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I never use notes, they interfere with me.

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Captain Nemo

Captain nemo is too good for you and me
Take a voyage to the bottom of the sea
Hes a riddle you will see in the middle of the sea
If you ask him things about life, then he will say:
Oh no, Im far too continental for mankind
I dont interfere in your life
See me as a searcher with the answers
To your world from under the sea
Captain nemo knows the world be we dont know
What control of light and darkness means
Hell show
If we come in peace at heart
He may help us to restart what went wrong
So long ago from down below
Oh no, Im far too continental for mankind
I dont interfere in your life
See me as a searcher with the answers
To your world from under the sea
See him as a searcher with the answers to mankind
Hes far too continental
Though hes wiser than all man
He is curious about the plan
Violated by the man, the master plan
Oh no, hes far too continental for mankind
He doesnt interfere in your life
See him as a searcher with the answers
To your world from under the sea
Oh no, hes far too continental for mankind
He doesnt interfere in your life
See him as a searcher with the answers
To your world from under the sea
Oh no, hes far too continental for mankind
Under the sea

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Amy Lowell

The Cremona Violin

Part First

Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.

A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.

She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting

This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'

A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?

Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I -
Give me the candle. No, the inside's dry.

[...] Read more

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William Cowper

The Task: Book VI. -- The Winter Walk at Noon

There is in souls a sympathy with sounds;
And as the mind is pitch’d the ear is pleased
With melting airs, or martial, brisk, or grave:
Some chord in unison with what we hear
Is touch’d within us, and the heart replies.
How soft the music of those village bells,
Falling at intervals upon the ear
In cadence sweet, now dying all away,
Now pealing loud again, and louder still,
Clear and sonorous, as the gale comes on!
With easy force it opens all the cells
Where Memory slept. Wherever I have heard
A kindred melody, the scene recurs,
And with it all its pleasures and its pains.
Such comprehensive views the spirit takes,
That in a few short moments I retrace
(As in a map the voyager his course)
The windings of my way through many years.
Short as in retrospect the journey seems,
It seem’d not always short; the rugged path,
And prospect oft so dreary and forlorn,
Moved many a sigh at its disheartening length.
Yet, feeling present evils, while the past
Faintly impress the mind, or not at all,
How readily we wish time spent revoked,
That we might try the ground again, where once
(Through inexperience, as we now perceive)
We miss’d that happiness we might have found!
Some friend is gone, perhaps his son’s best friend,
A father, whose authority, in show
When most severe, and mustering all its force,
Was but the graver countenance of love:
Whose favour, like the clouds of spring, might lower,
And utter now and then an awful voice,
But had a blessing in its darkest frown,
Threatening at once and nourishing the plant.
We loved, but not enough, the gentle hand
That rear’d us. At a thoughtless age, allured
By every gilded folly, we renounced
His sheltering side, and wilfully forewent
That converse, which we now in vain regret.
How gladly would the man recall to life
The boy’s neglected sire! a mother too,
That softer friend, perhaps more gladly still,
Might he demand them at the gates of death.
Sorrow has, since they went, subdued and tamed
The playful humour; he could now endure
(Himself grown sober in the vale of tears)
And feel a parent’s presence no restraint.
But not to understand a treasure’s worth

[...] Read more

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Unforgettable In Your Ear

There are notes in music
that take you high.
And notes that take you low.
When you listen to the notes of music
you never know where you'll go.

Within one song the notes you hear
affect how you will feel.
A plaintive melody might make you sad
or remind you of your pain.
But all of that can change in a minute
as you feel your emotions drain.

Uplifting notes can bring to you
a few moments of ecstatic peace.
Each inspiring strain can take you where
you are able to release
whatever it was that was troubling you,
erase it for a minute or two.

These notes are magic and so is life.
They're there and then they're not.
They're a gift to you from composers
that plant a forget-me-not.

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

[...] Read more

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At The Gate Of The Convent

Beside the Convent Gate I stood,
Lingering to take farewell of those
To whom I owed the simple good
Of three days' peace, three nights' repose.

My sumpter-mule did blink and blink;
Was nothing more to munch or quaff;
Antonio, far too wise to think,
Leaned vacantly upon his staff.

It was the childhood of the year:
Bright was the morning, blithe the air;
And in the choir I plain could hear
The monks still chanting matin prayer.

