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We met with the poet Frank O'Hara, who was a link between Upper and Lower Bohemia, and who worked at the Museum of Modern Art, where we had hoped to do the readings.

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Anything You Can Do

ANNIE: Anything you can do I can do better
......I can do anything better than you
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can, yes, I can
FRANK: Anything you can be I can be greater
......Sooner or later I'm greater than you
ANNIE: No, you're not
FRANK: Yes, I am
ANNIE: No, you're not
FRANK: Yes, I am
ANNIE: No, you're not
FRANK: Yes, I am, yes I am
FRANK: I can shoot a partridge with a single cartridge
ANNIE: I can get a sparrow with a bow and arrow
FRANK: I can live on bread and cheese
ANNIE: And only on that?
FRANK: Yes
ANNIE: So can a rat
FRANK: Any note you can reach I can go higher
ANNIE: I can sing anything higher than you
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
ANNIE: Anything you can buy I can buy cheaper
......I can buy anything cheaper than you
FRANK: Fifty cents
ANNIE: Forty cents
FRANK: Thirty cents
ANNIE: Twenty cents
FRANK: No, you can't
ANNIE: Yes, I can, yes, I can
FRANK: Anything you can say I can say softer
ANNIE: I can say anything softer than you
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can
FRANK: No, you can't
ANNIE: Yes, I can, yes, I can

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University Of Central Florida Volleyball

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Allegany Camp

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The Wake Of Tim O'Hara

TO the Wake of OHara
Came company;
All St. Patrick’s Alley
Was there to see,
With the friends and kinsmen
Of the family.
On the long deal table lay Tim in white,
And at his pillow the burning light.
Pale as himself, with the tears on her cheek,
The mother receiv’d us, too full to speak;
But she heap’d the fire, and on the board
Set the black bottle with never a word,
While the company gather’d, one and all,
Men and women, big and small:
Not one in the Alley but felt a call
To the Wake of Tim OHara.

At the face of OHara,
All white with sleep,
Not one of the women
But took a peep,
And the wives new-wedded
Began to weep.
The mothers gather’d round about,
And prais’d the linen and laying out,—
For white as snow was his winding-sheet,
And all was peaceful, and clean, and sweet;
And the old wives, praising the blessed dead,
Were thronging around the old press-bed,
Where OHara’s widow, tatter’d and torn,
Held to her bosom the babe newborn,
And star’d all around her, with eyes forlorn,
At the Wake of Tim OHara.

For the heart of OHara
Was good as gold,
And the life of OHara
Was bright and bold,
And his smile was precious
To young and old!
Gay as a guinea, wet or dry,
With a smiling mouth, and a twinkling eye!
Had ever an answer for chaff and fun;
Would fight like a lion, with any one!
Not a neighbor of any trade
But knew some joke that the boy had made;
Not a neighbor, dull or bright,
But minded something—frolic or fight,
And whisper’d it round the fire that night,
At the Wake of Tim OHara.

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O'Hara, J.P.

James Patrick O'Hara the Justice of Peace,
He bossed the P.M. and he bossed the police;
A parent, a deacon, a landlord was he—
A townsman of weight was OHara, J.P.

He gave out the prizes, foundation-stones laid,
He shone when the Governor’s visit was paid;
And twice re-elected as Mayor was he—
The flies couldn’t roost on OHara, J.P.

Now Sandy M‘Fly, of the Axe-and-the-Saw,
Was charged with a breach of the licensing law—
He sold after hours whilst talking too free
On matters concerning OHara, J.P.

And each contradicted the next witness flat,
Concerning back parlours, side-doors, and all that;
‘Twas very conflicting, as all must agree—
‘Ye’d better take care!’ said OHara, J.P.

But ‘Baby,’ the barmaid, her evidence gave—
A poor, timid darling who tried to be brave—
‘Now, don’t be afraid—if it’s frightened ye be—
‘Speak out, my good girl,’ said OHara, J.P.

Her hair was so golden, her eyes were so blue,
Her face was so fair and her words seemed so true—
So green in the ways of sweet women was he
That she jolted the heart of OHara, J P.

