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Geography is about maps, but biography is about chaps.

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Some Got a Battle On Their Maps

I use to hate to
Re-organize
My life
For someone...
Who did not know who to appreciate.

I use to hate to
Re-organize
My life
For someone...
Who did not know who to appreciate.

I use to hate to
Re-organize
My life
For someone...
Who did not know who to appreciate.

People are like that,
They do not appreciate.
Some can be so ruthless,
They do not appreciate.
People are like that.
Sad is the fact.
People are like that.
Some got a battle on their maps.

People are like that!
Some got a battle on their maps.
People are like that!
Sad is the fact.
People are like that!
Some got a battle on their maps.

People are like that!
Some got a battle on their maps.
People are like that!
Some got a battle on their maps.
People are like that!
Some got a battle on their maps.

I use to hate to
Re-organize
My life
For someone...
Who did not know who to appreciate.

People are like that,
They do not appreciate.
Some can be so ruthless,

[...] Read more

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Maps And Legends

He's not to be reached he's to be reached.
He's not to be reached he's to be reached.
Called the fool and the company
On his own where he'd rather be.
Where he ought to be he sees what you can't see can't you see that?
Maybe he's caught in the legend
maybe he's caught in the mood.
Maybe these maps and legends
have been misunderstood.
Down the way the road's divided
Paint me the places you have seen.
Those who know what I don't know
refer to the yellow, red and green
Maybe he's caught in the legend,
maybe he's caught in the mood.
Maybe these maps and legends
have been misunderstood.
He's not to be reached, he's to be reached. (4 times)
The map that you painted didn't seem real.
He just sings whatever he's seen
Point to the legend, point to the east,
Point to the yellow, red and green
Maybe he's caught in the legend,
maybe he's caught in the mood.
Maybe these maps and legends
have been misunderstood, been misunderstood. (Maps and legends)
(Maps and legends) Is he to be reached? He's not to be reached.
(Maps and legends) Is he to be reached? He's not to be reached.
(Maps and legends) Is he to be reached? He's not to be reached anymore

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Maps & Legends

Hes not to be reached, hes to be reached.
Hes not to be reached, hes to be reached.
Called the fool and the company,
On his own where hed rather be.
Where he ought to be, he sees what you cant see,
Cant you see that?
Maybe hes caught in the legend,
Maybe hes caught in the mood.
Maybe these maps and legends
Have been misunderstood.
Down the way the roads divided,
Paint me the places you have seen.
Those who know what I dont know
Refer to the yellow, red and green
Maybe hes caught in the legend,
Maybe hes caught in the mood.
Maybe these maps and legends
Have been misunderstood.
Hes not to be reached, hes to be reached. (4 times)
The map that you painted didnt seem real.
He just sings whatever hes seen
Point to the legend, point to the east,
Point to the yellow, red and green
Maybe hes caught in the legend,
Maybe hes caught in the mood.
Maybe these maps and legends
Have been misunderstood, been misunderstood.
(maps and legends)
(maps and legends) is he to be reached?
Hes not to be reached.
(maps and legends) is he to be reached?
Hes not to be reached.
(maps and legends) is he to be reached?
Hes not to be reached anymore.

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The art of biography is different from geography. Geography is about maps, but biography is about chaps.

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Songs of Education

I. HISTORY

Form 991785, Sub-Section D

The Roman threw us a road, a road,
And sighed and strolled away:
The Saxon gave us a raid, a raid,
A raid that came to stay;
The Dane went west, but the Dane confessed
That he went a bit too far;
And we all became, by another name,
The Imperial race we are.

The Imperial race, the inscrutable race,
The invincible race we are.

Though Sussex hills are bare, are bare,
And Sussex weald is wide,
From Chichester to Chester
Men saw the Norman ride;
He threw his sword in the air and sang
To a sort of a light guitar;
It was all the same, for we all became
The identical nobs we are.

The identical nobs, individual nobs,
Unmistakable nobs we are.

The people lived on the land, the land,
They pottered about and prayed;
They built a cathedral here and there
Or went on a small crusade:
Till the bones of Becket were bundled out
For the fun of a fat White Czar,
And we all became, in spoil and flame,
The intelligent lot we are.

