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The greater absurdities are, the more strongly they evince the falsity of that supposition from whence they flow.

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Flow

Gotta find a way to flow
In a host of things that grow
Where babies become old
And love is bought and sold
The mouth of God is wide
So lets just fall inside
And let the whole damned thing go, flow
Everybodys here
Mystery and beer
I have nothing to fear
Cuz I found a way to flow
In a host of things that grow
Where babies become old
And love is bought and sold
The mouth of God is wide
So lets just fall inside
And let every damned thing go
Flow
Flow
Flow
Everybodys here
The mystery is here
I have nothing to fear
Cuz ifound a way to flow
In a host of things that grow
These babies become old
And love is bought and sold
The mouth of God is wide
So Ill just fall inside
And let every damned thing go
Flow
Flow
Flow
Flow
Flow
Flow
Everywhere we go (flow)
Go inside (flow)
Go inside (flow)
Everywhere we go (flow)
I gotta find a way to flow
In a host of things that grow
Where babies become old
And love is bought and sold
And the mouth of God is wide
Ill just fall inside
And let the whole damned thing go
Flow
Flow
Flow

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Solomon

As thro' the Psalms from theme to theme I chang'd,
Methinks like Eve in Paradice I rang'd;
And ev'ry grace of song I seem'd to see,
As the gay pride of ev'ry season, she.
She gently treading all the walks around,
Admir'd the springing beauties of the ground,
The lilly glist'ring with the morning dew,
The rose in red, the violet in blew,
The pink in pale, the bells in purple rows,
And tulips colour'd in a thousand shows:
Then here and there perhaps she pull'd a flow'r
To strew with moss, and paint her leafy bow'r;
And here and there, like her I went along,
Chose a bright strain, and bid it deck my song.

But now the sacred Singer leaves mine eye,
Crown'd as he was, I think he mounts on high;
Ere this Devotion bore his heav'nly psalms,
And now himself bears up his harp and palms.
Go, saint triumphant, leave the changing sight,
So fitted out, you suit the realms of light;
But let thy glorious robe at parting go,
Those realms have robes of more effulgent show;
It flies, it falls, the flutt'ring silk I see,
Thy son has caught it and he sings like thee,
With such election of a theme divine,
And such sweet grace, as conquers all but thine.

Hence, ev'ry writer o'er the fabled streams,
Where frolick fancies sport with idle dreams,
Or round the sight enchanted clouds dispose,
Whence wanton cupids shoot with gilded bows;
A nobler writer, strains more brightly wrought,
Themes more exulted, fill my wond'ring thought:
The parted skies are track'd with flames above,
As love descends to meet ascending love;
The seasons flourish where the spouses meet,
And earth in gardens spreads beneath their feet.
This fresh-bloom prospect in the bosom throngs,
When Solomon begins his song of songs,
Bids the rap'd soul to Lebanon repair,
And lays the scenes of all his action there,
Where as he wrote, and from the bow'r survey'd
The scenting groves, or answ'ring knots he made,
His sacred art the sights of nature brings,
Beyond their use, to figure heav'nly things.

Great son of God! whose gospel pleas'd to throw
Round thy rich glory, veils of earthly show,
Who made the vineyard oft thy church design,

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Let It Flow

Another wave has arrived
Being funk is so surprise
Welcome the world of xtc
When the funk takes over me
No need to try to run away
The funk will find you the mail today
Its best if you relax your soul
Grab someone, take the floor, let it go
Let it flow, let it flow, let it flow(whatd you say)
Let it flow, let it flow, let it flow(in your heart and in your vein)
Let it flow, let it flow, let it flow(free your mind)
Did you ever make it stop?
Feel it groovin hard within
Body is shakin and heads in sea
Why would anyone dare to deny it
Funk is fine, dont try to fight it
The funk is the epitome
Let it flow, let it flow, let it flow(whatd you say)
Let it flow, let it flow, let it flow(in your heart and in your vein)
Let it flow, let it flow, let it flow(free your mind)
Did you ever make it stop?
Dont you part with it
I devoured it
You can work with it
You can part with it
Satisfaction guaranteed
Giveem folks what they need
What you need is indeed
A little funk from ev
Now hit me
Sounds so funky, youd agree
Funky divas in 3-d
Let if flow
Did you ever make it stop?
[rap]

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The Wanderer: A Vision: Canto V

We left the cave. Be Fear (said I) defy'd!
Virtue (for thou art Virtue) is my guide.


