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I liked to read but, being a dancer, I didn't have a lot of time to read.

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Sexy Dancer

Sexy dancer
Sexy dancer
Sexy dancer, you got my body screamin
Sexy dancer, you got me just-a-creamin
Sexy dancer, when you rub my body
Sexy dancer, it gets me so hot...hot!
Sexy dancer, sexy dancer
Sexy dancer, sexy dancer
Sexy dancer, I want your body, want your body
Sexy dancer, dance
Sexy dancer, I want your body, want your body
Sexy dancer, dance
Sexy dancer, I want your body, want your body
Sexy dancer, dance
Sexy dancer, I want your body, want your body
Sexy dancer, dance
Sexy dancer, do that sexy dance
Sexy dancer
Sexy dancer, sexy dancer
Sexy dancer, sexy dancer
Hot!

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How a Little Girl Danced

DEDICATED TO LUCY BATES

(Being a reminiscence of certain private theatricals.)


Oh, cabaret dancer, I know a dancer,
Whose eyes have not looked on the feasts that are vain.
I know a dancer, I know a dancer,
Whose soul has no bond with the beasts of the plain:
Judith the dancer, Judith the dancer,
With foot like the snow, and with step like the rain.

Oh, thrice-painted dancer, vaudeville dancer,
Sad in your spangles, with soul all astrain,
I know a dancer, I know a dancer,
Whose laughter and weeping are spiritual gain,
A pure-hearted, high-hearted maiden evangel,
With strength the dark cynical earth to disdain.

Flowers of bright Broadway, you of the chorus,
Who sing in the hope of forgetting your pain:
I turn to a sister of Sainted Cecilia,
A white bird escaping the earth's tangled skein:—
The music of God is her innermost brooding,
The whispering angels her footsteps sustain.

Oh, proud Russian dancer: praise for your dancing.
No clean human passion my rhyme would arraign.
You dance for Apollo with noble devotion,
A high cleansing revel to make the heart sane.
But Judith the dancer prays to a spirit
More white than Apollo and all of his train.

I know a dancer who finds the true Godhead,
Who bends o'er a brazier in Heaven's clear plain.
I know a dancer, I know a dancer,
Who lifts us toward peace, from this earth that is vain:
Judith the dancer, Judith the dancer,
With foot like the snow, and with step like the rain.

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The Pirate Of Penance

Penance crane:
The pirate anchored on a wednesday
And why he came to port I wonder
To see a lady so my friends say
She dances for the sailors
In a smoky cabaret bar underground
Down in a cellar in a harbor town
I know he told her love was treasure
And they would reap the fullest bounty
He only comes to port for pleasure
So when the winds of morning
Blew the curtains in she woke and found hed gone
I saw his sails unfurling thursday dawn
The pirate he will sink you with a kiss
Hell steal your heart and sail away
The dancer:
Saturday early we met in the cove near the forest
Penance:
Hell leave you drowning in the flotsam of a broken promise in the bay
The dancer:
(dancing we wakened the dawn and the birds into chorus)
Penance:
He came again to see her
Yes I think they told me it was saturday
The dancer:
(ask penance crane she was out in her garden she saw us)
Penance:
I was at sea then
I didnt see them
I dont believe what you are saying
It isnt true I hardly knew him
Is this some game that you are playing
Go ask the dancer shes the one who saw him last
The one who drew him here
He hasnt come to me since spring last year
There was a time when he would
Bring me silks and sandalwood and persian lace
The dancer:
(then came another goodbye and another please dont go)
Penance:
And he would hold me close
And tell my sailing stories by the fireplace
The dancer:
(all night I dance and all day I keep watch with my sorrow)
Penance:
I was at sea I tell you I was
Nowhere near the mentioned murder place
The dancer:
(searching for sails that dont come
And I guess but I dont know)

[...] Read more

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Dancer

Im not invited to the party
Been sitting here all night
Im all alone here at the party
Aint got no black coat
Aint got no tie
I gotta shape up now
You gotto know why
Dancer, dancer
I cant live with it Im gonna die without it
Dancer, dancer
Aint no doubt about it
Dancer, dancer
Why dont you kick off your dancing shoes
And come along with me
Youre the life and soul of the funk-tion
It took me all night
To get hold of the right introduction
Blew me out of sight
I taste your lipstick
I look in your eyes
You feel fantastic
My body cries
(chorus)
(hot space)
Dancer, dancer
I cant believe your dancing
Cant take you home, cant take your dancing
Dancer, dancer, dance the night away

