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A successful tool is one that was used to do something undreamt of by its author.

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Mary had a Little Vamp and Other Parodies after Sarah Josepha HALE

Mary had a little vamp,
whose teeth glowed white as snow,
each night from sightly vent – no cramp -
the crimson droplets flow.

Some followed her from school one day;
though stalking's 'gainst the rules;
it made goose pimples grow and stay
to see them play at ghouls.

But they were caught, their tale remains
from history well hid,
though we discovered their remains
beneath oak coffin lid.

And so blood flowed from inside out,
none dared to lingered near
when shadows shiver, hang about
until Vamps disappear.

'Why does the Vamp love Mary so? '
the eager children cry;
'Why, Mary loves the Vamp, you know, '
the teacher did reply.

Sleep-overs followed, - little Vamp
A, B, AB, O, drew
by light of Mary’s lurid lamp
new haemoglobulu.

Thus vampire Vlad made Mary glad
hark! men well-read may read,
from kid school lad to college grad, -
mark then welt's red fey bead.

He wore a scarlet cape to match
sweet Mary’s ruddy lips,
attached thereto a cup to catch
the rhesus drips he sips.

No fly-by-night awed Mary’s Vamp,
he could fear blend at need,
though sky high flight soared scary champ -
we here end batty screed.

© Jonathan Robin parody written 3 May 2007 revised 3 September 2008 - for previous version see below


Mary had a little vamp,
whose teeth were white as snow,

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Nazim Hikmet

Gioconda And Si-Ya-U

to the memory of my friend SI-YA-U,
whose head was cut off in Shanghai

A CLAIM

Renowned Leonardo's
world-famous
"La Gioconda"
has disappeared.
And in the space
vacated by the fugitive
a copy has been placed.

The poet inscribing
the present treatise
knows more than a little
about the fate
of the real Gioconda.
She fell in love
with a seductive
graceful youth:
a honey-tongued
almond-eyed Chinese
named SI-YA-U.
Gioconda ran off
after her lover;
Gioconda was burned
in a Chinese city.

I, Nazim Hikmet,
authority
on this matter,
thumbing my nose at friend and foe
five times a day,
undaunted,
claim
I can prove it;
if I can't,
I'll be ruined and banished
forever from the realm of poesy.

1928


Part One
Excerpts from Gioconda's Diary

15 March 1924: Paris, Louvre Museum

At last I am bored with the Louvre Museum.

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Shadow Of A Man

Mirror mirror upon the wall Im asking you,
Who is the most confused of them all?
Mirror mirror subservient twin screams back
At me you.
You sick flawless mime, I want to break you
Yeah, youre a clever one...
Is this a tool, can I step through, to find
Another plane,
Or just a shadow of a man
A superficial tool, to support the vanity,
Of weak, when you dont love yourself
If lifes as painful on your side, Ill break your
Existence and cut through mine
Youre a clever one
Is this a tool, can I step through, to find
Another plane,
Or just a shadow of a man
Are you my brother, you look like me,
Trapped inside another world my lost twin
A superficial tool, to support the vanity,
Of weak, when you dont love yourself
Mirror upon the wall, am I the reflection
Of you,
Mirror upon the wall, are you staring back
Through
Understanding has no place within my world
On your side
Is this a tool, can I step through, to find
Another plane,
Or just a shadow of a man
Are you my brother, you look like me,
Trapped inside another world my lost twin
Are you a tool, can I step through, to find
Another plane,
Im just a shadow of a man
Just a superficial tool, to support the vanity,
Of weak, when you dont love yourself

