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And the irony is that they wrote better without access to my quotes.

quote by Steve Carlton
Added by Lucian Velea
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Soccer Rollback

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[...] Read more

poem by Rwetewrt Erwtwer
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Telephone Conversation

Wednesday, January 23,2008
Week 10: Telephone Conversation by Wole Soyinka

Week 10 Dividing lines: Differences in Class, race, Gender and Ideology

Telephone Conversation
by Wole Soyinka

The price seemed reasonable, location
Indifferent. The landlady swore she lived
Off premises. Nothing remained
But self-confession. 'Madam, ' I warned,
'I hate a wasted journey—I am African.'
Silence. Silenced transmission of
Pressurized good-breeding. Voice, when it came,
Lipstick coated, long gold rolled
Cigarette-holder pipped. Caught I was foully.
'HOW DARK? '... I had not misheard... 'ARE YOU LIGHT
OR VERY DARK? ' Button B, Button A.* Stench
Of rancid breath of public hide-and-speak.
Red booth. Red pillar box. Red double-tiered
Omnibus squelching tar. It was real! Shamed
By ill-mannered silence, surrender
Pushed dumbfounded to beg simplification.
Considerate she was, varying the emphasis-
'ARE YOU DARK? OR VERY LIGHT? ' Revelation came.
'You mean-like plain or milk chocolate? '
Her assent was clinical, crushing in its light
Impersonality. Rapidly, wave-length adjusted,
I chose. 'West African sepia'-and as afterthought,
'Down in my passport.' Silence for spectroscopic
Flight of fancy, till truthfulness clanged her accent
Hard on the mouthpiece. 'WHAT'S THAT? ' conceding
'DON'T KNOW WHAT THAT IS.' 'Like brunette.'
'THAT'S DARK, ISN'T IT? ' 'Not altogether.
Facially, I am brunette, but, madam, you should see
The rest of me. Palm of my hand, soles of my feet
Are a peroxide blond. Friction, caused-

[...] Read more

poem by Tamilarasi Shalu
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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Write in Sand and Stone

Today, my friend yelled at me.
I wrote in sand my friend yelled at me.
Today, my friend punched me.
I wrote in sand my friend punched me.
Today, my friend cursed me.
I wrote in sand my friend cursed me.
Today, my friend abandoned me.
I wrote in sand my friend abandoned me.
Today, my friend insulted me.
I wrote in sand my friend insulted me.

Today, my friend asked me for forgiveness.
I wrote in stone my friend asked for forgiveness.
Today, my friend saved my life.
I wrote in stone my friend saved my life.
Today, my friend made me smile.
I wrote in stone my friend made me smile.
Today, my friend told me she cares for me.
I wrote in stone my friend cares for me.
Today, my friend was grateful for me.
I wrote in stone my friend was grateful for me.

I wrote in sand the bad things my friend did to me.
I wrote in stone the nice things did to me.

Winds will erase the bad things written in sand.
Nothing can erase the nice things written in stone.
Forgive and Forget

poem by Natalie Vail
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The Irony of Love

Irony is a literary or rhetorical device.
The essayist Henry Watson Fowler wrote:
“any definition of irony
—though hundreds might be given,
and very few of them would be accepted—
must include this,
that the surface meaning
and the underlying meaning of
what is said are not the same.'
He left out that any definition of
Irony must include that it is cruel.

I never understood
The meaning of irony
Or how cruel it can be,
Until you told me,
That though you may love me,
You find it difficult to
Hear the words
“I love you” from me.

You see, some three years ago
You jokingly said
'I love you' to me,
And I begged you
Never to utter those words again.
Not because I did not want to hear them,
But because they were difficult for me.
They carried heart-felt consequences
That I did not want to face.
So, I shut out my heart and followed my head.
And in life filled with so many regrets,
It was the biggest mistake I ever made.

The irony,
After some thousand days have past,
You uttered the same
Imprudent sentiment to me.
This sentiment is the definition of irony –
The surface meaning
And underlying meaning are not the same.
Because although I asked you not to say
“I love you”,
It is all I wanted to hear.

