Those Jansenists, re-nicknamed Molinists,
('Gainst whom the cry went, like a frowsy tune,
Tickling men's ears—the sect for a quarter of an hour
I' the teeth of the world which, clown-like, loves to chew
Be it but a straw 'twixt work and whistling-while,
Taste some vituperation, bite away,
Whether at marjoram-sprig or garlic-clove,
Aught it may sport with, spoil, and then spit forth)
"Leave them alone," bade he, "those Molinists!
"Who may have other light than we perceive,
"Or why is it the whole world hates them thus?"
Also he peeled off that last scandal-rag
Of Nepotism; and so observed the poor
That men would merrily say, "Halt, deaf and blind,
"Who feed on fat things, leave the master's self
"To gather up the fragments of his feast,
'These be the nephews of Pope Innocent!—
"His own meal costs but five carlines a day,
"Poor-priest's allowance, for he claims no more."
—He cried of a sudden, this great good old Pope,
When they appealed in last resort to him,
"I have mastered the whole matter: I nothing doubt.
"Though Guido stood forth priest from head to heel,
"Instead of, as alleged, a piece of one,—
"And further, were he, from the tonsured scalp
"To the sandaled sole of him, my son and Christ's,
"Instead of touching us by finger-tip
"As you assert, and pressing up so close
"Only to set a blood-smutch on our robe,—
"I and Christ would renounce all right in him.
"Am I not Pope, and presently to die,
"And busied how to render my account,
"And shall I wait a day ere I decide
"On doing or not doing justice here?
"Cut off his head to-morrow by this time,
"Hang up his four mates, two on either hand,
"And end one business more!"

So said, so done—
Rather so writ, for the old Pope bade this,
I find, with his particular chirograph,
His own no such infirm hand, Friday night;
And next day, February Twenty Two,
Since our salvation Sixteen Ninety Eight,
—Not at the proper head-and-hanging-place
On bridge-foot close by Castle Angelo,
Where custom somewhat staled the spectacle,
('T was not so well i' the way of Rome, beside,
The noble Rome, the Rome of Guido's rank)
But at the city's newer gayer end,—
The cavalcading promenading place
Beside the gate and opposite the church
Under the Pincian gardens green with Spring,
'Neath the obelisk 'twixt the fountains in the Square,
Did Guido and his fellows find their fate,
All Rome for witness, and—my writer adds—
Remonstrant in its universal grief,
Since Guido had the suffrage of all Rome.

This is the bookful; thus far take the truth,
The untempered gold, the fact untampered with,
The mere ring-metal ere the ring be made!
And what has hitherto come of it? Who preserves
The memory of this Guido, and his wife
Pompilia, more than Ademollo's name,
The etcher of those prints, two crazie each,
Saved by a stone from snowing broad the Square
With scenic backgrounds? Was this truth of force?
Able to take its own part as truth should,
Sufficient, self-sustaining? Why, if so—
Yonder's a fire, into it goes my book,
As who shall say me nay, and what the loss?
You know the tale already: I may ask,
Rather than think to tell you, more thereof,—
Ask you not merely who were he and she,
Husband and wife, what manner of mankind,
But how you hold concerning this and that
Other yet-unnamed actor in the piece.
The young frank handsome courtly Canon, now,
The priest, declared the lover of the wife,
He who, no question, did elope with her,
For certain bring the tragedy about,
Giuseppe Caponsacchi;—his strange course
I' the matter, was it right or wrong or both?
Then the old couple, slaughtered with the wife
By the husband as accomplices in crime,
Those Comparini, Pietro and his spouse,—
What say you to the right or wrong of that,
When, at a known name whispered through the door
Of a lone villa on a Christmas night,
It opened that the joyous hearts inside
Might welcome as it were an angel-guest
Come in Christ's name to knock and enter, sup
And satisfy the loving ones he saved;
And so did welcome devils and their death?
I have been silent on that circumstance
Although the couple passed for close of kin
To wife and husband, were by some accounts
Pompilia's very parents: you know best.
Also that infant the great joy was for,
That Gaetano, the wife's two-weeks' babe,
The husband's first-born child, his son and heir,
Whose birth and being turned his night to day—
Why must the father kill the mother thus
Because she bore his son and saved himself?


Well, British Public, ye who like me not,
(God love you!) and will have your proper laugh
At the dark question, laugh it! I laugh first.
Truth must prevail, the proverb vows; and truth
—Here is it all i' the book at last, as first
There it was all i' the heads and hearts of Rome
Gentle and simple, never to fall nor fade
Nor be forgotten. Yet, a little while,
The passage of a century or so,
Decads thrice five, and here's time paid his tax,
Oblivion gone home with her harvesting,
And all left smooth again as scythe could shave.
Far from beginning with you London folk,
I took my book to Rome first, tried truth's power
On likely people. "Have you met such names?
"Is a tradition extant of such facts?
"Your law-courts stand, your records frown a-row:
"What if I rove and rummage?" "—Why, you'll waste
"Your pains and end as wise as you began!"
Everyone snickered: "names and facts thus old
"Are newer much than Europe news we find
"Down in to-day's Diario. Records, quotha?
"Why, the French burned them, what else do the French?
"The rap-and-rending nation! And it tells
"Against the Church, no doubt,—another gird
"At the Temporality, your Trial, of course?"
"—Quite otherwise this time," submitted I;
"Clean for the Church and dead against the world,
"The flesh and the devil, does it tell for once."
"—The rarer and the happier! All the same,
"Content you with your treasure of a book,
"And waive what's wanting! Take a friend's advice!
"It's not the custom of the country. Mend
"Your ways indeed and we may stretch a point:
"Go get you manned by Manning and new-manned
"By Newman and, mayhap, wise-manned to boot
"By Wiseman, and we'll see or else we won't!
"Thanks meantime for the story, long and strong,
"A pretty piece of narrative enough,
"Which scarce ought so to drop out, one would think,
"From the more curious annals of our kind.
"Do you tell the story, now, in off-hand style,
"Straight from the book? Or simply here and there,
"(The while you vault it through the loose and large)
"Hang to a hint? Or is there book at all,
"And don't you deal in poetry, make-believe,
"And the white lies it sounds like?"


Yes and no!
From the book, yes; thence bit by bit I dug
The lingot truth, that memorable day,
Assayed and knew my piecemeal gain was gold,—
Yes; but from something else surpassing that,
Something of mine which, mixed up with the mass,
Made it bear hammer and be firm to file.
Fancy with fact is just one fact the more;
To-wit, that fancy has informed, transpierced,
Thridded and so thrown fast the facts else free,
As right through ring and ring runs the djereed
And binds the loose, one bar without a break.
I fused my live soul and that inert stuff,
Before attempting smithcraft, on the night
After the day when,—truth thus grasped and gained,—
The book was shut and done with and laid by
On the cream-coloured massive agate, broad
'Neath the twin cherubs in the tarnished frame
O' the mirror, tall thence to the ceiling-top.
And from the reading, and that slab I leant
My elbow on, the while I read and read,
I turned, to free myself and find the world,
And stepped out on the narrow terrace, built
Over the street and opposite the church,
And paced its lozenge-brickwork sprinkled cool;
Because Felice-church-side stretched, a-glow
Through each square window fringed for festival,
Whence came the clear voice of the cloistered ones
Chanting a chant made for midsummer nights—
I know not what particular praise of God,
It always came and went with June. Beneath
I' the street, quick shown by openings of the sky
When flame fell silently from cloud to cloud,
Richer than that gold snow Jove rained on Rhodes,
The townsmen walked by twos and threes, and talked,
Drinking the blackness in default of air—
A busy human sense beneath my feet:
While in and out the terrace-plants, and round
One branch of tall datura, waxed and waned
The lamp-fly lured there, wanting the white flower.
Over the roof o' the lighted church I looked
A bowshot to the street's end, north away
Out of the Roman gate to the Roman road
By the river, till I felt the Apennine.
And there would lie Arezzo, the man's town,
The woman's trap and cage and torture-place,
Also the stage where the priest played his part,
A spectacle for angels,—ay, indeed,
There lay Arezzo! Farther then I fared,
Feeling my way on through the hot and dense,
Romeward, until I found the wayside inn
By Castelnuovo's few mean hut-like homes
Huddled together on the hill-foot bleak,
Bare, broken only by that tree or two
Against the sudden bloody splendour poured
Cursewise in day's departure by the sun
O'er the low house-roof of that squalid inn
Where they three, for the first time and the last,
Husband and wife and priest, met face to face.
Whence I went on again, the end was near,
Step by step, missing none and marking all,
Till Rome itself, the ghastly goal, I reached.
Why, all the while,—how could it otherwise?—
The life in me abolished the death of things,
Deep calling unto deep: as then and there
Acted itself over again once more
The tragic piece. I saw with my own eyes
In Florence as I trod the terrace, breathed
The beauty and the fearfulness of night,
How it had run, this round from Rome to Rome—
Because, you are to know, they lived at Rome,
Pompilia's parents, as they thought themselves,
Two poor ignoble hearts who did their best
Part God's way, part the other way than God's,
To somehow make a shift and scramble through
The world's mud, careless if it splashed and spoiled,
Provided they might so hold high, keep clean
Their child's soul, one soul white enough for three,
And lift it to whatever star should stoop,
What possible sphere of purer life than theirs
Should come in aid of whiteness hard to save.
I saw the star stoop, that they strained to touch,
And did touch and depose their treasure on,
As Guido Franceschini took away
Pompilia to be his for evermore,
While they sang "Now let us depart in peace,
"Having beheld thy glory, Guido's wife!"
I saw the star supposed, but fog o' the fen,
Gilded star-fashion by a glint from hell;
Having been heaved up, haled on its gross way,
By hands unguessed before, invisible help
From a dark brotherhood, and specially
Two obscure goblin creatures, fox-faced this,
Cat-clawed the other, called his next of kin
By Guido the main monster,—cloaked and caped,
Making as they were priests, to mock God more,—
Abate Paul, Canon Girolamo.
These who had rolled the starlike pest to Rome
And stationed it to suck up and absorb
The sweetness of Pompilia, rolled again
That bloated bubble, with her soul inside,
Back to Arezzo and a palace there—
Or say, a fissure in the honest earth
Whence long ago had curled the vapour first,
Blown big by nether firs to appal day:
It touched home, broke, and blasted far and wide.
I saw the cheated couple find the cheat
And guess what foul rite they were captured for,—
Too fain to follow over hill and dale
That child of theirs caught up thus in the cloud
And carried by the Prince o' the Power of the Air
Whither he would, to wilderness or sea.
I saw them, in the potency of fear,
Break somehow through the satyr-family
(For a grey mother with a monkey-mien,
Mopping and mowing, was apparent too,
As, confident of capture, all took hands
And danced about the captives in a ring)
—Saw them break through, breathe safe, at Rome again,
Saved by the selfish instinct, losing so
Their loved one left with haters. These I saw,
In recrudescency of baffled hate,
Prepare to wring the uttermost revenge
From body and soul thus left them: all was sure,
Fire laid and cauldron set, the obscene ring traced,
The victim stripped and prostrate: what of God?
The cleaving of a cloud, a cry, a crash,
Quenched lay their cauldron, cowered i' the dust the crew,
As, in a glory of armour like Saint George,
Out again sprang the young good beauteous priest
Bearing away the lady in his arms,
Saved for a splendid minute and no more.
For, whom i' the path did that priest come upon,
He and the poor lost lady borne so brave,
—Checking the song of praise in me, had else
Swelled to the full for God's will done on earth—
Whom but a dusk misfeatured messenger,
No other than the angel of this life,
Whose care is lest men see too much at once.
He made the sign, such God-glimpse must suffice,
Nor prejudice the Prince o' the Power of the Air,
Whose ministration piles us overhead
What we call, first, earth's roof and, last, heaven's floor,
Now grate o' the trap, then outlet of the cage:
So took the lady, left the priest alone,
And once more canopied the world with black.
But through the blackness I saw Rome again,
And where a solitary villa stood
In a lone garden-quarter: it was eve,
The second of the year, and oh so cold!
Ever and anon there flittered through the air
A snow-flake, and a scanty couch of snow
Crusted the grass-walk and the garden-mould.
All was grave, silent, sinister,—when, ha?
Glimmeringly did a pack of were-wolves pad
The snow, those flames were Guido's eyes in front,
And all five found and footed it, the track,
To where a threshold-streak of warmth and light
Betrayed the villa-door with life inside,
While an inch outside were those blood-bright eyes,
And black lips wrinkling o'er the flash of teeth,
And tongues that lolled—Oh God that madest man!
They parleyed in their language. Then one whined—
That was the policy and master-stroke—
Deep in his throat whispered what seemed a name—
"Open to Caponsacchi!" Guido cried:
"Gabriel!" cried Lucifer at Eden-gate.
Wide as a heart, opened the door at once,
Showing the joyous couple, and their child
The two-weeks' mother, to the wolves, the wolves
To them. Close eyes! And when the corpses lay
Stark-stretched, and those the wolves, their wolf-work done,
Were safe-embosomed by the night again,
I knew a necessary change in things;
As when the worst watch of the night gives way,
And there comes duly, to take cognizance,
The scrutinizing eye-point of some star—
And who despairs of a new daybreak now?
Lo, the first ray protruded on those five!
It reached them, and each felon writhed transfixed.
Awhile they palpitated on the spear
Motionless over Tophet: stand or fall?
"I say, the spear should fall—should stand, I say!"
Cried the world come to judgment, granting grace
Or dealing doom according to world's wont,
Those world's-bystanders grouped on Rome's crossroad
At prick and summons of the primal curse
Which bids man love as well as make a lie.
There prattled they, discoursed the right and wrong,
Turned wrong to right, proved wolves sheep and sheep wolves,
So that you scarce distinguished fell from fleece;
Till out spoke a great guardian of the fold,
Stood up, put forth his hand that held the crook,
And motioned that the arrested point decline:
Horribly off, the wriggling dead-weight reeled,
Rushed to the bottom and lay ruined there.
Though still at the pit's mouth, despite the smoke
O' the burning, tarriers turned again to talk
And trim the balance, and detect at least
A touch of wolf in what showed whitest sheep,
A cross of sheep redeeming the whole wolf,—
Vex truth a little longer:—less and less,
Because years came and went, and more and more
Brought new lies with them to be loved in turn.
Till all at once the memory of the thing,—
The fact that, wolves or sheep, such creatures were,—
Which hitherto, however men supposed,
Had somehow plain and pillar-like prevailed
I' the midst of them, indisputably fact,
Granite, time's tooth should grate against, not graze,—
Why, this proved sandstone, friable, fast to fly
And give its grain away at wish o' the wind.
Ever and ever more diminutive,
Base gone, shaft lost, only entablature,
Dwindled into no bigger than a book,
Lay of the column; and that little, left
By the roadside 'mid the ordure, shards and weeds.
Until I haply, wandering that lone way,
Kicked it up, turned it over, and recognized,
For all the crumblement, this abacus,
This square old yellow book,—could calculate
By this the lost proportions of the style.