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James Russell Lowell

A Fable For Critics

Phoebus, sitting one day in a laurel-tree's shade,
Was reminded of Daphne, of whom it was made,
For the god being one day too warm in his wooing,
She took to the tree to escape his pursuing;
Be the cause what it might, from his offers she shrunk,
And, Ginevra-like, shut herself up in a trunk;
And, though 'twas a step into which he had driven her,
He somehow or other had never forgiven her;
Her memory he nursed as a kind of a tonic,
Something bitter to chew when he'd play the Byronic,
And I can't count the obstinate nymphs that he brought over
By a strange kind of smile he put on when he thought of her.
'My case is like Dido's,' he sometimes remarked;
'When I last saw my love, she was fairly embarked
In a laurel, as _she_ thought-but (ah, how Fate mocks!)
She has found it by this time a very bad box;
Let hunters from me take this saw when they need it,-
You're not always sure of your game when you've treed it.
Just conceive such a change taking place in one's mistress!
What romance would be left?-who can flatter or kiss trees?
And, for mercy's sake, how could one keep up a dialogue
With a dull wooden thing that will live and will die a log,-
Not to say that the thought would forever intrude
That you've less chance to win her the more she is wood?
Ah! it went to my heart, and the memory still grieves,
To see those loved graces all taking their leaves;
Those charms beyond speech, so enchanting but now,
As they left me forever, each making its bough!
If her tongue _had_ a tang sometimes more than was right,
Her new bark is worse than ten times her old bite.'

Now, Daphne-before she was happily treeified-
Over all other blossoms the lily had deified,
And when she expected the god on a visit
('Twas before he had made his intentions explicit),
Some buds she arranged with a vast deal of care,
To look as if artlessly twined in her hair,
Where they seemed, as he said, when he paid his addresses,
Like the day breaking through, the long night of her tresses;
So whenever he wished to be quite irresistible,
Like a man with eight trumps in his hand at a whist-table
(I feared me at first that the rhyme was untwistable,
Though I might have lugged in an allusion to Cristabel),-
He would take up a lily, and gloomily look in it,
As I shall at the--, when they cut up my book in it.

Well, here, after all the bad rhyme I've been spinning,
I've got back at last to my story's beginning:
Sitting there, as I say, in the shade of his mistress,
As dull as a volume of old Chester mysteries,

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Why Do You Use That Accusing Tool

Slam!
Feisty baby!
Ka'bam!
Feisty baby!
Shazam!
Feisty baby!

Why do you use,
That accusing tool.

Slam!
Feisty baby!
Ka'bam!
Feisty baby!
Shazam!
Feisty baby!

Why do you use,
That accusing tool.

I'm not with a pick up mistress.
Or,
With another man...
Doing undercover!
Down,
And low,
With as many men as I can!

Slam!
Feisty baby!
Ka'bam!
Feisty baby!
Shazam!
Feisty baby!

Why do you use,
That accusing tool.

I'm not outside hunting.
Running down fresh meat.
You are what I want, babe.
Why you knocking on me?

Slam!
Feisty baby!
Ka'bam!
Feisty baby!
Shazam!
Feisty baby!

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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

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Pasha Bailey Ben

A proud Pasha was BAILEY BEN,
His wives were three, his tails were ten;
His form was dignified, but stout,
Men called him "Little Roundabout."

HIS IMPORTANCE

Pale Pilgrims came from o'er the sea
To wait on PASHA BAILEY B.,
All bearing presents in a crowd,
For B. was poor as well as proud.

HIS PRESENTS

They brought him onions strung on ropes,
And cold boiled beef, and telescopes,
And balls of string, and shrimps, and guns,
And chops, and tacks, and hats, and buns.

MORE OF THEM

They brought him white kid gloves, and pails,
And candlesticks, and potted quails,
And capstan-bars, and scales and weights,
And ornaments for empty grates.

WHY I MENTION THESE

My tale is not of these - oh no!
I only mention them to show
The divers gifts that divers men
Brought o'er the sea to BAILEY BEN.

HIS CONFIDANT

A confidant had BAILEY B.,
A gay Mongolian dog was he;
I am not good at Turkish names,
And so I call him SIMPLE JAMES.

HIS CONFIDANT'S COUNTENANCE

A dreadful legend you might trace
In SIMPLE JAMES'S honest face,
For there you read, in Nature's print,
"A Scoundrel of the Deepest Tint."

