Well, its very exasperating when you can't get it right.
quote by Donald Judd
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You Don't Care About Us
If it's a bad day, you try to suffocate.
Another memory... scarred.
If it's a bad case, then you accelerate,
you're in the getaway... car.
You don't care about us... oh oh.
You don't care about us... oh oh.
You don't care about us... oh oh
You don't care about us.
If it's a bad case, you're on the rampage.
Another memory... scarred.
You're at the wrong place, you're on the back page,
you're in the getaway... car.
You don't care about us... oh oh.
You don't care about us... oh oh.
You don't care about us... oh oh
You don't care about us.
It's your age, It's my rage.
It's your age, It's my rage.
You're too complicated, we should separate it.
You're just confiscating, you're exasperating.
This degeneration, mental masturbation.
Think I'll leave it all behind, save this bleeding heart of mine.
It's a matter of trust.
It's a matter of trust.
It's a matter of trust.
It's a matter of trust.
Because..
You don't care about us...
You don't care about us...
You don't care about us...
You don't care about us.
It's your age, It's my rage.
It's your age, It's my rage.
song performed by Placebo
Added by Lucian Velea
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First Book
OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.
I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.
I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life–
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Fourth Book
THEY met still sooner. 'Twas a year from thence
When Lucy Gresham, the sick semptress girl,
Who sewed by Marian's chair so still and quick,
And leant her head upon the back to cough
More freely when, the mistress turning round,
The others took occasion to laugh out,–
Gave up a last. Among the workers, spoke
A bold girl with black eyebrows and red lips,–
'You know the news? Who's dying, do you think?
Our Lucy Gresham. I expected it
As little as Nell Hart's wedding. Blush not, Nell,
Thy curls be red enough without thy cheeks;
And, some day, there'll be found a man to dote
On red curls.–Lucy Gresham swooned last night,
Dropped sudden in the street while going home;
And now the baker says, who took her up
And laid her by her grandmother in bed,
He'll give her a week to die in. Pass the silk.
Let's hope he gave her a loaf too, within reach,
For otherwise they'll starve before they die,
That funny pair of bedfellows! Miss Bell,
I'll thank you for the scissors. The old crone
Is paralytic–that's the reason why
Our Lucy's thread went faster than her breath,
Which went too quick, we all know. Marian Erle!
Why, Marian Erle, you're not the fool to cry?
Your tears spoil Lady Waldemar's new dress,
You piece of pity!'
Marian rose up straight,
And, breaking through the talk and through the work,
Went outward, in the face of their surprise,
To Lucy's home, to nurse her back to life
Or down to death. She knew by such an act,
All place and grace were forfeit in the house,
Whose mistress would supply the missing hand
With necessary, not inhuman haste,
And take no blame. But pity, too, had dues:
She could not leave a solitary soul
To founder in the dark, while she sate still
And lavished stitches on a lady's hem
As if no other work were paramount.
'Why, God,' thought Marian, 'has a missing hand
This moment; Lucy wants a drink, perhaps.
Let others miss me! never miss me, God!'
So Marian sat by Lucy's bed, content
With duty, and was strong, for recompense,
To hold the lamp of human love arm-high
To catch the death-strained eyes and comfort them,
Until the angels, on the luminous side
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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We have no reliable guarantee that the afterlife will be any less exasperating than this one, have we?
quote by Noel Coward
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The job of an editor in a publishing house is the dullest, hardest, most exciting, exasperating and rewarding of perhaps any job in the world.
quote by John Hall Wheelock
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It is at once the most overwhelmingly frustrating and exasperating task and the most joyous and rewarding experience to make human beings out of children.
quote by Neil Kurshan
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A Pin
Oh, I know a certain lady who is reckoned with the good,
Yet she fills me with more terror than a raging lion would.
The little chills run up and down my spine whene’er we meet,
Though she seems a gentle creature, and she’s very trim and neat.
And she has a thousand virtues and not one acknowledged sin,
But she is the sort of person you could liken to a pin.
And she pricks you and she sticks you in a way that can’t be said.
If you seek for what has hurt you – why, you cannot find the head.