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Thanks A Lot, Mom

Thanks a Lot, Mom

Thanks a lot, Mom.
Thanks for loving me to no end.
Thanks for being my loving mother.
Thanks for being my thoughtful friend.
Thanks a lot, Mom.
Thanks for feeding me and giving me a home.
Thanks for clothing me and holding me tight.
Thanks for caring when I felt alone.
Thanks a lot, Mom.
Thanks for always making me smile.
Thanks for giving me the extra push.
Thanks for going that extra mile.
Thanks a lot, Mom.
Thanks for living with no regrets.
Thanks for being the life of the party.
Thanks for going all in on bets.
Thanks a lot, Mom.
Thanks for being my inspiration.
Thanks for helping me with my homework.
Thanks for giving me motivation.
Thanks a lot, Mom.
Thanks for treating me with respect.
Thanks for knowing I'm growing up.
Thanks for knowing what to expect.
Thanks a lot, Mom.
Thanks for kicking me while I was down.
Thanks for telling me I'm a liar.
Thanks for knowing what comes around.
Thanks a lot, Mom.
Thanks for giving me my many scars.
Thanks for making me feel at home.
Thanks for breaking my aching heart.
Thanks a lot, Mom.
Thanks for taking away my friends.
Thanks for taking away my family.
Thanks for not having to pretend.
Thanks a lot, Mom.
Thanks for kicking me out of my home.
Thanks for calling me cheap and attention-seeking.
Thanks for putting me out on my own.
Thanks a lot, Mom.
Thanks for ripping away my Brett.
Thanks for saying you don't remember.
Thanks for saying I should forget.
Thanks a lot, Mom.
Thanks for believing your husband over your kid.
Thanks for rewarding him for a crime.
Thanks for punishing me for what he did.

[...] Read more

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Virginia's Story

Elizabeth Gates-Wooten is my Grand mom.

She was born in Canada with her father and brothers.
They owned a Barber Shoppe.
I don't remember exactly where in Canada.
I believe it was right over the border like Windsor or Toronto.
I never knew exactly where it was.

When she was old enough she got married.

First, she married a man by the name of Frank Gates.
He was from Madagascar.
He fathered my mom and her brother and sister.
The boy's name was Frank Gates, Jr.
Two girls name were Anna and Agnes.

Agnes was my mother.

Frank Gates went crazy after the war
He drank a lot and died
Then grandma Elizabeth married a man by the name of Mr. Wooten.
He had a German name, but I don't think he was German.
She took his last name after they got married.

Then they moved to West Virginia in the United States.

Their son, Frank Gates Jr. Became a delegate in the democratic party.
He use to get into a lot of trouble because he liked to fight.
He was a delegate from the 1940's to 1970's.
He died of gout in the 1970's.

Anna was a maid and cook.

She baked cakes and stuff for people as a side line.
She had a hump on her back (scoliosis) .
She had to walk with a cane.
She could cook good though.
She did this kind of work all of her life, just like her mom, Elizabeth

They were both good cooks

They had a lot of money because they had these skills
Especially when people had parties.
Because they would make all of this food and then they would have left-overs.
We got to eat a lot of stuff we normally wouldn't get because of that.
When they cooked, they didn't use no measuring stuff, they would just use there hand.

My moms name was Agnes Barrie Gates.

She married James Wright and moved to Cleveland.