By time-worn steps a steep ascent we gain,
Whose summit yields a prospect o'er the plain.
There, bench'd with turf, an oak our seat extends,
Whose top, a verdant, branch'd pavilion bends.
Vistas, with leaves, diversify the scene,
Some pale, some brown, and some of lively green.


Now, from the full-grown day a beamy show'r
Gleams on the lake, and gilds each glossy flow'r.
Gay insects sparkle in the genial blaze,
Various as light, and countless as its rays:
They dance on every stream, and pictur'd play,
'Till, by the wat'ry racer, snatch'd away.


Now, from yon range of rocks, strong rays rebound,
Doubling the day on flow'ry plains around:
King-cups beneath far-striking colours glance,
Bright as th' etherial glows the green expanse.
Gems of the field!-the topaz charms the sight,
Like these, effulging yellow streams of light.
From the same rocks, fall rills with soften'd force,
Meet in yon mead, and well a river's source.
Thro' her clear channel, shine her finny shoals,
O'er sands, like gold, the liquid crystal rolls.
Dimm'd in yon coarser moor, her charms decay,
And shape, thro' rustling reeds, a ruffled way.
Near willows short and bushy shadows throw:
Now lost, she seems thro' nether tracts to flow;
Yet, at yon point, winds out in silver state,
Like Virtue from a labyrinth of fate.
In length'ning rows, prone from the mountains, run
The flocks:-their fleeces glist'ning in the sun;
Her streams they seek, and, 'twixt her neighb'ring trees,
Recline in various attitudes of ease.
Where the herds sip, the little scaly fry,
Swift from the shore, in scatt'ring myriads fly.


Each liv'ry'd cloud, that round th' horizon glows,
Shifts in odd scenes, like earth, from whence it rose.
The bee hums wanton in yon jasmine bow'r,
And circling settles, and despoils the flow'r.
Melodious there the plumy songsters meet,
And call charm'd Echo from her arch'd retreat.

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Resignation Pt 2

But what in either sex, beyond
All parts, our glory crowns?
'In ruffling seasons to be calm,
And smile, when fortune frowns.'

Heaven's choice is safer than our own;
Of ages past inquire,
What the most formidable fate?
'To have our own desire.'

If, in your wrath, the worst of foes
You wish extremely ill;
Expose him to the thunder's stroke,
Or that of his own will.

What numbers, rushing down the steep
Of inclination strong,
Have perish'd in their ardent wish!
Wish ardent, ever wrong!

'Tis resignation's full reverse,
Most wrong, as it implies
Error most fatal in our choice,
Detachment from the skies.

By closing with the skies, we make
Omnipotence our own;
That done, how formidable ill's
Whole army is o'erthrown!

No longer impotent, and frail,
Ourselves above we rise:
We scarce believe ourselves below!
We trespass on the skies!

The Lord, the soul, and source of all,
Whilst man enjoys his ease,
Is executing human will,
In earth, and air, and seas;

Beyond us, what can angels boast?
Archangels what require?
Whate'er below, above, is done,
Is done as-we desire.

What glory this for man so mean,
Whose life is but a span!
This is meridian majesty!
This, the sublime of man!

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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Samuel Butler

Hudibras: Part 2 - Canto II

THE ARGUMENT

The Knight and Squire, in hot dispute,
Within an ace of falling out,
Are parted with a sudden fright
Of strange alarm, and stranger sight;
With which adventuring to stickle,
They're sent away in nasty pickle.