This was it from, my fancy with those facts,
I used to tell the tale, turned gay to grave,
But lacked a listener seldom; such alloy,
Such substance of me interfused the gold
Which, wrought into a shapely ring therewith,
Hammered and filed, fingered and favoured, last
Lay ready for the renovating wash
O' the water. "How much of the tale was true?"
I disappeared; the book grew all in all;
The lawyers' pleadings swelled back to their size,—
Doubled in two, the crease upon them yet,
For more commodity of carriage, see!—
And these are letters, veritable sheets
That brought posthaste the news to Florence, writ
At Rome the day Count Guido died, we find,
To stay the craving of a client there,
Who bound the same and so produced my book.
Lovers of dead truth, did ye fare the worse?
Lovers of live truth, found ye false my tale?

Well, now; there's nothing in nor out o' the world
Good except truth: yet this, the something else,
What's this then, which proves good yet seems untrue?
This that I mixed with truth, motions of mine
That quickened, made the inertness malleolable
O'the gold was not mine,—what's your name for this?
Are means to the end, themselves in part the end?
Is fiction which makes fact alive, fact too?
The somehow may be thishow.

I find first
Writ down for very A B C of fact,
"In the beginning God made heaven and earth;"
From which, no matter with what lisp, I spell
And speak you out a consequence—that man,
Man,—as befits the made, the inferior thing,—
Purposed, since made, to grow, not make in turn,
Yet forced to try and make, else fail to grow,—
Formed to rise, reach at, if not grasp and gain
The good beyond him,—which attempt is growth,—
Repeats God's process in man's due degree,
Attaining man's proportionate result,—
Creates, no, but resuscitates, perhaps.
Inalienable, the arch-prerogative
Which turns thought, act—conceives, expresses too!
No less, man, bounded, yearning to be free,
May so proiect his surplusage of soul
In search of body, so add self to self
By owning what lay ownerless before,—
So find, so fill full, so appropriate forms—
That, although nothing which had never life
Shall get life from him, be, not having been,
Yet, something dead may get to live again,
Something with too much life or not enough,
Which, either way imperfect, ended once:
An end whereat man's impulse intervenes,
Makes new beginning, starts the dead alive,
Completes the incomplete and saves the thing.
Man's breath were vain to light a virgin wick,—
Half-burned-out, all but quite-quenched wicks o' the lamp
Stationed for temple-service on this earth,
These indeed let him breathe on and relume!
For such man's feat is, in the due degree,
—Mimic creation, galvanism for life,
But still a glory portioned in the scale.
Why did the mage say,—feeling as we are wont
For truth, and stopping midway short of truth,
And resting on a lie,—"I raise a ghost"?
"Because," he taught adepts, "man makes not man.
"Yet by a special gift, an art of arts,
"More insight and more outsight and much more
"Will to use both of these than boast my mates,
"I can detach from me, commission forth
"Half of my soul; which in its pilgrimage
"O'er old unwandered waste ways of the world,
"May chance upon some fragment of a whole,
"Rag of flesh, scrap of bone in dim disuse,
"Smoking flax that fed fire once: prompt therein
"I enter, spark-like, put old powers to play,
"Push lines out to the limit, lead forth last
"(By a moonrise through a ruin of a crypt)
"What shall be mistily seen, murmuringly heard,
"Mistakenly felt: then write my name with Faust's!"
Oh, Faust, why Faust? Was not Elisha once?—
Who bade them lay his staff on a corpse-face.
There was no voice, no hearing: he went in
Therefore, and shut the door upon them twain,
And prayed unto the Lord: and he went up
And lay upon the corpse, dead on the couch,
And put his mouth upon its mouth, his eyes
Upon its eyes, his hands upon its hands,
And stretched him on the flesh; the flesh waxed warm:
And he returned, walked to and fro the house,
And went up, stretched him on the flesh again,
And the eyes opened. 'T is a credible feat
With the right man and way.

Enough of me!
The Book! I turn its medicinable leaves
In London now till, as in Florence erst,
A spirit laughs and leaps through every limb,
And lights my eye, and lifts me by the hair,
Letting me have my will again with these
—How title I the dead alive once more?

Count Guido Franceschini the Aretine,
Descended of an ancient house, though poor,
A beak-nosed bushy-bearded black-haired lord,
Lean, pallid, low of stature yet robust,
Fifty years old,—having four years ago
Married Pompilia Comparini, young,
Good, beautiful, at Rome, where she was born,
And brought her to Arezzo, where they lived
Unhappy lives, whatever curse the cause,—
This husband, taking four accomplices,
Followed this wife to Rome, where she was fled
From their Arezzo to find peace again,
In convoy, eight months earlier, of a priest,
Aretine also, of still nobler birth,
Giuseppe Caponsacchi,—caught her there
Quiet in a villa on a Christmas night,
With only Pietro and Violante by,
Both her putative parents; killed the three,
Aged, they, seventy each, and she, seventeen,
And, two weeks since, the mother of his babe
First-born and heir to what the style was worth
O' the Guido who determined, dared and did
This deed just as he purposed point by point.
Then, bent upon escape, but hotly pressed,
And captured with his co-mates that same night,
He, brought to trial, stood on this defence—
Injury to his honour caused the act;
And since his wife was false, (as manifest
By flight from home in such companionship,)
Death, punishment deserved of the false wife
And faithless parents who abetted her
I' the flight aforesaid, wronged nor God nor man.
"Nor false she, nor yet faithless they," replied
The accuser; "cloaked and masked this murder glooms;
"True was Pompilia, loyal too the pair;
"Out of the man's own heart a monster curled
"Which crime coiled with connivancy at crime—
"His victim's breast, he tells you, hatched and reared;
"Uncoil we and stretch stark the worm of hell!"
A month the trial swayed this way and that
Ere judgment settled down on Guido's guilt;
Then was the Pope, that good Twelfth Innocent,
Appealed to: who well weighed what went before,
Affirmed the guilt and gave the guilty doom.

Let this old woe step on the stage again!
Act itself o'er anew for men to judge,
Not by the very sense and sight indeed—
(Which take at best imperfect cognizance,
Since, how heart moves brain, and how both move hand,
What mortal ever in entirety saw?)
—No dose of purer truth than man digests,
But truth with falsehood, milk that feeds him now,
Not strong meat he may get to bear some day—
To-wit, by voices we call evidence,
Uproar in the echo, live fact deadened down,
Talked over, bruited abroad, whispered away,
Yet helping us to all we seem to hear:
For how else know we save by worth of word?

Here are the voices presently shall sound
In due succession. First, the world's outcry
Around the rush and ripple of any fact
Fallen stonewise, plumb on the smooth face of things;
The world's guess, as it crowds the bank o' the pool,
At what were figure and substance, by their splash:
Then, by vibrations in the general mind,
At depth of deed already out of reach.
This threefold murder of the day before,—
Say, Half-Rome's feel after the vanished truth;
Honest enough, as the way is: all the same,
Harbouring in the centre of its sense
A hidden germ of failure, shy but sure,
To neutralize that honesty and leave
That feel for truth at fault, as the way is too.
Some prepossession such as starts amiss,
By but a hair's breadth at the shoulder-blade,
The arm o' the feeler, dip he ne'er so bold;
So leads arm waveringly, lets fall wide
O' the mark its finger, sent to find and fix
Truth at the bottom, that deceptive speck.
With this Half-Rome,—the source of swerving, call
Over-belief in Guido's right and wrong
Rather than in Pompilia's wrong and right:
Who shall say how, who shall say why? 'T is there—
The instinctive theorizing whence a fact
Looks to the eye as the eye likes the look.
Gossip in a public place, a sample-speech.
Some worthy, with his previous hint to find
A husband's side the safer, and no whit
Aware he is not Æacus the while,—
How such an one supposes and states fact
To whosoever of a multitude
Will listen, and perhaps prolong thereby
The not-unpleasant flutter at the breast,
Born of a certain spectacle shut in
By the church Lorenzo opposite. So, they lounge
Midway the mouth o'the street, on Corso side,
'Twixt palace Fiano and palace Ruspoli,
Linger and listen; keeping clear o' the crowd,
Yet wishful one could lend that crowd one's eyes,
(So universal is its plague of squint)
And make hearts beat our time that flutter false:
—All for the truth's sake, mere truth, nothing else!
How Half-Rome found for Guido much excuse.

Next, from Rome's other half, the opposite feel
For truth with a like swerve, like unsuccess,—
Or if success, by no skill but more luck
This time, through siding rather with the wife,
Because a fancy-fit inclined that way,
Than with the husband. One wears drab, one pink;
Who wears pink, ask him "Which shall win the race,
"Of coupled runners like as egg and egg?"
"—Why, if I must choose, he with the pink scarf."
Doubtless for some such reason choice fell here.
A piece of public talk to correspond
At the next stage of the story; just a day
Let pass and new day brings the proper change.
Another sample-speech i' the market-place
O' the Barberini by the Capucins;
Where the old Triton, at his fountain-sport,
Bernini's creature plated to the paps,
Puffs up steel sleet which breaks to diamond dust,
A spray of sparkles snorted from his conch,
High over the caritellas, out o' the way
O' the motley merchandizing multitude.
Our murder has been done three days ago,
The frost is over and gone, the south wind laughs,
And, to the very tiles of each red roof
A-smoke i' the sunshine, Rome lies gold and glad:
So, listen how, to the other half of Rome,
Pompilia seemed a saint and martyr both!

Then, yet another day let come and go,
With pause prelusive still of novelty,
Hear a fresh speaker!—neither this nor that
Half-Rome aforesaid; something bred of both:
One and one breed the inevitable three.
Such is the personage harangues you next;
The elaborated product, tertium quid:
Rome's first commotion in subsidence gives
The curd o'the cream, flower o' the wheat, as it were,
And finer sense o' the city. Is this plain?
You get a reasoned statement of the case,
Eventual verdict of the curious few
Who care to sift a business to the bran
Nor coarsely bolt it like the simpler sort.
Here, after ignorance, instruction speaks;
Here, clarity of candour, history's soul,
The critical mind, in short: no gossip-guess.
What the superior social section thinks,
In person of some man of quality
Who,—breathing musk from lace-work and brocade,
His solitaire amid the flow of frill,
Powdered peruke on nose, and bag at back,
And cane dependent from the ruffled wrist,—
Harangues in silvery and selectest phrase
'Neath waxlight in a glorified saloon
Where mirrors multiply the girandole:
Courting the approbation of no mob,
But Eminence This and All-Illustrious That
Who take snuff softly, range in well-bred ring,
Card-table-quitters for observance' sake,
Around the argument, the rational word—
Still, spite its weight and worth, a sample-speech.
How Quality dissertated on the case.

So much for Rome and rumour; smoke comes first:
Once let smoke rise untroubled, we descry
Clearlier what tongues of flame may spire and spit
To eye and ear, each with appropriate tinge
According to its food, or pure or foul.
The actors, no mere rumours of the act,
Intervene. First you hear Count Guido's voice,
In a small chamber that adjoins the court,
Where Governor and Judges, summoned thence,
Tommati, Venturini and the rest,
Find the accused ripe for declaring truth.
Soft-cushioned sits he; yet shifts seat, shirks touch,
As, with a twitchy brow and wincing lip
And cheek that changes to all kinds of white,
He proffers his defence, in tones subdued
Near to mock-mildness now, so mournful seems
The obtuser sense truth fails to satisfy;
Now, moved, from pathos at the wrong endured,
To passion; for the natural man is roused
At fools who first do wrong then pour the blame
Of their wrong-doing, Satan-like, on Job.
Also his tongue at times is hard to curb;
Incisive, nigh satiric bites the phrase,
Rough-raw, yet somehow claiming privilege
—It is so hard for shrewdness to admit
Folly means no harm when she calls black white!
—Eruption momentary at the most,
Modified forthwith by a fall o' the fire,
Sage acquiescence; for the world's the world,
And, what it errs in, Judges rectify:
He feels he has a fist, then folds his arms
Crosswise and makes his mind up to be meek.
And never once does he detach his eye
From those ranged there to slay him or to save,
But does his best man's-service for himself,
Despite,—what twitches brow and makes lip wince,—
His limbs' late taste of what was called the Cord,
Or Vigil-torture more facetiously.
Even so; they were wont to tease the truth
Out of loth witness (toying, trifling time)
By torture: 't was a trick, a vice of the age,
Here, there and everywhere, what would you have?
Religion used to tell Humanity
She gave him warrant or denied him course.
And since the course was much to his own mind,
Of pinching flesh and pulling bone from bone
To unhusk truth a-hiding in its hulls,
Nor whisper of a warning stopped the way,
He, in their joint behalf, the burly slave,
Bestirred him, mauled and maimed all recusants,
While, prim in place, Religion overlooked;
And so had done till doomsday, never a sign
Nor sound of interference from her mouth,
But that at last the burly slave wiped brow,
Let eye give notice as if soul were there,
Muttered "'T is a vile trick, foolish more than vile,
"Should have been counted sin; I make it so:
"At any rate no more of it for me—
"Nay, for I break the torture-engine thus!"
Then did Religion start up, stare amain,
Look round for help and see none, smile and say
"What, broken is the rack? Well done of thee!
"Did I forget to abrogate its use?
"Be the mistake in common with us both!
"—One more fault our blind age shall answer for,
"Down in my book denounced though it must be
"Somewhere. Henceforth find truth by milder means!"
Ah but, Religion, did we wait for thee
To ope the book, that serves to sit upon,
And pick such place out, we should wait indeed!
That is all history: and what is not now,
Was then, defendants found it to their cost.
How Guido, after being tortured, spoke.

