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Eventually, most people felt MoMA had filled a very important gap.

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Temora - Book II

ARGUMENT.

This book opens, we may suppose, about midnight, with a soliloquy of Ossian, who had retired from the rest of the army, to mourn for his son Oscar. Upon hearing the noise of Cathmor's army approaching, he went to find out his brother Fillan, who kept the watch on the hill of Mora, in the front of Fingal's army. In the conversation of the brothers, the episode of Conar, the son of Trenmor, who was the first king of Ireland, is introduced, which lays open the origin of the contests between the Gael and the Fir-bolg, the two nations who first possessed themselves of that island. Ossian kindles a fire on Mora: upon which Cathmor desisted from the design he had formed of surprising the army of the Caledonians. He calls a council of his chiefs: reprimands Foldath for advising a night attack, as the Irish were so much superior in number to the enemy. The bard Fonar introduces the story of Crothar, the ancestor of the king, which throws further light on the history of Ireland, and the original pretensions of the family of Atha to the throne of that kingdom. The Irish chiefs lie down to rest, and Cathmor himself undertakes the watch. In his circuit round the army he is met by Ossian. The interview of the two heroes is described. Cathmor obtains a promise from Ossian to order a funeral elegy to be sung over the grave of Cairbar: it being the opinion of the times, that the souls of the dead could not be happy till their elegies were sung by a bard. Morning comes. Cathmor and Ossian part; and the latter, casually meeting with Carril the son of Kinfena, sends that bard, with a funeral song, to the tomb of Cairbar.

FATHER of heroes! O Trenmor! High dweller of eddying winds! where the dark-red thunder marks the troubled clouds! Open thou thy stormy halls. Let the bards of old be near. Let them draw near with songs and their half viewless harps. No dweller of misty valley comes! No hunter unknown at his streams! It is the car-borne Oscar, from the field of war. Sudden is thy change, my son, from what thou wert on dark Moi-lena! The blast folds thee in its skirt, and rustles through the sky! Dost thou not behold thy father, at the stream of night? The chiefs of Morven sleep far distant. They have lost no son! But ye have lost a hero, chiefs of resounding Morven! Who could equal his strength, when battle rolled against his side, like the darkness of crowded waters? Why this cloud on Ossian's soul? It ought to burn in danger. Erin is near with her host. The king of Selma is alone. Alone thou shalt not be, my father, while I can lift the spear!

I rose in all my arms. I rose and listened to the wind. The shield of Fillan is not heard. I tremble for the son of Fingal. "Why should the foe come by night? Why should the dark-haired warrior fall?" Distant, sullen murmurs rise; like the noise of the lake of Lego, when its waters shrink, in the days of frost, and all its bursting ice resounds. The people of Lara look to heaven, and foresee the storm! My steps are forward on the heath. The spear of Oscar is in my hand? Red stars looked from high. I gleamed along the night.

I saw Fillan silent before me, bending forward from Mora's rock. He heard the shout of the foe. The joy of his soul arose. He heard my sounding tread, and turned his lifted spear. "Comest thou, son of night, in peace? Or dost thou meet my wrath? The foes of Fingal are mine. Speak, or fear my steel. I stand not, in vain, the shield of Morven's race." "Never mayest thou stand in vain, son of blue-eyed Clatho! Fingal begins to be alone. Darkness gathers on the last of his days. Yet he has two sons who ought to shine in war. Who ought to be two beams of light, near the steps of his departure."

"Son of Fingal," replied the youth, "it is not long since I raised the spear. Few are the marks of my sword in war. But Fillan's soul is fire! The chiefs of Bolga crowd around the shield of generous Cathmor. Their gathering is on the heath. Shall my steps approach their host? I yielded to Oscar alone in the strife of the race of Cona!"

"Fillan, thou shalt not approach their host; nor fall before thy fame is known. My name is heard in song; when needful, I advance. From the skirts of night I shall view them over all their gleaming tribes. Why, Fillan, didst thou speak of Oscar? Why awake my sigh! I must forget the warrior, till the storm is rolled away. Sadness ought not to dwell in danger, nor the tear in the eye of war. Our fathers forgot their fallen sons, till the noise of arms was past. Then sorrow returned to the tomb, and the song of bards arose. The memory of those who fell quickly followed the departure of war: when the tumult of battle is past, the soul in silence melts away for the dead.

"Conar was the brother of Trathal, first of mortal men. His battles were on every coast. A thousand streams rolled down the blood of. his foes. His fame filled green Erin, like a pleasant gale. The nations gathered in Ullin, and they blessed the king; the king of the race of their fathers, from the land of Selma.

"The chiefs of the south were gathered, in the darkness of their pride. In the horrid cave of Moma they mixed their secret words. Thither often, they said, the spirits of their fathers came; showing their pale forms from the chinky rocks; reminding them of the honor of Bolga. 'Why should Conar reign,' they said, 'the son of resounding Morven?'

"They came forth, like the streams of the desert, with the roar of their hundred tribes. Cona was a rock before them: broken, they rolled on every side. But often they returned, and the sons of Selma fell. The king stood, among the tombs of his warriors. He darkly bent his mournful face. His soul was rolled into itself: and he had marked the place where he was to fall: when Trathal came, in his strength, his brother from cloudy Morven. Nor did he come alone. Colgar was at his side: Colgar the son of the king and of white-bosomed Solin-corma.

"As Trenmor, clothed with meteors, descends from the halls of thunder, pouring the dark storm before him over the troubled sea: so Colgar descended to battle, and wasted the echoing field. His father rejoiced over the hero: but an arrow came! His tomb was raised without a tear. The king was to revenge his son. He lightened forward in battle, till Bolga yielded at her streams!

"When peace returned to the land: when his blue waves bore the king to Morven: then he remembered his son, and poured the silent tear. Thrice did the bards, at the cave of Furmono, call the soul of Colgar. They called him to the hills of his land. He heard them in his mist. Trathal placed his sword in the cave, that the spirit of his son might rejoice."

"Colgar, son of Trathal," said Fillan, "thou wert renowned in youth! but the king hath not marked my sword, bright streaming on the field. I go forth with the crowd. I return without my fame. But the foe approaches, Ossian! I hear their murmur on the heath. The sound of their steps is like thunder, in the bosom of the ground, when the rocking hills shake their groves, and not a blast pours from the darkened sky!"

Ossian turned sudden on his spear. He raised the flame of an oak on high. I spread it large on Mora's wind. Cathmor stopt in his course. Gleaming he stood, like a rock, on whose sides are the wandering blasts; which seize its echoing streams, and clothe them with ice. So stood the friend of strangers! The winds lift his heavy locks. Thou art the tallest of the race of Erin, king of streamy Atha!

"First of bards" said Cathmor, "Fonar, call the chiefs of Erin. Call red-haired Cormar: dark-browed Malthos: the sidelong-looking gloom of Maronnan. Let the pride of Foldath appear. The red-rolling eye of Turlotho. Nor let Hidalla be forgot; his voice, in danger, is the sound of a shower, when it falls in the blasted vale, near Atha's falling stream. Pleasant is its sound on the plain, whilst broken thunder travels over the sky!"

They came in their clanging arms. They bent forward to his voice, as if a spirit of their fathers spoke from a cloud of night. Dreadful shone they to the light, like the fall of the stream of Bruno, when the meteor lights it, before the nightly stranger. Shuddering he stops in his journey, and looks up for the beam of the morn!