'Tis strange how some mens' tempers suit
(Like bawd and brandy) with dispute,
That for their own opinions stand last
Only to have them claw'd and canvast;
That keep their consciences in cases,
As fiddlers do their crowds and bases,
Ne'er to be us'd, but when they're bent
To play a fit for argument;
Make true and false, unjust and just,
Of no use but to be discust;
Dispute, and set a paradox
Like a straight boot upon the stocks,
And stretch it more unmercifully
Than HELMONT, MONTAIGN, WHITE, or TULLY,
So th' ancient Stoicks, in their porch,
With fierce dispute maintain'd their church;
Beat out their brains in fight and study,
To prove that Virtue is a Body;
That Bonum is an Animal,
Made good with stout polemic brawl;
in which some hundreds on the place
Were slain outright; and many a face
Retrench'd of nose, and eyes, and beard,
To maintain what their sect averr'd;
All which the Knight and Squire, in wrath,
Had like t' have suffered for their faith,
Each striving to make good his own,
As by the sequel shall be shown.

The Sun had long since, in the lap
Of THETIS, taken out his nap,
And, like a lobster boil'd, the morn
From black to red began to turn,
When HUDIBRAS, whom thoughts and aking,
'Twixt sleeping kept all night and waking,
Began to rub his drowsy eyes,
And from his couch prepar'd to rise,
Resolving to dispatch the deed
He vow'd to do with trusty speed.
But first, with knocking loud, and bawling,
He rouz'd the Squire, in truckle lolling;

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Upon Appleton House, to My Lord Fairfax

Within this sober Frame expect
Work of no Forrain Architect;
That unto Caves the Quarries drew,
And Forrests did to Pastures hew;
Who of his great Design in pain
Did for a Model vault his Brain,
Whose Columnes should so high be rais'd
To arch the Brows that on them gaz'd.

Why should of all things Man unrul'd
Such unproportion'd dwellings build?
The Beasts are by their Denns exprest:
And Birds contrive an equal Nest;
The low roof'd Tortoises do dwell
In cases fit of Tortoise-shell:
No Creature loves an empty space;
Their Bodies measure out their Place.

But He, superfluously spread,
Demands more room alive then dead.
And in his hollow Palace goes
Where Winds as he themselves may lose.
What need of all this Marble Crust
T'impark the wanton Mose of Dust,
That thinks by Breadth the World t'unite
Though the first Builders fail'd in Height?

But all things are composed here
Like Nature, orderly and near:
In which we the Dimensions find
Of that more sober Age and Mind,
When larger sized Men did stoop
To enter at a narrow loop;
As practising, in doors so strait,
To strain themselves through Heavens Gate.

And surely when the after Age
Shall hither come in Pilgrimage,
These sacred Places to adore,
By Vere and Fairfax trod before,
Men will dispute how their Extent
Within such dwarfish Confines went:
And some will smile at this, as well
As Romulus his Bee-like Cell.

Humility alone designs
Those short but admirable Lines,
By which, ungirt and unconstrain'd,
Things greater are in less contain'd.
Let others vainly strive t'immure

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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No Greater Love

The angels can sing, but they don't know it all.
Heaven may have, streets made of gold,
But they don't have you like I have you to hold.
And like a prayer, you're everywhere!
That's how I know there's
No greater love!
When it's just you and me
That's how it's meant to be, and I know
There's no greater love!
We'll always be together,
On both sides of forever, I know
There's no greater love!
Ohhh Oh Oh
The touch of your fingers, on my skin,
I want to lay down beside you again.
The taste of your lips, pressed against mine,
Lost in this moment, way beyond time.
And like a prayer, you're everywhere!
That's how I know there's
No greater love!
When it's just you and me,
That's how it's meant to be, and I know
There's no greater love!
We'll always be together,
On both sides of forever I know
There's no greater love!
I would lay down my life for you,
And you would do the same for me,
I know it's true.
With every breath I breathe,
Baby, I believe,
There's no greater love!
When it's just you and me,
That's how it's meant to be and I know
There's no greater love!
We'll always be together,
On both sides of forever, I know
There's no greater love!
No greater love.

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Byron

Canto the Ninth

I
Oh, Wellington! (or "Villainton" -- for Fame
Sounds the heroic syllables both ways;
France could not even conquer your great name,
But punn'd it down to this facetious phrase --
Beating or beaten she will laugh the same),
You have obtain'd great pensions and much praise:
Glory like yours should any dare gainsay,
Humanity would rise, and thunder "Nay!"

