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I don't care if I was a ditch-digger at a dollar a day, I'd want to do my job better than the fellow next to me. I'd want to be the best at whatever I do.

quote by Branch Rickey
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Diggina Ditch

Unto your dreaming,
When youre alone,
Unplug the tv,
Turn off the phone.
Get heavy on with diggin your ditch.
Cause Im digging a ditch,
Where madness gives.
Digging a ditch,
Where silence lives.
Digging a ditch,
For when Im old.
Digging a ditch,
Where stories told.
Where all these troubles,
That weigh down on me will rise,
Unto your dreaming,
When youre alone.
Where all these worries,
That hold heavy on my heart,
Will die, will die, will die...
Unto your dreaming,
When youre alone.
Unplug the tv,
Turn off the phone.
Get heavy on with diggin your ditch.
Cause Im digging a ditch,
Where madness gives.
Digging a ditch,
Where silence lives in here.
Digging a ditch,
And when Im through digging this ditch,
Ill dig in for you.
Where all these disappointments,
That grow angry out of me will die.
Where all these habits,
That hold heavy on my heart will die.
Unto your dreaming, when youre alone,
Not what youre sure be or what youve become,
Just getting heavy on with digging your ditch.
Cause Im digging a ditch,
Where madness gives again.
Im digging a ditch,
Where silence lives.
Where all these troubles that weigh down on me,
Will rise, will rise, will rise, will rise...
Unto your dreaming, when youre alone,
Unplug the tv,
Turn off the phone.
Get heavy on with digging your ditch.

song performed by Dave Matthews Band
Added by Lucian Velea
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I Don't Care Anymore

Well you can tell ev'ryone I'm a down disgrace
So drag my name all over the place.
I don't care anymore. (I don't care)
You can tell ev'rybody 'bout the state I'm in
You won't catch me crying 'cos I just can't win.
I don't care anymore I don't care anymore
I don't care what you say
I don't play the same games you play.
'Cos I've been talking to the people that you call your friends
And it seems to me there's a means to and end.
They don't care anymore. (they don't care)
And as for me I can sit here and bide my time
I got nothing to lose if I speak my mind.
I don't care anymore I don't care no more
I don't care what you say
We never played by the same rules anyway.
I won't be there anymore
Get out of my way
Let me by
I got better things to do with my time
I don't care anymore I don't care anymore
I don't care anymore I don't care anymore
Well, I don't care now what you say (I don't care what you say)
'Cos ev'ry day (everyday)
I'm feeling fine with myself (I'm feeling fine with myself)
And I don't care now what you say (I don't care what you say)
Hey I'll do alright by myself (I'll be alright by myself)
I don't care (I don't care) anymore (anymore)
I don't care (I don't care) anymore (anymore)
I don't care (I don't care) anymore (anymore)
I don't care anymore
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
'Cos I remember all the times I tried so hard
And you laughed in my face 'cos ya held all the cards.
I don't care anymore.

[...] Read more

song performed by Kelis
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Million Dollar Face

You were hungry for the lights,
You spent your nights with socialites
Youre a million-dollar baby
With the million dollar blues
And you only gave your time to people you could use
Million dollar face with million dollar grace
You got off to a real bad start
Million dollar face in million dollar lace
You wound with a two cent heart
You were mine for just a little while
But true to style and with a smile you said,
I have to leave you, baby, hold me one more time
cause I know where I should be and its a long hard climb
Million dollar face with million dollar grace
You got off to a real bad start
Million dollar face in million dollar lace
You wound with a two cent heart
Million dollar face with million dollar grace
You got off to a real bad start
Million dollar face in million dollar lace
You wound with a two cent heart

song performed by Rick Springfield
Added by Lucian Velea
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A Square Deal

'Dreamin'?' I sez to Digger Smith.
'Buck up, ole sport, an' smile.
Ain't there enough uv joy to-day
To drive the bogey man away
An' make reel things worth while?
A bloke would think, to see you stare,
There's visions on the 'ill-tops there.'

'Dreamin',' sez Digger Smith. 'Why not?
An' there is visions too.
An' when I get 'em sorted out,
An' strafe that little bogey, Doubt,
I'll start me life all new.
Oh, I ain't crook; but packed in 'ere
Is thoughts enough to last a year.