[...] Read more

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Si Seor

S seor, s seor, es mi son
Como no, como no
Bailador, bailador, ven goza el son
S seor, como no
Tengo este son que es fruto de inspiracin
Que viene del monte y del campo de caa
Un canto alegre lleno de tradicin
Como el sol que asoma tras de la montaa
Que nace del alma, lleno de cielo azul y palmas
S seor, yo tengo mi son
S seor, s seor, es mi son
Como no, como no
Bailador, bailador, ven goza el son
Caf y tabaco es el corazn del son
Con el ritmo del galope de un caballo
Cgele el paso y coge la entonacin
Grita tu alegra como el canto de un gallo
Comenzo la verbena
Y aroma de albahaca y hierbabuena siento ya
Ven baila mi son
S seor, s seor es mi son
Como no, como no
Bailador, bailador, ven goza el son
S seor, como no
Ritmo de alborozo, de risa y de gozo
Msica de vida y fiesta, con mi son sabroso
S seor, como no
Dale bien, dale bien
Bailador, bailador
Cgele el vaiven con sabrosura
Dale bien, dale bien
Bailador, bailador
Cgele el vaiven con sabrosura
Yo le canto a todo el mundo
Y les brindo mi alegra
Con el cario profundo que en mi tierra
Es garanta
Dice as
Dale bien, dale bien
Bailador, bailador
Cgele el vaiven con sabrosura
Una sola humanidad, con un solo corazn
Con una sola piedad que al fin
Nos traiga paz y amor...quiera dios
Dale bien, dale bien, con sabor
Bailador, bailador, que bueno el guateque
Cgele el vaiven, ay qu bien
Con sabrosura
Dale bien, dale bien por favor
Bailador, bailador

[...] Read more

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Shadow Dancer

I am back in the circus
oh hustling days
I look at the world
in a rose coloured haze
Cramp tight bodies
jive and girate
Bump and grind to the rhythm of fate
And we spun in the sunlight
Of our long summers day
We kissed the heavens now
It's still a beautiful day
Back on my wall
shadow dancer
My hammer headed friends
and the puppet girls call
Back on my wall
shadow dancer
The dance is coming back,
back in my world
Married a model
from old Hong Kong
Came to England
just a singing my song
This love in a letter
sure didn't last
Stamped her passport
never saw her arse
And we spun in the sunlight
Of our long summers day
We kissed the heavens now
It's still a beautiful day
Back on my wall
shadow dancer
My hammer headed friends
and the puppet girls call
Back on my wall
shadow dancer
The dance is coming back,
back in my world
Solo
Unlucky in life,
unlucky in love
No special blessing from above
Fools and horses
come to my door
I am the stranger
who sleeps on the floor
we spun in the sunlight
Of our long summers day
We kissed the heavens now

[...] Read more

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The Songs Of The Dead Men To The Three Dancers

I. TO DESIRE
(Here a dancer enters and dances.)
Who is she that is fragrant and desirable,
Clothed but enough to wake wantonness,
And proud of her polished lithe body and her narrowing of
kohl-darkened eyelids with arrows between them?
Ah, ah, ah! Goddess of the world,
Young serpent in the veins of the rock,
In the mountain of jewels a young serpent, in the veins of a
man a sweet viper all emerald: ah Goddess
Are we proof to the hilt, are you pleased with us
When the splendor of your undulant insolence
Pricks the dark entrails of death, his foregathered grow hot for
you, the skeleton stands up to be amorous?
Ah, ah, ah! Goddess of the flesh
Will you think it a gift lacking grace
That the gates of the grave have been battered before you, the
iron doors to us dead in the deepest abysm?
For who has gone down to the dead or has touched them?
Did Jesus of Nazareth when he lay in deep hell
For three days and since lived as they say and has failed us?
No man nor no woman has gone down to us dead
Living until now, but the proof is here now, ah beautiful torture
us again and again.
We are fleshless, we tremble to your flesh,
Dear Goddess to taste of the dew
On your arms when you dance or to lip at the glitter of your
burnished thighs or the breast of your barrenness.
In the book of your triumphs with no term
Inscribe a more wonderful deed,
That you quickened the dead, that you lifted the flesh of the
fleshless, ah Goddess, ah! dancing, us dead men.
(The dancer goes out.)

II. TO DEATH
(A second dancer enters and dances.)
Was it lovely to lie among violets ablossom in the valleys of
love on the breast of the south?
It was lovely but lovelier now
To behold the calm head of the dancer we dreaded, his curls are
as tendrils of the vineyard, O Death
Sweet and more sweet is your dancing.
Like the swoon of fulfilment of love in some lonelier vale among
flowers is the languor that flushes us,
O why did we fear him, for Death
Is a beautiful youth and his eyes are sleepy, the lids droop heavily
with wine when he wakens,
And his breast is more smooth than a dove's.
Fair Garda, gay water with olives engarlanded, lake of blue
laughter in a bay of the Alps

[...] Read more

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A Time To Feel Forlorn and Reconstruct What's Torn

There's a designated time in the universe for everything:

A time to limit, a time to expand.
A time to rise, time to lower and lend a hand.