The throstle and the blackbird shrilled,
Loudly as in an English copse,
Fountain-like note that, still refilled,
Rises and falls, but never stops.

As lush as in an English chase,
The hawthorn, guessed by its perfume,
With folds on folds of snowy lace
Blindfolded all its leaves with bloom.

Scarce seen, and only faintly heard,
A torrent, 'mid far snow-peaks born,
Sang kindred with the gurgling bird,
Flowed kindred with the foaming thorn.

The chanting ceased, and soon instead
Came shuffling sound of sandalled shoon;
Each to his cell and narrow bed
Withdrew, to pray and muse till noon.

Only the Prior-for such their Rule-
Into the morning sunshine came.
Antonio bared his locks; the mule
Kept blinking, blinking, just the same.

I thanked him with a faltering tongue;
I thanked him with a flowing heart.
``This for the poor.'' His hand I wrung,
And gave the signal to depart.

But still in his he held my hand,
As though averse that I should go.
His brow was grave, his look was bland,
His beard was white as Alpine snow.

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Byron

English Bards and Scotch Reviewers: A Satire

'I had rather be a kitten, and cry mew!
Than one of these same metre ballad-mongers'~Shakespeare

'Such shameless bards we have; and yet 'tis true,
There are as mad, abandon'd critics too,'~Pope.


Still must I hear? -- shall hoarse Fitzgerald bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch reviews
Should dub me scribbler, and denounce my muse?
Prepare for rhyme -- I'll publish, right or wrong:
Fools are my theme, let satire be my song.

O nature's noblest gift -- my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoom'd to aid the mental throes
Of brains that labour, big with verse or prose,
Though nymphs forsake, and critics may deride,
The lover's solace, and the author's pride.
What wits, what poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemn'd at length to be forgotten quite,
With all the pages which 'twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet's shall be free;
Though spurn'd by others, yet beloved by me:
Then let us soar today, no common theme,
No eastern vision, no distemper'd dream
Inspires -- our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

When Vice triumphant holds her sov'reign sway,
Obey'd by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every clime;
When knaves and fools combined o'er all prevail,
And weigh their justice in a golden scale;
E'en then the boldest start from public sneers,
Afraid of shame, unknown to other fears,
More darkly sin, by satire kept in awe,
And shrink from ridicule, though not from law.

Such is the force of wit! but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.

[...] Read more

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John Dryden

A Song for St. Cecilia's Day

FROM harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
'Arise, ye more than dead!'
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.

What passion cannot Music raise and quell?
When Jubal struck the chorded shell,
His listening brethren stood around,
And, wondering, on their faces fell
To worship that celestial sound:
Less than a God they thought there could not dwell
Within the hollow of that shell,
That spoke so sweetly, and so well.
What passion cannot Music raise and quell?

The trumpet's loud clangour
Excites us to arms,
With shrill notes of anger,
And mortal alarms.
The double double double beat
Of the thundering drum
Cries Hark! the foes come;
Charge, charge, 'tis too late to retreat!

The soft complaining flute,
In dying notes, discovers
The woes of hopeless lovers,
Whose dirge is whisper'd by the warbling lute.

Sharp violins proclaim
Their jealous pangs and desperation,
Fury, frantic indignation,
Depth of pains, and height of passion,
For the fair, disdainful dame.

But O, what art can teach,
What human voice can reach,
The sacred organ's praise?
Notes inspiring holy love,

[...] Read more

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Cactus Seed

Radiant notes piercing my narrow-chested room, beating down through my ceiling— smeared with unshapen belly-prints of dreams drifted out of old smokes— trillions of icily peltering notes out of just one canary, all grown to song as a plant to its stalk, from too long craning at a sky-light and a square of second-hand blue.

Silvery-strident throat—
so assiduously serenading my brain,
flinching under
the glittering hail of your notes
were you not safe behind… rats know what thickness of… plastered wall…
I might fathom
your golden delirium
with throttle of finger and thumb
shutting valve of bright song.