'I'm thinkin' things,' sez Digger Smith.
'I'm thinkin' big an' fine
Uv Life an' Love an' all the rest,
An' wot is right an' wot is best,
An' 'ow much will be mine.
Not that I'm wantin' overmuch:
Some work, some play, an' food an' such.'

'See 'ere,' I sez. 'You 'ark to me.
I've done some thinkin' too.
An' this 'ere land, for wot yeh did,
Owes some few million solid quid
To fightin' blokes like you.
So don't be too damn modest or
Yeh'll get less than yeh're lookin' for.'

'Money?' sez Digger. 'Loot?' sez 'e.
'Aw, give that talk a rest!
I'm sick uv it. I didn't say
That I was thinkin' all uv pay
But wot was right an' best.
An' that ain't in the crazy game
Uv grabbin' wealth an' chasin' fame.

'Do you think us blokes Over There,
When things was goin' strong,
Was keepin' ledgers day be day
An' reck'nin' wot the crowd would pay?
Pull off! Yeh got it wrong.
Do you think all the boys gone West
Wants great swank 'eadstones on their chest?

'You coots at 'ome 'as small ideer
Uv wot we think an' feel.

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
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The Ride Of Rody Burke

The heat haze veiled the distant hills, the white clouds floated high,
Drifting in slow content across the blue Australian sky;
And down in Clancy’s paddock there were mirth and laughter gay,
Where the She-Oak Jockey Club were met upon St. Patrick’s day.

There were carts and cars and buggies ranged beneath the spreading trees,
Where country folk for miles around were clustered thick as bees,
Watching the prancing horses pass with keen appraising eyes,
All out to win the Squatters’ Cup, the hundred-guinea prize.

Jim Daintry on The Digger rose; hopes for his mount were high,
A gallant roan with swinging pace, game head and fiery eye,
And Jim’s horse was the favourite, the betting there was keen,
But some were backing Rody Burke upon Dark Rosaleen.

A thing of velvet, fire and steel-a little dark brown mare,
With dainty legs and shoulders slant, lean head and high-bred air,
But knowing backers simply scoffed her chances of the race,
“She’ll never see his heels when once The Digger sets the pace.”

‘Twas just before the starting time that Rody reached the course,
And little Nora Shanahan watched for the dark brown horse,
And sighed to mark the rider’s face was white as if with pain,
Could Rody after all her prayers, be ‘going wild’ again?

How could she know that very morn as Rody cross the yard
The old white draught-horse lumbering by, had lashed out good and hard.
The broken ribs, the searing pain that caught his breath away—
Ah! Naught but Irish pluck and grit brought Rody there that day.

As he and Jim rose side by side, each cast a wistful eye
Where little Nora Shanahan looked on aloof and shy;
And each man thrilled at sight of her, the simple girlish grace,
The little kind brown hands of her, the apple-blossom face.

Rivals were they in sport and love, and yet good friends withal,
Whose true Australian mateship held no feeling mean or small,
And Nora, long her maiden heart had done an angels’ work,
With tears and prayers to save the soul of reckless Rody Burke.

Jim Daintry, manly, straight and true, had spreading acres wide,
And any girl in she-Oak might be proud to be his bride,
But who shall read a woman’s heart, or pierce its hidden screen,
Sweet Nora’s hopes were on the track with Rod and Rosaleen.

They’re off! A rush of flying hoofs, a blur of colours bright –
Tim Clancy’s Skylark in the lead, The Digger well in sight,
Dark Rosaleen leads the bunch behind, nor falters in her stride,
While Rody bears with sobbing breath the torture in his side.

[...] Read more

poem by Alice Guerin Crist
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Eternal Creation

The Parent’s job just doesn’t end at giving birth to the child; but to irrefutably ensure that the infant was nourished with their breath and blood till the time it could unflinchingly fend for its symbiotic survival; was what the Almighty Creator had eternally created them for,

The Sun’s job just doesn’t end at giving birth to light; but to irrefutably ensure that the rays optimistically enlightened even the most infinitesimally lugubrious cranny of remorsefully cloistered earth; was what the Almighty Creator had eternally created it for,

The Rose’s job just doesn’t end at giving birth to fragrance; but to irrefutably ensure that the majestic resplendence ebulliently blossomed into the lives of countless haplessly beleaguered and bereaved; was what the Almighty Creator had eternally created it for,