A time to maintain, a time to abandon.
A time to develop, a time to rest at random.

A time to communicate, a time for silence.
A time to kiss your enemy, a time to concede wins.

A time to spite, a time to please.
A time for respite, a time to tease.

A time to process, a time to confess.
A time to do more. A time to do less.

A time to dominate. A time to captivate.
A time to plunge. A time to resurface straight.

A time to maximise. A time to minimise.
A time to diminish. A time to optimise.

A time to sacrifice. time to insist on rights.
A time to be selfish. A time to be concerned about plights.

A time to be big. A time to be small.
A time to care for a special one. A time to love all.

A time to add dimension. A time to simplify.
A time to advocate egalitarianism.
A time to exult.
A time to default.
A time to be accepting of imperfect humanism.

A time to enhance. A time to simplify.
A time to criticise. A time to dignify.

A time to produce. A time to use.
A time to relent. A time to refuse.

A time to demand. A time to give.
A time to die. a time to live.

A time to survive. A time to admit defeat.
A time to lie. A time to walk on your feet.

A time to compete. A time to not.
A time to remember. A time to concede you forgot.

[...] Read more

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

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Dangerous Type

Can I touch you, are you out of touch
I guess I never noticed that much
Geranium lover, Im live on your wire
Oo come and take me whoever you are
Shes a lot like you
The dangerous type
Shes a lot like you
Come on and hold me tight
Oo inside angel, always upset
Keeps on forgettin that we ever met
Can I bring you out in the light
My curiositys got me tonight
Shes a lot like you
The dangerous type
Oo shes a lot like you
Come on and hold me tight
Museum directors with high shaking heads
They kick white shadows until they play dead
They want to crack your crossword smile
Oo can I take you out for awhile, yeah
Shes a lot like you
The dangerous type
Shes a lot like you
Come on and hold me tight
Shes a lot like you
The dangerous type
Shes a lot like you
Come on and hold me tight
Tonight
Shes a lot like you
The dangerous type
Shes a lot like you
Come on and hold me tight
Tonight
Shes a lot like you
The dangerous type, alright
Shes a lot like you
Come on and hold me tight
(tonight) tonight
Shes a lot like you
The dangerous type
Tonight
Shes a lot like you
Come on and hold me tight
Tonight
Shes a lot like you
The dangerous type
Shes a lot like you
Tonight
Shes a lot like you

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We Care A Lot

We care a lot
We care a lot
We care a lot about disasters, fires, floods and killer bees
We care a lot about nasa shuttle falling in the sea
We care a lot about starvation and the food that live aid bought
We care a lot about disease, baby, rock hudson, rock yeah!
We care a lot
We care a lot
We care a lot about the gamblers and the pushers and the freaks
We care a lot about the people who live off the street
We care a lot about the welfare of all the boys and girls
We care a lot about you people cause were out to save the world
Yeah!
(chorus) and its a dirty job but someones got to do it!
We care a lot about the army, navy, air force, and marines
We care a lot about the ny, sf, and lapd
We care a lot about you people, about your guns
We care a lot about the wars youre fighting, gee, that looks like fun
We care a lot about the cabbage patch, the smurfs, and dmc
We care a lot about madonna and we cop for mr.t
We care a lot about the little things, the bigger things we top
We care a lot about you people, yeah, you bet we care a lot
(chorus) and its a dirty job but someones gotta do it....

