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I don't think the players play with the same desire they once did.

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Patrick White

I Don't Think The Wind Sings For Me Alone

I don't think the wind sings for me alone
even in this isolated space where it
silvers the leaves of the Russian olives
like musical scales. Or every thought and emotion,
every image, symbol, or insight
shares the same myth of origin that I do.
Nor all the words that I call my native language
weren't rooted first in someone else's garden.
As the air I breathe was, as the light that has entered
through many more eyes than mine. What I hear
doesn't belong to me, nor what I see,
my private vision. But when I don't grasp
at clouds and water, everything is my reflection
looking back at me as if there were no one there.

I disappear. And I feel my presence everywhere
as real as the sceptres of Queen Anne's Lace
growing old in the moonlight, or the blue fury
of the wild irises burning in their own fires
like the Pleiades. Who can understand
the circuitous wanderings of the mindstream
white water rafting its own axons in an empty lifeboat
when even the questions you raise about it are not your own?
I may well be that, but tonight, I'm not personally involved.
Things occur like spiritual events. The rat snake
strikes the frog, the shadow flash of a bird
transits the moon. Arcturus descends
before the Summer Triangle with the easy grace
of a light that doesn't realize it's being observed intensely.

And I wonder if we're actualizing each other
in some interdependently original way
that it knows as little about as I do.
Or the dead birch tree that's standing by both of us,
naked in its bones as a fan of coral.
Silly man, now you know how a fly
up against a window feels. Or how a mirror
that's deeper than either your eyes
or the light can see into, keeps its appeal.
Been wondering most of my life
in an aloof but wary mode of gratitude
about the great symphony of love and light and light,
like someone who's been hurt by someone they cherish
without knowing why. And whether to laugh or weep
at the absurd tragicomedies that keep appearing
like vulnerable mushrooms in my sleep.

But tonight, tonight, all I want to hear
is the whisper of a dropp of water running down the sluice
of a blade of stargrass. The eerie rustling of the leaves
as if the trees had something to say to me
about my presence among them that leaves me
half again as estranged as when I first came here
to enjoy a freedom that isn't just a matter of changing gates.

Sad man, but tonight I dance with thousands of waterlilies
under the chandeliers of the stars, in three four time,
as if I just remembered how to waltz with the bride
and bow to a flower like a lunar violin. My heart
doesn't look for its reflection in the fire pit
where I burnt all my life masks like straw dogs
when the sacred ritual was over. I denuded myself
basking in the clear light of the void, until
there was no one left, not even me, to notice.

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You Don't Feel The Same

You're the story of my life
The reason that I laugh
The reason that I write
The reason that I breath
The reason that I sigh
You'll never be just someone to me

But I don't mind
If you don't feel the same

You're the answer to my dreams
You're not only there for me in the limelight
You're there behind the scenes

But I don't mind
If you don't feel the same

You know me well enough
To know just what I mean
But do you know that I love you
More then I could ever love another
And I don't mind
That you don't feel the same

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Maybe I've lost a little, but I think everyone does over time. People have been writing that I'm getting old every year, and eventually they're going to be right. There's nobody in this game that's doing the same things they once did in the peak years of their career.

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Ella Wheeler Wilcox

Don't Tease The Lion

If you saw a lion
Not within a cage,
Would you tease and fret him
Till he roared in rage?
Would you tempt his anger
And his savage power,
Knowing he could crush you,
Kill you, and devour?


Yet I know some people
Who, morn and noon and night,
Tease and fret with bitters
The lion-appetite.
It matters not what ails them,
For each disease and all
They seem to think there's healing
In demon alcohol.


So they fret the lion,
And anger him, until,
In his awful power,
He springs up to kill.
Let me warn you, children,
From this foolish way.
Do not tease the lion,
Nor tempt him any day.


Don't believe the doctors
If they say you need
Any wines or ciders;
For there are, indeed,
Better cures, and safer,
Than these drinks, that slay
More than a hundred people
Without fail each day.

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Byron

Don Juan: Canto The Fourth

Nothing so difficult as a beginning
In poesy, unless perhaps the end;
For oftentimes when Pegasus seems winning
The race, he sprains a wing, and down we tend,
Like Lucifer when hurl'd from heaven for sinning;
Our sin the same, and hard as his to mend,
Being pride, which leads the mind to soar too far,
Till our own weakness shows us what we are.

But Time, which brings all beings to their level,
And sharp Adversity, will teach at last
Man,- and, as we would hope,- perhaps the devil,
That neither of their intellects are vast:
While youth's hot wishes in our red veins revel,
We know not this- the blood flows on too fast;
But as the torrent widens towards the ocean,
We ponder deeply on each past emotion.

As boy, I thought myself a clever fellow,
And wish'd that others held the same opinion;
They took it up when my days grew more mellow,
And other minds acknowledged my dominion:
Now my sere fancy 'falls into the yellow
Leaf,' and Imagination droops her pinion,
And the sad truth which hovers o'er my desk
Turns what was once romantic to burlesque.

And if I laugh at any mortal thing,
'T is that I may not weep; and if I weep,
'T is that our nature cannot always bring
Itself to apathy, for we must steep
Our hearts first in the depths of Lethe's spring,
Ere what we least wish to behold will sleep:
Thetis baptized her mortal son in Styx;
A mortal mother would on Lethe fix.

Some have accused me of a strange design
Against the creed and morals of the land,
And trace it in this poem every line:
I don't pretend that I quite understand
My own meaning when I would be very fine;
But the fact is that I have nothing plann'd,
Unless it were to be a moment merry,
A novel word in my vocabulary.

To the kind reader of our sober clime
This way of writing will appear exotic;
Pulci was sire of the half-serious rhyme,
Who sang when chivalry was more Quixotic,
And revell'd in the fancies of the time,
True knights, chaste dames, huge giants, kings despotic:
But all these, save the last, being obsolete,
I chose a modern subject as more meet.

How I have treated it, I do not know;
Perhaps no better than they have treated me
Who have imputed such designs as show
Not what they saw, but what they wish'd to see:
But if it gives them pleasure, be it so;
This is a liberal age, and thoughts are free:
Meantime Apollo plucks me by the ear,
And tells me to resume my story here.

Young Juan and his lady-love were left
To their own hearts' most sweet society;
Even Time the pitiless in sorrow cleft
With his rude scythe such gentle bosoms; he
Sigh'd to behold them of their hours bereft,
Though foe to love; and yet they could not be
Meant to grow old, but die in happy spring,
Before one charm or hope had taken wing.

Their faces were not made for wrinkles, their
Pure blood to stagnate, their great hearts to fail;
The blank grey was not made to blast their hair,
But like the climes that know nor snow nor hail
They were all summer: lightning might assail
And shiver them to ashes, but to trail
A long and snake-like life of dull decay
Was not for them- they had too little day.

They were alone once more; for them to be
Thus was another Eden; they were never
Weary, unless when separate: the tree
Cut from its forest root of years- the river
Damm'd from its fountain- the child from the knee
And breast maternal wean'd at once for ever,-
Would wither less than these two torn apart;
Alas! there is no instinct like the heart-

The heart- which may be broken: happy they!
Thrice fortunate! who of that fragile mould,
The precious porcelain of human clay,
Break with the first fall: they can ne'er behold
The long year link'd with heavy day on day,
And all which must be borne, and never told;
While life's strange principle will often lie
Deepest in those who long the most to die.

'Whom the gods love die young,' was said of yore,
And many deaths do they escape by this:
The death of friends, and that which slays even more-
The death of friendship, love, youth, all that is,
Except mere breath; and since the silent shore
Awaits at last even those who longest miss
The old archer's shafts, perhaps the early grave
Which men weep over may be meant to save.

Haidee and Juan thought not of the dead-
The heavens, and earth, and air, seem'd made for them:
They found no fault with Time, save that he fled;
They saw not in themselves aught to condemn:
Each was the other's mirror, and but read
Joy sparkling in their dark eyes like a gem,
And knew such brightness was but the reflection
Of their exchanging glances of affection.

The gentle pressure, and the thrilling touch,
The least glance better understood than words,
Which still said all, and ne'er could say too much;
A language, too, but like to that of birds,
Known but to them, at least appearing such
As but to lovers a true sense affords;
Sweet playful phrases, which would seem absurd
To those who have ceased to hear such, or ne'er heard,-

All these were theirs, for they were children still,
And children still they should have ever been;
They were not made in the real world to fill
A busy character in the dull scene,
But like two beings born from out a rill,
A nymph and her beloved, all unseen
To pass their lives in fountains and on flowers,
And never know the weight of human hours.

Moons changing had roll'd on, and changeless found
Those their bright rise had lighted to such joys
As rarely they beheld throughout their round;
And these were not of the vain kind which cloys,
For theirs were buoyant spirits, never bound
By the mere senses; and that which destroys
Most love, possession, unto them appear'd
A thing which each endearment more endear'd.

Oh beautiful! and rare as beautiful
But theirs was love in which the mind delights
To lose itself when the old world grows dull,
And we are sick of its hack sounds and sights,
Intrigues, adventures of the common school,
Its petty passions, marriages, and flights,
Where Hymen's torch but brands one strumpet more,
Whose husband only knows her not a wh- re.

Hard words; harsh truth; a truth which many know.
Enough.- The faithful and the fairy pair,
Who never found a single hour too slow,
What was it made them thus exempt from care?
Young innate feelings all have felt below,
Which perish in the rest, but in them were
Inherent- what we mortals call romantic,
And always envy, though we deem it frantic.

This is in others a factitious state,
An opium dream of too much youth and reading,
But was in them their nature or their fate:
No novels e'er had set their young hearts bleeding,
For Haidee's knowledge was by no means great,
And Juan was a boy of saintly breeding;
So that there was no reason for their loves
More than for those of nightingales or doves.

They gazed upon the sunset; 't is an hour
Dear unto all, but dearest to their eyes,
For it had made them what they were: the power
Of love had first o'erwhelm'd them from such skies,
When happiness had been their only dower,
And twilight saw them link'd in passion's ties;
Charm'd with each other, all things charm'd that brought
The past still welcome as the present thought.

I know not why, but in that hour to-night,
Even as they gazed, a sudden tremor came,
And swept, as 't were, across their hearts' delight,
Like the wind o'er a harp-string, or a flame,
When one is shook in sound, and one in sight;
And thus some boding flash'd through either frame,
And call'd from Juan's breast a faint low sigh,
While one new tear arose in Haidee's eye.

