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I always liked the intensity of the recording.

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The History of Now

The recording of culture is history;
but our culture is more than that.
It's the world of human action,
and the myths we make of the fact.

The recording of history is culture,
but our history is more than that.
It informs a hidden agenda.
Unconscious of motive we act.

It's the history of now, the history of now.
It's only the present that exists as endowed.
It's the history of now. The moment - KAPOW!
That knocks you right over and muddies your brow.

Through the prism of language, we know what we know.
We carry our baggage and stories of woe.
Victor and vanquished pride cannot budge,
the dead weight of hatred and ancestral grudge.

We fight our good fights with our hand on our heart;
the music is swelling as loved ones depart.
As sheep to the slaughter, the script cannot chart,
a course more ignoble: the propagandist's art.

The recording of history is culture,
but our culture is more than that.
More than the great individuals,
the scholars so love in their tracts.

The recording of culture is history;
but our history is more than that.
Not simple dates or statistics,
the full horror and gore still attracts.

It's the history of now, the history of now.
A strange contradiction that makes sense somehow.
It's the history of now, a mystery and shroud.
The past and the future: best fiction allowed.

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Fields Of People

Wildflowers grow everywhere
Vibrations flow, things will have to change
(good evening, madam. its a recording. yes.)
Strange new ideas fill the air
Some people leave, others grieve
Some were bare but things will change
Old concepts go, new ones grow
All at once the world begins to love again
(..... hello uncle bill)
And the wildflowers grow out of fields
Fields of people
Theres no such thing as a weed
Seeds of hatred
Plant them and soon they will breed
(going to the pub, are you? evening madam.)
Wildflowers grow everywhere
Vibrations flow, things will have to change
(good evening, madam. its a recording. yes.)
Strange new ideas fill the air
Some people leave, others grieve
Some were bare but things will change
Old concepts go, new ones grow
All at once the world begins to love again
(..... hello uncle bill)
And the wildflowers grow out of fields
Love of people
Theres no such thing as a weed
Seeds of hatred
Plant them and soon they will breed
Fields of people
Theres no such thing as a weed
Seeds of hatred
Plant them and soon they will feed
Wildflowers grow everywhere
Vibrations flow, things will have to change
(good evening, madam. its a recording. yes.)
Strange new ideas fill the air
Some people leave, others grieve
Some were bare but things will change
Old concepts go, new ones grow
All at once the world begins to love again
(..... hello uncle bill)
And the wildflowers grow out of fields
(theres a bloke out here looking for the band)
Theres no such thing as a weed
Seeds of hatred
Plant them and soon they will breed
Theres no such thing as a weed
Seeds of hatred
Plant them and soon they will breed

[...] Read more

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[ Untitled]

What do you think--what do you make out of that recording?
I dont know, gloria, I just--
Some kind of singing. they sound like all kinds of people, right?
Yeah.
And then it says another child is born in india every time you call this number, right?
Yeah, right.
Does that make any sense to you?
No, it doesnt make no sense to me.
And the guy that spoke--i dont know who he is.
Yeah.
But that--it doesnt sound like no answering machine, right?
No, it aint an answering machine because theyre not saying anything, theyre just--
But what does he get--how does he make money on this? whatever hes advertising in the paper, thats the part that dont make no sense.
Oh, hes advertising this in the paper you saw it.
In the village voice, yeah. they got--thats where the kiss clinic, but they give you another number if you wanna join it. and I got intellectuals meet with other intellectuals.
Yeah.
Speak another language.
Yeah. oh.
They meet at la mai--la maisonette restaurant. they give you the price. then they give you another number to call if youre interested. this guy, all you get is this here recording, but I dont
Ow he makes money.
Yeah, yeah.
You know what Im saying? its just--they got the craziest things in that paper.
Yeah.
They come over with all--they got the craziest things. but this one here-- there must be giants, its called. and it says, call machine, and they got the phone number.
Yeah.
But what kind of money does he make? it dont make no sense. well, he dont make any money, right?
No.
But, then--then hes a nut, right? do you see--do you see any sense to that? there may be giants? that re--that recording I have on. the new one. did you hear it? I changed it. I too
The intellectuals. I put on there may be giants.
What?
Whos they may be giants?
What are you talking about?
Thats whats on my--the phone, there may be--argh, well I cant explain it. cause I dont know what it is. look in the paper, dont blame me if the guys a nut.