"Why delights Foldath," said the king, "to pour the blood of foes by night? Fails his arm in battle, in the beams of day? Few are the foes before us; why should we clothe us in shades? The valiant delight to shine in the battles of their land! Thy counsel was in vain, chief of Moma! The eyes of Morven do not sleep. They are watchful as eagles on their mossy rocks. Let each collect beneath his cloud the strength of his roaring tribe. To-morrow I move, in light, to meet the foes of Bolga! Mighty was he that is low, the race of Borbar-duthul!"

"Not unmarked," said Foldath, "were my steps be. fare thy race. In light, I met the foes of Cairbar. The warrior praised my deeds. But his stone was raised without a tear! No bard sung over Erin's king. Shall his foes rejoice along their mossy hills? No they must not rejoice! He was the friend of Foldath. Our words were mixed, in secret, in Moma's silent cave; whilst thou, a boy in the field, pursued'st the thistle's beard. With Moma's sons I shall rush abroad, and find the foe on his dusky hills. Fingal shall die without his song, the gray-haired king of Selma."

" Dost thou think, thou feeble man," replied Cathmor, half enraged: "Dost thou think Fingal can fail, without his fame, in Erin? Could the bards be silent at the tomb of Selma's king; the song would burst in secret! the spirit of the king would rejoice! It is when thou shalt fall, that the bard shall forget the song. Thou art dark, chief of Moma, though thine arm is a tempest in war. Do I forget the king of Erin, in his narrow house? My soul is not lost to Cairbar, the brother of my love! I marked the bright beams of joy which travelled over his cloudy mind, when I returned, with fame, to Atha of the streams."

Tall they removed, beneath the words of the king. Each to his own dark tribe; where, humming, they rolled on the heath, faint-glittering to the stars: like waves in a rocky bay, before the nightly wind. Beneath an oak lay the chief of Atha. His shield, a dusky round, hung high. Near him, against a rock, leaned the fair stranger of Inis-huna: that beam of light, with wandering locks, from Lumon of the roes. At a distance rose the voice of Fonar, with the deeds of the days of old. The song fails, at times, in Lubar's growing roar.

"Crothar," began the bard, first dwelt at Atha's mossy stream! A thousand oaks, from the mountains, formed his echoing hail. The gathering of the people

was there, around the feast of the blue-eyed king. But who, among his chiefs, was like the stately Crothar? Warriors kindled in his presence. The young sigh of the virgins rose. In Alnecma was the warrior honored: the first of the race of Bolga.

"He pursued the chase in Ullin: on the moss-covered top of Drumardo. From the wood looked the daughter of Cathmin, the blue-rolling eye of Con-láma. Her sigh rose in secret. She bent her head, amidst her wandering locks. The moon looked in, at night, and saw the white tossing of her arms; for she thought of the mighty Crothar in the season of dreams.

"Three days feasted Crothar with Cathmin. On the fourth they awaked the hinds. Con-láma moved to the chase, with all her lovely steps. She met Crothar in the narrow path. The bow fell at once from her hand. She turned her face away, and half hid it with her locks. The love of Crothar rose. He brought the white-bosomed maid to Atha. Bards raised the song in her presence. Joy dwelt round the daughter of Cathmin.

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poem by James Macpherson
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The Witch of Hebron

A Rabbinical Legend

Part I.
From morn until the setting of the sun
The rabbi Joseph on his knees had prayed,
And, as he rose with spirit meek and strong,
An Indian page his presence sought, and bowed
Before him, saying that a lady lay
Sick unto death, tormented grievously,
Who begged the comfort of his holy prayers.
The rabbi, ever to the call of grief
Open as day, arose; and girding straight
His robe about him, with the page went forth;
Who swiftly led him deep into the woods
That hung, heap over heap, like broken clouds
On Hebron’s southern terraces; when lo!
Across a glade a stately pile he saw,
With gleaming front, and many-pillared porch
Fretted with sculptured vinage, flowers and fruit,
And carven figures wrought with wondrous art
As by some Phidian hand.

But interposed
For a wide space in front, and belting all
The splendid structure with a finer grace,
A glowing garden smiled; its breezes bore
Airs as from paradise, so rich the scent
That breathed from shrubs and flowers; and fair the growths
Of higher verdure, gemm’d with silver blooms,
Which glassed themselves in fountains gleaming light
Each like a shield of pearl.

Within the halls
Strange splendour met the rabbi’s careless eyes,
Halls wonderful in their magnificance,
With pictured walls, and columns gleaming white
Like Carmel’s snow, or blue-veined as with life;
Through corridors he passed with tissues hung
Inwrought with threaded gold by Sidon’s art,
Or rich as sunset clouds with Tyrian dye;
Past lofty chambers, where the gorgeous gleam
Of jewels, and the stainèd radiance

Of golden lamps, showed many a treasure rare
Of Indian and Armenian workmanship
Which might have seemed a wonder of the world:
And trains of servitors of every clime,
Greeks, Persians, Indians, Ethiopians,
In richest raiment thronged the spacious halls.

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poem by Charles Harpur
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Temora - Book V

ARGUMENT.

The poet, after a short address to the harp of Cona, describes the arrangement of both armies on either side of the river Lubar. Fingal gives the command to Fillan; but at the same time orders Gaul, the son of Morni, who had been wounded in the hand in the preceding battle, to assist him with his counsel. The army of the Fir-bolg is commanded by Foldath. The general onset is described. the great actions of Fillan. He kills Rothmar and Culmin. But when Fillan conquers in one wing, Foldath presses hard on the other. He wounds Dermid, the son of Duthno, and puts the whole wing to flight. Dermid deliberates with himself. and, at last, resolves to put a stop to the progress of Foldath, by engaging him in single combat. When the two chiefs were approaching towards one another, Fillan came suddenly to the relief of Dermid; engaged Foldath, and killed him. The behavior of Malthos towards the fallen Foldath. Fillan puts the whole army, of the Fir-bolg to flight. The book closes with an address to Clatho, the mother of that hero.

THOU dweller between the shields that hang, on high, in Ossian's hall! Descend from thy place, O harp, and let me hear thy voice! Son of Alpin, strike the string. Thou must awake the soul of the bard. The murmur of Lora's stream has rolled the tale away. I stand in the cloud of years. Few are its openings towards the' past; and when the vision comes, it is but dim and dark. I hear thee, harp of Selma! my soul returns like a breeze, which the sun brings back to the vale, where dwelt the lazy mist.

Lubar is bright before me in the windings of its vale. On either side, on their hills, arise the tall forms of the kings. Their people are poured around them, bending forward to their words: as if their fathers spoke, descending from the winds. But they themselves are like two rocks in the midst; each with its dark head of pines, when they are seen in the desert, above low-sailing mist. High on their face are streams which spread their foam on blasts of wind!

Beneath the voice of Cathmor pours Erin, like the sound of flame. Wide they come down to Lubar. Before them is the stride of Foldath. But Cathmor retires to his hill, beneath his bending oak. The tumbling of a stream is near the king. He lifts, at times, his gleaming spear. It is a flame to his people, in the midst of war. Near him stands the daughter of Conmor, leaning on a rock. She did not rejoice at the strife. Her soul delighted not in blood. A valley spreads green behind the hill, with its three, blue streams. The sun is there in silence. The dun mountain roes come down. On these are turned the eyes of Sul-malla in her thoughtful mood.

Fingal beholds Cathmor, on high, the son of Borbar-duthul! he beholds the deep rolling of Erin, on the darkened plain. He strikes that warning boss, which bids the people to obey, when he sends his chief before them, to the field of renown. Wide rise their spears to the sun. Their echoing shields reply around. Fear, like a vapor, winds not among the host: for he, the king, is near, the strength of streamy Selma. Gladness brightens the hero. We hear his words with joy.