That large black prophet eye seem'd to dilate
And follow far the disappearing sun,
As if their last day! of a happy date
With his broad, bright, and dropping orb were gone;
Juan gazed on her as to ask his fate-
He felt a grief, but knowing cause for none,
His glance inquired of hers for some excuse
For feelings causeless, or at least abstruse.

She turn'd to him, and smiled, but in that sort
Which makes not others smile; then turn'd aside:
Whatever feeling shook her, it seem'd short,
And master'd by her wisdom or her pride;
When Juan spoke, too- it might be in sport-
Of this their mutual feeling, she replied-
'If it should be so,- but- it cannot be-
Or I at least shall not survive to see.'

Juan would question further, but she press'd
His lip to hers, and silenced him with this,
And then dismiss'd the omen from her breast,
Defying augury with that fond kiss;
And no doubt of all methods 't is the best:
Some people prefer wine- 't is not amiss;
I have tried both; so those who would a part take
May choose between the headache and the heartache.

One of the two, according to your choice,
Woman or wine, you 'll have to undergo;
Both maladies are taxes on our joys:
But which to choose, I really hardly know;
And if I had to give a casting voice,
For both sides I could many reasons show,
And then decide, without great wrong to either,
It were much better to have both than neither.

Juan and Haidee gazed upon each other
With swimming looks of speechless tenderness,
Which mix'd all feelings, friend, child, lover, brother,
All that the best can mingle and express
When two pure hearts are pour'd in one another,
And love too much, and yet can not love less;
But almost sanctify the sweet excess
By the immortal wish and power to bless.

Mix'd in each other's arms, and heart in heart,
Why did they not then die?- they had lived too long
Should an hour come to bid them breathe apart;
Years could but bring them cruel things or wrong;
The world was not for them, nor the world's art
For beings passionate as Sappho's song;
Love was born with them, in them, so intense,
It was their very spirit- not a sense.

They should have lived together deep in woods,
Unseen as sings the nightingale; they were
Unfit to mix in these thick solitudes
Call'd social, haunts of Hate, and Vice, and Care:
How lonely every freeborn creature broods!
The sweetest song-birds nestle in a pair;
The eagle soars alone; the gull and crow
Flock o'er their carrion, just like men below.

Now pillow'd cheek to cheek, in loving sleep,
Haidee and Juan their siesta took,
A gentle slumber, but it was not deep,
For ever and anon a something shook
Juan, and shuddering o'er his frame would creep;
And Haidee's sweet lips murmur'd like a brook
A wordless music, and her face so fair
Stirr'd with her dream, as rose-leaves with the air.

Or as the stirring of a deep dear stream
Within an Alpine hollow, when the wind
Walks o'er it, was she shaken by the dream,
The mystical usurper of the mind-
O'erpowering us to be whate'er may seem
Good to the soul which we no more can bind;
Strange state of being! (for 't is still to be)
Senseless to feel, and with seal'd eyes to see.

She dream'd of being alone on the sea-shore,
Chain'd to a rock; she knew not how, but stir
She could not from the spot, and the loud roar
Grew, and each wave rose roughly, threatening her;
And o'er her upper lip they seem'd to pour,
Until she sobb'd for breath, and soon they were
Foaming o'er her lone head, so fierce and high-
Each broke to drown her, yet she could not die.

Anon- she was released, and then she stray'd
O'er the sharp shingles with her bleeding feet,
And stumbled almost every step she made;
And something roll'd before her in a sheet,
Which she must still pursue howe'er afraid:
'T was white and indistinct, nor stopp'd to meet
Her glance nor grasp, for still she gazed, and grasp'd,
And ran, but it escaped her as she clasp'd.

The dream changed:- in a cave she stood, its walls
Were hung with marble icicles, the work
Of ages on its water-fretted halls,
Where waves might wash, and seals might breed and lurk;
Her hair was dripping, and the very balls
Of her black eyes seem'd turn'd to tears, and mirk
The sharp rocks look'd below each drop they caught,
Which froze to marble as it fell,- she thought.

And wet, and cold, and lifeless at her feet,
Pale as the foam that froth'd on his dead brow,
Which she essay'd in vain to clear (how sweet
Were once her cares, how idle seem'd they now!),
Lay Juan, nor could aught renew the beat
Of his quench'd heart; and the sea dirges low
Rang in her sad ears like a mermaid's song,
And that brief dream appear'd a life too long.

And gazing on the dead, she thought his face
Faded, or alter'd into something new-
Like to her father's features, till each trace-
More like and like to Lambro's aspect grew-
With all his keen worn look and Grecian grace;
And starting, she awoke, and what to view?
Oh! Powers of Heaven! what dark eye meets she there?
'T is- 't is her father's- fix'd upon the pair!

Then shrieking, she arose, and shrieking fell,
With joy and sorrow, hope and fear, to see
Him whom she deem'd a habitant where dwell
The ocean-buried, risen from death, to be
Perchance the death of one she loved too well:
Dear as her father had been to Haidee,
It was a moment of that awful kind-
I have seen such- but must not call to mind.

Up Juan sprung to Haidee's bitter shriek,
And caught her falling, and from off the wall
Snatch'd down his sabre, in hot haste to wreak
Vengeance on him who was the cause of all:
Then Lambro, who till now forbore to speak,
Smiled scornfully, and said, 'Within my call,
A thousand scimitars await the word;
Put up, young man, put up your silly sword.'

And Haidee clung around him; 'Juan, 't is-
'T is Lambro- 't is my father! Kneel with me-
He will forgive us- yes- it must be- yes.
Oh! dearest father, in this agony
Of pleasure and of pain- even while I kiss
Thy garment's hem with transport, can it be
That doubt should mingle with my filial joy?
Deal with me as thou wilt, but spare this boy.'

High and inscrutable the old man stood,
Calm in his voice, and calm within his eye-
Not always signs with him of calmest mood:
He look'd upon her, but gave no reply;
Then turn'd to Juan, in whose cheek the blood
Oft came and went, as there resolved to die;
In arms, at least, he stood, in act to spring
On the first foe whom Lambro's call might bring.

'Young man, your sword;' so Lambro once more said:
Juan replied, 'Not while this arm is free.'
The old man's cheek grew pale, but not with dread,
And drawing from his belt a pistol, he
Replied, 'Your blood be then on your own head.'
Then look'd dose at the flint, as if to see
'T was fresh- for he had lately used the lock-
And next proceeded quietly to cock.

It has a strange quick jar upon the ear,
That cocking of a pistol, when you know
A moment more will bring the sight to bear
Upon your person, twelve yards off, or so;
A gentlemanly distance, not too near,
If you have got a former friend for foe;
But after being fired at once or twice,
The ear becomes more Irish, and less nice.

Lambro presented, and one instant more
Had stopp'd this Canto, and Don Juan's breath,
When Haidee threw herself her boy before;
Stern as her sire: 'On me,' she cried, 'let death
Descend- the fault is mine; this fatal shore
He found- but sought not. I have pledged my faith;
I love him- I will die with him: I knew
Your nature's firmness- know your daughter's too.'

A minute past, and she had been all tears,
And tenderness, and infancy; but now
She stood as one who champion'd human fears-
Pale, statue-like, and stern, she woo'd the blow;
And tall beyond her sex, and their compeers,
She drew up to her height, as if to show
A fairer mark; and with a fix'd eye scann'd
Her father's face- but never stopp'd his hand.

He gazed on her, and she on him; 't was strange
How like they look'd! the expression was the same;
Serenely savage, with a little change
In the large dark eye's mutual-darted flame;
For she, too, was as one who could avenge,
If cause should be- a lioness, though tame.
Her father's blood before her father's face
Boil'd up, and proved her truly of his race.

I said they were alike, their features and
Their stature, differing but in sex and years;
Even to the delicacy of their hand
There was resemblance, such as true blood wears;
And now to see them, thus divided, stand
In fix'd ferocity, when joyous tears
And sweet sensations should have welcomed both,
Show what the passions are in their full growth.

The father paused a moment, then withdrew
His weapon, and replaced it; but stood still,
And looking on her, as to look her through,
'Not I,' he said, 'have sought this stranger's ill;
Not I have made this desolation: few
Would bear such outrage, and forbear to kill;
But I must do my duty- how thou hast
Done thine, the present vouches for the past.

'Let him disarm; or, by my father's head,
His own shall roll before you like a ball!'
He raised his whistle, as the word he said,
And blew; another answer'd to the call,
And rushing in disorderly, though led,
And arm'd from boot to turban, one and all,
Some twenty of his train came, rank on rank;
He gave the word,- 'Arrest or slay the Frank.'

Then, with a sudden movement, he withdrew
His daughter; while compress'd within his clasp,
'Twixt her and Juan interposed the crew;
In vain she struggled in her father's grasp-
His arms were like a serpent's coil: then flew
Upon their prey, as darts an angry asp,
The file of pirates; save the foremost, who
Had fallen, with his right shoulder half cut through.

The second had his cheek laid open; but
The third, a wary, cool old sworder, took
The blows upon his cutlass, and then put
His own well in; so well, ere you could look,
His man was floor'd, and helpless at his foot,
With the blood running like a little brook
From two smart sabre gashes, deep and red-
One on the arm, the other on the head.

And then they bound him where he fell, and bore
Juan from the apartment: with a sign
Old Lambro bade them take him to the shore,
Where lay some ships which were to sail at nine.
They laid him in a boat, and plied the oar
Until they reach'd some galliots, placed in line;
On board of one of these, and under hatches,
They stow'd him, with strict orders to the watches.

The world is full of strange vicissitudes,
And here was one exceedingly unpleasant:
A gentleman so rich in the world's goods,
Handsome and young, enjoying all the present,
Just at the very time when he least broods
On such a thing is suddenly to sea sent,
Wounded and chain'd, so that he cannot move,
And all because a lady fell in love.

Here I must leave him, for I grow pathetic,
Moved by the Chinese nymph of tears, green tea!
Than whom Cassandra was not more prophetic;
For if my pure libations exceed three,
I feel my heart become so sympathetic,
That I must have recourse to black Bohea:
'T is pity wine should be so deleterious,
For tea and coffee leave us much more serious,

Unless when qualified with thee, Cogniac!
Sweet Naiad of the Phlegethontic rill!
Ah! why the liver wilt thou thus attack,
And make, like other nymphs, thy lovers ill?
I would take refuge in weak punch, but rack
(In each sense of the word), whene'er I fill
My mild and midnight beakers to the brim,
Wakes me next morning with its synonym.