The Peak’s job just doesn’t end at giving birth to victory; but to irrefutably ensure that the royal triumph peerlessly massacred even the most ethereal iota of devilishness form this Universe; was what the Almighty Creator had eternally created it for,

Nature’s job just doesn’t end at giving birth to newness; but to irrefutably ensure that the evolution metamorphosed every bit of egregiously stagnating ghoulishness into a sky of rhapsodic freshness; was what the Almighty Creator had eternally created it for,

The Cloud’s job just doesn’t end at giving birth to rain; but to irrefutably ensure that the water stupendously ignited vivaciously iridescent life in every ingredient of hopelessly dying soil; was what the Almighty Creator had eternally created it for,

The Conscience’s job just doesn’t end at giving birth to truth; but to irrefutably ensure that the righteousness insuperably conquered every trace of diabolical lies on earth and the atmosphere; was what the Almighty Creator had eternally created it for,

The Ocean’s job just doesn’t end at giving birth to salt; but to irrefutably ensure that the tanginess wonderfully illuminated every treacherously spiceles and deliriously lackadaisical moment of life; was what the Almighty Creator had eternally created it for,

The Poet’s job just doesn’t end at giving birth to fantasy; but to irrefutably ensure that the dream spellbindingly impregnates the winds of Omnipotent romance into monotonously monstrous robots; was what the Almighty Creator had eternally created him for,

The Lip’s job just doesn’t end at giving birth to smiles; but to irrefutably ensure that the happiness altruistically perpetually perpetuates into every dwelling incarcerated in chains of murderous gloom; was what the Almighty Creator had eternally created it for,

The Rainbow’s job just doesn’t end at giving birth to vividness; but to irrefutably ensure that the color timelessly enshrouded every gruesomely befriended orphan; miserably deteriorating on the globe; was what the Almighty Creator had eternally created it for,

The Shadow’s job just doesn’t end at giving birth to tranquility; but to irrefutably ensure that the peacefulness granted celestial reprieve to every bizarrely estranged soul squandering on this Universe; was what the Almighty Creator had eternally created it for,

The philanthropist’s job just doesn’t end at giving birth to unity; but to irrefutably ensure that the oneness miraculously coalesced every spuriously staggering and cold-bloodedly fighting caste; creed and tribe into the unassailable religion of humanity; was what the Almighty Creator had eternally created him for,

The wind’s job just doesn’t end at giving birth to freedom; but to irrefutably ensure that the liberation unequivocally freed every element of torturously enslaved earth till times immemorial; was what the Almighty Creator had created it for,

The night’s job just doesn’t end at giving birth to sensuality; but to irrefutably ensure that the passion brilliantly transformed every speck of infertility into the chapters of everlastingly Omniscient procreation; was what the Almighty Creator had created it for,

The eyelash’s job just doesn’t end at giving birth to flirtation; but to irrefutably ensure that the mischief serenely catapulted every fretfully frenetic organism into realms of impeccable childhood; was what the Almighty Creator had created it for,

The soldiers job just doesn’t end at giving birth to martyrdom; but to irrefutably ensure that the valor to timelessly serve the mothersoil; throbbed fearlessly in every chest; even centuries after his veritable death; was what the Almighty Creator had created him for,

The breath’s job just doesn’t end at giving birth to life; but to irrefutably ensure that the exultation inexhaustibly transcended over; even the most inane anecdote of baseless corruption and demeaning death; was what the Almighty Creator had created it for,

And the heart’s job just doesn’t end at giving birth to Love; but to irrefutably ensure that the compassionate togetherness tirelessly bonded the entire planet into a paradise of Omnipresently unshakable strength; was what the Almighty Creator had created it for…

©copyright-2004, by nikhil parekh. All rights reserved.

poem by Nikhil Parekh
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Dead End Job

Words and music by The Police
I don't want no dead end job
I don't wanna be no number
I don't want no dead end job
I don't wanna be no number
The queue gets longer everyday
I just ain't no time to stay
I ain't gonna run away
All I want to do is play
Don't wanna be no teacher
I don't wanna be no slave
I don't wanna work no assembly line
A' like my uncle Dave
The queue gets longer everyday
I just ain't got time to stay
I ain't gonna run away
All I wanna do is play
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't wanna be no number
I don't want no dead end job
I don't wanna be no number
The queue gets longer everyday
All I wanna do is play
I just ain't got time to stay
But I ain't gonna run away
Don't wanna be no millionaire
Don't wanna own no mint
I don't wanna be no tax exile
And I don't mind being skint
The queue gets longer every day
I just ain't got time to stay
I ain't gonna run away
All I wanna do is play
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't want no dead end job
I don't wanna be no number
I don't want no dead end job
I don't wanna be no number
The queue gets longer everyday
I just ain't no time to stay
I ain't gonna run away
All I want to do is play
Don't wanna be no millionaire