II

But if… away off… on a fork of grassed earth
socketing an inlet reach of blue water…
if canaries (do they sing out of cages?)
flung such luminous notes,
they would sink in the spirit…
lie germinal…
housed in the soul as a seed in the earth…
to break forth at spring with the crocuses into young smiles
on the mouth.
Or glancing off buoyantly,
radiate notes in one key
with the sparkle of rain-drops
on the petal of a cactus flower
focusing the just-out sun.
Cactus… why cactus? God… God… somewhere… away off… cactus flowers, star-yellow ray out of spiked green, and empties of sky roll you over and over like a mother her baby in long grass. And only the wind scandal-mongers with gum trees, pricking multiple leaves at his amazing story.

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David

My thought, on views of admiration hung,
Intently ravish'd and depriv'd of tongue,
Now darts a while on earth, a while in air,
Here mov'd with praise and mov'd with glory there;
The joys entrancing and the mute surprize
Half fix the blood, and dim the moist'ning eyes;
Pleasure and praise on one another break,
And Exclamation longs at heart to speak;
When thus my Genius, on the work design'd
Awaiting closely, guides the wand'ring mind.

If while thy thanks wou'd in thy lays be wrought,
A bright astonishment involve the thought,
If yet thy temper wou'd attempt to sing,
Another's quill shall imp thy feebler wing;
Behold the name of royal David near,
Behold his musick and his measures here,
Whose harp Devotion in a rapture strung,
And left no state of pious souls unsung.

Him to the wond'ring world but newly shewn,
Celestial poetry pronounc'd her own;
A thousand hopes, on clouds adorn'd with rays,
Bent down their little beauteous forms to gaze;
Fair-blooming Innocence with tender years,
And native Sweetness for the ravish'd ears,
Prepar'd to smile within his early song,
And brought their rivers, groves, and plains along;
Majestick Honour at the palace bred,
Enrob'd in white, embroider'd o'er with red,
Reach'd forth the scepter of her royal state,
His forehead touch'd, and bid his lays be great;
Undaunted Courage deck'd with manly charms,
With waving-azure plumes, and gilded arms,
Displaid the glories, and the toils of fight,
Demanded fame, and call'd him forth to write.
To perfect these the sacred spirit came,
By mild infusion of celestial flame,
And mov'd with dove-like candour in his breast,
And breath'd his graces over all the rest.
Ah! where the daring flights of men aspire
To match his numbers with an equal fire;
In vain they strive to make proud Babel rise,
And with an earth-born labour touch the skies.
While I the glitt'ring page resolve to view,
That will the subject of my lines renew;
The Laurel wreath, my fames imagin'd shade,
Around my beating temples fears to fade;
My fainting fancy trembles on the brink,
And David's God must help or else I sink.

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The Source

There in the fringe of trees between
the upper field and the edge of the one
below it that runs above the valley
one time I heard in the early
days of summer the clear ringing
six notes that I knew were the opening
of the Fingal's Cave Overture
I heard them again and again that year
and the next summer and the year
afterward those six descending
notes the same for all the changing
in my own life since the last time
I had heard them fall past me from
the bright air in the morning of a bird
and I believed that what I had heard
would always be there if I came again
to be overtaken by that season
in that place after the winter
and I would wonder again whether
Mendelssohn really had heard them somewhere
far to the north that many years ago
looking up from his youth to listen to
those six notes of an ancestor
spilling over from a presence neither
water nor human that led to the cave
in his mind the fluted cliffs and the wave
going out and the falling water
he thought those notes could be the music for
Mendelssohn is gone and Fingal is gone
all but his name for a cave and for one
piece of music and the black-capped warbler
as we called that bird that I remember
singing there those notes descending
from the age of the ice dripping
I have not heard again this year can it
be gone then will I not hear it
from now on will the overture begin
for a time and all those who listen
feel that falling in them but as always
without knowing what they recognize

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Nothing But Wind

Nothing But Wind


Music the world filled with,
And is God-breathed the melody in it.
Music moves the world around on its way,
And it’s wind in music dwells.
Muse of Music! Let me imbibe thy notes
For sans thee my voice lies half-dead
When my heart is to sing
That
NOTHING BUT WIND is music.