The intelligent lot, the intuitive lot,
The infallible lot we are.

O Warwick woods are green, are green,
But Warwick trees can fall:
And Birmingham grew so big, so big,
And Stratford stayed so small.
Till the hooter howled to the morning lark
That sang to the morning star:
And we all became, in freedom's name,
The fortunate chaps we are.

The fortunate chaps, felicitous chaps,

[...] Read more

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G.K. Chesterton

History

The Roman threw us a road, a road,
And sighed and strolled away:
The Saxon gave us a raid, a raid,
A raid that came to stay;
The Dane went west, but the Dane confessed
That he went a bit too far;
And we all became, by another name,
The Imperial race we are.

The Imperial race, the inscrutable race,
The invincible race we are.

Though Sussex hills are bare, are bare,
And Sussex weald is wide,
From Chichester to Chester
Men saw the Norman ride;
He threw his sword in the air and sang
To a sort of a light guitar;
It was all the same, for we all became
The identical nobs we are.

The identical nobs, individual nobs,
Unmistakable nobs we are.

The people lived on the land, the land,
They pottered about and prayed;
They built a cathedral here and there
Or went on a small crusade:
Till the bones of Becket were bundled out
For the fun of a fat White Czar,
And we all became, in spoil and flame,
The intelligent lot we are.

The intelligent lot, the intuitive lot,
The infallible lot we are.

O Warwick woods are green, are green,
But Warwick trees can fall:
And Birmingham grew so big, so big,
And Stratford stayed so small.
Till the hooter howled to the morning lark
That sang to the morning star:
And we all became, in freedom's name,
The fortunate chaps we are.

The fortunate chaps, felicitous chaps,
The fairy-like chaps we are.

The people, they left the land, the land,
But they went on working hard:

[...] Read more

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The Stranger's Friend

The strangest things and the maddest things, that a man can do or say,
To the chaps and fellers and coves Out Back are matters of every day;
Maybe on account of the lives they lead, or the life that their hearts discard—
But never a fool can be too mad or a ‘hard case’ be too hard.
I met him in Bourke in the Union days—with which we have nought to do
(Their creed was narrow, their methods crude, but they stuck to ‘the cause’ like glue).
He came into town from the Lost Soul Run for his grim half-yearly ‘bend,’
And because of a curious hobby he had, he was known as ‘The Stranger’s Friend.’

It is true to the region of adjectives when I say that the spree was ‘grim,’
For to go on the spree was a sacred rite, or a heathen rite, to him,
To shout for the travellers passing through to the land where the lost soul bakes—
Till they all seemed devils of different breeds, and his pockets were filled with snakes.

In the joyful mood, in the solemn mood—in his cynical stages too—
In the maudlin stage, in the fighting stage, in the stage when all was blue—
From the joyful hour when his spree commenced, right through to the awful end,
He never lost grip of his ‘fixed idee’ that he was the Stranger’s Friend.

‘The feller as knows, he can battle around for his bloomin’ self,’ he’d say—
‘I don’t give a curse for the “blanks” I know the hard-up bloke this way;
‘Send the stranger round, and I’ll see him through,’ and, e’en as the bushman spoke,
The chaps and fellers would tip the wink to a casual, ‘hard-up bloke.’

And it wasn’t only a bushman’s ‘bluff’ to the fame of the Friend they scored,
For he’d shout the stranger a suit of clothes, and he’d pay for the stranger’s board—
The worst of it was that he’d skite all night on the edge of the stranger’s bunk,
And never got helplessly drunk himself till he’d got the stranger drunk.

And the chaps and the fellers would speculate—by way of a ghastly joke—
As to who’d be caught by the ‘jim-jams’ first—the Friend or the hard-up bloke?
And the ‘Joker’ would say that there wasn’t a doubt as to who’d be damned in the end,
When the Devil got hold of a hard-up bloke in the shape of the Stranger’s Friend.

It mattered not to the Stranger’s Friend what the rest might say or think,
He always held that the hard-up state was due to the curse of drink,
To the evils of cards, and of company: ‘But a young cove’s built that way,
‘And I was a bloomin’ fool meself when I started out,’ he’d say.