Also hear Caponsacchi who comes next,
Man and priest—could you comprehend the coil!—
In days when that was rife which now is rare.
How, mingling each its multifarious wires,
Now heaven, now earth, now heaven and earth at once,
Had plucked at and perplexed their puppet here,
Played off the young frank personable priest;
Sworn fast and tonsured plain heaven's celibate,
And yet earth's clear-accepted servitor,
A courtly spiritual Cupid, squire of dames
By law of love and mandate of the mode.
The Church's own, or why parade her seal,
Wherefore that chrism and consecrative work?
Yet verily the world's, or why go badged
A prince of sonneteers and lutanists,
Show colour of each vanity in vogue
Borne with decorum due on blameless breast?
All that is changed now, as he tells the court
How he had played the part excepted at;
Tells it, moreover, now the second time:
Since, for his cause of scandal, his own share
I' the flight from home and husband of the wife,
He has been censured, punished in a sort
By relegation,—exile, we should say,
To a short distance for a little time,—
Whence he is summoned on a sudden now,
Informed that she, he thought to save, is lost,
And, in a breath, bidden re-tell his tale,
Since the first telling somehow missed effect,
And then advise in the matter. There stands he,
While the same grim black-panelled chamber blinks
As though rubbed shiny with the sins of Rome
Told the same oak for ages—wave-washed wall
Against which sets a sea of wickedness.
There, where you yesterday heard Guido speak,
Speaks Caponsacchi; and there face him too
Tommati, Venturini and the rest
Who, eight months earlier, scarce repressed the smile,
Forewent the wink; waived recognition so
Of peccadillos incident to youth,
Especially youth high-born; for youth means love,
Vows can't change nature, priests are only men,
And love likes stratagem and subterfuge
Which age, that once was youth, should recognize,
May blame, but needs not press too hard upon.
Here sit the old Judges then, but with no grace
Of reverend carriage, magisterial port:
For why? The accused of eight months since,—the same
Who cut the conscious figure of a fool,
Changed countenance, dropped bashful gaze to ground,
While hesitating for an answer then,—
Now is grown judge himself, terrifies now
This, now the other culprit called a judge,
Whose turn it is to stammer and look strange,
As he speaks rapidly, angrily, speech that smites:
And they keep silence, bear blow after blow,
Because the seeming-solitary man,
Speaking for God, may have an audience too,
Invisible, no discreet judge provokes.
How the priest Caponsacchi said his say.

Then a soul sighs its lowest and its last
After the loud ones,—so much breath remains
Unused by the four-days'-dying; for she lived
Thus long, miraculously long, 't was thought,
Just that Pompilia might defend herself.
How, while the hireling and the alien stoop,
Comfort, yet question,—since the time is brief,
And folk, allowably inquisitive,
Encircle the low pallet where she lies
In the good house that helps the poor to die,—
Pompilia tells the story of her life.
For friend and lover,—leech and man of law
Do service; busy helpful ministrants
As varied in their calling as their mind,
Temper and age: and yet from all of these,
About the white bed under the arched roof,
Is somehow, as it were, evolved a one,—
Small separate sympathies combined and large,
Nothings that were, grown something very much:
As if the bystanders gave each his straw,
All he had, though a trifle in itself,
Which, plaited all together, made a Cross
Fit to die looking on and praying with,
Just as well as if ivory or gold.
So, to the common kindliness she speaks,
There being scarce more privacy at the last
For mind than body: but she is used to bear,
And only unused to the brotherly look.
How she endeavoured to explain her life.

Then, since a Trial ensued, a touch o' the same
To sober us, flustered with frothy talk,
And teach our common sense its helplessness.
For why deal simply with divining-rod,
Scrape where we fancy secret sources flow,
And ignore law, the recognized machine,
Elaborate display of pipe and wheel
Framed to unchoke, pump up and pour apace
Truth till a flowery foam shall wash the world?
The patent truth-extracting process,—ha?
Let us make that grave mystery turn one wheel,
Give you a single grind of law at least!
One orator, of two on either side,
Shall teach us the puissance of the tongue
—That is, o' the pen which simulated tongue
On paper and saved all except the sound
Which never was. Law's speech beside law's thought?
That were too stunning, too immense an odds:
That point of vantage law lets nobly pass.
One lawyer shall admit us to behold
The manner of the making out a case,
First fashion of a speech; the chick in egg,
The masterpiece law's bosom incubates.
How Don Giacinto of the Arcangeli,
Called Procurator of the Poor at Rome,
Now advocate for Guido and his mates,—
The jolly learned man of middle age,
Cheek and jowl all in laps with fat and law,
Mirthful as mighty, yet, as great hearts use,
Despite the name and fame that tempt our flesh,
Constant to that devotion of the hearth,
Still captive in those dear domestic ties!—
How he,—having a cause to triumph with,
All kind of interests to keep intact,
More than one efficacious personage
To tranquillize, conciliate and secure,
And above all, public anxiety
To quiet, show its Guido in good hands,—
Also, as if such burdens were too light,
A certain family-feast to claim his care,
The birthday-banquet for the only son—
Paternity at smiling strife with law—
How he brings both to buckle in one bond;
And, thick at throat, with waterish under-eye,
Turns to his task and settles in his seat
And puts his utmost means in practice now:
Wheezes out law-phrase, whiffles Latin forth,
And, just as though roast lamb would never be,
Makes logic levigate the big crime small:
Rubs palm on palm, rakes foot with itchy foot,
Conceives and inchoates the argument,
Sprinkling each flower appropriate to the time,
—Ovidian quip or Ciceronian crank,
A-bubble in the larynx while he laughs,
As he had fritters deep down frying there.
How he turns, twists, and tries the oily thing
Shall be—first speech for Guido 'gainst the Fisc.
Then with a skip as it were from heel to head,
Leaving yourselves fill up the middle bulk
O' the Trial, reconstruct its shape august,
From such exordium clap we to the close;
Give you, if we dare wing to such a height,
The absolute glory in some full-grown speech
On the other side, some finished butterfly,
Some breathing diamond-flake with leaf-gold fans,
That takes the air, no trace of worm it was,
Or cabbage-bed it had production from.
Giovambattista o' the Bottini, Fisc,
Pompilia's patron by the chance of the hour,
To-morrow her persecutor,—composite, he,
As becomes who must meet such various calls—
Odds of age joined in him with ends of youth.
A man of ready smile and facile tear,
Improvised hopes, despairs at nod and beck,
And language—ah, the gift of eloquence!
Language that goes, goes, easy as a glove,
O'er good and evil, smoothens both to one.
Rashness helps caution with him, fires the straw,
In free enthusiastic careless fit,
On the first proper pinnacle of rock
Which offers, as reward for all that zeal,
To lure some bark to founder and bring gain:
While calm sits Caution, rapt with heavenward eye,
A true confessor's gaze, amid the glare
Beaconing to the breaker, death and hell.
"Well done, thou good and faithful" she approves:
"Hadst thou let slip a faggot to the beach,
"The crew might surely spy thy precipice
"And save their boat; the simple and the slow
"Might so, forsooth, forestall the wrecker's fee!
"Let the next crew be wise and hail in time!"
Just so compounded is the outside man,
Blue juvenile pure eye and pippin cheek,
And brow all prematurely soiled and seamed
With sudden age, bright devastated hair.
Ah, but you miss the very tones o' the voice,
The scrannel pipe that screams in heights of head,
As, in his modest studio, all alone,
The tall wight stands a-tiptoe, strives and strains,
Both eyes shut, like the cockerel that would crow,
Tries to his own self amorously o'er
What never will be uttered else than so—
Since to the four walls, Forum and Mars' Hill,
Speaks out the poesy which, penned, turns prose.
Clavecinist debarred his instrument,
He yet thrums—shirking neither turn nor trill,
With desperate finger on dumb table-edge—
The sovereign rondo, shall conclude his Suite,
Charm an imaginary audience there,
From old Corelli to young Haendel, both
I' the flesh at Rome, ere he perforce go print
The cold black score, mere music for the mind—
The last speech against Guido and his gang,
With special end to prove Pompilia pure.
How the Fisc vindicates Pompilia's fame.

Then comes the all but end, the ultimate
Judgment save yours. Pope Innocent the Twelfth,
Simple, sagacious, mild yet resolute,
With prudence, probity and—what beside
From the other world he feels impress at times,
Having attained to fourscore years and six,—
How, when the court found Guido and the rest
Guilty, but law supplied a subterfuge
And passed the final sentence to the Pope,
He, bringing his intelligence to bear
This last time on what ball behoves him drop
In the urn, or white or black, does drop a black,
Send five souls more to just precede his own,
Stand him in stead and witness, if need were,
How he is wont to do God's work on earth.
The manner of his sitting out the dim
Droop of a sombre February day
In the plain closet where he does such work,
With, from all Peter's treasury, one stool,
One table and one lathen crucifix.
There sits the Pope, his thoughts for company;
Grave but not sad,—nay, something like a cheer
Leaves the lips free to be benevolent,
Which, all day long, did duty firm and fast.
A cherishing there is of foot and knee,
A chafing loose-skinned large-veined hand with hand,—
What steward but knows when stewardship earns its wage,
May levy praise, anticipate the lord?
He reads, notes, lays the papers down at last,
Muses, then takes a turn about the room;
Unclasps a huge tome in an antique guise,
Primitive print and tongue half obsolete,
That stands him in diurnal stead; opes page,
Finds place where falls the passage to be conned
According to an order long in use:
And, as he comes upon the evening's chance,
Starts somewhat, solemnizes straight his smile,
Then reads aloud that portion first to last,
And at the end lets flow his own thoughts forth
Likewise aloud, for respite and relief,
Till by the dreary relics of the west
Wan through the half-moon window, all his light,
He bows the head while the lips move in prayer,
Writes some three brief lines, signs and seals the same,
Tinkles a hand-bell, bids the obsequious Sir
Who puts foot presently o' the closet-sill
He watched outside of, bear as superscribed
That mandate to the Governor forthwith:
Then heaves abroad his cares in one good sigh,
Traverses corridor with no arm's help,
And so to sup as a clear conscience should.
The manner of the judgment of the Pope.

Then must speak Guido yet a second time,
Satan's old saw being apt here—skin for skin,
All a man hath that will he give for life.
While life was graspable and gainable,
And bird-like buzzed her wings round Guido's brow,
Not much truth stiffened out the web of words
He wove to catch her: when away she flew
And death came, death's breath rivelled up the lies,
Left bare the metal thread, the fibre fine
Of truth, i' the spinning: the true words shone last.
How Guido, to another purpose quite,
Speaks and despairs, the last night of his life,
In that New Prison by Castle Angelo
At the bridge foot: the same man, another voice.
On a stone bench in a close fetid cell,
Where the hot vapour of an agony,
Struck into drops on the cold wall, runs down—
Horrible worms made out of sweat and tears—
There crouch, well nigh to the knees in dungeon-straw,
Lit by the sole lamp suffered for their sake,
Two awe-struck figures, this a Cardinal,
That an Abate, both of old styled friends
O' the thing part man part monster in the midst,
So changed is Franceschini's gentle blood.
The tiger-cat screams now, that whined before,
That pried and tried and trod so gingerly,
Till in its silkiness the trap-teeth joined;
Then you know how the bristling fury foams.
They listen, this wrapped in his folds of red,
While his feet fumble for the filth below;
The other, as beseems a stouter heart,
Working his best with beads and cross to ban
The enemy that comes in like a flood
Spite of the standard set up, verily
And in no trope at all, against him there
For at the prison-gate, just a few steps
Outside, already, in the doubtful dawn,
Thither, from this side and from that, slow sweep
And settle down in silence solidly,
Crow-wise, the frightful Brotherhood of Death.
Black-hatted and black-hooded huddle they,
Black rosaries a-dangling from each waist;
So take they their grim station at the door,
Torches lit, skull-and-cross-bones-banner spread,
And that gigantic Christ with open arms,
Grounded. Nor lacks there aught but that the group
Break forth, intone the lamentable psalm,
"Out of the deeps, Lord, have I cried to thee!"—
When inside, from the true profound, a sign
Shall bear intelligence that the foe is foiled,
Count Guido Franceschini has confessed,
And is absolved and reconciled with God.
Then they, intoning, may begin their march,
Make by the longest way for the People's Square,
Carry the criminal to his crime's award:
A mob to cleave, a scaffolding to reach,
Two gallows and Mannaia crowning all.
How Guido made defence a second time.

Finally, even as thus by step and step
I led you from the level of to-day
Up to the summit of so long ago,
Here, whence I point you the wide prospect round—
Let me, by like steps, slope you back to smooth,
Land you on mother-earth, no whit the worse,
To feed o' the fat o' the furrow: free to dwell,
Taste our time's better things profusely spread
For all who love the level, corn and wine,
Much cattle and the many-folded fleece.
Shall not my friends go feast again on sward,
Though cognizant of country in the clouds
Higher than wistful eagle's horny eye
Ever unclosed for, 'mid ancestral crags,
When morning broke and Spring was back once more,
And he died, heaven, save by his heart, unreached?
Yet heaven my fancy lifts to, ladder-like,—
As Jack reached, holpen of his beanstalk-rungs!