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Buzz Aldrin, Space Imperialist

Buzz Aldrin, Space Imperialist,
discovers a tiny brown lesion
on the end of his nose.
he uses his wife’s
concave make up mirror
to examine it more closely
and confirms his worse suspicions:
It’s malignant.
Coolly, he makes
one appointment with his dermatologist
and another in Samara.
After brushing his teeth
he takes another look
at the tiny brown Angel of Death.
It flakes off
-a brown booger.
Buzz cancels his appointments
and craves a celebratory drink terribly,
but summons his fantastic will power
and resists the urge.

II
Buzz Aldrin, Space Imperialist,
lands on the Dark Side of the Moon
and meets the indigenous Moonpupiks,
who are heavily armed yet friendly.
He has sex with many tribeswomen,
but fends off the attentions of the polymorphous perverse
tribesmen, and tells all that they must
dropp their religion and adopt the
State Religion of NASA, Tanglicanism,
which uses Tang for communion wine.
The natives say they don’t mind a bit
as they are lapsed Moonitarians
and were looking for something to fill the gap.
Disappointed they don’t offer more conversion resistance,
Buzz orders the leaders beheaded
and claims the Dark Side of the Moon
in the name of Rio Tinto,
an Australian mining corporation
whose logo he wears on his helmet
and ship.
Then he wakes up.

II(a)
Buzz Aldrin, Space Imperialist
takes another nap and,
against the advice of his fellow astronauts,
brings 4 or 5 Moonpupiks (MOON pu pix)
back to the Court of Richard Nixon, Imperial Vizard,

[...] Read more

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Intensity

The leopard looked with dark disdain
And ever-growing dread.
He sensed this day would bring him pain,
With trouble dead ahead.
A broken twig changed everything!
Of fear, he wasn't fond...
Who knows what fickle fate may bring?
Some creature lurked beyond...
He stared with great intensity,
Alerted and alarmed...
No longer strolling fancy free,
No longer feeling calmed...
How big and bold the danger was
As yet he couldn't guess...
And yet his heart went cold because
One fight steals happiness.
Reverse and run? Too soon to say...
New courage made him wait...
Perhaps this was his finest day
And he would celebrate.
If not, then death was way too close...
For tensions filled the air.
Two predators are vicious foes,
Like devils who don't care...
His claws were poised like daggers gripped,
Outstretched, the fight to win...
Death laughed at him, as from its crypt,
Yet leopards don't give in!
The fight begins! Not one relents!
The fur flies to and fro!
The leopard wins through violence!
His foe turned tail to go...
Alone, the leopard stood his ground...
With such intensity...
And with no other creature round,
He savoured victory!


The poem is based on the magnificent painting
by Stephen Gayford called 'Intensity'.

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John Frusciante

And for me the only way to live life is to grab the bull by the horns and call up recording studios and set dates to go in recording studios. To try and accomplish something.

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Prototype

[Intro]
I hope that you're the one
If not, you are the prototype
We'll tiptoe to the sun
And do thangs I know you like
[Hook]
I think I'm in love again [repeat]
[Verse 1]
Today must be my lucky day
Baby, you are the prototype
Do sumn' outta the ordinary
Like catch a manitee
Baby you are the prototype
I think I'm..
[Hook]
[Verse 2]
If we happen to part
Lord knows I don't want that
But hey, we can't be mad at God
We met today for a reason
I think I'm on the right track now
[Hook]
The Scene
Come here
[Hook]
[Outro (ad libs)]
Girl, right now I wanna say, I wanna say
I wanna say stank you very much
For picking me up
And bringing me back to this world
I can't, I'm not
I can't afford to not record
I thank I wanna say
I thank I wanna say stank you, stank you
Smelly much!
For picking me up and bringing me back to this world
Hey, hey John! Are we recording our ad libs?
Really?? Were we recording just then?
Let me hear that, that first one
When I first started