I leave Don Juan for the present, safe-
Not sound, poor fellow, but severely wounded;
Yet could his corporal pangs amount to half
Of those with which his Haidee's bosom bounded?
She was not one to weep, and rave, and chafe,
And then give way, subdued because surrounded;
Her mother was a Moorish maid, from Fez,
Where all is Eden, or a wilderness.

There the large olive rains its amber store
In marble fonts; there grain, and flower, and fruit,
Gush from the earth until the land runs o'er;
But there, too, many a poison-tree has root,
And midnight listens to the lion's roar,
And long, long deserts scorch the camel's foot,
Or heaving whelm the helpless caravan;
And as the soil is, so the heart of man.

Afric is all the sun's, and as her earth
Her human day is kindled; full of power
For good or evil, burning from its birth,
The Moorish blood partakes the planet's hour,
And like the soil beneath it will bring forth:
Beauty and love were Haidee's mother's dower;
But her large dark eye show'd deep Passion's force,
Though sleeping like a lion near a source.

Her daughter, temper'd with a milder ray,
Like summer clouds all silvery, smooth, and fair,
Till slowly charged with thunder they display
Terror to earth, and tempest to the air,
Had held till now her soft and milky way;
But overwrought with passion and despair,
The fire burst forth from her Numidian veins,
Even as the Simoom sweeps the blasted plains.

The last sight which she saw was Juan's gore,
And he himself o'ermaster'd and cut down;
His blood was running on the very floor
Where late he trod, her beautiful, her own;
Thus much she view'd an instant and no more,-
Her struggles ceased with one convulsive groan;
On her sire's arm, which until now scarce held
Her writhing, fell she like a cedar fell'd.

A vein had burst, and her sweet lips' pure dyes
Were dabbled with the deep blood which ran o'er;
And her head droop'd as when the lily lies
O'ercharged with rain: her summon'd handmaids bore
Their lady to her couch with gushing eyes;
Of herbs and cordials they produced their store,
But she defied all means they could employ,
Like one life could not hold, nor death destroy.

Days lay she in that state unchanged, though chill-
With nothing livid, still her lips were red;
She had no pulse, but death seem'd absent still;
No hideous sign proclaim'd her surely dead;
Corruption came not in each mind to kill
All hope; to look upon her sweet face bred
New thoughts of life, for it seem'd full of soul-
She had so much, earth could not claim the whole.

The ruling passion, such as marble shows
When exquisitely chisell'd, still lay there,
But fix'd as marble's unchanged aspect throws
O'er the fair Venus, but for ever fair;
O'er the Laocoon's all eternal throes,
And ever-dying Gladiator's air,
Their energy like life forms all their fame,
Yet looks not life, for they are still the same.

She woke at length, but not as sleepers wake,
Rather the dead, for life seem'd something new,
A strange sensation which she must partake
Perforce, since whatsoever met her view
Struck not on memory, though a heavy ache
Lay at her heart, whose earliest beat still true
Brought back the sense of pain without the cause,
For, for a while, the furies made a pause.

She look'd on many a face with vacant eye,
On many a token without knowing what;
She saw them watch her without asking why,
And reck'd not who around her pillow sat;
Not speechless, though she spoke not; not a sigh
Relieved her thoughts; dull silence and quick chat
Were tried in vain by those who served; she gave
No sign, save breath, of having left the grave.

Her handmaids tended, but she heeded not;
Her father watch'd, she turn'd her eyes away;
She recognized no being, and no spot,
However dear or cherish'd in their day;
They changed from room to room- but all forgot-
Gentle, but without memory she lay;
At length those eyes, which they would fain be weaning
Back to old thoughts, wax'd full of fearful meaning.

And then a slave bethought her of a harp;
The harper came, and tuned his instrument;
At the first notes, irregular and sharp,
On him her flashing eyes a moment bent,
Then to the wall she turn'd as if to warp
Her thoughts from sorrow through her heart re-sent;
And he begun a long low island song
Of ancient days, ere tyranny grew strong.

Anon her thin wan fingers beat the wall
In time to his old tune; he changed the theme,
And sung of love; the fierce name struck through all
Her recollection; on her flash'd the dream
Of what she was, and is, if ye could call
To be so being; in a gushing stream
The tears rush'd forth from her o'erclouded brain,
Like mountain mists at length dissolved in rain.

Short solace, vain relief!- thought came too quick,
And whirl'd her brain to madness; she arose
As one who ne'er had dwelt among the sick,
And flew at all she met, as on her foes;
But no one ever heard her speak or shriek,
Although her paroxysm drew towards its dose;-
Hers was a phrensy which disdain'd to rave,
Even when they smote her, in the hope to save.

Yet she betray'd at times a gleam of sense;
Nothing could make her meet her father's face,
Though on all other things with looks intense
She gazed, but none she ever could retrace;
Food she refused, and raiment; no pretence
Avail'd for either; neither change of place,
Nor time, nor skill, nor remedy, could give her
Senses to sleep- the power seem'd gone for ever.

Twelve days and nights she wither'd thus; at last,
Without a groan, or sigh, or glance, to show
A parting pang, the spirit from her past:
And they who watch'd her nearest could not know
The very instant, till the change that cast
Her sweet face into shadow, dull and slow,
Glazed o'er her eyes- the beautiful, the black-
Oh! to possess such lustre- and then lack!

She died, but not alone; she held within
A second principle of life, which might
Have dawn'd a fair and sinless child of sin;
But closed its little being without light,
And went down to the grave unborn, wherein
Blossom and bough lie wither'd with one blight;
In vain the dews of Heaven descend above
The bleeding flower and blasted fruit of love.

Thus lived- thus died she; never more on her
Shall sorrow light, or shame. She was not made
Through years or moons the inner weight to bear,
Which colder hearts endure till they are laid
By age in earth: her days and pleasures were
Brief, but delightful- such as had not staid
Long with her destiny; but she sleeps well
By the sea-shore, whereon she loved to dwell.

That isle is now all desolate and bare,
Its dwellings down, its tenants pass'd away;
None but her own and father's grave is there,
And nothing outward tells of human clay;
Ye could not know where lies a thing so fair,
No stone is there to show, no tongue to say
What was; no dirge, except the hollow sea's,
Mourns o'er the beauty of the Cyclades.

But many a Greek maid in a loving song
Sighs o'er her name; and many an islander
With her sire's story makes the night less long;
Valour was his, and beauty dwelt with her:
If she loved rashly, her life paid for wrong-
A heavy price must all pay who thus err,
In some shape; let none think to fly the danger,
For soon or late Love is his own avenger.

But let me change this theme which grows too sad,
And lay this sheet of sorrows on the shelf;
I don't much like describing people mad,
For fear of seeming rather touch'd myself-
Besides, I 've no more on this head to add;
And as my Muse is a capricious elf,
We 'll put about, and try another tack
With Juan, left half-kill'd some stanzas back.

Wounded and fetter'd, 'cabin'd, cribb'd, confined,'
Some days and nights elapsed before that he
Could altogether call the past to mind;
And when he did, he found himself at sea,
Sailing six knots an hour before the wind;
The shores of Ilion lay beneath their lee-
Another time he might have liked to see 'em,
But now was not much pleased with Cape Sigaeum.

There, on the green and village-cotted hill, is
(Flank'd by the Hellespont and by the sea)
Entomb'd the bravest of the brave, Achilles;
They say so (Bryant says the contrary):
And further downward, tall and towering still, is
The tumulus- of whom? Heaven knows! 't may be
Patroclus, Ajax, or Protesilaus-
All heroes, who if living still would slay us.

High barrows, without marble or a name,
A vast, untill'd, and mountain-skirted plain,
And Ida in the distance, still the same,
And old Scamander (if 't is he) remain;
The situation seems still form'd for fame-
A hundred thousand men might fight again
With case; but where I sought for Ilion's walls,
The quiet sheep feeds, and the tortoise crawls;

Troops of untended horses; here and there
Some little hamlets, with new names uncouth;
Some shepherds (unlike Paris) led to stare
A moment at the European youth
Whom to the spot their school-boy feelings bear;
A turk, with beads in hand and pipe in mouth,
Extremely taken with his own religion,
Are what I found there- but the devil a Phrygian.

Don Juan, here permitted to emerge
From his dull cabin, found himself a slave;
Forlorn, and gazing on the deep blue surge,
O'ershadow'd there by many a hero's grave;
Weak still with loss of blood, he scarce could urge
A few brief questions; and the answers gave
No very satisfactory information
About his past or present situation.

He saw some fellow captives, who appear'd
To be Italians, as they were in fact;
From them, at least, their destiny he heard,
Which was an odd one; a troop going to act
In Sicily (all singers, duly rear'd
In their vocation) had not been attack'd
In sailing from Livorno by the pirate,
But sold by the impresario at no high rate.

By one of these, the buffo of the party,
Juan was told about their curious case;
For although destined to the Turkish mart, he
Still kept his spirits up- at least his face;
The little fellow really look'd quite hearty,
And bore him with some gaiety and grace,
Showing a much more reconciled demeanour,
Than did the prima donna and the tenor.

In a few words he told their hapless story,
Saying, 'Our Machiavellian impresario,
Making a signal off some promontory,
Hail'd a strange brig- Corpo di Caio Mario!
We were transferr'd on board her in a hurry,
Without a Single scudo of salario;
But if the Sultan has a taste for song,
We will revive our fortunes before long.

'The prima donna, though a little old,
And haggard with a dissipated life,
And subject, when the house is thin, to cold,
Has some good notes; and then the tenor's wife,
With no great voice, is pleasing to behold;
Last carnival she made a deal of strife
By carrying off Count Cesare Cicogna
From an old Roman princess at Bologna.

'And then there are the dancers; there 's the Nini,
With more than one profession, gains by all;
Then there 's that laughing slut the Pelegrini,
She, too, was fortunate last carnival,
And made at least five hundred good zecchini,
But spends so fast, she has not now a paul;
And then there 's the Grotesca- such a dancer!
Where men have souls or bodies she must answer.

'As for the figuranti, they are like
The rest of all that tribe; with here and there
A pretty person, which perhaps may strike,
The rest are hardly fitted for a fair;
There 's one, though tall and stiffer than a pike,
Yet has a sentimental kind of air
Which might go far, but she don't dance with vigour;
The more 's the pity, with her face and figure.

'As for the men, they are a middling set;
The musico is but a crack'd old basin,
But being qualified in one way yet,
May the seraglio do to set his face in,
And as a servant some preferment get;
His singing I no further trust can place in:
From all the Pope makes yearly 't would perplex
To find three perfect pipes of the third sex.