At the end of the spree, in clean white ‘moles,’ clean-shaven, and cool as ice,
He’d give the stranger a ‘bob’ or two, and some straight Out Back advice;
Then he’d tramp away for the Lost Soul Run, where the hot dust rose like smoke,
Having done his duty to all mankind, for he’d ‘stuck to a hard-up bloke.’

They’ll say ’tis a ‘song of a sot,’ perhaps, but the Song of a Sot is true.
I have ‘battled’ myself, and you know, you chaps, what a man in the bush goes through:
Let us hope when the last of his sprees is past, and his cheques and his strength are done,
That, amongst the sober and thrifty mates, the Stranger’s Friend has one.

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Afternoon Tea

As I was saying . . . (No, thank you; I never take cream with my tea;
Cows weren't allowed in the trenches -- got out of the habit, y'see.)
As I was saying, our Colonel leaped up like a youngster of ten:
"Come on, lads!" he shouts, "and we'll show 'em," and he sprang to the head of the men.
Then some bally thing seemed to trip him, and he fell on his face with a slam. . . .
Oh, he died like a true British soldier, and the last word he uttered was "Damn!"
And hang it! I loved the old fellow, and something just burst in my brain,
And I cared no more for the bullets than I would for a shower of rain.
'Twas an awf'ly funny sensation (I say, this is jolly nice tea);
I felt as if something had broken; by gad! I was suddenly free.
Free for a glorified moment, beyond regulations and laws,
Free just to wallow in slaughter, as the chap of the Stone Age was.

So on I went joyously nursing a Berserker rage of my own,
And though all my chaps were behind me, feeling most frightf'ly alone;
With the bullets and shells ding-donging, and the "krock" and the swish of the shrap;
And I found myself humming "Ben Bolt" . . . (Will you pass me the sugar, old chap?
Two lumps, please). . . . What was I saying? Oh yes, the jolly old dash;
We simply ripped through the barrage, and on with a roar and a crash.
My fellows -- Old Nick couldn't stop 'em. On, on they went with a yell,
Till they tripped on the Boches' sand-bags, -- nothing much left to tell:
A trench so tattered and battered that even a rat couldn't live;
Some corpses tangled and mangled, wire you could pass through a sieve.

The jolly old guns had bilked us, cheated us out of our show,
And my fellows were simply yearning for a red mix-up with the foe.
So I shouted to them to follow, and on we went roaring again,
Battle-tuned and exultant, on in the leaden rain.
Then all at once a machine gun barks from a bit of a bank,
And our Major roars in a fury: "We've got to take it on flank."
He was running like fire to lead us, when down like a stone he comes,
As full of "typewriter" bullets as a pudding is full of plums.
So I took his job and we got 'em. . . . By gad! we got 'em like rats;
Down in a deep shell-crater we fought like Kilkenny cats.
'Twas pleasant just for a moment to be sheltered and out of range,
With someone you saw to go for -- it made an agreeable change.

And the Boches that missed my bullets, my chaps gave a bayonet jolt,
And all the time, I remember, I whistled and hummed "Ben Bolt".
Well, that little job was over, so hell for leather we ran,
On to the second line trenches, -- that's where the fun began.
For though we had strafed 'em like fury, there still were some Boches about,
And my fellows, teeth set and eyes glaring, like terriers routed 'em out.
Then I stumbled on one of their dug-outs, and I shouted: "Is anyone there?"
And a voice, "Yes, one; but I'm wounded," came faint up the narrow stair;
And my man was descending before me, when sudden a cry! a shot!
(I say, this cake is delicious. You make it yourself, do you not?)
My man? Oh, they killed the poor devil; for if there was one there was ten;
So after I'd bombed 'em sufficient I went down at the head of my men,
And four tried to sneak from a bunk-hole, but we cornered the rotters all right;

[...] Read more

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In the sun

A dog is a dog
And a bird is a bird.
I m flying like bird
and guard my house
like dog.

Dog and bird friends
And in the open field
both want to study
geography.

Geography differs
from person to person
from history to history
from time to time.
And in future
geography melt
like fog in the sun.

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Damascus, What Are You Doing to Me?