II
I don't think that you used Kinnaird quite well
In Marinet's affair -- in fact, 't was shabby,
And like some other things won't do to tell
Upon your tomb in Westminster's old abbey.
Upon the rest 't is not worth while to dwell,
Such tales being for the tea-hours of some tabby;
But though your years as man tend fast to zero,
In fact your grace is still but a young hero.

III
Though Britain owes (and pays you too) so much,
Yet Europe doubtless owes you greatly more:
You have repair'd Legitimacy's crutch,
A prop not quite so certain as before:
The Spanish, and the French, as well as Dutch,
Have seen, and felt, how strongly you restore;
And Waterloo has made the world your debtor
(I wish your bards would sing it rather better).

IV
You are "the best of cut-throats:" -- do not start;
The phrase is Shakspeare's, and not misapplied:
War's a brain-spattering, windpipe-slitting art,
Unless her cause by right be sanctified.
If you have acted once a generous part,
The world, not the world's masters, will decide,
And I shall be delighted to learn who,
Save you and yours, have gain'd by Waterloo?

V
I am no flatterer -- you've supp'd full of flattery:
They say you like it too -- 't is no great wonder.
He whose whole life has been assault and battery,
At last may get a little tired of thunder;
And swallowing eulogy much more than satire, he
May like being praised for every lucky blunder,
Call'd "Saviour of the Nations" -- not yet saved,
And "Europe's Liberator" -- still enslaved.

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Byron

Don Juan: Canto The Ninth

Oh, Wellington! (or 'Villainton'--for Fame
Sounds the heroic syllables both ways;
France could not even conquer your great name,
But punn'd it down to this facetious phrase-
Beating or beaten she will laugh the same),
You have obtain'd great pensions and much praise:
Glory like yours should any dare gainsay,
Humanity would rise, and thunder 'Nay!'

I don't think that you used Kinnaird quite well
In Marinet's affair--in fact, 'twas shabby,
And like some other things won't do to tell
Upon your tomb in Westminster's old abbey.
Upon the rest 'tis not worth while to dwell,
Such tales being for the tea-hours of some tabby;
But though your years as man tend fast to zero,
In fact your grace is still but a young hero.

Though Britain owes (and pays you too) so much,
Yet Europe doubtless owes you greatly more:
You have repair'd Legitimacy's crutch,
A prop not quite so certain as before:
The Spanish, and the French, as well as Dutch,
Have seen, and felt, how strongly you restore;
And Waterloo has made the world your debtor
(I wish your bards would sing it rather better).

You are 'the best of cut-throats:'--do not start;
The phrase is Shakspeare's, and not misapplied:
War's a brain-spattering, windpipe-slitting art,
Unless her cause by right be sanctified.
If you have acted once a generous part,
The world, not the world's masters, will decide,
And I shall be delighted to learn who,
Save you and yours, have gain'd by Waterloo?

I am no flatterer- you 've supp'd full of flattery:
They say you like it too- 't is no great wonder.
He whose whole life has been assault and battery,
At last may get a little tired of thunder;
And swallowing eulogy much more than satire, he
May like being praised for every lucky blunder,
Call'd 'Saviour of the Nations'--not yet saved,
And 'Europe's Liberator'--still enslaved.

I've done. Now go and dine from off the plate
Presented by the Prince of the Brazils,
And send the sentinel before your gate
A slice or two from your luxurious meals:
He fought, but has not fed so well of late.

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Of the four Humours in Mans Constitution.

