I don't like composers who think. It gets in the way of their plagiarism.
quote by Howard Dietz
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I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.
quote by Charlie Haden
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Year Of The Parrot
In the year of our lord
Call it 1994
A fine vintage of mimicry
There are those that take their sound
From someone else's toil
Liking to parrots you see
I've seen the likes of kate bush
And van morrison
Teaching the parrots to sing
Take a zepplin riff
And you alter it a bit
And make lots of money
It's called plagiarism
You want some of that cheese
Just take a big ol' bite
Careful not to choke on it please
Now here we go
It's called plagiarism
song performed by Primus
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Composers shouldn't think too much - it interferes with their plagiarism.
quote by Howard Dietz
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Physicists are more like avant-garde composers, willing to bend traditional rules... Mathematicians are more like classical composers.
quote by Brian Greene
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Well, American composers are the best composers. At this time in the world, we are where the energy is. We are the most diverse, the most iconoclastic, the most maverick, and the most skillful.
quote by David Del Tredici
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Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries.
quote by Brian Ferneyhough
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Proud Music Of The Storm
PROUD music of the storm!
Blast that careers so free, whistling across the prairies!
Strong hum of forest tree-tops! Wind of the mountains!
Personified dim shapes! you hidden orchestras!
You serenades of phantoms, with instruments alert,
Blending, with Nature's rhythmus, all the tongues of nations;
You chords left us by vast composers! you choruses!
You formless, free, religious dances! you from the Orient!
You undertone of rivers, roar of pouring cataracts;
You sounds from distant guns, with galloping cavalry! 10
Echoes of camps, with all the different bugle-calls!
Trooping tumultuous, filling the midnight late, bending me powerless,
Entering my lonesome slumber-chamber--Why have you seiz'd me?
Come forward, O my Soul, and let the rest retire;
Listen--lose not--it is toward thee they tend;
Parting the midnight, entering my slumber-chamber,
For thee they sing and dance, O Soul.
A festival song!
The duet of the bridegroom and the bride--a marriage-march,
With lips of love, and hearts of lovers, fill'd to the brim with
love; 20
The red-flush'd cheeks, and perfumes--the cortege swarming, full of
friendly faces, young and old,
To flutes' clear notes, and sounding harps' cantabile.
Now loud approaching drums!
Victoria! see'st thou in powder-smoke the banners torn but flying?
the rout of the baffled?
Hearest those shouts of a conquering army?
(Ah, Soul, the sobs of women--the wounded groaning in agony,
The hiss and crackle of flames--the blacken'd ruins--the embers of
cities,
The dirge and desolation of mankind.)
Now airs antique and medieval fill me!
I see and hear old harpers with their harps, at Welsh festivals: 30
I hear the minnesingers, singing their lays of love,
I hear the minstrels, gleemen, troubadours, of the feudal ages.
Now the great organ sounds,
Tremulous--while underneath, (as the hid footholds of the earth,
On which arising, rest, and leaping forth, depend,
All shapes of beauty, grace and strength--all hues we know,
[...] Read more
poem by Walt Whitman
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Making Sense Of Sound
SENSE OF SOUND
In Plato’s time fools used to say
there are no rules for music that you play.
Being law-abiding when you write
a piece of music often won’t excite
the fools who will demand of you to break
its laws, while claiming that the word mistake
doe not apply to music. It is pleasure
that’s their bottom line, every measure
composed in any manner the composer
may wish. I do not want to be imposer
of any law that may inhibit your
ability to write, but I feel sure
that ultimately it is only fools
who break in music, as in life, all rules.
In music as in life there’s right and wrong,
and both of them, in order to last long,
must follow norms, as Plato once declared.
a view that by this poet now is shared,
while hoping antinomians are not friendless,
like Wagner making melody that’s endless.
Music is a stock that never should be shorted.
Like any lover that you may have courted,
it follows rules on which you should go long,
avoiding dissonances that sound wrong,
except for all the ones that are resolved
like problems that in life that have been solved.
Only by preventing disappearance
of rules can life-like music reach coherence.
Inspired by Plato, cited in “Making Sense of Sound, ” by James F. Penrose in the WSJ, January 27,2010, reviewing Ruth Katz’s “A Language of Its Own, ” describing a grammar of music that evolved over the centuries without any overt instruction, giving an internal coherence to music and allowing it to adapt to cultural and social change, with a shared understanding between musicians and audiences. Penrose writes;
“Through foolishness they deceived themselves into thinking that there was no right or wrong way in music, that it was to be judged good or bad by the pleasure that it gave.” With these words Plato complained about the “promiscuous cleverness and a spirit of law-breaking” that characterized the music of the time—the fourth century B.C. Even then, it seems, music had a form and structure that guided its composition and performance, for “law-abiding” musicians anyway…. Beethoven, in Mr. Katz’s view, never damaged the system of harmonic tonality and “integrated” form, for all his iconoclasm. But a succession of composers––including Schumann, Liszt and, above all, Wagner––chipped away at coherence by preparing unprepared and unresolved chords, chromatic alterations, and above all modulations into remote keys. With his “unendlische Melodie (infinite melody) and other devices, Wagner savaged traditional musical structures even as he created astonishingly beautiful music. The gulf between past and present widened as the 20th century progressed––but there were pockets of resistance, Ms. Katz observes. Debussy joined the moderns in rebelling against the constraints of harmonic tonality but found coherence in modal forms and in melodic tonality. Composers like Bartok, Ravel and Janacek, though also pushing the boundaries of traditional harmony, appealed to the ear by retaining crucial elements of traditional tonality… [Ms Katz] is hopeful that musical tradition can regain its footing, perhaps by recreating the “abstracting” process that allowed Wesstern music, despite its inability to describe what it does, to beguile and fascinate us for so long.
1/27/10
poem by Gershon Hepner
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The only "ism" Hollywood believes in is plagiarism.
quote by Dorothy Parker
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Art is either plagiarism or revolution.
quote by Paul Gauguin
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To steal ideas from one person is plagiarism, to steal ideas from many is research.
What is originality Undetected plagiarism.
quote by William Ralph Inge
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When you take stuff from one writer it's plagiarism but when you take it from many writers, it's research.
quote by Wilson Mizner
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Originality is undetected plagiarism.
quote by William Ralph Inge
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If you steal from one author it's plagiarism; if you steal from many it's research.
quote by Wilson Mizner
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No, generally I think influence is used as a nice word for plagiarism.
quote by Gilbert Gottfried
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Mr. Fitzgerald, I believe that is how he spells his name, seems to believe that plagiarism begins at home.
quote by Zelda Fitzgerald
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Taking something from one man and making it worse is plagiarism.
quote by George A. Moore
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Certainly the plagiarism, and dealing with the fallout of it, was the most difficult thing I've ever faced since I started writing.
quote by Nora Roberts
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I think almost every newspaper in the United States has lost circulation due to the Internet. I also think the Internet will lead to a lot of plagiarism in journalism.
quote by Will McDonough
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