[...] Read more

song performed by Police
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Digger Smith

'E calls me Digger; that's 'ow 'e begins.
'E sez 'e's only 'arf a man; an' grins.
Judged be 'is nerve, I'd say 'e was worth two
Uv me an' you.
Then 'e digs 'arf a fag out uv 'is vest,
Borrers me matches, an' I gives 'im best.

The first I 'eard about it Poole told me.
'There is a bloke called Smith at Flood's,' sez 'e;
'Come there this mornin', sez 'e's come to stay,
An' won't go 'way.
Sez 'e was sent there be a pal named Flood;
An' talks uv contracts sealed with Flanders mud.

'No matter wot they say, 'e only grins,'
Sez Poole. ''E's rather wobbly on 'is pins.
Seems like a soldier bloke. An' Peter Begg
'E sez one leg
Works be machinery, but I dunno.
I only know 'e's there an' 'e won't go.

''E grins,' sez Poole, 'at ev'rything they say.
Dad Flood 'as nearly 'ad a fit today.
'E's cursed, an' ordered 'im clean off the place;
But this cove's face
Jist goes on grinnin', an' he sez, quite carm,
'E's come to do a bit around the farm.'

The tale don't sound too good to me at all.
'If 'e's a crook,' I sez, ''e wants a fall.
Maybe 'e's dilly. I'll go round and see.
'E'll grin at me
When I 'ave done, if 'e needs dealin' with.'
So I goes down to interview this Smith.

'E 'ad a fork out in the tater patch.
Sez 'e, 'Why 'ello, Digger. Got a match?'
'Digger?' I sez. 'Well, you ain't digger 'ere.
You better clear.
You ought to know that you can't dig them spuds.
They don't belong to you; they're ole Dad Flood's.'

'Can't I?' 'e grins. 'I'll do the best I can,
Considerin' I'm only 'arf a man.
Give us a light. I can't get none from Flood,
An' mine is dud.'
I parts; an' 'e stands grinning at me still;
An' then 'e sez, ''Ave yeh fergot me, Bill?'

I looks, an' seen a tough bloke, short an' thin.

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
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The Cock And The Fox: Or, The Tale Of The Nun's Priest

There lived, as authors tell, in days of yore,
A widow, somewhat old, and very poor;
Deep in a dale her cottage lonely stood,
Well thatched, and under covert of a wood.
This dowager, on whom my tale I found,
Since last she laid her husband in the ground,
A simple sober life, in patience led,
And had but just enough to buy her bread;
But huswifing the little Heaven had lent,
She duly paid a groat for quarter rent;
And pinched her belly, with her daughters two,
To bring the year about with much ado.
The cattle in her homestead were three sows,
An ewe called Mally, and three brinded cows.
Her parlour window stuck with herbs around,
Of savoury smell; and rushes strewed the ground.
A maple-dresser in her hall she had,
On which full many a slender meal she made,
For no delicious morsel passed her throat;
According to her cloth she cut her coat;
No poignant sauce she knew, nor costly treat,
Her hunger gave a relish to her meat.
A sparing diet did her health assure;
Or sick, a pepper posset was her cure.
Before the day was done, her work she sped,
And never went by candle light to bed.
With exercise she sweat ill humours out;
Her dancing was not hindered by the gout.
Her poverty was glad, her heart content,
Nor knew she what the spleen or vapours meant.
Of wine she never tasted through the year,
But white and black was all her homely cheer;
Brown bread and milk,(but first she skimmed her bowls)
And rashers of singed bacon on the coals.
On holy days an egg, or two at most;
But her ambition never reached to roast.
A yard she had with pales enclosed about,
Some high, some low, and a dry ditch without.
Within this homestead lived, without a peer,
For crowing loud, the noble Chanticleer;
So hight her cock, whose singing did surpass
The merry notes of organs at the mass.
More certain was the crowing of the cock
To number hours, than is an abbey-clock;
And sooner than the matin-bell was rung,
He clapped his wings upon his roost, and sung:
For when degrees fifteen ascended right,
By sure instinct he knew ’twas one at night.
High was his comb, and coral-red withal,
In dents embattled like a castle wall;