1
My voice rings out, this time, from Damascus
It rings out from the house of my mother and father
In Sham. The geography of my body changes.
The cells of my blood become green.
My alphabet is green.
In Sham. A new mouth emerges for my mouth
A new voice emerges for my voice
And my fingers
Become a tribe

2
I return to Damascus
Riding on the backs of clouds
Riding the two most beautiful horses in the world
The horse of passion.
The horse of poetry.
I return after sixty years
To search for my umbilical cord,
For the Damascene barber who circumcised me,
For the midwife who tossed me in the basin under the bed
And received a gold lira from my father,
She left our house
On that day in March of 1923
Her hands stained with the blood of the poem…

3
I return to the womb in which I was formed . . .
To the first book I read in it . . .
To the first woman who taught me
The geography of love . . .
And the geography of women . . .

4
I return
After my limbs have been strewn across all the continents
And my cough has been scattered in all the hotels
After my mother’s sheets scented with laurel soap
I have found no other bed to sleep on . . .
And after the “bride” of oil and thyme
That she would roll up for me
No longer does any other 'bride' in the world please me
And after the quince jam she would make with her own hands
I am no longer enthusiastic about breakfast in the morning
And after the blackberry drink that she would make
No other wine intoxicates me . . .

5
I enter the courtyard of the Umayyad Mosque
And greet everyone in it

[...] Read more

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On The Pleasures Of College Life

With tears I leave these academic bowers,
And cease to cull the scientific flowers;
With tears I hail the fair succeeding train,
And take my exit with a breast of pain.
The Fresh may trace these wonders as they smile;
The stream of science like the river Nile,
Reflecting mental beauties as it flows,
Which all the charms of College life disclose;
This sacred current as it runs refines,
Whilst Byron sings and Shakspeare's mirror shines.
First like a garden flower did I rise,
When on the college bloom I cast my eyes;
I strove to emulate each smiling gem,
Resolved to wear the classic diadem;
But when the Freshman's garden breeze was gone;
Around me spread a vast extensive lawn;
'Twas there the muse of college life begun,
Beneath the rays of erudition's sun,

Where study drew the mystic focus down,
And lit the lamp of nature with renown;
There first I heard the epic thunders roll,
And Homer's light'ning darted through my soul.
Hard was the task to trace each devious line,
Though Locke and Newton bade me soar and shine;
I sunk beneath the heat of Franklin's blaze,
And struck the notes of philosophic praise;
With timid thought I strove the test to stand,
Reclining on a cultivated land,
Which often spread beneath a college bower,
And thus invoked the intellectual shower;
E'en that fond sire on whose depilous crown,
The smile of courts and states shall shed renown;
Now far above the noise of country strife,
I frown upon the gloom of rustic life,
Where no pure stream of bright distinction flows,
No mark between the thistle and the rose;
One's like a bird encaged and bare of food,
Borne by the fowler from his native wood,
Where sprightly oft he sprung from spray to spray,
And cheer'd the forest with his artless lay,

Or fluttered o'er the purling brook at will,
Sung in the dale or soar'd above the hill.
Such are the liberal charms of college life,
Where pleasure flows without a breeze of strife;
And such would be my pain if cast away,
Without the blooms of study to display.
Beware, ye college birds, again beware,
And shun the fowler with his subtile snare;

[...] Read more

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Found Poem After News From One Roaming Alaskan Wilderness

.
for Andy
far flung from
Black Mountain,
Charles Olson
in mind, quoth -

'I come back to the geography of it...
An American is a complex of occasions,
themselves a geometry
of spatial nature.' - from 'Maximus to Gloucester, Letter 27'

*

You lost
again,
poor boy,
in way out
places.

Better there
than lost
in familiar
here/now
such is NYC,
East 10th
street soothed,
sore -

red wine,
air conditioned
poems

Writing (is)
bitterness
mixed,
prayer,

such is
personal
geography.

