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Upon the death of my father, our family and myself were emotionally and financially exhausted.

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Beldame of Death

A crunch: afoot a dead arachnid
Spanning once a serving plate –
Oh! that others be alive
With such as me for spider bait!

I slunk along the silent hall
Of ancient ore attired in grime –
Feculent beyond the nose;
No bearing here, nor feel for time.

I shuddered in appreciation –
The ambience would mortify
A feeble mind, aghast, opined
Of murky thought, and typify
The will of Belial err I brought
Upon myself to loathe and dread
Exquisite retribution: to linger
Oftentimes alive, then dead.

Compulsion saw me edging on
Toward a narrow door of oak.
Behind, I knew, a greater evil
Waiting in her fusty cloak.

A choice of nil upon the table;
Aught of leave, I had to face
Alone the shrew – her flaming aura
Angling me; my deep disgrace
From ugly deeds I dealt in life,
A heinous world I honed in glee…

'Now take a crooked path to death,
For I have come to torture thee! '

Out of eyes of orange flame,
A piercing glare, then here it came –
The cackling cry of chanting song:

'You thought you'd die alone in pain
The once – nay nay! you'll die with me,
And so a catch: you'll die again
Ad infinitum - ever be!

Your soul to curse, my heart we'll gore,
Your liver to draw and quarter;
A sadomasochistic pair,
We'll slither together in slaughter! '

I answered only with a scream, from
Sensing near her craving lust.

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It's Death Again

It's Death again - He's always there -
Watching, waiting - e'er the stare!
Every time I look behind
Or reach to pull the window blind,
I catch a glimpse of grubby hood -
A little clue to where he stood;
The glint of light that caught the scythe.
Perhaps if I could pay a tithe…
But O! no use, he'll never go.
The adamant phantom; don't you know
He will but wait until it's time
For me to hear His fateful chime? -
The toll that claims my destiny,
To Hail: 'You're next, it has to be…'

Copyright © Mark R Slaughter 2009

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The Cenci : A Tragedy In Five Acts

DRAMATIS PERSONÆ

Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.

The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.


ACT I

Scene I.
-An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.


Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.-
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:-
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.


Cenci.
The third of my possessions-let it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!

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Disingenuousness

Here lies another box for nature,
Carbon ready;
Black to eyes down here,
Where death is at its job.

Up there you’ll hear a rhythmic sob
Or two from living yet-to-dies –
A humming lacrimoso –
It all but cleans the eyes:

Forget it –
The dismal show of grief –
Life is only chemistry –
Our stay is only brief.
It’s we who hype it up!

Diaphragms jerk again;
The jet monotone of hearses
Feeds the disingenuousness
Of undertakers –
They seem to stare at something up ahead –
For them, it’s in the blood,
To taxi off the dead.

Copyright © Mark R Slaughter 2011


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Lancelot And Elaine

Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.

How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.

For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares

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Death and I

When death comes
I’ll need not love –
Consumed,
No wreath or dove
Could offer me salvation,
Not when I’m no more.

A weathered stone will bear my name –
Identity of once a being
Living out existence in
A world of risk, and never seeing
Sense of why we’re here.

My genes will die away thro’ child –
Hue of eyes and hair, the way of thought,
Will quickly dim with generation –
Bow to future dominance –
Memories of provenance
Resigned to curious few.

When death comes
I’ll need not grace
Below; no grieving face
Will call my resurrection,
Not when I’m at ground –

Death and I so bound.

Copyright © Mark R Slaughter 2011


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Mark R. Slaughter

Just like the dahlia
Death comes in all its beauty

And so I stroke her petals
Push my feet root-deep
Into the composted soil
As weary clouds unite
Coalesce
Darken through the greys
In preparation

Incontinence prevails
Lachrymose in empathy

They cry for me
Sharing tears
Mortality brings
As twilight closes

I rot
(They fade)

To be the plant
(They'll water)

I, denomination Mark R. Slaughter

Struggle thro' my fantasy
To seal the state of mind

That I of soul
Remain eternal

Back on the windowsill
A daffodil stretches
From a bulbous foot

Flirts like a ballerina

STOPS

Wonders of the world

My cat hears the brassy thoughts
From yellow trumpet
Pricks up his ears
Iridescent eyes
Focussed on the future

I'll wait

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A Fresh Endeavour

So now I've taken leave of life,
I thought you'd like to know, I still
Possess a mind in love, oh wife;
A soulful eye to catch a show of
Silent beauty – ever yours;
An ear to pick the metaphors
Of tonal dance in words you say,
Grasp a thought in verse you pray
Inside your head, bemused of mind,
Softly mournful, intertwined with
Understanding tears.