[...] Read more

poem by John Dryden
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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

[...] Read more

poem by Talile Ali
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Half a Man

'I wash me 'ands uv 'im,' I tells 'em straight.
'You women can do wot yeh dash well like.
I leave this 'arf a man to 'is own fate;
I've done me bit, an' now I'm gone on strike.
Do wot yeh please; but don't arsk 'elp from me;
'E's give me nerves; so now I'll let 'im be.'

Doreen an' ole Mar Flood 'as got a scheme.
They've been conspirin' for a week or more
About this Digger Smith, an' now they dream
They've got 'is fucher waitin' in cold store
To 'and 'im out, an' fix 'im up for life.
But they've got Buckley's, as I tells me wife.

I've seen them whisperin' up in our room.
Now they wants me to join in the debate;
But 'Nix,' I tells 'em. 'I ain't in the boom,
An' Digger Smith ain't risin' to me bait;
'E's fur too fly a fish for me to catch,
An' two designin' women ain't 'is match.'

I puts me foot down firm, an' tells 'em, No!
Their silly plan's a thing I wouldn't touch.
An' then me wife, for 'arf an hour or so,
Talks to me confident, of nothin' much;
Then, 'fore I know it, I am all red 'ot
Into the scheme, an' leader uv the plot.

'Twas Mar Flood starts it. She got 'old uv 'im --
You know the way they 'ave with poor, weak men --
She drops a tear or two concernin' Jim;
Tells 'im wot women 'ave to bear; an' then
She got 'im talkin', like a woman can.
'E never would 'ave squeaked to any man.

She leads 'im on -- It's crook the way they scheme --
To talk about this girl 'e's let be'ind.
Not that she's pryin'! Why, she wouldn't dream! --
But speakin' uv it might jist ease 'is mind.
Then, 'fore 'e knows, 'e's told, to 'is surprise,
Name an' address -- an' colour uv 'er eyes!

An' then she's off 'ere plottin' with Doreen --
Bustin' a confidence, I tells 'em, flat.
But all me roustin' leaves 'em both serene:
Women don't see a little thing like that.
An' I ain't cooled off yet before they've got
Me workin' for 'em in this crooked plot.

Nex' day Mar Flood she takes 'er Sunday dress

[...] Read more

poem by Clarence Michael James Stanislaus Dennis
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Eureka

Roll up, Eureka's heroes, on that grand Old Rush afar,
For Lalor's gone to join you in the big camp where you are;
Roll up and give him welcome such as only diggers can,
For well he battled for the rights of miner and of Man.
In that bright golden country that lies beyond our sight,
The record of his honest life shall be his Miner's Right;
But many a bearded mouth shall twitch, and many a tear be shed,
And many a grey old digger sigh to hear that Lalor's dead.
Yet wipe your eyes, old fossickers, o'er worked-out fields that roam,
You need not weep at parting from a digger going home.
Now from the strange wild seasons past, the days of golden strife,
Now from the Roaring Fifties comes a scene from Lalor's life:
All gleaming white amid the shafts o'er gully, hill and flat
Again I see the tents that form the camp at Ballarat.
I hear the shovels and the picks, and all the air is rife
With the rattle of the cradles and the sounds of digger-life;
The clatter of the windlass-boles, as spinning round they go,
And then the signal to his mate, the digger's cry, "Below!"
From many a busy pointing-forge the sound of labour swells,
The tinkling of the anvils is as clear as silver bells.
I hear the broken English from the mouth of many a one
From every state and nation that is known beneath the sun;
The homely tongue of Scotland and the brogue of Ireland blend
With the dialects of England, right from Berwick to Lands End;
And to the busy concourse here the States have sent a part,
The land of gulches that has been immortalised by Harte;
The land where long from mining-camps the blue smoke upward curled;
The land that gave the "Partner" true and "Mliss" unto the world;
The men from all the nations in the New World and the Old,
All side by side, like brethren here, are delving after gold.
But suddenly the warning cries are heard on every side
As closing in around the field, a ring of troopers ride,
Unlicensed diggers are the game--their class and want are sins,
And so with all its shameful scenes, the digger hunt begins.
The men are seized who are too poor the heavy tax to pay,
Chained man to man as convicts were, and dragged in gangs away.
Though in the eyes of many a man the menace scarce was hid,
The diggers' blood was slow to boil, but scalded when it did.