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Damn Good Times

I'm not much of a natural dancer
But I've got a friend who's a natural dancer
You could call her a jumpin' bean
She's got ants in her pants and she's gonna dance
I know a girl who's a jumpin' bean
She's got keys and a token when she hits the scene
Yeah I know a girl who's got a record machine
She acts like David Lee Roth when he turned 21
I know a girl who's a natural dancer
With a cape and a hat she's a natural dancer
She coughs and she laughs and she makes a lot of calls
And all of the people applaud
As she leaves the store
As she leaves the store (damn good times)
All of the people applaud (damn good times) As she leaves the store
As she leaves the store (damn good times)
All of the people applaud (damn good times)
Can she do the karaoke? Yes she can, but she won't
'Cause she's highly qualified and she's not a joke
When it comes to opera, she is ossified
So all of you operas better step aside
When my friend got amnesia
She can't remember the show she saw
Like the one with the guy with amnesia
Who got off from the island on a helicopter
I know a girl who's a natural dancer
With a cape and a hat she's a natural dancer
She coughs and she laughs and she makes a lot of calls
And all of the people applaud
As she leaves the store
As she leaves the store (damn good times)
All of the people applaud (damn good times)
As she leaves the store
As she leaves the store (damn good times)
All of the people applaud. (damn good times)

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Mama Says

Eat a lot sleep a lot brush em like crazy
Run a lot do a lot never be lazy
(good boy)
Eat a lot sleep a lot brush em like crazy
Run a lot do a lot never be lazy
Eat a lot sleep a lot brush em like crazy
Run a lot do a lot never be lazy
Eat a lot sleep a lot brush em like crazy
Run a lot do a lot never be lazy
Never be lazy be lazy
Eat a lot sleep a lot brush em like crazy
Run a lot do a lot never be lazy boy
Poof!

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If It Was About A Lot Of Money

If it was about a lot of money...
My mind would be,
Trimmed in dollar bills.
With-my-thoughts-on a million of them,
And a caring less of my fellowman.

And if it was about a lot of money...
I'd ignore,
Every two cents made.
By anybody wanting to deliver to me,
Any consciousness attached to common sense.

If it was about a lot of money.
If it was about a lot of money.
If it was about a lot of money...
I wouldn't be concerned about the suffering seen.

And if it was about a lot of money.
If it was about a lot of money.
And if it was about a lot of money...
My eyes wouldn't cry when I see these scenes.

If it was about a lot of money...
My mind would be,
Trimmed in dollar bills.
With-my-thoughts-on a million of them,
And a caring less of my fellowman.

If it was about a lot of money...
I'd ignore,
Every two cents made.
By anybody wanting to deliver to me,
Any consciousness to instigate.

If it was about a lot of money.
If it was about a lot of money.
If it was about a lot of money...
I wouldn't be concerned about the suffering seen.

I'd fill my pockets and get away!
If it was about a lot of money.
I'd fill my pockets each and everyday.
If it was about a lot of money.
I'd fill my pockets and get away!
If it was about a lot of money.
I'd fill my pockets up and run the other way.
If it was about a lot of money.

If it was about a lot of money.
If it was about a lot of money.

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VII. Pompilia

I am just seventeen years and five months old,
And, if I lived one day more, three full weeks;
'T is writ so in the church's register,
Lorenzo in Lucina, all my names
At length, so many names for one poor child,
—Francesca Camilla Vittoria Angela
Pompilia Comparini,—laughable!
Also 't is writ that I was married there
Four years ago: and they will add, I hope,
When they insert my death, a word or two,—
Omitting all about the mode of death,—
This, in its place, this which one cares to know,
That I had been a mother of a son
Exactly two weeks. It will be through grace
O' the Curate, not through any claim I have;
Because the boy was born at, so baptized
Close to, the Villa, in the proper church:
A pretty church, I say no word against,
Yet stranger-like,—while this Lorenzo seems
My own particular place, I always say.
I used to wonder, when I stood scarce high
As the bed here, what the marble lion meant,
With half his body rushing from the wall,
Eating the figure of a prostrate man—
(To the right, it is, of entry by the door)
An ominous sign to one baptized like me,
Married, and to be buried there, I hope.
And they should add, to have my life complete,
He is a boy and Gaetan by name—
Gaetano, for a reason,—if the friar
Don Celestine will ask this grace for me
Of Curate Ottoboni: he it was
Baptized me: he remembers my whole life
As I do his grey hair.

All these few things
I know are true,—will you remember them?
Because time flies. The surgeon cared for me,
To count my wounds,—twenty-two dagger-wounds,
Five deadly, but I do not suffer much—
Or too much pain,—and am to die to-night.