He turned to the other grave Justice of Peace,
And whispered, ‘You can’t always trust the police;
‘I’ll visit the premises during the day,
And see for myself,’ said OHara, Jay Pay.
(
Case postponed
.)


’Twas early next morning, or late the same night—
‘’Twas early next morning’ we think would be right—
And sounds that betokened a breach of the law
Escaped through the cracks of the Axe-and-the-Saw.
And Constable Dogherty, out in the street,
Met Constable Clancy a bit off his beat;
He took him with finger and thumb by the ear,
And led him around to a lane in the rear.

He pointed a blind where strange shadows were seen—
Wild pantomime hinting of revels within—

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Tamerton Church-Tower, Or, First Love

I.
We left the Church at Tamerton
In gloomy western air;
To greet the day we gallop'd on,
A merry-minded pair.
The hazy East hot noon did bode;
Our horses sniff'd the dawn;
We made ten Cornish miles of road
Before the dew was gone.
We clomb the hill where Lanson's Keep
Fronts Dartmoor's distant ridge;
Thence trotted South; walk'd down the steep
That slants to Gresson Bridge;
And paused awhile, where Tamar waits,
In many a shining coil,
And teeming Devon separates
From Cornwall's sorry soil.


II.
Our English skies contain'd, that Spring,
A Caribbean sun;
The singing birds forgot to sing,
The rivulets to run.
For three noons past, the skies had frown'd,
Obscured with blighting shades
That only mock'd the thirsty ground
And unrejoicing glades.
To-day, before the noon was nigh,
Bright-skirted vapours grew,
And on the sky hung languidly;
The sky was languid too.
Our horses dropp'd their necks, and nosed
The dusty wayside grass,
Whilst we beneath still boughs reposed
And watch'd the water pass.
We spoke of plighted Bertha: Frank
Shot pebbles in the stream;
And I lay by him on the bank,
But dreamt no lover's dream.
She was a blythe and bashful maid,
Much blushing in her glee;
Yet gracing all she did and said
With sweet sufficiency.
‘Is Blanche as fair?’ ask'd I, who yearn'd
To feel my life complete;
To taste unselfish pleasures earn'd
By service strict and sweet.
‘Well, some say fairer: she'll surprise
Your heart with crimson lips;

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Elizabeth Barrett Browning

Fifth Book

AURORA LEIGH, be humble. Shall I hope
To speak my poems in mysterious tune
With man and nature,–with the lava-lymph
That trickles from successive galaxies
Still drop by drop adown the finger of God,
In still new worlds?–with summer-days in this,
That scarce dare breathe, they are so beautiful?–
With spring's delicious trouble in the ground
Tormented by the quickened blood of roots.
And softly pricked by golden crocus-sheaves
In token of the harvest-time of flowers?–
With winters and with autumns,–and beyond,
With the human heart's large seasons,–when it hopes
And fears, joys, grieves, and loves?–with all that strain
Of sexual passion, which devours the flesh
In a sacrament of souls? with mother's breasts,
Which, round the new made creatures hanging there,
Throb luminous and harmonious like pure spheres?–
With multitudinous life, and finally
With the great out-goings of ecstatic souls,
Who, in a rush of too long prisoned flame,
Their radiant faces upward, burn away
This dark of the body, issuing on a world
Beyond our mortal?–can I speak my verse
So plainly in tune to these things and the rest,
That men shall feel it catch them on the quick,
As having the same warrant over them
To hold and move them, if they will or no,
Alike imperious as the primal rhythm
Of that theurgic nature? I must fail,
Who fail at the beginning to hold and move
One man,–and he my cousin, and he my friend,
And he born tender, made intelligent,
Inclined to ponder the precipitous sides
Of difficult questions; yet, obtuse to me,–
Of me, incurious! likes me very well,
And wishes me a paradise of good,
Good looks, good means, and good digestion!–ay,
But otherwise evades me, puts me off
With kindness, with a tolerant gentleness,–
Too light a book for a grave man's reading! Go,
Aurora Leigh: be humble.
There it is;
We women are too apt to look to one,
Which proves a certain impotence in art.
We strain our natures at doing something great,
Far less because it's something great to do,
Than, haply, that we, so, commend ourselves
As being not small, and more appreciable
To some one friend. We must have mediators