'The tenor's voice is spoilt by affectation,
And for the bass, the beast can only bellow;
In fact, he had no singing education,
An ignorant, noteless, timeless, tuneless fellow;
But being the prima donna's near relation,
Who swore his voice was very rich and mellow,
They hired him, though to hear him you 'd believe
An ass was practising recitative.

''T would not become myself to dwell upon
My own merits, and though young- I see, Sir- you
Have got a travell'd air, which speaks you one
To whom the opera is by no means new:
You 've heard of Raucocanti?- I 'm the man;
The time may come when you may hear me too;
You was not last year at the fair of Lugo,
But next, when I 'm engaged to sing there- do go.

'Our baritone I almost had forgot,
A pretty lad, but bursting with conceit;
With graceful action, science not a jot,
A voice of no great compass, and not sweet,
He always is complaining of his lot,
Forsooth, scarce fit for ballads in the street;
In lovers' parts his passion more to breathe,
Having no heart to show, he shows his teeth.'

Here Raucocanti's eloquent recital
Was interrupted by the pirate crew,
Who came at stated moments to invite all
The captives back to their sad berths; each threw
A rueful glance upon the waves (which bright all
From the blue skies derived a double blue,
Dancing all free and happy in the sun),
And then went down the hatchway one by one.

They heard next day- that in the Dardanelles,
Waiting for his Sublimity's firman,
The most imperative of sovereign spells,
Which every body does without who can,
More to secure them in their naval cells,
Lady to lady, well as man to man,
Were to be chain'd and lotted out per couple,
For the slave market of Constantinople.

It seems when this allotment was made out,
There chanced to be an odd male, and odd female,
Who (after some discussion and some doubt,
If the soprano might be deem'd to be male,
They placed him o'er the women as a scout)
Were link'd together, and it happen'd the male
Was Juan,- who, an awkward thing at his age,
Pair'd off with a Bacchante blooming visage.

With Raucocanti lucklessly was chain'd
The tenor; these two hated with a hate
Found only on the stage, and each more pain'd
With this his tuneful neighbour than his fate;
Sad strife arose, for they were so cross-grain'd,
Instead of bearing up without debate,
That each pull'd different ways with many an oath,
'Arcades ambo,' id est- blackguards both.

Juan's companion was a Romagnole,
But bred within the March of old Ancona,
With eyes that look'd into the very soul
(And other chief points of a 'bella donna'),
Bright- and as black and burning as a coal;
And through her dear brunette complexion shone
Great wish to please- a most attractive dower,
Especially when added to the power.

But all that power was wasted upon him,
For sorrow o'er each sense held stern command;
Her eye might flash on his, but found it dim;
And though thus chain'd, as natural her hand
Touch'd his, nor that- nor any handsome limb
(And she had some not easy to withstand)
Could stir his pulse, or make his faith feel brittle;
Perhaps his recent wounds might help a little.

No matter; we should ne'er too much enquire,
But facts are facts: no knight could be more true,
And firmer faith no ladye-love desire;
We will omit the proofs, save one or two:
'T is said no one in hand 'can hold a fire
By thought of frosty Caucasus;' but few,
I really think; yet Juan's then ordeal
Was more triumphant, and not much less real.

Here I might enter on a chaste description,
Having withstood temptation in my youth,
But hear that several people take exception
At the first two books having too much truth;
Therefore I 'll make Don Juan leave the ship soon,
Because the publisher declares, in sooth,
Through needles' eyes it easier for the camel is
To pass, than those two cantos into families.

'T is all the same to me; I 'm fond of yielding,
And therefore leave them to the purer page
Of Smollett, Prior, Ariosto, Fielding,
Who say strange things for so correct an age;
I once had great alacrity in wielding
My pen, and liked poetic war to wage,
And recollect the time when all this cant
Would have provoked remarks which now it shan't.

As boys love rows, my boyhood liked a squabble;
But at this hour I wish to part in peace,
Leaving such to the literary rabble:
Whether my verse's fame be doom'd to cease
While the right hand which wrote it still is able,
Or of some centuries to take a lease,
The grass upon my grave will grow as long,
And sigh to midnight winds, but not to song.

Of poets who come down to us through distance
Of time and tongues, the foster-babes of Fame,
Life seems the smallest portion of existence;
Where twenty ages gather o'er a name,
'T is as a snowball which derives assistance
From every flake, and yet rolls on the same,
Even till an iceberg it may chance to grow;
But, after all, 't is nothing but cold snow.

And so great names are nothing more than nominal,
And love of glory 's but an airy lust,
Too often in its fury overcoming all
Who would as 't were identify their dust
From out the wide destruction, which, entombing all,
Leaves nothing till 'the coming of the just'-
Save change: I 've stood upon Achilles' tomb,
And heard Troy doubted; time will doubt of Rome.

The very generations of the dead
Are swept away, and tomb inherits tomb,
Until the memory of an age is fled,
And, buried, sinks beneath its offspring's doom:
Where are the epitaphs our fathers read?
Save a few glean'd from the sepulchral gloom
Which once-named myriads nameless lie beneath,
And lose their own in universal death.

I canter by the spot each afternoon
Where perish'd in his fame the hero-boy,
Who lived too long for men, but died too soon
For human vanity, the young De Foix!
A broken pillar, not uncouthly hewn,
But which neglect is hastening to destroy,
Records Ravenna's carnage on its face,
While weeds and ordure rankle round the base.

I pass each day where Dante's bones are laid:
A little cupola, more neat than solemn,
Protects his dust, but reverence here is paid
To the bard's tomb, and not the warrior's column.
The time must come, when both alike decay'd,
The chieftain's trophy, and the poet's volume,
Will sink where lie the songs and wars of earth,
Before Pelides' death, or Homer's birth.

With human blood that column was cemented,
With human filth that column is defiled,
As if the peasant's coarse contempt were vented
To show his loathing of the spot he soil'd:
Thus is the trophy used, and thus lamented
Should ever be those blood-hounds, from whose wild
Instinct of gore and glory earth has known
Those sufferings Dante saw in hell alone.

Yet there will still be bards: though fame is smoke,
Its fumes are frankincense to human thought;
And the unquiet feelings, which first woke
Song in the world, will seek what then they sought;
As on the beach the waves at last are broke,
Thus to their extreme verge the passions brought
Dash into poetry, which is but passion,
Or at least was so ere it grew a fashion.

If in the course of such a life as was
At once adventurous and contemplative,
Men, who partake all passions as they pass,
Acquire the deep and bitter power to give
Their images again as in a glass,
And in such colours that they seem to live;
You may do right forbidding them to show 'em,
But spoil (I think) a very pretty poem.

Oh! ye, who make the fortunes of all books!
Benign Ceruleans of the second sex!
Who advertise new poems by your looks,
Your 'imprimatur' will ye not annex?
What! must I go to the oblivious cooks,
Those Cornish plunderers of Parnassian wrecks?
Ah! must I then the only minstrel be,
Proscribed from tasting your Castalian tea!

What! can I prove 'a lion' then no more?
A ball-room bard, a foolscap, hot-press darling?
To bear the compliments of many a bore,
And sigh, 'I can't get out,' like Yorick's starling;
Why then I 'll swear, as poet Wordy swore
(Because the world won't read him, always snarling),
That taste is gone, that fame is but a lottery,
Drawn by the blue-coat misses of a coterie.

Oh! 'darkly, deeply, beautifully blue,'
As some one somewhere sings about the sky,
And I, ye learned ladies, say of you;
They say your stockings are so (Heaven knows why,
I have examined few pair of that hue);
Blue as the garters which serenely lie
Round the Patrician left-legs, which adorn
The festal midnight, and the levee morn.

Yet some of you are most seraphic creatures-
But times are alter'd since, a rhyming lover,
You read my stanzas, and I read your features:
And- but no matter, all those things are over;
Still I have no dislike to learned natures,
For sometimes such a world of virtues cover;
I knew one woman of that purple school,
The loveliest, chastest, best, but- quite a fool.

Humboldt, 'the first of travellers,' but not
The last, if late accounts be accurate,
Invented, by some name I have forgot,
As well as the sublime discovery's date,
An airy instrument, with which he sought
To ascertain the atmospheric state,
By measuring 'the intensity of blue:'
Oh, Lady Daphne! let me measure you!

But to the narrative:- The vessel bound
With slaves to sell off in the capital,
After the usual process, might be found
At anchor under the seraglio wall;
Her cargo, from the plague being safe and sound,
Were landed in the market, one and all,
And there with Georgians, Russians, and Circassians,
Bought up for different purposes and passions.

Some went off dearly; fifteen hundred dollars
For one Circassian, a sweet girl, were given,
Warranted virgin; beauty's brightest colours
Had deck'd her out in all the hues of heaven:
Her sale sent home some disappointed bawlers,
Who bade on till the hundreds reach'd eleven;
But when the offer went beyond, they knew
'T was for the Sultan, and at once withdrew.

Twelve negresses from Nubia brought a price
Which the West Indian market scarce would bring;
Though Wilberforce, at last, has made it twice
What 't was ere Abolition; and the thing
Need not seem very wonderful, for vice
Is always much more splendid than a king:
The virtues, even the most exalted, Charity,
Are saving- vice spares nothing for a rarity.

But for the destiny of this young troop,
How some were bought by pachas, some by Jews,
How some to burdens were obliged to stoop,
And others rose to the command of crews
As renegadoes; while in hapless group,
Hoping no very old vizier might choose,
The females stood, as one by one they pick'd 'em,
To make a mistress, or fourth wife, or victim:

All this must be reserved for further song;
Also our hero's lot, howe'er unpleasant
(Because this Canto has become too long),
Must be postponed discreetly for the present;
I 'm sensible redundancy is wrong,
But could not for the muse of me put less in 't:
And now delay the progress of Don Juan,
Till what is call'd in Ossian the fifth Juan.

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At Least I'm Talkin' to You vs.2 and chorus

All of my friends disagree with me.
Yeah, we don't think the same way. (Well, sometimes, we don't.)
It may sound crazy, and hard to believe,
but this thought of mine is gonna stay.
(chorus)
It's hard to talk to people these days.
Maybe because I'm so shy,
but baby, with you, I laugh so hard,
I just cry.
Now, let me tell you somethin' else,
and honey, it's true.
I can't talk to anyone,
but at least I'm talkin' to you. (end chorus)

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The Dead Village

Here there is death. But even here, they say,
Here where the dull sun shines this afternoon
As desolate as ever the dead moon
Did glimmer on dead Sardis, men were gay;
And there were little children here to play,
With small soft hands that once did keep in tune
The strings that stretch from heaven, till too soon
The change came, and the music passed away.