My soul enters the sylvan woodlands-
The abode of musical birds,
And in quest of music haunts every nest.
It’s music that birds chirp,
And I lay my soul on a pasture,
And the chirping of birds does caress my soul:
The cuckoo sings with twain quick notes,
The nightingale babbles with nectarous notes,
The sparrow squeaks with mumbling thoughts,
The throttle bubbles with drizzling thoughts,
All sail into, my soul cherished
When wind turned to music through birds.
Crickets join the orchestra with their wings rubbed the air,
And music flows when their wings flap.
My soul journeys along the bank of musical stream,
Where bamboos rustle when wind penetrates them:
It’s “Bamboo” music breathed thro’ flute,
I learnt the love for music born thro’ bamboo
Perfected with beautiful melodies.
Dwelling on pastures music grows personified:
Harps reverberate at the hands of the shepherds,
Green music born of pastoral spirit join the bleating of lambs:
The lambs bleat and music is breathed,
And the whole of the pastures flutter with joy.
Into deep woods my soul moves,
And lions roar I hear, elephants trumpet,
And ravens voice hoarse notes
When “bamboo” music is tried by machines:
Harp turned to Guitar, bamboo turned to piano,
And music now flows thro’ science -
Science that survives with computers.
When engine whistles I hear music
And train follows it with “friction” music,
Rhythmic beats perfected on rails.
”Friction” music turned to “roar” music
When air-plane has been invented.
My soul speeds up - speeding up

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I think Mr. Clarke had a tendency to interfere too much with the activities of the CIA, and our leadership at the senior level let him interfere too much. So criticism from him I kind of wear as a badge of honor.

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I don't want to know movie directors. I don't want to be close to them. I don't want to interfere with their work. I don't want them to interfere with mine.

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I claim for Canada this, that in future Canada shall be at liberty to act or not act, to interfere or not interfere, to do just as she pleases, and that she shall reserve to herself the right to judge whether or not there is cause for her to act.

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The statesmen still say that we should not interfere in the internal affairs of other nations and yet it is not possible any longer not to interfere, even when we do not mean to do so.

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I Write A Little

(Randy Owen/Don Cook/Ronnie Rogers)
Military mail call....
I lay out some paper, I take out my pen
Turn on my table-lamp and here I go again
It's time to write a letter, I'm in the mood tonight
Gotta find a way to tell you how I feel inside
So I write a little and I cry a little
It's so hard to find a way to say goodbye a little
But somewhere in the middle, my emotions interfere
So I write a little and cry a little tear
And I die a little, wishing you were here
God I miss you, can't be with you
I would kiss you oh so good
'Cause you're my only cure for lonely
I'd call if I could
So I write a little and I cry a little
It's so hard to find a way to say goodbye a little
But somewhere in the middle, my emotions interfere
So I write a little and cry a little tear
And I die a little, wishing you were here
Oh, I die a little wishing you were here
Wishing you were here
I'm writing and wishing you were here
I write a little and cry a little tear
I'm writing and wishing you were here

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Lady Ice And Mr Hex

Stop!
Does he know the way out of here
Or will she again interfere
It's happening all over again
Lady Ice and Mr. Hex
She'll leave you could he'll make you flex
They disappear without a trace
Accelerate and take your place
The creep's arrived he's in your home
Like all the dreams you've never known
He's standing by to steal your luck
He's spotted you you're panic struck
Stop!
Stop!
They're standing either side of you
They guide you but they block your view
Lady Ice with medium cool
Will set you up she's watching you
She'll trip you out and trap you in
Strain every nerve to make you spin
He'll pick you up and make you strong
Thrust up, boost on, the man is gone
Stop!
Does he know the way out of here
Or will she again interfere
It's happening all over again
Look!
They made me a promise today
They know that I can't go away
It's happening all over again

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Lady Ice & Mr Hex

Stop!
Does he know the way out of here
Or will she again interfere
Its happening all over again
Lady ice and mr. hex
Shell leave you could hell make you flex
They disappear without a trace
Accelerate and take your place
The creeps arrived hes in your home
Like all the dreams youve never known
Hes standing by to steal your luck
Hes spotted you youre panic struck
Stop!
Stop!
Theyre standing either side of you
They guide you but they block your view
Lady ice with medium cool
Will set you up shes watching you
Shell trip you out and trap you in
Strain every nerve to make you spin
Hell pick you up and make you strong
Thrust up, boost on, the man is gone
Stop!
Does he know the way out of here
Or will she again interfere
Its happening all over again
Look!
They made me a promise today
They know that I cant go away
Its happening all over again

song performed by Heaven 17Report problemRelated quotes
Added by Lucian Velea
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