HIS CHARACTER

A deed of blood, or fire, or flames,

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Invisible Tool

I love my invisible tool,
It shapeshifts into many forms and its damn cool,
It follows me everywhere i go,
if anyone asks a trade for it, i'll say 'no, '

I am lucky i used it in the graduation mass,
And hell yes, it saved my ass.
My invisible tool is so damn invisible,
it is no doubt the most invincible!

I believe everyone has their own invisible tool,
and each of us can only feel our own tool,
As for me, my invisible tool is my cour,
I am so happy i wanted to buy a whore!

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Fitration Bags

2.5 gallon shopvac bags
1995 ktm 400 rxc hard bags
2006 black leather prada bags list
24 x 36 shrink bags
18 x 9 padded bag
3m printscape personalized gift bag
20lb bag parrot food
40 inch round duffle bag
2001 explorer air bag light flashes
3rd street sissy bar bag
1997 nissan air bag sensor
12x18 carry bag
1001 grab bag ideas
2000 explorer air bag light flashing
15,000 cfm used bag dustcollector
12 lb turkey recipies in bag
14.1 laptop messenger bags
3306 plan tackle bag
10 pound bag of endives yield
4 mil zip bags
$2 grab bag nsd
1970s bean bag
18th century shooting bags
48 superman bop bag
2006 kawasaki ninja 250r bags
1976 electra glide saddle bags
1940 s english aoutomobiles gas bags
40 lb bag of cement
07 cr-v safety bag plastic pillar
2 gauge ear plug grab bag
1998 saturn sl2 air bag module
40 degree helix sleeping bag
3x4 organza gift bags
3 bags full consignment
2000 mercedes air bag problem
2ply snap handle bag
1987 bmw k75s saddle bags
2003 bozo desktop bop bag
135 approved electronic flight bag
2005 toyota matrix side air bags
2006 bag gucci spring
3 insulated sleeping bags
4in bag ice one
2008 street bob hard bags
45 micron bag
250 ninja nelson-rigg saddle bag
24 wheeled garment bag
1996 lincoln continental air bag suspension
2006 aka boule bag
400d horn bag

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Healthy Back Bag

animated bag of chips
amor dive bag
american eagle outfitters bags
ambag poly bags wholesale
american airlines bag limits
american beauty plastic bag theme mp3
amf bowling bag
aluminum tab weave bag
ampac tote bags
american trails atv bag
american tourister bonneville ii garment bag
alt ieri bassoon bag
almond flavored tea bags
ameribag shoulder bags
a mco saddel bags 1977
an enema bag for men
amulet bag book
analyse art falconers bag
amy butler sweet life bag
alto sax bag
alpha kappa alpha diva tote bag
amylou bag in eureka ca
ani hand bags
american west rodeo bags
amex insurance for delayed bags
an interchangeable foundation bag
al verio martini bags
animal bag mp3
american trail ventures atv cargo bags
aluminium coated plastic bags
amy butlet runaway bag pattern
angel bag
animae bop bag
allowed to carry on garment bag
a nimal bag print tote
an imal overnight bag
aloksak bags
amz bag fun src
ameribag microfiber bag
american tourister laptop bag
allied waste service blue bags
american indian medicine bags
alternative to plastic trash bags
amish buggy bag
alpha poly bag
ammo shoulder bag
american sign language tote bags
animated gif people with hand bags
amazing bag grace pipe
altieri bags

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How Do You Define Success?

The word success means many things to many people
To be considered a success, means that you have made it
The question here is – made it as what?
How do you define success?
Is it by passing an exam?
Is it by becoming a landlord or landlady?
Is it by been promoted at work?
Is it by winning the lottery?
Is it by marrying the woman of your dreams?
Is it by marrying the man of your dreams?
Is it by been in an executive position?
Is it by winning an election?
How do you define success?
Are you successful as a pilot or a stewardess?
What does the word – “success” mean to you?
Is it by been the head of your organization?
Is it by having lots of money?
And how much money determines success?
Are you successful as a member of the armed forces?
Are you successful as a member of the police force?
What is your own definition of success?
Are you successful by been a writer, teacher,
Pastor, evangelist, taxi driver, congressperson,
Medical doctor or a reputed musician
Are you successful by been a sole proprietor
Mechanic, movie star, or the chairman of the board
Are you successful as an architect or builder?
Do you consider yourself a success as a banker?
Success is in the eyes of the beholder
The meaning of success varies and differs
From one person to the other

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Byron

The Vision of Judgment

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.