"Like the coming forth of winds, is the sound of Selma's sons! They are mountain waters, determined in their course. Hence is Fingal renowned. Hence is his name in other lands. He was not a lonely beam in danger: for your steps were always near! But never was Fingal a dreadful form, in your presence, darkened into wrath. My voice was no thunder to your ears. Mine eyes sent forth no death. When the haughty appeared, I beheld them not. They were forgot at my feasts. Like mist they melted away. A young beam is before you! Few are his paths to war! They are few, but he is valiant. Defend my dark-haired son. Bring Fillan back with joy. Hereafter he may stand alone. His form is like his fathers. His soul is a flame of their fire. Son of car-borne Morni, move behind the youth. Let thy voice reach his ear, from the skirts of war. Not unobserved rolls battle before thee, breaker of the shields."

The king strode, at once, away to Cormul's lofty rock. Intermitting darts the light from his shield, as slow the king of heroes moves. Sidelong rolls his eye o'er the heath, as forming advance the lines. Graceful fly his half-gray locks round his kingly features, now lightened with dreadful joy. Wholly mighty is the chief! Behind him dark and slow I moved. Straight came forward the strength of Gaul. His shield hung loose on its thong. He spoke, in haste, to Ossian. "Bind, son of Fingal, this shield! Bind it high to the side of Gaul. The foe may behold it, and think I lift the spear. If I should fall, let my tomb be hid in the field; for fall I must without fame. Mine arm cannot lift the steel. Let not Evir-choma hear it, to blush between her locks. Fillan, the mighty behold us! Let us not forget the strife. Why should they come from their hills, to aid our flying field!"

He strode onward, with the sound of his shield. My voice pursued him as he went. "Can the son of Morni fall, without his fame in Erin? But the deeds of the mighty are forgot by themselves. They rush carless over the fields of renown. Their words are never heard!" I rejoiced over the steps of the chief. I strode to the rock of the king, where he sat, in his wandering locks, amid the mountain wind!

In two dark ridges bend the host towards each other, at Lubar Here Foldath rises a pillar of darkness: there brightens the youth of Fillan. Each, with his spear in the stream, sent forth the voice of war. Gaul struck, the shield of Selma. At once they plunge in battle! Steel pours its gleam on steel: like the fall of streams shone the field, when they mix their foam together, from two dark-browed rocks! Behold he comes, the son of fame! He lays the people low! Deaths sit on blasts around him! Warriors strew thy paths, O Fillan!

Rothmar, the shield of warriors, stood between two chinky rocks. Two oaks, which winds had bent from high, spread their branches on either side. He rolls his darkening eyes on Fillan, and, silent, shades his friends. Fingal saw the approaching fight. The hero's soul arose. But as the stone of Loda falls, shook, at once, from rocking Drumanard, when spirits heave the earth in their wrath; so fell blue-shielded Rothmar.

Near are the steps of Culmin; the youth came, bursting into tears. Wrathful he cut the wind, ere yet he mixed his strokes with Fillan. He had first bent the bow with Rothmar, at the rock of his own blue streams. There they had marked the place of the roe, as the sunbeam flew over the fern. Why, son of Cul-allin! why, Culmin, dost thou rush on that beam of light? It is a fire that consumes. Son of Cul-allin, retire. Your fathers were not equal in the glittering strife of the field. The mother of Culmin remains in the hall. She looks forth on blue-rolling Strutha. A whirlwind rises, on the stream, dark-eddying round the ghost of her son. His dogs are howling in their place. His shield is bloody in the hall. "Art thou fallen, my fair-haired son, in Erin's dismal war?"

As a roe, pierced in secret, lies panting, by her wonted streams; the hunter surveys her feet of wind! He remembers her stately bounding before. So lay the son of Cul-allin beneath the eye of Fillan. His hair is rolled in a little stream. His blood wanders on his shield. Still his hand holds the sword, that failed him in the midst of danger. "Thou art fallen," said Fillan, "ere yet thy fame was heard. Thy father sent thee to war. He expects to hear of thy deeds. He is gray, perhaps, at his streams. His eyes are towards Moi-lena. But thou shalt not return with the spoil of the fallen foe!"

Fillan pours the flight of Erin before him, over the resounding heath. But, man on man, fell Morven before the dark-red rage of Foldath: for, far on the field, he poured the roar of half his tribes. Dermid stands before him in wrath. The sons of Selma gathered around. But his shield is cleft by Foldath. His people fly over the heath.

Then said the foe in his pride, "They have fled. My fame begins! Go, Malthos, go bid Cathmor guard the dark rolling of ocean; that Fingal may not escape from my sword. He must lie on earth. Beside some fen shall his tomb be seen. It shall rise without a song. His ghost shall hover, in mist, over the reedy pool."

Malthos heard, with darkening doubt. He rolled his silent eyes. He knew the pride of Foldath. He looked up to Fingal on his hills; then darkly turning, in doubtful mood, he plunged his sword in war.

In Clono's narrow vale, where bend two trees above the stream, dark, in his grief, stood Duthno's silent son. The blood pours from the side of Dermid. His shield is broken near. His spear leans against a stone. Why, Dermid, why so sad? "I hear the roar of battle. My people are alone. My steps are slow on the heath and no shield is mine. Shall he then prevail? It is then after Dermid is low! I will call thee forth, O Foldath, and meet thee yet in fight."

He took his spear, with dreadful joy. The son of Morni came. "Stay, son of Duthno, stay thy speed. Thy steps are marked with blood. No bossy shield is thine. Why shouldst thou fall unarmed?" — "Son of Morni, give thou thy shield. It has often rolled back the war! I shall stop the chief in his course. Son of Morni, behold that stone! It lifts its gray head through grass. There dwells a chief of the race of Dermid. Place me there in night."

He slowly rose against the hill. He saw the troubled field: the gleaming ridges of battle, disjointed and broken around. As distant fires, on heath by night, now seem as lost in smoke: now rearing their red streams on the hill, as blow or cease the winds; so met the intermitting war the eye of broad-shielded Dermid. Through the host are the strides of Foldath, like some dark ship on wintry waves, when she issues from between two isles to sport on resounding ocean!

Dermid with rage beholds his course. He strives to rush along. But he fails amid his steps; and the big tear comes down. He sounds his father's horn. He thrice strikes his bossy shield. He calls thrice the name of Foldath, from his roaring tribes. Foldath, with joy, beholds the chief. He lifts aloft his bloody spear. As a rock is marked with streams, that fell troubled down its side in a storm; so streaked with wandering blood, is the dark chief of Moma! The host on either side withdraw from the contending kings. They raise, at once, their gleaming points. Rushing comes Fillan of Selma. Three paces back Foldath withdraws, dazzled with that beam of light, which came, as issuing from a cloud, to save the wounded chief. Growing in his pride he stands. He calls forth all his steel.

As meet two broad-winged eagles, in their sounding strife, in winds: so rush the two chiefs, on Moi-lena, into gloomy fight. By turns are the steps of the kings [Fingal and Cathmor] forward on their rocks above; for now the dusky war seems to descend on their swords. Cathmor feels the joy of warriors!, on his mossy hill: their joy in secret, when dangers rise to match their souls. His eye is not turned on Lubar, but on Selma's dreadful king. He beholds him, on Mora, rising in his arms.

Foldath falls on his shield. The spear of Fillan pierced the king. Nor looks the youth on the fallen, but onward rolls the war. The hundred voices of death arise. "Stay, son of Fingal, stay thy speed. Beholdest thou not that gleaming form, a dreadful sign of death? Awaken not the king of Erin. Return, son of blue-eyed Clatho."