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Stiff Upper Lip

(young - young)
Well I was out on a drive
On a bit of a trip
Lookin for thrills
To get me some kicks
Now I warn you ladies
I shoot from the hip
I was born with a stiff
Stiff upper lip
Like a dog in a howl
I bite everything
And Im big and Im drawl
And Ill ball your thing
I keep a stiff upper lip
And I shoot from the hip
I keep a stiff upper lip
And I shoot
And I shoot
Shoot from the hip
Yeah I shoot from the hip
Now listen
Well Im workin it out
And Ive done everything
And I cant reform no
Can you feel my sting
Babe I keep a stiff upper lip
And I shoot from the hip, yeah
I keep a stiff upper lip
And I shoot
And I shoot
And I shoot, shoot, shoot
Shoot from the hip
Well Im out on the prowl
And Ill ball your thing
I got the teeth thatll bite you
Can you feel my sting
Babe I keep a stiff upper lip
And I shoot from the hip
I keep a stiff upper lip
And I shoot shoot shoot from the hip
I got a (stiff upper lip)
Better believe me (stiff upper lip)
Comin down (stiff upper lip)
See my (stiff upper lip)
Yeah I got a (stiff upper lip)
Stiff upper lip
Stiff upper lip
I got a stiff upper lip
I got a stiff upper lip
Stiff upper lip

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Modern Dancing

Modern, modern, modern, modern dancing
Modern dancing, modern dancing
Modern dancing, modern
I see you acting modernly with the boys and girls
Exposure breeds discovery in the modern world
The 60's hairdos 90's eyes are just flashing lights
A touch of neon hinting class for the modern night
Modern dancing, modern dancing
Modern dancing, modern dancing
Dancing
Modern dancing, modern dancing
Modern dancing, modern
Mono vision tv face and determined eyes
The clothes are perfect the rips in place just the perfect size
Familiarity breeds contempt but it doesn't show
We've heard the music times before but it still makes you go
Modern dancing, modern dancing
Modern dancing, modern dancing
Modern dancing, dancing
....variations to fade....

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Robert of Lincoln

Merrily swinging on brier and weed,
Near to the nest of his little dame,
Over the mountain-side or mead,
Robert of Lincoln is telling his name.
Bob-o'-link, bob-o'-link,
Spink, spank, spink,
Snug and safe is this nest of ours,
Hidden among the summer flowers.
Chee, chee, chee.

Robert of Lincoln is gayly dressed,
Wearing a bright, black wedding-coat;
White are his shoulders, and white his crest,
Hear him call in his merry note,
Bob-o'-link, bob-o'-link,
Spink, spank, spink,
Look what a nice, new coat is mine;
Sure there was never a bird so fine.
Chee, chee, chee.

Robert of Lincoln's Quaker wife,
Pretty and quiet, with plain brown wings,
Passing at home a patient life,
Broods in the grass while her husband sings,
Bob-o'-link, bob-o'-link,
Spink, spank, spink,
Brood, kind creature, you need not fear
Thieves and robbers while I am here.
Chee, chee, chee.

Modest and shy as a nun is she;
One weak chirp is her only note;
Braggart, and prince of braggarts is he,
Pouring boasts from his little throat,
Bob-o'-link, bob-o'-link,
Spink, spank, spink,
Never was I afraid of man,
Catch me, cowardly knaves, if you can.
Chee, chee, chee.

Six white eggs on a bed of hay,
Flecked with purple, a pretty sight:
There as the mother sits all day,
Robert is singing with all his might,
Bob-o'-link, bob-o'-link,
Spink, spank, spink,
Nice good wife that never goes out,
Keeping house while I frolic about.
Chee, chee, chee.