But she fills you with discomfort and exasperating pain.
If anybody asks you why, you really can’t explain!
A pin is such a tiny thing, of that there is no doubt,
Yet when it’s sticking in your flesh you’re wretched till it’s out.
She’s wonderfully observing – when she meets a pretty girl,
She is always sure to tell her if her hair is out of curl;
And she is so sympathetic to her friend who’s much admires,
She is often heard remarking, ‘Dear, you look so worn and tired.’
And she is an honest critic, for on yesterday she eyed
The new dress I was airing with a woman’s natural pride,
And she said, ‘Oh, how becoming! ’ and then gently added, ‘it
Is really a misfortune that the basque is such a fit.’
Then she said, ‘If you heard me yester eve, I’m sure, my friend,
You would say I was a champion who knows how to defend.’
And she left me with the feeling – most unpleasant, I aver –
That the whole world would despise me is it hadn’t been for her.
Whenever I encounter her, in such a nameless way
She gives me the impression I am at my worst that day.
And the hat that was imported (and cost me half a sonnet) ,
With just one glance from her round eyes becomes a Bowery bonnet.
She is always bright and smiling, sharp and pointed for a thrust;
Use does not seem to blunt her point, nor does she gather rust.
Oh! I wish some hapless specimen of mankind would begin
To tidy up the world for me, by picking up this pin!
poem by Ella Wheeler Wilcox
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Wanderer Of The Seas
To exasperate this lonely wanderer is to shoot the brain,
It is mild logic to astound a thief, exasperating him.
To astound the criminal of general state is appalling,
The statement of an offence is in his grasp.
Wander to and fro, like a pendulum of strong build,
This riles the clocks and the cogs of Time.
Applaud him when he is sicker in health,
Lulling the noise of a dockyard and the ships,
As the seas contrive, and as the noise indicates.
poem by Naveed Akram
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Conventions! !
I hate conventions!
I do hate conventions! !
Caged is creativity..
Irate becomes innovativity..
I hate conventions!
It's exasperating
It's frustrating
Rust-enhancing
Talent-annihilat ing
I hate it...
revolving around Black-Hole 'standards'
I hate it...
causes discrimination of being 'avant-garde'
Art is for expression
For thought-emanation
For beautiful imagination
Nothing is hideous in field of art
all unify, blend and makes...
Jigsaw puzzle's missing part!
poem by Kushal Vaishnani
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The Sorrows of a Simple Bard
WHEN I tell a tale of virtue and of injured innocence,
Then my publishers and lawyers are the densest of the dense:
With the blank face of an image and the nod of keep-it-dark
And a wink of mighty meaning at their confidential clerk.
(When, Oh! tell me when shall poets cease to be misunderstood?
When, Oh! When? shall people reckon rhymers can be any good?
Do their work and pay their debts and drink their pint of beer, and then,
Look in woman’s eyes and leave them, just like ordinary men?)
“Is there literary friendship ’twix the sexes? don’t you think?”
And they wink their idiotic and exasperating wink.
“Can’t we kiss a clever woman without wanting any more?”
And their clock-work nod is only more decided than before.
But if I should hint that there’s a little woman somewhere, say,
Then the public and the law are interested straight away,
The impassive confidential gets a bright and cheerful glance—
Things are straightway on a footing that may lead to an advance.
Both are married and respected and they both are rising higher:
One’s church warden, one’s a deacon in a fashionable choir.
And the clerks have both unblemished private characters to show—
What do they know about woman? That’s what I should like to know.
(Flash of dark eyes in the moonlight, in the scrub or far afield,
Blouse-sleeves back from white arms clinging—clinging while she will not yield,
Or the fair head on your shoulder and the grey eyes moist and mild—
Weary of the strife with passion, yielding like a tired child.)
There’s my aunt; the dear old lady hints about “experience”
When I go to her for comfort with my injured innocence.
She screws up a wise expression, while she listens, for my pains—
Isn’t it an awful pity women haven’t any brains?
Now I’m serious and angry, for it isn’t any joke—
Poets have been damned for ages by such evil-minded folk.