Now there is nothing but the ghosts of things,—
No life, no love, no children, and no men;
And over the forgotten place there clings
The strange and unrememberable light
That is in dreams. The music failed, and then
God frowned, and shut the village from His sight.

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One Day Someone Will Say The Same Of Me

The hearse through the main street is passing slow
With the funeral cars following in a single row
Is the dead person a he or a she?
One day someone will say the same of me.

And did that person die young or old
And will her or his life story be told?
To the departed that does not matter 'twould seem
As the dead do not have a sense of self esteem.

The funeral towards the cemetery winds it's way
Up through the main street at noon of day
But on the cortege shoppers no interest show
As in and out of shops they go.

The dead from the Land of the living gone
But life for the living must go on
And the same fate surely awaits you and I
As the dead person in the hearse going by.

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Something's Comin' Up

BY BARRY MANILOW
--------------------------------------------------------------------------------
Did you ever feel somethin' in the air
And you block it out, but you know it's there
Did you ever find, things about to change
I can see the signs all along my way
And I can feel that
Something's comin' up
And I don't know what it is
Something's comin' up
And I don't know where it's gonna take me
But there's something dyin'
Something bein' born
I think I'm gonna leave, I gotta get away
Maybe try Mill Valley, maybe try L.A.
The people I thought I loved
Well, we don't think the same
There's fury in my blood
And I can't stand it one more day
And I can feel that
Something's comin' up
And I don't know what it is
Something's comin' up
And I don't know where it's gonna take me
But there's something dyin'
And something bein' born
Something's comin' up (comin' up)
Something's comin' up (comin' up)
Something's comin' up (really don't know what it is)
Something's comin' up (really don't know what it is)
Something's comin' up
And I don't know what it is
Something's comin' up
And I don't know where it's gonna take me

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Birds Who Sing The Same Song

Once upon the hunter's lifetime
He entered the forest with his hound
As he waited for animal senses,
He heard the same sound

The sound came from above
It was the sound of birds
Though they were very different,
They had similar words

The birds were of two colors
They were either brown or green
They sang on top of their voices
The song of a queen

First, the hunter watched them sing
He did not understand the words
He set a trap on the tree
And caught some green birds

He brought them home
Thinking he has caught something good
After preparing the meal,
He realizes their meat is not right for food

Again, he watched them sing
He did not understand the words
He set a trap on the tree
And caught brown birds

He brought them home
Thinking the browns would not taste the same
After preparing the meal,
He realizes the meat was worse in the bowl of shame

He now understood the words
And watches them as they sing
The same song, one meaning
A song to get trapped in a ring

The birds sing the same song
A song of the soul
They sing in a competition
They compete for a common goal

They look attractive on the tree
They sing the same song

Understanding their words is the key
They sing the same song

They sound very kind
They sing the same song

They have a motive in mind
They sing the same song

They sing and fly from the leaves to the stem
But the hunter desires none of them

The hunter would now find other creatures
With the best of all features
Because the birds sing the same song

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Patrick White

The Voices Of Dead Friends, Departed Lovers

The voices of dead friends, departed lovers
aimlessly feather the night air like the fragrances
of wildflowers and burning guitars thriving in the dark.
I'm out to see the Delta Aquarids down by the river,
leaping like a man with faith in his precarious footing
from skull to skull like a chessboard of oracular rocks
keeping their heads above water like a half-hearted bridge
dog-paddling in its own collapse, trying to cross
the same mindstream they're in up to their eyes
for a better view of the sky in the clearing on the other side.

Clouds of cometary junkyards in decaying orbits.
Placental remains of unilluminated afterbirths.
I delight in watching how wasted things shine the brightest
on their way down like blossoms of paint
flaking off the windows of heaven like rose petals
revealing these thorns that gore and slash the night
like matadors and meteors with razorblades
hidden under the screening myths of their eyelids.
It's natural when opposites come together,
enjoining disparate elements into more enduring alloys,
it's the clarity that seems confusing to the untrained eye
and chaos that foreshadows transmorphic reality.

All my aspirations emanate from the same radiant
like sudden cremations in the upper atmosphere
that disintegrate and flame out upon re-entry
like Icarian candlewax at the black mass
of a waning eclipse factualizing the omens
of its own self-fulfilling prophecies of subliminal descent.
All the matches I strike like fireflies
and phosphorus flower buds against my heart
are put out by the same bloodstream
they once illuminated like wild columbine
and the hydrogen blue of the star clusters
burning like irises along this highly siderealized river.

Meteors. Two an hour. Bayonets of light
making the rounds on the nightwatch.
The tree line blows through the open window
of the wavering lake like an old curtain
about to be shed like the veil of the Queen of Heaven.
Indigo the eyes of Isis. With a white wavelength for a smile.
Here where she gathers up the severed hearts
of the light's dismemberment like body parts
she heals by leaving the waterlilies on all night in the morgue
and staring so long and immaculately
into the darkness like a lump of coal
for the third eye of a spiritual snowman
washing his hands of himself like a pilgrimage
weeping diamonds all along the way
like the excruciating tears we all shed
in the shrines of the black suns that rise at midnight
like broken mirrors from the graves of dead metaphors.

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Love's Reward

It was a knight of the southern land
Rode forth upon the way
When the birds sang sweet on either hand
About the middle of the May.

But when he came to the lily-close,
Thereby so fair a maiden stood,
That neither the lily nor the rose
Seemed any longer fair nor good.

“All hail, thou rose and lily-bough!
What dost thou weeping here,
For the days of May are sweet enow,
And the nights of May are dear?”

“Well may I weep and make my moan,
Who am bond and captive here;
Well may I weep who lie alone,
Though May be waxen dear.”

“And is there none shall ransom thee;
Mayst thou no borrow find?”
“Nay, what man may my borrow be,
When all my wealth is left behind?

“Perchance some ring is left with thee,
Some belt that did thy body bind?”
“Nay, no man may my borrow be,
My rings and belt are left behind.”

The shoes that the May-blooms kissed on thee
Might yet be things to some men’s mind.”
“Nay, no man may my borrow be,
My golden shoes are left behind.”

The milk-white sark that covered thee
A dear-bought token some should find.”
“Nay, no man may my borrow be,
My silken sark is left behind.”

The kiss of thy mouth and the love of thee
Better than world’s wealth should I find.”
“Nay, thou mayst not my borrow be,
For all my love is left behind.

“A year agone come Midsummer-night
I woke by the Northern sea;
I lay and dreamed of my delight
Till love no more would let me be.

“Seaward I went by night and cloud
To hear the white swans sing;
But though they sang both clear and loud,
I hearkened a sweeter thing.

“O sweet and sweet as none may tell
Was the speech so close ’twixt lip and lip:
But fast, unseen, the black oars fell
That drave to shore the rover’s ship.

“My love lay bloody on the strand
Ere stars were waxen wan:
Naught lacketh graves the Northern land
If to-day it lack a lovelier man.

I sat and wept beside the mast
When the stars were gone away.
Naught lacketh the Northland joy gone past
If it lack the night and day.”

“Is there no place in any land
Where thou wouldst rather be than here?”
“Yea, a lone grave on a cold sea-strand
My heart for a little holdeth dear.”

“Of all the deeds that women do
Is there none shall bring thee some delight?”
“To lie down and die where lay we two
Upon Midsummer night.”

I will bring thee there where thou wouldst be,
A borrow shalt thou find.”
“Wherewith shall I reward it thee
For wealth and good-hap left behind?”

“A kiss from lips that love not me,
A good-night somewhat kind;
A narrow house to share with thee
When we leave the world behind.”

They have taken ship and sailed away
Across the Southland main;
They have sailed by hills were green and gay,
A land of goods and gain.

They have sailed by sea-cliffs stark and white
And hillsides fair enow;
They have sailed by lands of little night
Where great the groves did grow.

They have sailed by islands in the sea
That the clouds lay thick about;
And into a main where few ships be
Amidst of dread, and doubt.

With broken mast and battered side
They drave amidst the tempest’s heart;
But why should death to these betide
Whom love did hold so well apart?

The flood it drave them toward the strand,
The ebb it drew them fro;
The swallowing seas that tore the land
Cast them ashore and let them go.

“Is this the land? is this the land,
Where life and I must part a-twain?”
“Yea, this is e’en the sea-washed strand
That made me yoke-fellow of pain.

The strand is this, the sea is this,
The grey bent and the mountains grey;
But no mound here his grave-mound is;
Where have they borne my love away?”

“What man is this with shield and spear
Comes riding down the bent to us?
A goodly man forsooth he were
But for his visage piteous.”

“Ghost of my love, so kind of yore,
Art thou not somewhat gladder grown
To feel my feet upon this shore?
O love, thou shalt not long be lone.”

“Ghost of my love, each day I come
To see where God first wrought us wrong:
Now kind thou com’st to call me home,
Be sure I shall not tarry long.”

“Come here, my love; come here for rest,
So sore as my body longs for thee!
My heart shall beat against thy breast
As arms of thine shall comfort me.”

“Love, let thy lips depart no more
From those same eyes they once did kiss,
The very bosom wounded sore
When sorrow clave the heart of bliss!”

O was it day, or was it night,
As there they told their love again?
The high-tide of the sun’s delight,
Or whirl of wind and drift of rain?

“Speak sweet, my love, of how it fell,
And how thou cam’st across the sea,
And what kind heart hath served thee well,
And who thy borrow there might be?”

Naught but the wind and sea made moan
As hastily she turned her round;
From light clouds wept the morn alone,
Not the dead corpse upon the ground.

“O look, my love, for here is he
Who once of all the world was kind,
And led my sad heart o’er the sea!
And now must he be left behind.”

She kissed his lips that yet did smile,
She kissed his eyes that were not sad:
“O thou who sorrow didst beguile,
And now wouldst have me wholly glad!

“A little gift is this,” she said,
“Thou once hadst deemed great gift enow;
Yet surely shalt thou rest thine head
Where I one day shall lie alow.

“There shalt thou wake to think of me,
And by thy face my face shall find;
And I shall then thy borrow be
When all the world is left behind.”