But now another match is lit that soon must fire the charge
"Roll up! Roll up!" the poignant cry awakes the evening air,
And angry faces surge like waves around the speakers there.
"What are our sins that we should be an outlawed class?" they say,
"Shall we stand by while mates are seized and dragged like lags away?
Shall insult be on insult heaped? Shall we let these things go?"
And with a roar of voices comes the diggers' answer--"No!"
The day has vanished from the scene, but not the air of night
Can cool the blood that, ebbing back, leaves brows in anger white.
Lo, from the roof of Bentley's Inn the flames are leaping high;
They write "Revenge!" in letters red across the smoke-dimmed sky.

[...] Read more

poem by Henry Lawson
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Over the Fence

'Taint my idea uv argument to call a man a fool,
An' I ain't lookin' round for bricks to 'eave at ole man Poole;
But when 'e gets disputin' 'e's inclined to lose 'is 'ead.
It ain't so much 'is choice uv words as 'ow the words is said.

'E's sich a coot for takin' sides, as I sez to Doreen.
Sez she, ''Ow can 'e, by 'imself?' Wotever that may mean.
My wife sez little things sometimes that nearly git me riled.
I knoo she meant more than she said be that soft way she smiled.

Today, when I was 'arrowin', Poole come down to the fence
To get the loan uv my long spade; an' uses that pretence
To 'ave a bit uv friendly talk, an' one word leads to more,
As is the way with ole man Poole, as I've remarked before.

The spade reminds 'im 'ow 'e done some diggin' in 'is day,
An' diggin' brings the talk to earth, an' earth leads on to clay,
Then clay quite natural reminds a thinkin' bloke uv bricks,
An' mortar brings up mud, an' then, uv course it's politics.

Now Poole sticks be 'is Party, an' I don't deny 'is right;
But when he starts abusin' mine 'e's lookin' for a fight.
So I delivers good 'ome truths about 'is crowd, then Poole
Wags 'is ole beard across the fence an' tells me I'm a fool.

Now that's the dizzy limit; so I lays aside the reins,
An' starts to prove 'e's storin' mud where most blokes keeps their brains.
'E decorates 'is answers, an' we're goin' it ding-dong,
When this returned bloke, Digger Smith, comes sauntering along.
Poole's gripped the fence as though 'e means to tear the rails in two,
An' eyes my waggin' finger like 'e wants to 'ave a chew.
Then Digger Smith 'e grins at Poole, an' then 'e looks at me,
An' sez, quite soft an' friendly-like, 'Winnin' the war?' sez 'e.

Now, Poole deserves it, an' I'm pleased the lad give 'im that jolt.
'E goes fair mad in argument when once 'e gets a holt.
'Yeh make me sad,' sez Digger Smith; 'the both uv you,' sez 'e.
'The both uv us! Gawstruth!' sez I. 'You ain't includin' me?'

'Well, it takes two to make a row,' sez little Digger Smith.
'A bloke can't argue 'less 'e 'as a bloke to argue with.
I've come 'ome from a dinkum scap to find this land uv light
Is chasin' its own tail around an' callin' it a fight.

'We've seen a thing or two, us blokes 'oo've fought on many fronts;
An' we've 'ad time to think a bit between the fightin' stunts,
We've seen big things, an' thought big things, an' all the silly fuss,
That used to get us rattled once, seems very small to us.

'An' when a bloke's fought for a land an' gets laid on the shelf

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poem by Clarence Michael James Stanislaus Dennis
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Anzac Square: What The Digger Said

Said the Digger: 'Soon forgot! Soon forgot, the deeds of war.
Better so, may be. . . Why not?
Beauty fades and laurels rot;
Last year's roses are no more.
Fame?' the one-armed Digger said,
'What of glory when you're dead?'

'Stone and brass,' the Digger said. 'Stone and brass: tho' these endure,
Marble flaunting o'er my head
Would be dead, as I'd be dead.
How may any man be sure
That the hearts of men shall hold
Memories of tales once told?