The cruelty,
That now that heaven has at last
Blessed, cursed me with
Clarity of the heart,
And I want to say what I mean

[...] Read more

poem by Hal Caufield
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Dear Michael

She wrote dear michael
Youll probably never get this letter
Michael, I wrote you a hundred times before
Knowing how I feel
Ill write a hundred more
Dear michael, every time your records on
(michael michael)
Michael, I close my eyes and sing along
Dreaming youre singing to me.
(ouuuuuuuuuuuuuuuuuuuuuuuuuuuuh)
And then she wrote:
(ouuuuuuuuuuuuuuuuuuuuuuuuuuuuuh)
Michael, I love you
I held the tears back long as I can
(ouuuuuuuuuuuuuuuuuuuuuuuuuuuuuh)
Im sealing my feelings in this envelope
(ouuuuuuuuuuuuuuuuuuuuuuuuuuuuuh)
cause I wanna be more than just your number one fan
Im gonna answer your letter
(michael michael)
Ill start beginning with the abcs of loving you
(I love ya)
(she wrote)
(michael michael)
(I love ya)
Your letter really touched my heart
(she wrote)
Ive been dreaming of meeting the picture
That you send along, signed with all your love
(michael michael)
(I wrote ya)
(she wrote)
Im gonna write you back, ouuh, I promess you that
(wont you write me back? , please write me back)
Girl, I think I love you
(michael michael)
Hurry, hurry mister postman, take my letter, tell her I love her
(she wrote)
(wont you write me back, please write me back)
(michael michael)
(she wrote)
Hurry, hurry mister postman, take my letter tell her I love her
(wont you write me back, please write me back)
(michael michael)
Yeah,
(I wrote you)
(she wrote)
Im gonna write you back
I promess you that...

song performed by Michael Jackson
Added by Lucian Velea
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The Circus

I remember when I wrote The Circus
I was living in Paris, or rather we were living in Paris
Janice, Frank was alive, the Whitney Museum
Was still on 8th Street, or was it still something else?
Fernand Léger lived in our building
Well it wasn’t really our building it was the building we lived in
Next to a Grand Guignol troupe who made a lot of noise
So that one day I yelled through a hole in the wall
Of our apartment I don’t know why there was a hole there
Shut up! And the voice came back to me saying something
I don’t know what. Once I saw Léger walk out of the building
I think. Stanley Kunitz came to dinner. I wrote The Circus
In two tries, the first getting most of the first stanza;
That fall I also wrote an opera libretto called Louisa or Matilda.
Jean-Claude came to dinner. He said (about “cocktail sauce”)
It should be good on something but not on these (oysters).
By that time I think I had already written The Circus
When I came back, having been annoyed to have to go
I forget what I went there about
You were back in the apartment what a dump actually we liked it
I think with your hair and your writing and the pans
Moving strummingly about the kitchen and I wrote The Circus
It was a summer night no it was an autumn one summer when
I remember it but actually no autumn that black dusk toward the post office
And I wrote many other poems then but The Circus was the best
Maybe not by far the best Geography was also wonderful
And the Airplane Betty poems (inspired by you) but The Circus was the best.

Sometimes I feel I actually am the person
Who did this, who wrote that, including that poem The Circus
But sometimes on the other hand I don’t.
There are so many factors engaging our attention!
At every moment the happiness of others, the health of those we know and our own!
And the millions upon millions of people we don’t know and their well-being to think about
So it seems strange I found time to write The Circus
And even spent two evenings on it, and that I have also the time
To remember that I did it, and remember you and me then, and write this poem about it
At the beginning of The Circus
The Circus girls are rushing through the night
In the circus wagons and tulips and other flowers will be picked
A long time from now this poem wants to get off on its own
Someplace like a painting not held to a depiction of composing The Circus.

Noel Lee was in Paris then but usually out of it
In Germany or Denmark giving a concert
As part of an endless activity
Which was either his career or his happiness or a combination of both
Or neither I remember his dark eyes looking he was nervous
With me perhaps because of our days at Harvard.