III

The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.

IV

His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.

V

This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;

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Vision of Judgment, The

I

Saint Peter sat by the celestial gate:
His keys were rusty, and the lock was dull,
So little trouble had been given of late;
Not that the place by any means was full,
But since the Gallic era 'eight-eight'
The devils had ta'en a longer, stronger pull,
And 'a pull altogether,' as they say
At sea — which drew most souls another way.

II

The angels all were singing out of tune,
And hoarse with having little else to do,
Excepting to wind up the sun and moon,
Or curb a runaway young star or two,
Or wild colt of a comet, which too soon
Broke out of bounds o'er th' ethereal blue,
Splitting some planet with its playful tail,
As boats are sometimes by a wanton whale.

III

The guardian seraphs had retired on high,
Finding their charges past all care below;
Terrestrial business fill'd nought in the sky
Save the recording angel's black bureau;
Who found, indeed, the facts to multiply
With such rapidity of vice and woe,
That he had stripp'd off both his wings in quills,
And yet was in arrear of human ills.

IV

His business so augmented of late years,
That he was forced, against his will no doubt,
(Just like those cherubs, earthly ministers,)
For some resource to turn himself about,
And claim the help of his celestial peers,
To aid him ere he should be quite worn out
By the increased demand for his remarks:
Six angels and twelve saints were named his clerks.

V

This was a handsome board — at least for heaven;
And yet they had even then enough to do,
So many conqueror's cars were daily driven,
So many kingdoms fitted up anew;

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Alexander Pope

An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.


'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

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The Pillage Hangman - Parody LONGFELLOW - The Village Blacksmith

Under a spreading chestnut tree
The village smithy stands;
The Smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.

His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns whate'er he can
And looks the whole world in the face
For he owes not any man.

Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge,
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.

And children coming home from school
Look in at the open door;
They love to see the flaming furge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing floor.

He goes on Sunday to the church
and sits among his boys;
He hears the parson pray and preach.
He hears his daughter's voice
singing in the village choir,
And it makes his heart rejoice.

It sounds to him like her mother's voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes
A tear out of his eyes.

Toiling, -rejoicing, -sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned a night's repose.

Thanks, thanks to thee, my worthy friend

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If You Really Want it

You don't have to give it up to come to a stop.
You don't have to give it up to come to a stop.
You don't have to give it up to come to a stop.
You can do it if you want and climb to the top.

You don't have to give up it to come to a stop.
You don't have to give up it to come to a stop.
You don't have to give up it to come to a stop.
You can do it if you want and climb to the top.

Successful,
People don't stop...
A wanting,
To climb to the top.
And dreaming,
To succeed...
With belief!

And...
Often found to weep.

Successful,
People don't stop...
A wanting,
To climb to the top.
And dreaming,
To succeed...
With belief!

And...
Often found to weep.

So,
You don't have to give it up to come to a stop.
No,
You don't have to give it up to come to a stop.
So,
You don't have to give it up to come to a stop.
You can do it if you want and climb to the top.

No,
You don't have to give it up to come to a stop.
So,
You don't have to give it up to come to a stop.
No,
You don't have to give it up to come to a stop.
If you really want it you can climb to the top.

Successful,
People don't stop...

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How to measure?