Malthos beholds Foldath low. He darkly stands above the chief. Hatred is rolled from his soul. He seems a rock in a desert, on whose dark side are the trickling of waters; when the slow-sailing mist has left it, and all its trees are blasted with winds. He spoke to the dying hero about the narrow house. "Whether shall thy gray stones rise in Ullin, or in Moma's woody land; where the sun looks, in secret, on the blue streams of Dalrutho? Them are the steps of thy daughter, blue-eyed Dardu-lena!"

"Rememberest thou her," said Foldath, "because no son is mine; no youth to roll the battle before him, in revenge of me? Malthos, I am revenged. I was not peaceful in the field. Raise the tombs of those I have slain, around my narrow house. Often shall I forsake the blast, to rejoice above their graves; when I behold them spread around, with their long-whistling grass."

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poem by James Macpherson
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Any form of life was better than death

I felt like committing suicide there and then itself. Everytime I saw countless haplessly orphaned children; being viciously kicked into dustbins of malice; for ostensibly no reason or rhyme,

I felt like committing suicide there and then itself. Everytime I saw the pricelessly innocuous female fetus; being brutally assassinated and aborted; right in the very depths of the unassailably godly womb,

I felt like committing suicide there and then itself. Everytime I saw heartlessly cold-blooded men; ruthlessly felling innumerable a tree; using its blessed branches; trunk and roots; for evolving lifelessly wastrel commodities,

I felt like committing suicide there and then itself. Everytime I saw demonically manipulating politicians; weigh the very essence of unconquerably righteous life; in terms of wantonly decrepit currency coin,

I felt like committing suicide there and then itself. Everytime I saw innocently minor girls being brutally raped; by the diabolically idiosyncratic perversions of sadistic man,

I felt like committing suicide there and then itself. Everytime I saw peerlessly impeccable blood being parasitically sucked from newborn forms; just in order to spuriously enrich and consecrate; the already blessed and bountiful human form,

I felt like committing suicide there and then itself. Everytime I saw boundless wives and children reduced to a cadaverous carcass; as the man of the family simply refrained to budge an inch to earn; cannibalistically guzzling the last dropp of wine and vixen; to be found of planet earth,

I felt like committing suicide there and then itself. Everytime I saw beautifully fructifying wildlife being emotionlessly beheaded; just in order to become the exuberant delicacy; of the already replenished palette,

I felt like committing suicide there and then itself. Everytime I saw robustly ebullient organisms doing nothing but just endlessly gazing at fathomless sky; nonsensically proclaiming that their destiny would one day and eventually take them to the absolute epitome of cloud nine,

I felt like committing suicide there and then itself. Everytime I saw one man derogatorily slaving and slavering for another man; wherein the Omnipotent Creator had created all symbiotically equal in the first place,

I felt like committing suicide there and then itself. Everytime I saw millions of innocent being indiscriminately butchered; in the wrath and aftermath of barbarously thwarting bombardment and war,

I felt like committing suicide there and then itself. Everytime I saw satanic terrorists launch an inconsolably pulverizing assault on one particular fraternity of mankind; in the name of sacrifice to the Omnipresent Lord,

I felt like committing suicide there and then itself. Everytime I saw hordes of people blindfoldedly offering their last ounce of wealth to the Omnipotent deity of the Lord; who in the first place owned every speck of the unending Universe; and who wanted them to benevolently donate the same to all suffering living kind instead,

I felt like committing suicide there and then itself. Everytime I saw school going girls and boys begging hoarsely on the obdurately chauvinistic streets; with their parents abhorrently using them to tickle the soft corner of the opulent society,
I felt like committing suicide there and then itself. Everytime I saw women of all ages; right from the age of my daughter; to sister to mother; tawdrily selling their flesh to hedonistically dastardly men; just for securing those two quintessential morsels of food,

I felt like committing suicide there and then itself. Everytime I saw limitless dying unattended on the freezing streets; because of unforgivably ghastly corruption; viciously infiltrating in every echelon of the government and society,

I felt like committing suicide there and then itself. Everytime I saw impudently pretentious brats; telling their life-bestowing parents to clean the stagnating shit in their houses; whilst they themselves deliriously drowned themselves; into barrels of sinfully expensive wine and cigarette smoke,

I felt like committing suicide there and then itself. Everytime I saw the most perpetually faithful of lovers salaciously separate like a miserably broken leaf; at the tiniest of objection from the sanctimoniously turgid society,

I felt like committing suicide there and then itself. Everytime I saw selfishly shriveled man; praying to God for solely impregnating his lungs with a countless breaths; instead of immortally sharing the same in perfect symbiosis with endless numbers of his own kind,

But when I was actually committing suicide. I felt that any form of life was better than death; as I approached my very last breath. For if at all I could endeavor my very best to ameliorate every fraternity of estranged and maliciously cannibalistic living kind; then by the grace of God it could be only while in undefeated life and not the slightest after stonily gory death…

poem by Nikhil Parekh
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Eventually

I met a man
And talked about you
He seemed like a man from Osaka I knew
And he listened while I told him how you hurt me
And he consoled me when he told me he'd been hurt too
And he said we are inter-dependent
And the effects on each other never ending
And that the air has no boundaries
I think this water that surrounds me
Is the same water soaking through to you
So what comes floating to me
Eventually
Will come floating back to you
What comes floating to me
Eventually
Will come floating back to you
I had some tea
With a gal from Paris
We talked about life, sex, love and poetry
And you can't help it
Your name came up again
And she said man those kind of guys
Really know how to steal all of the oxygen
And I said we are inter-dependent
And the effects on each other never ending
And that the air has no boundaries
I think this water that surrounds me
Is the same water soaking' through to you
So what comes floating to me
Eventually
Will come floating back to you
What comes floating to me
Eventually
Will come floating back to you
I have a friend I confide in
He always says doll you got to learn not to lead with your chin
But you can't help it
It all comes up again
And then you have your fill
And your spill reaches down as far as a flood
So what comes floating to me
Eventually
Will come floating back to you
What comes floating to me
Eventually
Will come floating back to you
Eventually
Eventually
Will come floating back to you
Eventually

[...] Read more

song performed by Cyndi Lauper
Added by Lucian Velea
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Joy & Pain

Heaven aint your place girl , not now anyways
And in this hell yeah yeah , you cant erase
All of the pain , that youve been given
That aint the reason yeah , that youve been driven
Watch the hand as its movin ,
24 times around
Every seconds like a minute ,
Till youre back on the ground
Ive felt joy and Ive felt pain (girl Im sorry)
Ive felt joy and Ive felt pain (girl Im sorry)
Ive felt joy and Ive felt pain (girl Im sorry)
But I know Im gonna see you again
Girl we had our chances , we knew from the start
That we could take heaven yeah and tear it apart tear it apart
You gotta take a chance girl , you gotta lead me by the hand
And turn this wild one , into a family man..come on
Many miles been between us since I walked away
Girl Im sorry what I did to you , this time Im here to stay
Ive felt joy and Ive felt pain (girl Im sorry)
Ive felt joy and Ive felt pain (girl Im sorry)
Ive felt joy and Ive felt pain (girl Im sorry)
But I know baby Im gonna see you again
But I know yeah
Ive felt pain Ive felt joy yeah
Heaven aint your place girl , not now anyways
And in this hell yeah yeah , you cant erase
All of the pain , that youve been given
That aint the reason yeah , that youve been driven
Watch the hand as its movin ,
24 times around
Every seconds like a minute ,
Till youre back on the ground
Ive felt joy and Ive felt pain (and the girls say)
Ive felt joy and Ive felt pain (and the girls say)
Ive felt joy and Ive felt pain (girl Im sorry)
Ive felt joy and Ive felt pain (girl Im sorry [x3])
But I know Im gonna see you again

song performed by Ronan Keating
Added by Lucian Velea
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A Map Of Culture

Culture

Contents

What is Culture?