[...] Read more

poem by Kenneth Koch
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A Linda Song

Music: Barry Manilow
Lyrics: Enoch Anderson
--------------------------------------------------------------------------------
He never wrote a song for Linda
He wrote as though he lived alone
He wrote of dreams that end
And of sad brave men
Inventing worlds he'd never known
But he never wrote a song for Linda
And she was right there all along
Loved him back to life
When his luck ran low
But he never wrote a Linda song
He nearly broke his heart at writing
Linda kept him from despair
Standin' by his side
through the hungry days
But he hardly seemed to see her there
And he never wrote a song for Linda
And she was right there all along
The one real thing in his crazy world
And he never wrote a Linda song.
When the bills piled up
He couldn't pay
He couldn't dream no more
So he hitched a ride and he rode away
And he left a note for Linda by the door
By the door
When times got rough he'd phone her
Once or twice she took the call
Then she changed her number and she turned her head
And Linda never looked back at all
He'll never write a song for Linda
And she was right there all along
All he knows is no one understands
And he never wrote a Linda song
No he never wrote a Linda song

song performed by Barry Manilow
Added by Lucian Velea
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The Prisoner

A misfit who is old before his time
Poverty has turned him to crime
Boredom gives him too much time to think
He pours another drink.
(chorus)
A burning, bitter taste of irony
A prisoner in the land of the free.
He wonders why his landscape looks so strange
Burger bars are home on the range
An empty bottle falling from his hand
He does'nt understand.
(chorus)
A burning, bitter taste of irony
A prisoner in the land of the free.
A cork unlocks the door to other lands
Of battles won and destinies in hand
A half-remembered state of liquid dreams
Where things aren't what they seem.
(chorus)
A burning, bitter taste of irony
A prisoner in the land of the free.
A naked savage dressed in shirt and jeans
A burning, bitter taste of irony
A prisoner in the land of the free.
(chorus)
A burning, bitter taste of irony
A prisoner in the land of the free.

song performed by Ub40
Added by Lucian Velea
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All She Wrote

Something's wrong with your mind
It won't think of me anymore
Was it all a waste of time
Tell me why was I such a chore
Broken glass lies empty
Cut my voice so I can't say
Today was that day
It was that time
And that was all that she wrote for me
You fell away
I don't know why
And that was all that she wrote for me
Lying here in your bed
The one that you liked to do it in
Pieces of long brown hair
Are all over it and still in my brain
I can't explain
What it's like not knowing if I'll ever cross your mind
Today was that day
It was that time
And that was all that she wrote for me
You fell away
I don't know why
And that was all that she wrote for me
Sleep through the day
Fight with the night
Seven a.m. and the tv is white
Covered in snow
I never knew that hell could get so cold
Today was that day
It was that time
And that was all that she wrote for me
You fell away
I don't know why
And that was all that she wrote for me
Today was that day
It was that time
And that was all that she wrote for me
You fell away
I don't know why
And that was all that she wrote for me
Something's wrong with your mind
It won't think of me anymore
Was it all a waste of time

song performed by Default
Added by Lucian Velea
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The Duellist - Book III

Ah me! what mighty perils wait
The man who meddles with a state,
Whether to strengthen, or oppose!
False are his friends, and firm his foes:
How must his soul, once ventured in,
Plunge blindly on from sin to sin!
What toils he suffers, what disgrace,
To get, and then to keep, a place!
How often, whether wrong or right,
Must he in jest or earnest fight,
Risking for those both life and limb
Who would not risk one groat for him!
Under the Temple lay a Cave,
Made by some guilty, coward slave,
Whose actions fear'd rebuke: a maze
Of intricate and winding ways,
Not to be found without a clue;
One passage only, known to few,
In paths direct led to a cell,
Where Fraud in secret loved to dwell,
With all her tools and slaves about her,
Nor fear'd lest Honesty should rout her.
In a dark corner, shunning sight
Of man, and shrinking from the light,
One dull, dim taper through the cell
Glimmering, to make more horrible
The face of darkness, she prepares,
Working unseen, all kinds of snares,
With curious, but destructive art:
Here, through the eye to catch the heart,
Gay stars their tinsel beams afford,
Neat artifice to trap a lord;
There, fit for all whom Folly bred,
Wave plumes of feathers for the head;
Garters the hag contrives to make,
Which, as it seems, a babe might break,
But which ambitious madmen feel
More firm and sure than chains of steel;
Which, slipp'd just underneath the knee,
Forbid a freeman to be free.
Purses she knew, (did ever curse
Travel more sure than in a purse?)
Which, by some strange and magic bands,
Enslave the soul, and tie the hands.
Here Flattery, eldest-born of Guile,
Weaves with rare skill the silken smile,
The courtly cringe, the supple bow,
The private squeeze, the levee vow,
With which--no strange or recent case--
Fools in, deceive fools out of place.