I'll drift a whisper o'er to you
To tell that I am quietly calm;
Keeping time till your adieu
To flesh, upon the carol of a
Psalm of consummation. Now!
A fresh endeavour – we're forever
One together, resting yonder,
Cross our open plane of blue.

Copyright Mark R Slaughter 2009

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The Aeneid of Virgil: Book 2

ALL were attentive to the godlike man,
When from his lofty couch he thus began:
“Great queen, what you command me to relate
Renews the sad remembrance of our fate:
An empire from its old foundations rent, 5
And ev’ry woe the Trojans underwent;
A peopled city made a desart place;
All that I saw, and part of which I was:
Not ev’n the hardest of our foes could hear,
Nor stern Ulysses tell without a tear. 10
And now the latter watch of wasting night,
And setting stars, to kindly rest invite;
But, since you take such int’rest in our woe,
And Troy’s disastrous end desire to know,
I will restrain my tears, and briefly tell 15
What in our last and fatal night befell.
“By destiny compell’d, and in despair,
The Greeks grew weary of the tedious war,
And by Minerva’s aid a fabric rear’d,
Which like a steed of monstrous height appear’d: 20
The sides were plank’d with pine; they feign’d it made
For their return, and this the vow they paid.
Thus they pretend, but in the hollow side
Selected numbers of their soldiers hide:
With inward arms the dire machine they load, 25
And iron bowels stuff the dark abode.
In sight of Troy lies Tenedos, an isle
(While Fortune did on Priam’s empire smile)
Renown’d for wealth; but, since, a faithless bay,
Where ships expos’d to wind and weather lay. 30
There was their fleet conceal’d. We thought, for Greece
Their sails were hoisted, and our fears release.
The Trojans, coop’d within their walls so long,
Unbar their gates, and issue in a throng,
Like swarming bees, and with delight survey 35
The camp deserted, where the Grecians lay:
The quarters of the sev’ral chiefs they show’d;
Here Phœnix, here Achilles, made abode;
Here join’d the battles; there the navy rode.
Part on the pile their wond’ring eyes employ: 40
The pile by Pallas rais’d to ruin Troy.
Thymoetes first (’t is doubtful whether hir’d,
Or so the Trojan destiny requir’d)
Mov’d that the ramparts might be broken down,
To lodge the monster fabric in the town. 45
But Capys, and the rest of sounder mind,
The fatal present to the flames designed,
Or to the wat’ry deep; at least to bore
The hollow sides, and hidden frauds explore.
The giddy vulgar, as their fancies guide, 50

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My Redemption Poem

When satan fell,
for one wrong mistake.
He was thrown in hell,
it was all he could take.
For there was still light in him,
but with it was now doubt.
Upon his face grew a grin,
all he did was rage and shout.
He yelled to God 'Why did it have to be me? ',
but he didnt answer,
and satan did see.
That hell was his to rule,
with unimaginable pain,
he would truly be cruel.
To all the lost souls,
he was their Dark King.
With their blood in his bowl,
in their pain,
for him they would sing.
Over the eons he became insane,
but there was still light in him.
Hidden in a deep part of his soul,
a place he forgot to know.
And one day their blood spilled out of the bowl,
he felt something stir.
A sadness so deep,
with a pain so true.
He could never sleep,
so the pain was all he could know.
As he sat there,
with tears in his eyes,
he thought noone was there,
noone to hear his cries.
He heard a voice,
and this is what it said 'Son why do you cry? '
He couldnt believe what he heard,
and was voiceless.
God said 'Son your here by your own choice'.
And with that he felt,
in numerous times,
all the pain he had delt.
And now he seen,
that little light,
he could find that little gleam.
He fell to his knees,
for all to see.
He prayed to God,
saying 'Father can i be saved? '.
'Am i doomed to live a life in this darkness? '.
And God said to satan 'My son all you had to do was accept your choice',

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Death, Inevitable Death

Death, inevitable Death.
So now You come to show Your world,
Hence the blackened cloak – unfurled.
And peering down upon my form
– Bereft of pity – Your eyes of storm.

Death, inexorable Death.
‘When? ’ The only question out of Thee.
My dream retorts 'But ne’er for me! ’
But now awake, I bid you so –
My giving tears cry ‘Where to go? ’

Death, adamant Death.
You cast Your spell and guide me 'way,
For life and I have had our day.
And what of me? I prey You, tell!
Be glorious in Heaven or gnarled in Hell?