A novel country: I might make it mine
By choosing which one aspect of the year
Suited mood best, and putting solely that
On panel somewhere in the House of Fame,
Landscaping what I saved, not what I saw:
—Might fix you, whether frost in goblin-time
Startled the moon with his abrupt bright laugh,
Or, August's hair afloat in filmy fire,
She fell, arms wide, face foremost on the world,
Swooned there and so singed out the strength of things.
Thus were abolished Spring and Autumn both,
The land dwarfed to one likeness of the land,
Life cramped corpse-fashion. Rather learn and love
Each facet-flash of the revolving year!—
Red, green and blue that whirl into a white,
The variance now, the eventual unity,
Which make the miracle. See it for yourselves,
This man's act, changeable because alive!
Action now shrouds, nor shows the informing thought;
Man, like a glass ball with a spark a-top,
Out of the magic fire that lurks inside,
Shows one tint at a time to take the eye:
Which, let a finger touch the silent sleep,
Shifted a hair's-breadth shoots you dark for bright,
Suffuses bright with dark, and baffles so
Your sentence absolute for shine or shade.
Once set such orbs,—white styled, black stigmatized,—
A-rolling, see them once on the other side
Your good men and your bad men every one
From Guido Franceschini to Guy Faux,
Oft would you rub your eyes and change your names

Such, British Public, ye who like me not,
(God love you!)—whom I yet have laboured for,
Perchance more careful whoso runs may read
Than erst when all, it seemed, could read who ran,—
Perchance more careless whoso reads may praise
Than late when he who praised and read and wrote
Was apt to find himself the self-same me,—
Such labour had such issue, so I wrought
This arc, by furtherance of such alloy,
And so, by one spirt, take away its trace
Till, justifiably golden, rounds my ring.

A ring without a posy, and that ring mine?

O lyric Love, half angel and half bird
And all a wonder and a wild desire,—
Boldest of hearts that ever braved the sun,
Took sanctuary within the holier blue,
And sang a kindred soul out to his face,—
Yet human at the red-ripe of the heart—
When the first summons from the darkling earth
Reached thee amid thy chambers, blanched their blue,
And bared them of the glory—to drop down,
To toil for man, to suffer or to die,—
This is the same voice: can thy soul know change?
Hail then, and hearken from the realms of help!
Never may I commence my song, my due
To God who best taught song by gift of thee,
Except with bent head and beseeching hand—
That still, despite the distance and the dark,
What was, again may be; some interchange
Of grace, some splendour once thy very thought,
Some benediction anciently thy smile:
—Never conclude, but raising hand and head
Thither where eyes, that cannot reach, yet yearn
For all hope, all sustainment, all reward,
Their utmost up and on,—so blessing back
In those thy realms of help, that heaven thy home,
Some whiteness which, I judge, thy face makes proud,
Some wanness where, I think, thy foot may fall!

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The Right Call To Define It

Chasing rainbows on one's knees,
Is not a good sign one is understanding...
The definition of happiness.
Or hasn't learned too many lessons about life.

Anything chased on knees,
Can not be taken too seriously.
It is only with faith kept and knowing...
Anything that belongs needs not to be chased.

And...
If it is,
Chased...
Somebody is being made a fool.
And 'if' that somebody is on knees...
Pleading,
'Baby baby please I'm in need? '
Well...
Stupidity for this action,
Would be the right call to define it!
Don't look for any other definition to depict this.
Stupidity is what this is!

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The English Teacher

I bumped into my grandson's English teacher yesterday
at the football, and in between shouting like teenagers
I moaned about the state of A's Eng. Lit. not to mention Eng. Lang. -
you know, you've heard it all before... in my day.....never regretted....
he agreed, but said go easy on the lad he's only thirteen
they all want to be fifteen and grown up at that age,
they can't be seen by their peer-group to be 'for' anything too much
so they ridicule everything, it's either pretentious crap if it's modern
or stupid ancient crap if it's more than a generation ago...
they even call Shakespeare a sad loser until
someone says he wrote the screenplay for that film
though they're fascinated by the idea that Marlowe
was a spy as well as a crap writer not that they've read him anyway

but you know what he said
put them up on stage in the annual Shakespeare and make them
speak his lines, and they'll never forget it,
they'll not say anything about it to me except in private but
they'll remember it to their dying day it's things like that
he said that keep me in this bloody job.

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The Call From On High

Come into the Church, the Vicar said,
Otherwise you'll be standing in the flowerbed,
Because outside, there really is no space,
It's filled seemingly by the 'whole human race',
So into the Church I made my way,
To sit, to sing and maybe to pray.

The organ was playing loud and clear,
The volume well up, so easy to hear,
With the choir rendering a psalm or two,
I made my way into a pew,
And knelt in reverence as one should,
Feeling infinitely good.

And as I knelt there all alone,
A sudden noise, or should I say tone,
Came to my ear, a sound well known,
Dear Lord, it was my mobile phone.
I felt my body start to freeze,
Kneeling there upon my knees.

I switched it off with rapid speed,
Picked up a hymn book and began to read,
Trying to ignore the stares,
And even more than that, the glares,
Which penetrated my poor back,
Like I'd encountered a shower of flak.

I edged my way along the seat,
Hoping to make my escape complete,
But suddenly the pew was brimming over,
With aliens from another nova,
Who didn't seem to see my plight,
And that now I was turning rather white.

I had to sit the whole service through,
Well you see, what else could I do,
Stuck up against an embroidered banner,
Dedicated to someone called Hannah,
Who passed away in 1907,
And was guaranteed a place in heaven.

At last the Vicar gave his blessing,
My urge to leave was very pressing,
When were these neighbours going to budge,
It was very hard for me to judge
If they would join the growing queue,
To wish the Vicar 'fond adieu'.

By the time that they had all moved out,
I realised without a doubt,
That I was the very last one to stand,
And to have to shake the Vicar's hand,
Who asked me if my 'call' had come from 'on high',
Have you ever felt you wanted to die.

I tried to laugh it off as best I could,
'You'll come again'? he asked, I said I would,
But without my mobile next time, I think,
He smiled at me and gave a 'wink',
Actually I liked him, he was pretty okay,
So, Yes, I'll go there another day.

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Nuff Of The Ruff Stuff

Get funky with it
[ verse 1 ]
I told you before: you burn when you play with fire
So take off your hats, matter of fact hail the new sire
Youre hungry as hell, so Im cookin up the chowder
Its laced with ingredients, gon come on like gunpowder
Pom-pom! lick a shot, then I got to order
Im runnin for the border for causin disorder
Pom-pom! lick a shot, got on my defenses
Im runnin for the fences, of course Im relentless
The particular name of this queen is latifah
Ive often been classified as a feminine teacher
Collectively capture the heart of a nation
Love my culture and show appreciation
Youre lookin for the black influ?
I do want too give it to you
What are you mad?
Give me some of what you had!
You can huff-huff, puff-puff and bluff-bluff
But I got nuff of the ruff stuff
(ruff and tuff)
(and all that stuff)
[ verse 2 ]
Now nuff of the ruff stuff, thats what I do, and I do it well
The proof is in the puddin, I show and prove, not show and tell
Talk tales, you get caught up in a crossfire
Buckshot must be what you want and desire
I write concepts, I dont be frontin or be buggin
I solely write the rhymes for the beats that you be lovin
Its a love thang, the queen doin her thang
If I was a liquid, you would drink me like tanq
You think Im kickin things that I myself dont even heed?
I rap not for the love of music, but for greed?
Latifahs booty, yo, she could never succeed
Shiiit...
You watch me do it and boom it, the flavor unit will snap necks
You a-fi listen a likkle, you fi go buy the cassette
Youre starvin, cause you aint had enough
Thats right, nuff of the ruff stuff
(ruff and tuff)
(and all that stuff)
[ verse 3 ]
You talk about flavor...
I got enough flavor to make a grapefruit sweet
Get old ladies jumpin out of their seats
Change a peach to a pear to a plum with a little sun n rays
I got flavor for days
Now Im the type that the fellas call a honey, and
>from me you know you get a worth for your money, and
This is no meaningless attack, I gave you a chance
Matter of fact, yo, I ordered them to dance
For me, they tried to turn me inside out
They felt the wrath of my madness, I let them come into my house
Its called latifahs law, for the criminal to curse
And all the gentlemen know its rule: ladies first
Not the typical female that tends to
Fall vitim to the evil that men do
Small puff, I call your bluff
Im not mad, I just had enuff of the ruff stuff
(ruff and tuff)
(and all that stuff)
Everybody know latifah love positivity
Now positivity erase negativity
Mi comin inna di dance ? ? ?
Me rollin with the flavor unit posse
As a black woman mi want equality
Equality, and di freedom to be me
Mi have a mother rita, only call her mommy
Likkle brother and sister, angelo and kelly
A brother in them laws, but mi call him winki
Lost mi daddy and ? ? ? family
? ? ? black ? ? ? black country
Believe in one god, one tribe, one destiny
Cease!

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John Dryden

To My Dear Friend Mr. Congreve On His Commedy Call'd The Double Dealer

Well then; the promis'd hour is come at last;
The present age of wit obscures the past:
Strong were our sires; and as they fought they writ,
Conqu'ring with force of arms, and dint of wit;
Theirs was the giant race, before the Flood;
And thus, when Charles return'd, our empire stood.
Like Janus he the stubborn soil manur'd,
With rules of husbandry the rankness cur'd:
Tam'd us to manners, when the stage was rude;
And boisterous English wit, with art endu'd.
Our age was cultivated thus at length;
But what we gained in skill we lost in strength.
Our builders were, with want of genius, curst;
The second temple was not like the first:
Till you, the best Vitruvius, come at length;
Our beauties equal; but excel our strength.
Firm Doric pillars found your solid base:
The fair Corinthian crowns the higher space;
Thus all below is strength, and all above is grace.
In easy dialogue is Fletcher's praise:
He mov'd the mind, but had not power to raise.
Great Jonson did by strength of judgment please:
Yet doubling Fletcher's force, he wants his ease.
In differing talents both adorn'd their age;
One for the study, t'other for the stage.
But both to Congreve justly shall submit,
One match'd in judgment, both o'er-match'd in wit.
In him all beauties of this age we see;
Etherege's courtship, Southern's purity;
The satire, wit, and strength of manly Wycherly.
All this in blooming youth you have achiev'd;
Nor are your foil'd contemporaries griev'd;
So much the sweetness of your manners move,
We cannot envy you because we love.
Fabius might joy in Scipio, when he saw
A beardless Consul made against the law,
And join his suffrage to the votes of Rome;
Though he with Hannibal was overcome.
Thus old Romano bow'd to Raphael's fame;
And scholar to the youth he taught, became.

Oh that your brows my laurel had sustain'd,
Well had I been depos'd, if you had reign'd!
The father had descended for the son;
For only you are lineal to the throne.
Thus when the State one Edward did depose;
A greater Edward in his room arose.
But now, not I, but poetry is curs'd;
For Tom the second reigns like Tom the first.
But let 'em not mistake my patron's part;
Nor call his charity their own desert.
Yet this I prophesy; thou shalt be seen,
(Tho' with some short parenthesis between
High on the throne of wit; and seated there,
Not mine (that's little) but thy laurel wear.
Thy first attempt an early promise made;
That early promise this has more than paid.
So bold, yet so judiciously you dare,
That your least praise, is to be regular.
Time, place, and action, may with pains be wrought,
But genius must be born; and never can be taught.
This is your portion; this your native store;
Heav'n that but once was prodigal before,
To Shakespeare gave as much; she could not give him more.

Maintain your post: that's all the fame you need;
For 'tis impossible you should proceed.
Already I am worn with cares and age;
And just abandoning th' ungrateful stage:
Unprofitably kept at Heav'n's expense,
I live a rent-charge on his providence:
But you, whom ev'ry muse and grace adorn,
Whom I foresee to better fortune born,
Be kind to my remains; and oh defend,
Against your judgment your departed friend!
Let not the insulting foe my fame pursue;
But shade those laurels which descend to you:
And take for tribute what these lines express:
You merit more; nor could my love do less.

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Ambrose Bierce

The Fountain Refilled

Of Hans Pietro Shanahan
(Who was a most ingenious man)
The Muse of History records
That he'd get drunk as twenty lords.

He'd get so truly drunk that men
Stood by to marvel at him when
His slow advance along the street
Was but a vain cycloidal feat.

And when 'twas fated that he fall
With a wide geographical sprawl,
They signified assent by sounds
Heard (faintly) at its utmost bounds.

And yet this Mr. Shanahan
(Who was a most ingenious man)
Cast not on wine his thirsty eyes
When it was red or otherwise.

All malt, or spirituous, tope
He loathed as cats dissent from soap;
And cider, if it touched his lip,
Evoked a groan at every sip.

But still, as heretofore explained,
He not infrequently was grained.
(I'm not of those who call it 'corned.'
Coarse speech I've always duly scorned.)

Though truth to say, and that's but right,
Strong drink (it hath an adder's bite!)
Was what had put him in the mud,
The only kind he used was blood!

Alas, that an immortal soul
Addicted to the flowing bowl,
The emptied flagon should again
Replenish from a neighbor's vein.

But, Mr. Shanahan was so
Constructed, and his taste that low.
Nor more deplorable was he
In kind of thirst than in degree;

For sometimes fifty souls would pay
The debt of nature in a day
To free him from the shame and pain
Of dread Sobriety's misreign.