This alone I surely know: earth I am, and earth shall be,
Only Mother Earth can show,
When I go where all men go,
Aught of this that had been me.
Mother Earth, once stained so red,
She must know,' the Digger said.

'Would you raise, in braggart heaps, stone, cold stone, to mark the fame
Of full many a man who sleeps
Where the earth of Anzac keeps
Guard o'er legions lacking name
Plinth and pillar reared to show
Pomp and pride they cannot know?

'They ask no portentous pile, boasting to a heedless sky,
Stirring men a little while,
Subject, then, for sigh or smile,
Not for this do soldiers die,
With our passing let Pride be,
All we ask is Memory:

'Memory of such fair worth as a fighting man may claim,
And a plot of hallowed earth
In the city of our birth:
Earth that bears a hallowed name.
Let it be envisioned there:
Anzac worth in Anzac Square.

'Memory,' the Digger said. 'If so be the city judge
Soldiers worthy, who have bled.
Worthy of her love, the dead,
Shall the city, then, begrudge
One wide acre of her soil
For who saved the whole from spoil?

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poem by Clarence Michael James Stanislaus Dennis
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Million Dollar Bash (1)

by Bob Dylan
Well, that big dumb blonde
With her wheel in the gorge
And Turtle, that friend of theirs
With his checks all forged
And his cheeks in a chunk
With his cheese in the cash
They're all gonna be there
At that million dollar bash
Ooh, baby, ooh-ee
Ooh, baby, ooh-ee
It's that million dollar bash
Ev'rybody from right now
To over there and back
The louder they come
The harder they crack
Come now, sweet cream
Don't forget to flash
We're all gonna meet
At that million dollar bash
Ooh, baby, ooh-ee
Ooh, baby, ooh-ee
It's that million dollar bash
Well, I took my counselor
Out to the barn
Silly Nelly was there
She told him a yarn
Then along came Jones
Emptied the trash
Ev'rybody went down
To that million dollar bash
Ooh, baby, ooh-ee
Ooh, baby, ooh-ee
It's that million dollar bash
Well, I'm hittin' it too hard
My stones won't take
I get up in the mornin'
But it's too early to wake
First it's hello, goodbye
Then push and then crash
But we're all gonna make it
At that million dollar bash
Ooh, baby, ooh-ee
Ooh, baby, ooh-ee
It's that million dollar bash
Well, I looked at my watch
I looked at my wrist
Punched myself in the face
With my fist
I took my potatoes

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song performed by Bob Dylan
Added by Lucian Velea
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Million Dollar Bash

Well, that big dumb blonde
With her wheel in the gorge
And turtle, that friend of theirs
With his checks all forged
And his cheeks in a chunk
With his cheese in the cash
Theyre all gonna be there
At that million dollar bash
Ooh, baby, ooh-ee
Ooh, baby, ooh-ee
Its that million dollar bash
Evrybody from right now
To over there and back
The louder they come
The harder they crack
Come now, sweet cream
Dont forget to flash
Were all gonna meet
At that million dollar bash
Ooh, baby, ooh-ee
Ooh, baby, ooh-ee
Its that million dollar bash
Well, I took my counselor
Out to the barn
Silly nelly was there
She told him a yarn
Then along came jones
Emptied the trash
Evrybody went down
To that million dollar bash
Ooh, baby, ooh-ee
Ooh, baby, ooh-ee
Its that million dollar bash
Well, Im hittin it too hard
My stones wont take
I get up in the mornin
But its too early to wake
First its hello, goodbye
Then push and then crash
But were all gonna make it
At that million dollar bash
Ooh, baby, ooh-ee
Ooh, baby, ooh-ee
Its that million dollar bash
Well, I looked at my watch
I looked at my wrist
Punched myself in the face
With my fist
I took my potatoes
Down to be mashed

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song performed by Bob Dylan
Added by Lucian Velea
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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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poem by Robert Browning (1871)
Added by Veronica Serbanoiu
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Dirty Job