Death, ineluctable Death.
Oh wiry ghoul, I'm here to follow –
I leave my body grey and shallow.
‘Come! ’ You bid in thund’ring tones,
‘Beg farewell to shattered bones.’

Copyright © Mark R Slaughter 2009


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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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William Blake

Tiriel

1

And Aged Tiriel. stood before the Gates of his beautiful palace
With Myratana. once the Queen of all the western plains
But now his eyes were darkned. & his wife fading in death
They stood before their once delightful palace. & thus the Voice
Of aged Tiriel. arose. that his sons might hear in their gates
Accursed race of Tiriel. behold your father
Come forth & look on her that bore you. come you accursed sons.
In my weak arms. I here have borne your dying mother
Come forth sons of the Curse come forth. see the death of Myratana
His sons ran from their gates. & saw their aged parents stand
And thus the eldest son of Tiriel raisd his mighty voice
Old man unworthy to be calld. the father of Tiriels race
For evry one of those thy wrinkles. each of those grey hairs
Are cruel as death. & as obdurate as the devouring pit
Why should thy sons care for thy curses thou accursed man
Were we not slaves till we rebeld. Who cares for Tiriels curse
His blessing was a cruel curse. His curse may be a blessing
He ceast the aged man raisd up his right hand to the heavens
His left supported Myratana shrinking in pangs of death
The orbs of his large eyes he opend. & thus his voice went forth
Serpents not sons. wreathing around the bones of Tiriel
Ye worms of death feasting upon your aged parents flesh
Listen & hear your mothers groans. No more accursed Sons
She bears. she groans not at the birth of Heuxos or Yuva
These are the groans of death ye serpents These are the groans of death
Nourishd with milk ye serpents. nourishd with mothers tears & cares
Look at my eyes blind as the orbless scull among the stones
Look at my bald head. Hark listen ye serpents listen
What Myratana. What my wife. O Soul O Spirit O fire
What Myratana. art thou dead. Look here ye serpents look
The serpents sprung from her own bowels have draind her dry as this[.]
Curse on your ruthless heads. for I will bury her even here
So saying he began to dig a grave with his aged hands
But Heuxos calld a son of Zazel. to dig their mother a grave
Old cruelty desist & let us dig a grave for thee
Thou hast refusd our charity thou hast refusd our food
Thou hast refusd our clothes our beds our houses for thy dwelling
Chusing to wander like a Son of Zazel in the rocks
Why dost thou curse. is not the curse now come upon your head
Was it not you enslavd the sons of Zazel. & they have cursd
And now you feel it. Dig a grave & let us bury our mother
There take the body. cursed sons. & may the heavens rain wrath
As thick as northern fogs. around your gates. to choke you up
That you may lie as now your mother lies. like dogs. cast out
The stink. of your dead carcases. annoying man & beast
Till your white bones are bleachd with age for a memorial.
No your remembrance shall perish. for when your carcases
Lie stinking on the earth. the buriers shall arise from the east

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Grains

What's the relationship
between a grain of rice
and its stalk or the stem of the
rice plants? The corelation between
the two is in other words
the source and the results
that will reap what the source
had told it to produce
in the beginning when
the source let the stem out
in a sprout form
the weed that many farmers had to toil
in hot sunny days to replant
in another rice field with some water
underneath. Water! Yes.
It's the source for life along with
the source that is planted under the ground
where the water was filled in with.
'I am going to see if the rice pad is safe
from this night storm.' In my bed side
I heard father say these words before
he put on his rain coat and boots
at 2 or 3 in the morning the good farmer
the good father the good pharmacist father
my father, he was so worried to think about
the rice fields with so much water ruin them.
It's in the midnight or after that and he...
with no other assistants was willing to
walk through the pouring rain on one
day in July that summer when he asked
me to stay in bed cozy while leaving for the
fields by himself. I slid down the blanket
though it was the summer time, was a bit
chilly for the storm the pouring rain
made the temperature quite low and
I felt cold after father had gone a far from
the house. I was so lone that moment
thinking about my father wondering where
he might be on which road he might be
treading upon what kind of gravels or
maybe some frogs dead flat or some
wet insects like the Yochee or Maettugee.
The rain usually wet those small insects
only to make them jump high and tremble
with cold and shake off the water from
their bodies. But it's the water that gives
them the life the food the fresh air, the feeling
of aliveness the inspiration God had granted
to all His creations. Yes, those small creatures
might have to escape from my father's boots