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You are the poet

Poet is a journalist
Watches the feelings
Watches the emotions
Watches the world
Watches the light and
Watches the dark
He thinks everywhere
Others can’t imagine

-o-

Chasing the thoughts
Searching the words
Forming the sentences
To give the expression
To put the life in it

-o-

Poet is like a cook
Collecting good ingredients
Cooking the feelings to
Present in better way

-o-

Poet is like a soldier
Fighting in the war and
Fighting with the self
Feeling the pain and
Bleeding the emotions
Making room for self
To express the story
To save the people

-o-

Poet is like mother
Cooking the soft food
Feeding smoothly
Treating the readers like his own kids
Reader’s happiness is poet’s happiness
If you can’t praise, no problem
But don’t forget to acknowledge
-o-

Poet is the center of universe
Editors, Music directors,
Composers, singers, musicians,
Media everybody is rotating around

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Tale V

THE PATRON.

A Borough-Bailiff, who to law was train'd,
A wife and sons in decent state maintain'd,
He had his way in life's rough ocean steer'd
And many a rock and coast of danger clear'd;
He saw where others fail'd, and care had he,
Others in him should not such feelings see:
His sons in various busy states were placed,
And all began the sweets of gain to taste,
Save John, the younger, who, of sprightly parts,
Felt not a love for money-making arts:
In childhood feeble, he, for country air,
Had long resided with a rustic pair;
All round whose room were doleful ballads, songs,
Of lovers' sufferings and of ladies' wrongs;
Of peevish ghosts who came at dark midnight,
For breach of promise, guilty men to fright;
Love, marriage, murder, were the themes, with

these,
All that on idle, ardent spirits seize;
Robbers at land and pirates on the main,
Enchanters foil'd, spells broken, giants slain;
Legends of love, with tales of halls and bowers,
Choice of rare songs, and garlands of choice

flowers,
And all the hungry mind without a choice devours.
From village-children kept apart by pride,
With such enjoyments, and without a guide,
Inspired by feelings all such works infused,
John snatch'd a pen, and wrote as he perused:
With the like fancy he could make his knight
Slay half a host, and put the rest to flight;
With the like knowledge he could make him ride
From isle to isle at Parthenissa's side;
And with a heart yet free, no busy brain
Form'd wilder notions of delight and pain,
The raptures smiles create, the anguish of disdain.
Such were the fruits of John's poetic toil -
Weeds, but still proofs of vigour in the soil:
He nothing purposed but with vast delight,
Let Fancy loose, and wonder'd at her flight:
His notions of poetic worth were high,
And of his own still-hoarded poetry; -
These to his father's house he bore with pride,
A miser's treasure, in his room to hide;
Till spurr'd by glory, to a reading friend,
He kindly show'd the sonnets he had penn'd:

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Modern Dance

Maybe I should go and live in amsterdam
In a side street near a big canal
Spend my evenings in the van gogh museum
What a dream, van gogh museum
Maybe its time to see tangiers
A different life-style, some different fears
And maybe I should be in edinburgh
In a kilt in edinburgh
Doin a modern dance
Doin a modern dance
Or maybe I should get a farm in southern france
Where the winds are wispy and the villagers dance
And you and I wed sleep beneath a moon
Moon in june and sleep till noon
And maybe you and I could fall in love
Regain the spirit that we once had
Youd let me hold you and touch the night
That shines so bright, so bright with fright
Doin a modern dance
Doin a modern dance
Shit, maybe I could go to yucatan
Where women are women, a mans a man
Ah, no one confused, ever loses place
With their place in the human race
Maybe Im not cut out for city life
The smell of exhaust, the smell of strife
And maybe you dont wanna be a wife
Its not a life being a wife
Doin a modern dance
Doin a modern dance
So maybe I should go to tanganyika
Where the rivers run, down mountains tall and steep
Or go to india to study chants
And lose romance to a mantras dance
I need a guru, I need some law
Explain to me the things we saw
Why it always comes to this
Its all downhill after the first kiss
Maybe I should move to rotterdam
Maybe move to amsterdam
I should move to ireland, italy, spain
Afghanistan where there is no rain
Or maybe I should just learn a modern dance
Where roles are shifting the modern dance
You never touch you dont know who youre with
This week, this month, this time of year
This week, this month, this time of year
Doin a modern dance
You dont know who youre with modern dance
I should move to pakistan, go to afghanistan

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Byron

Canto the Fourth

I.