Must we all be public blackguards? Can’t a rhymer be a man,
Spite of Byron’s silly mistress—Burns’s gawky Mary Ann?
As tame bards they will not have us, and I don’t know what they want,
There’s my publisher and lawyer, my admirers and my aunt.
Do they want a rake and a spendthrift? Look out! Tradesman trusting me!
Look out! Husbands! Fathers! Brothers! I’ll be wicked as can be!
There now.
poem by Henry Lawson
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I eat peanut butter
I eat peanut butter from a jar
Sitting quitly naked at the bar
Wired in frankincense and cheap olive oil
You can never spot where Ive hidden my old boil
I eat peanut butter with a spoon
Hanging on a telophone from the moon
Looking everywhere for the third rock in my drawer
cause I'm followed by the elaphant whose getting rather cold
I taste peanut butter with marmalade
Its sutured with nectrines with astringent taste
Surrounded by a gang of malefactent tea cups
Coming from Buenos Aries on the back of maple syrup
want to ride the posse of little bitty irishmen?
I lick peanut butter from outerspace
I was born southside so it goes to my waist
I lick peanut butter from a dress
Its my wifes who i never met
I take peanut butter to a zoo
Watching the contortions of the Gaia philharmonic
Exasperating riddles which their tvs cant decode
While swimming in the puzzles of a Lincoln camry ford
Bet you wished their was some Peanut butter
to explain this ghastly poem?
poem by Kevin Patrick
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Histrionic Personality Disorder
'If it exists, you've got it', she said,
closing the file and swiveling my way
so that the five-flights-up Italian sunshine fell in her face.
I was impressed. These old buildings have granduer. Windowsills.
This she said carefully, through a translator: 's'il existe, dunque....'
Her lipstick-lined lips mouthed the words. I've always liked Milan-
and its 'porcupine of a cathedral', as Lawrence called it...felt happy there.
It has an Alpine brace and busyness missing in the south. But 'disgratia',
The rest of her remark was lost. My Italian's not that good.
'Gosh', I thought, 'I'm talking to the world's expert on HPD-
(having flown halfway 'round the world for a consultation,
and, not incidently, to hear an opera)
But to the translater I wondered what she meant 'if it exists',
speculating that if I'd waited two days I'd have gotten a better fee.
He translated the question. 'Essatamente', she replied, coolly,
'E s'il non existe...' Exasperating! Italian doctors now seemed as vague
as their American counterparts. The translater seemed embarrassed-
He coughed and looked down. 'Allora'. 'But, but...'
Being the expert, she was supposed to know, wasn't she?
Looking at the floor, the translater clarified a point.
I noticed the way her suit turned her blue eyes green.
I'd read of the.....
poem by Morgan Michaels
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The Susceptible Chancellor
The law is the true embodiment
Of everything that's excellent.
It has no kind of fault or flaw,
And I, my lords, embody the Law.
The constitutional guardian I
Of pretty young Wards in Chancery,
All very agreeable girls - and none
Is over the age of twenty-one.
A pleasant occupation for
A rather susceptible Chancellor!
But though the compliment implied
Inflates me with legitimate pride,
It nevertheless can't be denied
That it has its inconvenient side.
For I'm not so old, and not so plain,
And I'm quite prepared to marry again,
But there'd be the deuce to pay in the Lords
If I fell in love with one of my Wards:
Which rather tries my temper, for
I'm SUCH a susceptible Chancellor!
And every one who'd marry a Ward
Must come to me for my accord:
So in my court I sit all day,
Giving agreeable girls away,
With one for him - and one for he -
And one for you - and one for ye -
And one for thou - and one for thee -
But never, oh never a one for me!
Which is exasperating, for
A highly susceptible Chancellor!
poem by William Schwenck Gilbert
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Mother Cow And The Secular Republic
A beautiful cow- writhing for water;
I rushed to fetch some and cursing her tormentor,
Picked a bucket and for a fountain, I rushed;
And I collected some dripping from the rocks parched.
Her pained balls- roving around for some drops;
But gushing- I could see no crops;
The vision of exasperating Mother Cow,
Seeing water, parched nation and raving crows.