The former four now ending their discourse,
Ceasing to vaunt their good, or threat their force.
Lo other four step up, crave leave to show
The native qualityes that from them flow:
But first they wisely shew'd their high descent,
Each eldest daughter to each Element.
Choler was own'd by fire, and Blood by air,
Earth knew her black swarth child, water her fair:
All having made obeysance to each Mother,
Had leave to speak, succeeding one the other:
But 'mongst themselves they were at variance,
Which of the four should have predominance.
Choler first hotly claim'd right by her mother,
Who had precedency of all the other:
But Sanguine did disdain what she requir'd,
Pleading her self was most of all desir'd.
Proud Melancholy more envious then the rest,
The second, third or last could not digest.
She was the silentest of all the four,
Her wisdom spake not much, but thought the more
Mild Flegme did not contest for chiefest place,
Only she crav'd to have a vacant space.
Well, thus they parle and chide; but to be brief,
Or will they, nill they, Choler will be chief.
They seing her impetuosity
At present yielded to necessity.
Choler.
To shew my high descent and pedegree,
Your selves would judge but vain prolixity;
It is acknowledged from whence I came,
It shall suffice to shew you what I am,
My self and mother one, as you shall see,
But shee in greater, I in less degree.
We both once Masculines, the world doth know,
Now Feminines awhile, for love we owe
Unto your Sisterhood, which makes us render
Our noble selves in a less noble gender.
Though under Fire we comprehend all heat,
Yet man for Choler is the proper seat:
I in his heart erect my regal throne,
Where Monarch like I play and sway alone.
Yet many times unto my great disgrace
One of your selves are my Compeers in place,
Where if your rule prove once predominant,
The man proves boyish, sottish, ignorant:
But if you yield subservience unto me,
I make a man, a man in th'high'st degree:
Be he a souldier, I more fence his heart
Then iron Corslet 'gainst a sword or dart.
What makes him face his foe without appal,

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Alankar (Decor) -29

Insecurity(Rondeau)

Falsity's love that doubledeals
It is a threat a woman feels
A way out of the wrong wedlock
A way out of the fake wedlock
Unsafe heart of black Truth just deals

But in unfound ways stuck in wheels
Crushed to bleed through eyes yet conceals
All pains..a good gesture to block
Falsity's love

Vowed to guard with love he repeals
Holy fire has high firing feels
Fired of words and deeds loathes wedlock
Fearfilled heart knows not to unlock
Tied of timid knots she just feels
Falsity's love

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By Act of Legislation

Once upon a time
In a faraway country
The people of the Province of Falsity
Spoke only truth
Whereas those who lived
In the Province of Truth
Spoke only falsity.

In both provinces
The people sang
Their national anthem in chorus:
If we are lying
We are telling the truth
But if we are telling the truth
We are lying.

Little wonder
People got confused there
And they remained confused
For a long time
Until one day the Prince
Decided to interfere.

So he ordered the Parliament
To legislate a new law
A new law that solved the problem
And simply abolished the difference
Between truth and falsity.

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Let It Flow

(a. bell / v. clarke)
What about the good times:
They were few and far between.?
Thats the understatement of the year.
Some would call it passion,
But it means a lot to me.
Lifes little joke is coming clear.
And that is:
Stronger than strong, wider than wide,
Deeper than deep, higher than high.
Old is love, any love is fine.
Let it shine, let it flow.
Let it flow through me.
Old is love, any love is fine.
Let it shine, let it flow.
Let it flow through me.
You got twenty-twenty vision,
When walking down the street.
Theres a fool on every corner,
Standing by.
Nearly midnight and nothing here for me.
Guess I have to wait til the morning light.
And that is:
Stronger than strong, wider than wide,
Deeper than deep, higher than high.
Old is love, any love is fine.
Let it shine, let it flow.
Let it flow through me.
Old is love, any love is fine.
Let it shine, let it flow.
Let it flow through me.
Old is love, any love is fine.
Let it shine, let it flow.
Let it flow through me.
Old is love, any love is fine.
Let it shine, let it flow.
Let it flow through me.

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Byron

Canto the Eighth

I
Oh blood and thunder! and oh blood and wounds!
These are but vulgar oaths, as you may deem,
Too gentle reader! and most shocking sounds:
And so they are; yet thus is Glory's dream
Unriddled, and as my true Muse expounds
At present such things, since they are her theme,
So be they her inspirers! Call them Mars,
Bellona, what you will -- they mean but wars.

II
All was prepared -- the fire, the sword, the men
To wield them in their terrible array.
The army, like a lion from his den,
March'd forth with nerve and sinews bent to slay, --
A human Hydra, issuing from its fen
To breathe destruction on its winding way,
Whose heads were heroes, which cut off in vain
Immediately in others grew again.