Oh how good God is that my babe was born,
—Better than born, baptized and hid away
Before this happened, safe from being hurt!
That had been sin God could not well forgive:
He was too young to smile and save himself.
When they took two days after he was born,
My babe away from me to be baptized
And hidden awhile, for fear his foe should find,—

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Actress, Model...

Dear Mom
I'm dating an actress
And I'm just writing to let you know
Why I'm so far from home
I followed her to Stella Adler
A method man was what she was after
She must have seen them on TV
She's my actress model dancer whatever
I've been watching you
I've been wanting you
Actress model dancer whatever
You're so over there
You're so everywhere
I met her over a cigarette
And though I don't really know her yet
I could see she sees something in me
A thousand bucks won't pay the rent
And I don't know where the money's spent
But it shows Lord cause nothing's free
She's my actress model dancer whatever
I've been watching you
I've been wanting you
Actress model dancer whatever
You're so over there
You're so everywhere
She made a promise
she'd never act with me now
But I saw her move her lips
They were reading scripts
She made a promise
she'd never act with me now
And I saw her move her lips
Line please line please
Dear Mom
I'm dating an actress
And I'm just writing to let you know who who
Actress model dancer whatever
I've been watching you
I've been wanting you
Actress model dancer whatever
You're so over there
You're so everywhere
Dear Mom
I'm dating an actress
Dear Mom
I'm dating an actress
Now I'm an actor too

song performed by Unwritten LawReport problemRelated quotes
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The Dance

See the picture in the hall
Framed in magic on the wall
Aint it funny how it glows
Whats on the inside
No one knows
What makes this picture
So inviting
To those who stand outside it
Maybe its the dancers
Or maybe its the dance
The dancer dances
Thousands fill the gallery
They pay their price to see a dream
They can make believe for free
Two hours worth of fantasy
Maybe they pretend
The pictures them
Or maybe they just love
To sit and blend
Tonight the picture has no frame
Colours unleash and float away
To each and everyone of you
Tonight the spirit brings the news
You become a part of it all
Thousands turn to one in the hall
You become the dancer
And we become the dance
The dancer dances
The dancer dances
The dancer dances
And we become the dancer
And you become the dance

song performed by Uriah HeepReport problemRelated quotes
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Tale XXI

The Learned Boy

An honest man was Farmer Jones, and true;
He did by all as all by him should do;
Grave, cautious, careful, fond of gain was he,
Yet famed for rustic hospitality:
Left with his children in a widow'd state,
The quiet man submitted to his fate;
Though prudent matrons waited for his call,
With cool forbearance he avoided all;
Though each profess'd a pure maternal joy,
By kind attention to his feeble boy;
And though a friendly Widow knew no rest,
Whilst neighbour Jones was lonely and distress'd;
Nay, though the maidens spoke in tender tone
Their hearts' concern to see him left alone,
Jones still persisted in that cheerless life,
As if 'twere sin to take a second wife.
Oh! 'tis a precious thing, when wives are dead,
To find such numbers who will serve instead;
And in whatever state a man be thrown,
'Tis that precisely they would wish their own;
Left the departed infants--then their joy
Is to sustain each lovely girl and boy:
Whatever calling his, whatever trade,
To that their chief attention has been paid;
His happy taste in all things they approve,
His friends they honour, and his food they love;
His wish for order, prudence in affairs,
An equal temper (thank their stars!), are theirs;
In fact, it seem'd to be a thing decreed,
And fix'd as fate, that marriage must succeed:
Yet some, like Jones, with stubborn hearts and

hard,
Can hear such claims and show them no regard.
Soon as our Farmer, like a general, found
By what strong foes he was encompass'd round,
Engage he dared not, and he could not fly,
But saw his hope in gentle parley lie;
With looks of kindness then, and trembling heart,
He met the foe, and art opposed to art.
Now spoke that foe insidious--gentle tones,
And gentle looks, assumed for Farmer Jones:
'Three girls,' the Widow cried, 'a lively three
To govern well--indeed it cannot be.'
'Yes,' he replied, 'it calls for pains and care:
But I must bear it.'--'Sir, you cannot bear;
Your son is weak, and asks a mother's eye:'
'That, my kind friend, a father's may supply.'

[...] Read more

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