Stunned
how life can
somehow go
but one can
either resist
or flow
with it
feeling

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U.B.R. (Unauthorized Biography Of Rakim)

Nas: "The unauthorized copy.Dedication to my children, my child
Destiny Jones. To my niece and nephews, Suree, Malik, Jabari
The world is yours.Acknowledgements: First off, I wanna
thank God.And I wanna thank everybody for helping me out
with this.Couldn't do it without you.Chapter 1."
[Verse 1: Nas]
January 28, 1968
Born into this world as William Griffin The Great
Chapter 1, Winedance Long Island
Scientific rhymin' invented a new sound when he met with
Eric Barrier from East Sandhurst
The melody they created was the first
Burst on the scene, 1986 with Clap To This
'87 dropped a classic disc
The facts is the tracklist was like four
The vocals, the beats -- according to Marly Marl
Recorded in my hometown Queensbridge
That's why it's so relative
This biography was unauthorized
I spit it how it was given to author Nas
William changed his name at sixteen to Rakim Allah
'Cause Clarence 13X had New York on lock
Gods on every block, jams in every park
I remember hearin' Curtis Blow saying
"It can't get better than this"
'Til Run DMC blew my brains to bits
From leather coats to shell toes to the stan smiths, to Dapper Dan kicks
First million-dollar deal ever in rap, 18th Letter did that
From 41st & Broadway to Uni to MCA
We followed the leader to Harlem's Apollo Theatre
Supreme rapped and the 50 that don't rap
Forte Green, Queens, Long Island wolfpack
Paid In Full posse, hot they was on
And Ra had his firstborn
With the next line I'ma be easy
His wisdom's name is Fifi
EPMD put a record out, was dope
Tension spread, and I quote "Smack me and I smack you back"
Sounded like the answer to the I Ain't No Joke track
For a second it ain't look good
Little tension buzzin' from Winedance to Brentwood
Misunderstood, all forgot by sixteen when I met Freddy Foxx
Totin' burners, the whole coast's most concern was
How was Rakim's flow, made Christians convert with Islamic ways
Let The Rhythm Hit 'Em was the third LP
A sophisticated mean one, before similar voices were King Son
A few others, but sooner or later, the game was Ra's kingdom
At sixteen, son was watchin' him, mesmorized
Respect, not jockin' him, was so amazin', besides
He came on the stage with lasers in his eyes

[...] Read more

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Byron

Canto the Third

I
Hail, Muse! et cetera.—We left Juan sleeping,
Pillow'd upon a fair and happy breast,
And watch'd by eyes that never yet knew weeping,
And loved by a young heart, too deeply blest
To feel the poison through her spirit creeping,
Or know who rested there, a foe to rest,
Had soil'd the current of her sinless years,
And turn'd her pure heart's purest blood to tears!

II
Oh, Love! what is it in this world of ours
Which makes it fatal to be loved? Ah, why
With cypress branches hast thou wreathed thy bowers,
And made thy best interpreter a sigh?
As those who dote on odours pluck the flowers,
And place them on their breast—but place to die—
Thus the frail beings we would fondly cherish
Are laid within our bosoms but to perish.

III
In her first passion woman loves her lover,
In all the others all she loves is love,
Which grows a habit she can ne'er get over,
And fits her loosely—like an easy glove,
As you may find, whene'er you like to prove her:
One man alone at first her heart can move;
She then prefers him in the plural number,
Not finding that the additions much encumber.

IV
I know not if the fault be men's or theirs;
But one thing's pretty sure; a woman planted
(Unless at once she plunge for life in prayers)
After a decent time must be gallanted;
Although, no doubt, her first of love affairs
Is that to which her heart is wholly granted;
Yet there are some, they say, who have had none,
But those who have ne'er end with only one.

V
'T is melancholy, and a fearful sign
Of human frailty, folly, also crime,
That love and marriage rarely can combine,
Although they both are born in the same clime;
Marriage from love, like vinegar from wine—
A sad, sour, sober beverage—by time
Is sharpen'd from its high celestial flavour
Down to a very homely household savour.

[...] Read more

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Byron

Don Juan: Canto The Third

Hail, Muse! et cetera.--We left Juan sleeping,
Pillow'd upon a fair and happy breast,
And watch'd by eyes that never yet knew weeping,
And loved by a young heart, too deeply blest
To feel the poison through her spirit creeping,
Or know who rested there, a foe to rest,
Had soil'd the current of her sinless years,
And turn'd her pure heart's purest blood to tears!