III
History can only take things in the gross;
But could we know them in detail, perchance
In balancing the profit and the loss,
War's merit it by no means might enhance,
To waste so much gold for a little dross,
As hath been done, mere conquest to advance.
The drying up a single tear has more
Of honest fame, than shedding seas of gore.

IV
And why? -- because it brings self-approbation;
Whereas the other, after all its glare,
Shouts, bridges, arches, pensions from a nation,
Which (it may be) has not much left to spare,
A higher title, or a loftier station,
Though they may make Corruption gape or stare,
Yet, in the end, except in Freedom's battles,
Are nothing but a child of Murder's rattles.

V
And such they are -- and such they will be found:
Not so Leonidas and Washington,
Whose every battle-field is holy ground,
Which breathes of nations saved, not worlds undone.
How sweetly on the ear such echoes sound!
While the mere victor's may appal or stun
The servile and the vain, such names will be
A watchword till the future shall be free.

[...] Read more

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The House Of Dust: Complete

I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

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Metamorphoses: Book The Ninth

Theseus requests the God to tell his woes,
Whence his maim'd brow, and whence his groans arose
Whence thus the Calydonian stream reply'd,
With twining reeds his careless tresses ty'd:
Ungrateful is the tale; for who can bear,
When conquer'd, to rehearse the shameful war?
Yet I'll the melancholy story trace;
So great a conqu'ror softens the disgrace:
Nor was it still so mean the prize to yield,
As great, and glorious to dispute the field.
The Story of Perhaps you've heard of Deianira's name,
Achelous and For all the country spoke her beauty's fame.
Hercules Long was the nymph by num'rous suitors woo'd,
Each with address his envy'd hopes pursu'd:
I joyn'd the loving band; to gain the fair,
Reveal'd my passion to her father's ear.
Their vain pretensions all the rest resign,
Alcides only strove to equal mine;
He boasts his birth from Jove, recounts his spoils,
His step-dame's hate subdu'd, and finish'd toils.
Can mortals then (said I), with Gods compare?
Behold a God; mine is the watry care:
Through your wide realms I take my mazy way,
Branch into streams, and o'er the region stray:
No foreign guest your daughter's charms adores,
But one who rises in your native shores.
Let not his punishment your pity move;
Is Juno's hate an argument for love?
Though you your life from fair Alcmena drew,
Jove's a feign'd father, or by fraud a true.
Chuse then; confess thy mother's honour lost,
Or thy descent from Jove no longer boast.
While thus I spoke, he look'd with stern disdain,
Nor could the sallies of his wrath restrain,
Which thus break forth. This arm decides our right;
Vanquish in words, be mine the prize in fight.
Bold he rush'd on. My honour to maintain,
I fling my verdant garments on the plain,
My arms stretch forth, my pliant limbs prepare,
And with bent hands expect the furious war.
O'er my sleek skin now gather'd dust he throws,
And yellow sand his mighty muscles strows.
Oft he my neck, and nimble legs assails,
He seems to grasp me, but as often fails.
Each part he now invades with eager hand;
Safe in my bulk, immoveable I stand.
So when loud storms break high, and foam and roar
Against some mole that stretches from the shore;
The firm foundation lasting tempests braves,
Defies the warring winds, and driving waves.

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The River Must Flow

(the river must flow)
I love you, youre the one that I adore
And no man could love you more
Its like a river that flows to the sea
I need you like the jasmine needs the rain
Let your water cool my pain
Just like a river that flows to the sea
Thru love I will find the meaning of you
All my natral dreams will come true
Its like a river that flows to the sea
Thru love I will find a meaning in life
But the rain must fall down tonight
And like a river that flows to the sea
Oh yeah, the river must flow from me
(the river must flow)
From me
(the river must flow)
Youre a falling star burning in my heart
Ah,ah
Thru love I will find the meaning of you
All my natral dreams will come true
Its like a river that flows to the sea
Thru love I will find a meaning in life
But the rain must fall down tonight
And like a river that flows to the sea
Oh yeah, the river must flow from me
(the river must flow)
From me
(the river must flow)
(the river must flow)
(the river must flow)
From me (the river must flow)
From me (the river must flow)

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