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter’s wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O’er the far times when many a subject land
Looked to the wingèd Lion’s marble piles,
Where Venice sate in state, throned on her hundred isles!

II.

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

III.

In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone - but beauty still is here.
States fall, arts fade - but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city’s vanished sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away -
The keystones of the arch! though all were o’er,
For us repeopled were the solitary shore.

V.

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Elizabeth Barrett Browning

Third Book

'TO-DAY thou girdest up thy loins thyself,
And goest where thou wouldest: presently
Others shall gird thee,' said the Lord, 'to go
Where thou would'st not.' He spoke to Peter thus,
To signify the death which he should die
When crucified head downwards.
If He spoke
To Peter then, He speaks to us the same;
The word suits many different martyrdoms,
And signifies a multiform of death,
Although we scarcely die apostles, we,
And have mislaid the keys of heaven and earth.

For tis not in mere death that men die most;
And, after our first girding of the loins
In youth's fine linen and fair broidery,
To run up hill and meet the rising sun,
We are apt to sit tired, patient as a fool,
While others gird us with the violent bands
Of social figments, feints, and formalisms,
Reversing our straight nature, lifting up
Our base needs, keeping down our lofty thoughts,
Head downward on the cross-sticks of the world.
Yet He can pluck us from the shameful cross.
God, set our feet low and our forehead high,
And show us how a man was made to walk!

Leave the lamp, Susan, and go up to bed.
The room does very well; I have to write
Beyond the stroke of midnight. Get away;
Your steps, for ever buzzing in the room,
Tease me like gnats. Ah, letters! throw them down
At once, as I must have them, to be sure,
Whether I bid you never bring me such
At such an hour, or bid you. No excuse.
You choose to bring them, as I choose perhaps
To throw them in the fire. Now, get to bed,
And dream, if possible, I am not cross.

Why what a pettish, petty thing I grow,–
A mere, mere woman,–a mere flaccid nerve,-
A kerchief left out all night in the rain,
Turned soft so,–overtasked and overstrained
And overlived in this close London life!
And yet I should be stronger.
Never burn
Your letters, poor Aurora! for they stare
With red seals from the table, saying each,
'Here's something that you know not.' Out alas,
'Tis scarcely that the world's more good and wise

[...] Read more

poem by from Aurora Leigh (1856)Report problemRelated quotes
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At The Bar-Code Ranch

A stellar job in the bullpen
C.B.S. Baseball

I lie in a converted garage, sun coming up
and the chuck-chuck of unfamiliar birds
from Lake Mizell.
The lamp grows ineffectual
under a skylight; the great world
washes in, humid, composed of small numbered parts.

Sometime after nine, the classical music station stops
for the landing of a space shuttle

a sonic boom
shakes the bungalow
and Vladomir Horowitz
is abruptly terminated.

Yesterday, at New Smyrna, north of Canaveral:
knotted shoreline
looking out from a timbered interior
on the Atlantic;
driving inland on Local 40,
a two-lane, the Beach Boys on air,
to Winter Park, inches above the water table.

Today, flying north, from Florida’s eighty degrees
to Washington’s forty-something
a river far below
in South Carolina.

Salt-pork and black-eyed beans
“soul food” – and cheap – in D.C’s low
where U.S. presidents
fall like leaves . . .

Consume and Die!

Wednesday
under the pines
looking out over the waters of Potomac
a torn Bush-Quayle poster in the grass
the morning after the election,
and down on Canal St
a bag of crushed Busch beer cans
reminds me that poetry exists.

Up at 3040 R St N.W.

[...] Read more

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Perdita

The sea coast of Bohemia
Is pleasant to the view
When singing larks spring from the grass
To fade into the blue,
And all the hawthorn hedges break
In wreaths of purest snow,
And yellow daffodils are out,
And roses half in blow.

The sea-coast of Bohemia
Is sad as sad can be,
The prince has ta’en our flower of maids
Across the violet sea;
Our Perdita has gone with him,
No more we dance the round
Upon the green in joyous play,
Or wake the tabor’s sound.

The sea-coast of Bohemia
Has many wonders seen,
The shepherd lass wed with a king,
The shepherd with a queen;
But such a wonder as my love
Was never seen before,
It is my joy and sorrow now
To love her evermore.