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Homer

The Odyssey: Book 2

Now when the child of morning, rosy-fingered Dawn, appeared,
Telemachus rose and dressed himself. He bound his sandals on to his
comely feet, girded his sword about his shoulder, and left his room
looking like an immortal god. He at once sent the criers round to call
the people in assembly, so they called them and the people gathered
thereon; then, when they were got together, he went to the place of
assembly spear in hand- not alone, for his two hounds went with him.
Minerva endowed him with a presence of such divine comeliness that all
marvelled at him as he went by, and when he took his place' in his
father's seat even the oldest councillors made way for him.
Aegyptius, a man bent double with age, and of infinite experience,
the first to speak His son Antiphus had gone with Ulysses to Ilius,
land of noble steeds, but the savage Cyclops had killed him when
they were all shut up in the cave, and had cooked his last dinner
for him, He had three sons left, of whom two still worked on their
father's land, while the third, Eurynomus, was one of the suitors;
nevertheless their father could not get over the loss of Antiphus, and
was still weeping for him when he began his speech.
"Men of Ithaca," he said, "hear my words. From the day Ulysses
left us there has been no meeting of our councillors until now; who
then can it be, whether old or young, that finds it so necessary to
convene us? Has he got wind of some host approaching, and does he wish
to warn us, or would he speak upon some other matter of public moment?
I am sure he is an excellent person, and I hope Jove will grant him
his heart's desire."
Telemachus took this speech as of good omen and rose at once, for he
was bursting with what he had to say. He stood in the middle of the
assembly and the good herald Pisenor brought him his staff. Then,
turning to Aegyptius, "Sir," said he, "it is I, as you will shortly
learn, who have convened you, for it is I who am the most aggrieved. I
have not got wind of any host approaching about which I would warn
you, nor is there any matter of public moment on which I would
speak. My grieveance is purely personal, and turns on two great
misfortunes which have fallen upon my house. The first of these is the
loss of my excellent father, who was chief among all you here present,
and was like a father to every one of you; the second is much more
serious, and ere long will be the utter ruin of my estate. The sons of
all the chief men among you are pestering my mother to marry them
against her will. They are afraid to go to her father Icarius,
asking him to choose the one he likes best, and to provide marriage
gifts for his daughter, but day by day they keep hanging about my
father's house, sacrificing our oxen, sheep, and fat goats for their
banquets, and never giving so much as a thought to the quantity of
wine they drink. No estate can stand such recklessness; we have now no
Ulysses to ward off harm from our doors, and I cannot hold my own
against them. I shall never all my days be as good a man as he was,
still I would indeed defend myself if I had power to do so, for I
cannot stand such treatment any longer; my house is being disgraced
and ruined. Have respect, therefore, to your own consciences and to
public opinion. Fear, too, the wrath of heaven, lest the gods should

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Death is... A Compilation of Death Poetry

(10/05/2000)

Death is when your loved ones must depart
Death is a sharp pain to the heart

Death is a feeling of permanent sadness & pain
Death is when your loved ones have forever gone away

Death is a call to heaven or hell
Death is an eternal mansion or cell

Death is a lesson to learn about
Death is a loss, without a doubt
Death is an unhappy feeling to have
Death is unpleasant on anyone's behalf

Death is something we all will go through
Death is a storm waiting to brew

Death is a lingering crow always overhead
Death is a soul, done being fed

Death is cruel,
Death is unfair,
Why death?
Does death care?

Death is unkind,
Death breaks hearts,
Why death?
Do you like to part?

Death is here,
Death is there,
Why death?
Why be everywhere?

Death is the end,
Death is to die,
Why death?
To make people cry?

Death was created,
Death is still here,
Why death?
We live in fear,

Death is death,
Death is dead,
Why death?