The Importance of Culture

Culture Varies

Culture is Critical

The Sociobiology Debate

Values, Norms, and Social Control

Signs and Symbols

Language

Terms and Definitions

Approaches to the Study of Culture

Are We Prisoners of Our Culture?

What is Culture?

I prefer the definition used by Ian Robertson: 'all the shared products of society: material and nonmaterial' (Our text defines it in somewhat more ponderous terms- 'The totality of learned, socially transmitted behavior. It includes ideas, values, and customs (as well as the sailboats, comic books, and birth control devices) of groups of people' (p.32) .

Back to Contents

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poem by Nyein Way
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With Rose In Hand

Prayer is worth more than a rose
in my hand where love grows
for God and all he knows
The rose has a thorn
which Jesus felt on the crown he had worn.
the rose is red as the blood from his head
when he was crucifed before we were born.

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poem by Meg Harrison
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The Loves of the Angels

'Twas when the world was in its prime,
When the fresh stars had just begun
Their race of glory and young Time
Told his first birth-days by the sun;
When in the light of Nature's dawn
Rejoicing, men and angels met
On the high hill and sunny lawn,-
Ere sorrow came or Sin had drawn
'Twixt man and heaven her curtain yet!
When earth lay nearer to the skies
Than in these days of crime and woe,
And mortals saw without surprise
In the mid-air angelic eyes
Gazing upon this world below.

Alas! that Passion should profane
Even then the morning of the earth!
That, sadder still, the fatal stain
Should fall on hearts of heavenly birth-
And that from Woman's love should fall
So dark a stain, most sad of all!

One evening, in that primal hour,
On a hill's side where hung the ray
Of sunset brightening rill and bower,
Three noble youths conversing lay;
And, as they lookt from time to time
To the far sky where Daylight furled
His radiant wing, their brows sublime
Bespoke them of that distant world-
Spirits who once in brotherhood
Of faith and bliss near ALLA stood,
And o'er whose cheeks full oft had blown
The wind that breathes from ALLA'S throne,
Creatures of light such as still play,
Like motes in sunshine, round the Lord,
And thro' their infinite array
Transmit each moment, night and day,
The echo of His luminous word!

Of Heaven they spoke and, still more oft,
Of the bright eyes that charmed them thence;
Till yielding gradual to the soft
And balmy evening's influence-
The silent breathing of the flowers-
The melting light that beamed above,
As on their first, fond, erring hours,-
Each told the story of his love,
The history of that hour unblest,
When like a bird from its high nest

[...] Read more

poem by Thomas Moore
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If It's Love!

It's important that unshown love,
Comes directly shown from you.
To say it...
Doesn't make,
That-love-be-true!

It's important that unshown love,
Is a thing one wants to do...
Just to prove what is said,
Is absolutely true.

A hug,
And maybe a kiss.
A touch,
That has been missed.
A show of thoughtfulness...
Can go a very long distance.

A call,
Every once in a while...
Will go further than a mile.
If love is there to be shared...
Show someone they are cared for!
And doubts will come no more.

It's important that unshown love,
Comes directly shown from you.
To say it...
Doesn't make,
That-love-be-true!

It's important it's directly shown,
If it's love.
Yes!

It's important it's directly shown,
If it's love.
Yes!

It's important it's directly shown.
It's important it's directly shown.
It's important it's directly shown,
If it's love!

It shoos a boo-hooin'...
Known.

It's important it's directly shown.
It's important it's directly shown.
It's important it's directly shown,

[...] Read more

poem by Lawrence S. Pertillar
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Take Me Back

Ive been walking by the river
Ive been walking down by the water
Ive been walking down by the river
Ive been feeling so sad and blue
Ive been thinking, Ive been thinking, Ive been thinking,
Ive been thinking, Ive been thinking, Ive been thinking,
Ah theres so much suffering, and its
Too much confusion, too much, too much confusion in the world
Take me back, take me back, take me back
Take me way back, take me way back, take me way back
Take me way back, take me way back, take me way back
Take me way back, take me way back, ah!
Take me way, way, way, way, way, way, way back, huh!
Help me un.....help me understand
Take me, do you remember the time darlin
When everything made more sense in the world (yeah)
Oh I remember, I remember
When life made more sense
Ah, ah, take me back, take me back, take me back, take me back
Take me back, take me back, take me back, take me back
Take me back (woah) to when the world made more sense
Well theres too much suffering and confusion
And Im walking down by the river
Oh, let me understand religion
Way, way back, way back
When you walked, in a green field, in a green meadow
Down an avenue of trees
On a, on a golden summer
And the sky was blue
And you didnt have no worries, you didnt have no care
You were walking in a green field
In a meadow, through the buttercups, in the summertime
And you looked way out over, way out
Way out over the city and the water
And it feels so good, and it feels so good
And you keep on walking
And the music on the radio, and the music on the radio
Has so much soul, has so much soul
And you listen, in the nightime
While were still and quiet
And you look out on the water
And the big ships, and the big boats
Came on sailing by, by, by, by
And you felt so good, and I felt so good
I felt I wanna blow my harmonica
Take me back, there, take me way back there
Take me back, take me back, take me back
Take me way, way, way back, way back
To when, when I understood
When I understood the light, when I understood the light

[...] Read more

song performed by Van Morrison
Added by Lucian Velea
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I felt the most immortal woman

I felt the most wonderfully ameliorated woman on this fathomless Universe; when you poignantly sketched even the most infinitesimal contour of my sensuously impoverished form,

I felt the most unbelievably liberated woman on this boundless Universe; when you flirtatiously chased me till times beyond infinite infinity; behind those voluptuously rain soaked hills,

I felt the most unassailably virile woman on this indefatigable Universe; when you passionately interlocked every pore of your naked flesh with mine; tantalizingly stroking your masculine fingers through every crevice of my nubile spine,

I felt the most fearlessly intrepid woman on this endless Universe; when you timelessly stared into the whites of my eye; exploring and magically deciphering its never-ending mysteries and astounding depth,

I felt the most eclectically endowed woman on this resplendent Universe; when you whispered a tale of inscrutable desire into my ears; gently nibbling at their lobes as the Sun slowly sunk behind the enchantingly evanescent horizons,

I felt the most impregnably honored woman on this inexhaustible Universe; when you unceasingly called my name infront of the entire planet; without the tiniest of embarrassment or uncanny fear in your profoundly muscled chest,

I felt the most jubilantly fructifying woman on this boundless Universe; when you sowed the seed of your friendship; deep into the most innermost crannies of my crimson blood and veins,

I felt the most inimitably undefeated woman on this triumphant Universe; when you unflinchingly stood by my diminutive side; in my times of inexplicably asphyxiating duress and celestial felicity; alike,

I felt the most pricelessly perennial woman on this ever-pervading Universe; when you compassionately coalesced even the most mercurial line on your palms; with the innumerable permutations and combinations of destiny on my laconic hands,

I felt the most euphorically learned woman on this everlasting Universe; when you unabashedly embossed your signature of humanitarian goodness upon both my breasts; unafraid of even the most diabolical of consequence to unfurl,

I felt the most incredulously serenaded woman on this bountiful Universe; when you timelessly conserved even the most infinitesimal droplet of my sweat; in the center of your reflection even in the most hedonistic of mayhem and maelstroms,

I felt the most victoriously accomplished woman on this limitless Universe; when you blessed me with your unconquerably divinely child; fertilizing me with your undying manhood for times and centuries immemorial,