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She Did Not See The Lilacs When They Bloomed One Summer

in the past sense of my words
she had not seen the lilacs when they once bloomed in her garden
i swear they are so beautiful hanging on their stalks surrounded by their heart
shaped leaves
like a bouquet offering of spring
for the first rain

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Waiting To Live Again

We will meet again one day
When our lives have all run through
Going through all the emotions
That we once knew
With another partner
All these many years
We will feel the same
As we once did
Or will the life that came before us
Change what use to exist
Or has it hung on
To a part of our heart
Waiting to live again

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Love is Pain

love is pain
pain is love
love is pain by the heartbreaking and the emotional feeling of life
pain is love by the suffering that we have to go thru
paind is love and love is pain they belong together like they where married
even though they don't sound the same nor they don't have the same meaning they belong together for ever
people ask me why they belong togather i tell them that they just belong togather for

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The Retreat

Pursue no more (my thoughts!) that false unkind,
You may assoon imprison the North-wind;
Or catch the Lightning as it leaps; or reach
The leading billow first ran down the breach;
Or undertake the flying clouds to track
In the same path they yesterday did rack.
Then, like a Torch turn'd downward, let the same
Desire which nourisht it, put out your flame.
Loe thus I doe divorce thee from my brest,
False to thy vow, and traitour to my rest!
Henceforth thy tears shall be (though thou repent)
Like pardons after execution sent.
Nor shalt thou ever my loves story read,
But as some Epitaph of what is dead.
So may my hope on future blessings dwell,
As 'tis my firm resolve and last farewell.

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On the day that they nailed Him to a cross

On the day that they nailed Him to a cross
the shepherds went to the fields as they usually did,
eating that afternoon under the shadow of a tree
but when the sun suddenly
at three o’clock was setting they were dumbstruck

looking astonished at the animals
that were going back to the corral
and darkness fell across the earth
and it looked as if it was night
while nature rebelled at the death of its creator
and quickly they went home.

Graves outside the city was torn open
while the curtain at the temple ripped right through,
while people at the crucifixion
in darkness crowded together
and frightened soldiers were wondering
what was happening

when people without fear said
let His blood be on our hands,
they cast darkness over their descendants
and the whole of humanity,
over each one in every nation

and over the whole of humanity
there hanged a shadow
while He gave the last convulsions,
about the death of God
in which everyone shared
from young to the old,
even them in the highest positions.

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Don't play with me

Love is a great feeling
But it can tear you apart
Not knowing what the outcome
And what others have in their hearts
You give your best shot …hoping all is fine
Caring far too much …you have to draw a line
I don't know why I feel this way
But honestly it is true
I just want to be with you…and now I feel so blue
I hope you will love me the same
With your actions I should see
And love me for who I am…and not play with me.

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You Are Not Going to Play With Me Today

You are so far removed from my to do list.
So distant you are,
My binoculars can not locate you.
I never thought I would feel this way.
But I am looking for a mind easier to find.
And yours?
It is never where you claim it to be,
Even when you bring it.

Playing peek-a-boo and hide and seek...
Chase-me-until-you-find-me games,
Were fine when I was a 'kid' in my 40's!
But one of us has grayed and moved on...
To seek a more muture outlook that pleases.
Don't smile and grin.
You are not that far from the fringes of this explanation.
Well...
Maybe you are.

When some of us became adults...
You decided to take another destination.
And I'm not adding that to my frustrations.
Of which you have helped to manifest.

You are so far removed from my to do list.
So distant you are,
My binoculars can not locate you.
I never thought I would feel this way.
But I am looking for a mind easier to find.
And yours?
It is never where you claim it to be,
Even when you bring it.

You are 'not' going to play with me today.
I have run out of scotch.
And my neighbors are not yet quite convinced...
My standing on the ledge of the building,
Is to get away from your voice.
They believe I have other wishes.
Even though I tell them I am fine...
You tell them I am having problems.
But you never tell them you are the main one!
They think I am the one who is 'nuts'!
However...
Five minutes with you,
Should end any clues I might drop!

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Byron

Don Juan: Canto The Seventh

O Love! O Glory! what are ye who fly
Around us ever, rarely to alight?
There's not a meteor in the polar sky
Of such transcendent and more fleeting flight.
Chill, and chain'd to cold earth, we lift on high
Our eyes in search of either lovely light;
A thousand and a thousand colours they
Assume, then leave us on our freezing way.

And such as they are, such my present tale is,
A non-descript and ever-varying rhyme,
A versified Aurora Borealis,
Which flashes o'er a waste and icy clime.
When we know what all are, we must bewail us,
But ne'ertheless I hope it is no crime
To laugh at all things- for I wish to know
What, after all, are all things- but a show?

They accuse me--Me--the present writer of
The present poem--of--I know not what--
A tendency to under-rate and scoff
At human power and virtue, and all that;
And this they say in language rather rough.
Good God! I wonder what they would be at!
I say no more than hath been said in Dante's
Verse, and by Solomon and by Cervantes;

By Swift, by Machiavel, by Rochefoucault,
By Fenelon, by Luther, and by Plato;
By Tillotson, and Wesley, and Rousseau,
Who knew this life was not worth a potato.
'Tis not their fault, nor mine, if this be so-
For my part, I pretend not to be Cato,
Nor even Diogenes.--We live and die,
But which is best, you know no more than I.

Socrates said, our only knowledge was
'To know that nothing could be known;' a pleasant
Science enough, which levels to an ass
Each man of wisdom, future, past, or present.
Newton (that proverb of the mind), alas!
Declared, with all his grand discoveries recent,
That he himself felt only 'like a youth
Picking up shells by the great ocean--Truth.'

Ecclesiastes said, 'that all is vanity'--
Most modern preachers say the same, or show it
By their examples of true Christianity:
In short, all know, or very soon may know it;
And in this scene of all-confess'd inanity,
By saint, by sage, by preacher, and by poet,
Must I restrain me, through the fear of strife,
From holding up the nothingness of life?

Dogs, or men!--for I flatter you in saying
That ye are dogs--your betters far--ye may
Read, or read not, what I am now essaying
To show ye what ye are in every way.
As little as the moon stops for the baying
Of wolves, will the bright muse withdraw one ray
From out her skies- then howl your idle wrath!
While she still silvers o'er your gloomy path.

'Fierce loves and faithless wars'--I am not sure
If this be the right reading--'tis no matter;
The fact's about the same, I am secure;
I sing them both, and am about to batter
A town which did a famous siege endure,
And was beleaguer'd both by land and water
By Souvaroff, or Anglice Suwarrow,
Who loved blood as an alderman loves marrow.

The fortress is call'd Ismail, and is placed
Upon the Danube's left branch and left bank,
With buildings in the Oriental taste,
But still a fortress of the foremost rank,
Or was at least, unless 'tis since defaced,
Which with your conquerors is a common prank:
It stands some eighty versts from the high sea,
And measures round of toises thousands three.

Within the extent of this fortification
A borough is comprised along the height
Upon the left, which from its loftier station
Commands the city, and upon its site
A Greek had raised around this elevation
A quantity of palisades upright,
So placed as to impede the fire of those
Who held the place, and to assist the foe's.

This circumstance may serve to give a notion
Of the high talents of this new Vauban:
But the town ditch below was deep as ocean,
The rampart higher than you'd wish to hang:
But then there was a great want of precaution
(Prithee, excuse this engineering slang),
Nor work advanced, nor cover'd way was there,
To hint at least 'Here is no thoroughfare.'

But a stone bastion, with a narrow gorge,
And walls as thick as most skulls born as yet;
Two batteries, cap-a-pie, as our St. George,
Case-mated one, and t' other 'a barbette,'
Of Danube's bank took formidable charge;
While two and twenty cannon duly set
Rose over the town's right side, in bristling tier,
Forty feet high, upon a cavalier.

But from the river the town 's open quite,
Because the Turks could never be persuaded
A Russian vessel e'er would heave in sight;
And such their creed was, till they were invaded,
When it grew rather late to set things right.
But as the Danube could not well be waded,
They look'd upon the Muscovite flotilla,
And only shouted, 'Allah!' and 'Bis Millah!'

The Russians now were ready to attack:
But oh, ye goddesses of war and glory!
How shall I spell the name of each Cossacque
Who were immortal, could one tell their story?
Alas! what to their memory can lack?
Achilles' self was not more grim and gory
Than thousands of this new and polish'd nation,
Whose names want nothing but- pronunciation.

Still I 'll record a few, if but to increase
Our euphony: there was Strongenoff, and Strokonoff,
Meknop, Serge Lwow, Arsniew of modern Greece,
And Tschitsshakoff, and Roguenoff, and Chokenoff,
And others of twelve consonants apiece;
And more might be found out, if I could poke enough
Into gazettes; but Fame (capricious strumpet),
It seems, has got an ear as well as trumpet,

And cannot tune those discords of narration,
Which may be names at Moscow, into rhyme;
Yet there were several worth commemoration,
As e'er was virgin of a nuptial chime;
Soft words, too, fitted for the peroration
Of Londonderry drawling against time,
Ending in 'ischskin,' 'ousckin,' 'iffskchy,' 'ouski:
Of whom we can insert but Rousamouski,

Scherematoff and Chrematoff, Koklophti,
Koclobski, Kourakin, and Mouskin Pouskin,
All proper men of weapons, as e'er scoff'd high
Against a foe, or ran a sabre through skin:
Little cared they for Mahomet or Mufti,
Unless to make their kettle-drums a new skin
Out of their hides, if parchment had grown dear,
And no more handy substitute been near.

Then there were foreigners of much renown,
Of various nations, and all volunteers;
Not fighting for their country or its crown,
But wishing to be one day brigadiers;
Also to have the sacking of a town,--
A pleasant thing to young men at their years.
'Mongst them were several Englishmen of pith,
Sixteen call'd Thomson, and nineteen named Smith.

Jack Thomson and Bill Thomson; all the rest
Had been call'd 'Jemmy,' after the great bard;
I don't know whether they had arms or crest,
But such a godfather's as good a card.
Three of the Smiths were Peters; but the best
Amongst them all, hard blows to inflict or ward,
Was he, since so renown'd 'in country quarters
At Halifax;' but now he served the Tartars.

The rest were jacks and Gills and Wills and Bills;
But when I've added that the elder jack Smith
Was born in Cumberland among the hills,
And that his father was an honest blacksmith,
I've said all I know of a name that fills
Three lines of the despatch in taking 'Schmacksmith,'
A village of Moldavia's waste, wherein
He fell, immortal in a bulletin.

I wonder (although Mars no doubt's a god
Praise) if a man's name in a bulletin
May make up for a bullet in his body?
I hope this little question is no sin,
Because, though I am but a simple noddy,
I think one Shakspeare puts the same thought in
The mouth of some one in his plays so doting,
Which many people pass for wits by quoting.