The sea-coast of Bohemia
Is haunted by a light
Of memory fair of lady’s eyes,
And fame of gallant knight;
The princes seek its charmèd strand,
But ah, it was our knell
When o’er the sea our Perdita
Went with young Florizel.

The sea-coast of Bohemia
Is not my resting-place,
For with her waned from out the day
A beauty and a grace:
O had I kissed her on the lips
I would no longer weep,
But live by that until the day
I fall to shade and sleep.

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In Bohemia

I'D rather live in Bohemia than in any other land;
For only there are the values true,
And the laurels gathered in all men's view.
The prizes of traffic and state are won
By shrewdness or force or by deeds undone;
But fame is sweeter without the feud,
And the wise of Bohemia are never shrewd.
Here, pilgrims stream with a faith sublime
From every class and clime and time,
Aspiring only to be enrolled
With the names that are writ in the book of gold;
And each one bears in mind or hand
A palm of the dear Bohemian land.
The scholar first, with his book—a youth
Aflame with the glory of harvested truth;
A girl with a picture, a man with a play,
A boy with a wolf he has modeled in clay;
A smith with a marvelous hilt and sword,
A player, a king, a plowman, a lord—
And the player is king when the door is past.
The plowman is crowned, and the lord is last!

I'd rather fail in Bohemia than win in another land;
There are no titles inherited there,
No hoard or hope for the brainless heir;
No gilded dullard native born
To stare at his fellow with leaden scorn:
Bohemia has none but adopted sons;
Its limits, where Fancy's bright stream runs;
Its honors, not garnered for thrift or trade,
But for beauty and truth men's souls have made.
To the empty heart in a jeweled breast
There is value, maybe, in a purchased crest;
But the thirsty of soul soon learn to know
The moistureless froth of the social show;
The vulgar sham of the pompous feast
Where the heaviest purse is the highest priest;
The organized charity, scrimped and iced,
In the name of a cautious, statistical Christ;
The smile restrained, the respectable cant,
When a friend in need is a friend in want;
Where the only aim is to keep afloat,
And a brother may drown with a cry in his throat.
Oh, I long for the glow of a kindly heart and the grasp of a friendly hand,
And I'd rather live in Bohemia than in any other land.

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Frank & Lola

Frank and lola
By: jimmy buffett, steve goodman
1982
Lucy and ricky, fred and ethel, laurel and hardy, spanky
And buckwheat, rocky and bullwinkle, and frank and lola...
Theyre all good for a laugh.
Lola loves frank, frankie loves lola
On their second honeymoon in pensacola
Tryin to find a little privacy
Oh me there been too much screamin, fussin and fightin
The doggies were yellin, the children were bitin
Frank and lola tryin to get together again
So he took her to this movie called body heat
She said the junior mints were mushy and the sex was neat
Oh my, frankie werent we better than that, before our spat
Frank told lola, honey cant you see
That Ill jump start you if youll kick start me
Frank and lola tryin to get together again
So they strolled along the highway, they walked along the beach
They stopped at several raw bars where they slurped a dozen each
Bought a bunch of popcorn from the fat man on the dock
Baby turn back the pages, turn round the clock
Lola told frankie time we put it to the test
After frankie told lola she was still the best
They fell asleep in the sand underneath the florida moon, in june
Lola counted rainbows, frankie counted sheep
til they almost got run over by the lifeguards jeep
Frank and lola tryin to get together again
Go, frank, go
Lo la, lo
Go, frank, go, wow
(instrumental)
So they strolled along the highway, they walked along the beach
Stopped at several raw bars where they slurped a dozen each
Bought a bunch of popcorn from the fat man on the dock
Baby turn back the pages, turn round the clock
Lola loves frank, frankie loves lola
On their second honeymoon in pensacola
Tryin to find a little priva-
Tryin to find a little priva-
Tryin to find a little privacy
Go, frank, go
Lo la, lo
Go, mango
- notes:
Featuring the harmonica of fingers taylor

song performed by Jimmy BuffettReport problemRelated quotes
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