Its a dirty job
But somebodys got to do it
Better get to it
Somebodys gotta do it
Whatever it takes, whatever it takes
Any work at all
Is better than none
Better buckle down to it
Gotta get the job done
Gotta earn my pay... I gotta earn my pay
I cant wait around on the lottery
And there aint no millionaires
Lookin for me
And somebodys gotta do it, do it
Somebodys gotta do it, do it
Somebodys gotta do it, do it
Somebody
I can think of better things
Id rather do
I might get lucky
And Im hopin to
But until I do
I gotta compromise
The job aint much
But at least its mine
It beats standin
In the unemployment line
Put pride aside
And Ill improvise
Even if I do get a better job
Somebody else
Has gotta fill my spot
Somebodys gotta do it, do it
Somebodys gotta do it, do it
Somebodys gotta do it, do it
Somebody
Somebody
Somebodys gotta do it, do it
Somebodys gotta do it, do it
Its a dirty job
Its a low-down dirty job
Somebody
Even if the rules are too hard to follow
Even when pride is too hard to swallow
Its another day so its another dollar
Thats what its all about, oh
Its a dirty job
But somebodys got to do it
Better get to it
Somebodys gotta do it

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song performed by Dolly Parton
Added by Lucian Velea
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Mans Job

Well you can go out with him
Play with all of his toys
But takin care of you darlin
Aint for one of the boys
Oh theres somethin in your soul
That hes gonna rob
And lovin you baby lovin you darlin
Lovin you woman is a mans mans job
Lovin yous a mans job baby
Lovin yous a mans job
Lovin yous a mans job baby
Lovin yous a mans job
Well now his kisses may thrill
Those other girls that he likes
But when it comes to treatin
A real woman right
Well of all of his tricks
No they wont be enough
cause lovin you baby lovin you woman
Lovin you darlin is a mans mans job
Lovin yous a mans job baby
Lovin yous a mans job
Lovin yous a mans job baby
Lovin yous a mans job
Youre dancin with him hes holding you tight
Im standing here waitin to catch your eye
Your hands on his neck as the music sways
All my illusions slip away
Repeat riff from intro twice
Now if youre lookin for a hero
Someone to save the day
Well darlin my feet
Theyre made of clay
But Ive got something in my soul
And I wanna give it up
But gettin up the nerve
Gettin up the nerve
Gettin up the nerve is a mans mans job
Lovin yous a mans job baby
Lovin yous a mans job
Lovin yous a mans job woman
Lovin yous a mans job

song performed by Bruce Springsteen
Added by Lucian Velea
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Jim

'Now, be the Hokey Fly!' sez Peter Begg.
'Suppose 'e comes 'ome with a wooden leg.
Suppose 'e isn't fit to darnce at all,
Then, ain't we 'asty fixin' up this ball?
A little tournament at Bridge is my
Idear,' sez Peter. 'Be the Hokey Fly!'

Ole Peter Begg is gettin' on in years.
'E owns a reel good farm; an' all 'e fears
Is that some girl will land 'im, by an' by,
An' shar it with 'im - be the Hokey Fly.
That's 'is pet swear-word, an' I dunno wot
'E's meanin', but 'e uses it a lot.

'Darncin'!' growls Begg. We're fixin' up the 'all
With bits uv green stuff for a little ball
To welcome Jim, 'oo's comin' 'ome nex' day.
We're 'angin' flags around to make things gay,
An' shiftin' chairs, an' candle-greasin' floors,
As is our way when blokes comes 'ome from wars.

'A little game uv Bridge,' sez Peter Begg.
'Would be more decent like, an' p'r'aps a keg
Uv somethin' if the 'ero's feelin' dry.
But this 'ere darncin'! Be the Hokey Fly,
These selfish women never thinks at all
About the guest; they only wants the ball.

'Now, cards,' sez Begg, 'amuses ev'ry one.
An' then our soldier guest could 'ave 'is fun
If 'e'd lost both 'is legs. It makes me sick
'Ere! Don't spread that candle-grease too thick
Yeh're wastin' it; an' us men 'as to buy
Enough for nonsense, be the Hokey Fly!'

Begg, 'e ain't never keen on wastin' much.
'Peter,' I sez, 'it's you that needs a crutch.
Why don't yeh get a wife, an' settle down?'
'E looks reel fierce, an' answers, with a frown,
'Do you think I am goin' to be rooked
For 'arf me tucker, jist to get it cooked?'

I lets it go at that, an' does me job;
An' when a little later on I lob
Along the 'omeward track, down by Flood's gate
I meet ole Digger Smith, an' stops to state
Me views about the weather an' the war…
'E tells me Jim gets 'ere nex' day, at four.

An' as we talk, I sees along the road

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poem by Clarence Michael James Stanislaus Dennis
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