Then there were Frenchmen, gallant, young, and gay:
But I'm too great a patriot to record
Their Gallic names upon a glorious day;
I'd rather tell ten lies than say a word
Of truth;--such truths are treason; they betray
Their country; and as traitors are abhorr'd
Who name the French in English, save to show
How Peace should make John Bull the Frenchman's foe.

The Russians, having built two batteries on
An isle near Ismail, had two ends in view;
The first was to bombard it, and knock down
The public buildings and the private too,
No matter what poor souls might be undone.
The city's shape suggested this, 't is true;
Form'd like an amphitheatre, each dwelling
Presented a fine mark to throw a shell in.

The second object was to profit by
The moment of the general consternation,
To attack the Turk's flotilla, which lay nigh
Extremely tranquil, anchor'd at its station:
But a third motive was as probably
To frighten them into capitulation;
A phantasy which sometimes seizes warriors,
Unless they are game as bull-dogs and fox-terriers.

A habit rather blamable, which is
That of despising those we combat with,
Common in many cases, was in this
The cause of killing Tchitchitzkoff and Smith;
One of the valorous 'Smiths' whom we shall miss
Out of those nineteen who late rhymed to 'pith;'
But 'tis a name so spread o'er 'Sir' and 'Madam,'
That one would think the first who bore it 'Adam.'

The Russian batteries were incomplete,
Because they were constructed in a hurry;
Thus the same cause which makes a verse want feet,
And throws a cloud o'er Longman and John Murray,
When the sale of new books is not so fleet
As they who print them think is necessary,
May likewise put off for a time what story
Sometimes calls 'murder,' and at others 'glory.'

Whether it was their engineer's stupidity,
Their haste, or waste, I neither know nor care,
Or some contractor's personal cupidity,
Saving his soul by cheating in the ware
Of homicide, but there was no solidity
In the new batteries erected there;
They either miss'd, or they were never miss'd,
And added greatly to the missing list.

A sad miscalculation about distance
Made all their naval matters incorrect;
Three fireships lost their amiable existence
Before they reach'd a spot to take effect:
The match was lit too soon, and no assistance
Could remedy this lubberly defect;
They blew up in the middle of the river,
While, though 't was dawn, the Turks slept fast as ever.

At seven they rose, however, and survey'd
The Russ flotilla getting under way;
'Twas nine, when still advancing undismay'd,
Within a cable's length their vessels lay
Off Ismail, and commenced a cannonade,
Which was return'd with interest, I may say,
And by a fire of musketry and grape,
And shells and shot of every size and shape.

For six hours bore they without intermission
The Turkish fire, and aided by their own
Land batteries, work'd their guns with great precision:
At length they found mere cannonade alone
By no means would produce the town's submission,
And made a signal to retreat at one.
One bark blew up, a second near the works
Running aground, was taken by the Turks.

The Moslem, too, had lost both ships and men;
But when they saw the enemy retire,
Their Delhis mann'd some boats, and sail'd again,
And gall'd the Russians with a heavy fire,
And tried to make a landing on the main;
But here the effect fell short of their desire:
Count Damas drove them back into the water
Pell-mell, and with a whole gazette of slaughter.

'If' (says the historian here) 'I could report
All that the Russians did upon this day,
I think that several volumes would fall short,
And I should still have many things to say;'
And so he says no more--but pays his court
To some distinguish'd strangers in that fray;
The Prince de Ligne, and Langeron, and Damas,
Names great as any that the roll of Fame has.

This being the case, may show us what Fame is:
For out of these three 'preux Chevaliers,' how
Many of common readers give a guess
That such existed? (and they may live now
For aught we know.) Renown 's all hit or miss;
There's fortune even in fame, we must allow.
'Tis true the Memoirs of the Prince de Ligne
Have half withdrawn from him oblivion's screen.

But here are men who fought in gallant actions
As gallantly as ever heroes fought,
But buried in the heap of such transactions
Their names are rarely found, nor often sought.
Thus even good fame may suffer sad contractions,
And is extinguish'd sooner than she ought:
Of all our modern battles, I will bet
You can't repeat nine names from each Gazette.

In short, this last attack, though rich in glory,
Show'd that somewhere, somehow, there was a fault,
And Admiral Ribas (known in Russian story)
Most strongly recommended an assault;
In which he was opposed by young and hoary,
Which made a long debate; but I must halt,
For if I wrote down every warrior's speech,
I doubt few readers e'er would mount the breach.

There was a man, if that he was a man,
Not that his manhood could be call'd in question,
For had he not been Hercules, his span
Had been as short in youth as indigestion
Made his last illness, when, all worn and wan,
He died beneath a tree, as much unblest on
The soil of the green province he had wasted,
As e'er was locust on the land it blasted.

This was Potemkin--a great thing in days
When homicide and harlotry made great;
If stars and titles could entail long praise,
His glory might half equal his estate.
This fellow, being six foot high, could raise
A kind of phantasy proportionate
In the then sovereign of the Russian people,
Who measured men as you would do a steeple.

While things were in abeyance, Ribas sent
A courier to the prince, and he succeeded
In ordering matters after his own bent;
I cannot tell the way in which he pleaded,
But shortly he had cause to be content.
In the mean time, the batteries proceeded,
And fourscore cannon on the Danube's border
Were briskly fired and answer'd in due order.

But on the thirteenth, when already part
Of the troops were embark'd, the siege to raise,
A courier on the spur inspired new heart
Into all panters for newspaper praise,
As well as dilettanti in war's art,
By his despatches couch'd in pithy phrase;
Announcing the appointment of that lover of
Battles to the command, Field-Marshal Souvaroff.

The letter of the prince to the same marshal
Was worthy of a Spartan, had the cause
Been one to which a good heart could be partial--
Defence of freedom, country, or of laws;
But as it was mere lust of power to o'er-arch all
With its proud brow, it merits slight applause,
Save for its style, which said, all in a trice,
'You will take Ismail at whatever price.'

'Let there be light! said God, and there was light!'
'Let there be blood!' says man, and there's a seal
The fiat of this spoil'd child of the Night
(For Day ne'er saw his merits) could decree
More evil in an hour, than thirty bright
Summers could renovate, though they should be
Lovely as those which ripen'd Eden's fruit;
For war cuts up not only branch, but root.

Our friends the Turks, who with loud 'Allahs' now
Began to signalise the Russ retreat,
Were damnably mistaken; few are slow
In thinking that their enemy is beat
(Or beaten, if you insist on grammar, though
I never think about it in a heat),
But here I say the Turks were much mistaken,
Who hating hogs, yet wish'd to save their bacon.

For, on the sixteenth, at full gallop, drew
In sight two horsemen, who were deem'd Cossacques
For some time, till they came in nearer view.
They had but little baggage at their backs,
For there were but three shirts between the two;
But on they rode upon two Ukraine hacks,
Till, in approaching, were at length descried
In this plain pair, Suwarrow and his guide.

'Great joy to London now!' says some great fool,
When London had a grand illumination,
Which to that bottle-conjurer, John Bull,
Is of all dreams the first hallucination;
So that the streets of colour'd lamps are full,
That Sage (said john) surrenders at discretion
His purse, his soul, his sense, and even his nonsense,
To gratify, like a huge moth, this one sense.

'T is strange that he should farther 'damn his eyes,'
For they are damn'd; that once all-famous oath
Is to the devil now no farther prize,
Since John has lately lost the use of both.
Debt he calls wealth, and taxes Paradise;
And Famine, with her gaunt and bony growth,
Which stare him in the face, he won't examine,
Or swears that Ceres hath begotten Famine.

But to the tale:--great joy unto the camp!
To Russian, Tartar, English, French, Cossacque,
O'er whom Suwarrow shone like a gas lamp,
Presaging a most luminous attack;
Or like a wisp along the marsh so damp,
Which leads beholders on a boggy walk,
He flitted to and fro a dancing light,
Which all who saw it follow'd, wrong or right.

But certes matters took a different face;
There was enthusiasm and much applause,
The fleet and camp saluted with great grace,
And all presaged good fortune to their cause.
Within a cannon-shot length of the place
They drew, constructed ladders, repair'd flaws
In former works, made new, prepared fascines,
And all kinds of benevolent machines.

'Tis thus the spirit of a single mind
Makes that of multitudes take one direction,
As roll the waters to the breathing wind,
Or roams the herd beneath the bull's protection;
Or as a little dog will lead the blind,
Or a bell-wether form the flock's connection
By tinkling sounds, when they go forth to victual;
Such is the sway of your great men o'er little.

The whole camp rung with joy; you would have thought
That they were going to a marriage feast
(This metaphor, I think, holds good as aught,
Since there is discord after both at least):
There was not now a luggage boy but sought
Danger and spoil with ardour much increased;
And why? because a little--odd--old man,
Stript to his shirt, was come to lead the van.

But so it was; and every preparation
Was made with all alacrity: the first
Detachment of three columns took its station,
And waited but the signal's voice to burst
Upon the foe: the second's ordination
Was also in three columns, with a thirst
For glory gaping o'er a sea of slaughter:
The third, in columns two, attack'd by water.

New batteries were erected, and was held
A general council, in which unanimity,
That stranger to most councils, here prevail'd,
As sometimes happens in a great extremity;
And every difficulty being dispell'd,
Glory began to dawn with due sublimity,
While Souvaroff, determined to obtain it,
Was teaching his recruits to use the bayonet

It is an actual fact, that he, commander
In chief, in proper person deign'd to drill
The awkward squad, and could afford to squander
His time, a corporal's duty to fulfil:
Just as you 'd break a sucking salamander
To swallow flame, and never take it ill:
He show'd them how to mount a ladder (which
Was not like Jacob's) or to cross a ditch.

Also he dress'd up, for the nonce, fascines
Like men with turbans, scimitars, and dirks,
And made them charge with bayonet these machines,
By way of lesson against actual Turks:
And when well practised in these mimic scenes,
He judged them proper to assail the works;
At which your wise men sneer'd in phrases witty:
He made no answer; but he took the city.

Most things were in this posture on the eve
Of the assault, and all the camp was in
A stern repose; which you would scarce conceive;
Yet men resolved to dash through thick and thin
Are very silent when they once believe
That all is settled:--there was little din,
For some were thinking of their home and friends,
And others of themselves and latter ends.