His native land, proud of its sense
Of his unique inabstinence,
Abated something of its pride
At thought of his unfilled inside.

And some the boldness had to say
'Twere well if he were called away
To slake his thirst forevermore
In oceans of celestial gore.

But Hans Pietro Shanahan
(Who was a most ingenious man)
Knew that his thirst was mortal; so
Remained unsainted here below

Unsainted and unsaintly, for
He neither went to glory nor
To abdicate his power deigned
Where, under Providence, he reigned,

But kept his Boss's power accurst
To serve his wild uncommon thirst.
Which now had grown so truly great
It was a drain upon the State.

Soon, soon there came a time, alas!
When he turned down an empty glass
All practicable means were vain
His special wassail to obtain.

In vain poor Decimation tried
To furnish forth the needful tide;
And Civil War as vainly shed
Her niggard offering of red.

Poor Shanahan! his thirst increased
Until he wished himself deceased,
Invoked the firearm and the knife,
But could not die to save his life!

He was so dry his own veins made
No answer to the seeking blade;
So parched that when he would have passed
Away he could not breathe his last.

'Twas then, when almost in despair,
(Unlaced his shoon, unkempt his hair)
He saw as in a dream a way
To wet afresh his mortal clay.

Yes, Hans Pietro Shanahan
(Who was a most ingenious man)
Saw freedom, and with joy and pride
'Thalassa! (or Thalatta!)' cried.

Straight to the Aldermen went he,
With many a 'pull' and many a fee,
And many a most corrupt 'combine'
(The Press for twenty cents a line

Held out and fought him-O, God, bless
Forevermore the holy Press!)
Till he had franchises complete
For trolley lines on every street!

The cars were builded and, they say,
Were run on rails laid every way
Rhomboidal roads, and circular,
And oval-everywhere a car

Square, dodecagonal (in great
Esteem the shape called Figure 8)
And many other kinds of shapes
As various as tails of apes.

No other group of men's abodes
E'er had such odd electric roads,
That winding in and winding out,
Began and ended all about.

No city had, unless in Mars,
That city's wealth of trolley cars.
They ran by day, they flew by night,
And O, the sorry, sorry sight!

And Hans Pietro Shanahan
(Who was a most ingenious man)
Incessantly, the Muse records,
Lay drunk as twenty thousand lords!

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George Meredith

The Appeasement Of Demeter

I

Demeter devastated our good land,
In blackness for her daughter snatched below.
Smoke-pillar or loose hillock was the sand,
Where soil had been to clasp warm seed and throw
The wheat, vine, olive, ripe to Summer's ray.
Now whether night advancing, whether day,
Scarce did the baldness show:
The hand of man was a defeated hand.

II

Necessity, the primal goad to growth,
Stood shrunken; Youth and Age appeared as one;
Like Winter Summer; good as labour sloth;
Nor was there answer wherefore beamed the sun,
Or why men drew the breath to carry pain.
High reared the ploughshare, broken lay the wain,
Idly the flax-wheel spun
Unridered: starving lords were wasp and moth.

III

Lean grassblades losing green on their bent flags,
Sang chilly to themselves; lone honey-bees
Pursued the flowers that were not with dry bags;
Sole sound aloud the snap of sapless trees,
More sharp than slingstones on hard breastplates hurled.
Back to first chaos tumbled the stopped world,
Careless to lure or please.
A nature of gaunt ribs, an earth of crags.

IV

No smile Demeter cast: the gloom she saw,
Well draped her direful musing; for in gloom,
In thicker gloom, deep down the cavern-maw,
Her sweet had vanished; liker unto whom,
And whose pale place of habitation mute,
She and all seemed where Seasons, pledged for fruit
Anciently, gaped for bloom:
Where hand of man was as a plucked fowl's claw.

V

The wrathful Queen descended on a vale,
That ere the ravished hour for richness heaved.
Iambe, maiden of the merry tale,
Beside her eyed the once red-cheeked, green-leaved.
It looked as if the Deluge had withdrawn.
Pity caught at her throat; her jests were gone.
More than for her who grieved,
She could for this waste home have piped the wail.

VI

Iambe, her dear mountain-rivulet
To waken laughter from cold stones, beheld
A riven wheatfield cracking for the wet,
And seed like infant's teeth, that never swelled,
Apeep up flinty ridges, milkless round.
Teeth of the giants marked she where thin ground
Rocky in spikes rebelled
Against the hand here slack as rotted net.

VII

The valley people up the ashen scoop
She beckoned, aiming hopelessly to win
Her Mistress in compassion of yon group
So pinched and wizened; with their aged grin,
For lack of warmth to smile on mouths of woe,
White as in chalk outlining little O,
Dumb, from a falling chin;
Young, old, alike half-bent to make the hoop.

VIII

Their tongues of birds they wagged, weak-voiced as when
Dark underwaters the recesses choke;
With cluck and upper quiver of a hen
In grasp, past peeking: cry before the croak.
Relentlessly their gold-haired Heaven, their fount
Bountiful of old days, heard them recount
This and that cruel stroke:
Nor eye nor ear had she for piteous men.

IX

A figure of black rock by sunbeams crowned
Through stormclouds, where the volumed shades enfold
An earth in awe before the claps resound
And woods and dwellings are as billows rolled,
The barren Nourisher unmelted shed
Death from the looks that wandered with the dead
Out of the realms of gold,
In famine for her lost, her lost unfound.

X

Iambe from her Mistress tripped; she raised
The cattle-call above the moan of prayer;
And slowly out of fields their fancy grazed,
Among the droves, defiled a horse and mare:
The wrecks of horse and mare: such ribs as view
Seas that have struck brave ships ashore, while through
Shoots the swift foamspit: bare
They nodded, and Demeter on them gazed.

XI

Howbeit the season of the dancing blood,
Forgot was horse of mare, yea, mare of horse:
Reversed, each head at either's flank, they stood.
Whereat the Goddess, in a dim remorse,
Laid hand on them, and smacked; and her touch pricked.
Neighing within, at either's flank they licked;
Played on a moment's force
At courtship, withering to the crazy nod.

XII

The nod was that we gather for consent;
And mournfully amid the group a dame,
Interpreting the thing in nature meant,
Her hands held out like bearers of the flame,
And nodded for the negative sideways.
Keen at her Mistress glanced Iambe: rays
From the Great Mother came:
Her lips were opened wide; the curse was rent.

XIII

She laughed: since our first harvesting heard none
Like thunder of the song of heart: her face,
The dreadful darkness, shook to mounted sun,
And peal on peal across the hills held chase.
She laughed herself to water; laughed to fire;
Laughed the torrential laugh of dam and sire
Full of the marrowy race.
Her laughter, Gods! was flesh on skeleton.

XIV

The valley people huddled, broke, afraid,
Assured, and taking lightning in the veins,
They puffed, they leaped, linked hands, together swayed,
Unwitting happiness till golden rains
Of tears in laughter, laughter weeping, smote
Knowledge of milky mercy from that throat
Pouring to heal their pains:
And one bold youth set mouth at a shy maid.

XV

Iambe clapped to see the kindly lusts
Inspire the valley people, still on seas,
Like poplar-tops relieved from stress of gusts,
With rapture in their wonderment; but these,
Low homage being rendered, ran to plough,
Fed by the laugh, as by the mother cow
Calves at the teats they tease:
Soon drove they through the yielding furrow-crusts.

XVI

Uprose the blade in green, the leaf in red,
The tree of water and the tree of wood:
And soon among the branches overhead
Gave beauty juicy issue sweet for food.
O Laughter! beauty plumped and love had birth.
Laughter! O thou reviver of sick Earth!
Good for the spirit, good
For body, thou! to both art wine and bread!

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Italian In England, The

That second time they hunted me
From hill to plain, from shore to sea,
And Austria, hounding far and wide
Her blood-hounds thro' the country-side,
Breathed hot and instant on my trace,---
I made six days a hiding-place
Of that dry green old aqueduct
Where I and Charles, when boys, have plucked
The fire-flies from the roof above,
Bright creeping thro' the moss they love:
---How long it seems since Charles was lost!
Six days the soldiers crossed and crossed
The country in my very sight;
And when that peril ceased at night,
The sky broke out in red dismay
With signal fires; well, there I lay
Close covered o'er in my recess,
Up to the neck in ferns and cress,
Thinking on Metternich our friend,
And Charles's miserable end,
And much beside, two days; the third,
Hunger o'ercame me when I heard
The peasants from the village go
To work among the maize; you know,
With us in Lombardy, they bring
Provisions packed on mules, a string
With little bells that cheer their task,
And casks, and boughs on every cask
To keep the sun's heat from the wine;
These I let pass in jingling line,
And, close on them, dear noisy crew,
The peasants from the village, too;
For at the very rear would troop
Their wives and sisters in a group
To help, I knew. When these had passed,
I threw my glove to strike the last,
Taking the chance: she did not start,
Much less cry out, but stooped apart,
One instant rapidly glanced round,
And saw me beckon from the ground.
A wild bush grows and hides my crypt;
She picked my glove up while she stripped
A branch off, then rejoined the rest
With that; my glove lay in her breast.
Then I drew breath; they disappeared:
It was for Italy I feared.

An hour, and she returned alone
Exactly where my glove was thrown.
Meanwhile came many thoughts: on me
Rested the hopes of Italy.
I had devised a certain tale
Which, when 'twas told her, could not fail
Persuade a peasant of its truth;
I meant to call a freak of youth
This hiding, and give hopes of pay,
And no temptation to betray.
But when I saw that woman's face,
Its calm simplicity of grace,
Our Italy's own attitude
In which she walked thus far, and stood,
Planting each naked foot so firm,
To crush the snake and spare the worm---
At first sight of her eyes, I said,
``I am that man upon whose head
``They fix the price, because I hate
``The Austrians over us: the State
``Will give you gold---oh, gold so much!---
``If you betray me to their clutch,
``And be your death, for aught I know,
``If once they find you saved their foe.
``Now, you must bring me food and drink,
``And also paper, pen and ink,
``And carry safe what I shall write
``To Padua, which you'll reach at night
``Before the duomo shuts; go in,
``And wait till Tenebr begin;
``Walk to the third confessional,
``Between the pillar and the wall,
``And kneeling whisper, _Whence comes peace?_
``Say it a second time, then cease;
``And if the voice inside returns,
``_From Christ and Freedom; what concerns
``The cause of Peace?_---for answer, slip
``My letter where you placed your lip;
``Then come back happy we have done
``Our mother service---I, the son,
``As you the daughter of our land!''

Three mornings more, she took her stand
In the same place, with the same eyes:
I was no surer of sun-rise
That of her coming. We conferred
Of her own prospects, and I heard
She had a lover---stout and tall,
She said---then let her eyelids fall,
``He could do much''---as if some doubt
Entered her heart,---then, passing out,
``She could not speak for others, who
``Had other thoughts; herself she knew:''
And so she brought me drink and food.
After four days, the scouts pursued
Another path; at last arrived
The help my Paduan friends contrived
To furnish me: she brought the news.
For the first time I could not choose
But kiss her hand, and lay my own
Upon her head---``This faith was shown
``To Italy, our mother; she
``Uses my hand and blesses thee.''
She followed down to the sea-shore;
I left and never saw her more.

How very long since I have thought
Concerning---much less wished for---aught
Beside the good of Italy,
For which I live and mean to die!
I never was in love; and since
Charles proved false, what shall now convince.
My inmost heart I have a friend?
However, if I pleased to spend
Real wishes on myself---say, three---
I know at least what one should be.
I would grasp Metternich until
I felt his red wet throat distil
In blood thro' these two hands. And next,
---Nor much for that am I perplexed---
Charles, perjured traitor, for his part,
Should die slow of a broken heart
Under his new employer. Last
---Ah, there, what should I wish? For fast
Do I grow old and out of strength.
If I resolved to seek at length
My father's house again, how scared
They all would look, and unprepared!
My brothers live in Austria's pay
---Disowned me long ago, men say;
And all my early mates who used
To praise me so---perhaps induced
More than one early step of mine---
Are turning wise: while some opine
``Freedom grows license,'' some suspect
``Haste breeds delay,'' and recollect
They always said, such premature
Beginnings never could endure!
So, with a sullen ``All's for best,''
The land seems settling to its rest.
I think then, I should wish to stand
This evening in that dear, lost land,
Over the sea the thousand miles,
And know if yet that woman smiles
With the calm smile; some little farm
She lives in there, no doubt: what harm
If I sat on the door-side bench,
And, while her spindle made a trench
Fantastically in the dust,
Inquired of all her fortunes---just
Her children's ages and their names,
And what may be the husband's aims
For each of them. I'd talk this out,
And sit there, for an hour about,
Then kiss her hand once more, and lay
Mine on her head, and go my way.

So much for idle wishing---how
It steals the time! To business now.

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The Italian in England

That second time they hunted me
From hill to plain, from shore to sea,
And Austria, hounding far and wide
Her blood-hounds thro' the country-side,
Breathed hot and instant on my trace,--
I made six days a hiding-place
Of that dry green old aqueduct
Where I and Charles, when boys, have plucked
The fire-flies from the roof above,
Bright creeping thro' the moss they love:
--How long it seems since Charles was lost!
Six days the soldiers crossed and crossed
The country in my very sight;
And when that peril ceased at night,
The sky broke out in red dismay
With signal fires; well, there I lay
Close covered o'er in my recess,
Up to the neck in ferns and cress,
Thinking on Metternich our friend,
And Charles's miserable end,
And much beside, two days; the third,
Hunger overcame me when I heard
The peasants from the village go
To work among the maize; you know,
With us in Lombardy, they bring
Provisions packed on mules, a string
With little bells that cheer their task,
And casks, and boughs on every cask
To keep the sun's heat from the wine;
These I let pass in jingling line,
And, close on them, dear noisy crew,
The peasants from the village, too;
For at the very rear would troop
Their wives and sisters in a group
To help, I knew. When these had passed,
I threw my glove to strike the last,
Taking the chance: she did not start,
Much less cry out, but stooped apart,
One instant rapidly glanced round,
And saw me beckon from the ground.
A wild bush grows and hides my crypt;
She picked my glove up while she stripped
A branch off, then rejoined the rest
With that; my glove lay in her breast.
Then I drew breath; they disappeared:
It was for Italy I feared.