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John Milton

Paradise Lost: Book 10

Mean while the heinous and despiteful act
Of Satan, done in Paradise; and how
He, in the serpent, had perverted Eve,
Her husband she, to taste the fatal fruit,
Was known in Heaven; for what can 'scape the eye
Of God all-seeing, or deceive his heart
Omniscient? who, in all things wise and just,
Hindered not Satan to attempt the mind
Of Man, with strength entire and free will armed,
Complete to have discovered and repulsed
Whatever wiles of foe or seeming friend.
For still they knew, and ought to have still remembered,
The high injunction, not to taste that fruit,
Whoever tempted; which they not obeying,
(Incurred what could they less?) the penalty;
And, manifold in sin, deserved to fall.
Up into Heaven from Paradise in haste
The angelick guards ascended, mute, and sad,
For Man; for of his state by this they knew,
Much wondering how the subtle Fiend had stolen
Entrance unseen. Soon as the unwelcome news
From Earth arrived at Heaven-gate, displeased
All were who heard; dim sadness did not spare
That time celestial visages, yet, mixed
With pity, violated not their bliss.
About the new-arrived, in multitudes
The ethereal people ran, to hear and know
How all befel: They towards the throne supreme,
Accountable, made haste, to make appear,
With righteous plea, their utmost vigilance
And easily approved; when the Most High
Eternal Father, from his secret cloud,
Amidst in thunder uttered thus his voice.
Assembled Angels, and ye Powers returned
From unsuccessful charge; be not dismayed,
Nor troubled at these tidings from the earth,
Which your sincerest care could not prevent;
Foretold so lately what would come to pass,
When first this tempter crossed the gulf from Hell.
I told ye then he should prevail, and speed
On his bad errand; Man should be seduced,
And flattered out of all, believing lies
Against his Maker; no decree of mine
Concurring to necessitate his fall,
Or touch with lightest moment of impulse
His free will, to her own inclining left
In even scale. But fallen he is; and now
What rests, but that the mortal sentence pass
On his transgression,--death denounced that day?
Which he presumes already vain and void,

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The Death Of Me

Death sat
contemplating suicide
while speaker after speaker
opined:

The scientist intoned;
'The Cell is immortal
only personalities die;
Death cannot commit suicide! '

The Buddhist decried
all end points
citing endless cycles, renewals.
and reincarnations.

The biologist argued
that the only death that
mattered was the death of species;
'Individual biology matters least.'

'Only the planet matters'
said the environmentalist.


America lofted the individual
graffiting on the Universal wall
'All Death is the Death of the individual.'

The British had no remedy
offering instead a spot of tea
saying Death Down
is better sipped
with chin-up determination.

The pastor said
'Death is but a passage
on to Heaven or Hell
and best to get your life straightened out
before you hear that tolling bell.'

The Fatalist said 'do it, do it.'
It is inevitable'

'Death' said the existentialist
'is other people who
can kill your spirit
even before Death comes-
you arrive already dead
at Deaths Door.

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Matthew Arnold

Sohrab and Rustum

And the first grey of morning fill'd the east,
And the fog rose out of the Oxus stream.
But all the Tartar camp along the stream
Was hush'd, and still the men were plunged in sleep;
Sohrab alone, he slept not; all night long
He had lain wakeful, tossing on his bed;
But when the grey dawn stole into his tent,
He rose, and clad himself, and girt his sword,
And took his horseman's cloak, and left his tent,
And went abroad into the cold wet fog,
Through the dim camp to Peran-Wisa's tent.

Through the black Tartar tents he pass'd, which stood
Clustering like bee-hives on the low flat strand
Of Oxus, where the summer-floods o'erflow
When the sun melts the snows in high Pamere
Through the black tents he pass'd, o'er that low strand,
And to a hillock came, a little back
From the stream's brink--the spot where first a boat,
Crossing the stream in summer, scrapes the land.
The men of former times had crown'd the top
With a clay fort; but that was fall'n, and now
The Tartars built there Peran-Wisa's tent,
A dome of laths, and o'er it felts were spread.
And Sohrab came there, and went in, and stood
Upon the thick piled carpets in the tent,
And found the old man sleeping on his bed
Of rugs and felts, and near him lay his arms.
And Peran-Wisa heard him, though the step
Was dull'd; for he slept light, an old man's sleep;
And he rose quickly on one arm, and said:--

"Who art thou? for it is not yet clear dawn.
Speak! is there news, or any night alarm?"

But Sohrab came to the bedside, and said:--
"Thou know'st me, Peran-Wisa! it is I.
The sun is not yet risen, and the foe
Sleep; but I sleep not; all night long I lie
Tossing and wakeful, and I come to thee.
For so did King Afrasiab bid me seek
Thy counsel, and to heed thee as thy son,
In Samarcand, before the army march'd;
And I will tell thee what my heart desires.
Thou know'st if, since from Ader-baijan first
I came among the Tartars and bore arms,
I have still served Afrasiab well, and shown,
At my boy's years, the courage of a man.
This too thou know'st, that while I still bear on
The conquering Tartar ensigns through the world,

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