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Never Wanna Be Without You

(performed by vanilla ice)
Love at first sight and I recite
Feelings in my heart, I hope that we will never part
You are the girl for me and I wanna see
You and me together, baby Ill leave you never
Heartfelt emotions and desires, Im on fire
Your love can take me higher
After this you know that Ill never, ever doubt you
Cause sweetheart, I never wanna be without you
Chorus
Never wanna be without you, never, no
I never wanna be
I never wanna be without you, never, no
Ooooo
I never had a love affair like this
I wanna kiss your lips, hold on tight to your hips
Press your body real close, close than most
And every glass Im gonna, to raise a toast
To our love and every moment we shared
And all the times you showed me that you cared
I love everything aout you and baby love
I never wanna be without you
Chorus
Never wanna be without you, never, no
I never wanna be
I never wanna be without you, never, no
Ooooo
Bridge
Every time I think of you I get a rush
I wanna touch you very softly, cant you tell?
Youre the one for me and you will always be
Our love will reach further than the eye can see
Cause I never...
Chorus
Never wanna be without you, never, no
I never wanna be
I never wanna be without you, never, no
Ooooo
Never wanna be without you, never, no
I never wanna be
I never wanna be without you, never, no
Ooooo
Written by vanilla ice, gail sky king, pricesa, sylvester stewart
Produced by: vanilla ice & gail sky king
Mixed by: gail sky king and david sussman
Mix engineer: david sussman
Recording engineer: kieran walsh
Keyboards and programming: peter daou
Vocals and vocal arrangements: will downing
Recorded at d & d recording, new york

[...] Read more

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T Bone and I grew up together in Fort Worth, Texas. He had his own recording studio by the time he was seventeen years old. When we were both nineteen he made the first archival recording of my voice.

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Nowadays, it's like two different arenas, recording and touring. When I started way back in the day, doing both was nothing, you didn't have to think about it, the road and recording.

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Get Witit

(performed by vanilla ice)
Disaster, systems break when I quake
Make no mistake, the crowd stays awake when im
Shakin and bakin and Im takin all mcs
Smilin on the mic cause Im gonna make big gees
Pow! holy cow! its like a bang or a boom
Mcs see me comin and theyre clearin the room
Ouuta my path cause theyre scared of the result
Dont wanna battle cause to me thats an insult
Man, I wouldnt even lower myself
I got your record and put it on the shelf
I didnt play it, I used it as a frisbee
Your girl saw me doin it and she kissed me
A good sport cause the balls in my court
And in the long run Im takin no shorts
Slayin competition till the parties done
You want a non stop jam
Heres the right one
Chorus
Gotta get it going on
Get wit it
Bust that beat
Yes, Im blessed and I must confess
Put me to the test and youll say Im the best
I dont joke, I dont even jest
Every line in my rhyme makes me better than the rest
Ill live high on the hog, on the fat of the land
Goddamn, Ill be so hot Ill have to walk with a fan
On the brink of success, champagne & caviar
In limos, just like a superstar
Business. leave your number at my office.
Not for sale, but the fans all bought this
Money pourin in. just like a faucet left on
Cause my rhymes are that strong-last long
Just like the coppertop battery
You think Im dope, come on, dont flatter me
cause I been hearin that stuff for years
Respect from my peers and Im changin the gears
Of that hip-hop engine, not to mention
Retire at 21 and get a pension
Gonna bust it out and your welcome to come
You wanna non stop jam heres the right one
Chorus
Heres another rhyme to break the ice
You couldnt purschase my talent at any price
Dont chase a roni cause I know that I can get em
Im not the type so I dont even sweat em
Ill love a girl and then dis the same one
Cause you know that theres more
Where that came from

[...] Read more

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My recording career has luckily run the gamut of recording environments.

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Anne Hathaway

You can alter movie singing so much because you go into the recording studio and, just technology for recording has gotten so good, you can hold out a note and they can combine a note from take 2 and a note from take 8.

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The thing is that I have a really intense, almost compulsive need to record. But it doesn't end there, because what I record is somehow transformed into a creative thing. There is a continuity. Recording is the beginning of a conceptual production. I am somehow collapsing the two - recording and producing - into a single event.

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I Was Made For Loving You

Back when I was dating Rich,
he gave me Kiss’s guitar pic.
Gene Simons handed it to him,
in the 1978 recording session.
I Was Made For Loving You Baby”
the song they were recording at the time,
Gene was playing the bass and singing just fine.
Now if I google the price of this guitar pic,
It would be the price of ten times 9.
But I’m not selling I’m sorry to say,
I will play my guitar with it someday.

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I Was Made For Loving You

Back when I was dating Rich,
he gave me Kiss’s guitar pic.
Gene Simons handed it to him,
in the 1978 recording session.
I Was Made For Loving You Baby”
the song they were recording at the time,
Gene was playing the bass and singing just fine.
Now if I google the price of this guitar pic,
It would be the price of ten times 9.
But I’m not selling I’m sorry to say,
maybe I will play my guitar with it someday.