Oh, Love! what is it in this world of ours
Which makes it fatal to be loved? Ah, why
With cypress branches hast thou Wreathed thy bowers,
And made thy best interpreter a sigh?
As those who dote on odours pluck the flowers,
And place them on their breast- but place to die-
Thus the frail beings we would fondly cherish
Are laid within our bosoms but to perish.

In her first passion woman loves her lover,
In all the others all she loves is love,
Which grows a habit she can ne'er get over,
And fits her loosely- like an easy glove,
As you may find, whene'er you like to prove her:
One man alone at first her heart can move;
She then prefers him in the plural number,
Not finding that the additions much encumber.

I know not if the fault be men's or theirs;
But one thing 's pretty sure; a woman planted
(Unless at once she plunge for life in prayers)
After a decent time must be gallanted;
Although, no doubt, her first of love affairs
Is that to which her heart is wholly granted;
Yet there are some, they say, who have had none,
But those who have ne'er end with only one.

'T is melancholy, and a fearful sign
Of human frailty, folly, also crime,
That love and marriage rarely can combine,
Although they both are born in the same clime;
Marriage from love, like vinegar from wine-
A sad, sour, sober beverage- by time
Is sharpen'd from its high celestial flavour
Down to a very homely household savour.

There 's something of antipathy, as 't were,
Between their present and their future state;
A kind of flattery that 's hardly fair
Is used until the truth arrives too late-
Yet what can people do, except despair?

[...] Read more

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Rodeo

His eyes are cold and restless
His wounds have almost healed
And shed give half of texas
Just to change the way he feels
She knows his loves in tulsa
And she knows hes gonna go
Well, it aint no woman, flesh and blood
Its that damned old rodeo.
(chorus)
Well, its bulls and blood
Its dust and mud
Its the roar of a sunday crowd
Its the white in his knuckles
The gold in the buckle
Hell win the next go round
Its boots and chaps
Its cowboy hats
Its spurs and latigo
Its the ropes and the reins
And the joy and the pain
And they call the thing rodeo.
She does her best to hold him
When his love comes to call
But his need for it controls a man
And her backs against the wall
And its so long girl, Ill see you.
When its time for him to go
You know the woman wants her cowboy
Like he wants his rodeo
*chorus*
Itll drive a cowboy crazy
Itll drive the man insane
And hell sell off everything he owns
Just to pay to play her game
And a broken home and some broken bones
Is all hell have to show
For all the years that he spent chasin
This dream they call rodeo.
*chorus*
Well, its bulls and blood
Its dust and mud
Its the roar of a sunday crowd
Its the white in his knuckles
The gold in the buckle
Hell win the next go round
Its boots and chaps
Its cowboy hats
Its spurs and latigo
Its the ropes and the reins
And the joy and the pain

[...] Read more

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Jim's Girl

''Oo is that girl,' sez Digger Smith,
That never seems to bother with
No blokes: the bint with curly 'air?
I've often seen 'er over there
Talkin' to Missus Flood, an' she
Seems like a reel ripe peach to me.

'Not that I'm askin'' ... 'Ere 'is eyes
Goes sort uv swiv'ly, an' 'e sighs.
'Not that I'm askin' with idears
Uv love an' marridge; 'ave no fears.
I've chucked the matrimony plan,'
'E sez. 'I'm only 'arf a man.'

This Digger Smith 'as fairly got
Me rampin' with 'is ''arf a man' rot.
'E 'as a timber leg, it's true;
But 'e can do the work uv two.
Besides, the things 'e's done Out There
Makes 'im one man an' some to spare.

I knoo 'is question was jist kid.
'E'd met this girl; I know 'e did.
'E knoo Jim Flood an' 'er was booked
For double when the 'Un was cooked.
But, seein' 'er, it used to start
'Im thinkin' of another tart.

'Oh, 'er?' sez I. 'She is a pearl.
I've 'eard she used to be Jim's girl;
But she was jist a child when Jim

Got out. She 'as forgotten 'im.'
I knows jist wot is in 'is mind,
An' sez, 'Wade in, if you're inclined.'