Suwarrow chiefly was on the alert,
Surveying, drilling, ordering, jesting, pondering;
For the man was, we safely may assert,
A thing to wonder at beyond most wondering;
Hero, buffoon, half-demon, and half-dirt,
Praying, instructing, desolating, plundering;
Now Mars, now Momus; and when bent to storm
A fortress, Harlequin in uniform.

The day before the assault, while upon drill--
For this great conqueror play'd the corporal--
Some Cossacques, hovering like hawks round a hill,
Had met a party towards the twilight's fall,
One of whom spoke their tongue--or well or ill,
'Twas much that he was understood at all;
But whether from his voice, or speech, or manner,
They found that he had fought beneath their banner.

Whereon immediately at his request
They brought him and his comrades to head-quarters;
Their dress was Moslem, but you might have guess'd
That these were merely masquerading Tartars,
And that beneath each Turkish-fashion'd vest
Lurk'd Christianity; which sometimes barters
Her inward grace for outward show, and makes
It difficult to shun some strange mistakes.

Suwarrow, who was standing in his shirt
Before a company of Calmucks, drilling,
Exclaiming, fooling, swearing at the inert,
And lecturing on the noble art of killing,--
For deeming human clay but common dirt,
This great philosopher was thus instilling
His maxims, which to martial comprehension
Proved death in battle equal to a pension;--

Suwarrow, when he saw this company
Of Cossacques and their prey, turn'd round and cast
Upon them his slow brow and piercing eye:-
'Whence come ye?'--'From Constantinople last,
Captives just now escaped,' was the reply.
'What are ye?'--'What you see us.' Briefly pass'd
This dialogue; for he who answer'd knew
To whom he spoke, and made his words but few.

'Your names?'--'Mine's Johnson, and my comrade's Juan;
The other two are women, and the third
Is neither man nor woman.' The chief threw on
The party a slight glance, then said, 'I have heard
Your name before, the second is a new one:
To bring the other three here was absurd:
But let that pass:--I think I have heard your name
In the Nikolaiew regiment?'--'The same.'

'You served at Widdin?'--'Yes.'--'You led the attack?'
'I did.'--'What next?'--'I really hardly know.'
'You were the first i'the breach?'--'I was not slack
At least to follow those who might be so.'
'What follow'd?'--'A shot laid me on my back,
And I became a prisoner to the foe.'
'You shall have vengeance, for the town surrounded
Is twice as strong as that where you were wounded.

'Where will you serve?'--'Where'er you please.'--'I know
You like to be the hope of the forlorn,
And doubtless would be foremost on the foe
After the hardships you've already borne.
And this young fellow--say what can he do?
He with the beardless chin and garments torn?'
'Why, general, if he hath no greater fault
In war than love, he had better lead the assault.'

'He shall if that he dare.' Here Juan bow'd
Low as the compliment deserved. Suwarrow
Continued: 'Your old regiment's allow'd,
By special providence, to lead to-morrow,
Or it may be to-night, the assault: I have vow'd
To several saints, that shortly plough or harrow
Shall pass o'er what was Ismail, and its tusk
Be unimpeded by the proudest mosque.

'So now, my lads, for glory!'--Here he turn'd
And drill'd away in the most classic Russian,
Until each high, heroic bosom burn'd
For cash and conquest, as if from a cushion
A preacher had held forth (who nobly spurn'd
All earthly goods save tithes) and bade them push on
To slay the Pagans who resisted, battering
The armies of the Christian Empress Catherine.

Johnson, who knew by this long colloquy
Himself a favourite, ventured to address
Suwarrow, though engaged with accents high
In his resumed amusement. 'I confess
My debt in being thus allow'd to die
Among the foremost; but if you'd express
Explicitly our several posts, my friend
And self would know what duty to attend.'

'Right! I was busy, and forgot. Why, you
Will join your former regiment, which should be
Now under arms. Ho! Katskoff, take him to
(Here he call'd up a Polish orderly)
His post, I mean the regiment Nikolaiew:
The stranger stripling may remain with me;
He's a fine boy. The women may be sent
To the other baggage, or to the sick tent.'

But here a sort of scene began to ensue:
The ladies,--who by no means had been bred
To be disposed of in a way so new,
Although their haram education led
Doubtless to that of doctrines the most true,
Passive obedience,--now raised up the head,
With flashing eyes and starting tears, and flung
Their arms, as hens their wings about their young,

O'er the promoted couple of brave men
Who were thus honour'd by the greatest chief
That ever peopled hell with heroes slain,
Or plunged a province or a realm in grief.
Oh, foolish mortals! Always taught in vain!
Oh, glorious laurel! since for one sole leaf
Of thine imaginary deathless tree,
Of blood and tears must flow the unebbing sea.

Suwarrow, who had small regard for tears,
And not much sympathy for blood, survey'd
The women with their hair about their ears
And natural agonies, with a slight shade
Of feeling: for however habit sears
Men's hearts against whole millions, when their trade
Is butchery, sometimes a single sorrow
Will touch even heroes- and such was Suwarrow.

He said,--and in the kindest Calmuck tone,--
'Why, Johnson, what the devil do you mean
By bringing women here? They shall be shown
All the attention possible, and seen
In safety to the waggons, where alone
In fact they can be safe. You should have been
Aware this kind of baggage never thrives:
Save wed a year, I hate recruits with wives.'

'May it please your excellency,' thus replied
Our British friend, 'these are the wives of others,
And not our own. I am too qualified
By service with my military brothers
To break the rules by bringing one's own bride
Into a camp: I know that nought so bothers
The hearts of the heroic on a charge,
As leaving a small family at large.

'But these are but two Turkish ladies, who
With their attendant aided our escape,
And afterwards accompanied us through
A thousand perils in this dubious shape.
To me this kind of life is not so new;
To them, poor things, it is an awkward scrape.
I therefore, if you wish me to fight freely,
Request that they may both be used genteelly.'

Meantime these two poor girls, with swimming eyes,
Look'd on as if in doubt if they could trust
Their own protectors; nor was their surprise
Less than their grief (and truly not less just)
To see an old man, rather wild than wise
In aspect, plainly clad, besmear'd with dust,
Stript to his waistcoat, and that not too clean,
More fear'd than all the sultans ever seen.

For every thing seem'd resting on his nod,
As they could read in all eyes. Now to them,
Who were accustom'd, as a sort of god,
To see the sultan, rich in many a gem,
Like an imperial peacock stalk abroad
(That royal bird, whose tail's a diadem),
With all the pomp of power, it was a doubt
How power could condescend to do without.

John Johnson, seeing their extreme dismay,
Though little versed in feelings oriental,
Suggested some slight comfort in his way:
Don Juan, who was much more sentimental,
Swore they should see him by the dawn of day,
Or that the Russian army should repent all:
And, strange to say, they found some consolation
In this--for females like exaggeration.

And then with tears, and sighs, and some slight kisses,
They parted for the present--these to await,
According to the artillery's hits or misses,
What sages call Chance, Providence, or Fate
(Uncertainty is one of many blisses,
A mortgage on Humanity's estate)--
While their beloved friends began to arm,
To burn a town which never did them harm.

Suwarrow,--who but saw things in the gross,
Being much too gross to see them in detail,
Who calculated life as so much dross,
And as the wind a widow'd nation's wail,
And cared as little for his army's loss
(So that their efforts should at length prevail)
As wife and friends did for the boils of job,--
What was't to him to hear two women sob?

Nothing.--The work of glory still went on
In preparations for a cannonade
As terrible as that of Ilion,
If Homer had found mortars ready made;
But now, instead of slaying Priam's son,
We only can but talk of escalade,
Bombs, drums, guns, bastions, batteries, bayonets, bullets,--
Hard words, which stick in the soft Muses' gullets.

Oh, thou eternal Homer! who couldst charm
All cars, though long; all ages, though so short,
By merely wielding with poetic arm
Arms to which men will never more resort,
Unless gunpowder should be found to harm
Much less than is the hope of every court,
Which now is leagued young Freedom to annoy;
But they will not find Liberty a Troy:--

Oh, thou eternal Homer! I have now
To paint a siege, wherein more men were slain,
With deadlier engines and a speedier blow,
Than in thy Greek gazette of that campaign;
And yet, like all men else, I must allow,
To vie with thee would be about as vain
As for a brook to cope with ocean's flood;
But still we moderns equal you in blood;

If not in poetry, at least in fact;
And fact is truth, the grand desideratum!
Of which, howe'er the Muse describes each act,
There should be ne'ertheless a slight substratum.
But now the town is going to be attack'd;
Great deeds are doing- how shall I relate 'em?
Souls of immortal generals! Phoebus watches
To colour up his rays from your despatches.

Oh, ye great bulletins of Bonaparte!
Oh, ye less grand long lists of kill'd and wounded!
Shade of Leonidas, who fought so hearty,
When my poor Greece was once, as now, surrounded!
Oh, Caesar's Commentaries! now impart, ye
Shadows of glory! (lest I be confounded)
A portion of your fading twilight hues,
So beautiful, so fleeting, to the Muse.

When I call 'fading' martial immortality,
I mean, that every age and every year,
And almost every day, in sad reality,
Some sucking hero is compell'd to rear,
Who, when we come to sum up the totality
Of deeds to human happiness most dear,
Turns out to be a butcher in great business,
Afflicting young folks with a sort of dizziness.

Medals, rank, ribands, lace, embroidery, scarlet,
Are things immortal to immortal man,
As purple to the Babylonian harlot:
An uniform to boys is like a fan
To women; there is scarce a crimson varlet
But deems himself the first in Glory's van.
But Glory's glory; and if you would find
What that is--ask the pig who sees the wind!

At least he feels it, and some say he sees,
Because he runs before it like a pig;
Or, if that simple sentence should displease,
Say, that he scuds before it like a brig,
A schooner, or--but it is time to ease
This Canto, ere my Muse perceives fatigue.
The next shall ring a peal to shake all people,
Like a bob-major from a village steeple.

Hark! through the silence of the cold, dull night,
The hum of armies gathering rank on rank!
Lo! dusky masses steal in dubious sight
Along the leaguer'd wall and bristling bank
Of the arm'd river, while with straggling light
The stars peep through the vapours dim and dank,
Which curl in curious wreaths:--how soon the smoke
Of Hell shall pall them in a deeper cloak!

Here pause we for the present--as even then
That awful pause, dividing life from death,
Struck for an instant on the hearts of men,
Thousands of whom were drawing their last breath!
A moment--and all will be life again!
The march! the charge! the shouts of either faith!
Hurra! and Allah! and- one moment more,
The death-cry drowning in the battle's roar.

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