I felt the most ubiquitously worshipped woman on this unsurpassable Universe; when you discovered the most replenishing sleep of your life on the soles of my Spartan feet; wholesomely oblivious to even the most lucratively magnetizing vagaries of this treacherously robotic planet,

I felt the most astoundingly fragrant woman on this gargantuan Universe; when you tirelessly blended every of your fierily unbridled breath with mine; at the most ethereal insinuation of Sunrise and seductive nightfall,

I felt the most unlimitedly possessed woman on this spell-binding Universe; when you placed me as the most supreme throne in even the most obfuscated of your fantasy; overruling even the most uncontrollably obsessive desire of your body,

I felt the most ecstatically imaginative woman on this panoramic Universe; when you inundated even the most transient portions of my mind; body and soul; with the unconquerably optimistic kisses of tomorrow,

I felt the most opulently inebriated woman on this proliferating Universe; when you unstoppably traced the hapless barrenness of my skin; with your magically velvety tongue,

I felt the most inevitably surrendered woman on this spell-binding Universe; when you impregnably clasped me in your fervent arms; the very first time we proposed each other; to be insuperably bonded for an infinite more lifetimes,

And I felt the most blessedly immortal woman on this miraculous Universe; when you loved me more than you could love any other woman on this interminable earth; granting me not only the status of your beloved wife; but every breath that you undefeatedly inhaled in the tenure of your truncated life…

©®copyright-2005, by nikhil parekh. all rights reserved.

poem by Nikhil Parekh
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The Lost Letter

In the postoffice window was one broken pane;
In the wainscot there was one loosen'd board;
And conveniently near was the broad oaken table,
Where the mail from the bag had been pour'd,
'Twas a morning in May, with a sweet odor'd breeze;
And it happen'd unnotic'd by all,
That a most precious missive, that love laden letter,
Flutter'd down thro' the gap in the wall.

Two lives wreck'd by a zephyr!
Two hearts crush'd by the fall,
When that most precious missive, that love laden letter,
Flutter'd down thro' the gap in the wall.

Both were faithful and true, 'Twas a gossip's remark,
that had clouded loving hearts with concern.
Then, alas! came a quarrel; and she, in her anger,
Bade him go, nevermore to return.
Oh, how soon she repented! how great was her grief,
And how humbly she penn'd her recall!
But that most precious missive, that love laden letter,
Flutter'd down thro' the gap in the wall.

It was just on the morrow the carpenter came,
Such defections in that wall to repair;
And he hammer'd and sang, and departed unmindful
Of the hearts he had thus burried there.
And in heaps on the table, all safe and secure,
There lay many a valueless scrawl,
Where that most precious missive, that love laden letter,
Flutter'd down thro' the gap in the wall.

"When she learns how she wrongs me, my darling will write!"
Mus'd the lover, as he watch'd for the mail;
But his letter came not, and, dishearten'd and hopeless,
For a land far away he set sail.
Oh! the long weary years of suspense and regret,
And of presage perplexing withal,
Since that most precious missive, that love laden letter,
Flutter'd down thro' the gap in the wall.

From the time-crumbled pile came the time-faded sheet,
With its ancient superscription and date;
And from exile the lover, the yet faithful lover,
Hasten'd home, to seal his fate.
'Twas his most cruel pang that he might not explain
To the sleeper beneath her black pall,
How that most precious missive, that love laden letter
Flutter'd down thro' the gap in the wall.

poem by Henry Clay Work
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Temora - Book III

ARGUMENT.

Morning coming on, Fingal, after a speech to his people, devolved the command on Gaul, the son of Morni; it being the custom of the times, that the king should not engage, till the necessity of affairs required his superior valor and conduct. The king and Ossian retire to the hill of Cormul, which overlooked the field of battle. The bards sing the war-song. The general conflict is described. Gaul, the son of Morni, distinguishes himself; kills Tur-lathon, chief of Moruth, and other chiefs of lesser name. On the other hand, Foldath, who commanded the Irish army (for Cathmor, after the example of Fingal, kept himself from battle,) fights gallantly; kills Connal, chief of Dun-lora, and advances to engage Gaul himself. Gaul, in the mean time, being wounded in the hand, by a random arrow, is covered by Fillan the son of Fingal, who performs prodigies of valor. Night comes on. The horn of Fingal recalls his army. The bards meet them with a congratulatory song, in which the praises of Gaul and Fillan are particularly celebrated. The chiefs sit down at a feast; Fingal misses Connal. The episode of Connal and Duth-caron is introduced; which throws further light on the ancient history of Ireland. Carril is despatched to raise the tomb of Connal. The action of this book takes up the second day from the opening of the poem.

"Who is that at blue-streaming Lubar? Who, by the bending hill of roes? Tall he leans on an oak torn from high, by nightly winds. Who but Comhal's son, brightening in the last of his fields? His gray hair is on the breeze. He half unsheathes the sword of Luno. His eyes are turned to Moi-lena, to the dark moving of foes. Dost thou hear the voice of the king? it is like the bursting of a stream in the desert, when it comes, between its echoing rocks, to the blasted field of the sun!

Wide-skirted comes down the foe! Sons of woody Selma, arise! Be ye like the rocks of our land, in whose brown sides are the rolling of streams. A beam of joy comes on my soul. I see the foe mighty before me. It is when he is feeble, that the sighs of Fingal are heard: lest death should come without renown, and darkness dwell on his tomb. Who shall lead the war, against the host of Alnecma? It is only when danger grows, that my sword shalt shine. Such was the custom, heretofore, of Trenmor the ruler of winds! and thus descended to battle the blue-shielded Trathal!"

The chiefs bend towards the king. Each darkly seems to claim the war. They tell, by halves, their mighty deeds. They turn their eyes on Erin. But far before the rest the son of Morni stands. Silent he stands, for who had not heard of the battles of Gaul They rose within his soul. His hand, in secret, seized the sword. The sword which he brought from Strumon, when the strength of Morni failed. On his spear leans Fillan of Selma, in the wandering of his locks. Thrice he raises his eyes to Fingal: his voice thrice fails him as he speaks. My brother could not boast of battles: at once he strides away. Bent over a distant stream he stands: the tear hangs in his eye. He strikes, at times, the thistle's head, with his inverted spear. Nor is he unseen of Fingal. Sidelong he beholds his son. He beholds him with bursting joy; and turns, amid his crowded soul. In silence turns the king towards Mora of woods. He hides the big tear with his locks. At length his voice is heard.

"First of the sons of Morni! Thou rock that defiest the storm! Lead thou my battle for the race of low-laid Cormac. No boy's staff is thy spear: no harmless beam of light thy sword. Son of Morni of steeds, behold the foe! Destroy! Fillan, observe the chief! He is not calm in strife: nor burns he, heedless in battle. My son, observe the chief! He is strong as Lubar's stream, but never foams and roars. High on cloudy Mora, Fingal shall behold the war. Stand, Ossian, near thy father, by the falling stream. Raise the voice, O bards! Selma, move beneath the sound. It is my latter field. Clothe it over with light."

As the sudden rising of winds; or distant rolling of troubled seas, when some dark ghost in wrath heaves the billows over an isle: an isle the seat of mist on the deep, for many dark-brown years! So terrible is the sound of the host, wide moving over the field. Gaul is tall before them. The streams glitter within his strides. The bards raise the song by his side. He strikes his shield between. On the skirts of the blast the tuneful voices rise.

"On Crona," said the bards, "there bursts a stream by night. It swells in its own dark course, till morning's early beam. Then comes it white from the hill, with the rocks and their hundred groves. Far be my steps from Crona. Death is tumbling there. Be ye a stream from Mora, sons of cloudy Morven!