An hour, and she returned alone

Exactly where my glove was thrown.
Meanwhile came many thoughts: on me
Rested the hopes of Italy.
I had devised a certain tale
Which, when 'twas told her, could not fail
Persuade a peasant of its truth;
I meant to call a freak of youth
This hiding, and give hopes of pay,
And no temptation to betray.
But when I saw that woman's face,
Its calm simplicity of grace,
Our Italy's own attitude
In which she walked thus far, and stood,
Planting each naked foot so firm,
To crush the snake and spare the worm--
At first sight of her eyes, I said,
"I am that man upon whose head
They fix the price, because I hate
The Austrians over us: the State
Will give you gold--oh, gold so much!
If you betray me to their clutch,
And be your death, for aught I know,
If once they find you saved their foe.
Now, you must bring me food and drink,
And also paper, pen and ink,
And carry safe what I shall write
To Padua, which you'll reach at night
Before the duomo shuts; go in,
And wait till Tenebrae begin;
Walk to the third confessional,
Between the pillar and the wall,
And kneeling whisper, Whence comes peace?
Say it a second time, then cease;
And if the voice inside returns,
From Christ and Freedom; what concerns
The cause of Peace?--for answer, slip
My letter where you placed your lip;
Then come back happy we have done
Our mother service--I, the son,
As you the daughter of our land!"

Three mornings more, she took her stand

In the same place, with the same eyes:
I was no surer of sun-rise
Than of her coming. We conferred
Of her own prospects, and I heard
She had a lover--stout and tall,
She said--then let her eyelids fall,
"He could do much"--as if some doubt
Entered her heart,--then, passing out

"She could not speak for others, who
Had other thoughts; herself she knew,"
And so she brought me drink and food.
After four days, the scouts pursued
Another path; at last arrived
The help my Paduan friends contrived
To furnish me: she brought the news.
For the first time I could not choose
But kiss her hand, and lay my own
Upon her head--"This faith was shown
To Italy, our mother; she
Uses my hand and blesses thee."
She followed down to the sea-shore;
I left and never saw her more.

How very long since I have thought

Concerning--much less wished for--aught
Beside the good of Italy,
For which I live and mean to die!
I never was in love; and since
Charles proved false, what shall now convince
My inmost heart I have a friend?
However, if I pleased to spend
Real wishes on myself--say, three--
I know at least what one should be.
I would grasp Metternich until
I felt his red wet throat distil
In blood thro' these two hands. And next,
--Nor much for that am I perplexed--
Charles, perjured traitor, for his part,
Should die slow of a broken heart
Under his new employers. Last
--Ah, there, what should I wish? For fast
Do I grow old and out of strength.
If I resolved to seek at length
My father's house again, how scared
They all would look, and unprepared!
My brothers live in Austria's pay
--Disowned me long ago, men say;
And all my early mates who used
To praise me so-perhaps induced
More than one early step of mine--
Are turning wise: while some opine
"Freedom grows license," some suspect
"Haste breeds delay," and recollect
They always said, such premature
Beginnings never could endure!
So, with a sullen "All's for best,"
The land seems settling to its rest.
I think then, I should wish to stand
This evening in that dear, lost land,
Over the sea the thousand miles,
And know if yet that woman smiles
With the calm smile; some little farm
She lives in there, no doubt: what harm
If I sat on the door-side bench,
And, while her spindle made a trench
Fantastically in the dust,
Inquired of all her fortunes--just
Her children's ages and their names,
And what may be the husband's aims
For each of them. I'd talk this out,
And sit there, for an hour about,
Then kiss her hand once more, and lay
Mine on her head, and go my way.

So much for idle wishing--how

It steals the time! To business now.

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The Celebrated Woman - An Epistle By A Married Man

Can I, my friend, with thee condole?--
Can I conceive the woes that try men,
When late repentance racks the soul
Ensnared into the toils of hymen?
Can I take part in such distress?--
Poor martyr,--most devoutly, "Yes!"
Thou weep'st because thy spouse has flown
To arms preferred before thine own;--
A faithless wife,--I grant the curse,--
And yet, my friend, it might be worse!
Just hear another's tale of sorrow,
And, in comparing, comfort borrow!

What! dost thou think thyself undone,
Because thy rights are shared with one!
O, happy man--be more resigned,
My wife belongs to all mankind!
My wife--she's found abroad--at home;
But cross the Alps and she's at Rome;
Sail to the Baltic--there you'll find her;
Lounge on the Boulevards--kind and kinder:
In short, you've only just to drop
Where'er they sell the last new tale,
And, bound and lettered in the shop,
You'll find my lady up for sale!

She must her fair proportions render
To all whose praise can glory lend her;--
Within the coach, on board the boat,
Let every pedant "take a note;"
Endure, for public approbation,
Each critic's "close investigation,"
And brave--nay, court it as a flattery--
Each spectacled Philistine's battery.
Just as it suits some scurvy carcase
In which she hails an Aristarchus,
Ready to fly with kindred souls,
O'er blooming flowers or burning coals,
To fame or shame, to shrine or gallows,
Let him but lead--sublimely callous!
A Leipsic man--(confound the wretch!)
Has made her topographic sketch,
A kind of map, as of a town,
Each point minutely dotted down;
Scarce to myself I dare to hint
What this d----d fellow wants to print!
Thy wife--howe'er she slight the vows--
Respects, at least, the name of spouse;
But mine to regions far too high
For that terrestrial name is carried;
My wife's "The famous Ninon!"--I
"The gentleman that Ninon married!"

It galls you that you scarce are able
To stake a florin at the table--
Confront the pit, or join the walk,
But straight all tongues begin to talk!
O that such luck could me befall,
Just to be talked about at all!
Behold me dwindling in my nook,
Edged at her left,--and not a look!
A sort of rushlight of a life,
Put out by that great orb--my wife!

Scarce is the morning gray--before
Postman and porter crowd the door;
No premier has so dear a levee--
She finds the mail-bag half its trade;
My God--the parcels are so heavy!
And not a parcel carriage-paid!
But then--the truth must be confessed--
They're all so charmingly addressed:
Whate'er they cost, they well requite her--
"To Madame Blank, the famous writer!"
Poor thing, she sleeps so soft! and yet
'Twere worth my life to spare her slumber;
"Madame--from Jena--the Gazette--
The Berlin Journal--the last number!"
Sudden she wakes; those eyes of blue
(Sweet eyes!) fall straight--on the Review!
I by her side--all undetected,
While those cursed columns are inspected;
Loud squall the children overhead,
Still she reads on, till all is read:
At last she lays that darling by,
And asks--"What makes the baby cry?"

Already now the toilet's care
Claims from her couch the restless fair;
The toilet's care!--the glass has won
Just half a glance, and all is done!
A snappish--pettish word or so
Warns the poor maid 'tis time to go:--
Not at her toilet wait the Graces
Uncombed Erynnys takes their places;
So great a mind expands its scope
Far from the mean details of--soap!

Now roll the coach-wheels to the muster--
Now round my muse her votaries cluster;
Spruce Abbe Millefleurs--Baron Herman--
The English Lord, who don't know German,--
But all uncommonly well read
From matchless A to deathless Z!
Sneaks in the corner, shy and small,
A thing which men the husband call!
While every fop with flattery fires her,
Swears with what passion he admires her.--
"'Passion!' 'admire!' and still you're dumb?"
Lord bless your soul, the worst's to come:--

I'm forced to bow, as I'm a sinner,--
And hope--the rogue will stay to dinner!
But oh, at dinner!--there's the sting;
I see my cellar on the wing!
You know if Burgundy is dear?--
Mine once emerged three times a year;--
And now to wash these learned throttles,
In dozens disappear the bottles;
They well must drink who well do eat
(I've sunk a capital on meat).
Her immortality, I fear, a
Death-blow will prove to my Madeira;
It has given, alas! a mortal shock
To that old friend--my Steinberg hock!

If Faust had really any hand
In printing, I can understand
The fate which legends more than hint;--
The devil take all hands that print!

And what my thanks for all?--a pout--
Sour looks--deep sighs; but what about?
About! O, that I well divine--
That such a pearl should fall to swine--
That such a literary ruby
Should grace the finger of a booby!

Spring comes;--behold, sweet mead and lea
Nature's green splendor tapestries o'er;
Fresh blooms the flower, and buds the tree;
Larks sing--the woodland wakes once more.
The woodland wakes--but not for her!
From Nature's self the charm has flown;
No more the Spring of earth can stir
The fond remembrance of our own!
The sweetest bird upon the bough
Has not one note of music now;
And, oh! how dull the grove's soft shade,
Where once--(as lovers then)--we strayed!
The nightingales have got no learning--
Dull creatures--how can they inspire her?
The lilies are so undiscerning,
They never say--"how they admire her!"

In all this jubilee of being,
Some subject for a point she's seeing--
Some epigram--(to be impartial,
Well turned)--there may be worse in Martial!

But, hark! the goddess stoops to reason:--
"The country now is quite in season,
I'll go!"--"What! to our country seat?"
"No!--Travelling will be such a treat;
Pyrmont's extremely full, I hear;
But Carlsbad's quite the rage this year!"
Oh yes, she loves the rural Graces;
Nature is gay--in watering-places!
Those pleasant spas--our reigning passion--
Where learned Dons meet folks of fashion;
Where--each with each illustrious soul
Familiar as in Charon's boat,
All sorts of fame sit cheek-by-jowl,
Pearls in that string--the table d'hote!
Where dames whom man has injured--fly,
To heal their wounds or to efface, them;
While others, with the waters, try
A course of flirting,--just to brace them!

Well, there (O man, how light thy woes
Compared with mine--thou need'st must see!)
My wife, undaunted, greatly goes--
And leaves the orphans (seven!!!) to me!

O, wherefore art thou flown so soon,
Thou first fair year--Love's honeymoon!
All, dream too exquisite for life!
Home's goddess--in the name of wife!
Reared by each grace--yet but to be
Man's household Anadyomene!
With mind from which the sunbeams fall,
Rejoice while pervading all;
Frank in the temper pleased to please--
Soft in the feeling waked with ease.
So broke, as native of the skies,
The heart-enthraller on my eyes;
So saw I, like a morn of May,
The playmate given to glad my way;
With eyes that more than lips bespoke,
Eyes whence--sweet words--"I love thee!" broke!
So--Ah, what transports then were mine!
I led the bride before the shrine!
And saw the future years revealed,
Glassed on my hope--one blooming field!
More wide, and widening more, were given
The angel-gates disclosing heaven;
Round us the lovely, mirthful troop
Of children came--yet still to me
The loveliest--merriest of the group
The happy mother seemed to be!
Mine, by the bonds that bind us more
Than all the oaths the priest before;
Mine, by the concord of content,
When heart with heart is music-blent;
When, as sweet sounds in unison,
Two lives harmonious melt in one!
When--sudden (O the villain!)--came
Upon the scene a mind profound!--
A bel esprit, who whispered "Fame,"
And shook my card-house to the ground.

What have I now instead of all
The Eden lost of hearth and hall?
What comforts for the heaven bereft?
What of the younger angel's left?
A sort of intellectual mule,
Man's stubborn mind in woman's shape,
Too hard to love, too frail to rule--
A sage engrafted on an ape!
To what she calls the realm of mind,
She leaves that throne, her sex, to crawl,
The cestus and the charm resigned--
A public gaping-show to all!
She blots from beauty's golden book
A name 'mid nature's choicest few,
To gain the glory of a nook
In Doctor Dunderhead's Review.

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Walt Whitman

The Sleepers

I WANDER all night in my vision,
Stepping with light feet, swiftly and noiselessly stepping and
stopping,
Bending with open eyes over the shut eyes of sleepers,
Wandering and confused, lost to myself, ill-assorted, contradictory,
Pausing, gazing, bending, and stopping.

How solemn they look there, stretch'd and still!
How quiet they breathe, the little children in their cradles!

The wretched features of ennuyés, the white features of
corpses, the livid faces of drunkards, the sick-gray faces of
onanists,
The gash'd bodies on battle-fields, the insane in their strong-door'd
rooms, the sacred idiots, the new-born emerging from gates, and
the dying emerging from gates,
The night pervades them and infolds them. 10

The married couple sleep calmly in their bed--he with his palm on the
hip of the wife, and she with her palm on the hip of the
husband,
The sisters sleep lovingly side by side in their bed,
The men sleep lovingly side by side in theirs,
And the mother sleeps, with her little child carefully wrapt.

The blind sleep, and the deaf and dumb sleep,
The prisoner sleeps well in the prison--the run-away son sleeps;
The murderer that is to be hung next day--how does he sleep?
And the murder'd person--how does he sleep?

The female that loves unrequited sleeps,
And the male that loves unrequited sleeps, 20
The head of the money-maker that plotted all day sleeps,
And the enraged and treacherous dispositions--all, all sleep.


I stand in the dark with drooping eyes by the worst-suffering and the
most restless,
I pass my hands soothingly to and fro a few inches from them,
The restless sink in their beds--they fitfully sleep.

Now I pierce the darkness--new beings appear,
The earth recedes from me into the night,
I saw that it was beautiful, and I see that what is not the earth is
beautiful.

I go from bedside to bedside--I sleep close with the other sleepers,
each in turn,
I dream in my dream all the dreams of the other dreamers, 30
And I become the other dreamers.


I am a dance--Play up, there! the fit is whirling me fast!