The pain- she was dead, water was not in her fate,
I did fetch water for her, but too late;
But it was not her fault,
Then who is to blame for this jolt?
Alas! Mother Cow has to die for water and space;
As we live in a secular, socialist republic, with an ugly face.
FROM:
DR. YOGESH SHARMA
poem by Dr. Yogesh Sharma
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Sympathy is worse than death….
Sympathy makes an organism feel dreadfully weak—as if the world around it had metamorphosed into a coffin of morose blackness; though an infinite streams of scarlet blood still ran enthusiastically through each of its blessed veins,
Sympathy makes an organism feel lividly inferior—with every living being in vicinity appearing to be a boundless times stronger; though they both were royally equal by the grace of the unparalleled Omnipotent Lord,
Sympathy makes an organism inadvertently lick decrepit dust—whereas it should’ve been unflinching marching forward in the fervor of bustling youth; head held high with its compatriot organism and only bowing down before the Lord Almighty,
Sympathy makes an organism a veritably devilish parasite-forever leaning and sucking upon its good-willed befriender; though volcano’s of latent energy itched to fulminate from each of its robustly handsome veins,
Sympathy makes an organism wholesomely lose its own voice—as it started to profusely relish the extravagant attention and care; preferred to fantasize about the things that it’d like to do in life; rather than honestly sweat it out and reach there,
Sympathy makes an organism overwhelmingly finicky and fastidious about the tiniest of things—again and again finding faults with the most majestically perfect of creation; as there was always a person to wholesomely commiserate with its every eccentricity and peevish demand,
Sympathy makes an organism haplessly infertile-pathetically unable to indulge into even the most sensuously bountiful pleasures of life; as inevitable habit compelled it to let others complete its job of proliferating its very own kin,
Sympathy makes an organism miserably fail again and again-as the inexplicably stabbing blackness that it’d enshrouded itself with; incorrigibly denied any beam of optimistic sunlight to triumphantly creep in,
Sympathy makes an organism look frenetically naked even when fully clothed-as it indefatigably kept begging for being fed even that morsel of food; which lay copiously sprawled right into the center of its palms,
Sympathy makes an organism an irrefutable devil on the prowl-inexhaustibly searching for that shoulder to baselessly weep; and then disgustingly sleep-float in an unfathomable ocean of tears,
Sympathy makes an organism a dreadfully unbearable burden upon the planet-as it neither wholesomely died nor lived; just kept flagrantly loitering in-between the dormitories of certainty and uncertainty,
Sympathy makes an organism hopelessly deteriorate into nothingness with every unleashing minute—as his unstoppably taking the support of others; made his very own spine rust and eventually crumble to inconspicuous dust,
Sympathy makes an organism an irrevocably maimed beggar—as he shamefully lost all his ability to sight; hear and fearlessly speak; wantonly clinging like a deplorable leech to the panic button of every second person on the street,
Sympathy makes an organism a coffin of cursed negativity-spreading the wretched stench of satanic dependency upon every step that he dared tread; and thereby maligning the true spirit of symbiotically independent life,
Sympathy makes an organism lose all priceless self respect-an attribute which was profoundly embedded in each of its veins just like an infinite other of its counterpart; right since its very first divinely breath,
Sympathy makes an organism look like an invisible ghost infront of the mirror-such an abominable jinx that was impossible to break; once it surreptitiously passed itself on upon another equally insipid organism,
Sympathy makes an organism come to such an exasperating stage—that it started to unceasingly ridicule its very ownself; as there virtually none else in this world who was as inconsolably sick and helpless as its rapidly flailing form,
Sympathy makes an organism come to an earth-screeching lifeless halt—as after a period of time every door on the Universe brutally shut up on its deliberately tear stained face; and that’s when the true reality and hardship of life hit it right in the center of its eye,
And sympathy makes an organism entirely dead even in the heart of exuberantly infallible life-a lifelessly fetid carcass which was spat upon and shunted by every section of the society; even before it could try lifting its very first footstep on soil by itself…
poem by Nikhil Parekh
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