"Who rises, from his car, on Clutha? The hills are troubled before the king! The dark woods echo round, and lighten at his steel. See him amidst the foe, like Colgach's sportful ghost: when he scatters the clouds and rides the eddying winds! It is Morni of bounding steeds! Be like thy father, O Gaul!

"Selma is opened wide. Bards take the trembling harps. Ten youths bear the oak of the feast. A distant sunbeam marks the hill. The dusky waves of the blast fly over the fields of grass. Why art thou silent, O Selma? The king returns with all his fame. Did not the battle roar? yet peaceful is his brow! It roared, and Fingal overcame. Be like thy father, O Fillan!"

They move beneath the song. High wave their arms, as rushy fields beneath autumnal winds. On Mora stands the king in arms. Mist flies round his buckler abroad; as aloft it hung on a bough, on Cormul's mossy rock. In silence I stood by Fingal, and turned my eyes on Cromla's wood: lest I should behold the host, and rush amid my swelling soul. My foot is forward on the heath. I glittered, tall in steel: like the falling stream of Tromo, which nightly winds bind over with ice. The boy sees it on high gleaming to the early beam: towards it he turns his ear, wonders why it is so silent.

Nor bent over a stream is Cathmor, like a youth in a peaceful field. Wide he drew forward the war, a dark and troubled wave. But when he beheld Fingal on Mora, his generous pride arose. "Shall the chief of Atha fight, and no king in the field? Foldath, lead my people forth, thou art a beam of fire."

Forth issues Foldath of Moma, like a cloud, the robe of ghosts. He drew his sword, a flame from his side. He bade the battle move. The tribes, like ridgy waves, dark pour their strength around. Haughty is his stride before them. His red eye rolls in wrath. He calls Cormul, chief of Dun-ratho; and his words were heard.

"Cormul, thou beholdest that path. It winds green behind the foe. Place thy people there; lest Selma should escape from my sword. Bards of green-valleyed Erin, let no voice of yours arise. The sons of Morven must fall without song. They are the foes of Cairbar. Hereafter shall the traveller meet their dark, thick mist, on Lena, where it wanders with their ghosts, beside the reedy lake. Never shall they rise, without song, to the dwelling of winds."

Cormul darkened as he went. Behind him rushed his tribe. They sunk beyond the rock. Gaul spoke to Fillan of Selma; as his eye pursued the course of the dark-eyed chief of Dun-ratho. "Thou beholdest the steps of Cormul! Let thine arm be strong! When he is low, son of Fingal, remember Gaul in war. Here I fall forward into baffle, amid the ridge of shields!"

The sign of death ascends: the dreadful sound of Morni's shield. Gaul pours his voice between. Fingal rises on Mora. He saw them from wing to wing, bending at once in strife. Gleaming on his own dark hill, stood Cathmor, of streamy Atha. The kings were like two spirits of heaven, standing each on his gloomy cloud: when they pour abroad the winds, and lift the roaring seas. The blue tumbling of waves is before them, marked with the paths of whales. They themselves are calm and bright. The gale lifts slowly their locks of mist.

What beam of light hangs high in air? What beam but Morni's dreadful sword? Death is strewed on thy paths, O Gaul! Thou foldest them together in thy rage. Like a young oak falls Tur-lathon, with his branches round him. His high-bosomed spouse stretches her white arms, in dreams, to the returning chief, as she sleeps by gurgling Moruth, in her disordered locks. It is his ghost, Oichoma. The chief is lowly laid. Hearken not to the winds for Tur-lathon's echoing shield. It is pierced, by his streams. Its sound is passed away.

Not peaceful is the hand of Foldath. He winds his course in blood. Connal met him in fight. They mixed their clanging steel. Why should mine eyes behold them? Connal, thy locks are gray! Thou wert the friend of strangers, at the moss-covered rock of Dun-Ion. When the skies were rolled together: then thy feast was spread. The stranger heard the winds without; and rejoiced at thy burning oak. Why, son of Duth-caron, art thou laid in blood? the blasted tree bends above thee. Thy shield lies broken near. Thy blood mixes with the stream, thou breaker of the shields!

Ossian took the spear, in his wrath. But Gaul rushed forward on Foldath. The feeble pass by his side: his rage is turned on Moma's chief. Now they had raised their deathful spears: unseen an arrow came. it pierced the hand of Gaul. His steel fell sounding to earth. Young Fillan came, with Cormul's shield! lie stretched it large before the chief. Foldath sent his shouts abroad, and kindled all the field: as a blast that lifts the wide-winged flame over Lumon's echoing groves.

"Son of blue-eyed Clatho," said Gaul, "O Fillan! thou art a beam from heaven; that, coming on the troubled deep, binds up the tempest's wing. Cormul is fallen before thee. Early art thou in the fame of thy fathers. Rush not too far, my hero. I cannot lift the spear to aid. I stand harmless in battle: but my voice shall be poured abroad. The sons of Selma shall hear, and remember my former deeds."

His terrible voice rose on the wind. The host bends forward in fight. Often had they heard him at Strumon, when he called them to the chase of the hinds. He stands tall amid the war, as an oak in the skins of a storm, which now is clothed on high, in mist: then shows its broad waving head. The musing hunter lifts his eye, from his own rushy field!

My soul pursues thee, O Fillan! through the path of thy fame. Thou rollest the foe before thee. Now Foldath, perhaps, may fly: but night comes down with its clouds. Cathmor's horn is heard on high. The sons of Selma hear the voice of Fingal, from Mora's gathered mist. The bards pour their song, like den, on the returning war.

"Who comes from Strumon," they said, "amid her wandering locks? She is mournful in her steps, and lifts her blue eyes towards Erin. Why art thou sad, Evir-choma? Who is like thy chief in renown? He descended dreadful to battle; he returns, like a light from a cloud. He raised the sword in wrath: they shrunk before blue-shielded Gaul!

"Joy, like the rustling gale, comes on the soul of the king. He remembers the battles of old; the days wherein his fathers fought. The days of old return on Fingal's mind, as he beholds the renown of his sons. As the sun rejoices, from his cloud, over the tree his beams have raised, as it shades its lonely head on the heath; so joyful is the king over Fillan!

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poem by James Macpherson
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All Different, But Still The Same

Some people have short hair, some have long.
Some people have thick hair; some people’s hair is all gone.

Some people have black hair, some have gray.
Some people have brown hair, some blonde, some red.
Some people’s hair a color unsaid.

Some people are short, some people are tall.
Some people will love you; some won’t like you at all.

Some people like hot weather, some like cold.
Some people are timid, some people are bold.
Some people have dark skin, some people have light.
Some people have black skin, some people have white.

Some people eat meat; some won’t touch it at all.
Some people have a good memory, some can’t recall.
Some people accept Christ, some never will.
Some people are stingy, some people give.

Some people like school, some people don’t.
Some people will excel, some people won’t.
Some people smoke cigarettes, some never will.
Some people are honest, some people steal.

Some people have book knowledge;
But don’t know the Holy Book.
Some people burn food, some people can cook.

Some people are old, some people are young.
Some people do smart things, some people do dumb.

Some people just have a diploma
Some people have degrees.
Some people do things slow, some with a breeze.
Some people are complainers, some easy to please.

Some people hate shopping, some stay in the mall.
Some people hate God, but God loves us all.

We are all different, but still the same.

When I get cut, I bleed red;
You get cut, red blood you’ll shed.

Some people are plump, some people are thin.
But we are all the same, we’re all human being.