Is weeping, a hobby that people like to do as a pastime?
No, it is a revelation of pressure and hurtful reminiscences,
That plowed their heart and mind to prepare the growing ground,
Those who succeed seldom shed tears, as they reaped,
The good bounty, out of the softened soil that produced,
Those who yet to succeed and have failed, always weep,
For the hurt is not only healed, but also become septic,
By constant poking that stops the wound from drying.
The success is cultural in nature and it is in our mind set,
Are all the people who have more than enough money successful?
Are those who have obtained the highest qualification, successful?
Are they, who have the power over people's life very successful?
Yes, they are really successful, if they have helped and are useful,
So, stop weeping. Think of those good actions that you have done,
Everyone of us is successful as long as we have touched another heart.
Success is not a yardstick to measure the happiness,
that is shared among various hearts that beat in synchronize.

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Abraham Lincoln

Our popular Government has often been called an experiment. Two points in it our people have already settled — the successful establishing and the successful administering of it. One still remains — its successful maintenance against a formidable internal attempt to overthrow it. It is now for them to demonstrate to the world that those who can fairly carry an election can also suppress a rebellion; that ballots are the rightful and peaceful successors of bullets, and that when ballots have fairly and constitutionally decided there can be no successful appeal back to bullets; that there can be no successful appeal except to ballots themselves at succeeding elections. Such will be a great lesson of peace, teaching men that what they can not take by an election neither can they take it by a war; teaching all the folly of being the beginners of a war.

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Jackknife Johnny

From his army confessions of his military days
You still carry the shrapnel you're shell-shocked and dazed
Dear Johnny have you lost your way
Or like denim and leather are you faded and frayed

Institute lackies with hot bourbon breath
White coats and needles Johnny like to scare you to death
Dear Johnny do you feel your best
When you're strung out at night on your morphine and meth

Jackknife Johnny you're a floor moppin' flunkie
Tool of a dagger's drawn world
Jackknife Johnny them old vets gotta hate you
For bringing home that V.C. girl
Jackknife Johnny welcome to our world

From the tone deaf hearing of the draft board game
You were washing cars down in Dallas when the holocaust came
Dear Johnny your excuse was lame
All your friends sleep in boxes while you sleep in chains

Jackknife Johnny you're a bad jungle monkey
Tool of a dagger's drawn world
Jackknife Johnny them old vets gotta hate you
For bringing home that V.C. girl
Jackknife Johnny welcome to our world

Jackknife Johnny you're a floor moppin' flunkie
Tool of a dagger's drawn world
Jackknife Johnny them old vets gotta hate you
For bringing home that V.C. girl
Jackknife Johnny welcome to our world

Jackknife Johnny you're a bad jungle monkey
Tool of a dagger's drawn world
Jackknife Johnny them old vets gotta hate you
For bringing home that V.C. girl
Jackknife Johnny

song performed by Alice Cooper from From The InsideReport problemRelated quotes
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Red Pencil

Red Pencil
R ed pencil with magic flair
E nrichment while in school
D ancing red marks are everywhere
Red pencil; teachers’ tool
Red pencil marks, to make it right
I studied hard with all my might
Red pencil marks
Red pencil marks
I passed the test to my delight

P encil red is the teachers’ tool
E dified magic wand
N ebulous to the Golden Rule
C lassroom and teacher bond
I want to teach, want to be free
L ife as a teacher, that’s for me
I want to teach
I want to teach
Some day I’ll teach, Form Poetry

Red pencil, with magic flair
I studied hard in school
I’m now a teacher; answered prayer
Red pencil is my tool
I’m a teacher, I live my dream
Teaching poetry to the extreme
I’m a teacher
I’m a teacher
And my red pencil is supreme


Author Notes:

Acrostic Trijan Refrain

Trijan Refrain
The Trijan Refrain, created by Jan Turner, consists of three 9-line stanzas, for a total of 27 lines. Line 1 is the same in all three stanzas, although a variation of the form is not to repeat the same line at the beginning of each stanza. In other words, the beginning line of each stanza can be different. The first four syllables of line 5 in each stanza are repeated as the double-refrain for lines 7 and 8. The Trijan Refrain is a rhyming poem with a set meter and rhyme scheme as follows:

Rhyme scheme: a/b/a/b/c/c/d, d refrain of first 4 words of line five /c
Meter: 8/6/8/6/8/8/4,4 refrain/8
source: shadowpoetry.com

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