I am the ever-laughing--it is new moon and twilight,
I see the hiding of douceurs--I see nimble ghosts whichever way I
look,
Cache, and cache again, deep in the ground and sea, and where it is
neither ground or sea.

Well do they do their jobs, those journeymen divine,
Only from me can they hide nothing, and would not if they could,
I reckon I am their boss, and they make me a pet besides,
And surround me and lead me, and run ahead when I walk,
To lift their cunning covers, to signify me with stretch'd arms, and
resume the way; 40
Onward we move! a gay gang of blackguards! with mirth-shouting music,
and wild-flapping pennants of joy!


I am the actor, the actress, the voter, the politician;
The emigrant and the exile, the criminal that stood in the box,
He who has been famous, and he who shall be famous after to-day,
The stammerer, the well-form'd person, the wasted or feeble person.


I am she who adorn'd herself and folded her hair expectantly,
My truant lover has come, and it is dark.

Double yourself and receive me, darkness!
Receive me and my lover too--he will not let me go without him.

I roll myself upon you, as upon a bed--I resign myself to the
dusk. 50


He whom I call answers me, and takes the place of my lover,
He rises with me silently from the bed.

Darkness! you are gentler than my lover--his flesh was sweaty and
panting,
I feel the hot moisture yet that he left me.

My hands are spread forth, I pass them in all directions,
I would sound up the shadowy shore to which you are journeying.

Be careful, darkness! already, what was it touch'd me?
I thought my lover had gone, else darkness and he are one,
I hear the heart-beat--I follow, I fade away.


O hot-cheek'd and blushing! O foolish hectic! 60
O for pity's sake, no one must see me now! my clothes were stolen
while I was abed,
Now I am thrust forth, where shall I run?

Pier that I saw dimly last night, when I look'd from the windows!
Pier out from the main, let me catch myself with you, and stay--I
will not chafe you,
I feel ashamed to go naked about the world.

I am curious to know where my feet stand--and what this is flooding
me, childhood or manhood--and the hunger that crosses the
bridge between.


The cloth laps a first sweet eating and drinking,
Laps life-swelling yolks--laps ear of rose-corn, milky and just
ripen'd;
The white teeth stay, and the boss-tooth advances in darkness,
And liquor is spill'd on lips and bosoms by touching glasses, and the
best liquor afterward. 70


I descend my western course, my sinews are flaccid,
Perfume and youth course through me, and I am their wake.

It is my face yellow and wrinkled, instead of the old woman's,
I sit low in a straw-bottom chair, and carefully darn my grandson's
stockings.

It is I too, the sleepless widow, looking out on the winter midnight,
I see the sparkles of starshine on the icy and pallid earth.

A shroud I see, and I am the shroud--I wrap a body, and lie in the
coffin,
It is dark here under ground--it is not evil or pain here--it is
blank here, for reasons.

It seems to me that everything in the light and air ought to be
happy,
Whoever is not in his coffin and the dark grave, let him know he has
enough. 80


I see a beautiful gigantic swimmer, swimming naked through the eddies
of the sea,
His brown hair lies close and even to his head--he strikes out with
courageous arms--he urges himself with his legs,
I see his white body--I see his undaunted eyes,
I hate the swift-running eddies that would dash him head-foremost on
the rocks.

What are you doing, you ruffianly red-trickled waves?
Will you kill the courageous giant? Will you kill him in the prime of
his middle age?

Steady and long he struggles,
He is baffled, bang'd, bruis'd--he holds out while his strength holds
out,
The slapping eddies are spotted with his blood--they bear him away--
they roll him, swing him, turn him,
His beautiful body is borne in the circling eddies, it is continually
bruis'd on rocks, 90
Swiftly and out of sight is borne the brave corpse.


I turn, but do not extricate myself,
Confused, a past-reading, another, but with darkness yet.

The beach is cut by the razory ice-wind--the wreck-guns sound,
The tempest lulls--the moon comes floundering through the drifts.

I look where the ship helplessly heads end on--I hear the burst as
she strikes--I hear the howls of dismay--they grow fainter and
fainter.

I cannot aid with my wringing fingers,
I can but rush to the surf, and let it drench me and freeze upon me.

I search with the crowd--not one of the company is wash'd to us
alive;
In the morning I help pick up the dead and lay them in rows in a
barn. 100


Now of the older war-days, the defeat at Brooklyn,
Washington stands inside the lines--he stands on the intrench'd
hills, amid a crowd of officers,
His face is cold and damp--he cannot repress the weeping drops,
He lifts the glass perpetually to his eyes--the color is blanch'd
from his cheeks,
He sees the slaughter of the southern braves confided to him by their
parents.

The same, at last and at last, when peace is declared,
He stands in the room of the old tavern--the well-belov'd soldiers
all pass through,
The officers speechless and slow draw near in their turns,
The chief encircles their necks with his arm, and kisses them on the
cheek,
He kisses lightly the wet cheeks one after another--he shakes hands,
and bids good-by to the army. 110


Now I tell what my mother told me to-day as we sat at dinner
together,
Of when she was a nearly grown girl, living home with her parents on
the old homestead.

A red squaw came one breakfast time to the old homestead,
On her back she carried a bundle of rushes for rush-bottoming chairs,
Her hair, straight, shiny, coarse, black, profuse, half-envelop'd her
face,
Her step was free and elastic, and her voice sounded exquisitely as
she spoke.

My mother look'd in delight and amazement at the stranger,
She look'd at the freshness of her tall-borne face, and full and
pliant limbs,
The more she look'd upon her, she loved her,
Never before had she seen such wonderful beauty and purity, 120
She made her sit on a bench by the jamb of the fireplace--she cook'd
food for her,
She had no work to give her, but she gave her remembrance and
fondness.

The red squaw staid all the forenoon, and toward the middle of the
afternoon she went away,
O my mother was loth to have her go away!
All the week she thought of her--she watch'd for her many a month,
She remember'd her many a winter and many a summer,
But the red squaw never came, nor was heard of there again.


Now Lucifer was not dead--or if he was, I am his sorrowful terrible
heir;
I have been wrong'd--I am oppress'd--I hate him that oppresses me,
I will either destroy him, or he shall release me. 130

Damn him! how he does defile me!
How he informs against my brother and sister, and takes pay for their
blood!
How he laughs when I look down the bend, after the steamboat that
carries away my woman!

Now the vast dusk bulk that is the whale's bulk, it seems mine;
Warily, sportsman! though I lie so sleepy and sluggish, the tap of my
flukes is death.


A show of the summer softness! a contact of something unseen! an
amour of the light and air!
I am jealous, and overwhelm'd with friendliness,
And will go gallivant with the light and air myself,
And have an unseen something to be in contact with them also.

O love and summer! you are in the dreams, and in me! 140
Autumn and winter are in the dreams--the farmer goes with his thrift,
The droves and crops increase, and the barns are well-fill'd.


Elements merge in the night--ships make tacks in the dreams,
The sailor sails--the exile returns home,
The fugitive returns unharm'd--the immigrant is back beyond months
and years,
The poor Irishman lives in the simple house of his childhood, with
the well-known neighbors and faces,
They warmly welcome him--he is barefoot again, he forgets he is well
off;
The Dutchman voyages home, and the Scotchman and Welshman voyage
home, and the native of the Mediterranean voyages home,
To every port of England, France, Spain, enter well-fill'd ships,
The Swiss foots it toward his hills--the Prussian goes his way, the
Hungarian his way, and the Pole his way, 150
The Swede returns, and the Dane and Norwegian return.


The homeward bound, and the outward bound,
The beautiful lost swimmer, the ennuyé, the onanist, the
female that loves unrequited, the money-maker,
The actor and actress, those through with their parts, and those
waiting to commence,
The affectionate boy, the husband and wife, the voter, the nominee
that is chosen, and the nominee that has fail'd,
The great already known, and the great any time after to-day,
The stammerer, the sick, the perfect-form'd, the homely,
The criminal that stood in the box, the judge that sat and sentenced
him, the fluent lawyers, the jury, the audience,
The laugher and weeper, the dancer, the midnight widow, the red
squaw,
The consumptive, the erysipelite, the idiot, he that is wrong'd, 160
The antipodes, and every one between this and them in the dark,
I swear they are averaged now--one is no better than the other,
The night and sleep have liken'd them and restored them.

I swear they are all beautiful;
Every one that sleeps is beautiful--everything in the dim light is
beautiful,
The wildest and bloodiest is over, and all is peace.


Peace is always beautiful, The myth of heaven indicates peace and
night.

The myth of heaven indicates the Soul;
The Soul is always beautiful--it appears more or it appears less--it
comes, or it lags behind, 170
It comes from its embower'd garden, and looks pleasantly on itself,
and encloses the world,
Perfect and clean the genitals previously jetting, and perfect and
clean the womb cohering,
The head well-grown, proportion'd and plumb, and the bowels and
joints proportion'd and plumb.


The Soul is always beautiful,
The universe is duly in order, everything is in its place,
What has arrived is in its place, and what waits is in its place;
The twisted skull waits, the watery or rotten blood waits,
The child of the glutton or venerealee waits long, and the child of
the drunkard waits long, and the drunkard himself waits long,
The sleepers that lived and died wait--the far advanced are to go on
in their turns, and the far behind are to come on in their
turns,
The diverse shall be no less diverse, but they shall flow and unite--
they unite now. 180


The sleepers are very beautiful as they lie unclothed,
They flow hand in hand over the whole earth, from east to west, as
they lie unclothed,
The Asiatic and African are hand in hand--the European and American
are hand in hand,
Learn'd and unlearn'd are hand in hand, and male and female are hand
in hand,
The bare arm of the girl crosses the bare breast of her lover--they
press close without lust--his lips press her neck,
The father holds his grown or ungrown son in his arms with
measureless love, and the son holds the father in his arms with
measureless love,
The white hair of the mother shines on the white wrist of the
daughter,
The breath of the boy goes with the breath of the man, friend is
inarm'd by friend,
The scholar kisses the teacher, and the teacher kisses the scholar--
the wrong'd is made right,
The call of the slave is one with the master's call, and the master
salutes the slave, 190
The felon steps forth from the prison--the insane becomes sane--the
suffering of sick persons is reliev'd,
The sweatings and fevers stop--the throat that was unsound is sound--
the lungs of the consumptive are resumed--the poor distress'd
head is free,
The joints of the rheumatic move as smoothly as ever, and smoother
than ever,
Stiflings and passages open--the paralyzed become supple,
The swell'd and convuls'd and congested awake to themselves in
condition,
They pass the invigoration of the night, and the chemistry of the
night, and awake.


I too pass from the night,
I stay a while away, O night, but I return to you again, and love
you.

Why should I be afraid to trust myself to you?
I am not afraid--I have been well brought forward by you; 200
I love the rich running day, but I do not desert her in whom I lay so
long,
I know not how I came of you, and I know not where I go with you--but
I know I came well, and shall go well.

I will stop only a time with the night, and rise betimes;
I will duly pass the day, O my mother, and duly return to you.

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The Lady Of La Garaye - Part I

ON Dinan's walls the morning sunlight plays,
Gilds the stern fortress with a crown of rays,
Shines on the children's heads that troop to school,
Turns into beryl-brown the forest pool,
Sends diamond sparkles over gushing springs,
And showers down glory on the simplest things.
And many a young seigneur and damsel bold
See with delight those beams of reddening gold,
For they are bid to join the hunt to-day
By Claud Marot, the lord of La Garaye;
And merry is it in his spacious halls;
Cheerful the host, whatever sport befalls,
Cheerful and courteous, full of manly grace,
His heart's frank welcome written in his face;
So eager, that his pleasure never cloys,
But glad to share whatever he enjoys;
Rich, liberal, gaily dressed, of noble mien,
Clear eyes,--full curving mouth,--and brow serene;
Master of speech in many a foreign tongue,
And famed for feats of arms, although so young;
Dexterous in fencing, skilled in horsemanship--
His voice and hand preferred to spur or whip;
Quick at a jest and smiling repartee,
With a sweet laugh that sounded frank and free,
But holding Satire an accursèd thing,
A poisoned javelin or a serpent's sting;
Pitiful to the poor; of courage high;
A soul that could all turns of fate defy
Gentle to women: reverent to old age:
What more, young Claud, could men's esteem engage?
What more be given to bless thine earthy state,
Save Love,--which still must crown the happiest fate!
Love, therefore, came. That sunbeam lit his life
And where he wooed, he won, a gentle wife
Born, like himself, of lineage brave and good;
And, like himself, of warm and eager mood;
Glad to share gladness, pleasure to impart,
With dancing spirits and a tender heart.
Pleased too to share the manlier sports which made
The joy of his young hours. No more afraid
Of danger, than the seabird, used to soar
From the high rocks above the ocean's roar,
Which dips its slant wing in the wave's white crest,
And deems the foamy undulations, rest.

Nor think the feminine beauty of her soul
Tarnished by yielding to such joy's control;
Nor that the form which, like a flexile reed,
Swayed with the movements of her bounding steed,
Took from those graceful hours a rougher force,
Or left her nature masculine and coarse.
She was not bold from boldness, but from love;
Bold from gay frolic; glad with him to rove
In danger or in safety, weal or woe,
And where he ventured, still she yearned to go.
Bold with the courage of his bolder life,
At home a tender and submissive wife;
Abroad, a woman, modest,--ay, and proud;
Not seeking homage from the casual crowd.
She remained pure, that darling of his sight,
In spite of boyish feats, and rash delight;
Still the eyes fell before an insolent look,
Or flashed their bright and innocent rebuke;
Still the cheek kept its delicate youthful bloom,
And the blush reddened through the snow-white plume.

He that had seen her, with her courage high,
First in the chase where all dashed rapid by;
He that had watched her bright impetuous look
When she prepared to leap the silver brook,--
Fair in her Springtime as a branch of May,--
Had felt the dull sneer feebly die away,
And unused kindly smiles upon his cold lips play!