Copyright © 2010-Phyllis Strong

poem by Phyllis Strong
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The Courtship of Miles Standish

I
MILES STANDISH

In the Old Colony days, in Plymouth the land of the Pilgrims
To and fro in a room of his simple and primitive dwelling,
Clad in doublet and hose, and boots of Cordovan leather,
Strode, with a martial air, Miles Standish the Puritan Captain.
Buried in thought he seemed, with his hands behind him, and pausing
Ever and anon to behold his glittering weapons of warfare,
Hanging in shining array along the walls of the chamber, --
Cutlass and corselet of steel, and his trusty sword of Damascus,
Curved at the point and inscribed with its mystical Arabic sentence,
While underneath, in a corner, were fowling-piece, musket, and matchlock.
Short of stature he was, but strongly built and athletic,
Broad in the shoulders, deep-chested, with muscles and sinews of iron;
Brown as a nut was his face, but his russet beard was already
Flaked with patches of snow, as hedges sometimes in November.
Near him was seated John Alden, his friend and household companion,
Writing with diligent speed at a table of pine by the window:
Fair-haired, azure-eyed, with delicate Saxon complexion,
Having the dew of his youth, and the beauty thereof, as the captives
Whom Saint Gregory saw, and exclaimed, "Not Angles, but Angels."
Youngest of all was he of the men who came in the Mayflower.

Suddenly breaking the silence, the diligent scribe interrupting,
Spake, in the pride of his heart, Miles Standish the Captain of Plymouth.
"Look at these arms," he said, "the war-like weapons that hang here
Burnished and bright and clean, as if for parade or inspection!
This is the sword of Damascus I fought with in Flanders; this breastplate,
Well I remember the day! once save my life in a skirmish;
Here in front you can see the very dint of the bullet
Fired point-blank at my heart by a Spanish arcabucero.
Had it not been of sheer steel, the forgotten bones of Miles Standish
Would at this moment be mould, in their grave in the Flemish morasses."
Thereupon answered John Alden, but looked not up from his writing:
"Truly the breath of the Lord hath slackened the speed of the bullet;
He in his mercy preserved you, to be our shield and our weapon!"
Still the Captain continued, unheeding the words of the stripling:
"See, how bright they are burnished, as if in an arsenal hanging;
That is because I have done it myself, and not left it to others.
Serve yourself, would you be well served, is an excellent adage;
So I take care of my arms, as you of your pens and your inkhorn.
Then, too, there are my soldiers, my great, invincible army,
Twelve men, all equipped, having each his rest and his matchlock,
Eighteen shillings a month, together with diet and pillage,
And, like Caesar, I know the name of each of my soldiers!"
This he said with a smile, that danced in his eyes, as the sunbeams
Dance on the waves of the sea, and vanish again in a moment.
Alden laughed as he wrote, and still the Captain continued:
"Look! you can see from this window my brazen howitzer planted

[...] Read more

poem by Henry Wadsworth Longfellow
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Through the eyes of a Field Coronet (Epic)

Introduction

In the kaki coloured tent in Umbilo he writes
his life’s story while women, children and babies are dying,
slowly but surely are obliterated, he see how his nation is suffering
while the events are notched into his mind.

Lying even heavier on him is the treason
of some other Afrikaners who for own gain
have delivered him, to imprisonment in this place of hatred
and thoughts go through him to write a book.

Prologue

The Afrikaner nation sprouted
from Dutchmen,
who fought decades without defeat
against the super power Spain

mixed with French Huguenots
who left their homes and belongings,
with the revocation of the Edict of Nantes.
Associate this then with the fact

that these people fought formidable
for seven generations
against every onslaught that they got
from savages en wild animals

becoming marksmen, riding
and taming wild horses
with one bullet per day
to hunt a wild antelope,

who migrated right across the country
over hills in mass protest
and then you have
the most formidable adversary
and then let them fight

in a natural wilderness
where the hunter,
the sniper and horseman excels
and any enemy is at a lost.

Let them then also be patriotic
into their souls,
believe in and read
out of the word of God

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poem by Gert Strydom
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Feeling Out Of Sorts?

Feeling out of sorts these days?
Want to know what you can do?
Need help? Here are 50 ways,
Maybe you'll benefit from a few

ROTMS

SYMPTOMS OF SPIRITUAL AWAKENING

1. Changing sleep patterns: restlessness, hot feet, waking up two or three times a night. Feeling tired after you wake up and sleepy off and on during the day.
There is something called the Triad Sleep Pattern that occurs for many: you sleep for about 2-3 hours, wake up, go back to sleep for another couple of hours, wake again, and go back to sleep again. For others, the sleep requirements have changed. You can get by on less sleep.
Lately I have been experiencing huge waves of energy running into my body from the crown. It feels good, but it keeps me awake for a long time, then subsides.

Advice: Get used to it. Make peace with it and don't worry about getting enough sleep (which often causes more insomnia) . You will be able to make it through the day if you hold thoughts of getting just what you need. You can also request your Higher Power to give you a break now and then and give you a good, deep night's sleep.

If you can't go back to sleep right away, use the waking moments to meditate, read poetry, write in your journal or look at the moon. Your body will adjust to the new pattern.

2. Activity at the crown of the head: Tingling, itching, prickly, crawling sensations along the scalp and/or down the spine. A sense of energy vibrating on top of the head, as if energy is erupting from the head in a shower. Also the sensation of energy pouring in through the crown, described as 'sprinkles'.

This may also be experienced as pressure on the crown, as if someone is pushing his/her finger into the center of your head. As I mentioned in #1, I have been experiencing huge downloads of energy through the crown.
In the past, I have felt more generalized pressure, as if my head is in a gentle vise. One man related that his hair stood on end and his body was covered with goosebumps.

Advice: This is nothing to be alarmed about. What you are experiencing is an opening of the crown chakra. The sensations mean that you are opening up to receive divine energy.

3. Sudden waves of emotion. Crying at the dropp of a hat. Feeling suddenly angry or sad with little provocation. Or inexplicably depressed. Then very happy. Emotional roller coaster. There is often a pressure or sense of emotions congested in the heart chakra (the middle of the chest) . This is not to be confused with the heart, which is located to the left of the heart chakra.

Advice: Accept your feelings as they come up and let them go. Go directly to your heart chakra and feel the emotion. Expand it outward to your all your fields and breathe deeply from the belly all the way up to your upper chest. Just feel the feeling and let it evaporate on its own. Don't direct the emotions at anyone.

You are cleaning out your past. If you want some help with this, say out loud that you intend to release all these old issues and ask your Higher Power to help you. You can also ask Grace Elohim to help you release with ease and gentleness. Be grateful that your body is releasing the see motions and not holding onto them inside where they can do harm.

One source suggests that depression is linked to letting go of relationships to people, work, etc. that no longer match us and our frequencies. When we feel guilty about letting go of these relationships, depression helps us medicate that pain.

4. Old 'stuff' seems to be coming up, as described above, and the people with whom you need to work it out (or their clones) appear in your life. Completion issues.

Or perhaps you need to work through issues of self-worth, abundance, creativity, addictions, etc. The resources or people you need to help you move through these issues start to appear.

Advice: Same as #3. Additionally, don't get too involved in analyzing these issues. Examining them too much will simply cycle you back through them over and over again at deeper and deeper levels. Get professional help if you need to and walk through it.

Do not try to avoid them or disassociate yourself from them. Embrace whatever comes up and thank it for helping you move ahead. Thank your Higher Power for giving you the opportunity to release these issues. Remember, you don't want these issues to stay stuck in your body.

5. Changes in weight. The weight gain in the US population is phenomenal. Other people may be losing weight.

[...] Read more

poem by Ray Lucero
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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

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poem by Talile Ali
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Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.

Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.

Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.

1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.

Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

[...] Read more

poem by Ella Wheeler Wilcox
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