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Cool As Ice

(performed by vanilla ice featuring naomi campbell)
Chorus
Gotta hold on to this feelin
Gotta let you body move
Gotta keep the music jumpin
Everybody get loose
Repeat
Face the music, then Im right behind
With a posse, a mic and a funky rhyme
It doesnt take a lot of time for me to climb
And whem Im going for mine, Im like a monkey on a vine
Goin up the scale and I will prevail
Sharper than the point on the tip of a nail
Movin with the speed of a thief on the run
My mic is my gun and my posses the one
Ready for fun, but also for static
Anything breaks and theyre ready automatic
Ive had it with suckers who try to get paid -
Sayin theyre teaching, but not makin
The grade - theyre played.
Im the teacher, man, youre the student
Close your ears if you feel youre prudent
And cant deal with the lyrics Im steppin with
But theyre the lines the people are gettin with
A lesson well taught, heres some more advice
I dont sweat it on the mic
cause Im cool as ice
Chorus repeat 2xs
Roll into town with no windows down
Im on my bike and Im headed for a mic
Battles defuse with the news of my arrival
Instincts are primal, Im all about survival
Proceed with caution, Im like a blaze
Thats roared for days
All that gaze are amazed
Dazed by the force that they just witnessed
Master, is the title to fit this
Man before ya, lyrical lawyer
Suin all the suckers on the mic that bore ya
Slick, Ill trick like a magician
On the microphone, Im like a rap technician
Turn the party out in my opinion
Witty words make the world my dominion
Figure out a riddle in rhyme, you cant stump me
I get off if a beat is funky
Im not sleepy, dopey or grumpy
But youll be fallin, just like humpty did
And thats all she wrote
Then I disappear in a puff of smoke
Im like a surgeon and Im urgin

[...] Read more

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Lingering Legends

The course of human history.
A complicated tapestry.
Composed of interwoven strands.
The work of three blind sisters hands.

Each strand recording some event.
Almost as if by accident.
I have no doubt that they will be.
Still recorded accurately.

The strands are closely intertwined.
Which makes it difficult to find.
A single strand you can purse.
You hope in time will lead you to.

Some one you can identify
Which other sources verify.
Some one well know to history
No longer wrapped in mystery/

But now exposed to public view.
So we can prove their legend true.
It seems to me won't succeed.
Until the day we learn to read.

The never ending tapestry.
.The sisters weave industriously.
Which they have done since time began.
With total disregard for man.


We try and try without success.
Our efforts doomed to be fruitless.
The three blind sister can ensure.
Their secrets will remain secure.

Perhaps that's how its meant to
We have to face reality.
If we had been supposed to know
We'd have succeeded long ago

The sisters weave their tapestry.
Recording human history
But they make sure we can't unwind.
The strands deliberately entwined.

Monday,18 June 2012

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The Peoples Choice

(performed by vanilla ice)
Its not what you say
Its how you say it
Give me a microphone
On stage, Ill display it
Playing me right and youll get played out
Like polka dots and people will shout
Dirty words cause youre a nerd
Im first, youre third
Its absurd to think that you heard
Better rhymes than these
Im bringing sucker mcs, down to their knees
Tease your thoughts like a feather to atoe
Although the beat seems slow
My groove will still flow
My rhymes are soulful art
That makes your heart dance
Melodic tones move your mind to a quick trance
Everytime I rhyme I find the audience is
Mine, caught by every line
Sparkle like a gem with my golden voice
Posse: why do they love you man?
Im the peoples choice
Chorus
I wanna thank you for lettin me
Be myself
I wanna thank you, uh
Thank you baby
I wanna thank you for lettin me
Be myself
I wanna thank you, uh
Thank you baby
Lets swing it
Step aside or youll get stepped on
Cause Im steppin real hard an my rhymes
Are real strong
Just like atilla, an mc killer
A crowd thriller, no once chiller than the man
With the mic in his hand, Im a trip
All the girls on my tip
Fellas are jealous so I put in the clip
Of my 9-millimeter, glock at my hip
Fifteen shells all over the place
They would chase, if it wouldnt disgrace
The date that they came with
Cause that would be a dis
Tsk, tsk, they dont know what they missed
A chance to dance with the man with
The golden voice
Posse: why do they love you, man?

[...] Read more

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In his eyes, his eyes

His open eyes, one catching the sun,
shining towards me – presumably
they still function optically:
recording, unmoved, unmoving, my presence;

this dead soldier, sodden in the ditch,
half his body peaceful, as if
welcoming his death; the other half
unmentionable; animals must eat;

his eyes recording my presence, yet
the brain now with no need
to question whether I’m the enemy; or friend;
the medic; the man who’s just shot him several times
at close range, standing over; or
the man he shot just now;
come to greet him as his newest friend.

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