'E give me such a narsty look
I thought 'e meant to answer crook;
But, 'I ain't out for jokes,' sez 'e
'Yeh needn't sling that stuff to me.
I only was jist thinkin' - p'r'aps...
There's some,' 'e sez, 'that sticks to chaps.

'Some girls,' sez 'e, 'keeps true to chaps,
An' wed 'em when they've done with scraps,
An' come 'ome whole. Yeh don't ixpec'
No tart to tie up with a wreck?
Besides,' 'e sez ... 'Well, any'ow,
That girl's all right; I know it now.

[...] Read more

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A Word from the Bards

IT IS New Year’s Day and I rise to state that here on the Sydney side
The Bards have commenced to fill out of late and they’re showing their binjies with pride
They’re patting their binjies with pride, old man, and I want you to understand,
That a binjied bard is a bard indeed when he sings in the Southern Land,
Old chaps,
When he sings in the Southern Land.

For the Southern Land is the Poet’s Home, and over the world’s wide roam,
There was never till now a binjied bard that lived in a poet’s home, old man;
For the poet’s home was a hell on earth, and I want you to understand,
That it isn’t exactly a paradise down here in the Southern Land,
Old chap,
Down here in the Southern Land.

The Beer and the Bailiff were gone last night and the “temple” doorstep clean,
And our heads are clear and our hearts are light with wine from the Riverine—
With wine from the Riverine, old man, and I want you to understand
That Bard, Beer and Bailiff too long were kin down here in the Southern Land,
Old man,
Down here in the Southern Land.

It is not because of a larger fee, nor yet that the bards are free,
For the bards I know and the bards I see are married enough for three;
Are married enough for three, old man, and I want you to understand,
They’ve a right to be married enough for four, down here in the Southern Land,
My girl,
Down here in the Southern Land.

But I think it’s because a bird went round and twittered in ears of men
That bards have care and the world seems bare as seen from the rhyming den,
And twittered in ears of men, old chaps, and got folks to understand
That a poet is something more than a joke down here in the Southern Land,
Old man,
Down here in the Southern Land.

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At the Tug-0-War

’Twas in a tug-of-war where I—the guvnor’s hope and pride—
Stepped proudly on the platform as the ringer on my side;
Old dad was in his glory there—it gave the old man joy
To fight a passage through the crowd and barrack for his boy.
A friend came up and said to me, ‘Put out your muscles, John,
And pull them to eternity—your guvnor’s looking on.’
I paused before I grasped the rope, and glanced around the place,
And, foremost in the waiting crowd, I saw the old man’s face.

My mates were strong and plucky chaps, but very soon I knew
That our opponents had the weight and strength to pull them through;
The boys were losing surely and defeat was very near,
When, high above the mighty roar, I heard the old man cheer!

I felt my muscles swelling when the old man cheer’d for me,
I felt as though I’d burst my heart, or gain the victory!
I shouted, ‘Now! Together!’ and a steady strain replied,
And, with a mighty heave, I helped to beat the other side!

Oh! how the old man shouted in his wild, excited joy!
I thought he’d burst his boiler then, a-cheering for his boy;
The chaps, oh! how they cheered me, while the girls all smiled so kind,
They praised me, little dreaming, how the old man pulled behind.

. . . . .
He barracks for his boy no more—his grave is old and green,
And sons have grown up round me since he vanished from the scene;
But, when the cause is worthy where I fight for victory,
In fancy still I often hear the old man cheer for me.

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The Author's Farewell to the Bushmen

Some carry their swags in the Great North-West,
Where the bravest battle and die,
And a few have gone to their last long rest,
And a few have said: Good-bye!
The coast grows dim, and it may be long
Ere the Gums again I see;
So I put my soul in a farewell song
To the chaps who barracked for me.
Their days are hard at the best of times,
And their dreams are dreams of care—
God bless them all for their big soft hearts,
And the brave, brave grins they wear!
God keep me straight as a man can go,
And true as a man may be!
For the sake of the hearts that were always so,
Of the men who had faith in me!

And a ship-side word I would say, you chaps
Of the blood of the Don’t-give-in!
The world will call it a boast, perhaps—
But I’ll win, if a man can win!
And not for gold nor the world’s applause—
Though ways to the end they be—
I’ll win, if a man might win, because
Of the men who believed in me.

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