God made all pleasure innocent; but man
Turns them to shame, since first our earth began
To shudder 'neath the stroke of delving tools
When Eve and Adam lost,--poor tempted fools,--
The sweet safe shelter of their Eden bowers,
Its easy wealth of sun-ripe fruits and flowers,
For some forbidden zest that was not given,
Some riotous hope to make a mimic heaven,
And sank,--from being wingless angels,--low
Into the depths of mean and abject woe.

Why should the sweet elastic sense of joy
Presage a fault? Why should the pleasure cloy,
Or turn to blame, which Heaven itself inspires,
Who gave us health and strength and all desires?
The children play, and sin not;--let the young
Still carol songs, as others too have sung;
Still urge the fiery courser o'er the plain,
Proud of his glossy sides and flowing mane;
Still, when they meet in careless hours of mirth,
Laugh, as if Sorrow were unknown to earth;
Prattling sweet nothings, which, like buds of flowers,
May turn to earnest thoughts and vigilant hours.
What boys can suffer, and weak women dare,
Let Indian and Crimean wastes declare:
Perchance in that gay group of laughers stand
Guides and defenders for our native land;--
Folly it is to see a wit in woe,
And hold youth sinful for the spirits' flow.
As thro' the meadow lands clear rivers run,
Blue in the shadow--silver in the sun--
Till, rolling by some pestilential source,
Some factory work whose wheels with horrid force
Strike the pure waters with their dripping beams,
Send poison gushing to the crystal streams,
And leave the innocent things to whom God gave
A natural home in that translucent wave
Gasping strange death, and floating down to show
The evil working in the depths below,--
So man can poison pleasure at its source;
Clog the swift sparkle of its rapid course,
Mix muddy morbid thoughts in vicious strife,
Till to the surface floats the death of life;--
But not the less the stream itself was pure--
And not the less may blameless joy endure.

Careless,--but not impure,--the joyous days
Passed in a rapturous whirl; a giddy maze,
Where the young Count and lovely Countess drew
A new delight from every pleasure new.
They woke to gladness as the morning broke;
Their very voices kept, whene'er they spoke,
A ring of joy, a harmony of life,
That made you bless the husband and the wife.
And every day the careless festal throng,
And every night the dance and feast and song,
Shared with young boon companions, marked the time
As with a carillon's exulting chime;
Where those two entered, gloom passed out of sight,
Chased by the glow of their intense delight.

So, till the day when over Dinan's walls
The Autumn sunshine of my story falls;
And the guests bidden, gather for the chase,
And the smile brightens on the lovely face
That greets them in succession as they come
Into that high and hospitable home.

Like a sweet picture doth the Lady stand,
Still blushing as she bows; one tiny hand,
Hid by a pearl-embroidered gauntlet, holds
Her whip, and her long robe's exuberant folds.
The other hand is bare, and from her eyes
Shades now and then the sun, or softly lies,
With a caressing touch, upon the neck
Of the dear glossy steed she loves to deck
With saddle-housings worked in golden thread,
And golden bands upon his noble head.
White is the little hand whose taper fingers
Smooth his fine coat,--and still the lady lingers,
Leaning against his side; nor lifts her head,
But gently turns as gathering footsteps tread;
Reminding you of doves with shifting throats,
Brooding in sunshine by their sheltering cotes.
Under her plumèd hat her wealth of curls
Falls down in golden links among her pearls,
And the rich purple of her velvet vest
Slims the young waist, and rounds the graceful breast.

So, till the latest joins the happy Meet;
Then springs she gladly to her eager feet;
And, while the white hand from her courser's side
Slips like a snow-flake, stands prepared to ride.
Then lightly vaulting to her seat, she seems
Queen of some fair procession seen in dreams;
Queen of herself, and of the world; sweet Queen!
Her crown the plume above her brow serene,
Her jewelled whip a sceptre, and her dress
The regal mantle worn by loveliness.

And well she wears such mantle: swift the horse,
But firm her seat throughout the rapid course;
No rash unsteadiness, no shifting pose
Disturbs that line of beauty as she goes:
She wears her robe as some fair sloop her sails,
Which swell and flutter to the rising gales,
But never from the cordage taut and trim
Slacken or swerve away. The evening dim
Sees her return, unwearied and unbent,
The fair folds falling smooth as when she went;
The little foot no clasping buckle keeps,
She frees it, and to earth untrammelled leaps.

Alas! look well upon that picture fair!
The face--the form--the smile--the golden hair;
The agile beauty of each movement made,--
The loving softness of her eyes' sweet shade,
The bloom and pliant grace of youthful days,
The gladness and the glory of her gaze.
If we knew when the last time was the last,
Visions so dear to straining eyes went past;
If we knew when the horror and the gloom
Should overcast the pride of beauty's bloom;
If we knew when affection nursed in vain
Should grow to be but bitterness and pain;
It were a curse to blight all living hours
With a hot dust, like dark volcano showers.
Give thanks to God who blinded us with Hope;
Denied man skill to draw his horoscope;
And, to keep mortals of the present fond,
Forbid the keenest sight to pierce beyond!

Falsehood from those we trusted; cruel sneers
From those whose voice was music to our ears;
Lonely old age; oppressed and orphaned youth;
Yearning appeals to hearts that know no ruth;
Ruin, that starves pale mouths we loved to feed;
A friend's forsaking in our utmost need;
These come,--and sting,--and madden; ay, and slay;
But not the less our joy hath had its day;
No little cloud first flecked our tranquil skies,
Presaging shipwreck to the prophet eyes;
No hand came forth upon the walls of home
With vanishing radiance writing darkest doom;
No child-soul called us in the dead of night,
Thrilled with a message from a God of might;
No shrouded Seer, by some enforcing spell,
Rose from Death's rest, Life's restless chance to tell;
The lightning smote us--shivering stem and bough:
All was so green: all lies so blighted now!

They ride together all that sunny day,
Claud and the lovely Lady of Garaye;
O'er hill and dale,--through fields of late reaped corn,
Through woods,--wherever sounds the hunting horn,
Wherever scour the fleet hounds, fast they follow,
Through tufted thickets and the leaf-strewn hollow;
And thrice,--the game secured,--they rest awhile,
And slacken bridle with a breathless smile:
And thrice, with joyous speed, off, off they go,--
Like a fresh arrow from a new-strung bow!

But now the ground is rough with boulder stones,
Where, wild beneath, the prisoned streamlet moans,
The prisoned streamlet strugggling to be free,
Baring the roots of many a toppling tree,
Breaking the line where smooth-barked saplings rank,
And undermining all the creviced bank;
Till gushing out at length to open space,
Mad with the effort of its desperate race,
It pauses, swelling o'er the narrow ridge
Where fallen branches make a natural bridge,
Leaps to the next desent, and, balked no more,
Foams to a waterfall, whose ceaseless roar
Echoes far down the banks, and through the forest hoar!

Across the water full of peakèd stones--
Across the water where it chafes and moans--
Across the water at its widest part--
Which wilt thou leap,--oh, lady of brave heart?

Their smiling eyes have met--those eager two:
She looks at Claud, as questioning which to do:
He rides--reins in --looks down the torrent's course,--
Pats the sleek neck of his sure-footed horse,--
Stops,--measures spaces with his eagle eye,
Tries a new track, and yet returns to try.
Sudden, while pausing at the very brink,
The damp leaf-covered ground appears to sink,
And the keen instinct of the wise dumb brute
Escapes the yielding earth, the slippery root;
With a wild effort as if taking wing
The monstrous gap he clears with one safe spring;
Reaches--(and barely reaches)--past the roar
Of the wild stream, the further lower shore,--
Scrambles--recovers,--rears--and panting stands
Safe 'neath his master's nerveless trembling hands.

Oh! even while he leapt, his horrid thought
Was of the peril to that lady brought;
Oh! even while he leapt, her Claud looked back,
And shook his hand to warn her from the track.
In vain: the pleasant voice she loved so well
Feebly re-echoed through that dreadful dell,
The voice that was the music of her home
Shouted in vain across that torrent's foam.

He saw her, pausing on the bank above;
Saw,--like a dreadful vision of his love,--
That dazzling dream stand on the edge of death:
Saw it--and stared--and prayed--and held his breath.
Bright shone the Autumn sun on wood and plain;
On the steed's glossy flanks and flowing mane;
On the wild silver of the rushing brook;
On his wife's smiling and triumphant look;
Bright waved against the sky her wind-tost plume,
Bright on her freshened cheek the healthy bloom,--
Oh! all bright things, how could ye end in doom?

Forward they leaped! They leaped--a coloured flash
Of life and beauty. Hark! a sudden crash,--
Blent with that dreadful sound, a man's sharp cry,--
Prone,--'neath the crumbling bank,--the horse and lady lie!

The heart grows humble in an awe-struck grief;
Claud thinks not, dreams not, plans not her relief.
Strengthen him but, O God! to reach the place,
And let him look upon her dying face!
Let him but say farewell! farewell, sweet love!
And once more hear her speak, and see her move,--
And ask her if she suffers where she lies,--
And kiss the lids down on her closing eyes,--
And he will be content.
He climbs and strives:
The strength is in his heart of twenty lives;
Across the leaf-strewn gaps he madly springs;
From branch to branch like some wild ape he swings;
Breasts, with hot effort, that cold rushing source
Of death and danger. With a giant's force
His bleeding hands and broken nails have clung
Round the gnarled slippery roots above him hung,
And now he's near,--he sees her through the leaves;
But a new horrid fear his mind receives:
The steed! his hoofs may crush that angel head!
No, Claud,--her favourite is already dead,
One shivering gasp thro' limbs that now stretch out like lead.

He's with her! is he dying too? his blood
Beats no more to and fro; his abstract mood
Weighs like a nightmare; something, well he knows,
Is horrible,--and still the horror grows;
But what it is, or how it came to pass,
Or why he lies half fainting on the grass,
Or what he strove to clutch at in his fall,
Or why he had no power for help to call,
This is confused and lost.
But Claud has heard
A sound like breathings from a sleeping bird
New-caged that day,--a weak distrubing sigh,
The whisper of a grief that cannot cry,--
Repeated, and then still; and then again
Repeated,--and a long low moan of pain.

The hunt is passing; through the arching glade
The hounds sweep on in flickering light and shade,
The cheery huntsman winds his rallying horn,
And voices shouting from his guests that morn
Keep calling, calling, 'Claud, the hunt is o'er,
Return we to the merry halls once more!'
Claud hears not; heeds not;--all is like a dream
Except that lady lying by the stream;
Above all tumult of uproarious sound
Comes the faint sigh that breathes along the ground,
Where pale as death in her returning life
Writhes the sweet angel whom he still calls wife.

He parts the masses of her golden hair,
He lifts her, helpless, with a shudderng care,
He looks into her face with awe-struck eyes;--
She dies--the darling of his soul--she dies!

You might have heard, through that thought's fearful shock,
The beating of his heart like some huge clock;
And then the strong pulse falter and stand still,
When lifted from that fear with sudden thrill
He bent to catch faint murmurs of his name,
Which from those blanched lips low and trembling came:
'Oh! Claud!' she said: no more--
But never yet,
Through all the loving days since first they met,
Leaped his heart's blood with such a yearning vow
That she was all in all to him, as now.
'Oh! Claud--the pain!'
'Oh! Gertrude, my beloved!'
Then faintly o'er her lips a wan smile moved,
Which dumbly spoke of comfort from his tone,
As though she felt half saved, not so to die alone.

Ah! happy they who in their grief or pain
Yearn not for some familiar face in vain;
Who in the sheltering arms of love can lie
Till human passion breathes its latest sigh;
Who, when words fail to enter the dull ear,
And when eyes cease from seeing forms most dear,
Still the fond clasping touch can understand,--
And sink to death from that detaining hand!

He sits and watches; and she lies and moans;
The wild stream rushes over broken stones;
The dead leaves flutter to the mossy earth;
Far-away echoes bring the hunters' mirth;
And the long hour creeps by--too long--too long;
Till the chance music of a peasant' song
Breaks the hard silence with a human hope,
And Claud starts up and gazes down the slope;
And from a wandering herdsman he obtains
The help whose want has chilled his anxious veins.
Into a simple litter then they bind
Thin cradling branches deftly intertwined;
And there they lay the lady as they found her,
With all her bright hair streaming sadly round her;
Her white lips parted o'er the pearly teeth
Like pictured saints', who die a martyr's death,--
And slowly bear her, like a corse of clay,
Back to the home she left so blithe to-day.

The starry lights shine forth from tower and hall,
Stream through the gateway, glimmer on the wall,
And the loud pleasant stir of busy men
In courtyard and in stable sounds again.
And through the windows, as that death-bier passes,
They see the shining of the ruby glasses
Set at brief intervals for many a guest
Prepared to share the laugh, the song, the jest;
Prepared to drink, with many a courtly phrase,
Their host and hostess--'Health to the Garayes!'
Health to the slender, lithe, yet stalwart frame
Of Claud Marot--Count of that noble name;
Health to his lovely Countess: health--to her!
Scarce seems she now with faintest breath to stir:
Oh! half-shut eyes--oh! brow with torture damp,--
Will life's oil rise in that expiring lamp?
Are there yet days to come, or does he bend
Over a hope of which this is the end?

He shivers, and hot tears shut out the sight
Of that dear home for feasting made so bright;
The golden evening light is round him dying,
The dark rooks to their nests are slowly flying,
As underneath the portal, faint with fear,
He sees her carried, now so doubly dear;
'Save her!' is written in his anxious glances,
As the quick-summoned leech in haste advances.
'Save her!'--and through the gloom of midnight hours,
And through the hot noon, shut from air and flowers,
Young Claud sits patient--waiting day by day
For health for that sweet lady of Garaye.

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