[...] Read more

poem by Charles Churchill
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In The Day's When We Are Dead

Listen! The end draws nearer,
Nearer the morning—or night—
And I see with a vision clearer
That the beginning was right!
These shall be words to remember
When all has been done and said,
And my fame is a dying ember
In the days when I am dead.
Listen! We wrote in sorrow,
And we wrote by candle light;
We took no heed of the morrow,
And I think that we were right—
(To-morrow, but not the day after,
And I think that we were right).

We wrote of a world that was human
And we wrote of blood that was red,
For a child, or a man, or a woman—
Remember when we are dead.

Listen! We wrote not for money,
And listen! We wrote not for fame—
We wrote for the milk and the honey
Of Kindness, and not for a name.

We paused not, nor faltered for any,
Though many fell back where we led;
We wrote of the few for the many—
Remember when we are dead.

We suffered as few men suffer,
Yet laughed as few men laugh;
We grin as the road grows rougher,
And a bitterer cup we quaff.

We lived for Right and for Laughter,
And we fought for a Nation ahead—
Remember it, friends, hereafter,
In the years when I am dead—
For to-morrow and not the day after,
For ourselves, and a Nation ahead.

poem by Henry Lawson
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Legends, Elegies, Pleasures And Norma Jean

The man who wrote Legends of the Fall
Wrote; 'Don't fall in love as if fallin' off a dock at night'
But when you are struck by the thunderbolt
How do you not fall?

The man who wrote the Duino Elegies
Wrote; 'Beauty is only the start of bearable terror'
But to be stuck without beauty
Is unbearable

The woman formerly know as Norma Jean
Wrote; 'I know from life one cannot love another'
I know what she meant, but to love you
How can I not?

The man who wrote The Pleasures of Hope
Wrote; 'How hard it is to find the one just suited to our mind! '
But it is just a little too easy to find one
Who is ill suited

From Legends, Elegies, Pleasures and Norma Jean
What they wrote is unforgettable
And that is what you are muse, though near or far
In every way

poem by MacGregor Tagliaferro
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Real art is without irony. Irony distances the author from his material. Irony is a product of something. It's not the reason for doing something. Irony is a cheap shot.

quote by Robert Altman
Added by Lucian Velea
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Justify

To add justice,
I did not scream nor cry,
I instead called,
“Irony.”
Yes,
Irony.
The strange noun that bites and slaps when least expected.
So, to justify,
I called Irony.
I would like it to be shown, to the court at least, that I did nothing wrong,
nor nothing right.
I called his name,
when he was gone from sight.
I whispered my wisdom,
to a deaf and blind old fool,
I gave my only love,
To one who would never love at all.
So,
To justify,
I believe I did not lose,
I just didn't win.
That is often the case with irony.

poem by Kaitey Cat
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Withitness

Some people love the experimental in poetry
Poetry, in the experimental, love some people
Love poetry, experimental people. Some
Lovesome

Challenging all preconceptions
Preconceptions all challenging…
Preconceptions challenging all
All-challenging

Playing with outmoded language
Language playing outmoded
With playing language
Language-playing

But with an implicit social critique
Critique but social
An implicit but
Critique-implicit

In the spirit of post modern irony
Irony modern in spirit
Spirit in modern
Post-irony

Look Ma I can stand on my head
Stand Ma on head
Stand on my Ma I can
Can-head

All-challenging language-playing
Post-irony
Critique-implic it
Lovesome?

poem by Michael Shepherd
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Irony of Things

It is an irony to believe that Ayothya
Is the birth place of Rama, as by the time
When Rama lived around 1450 B.C.,
Aryans never crossed Punjab or beyond.

It is an irony to say that Mathura
Is the birth place of Krishna, as by the time
When Krishna lived around 900 B.C.,
Aryans never reached up to Mathura.

It is an irony to establish that Durga,
A Dravidian origin, fostered later by Aryans,
Is the destroyer of Sura padman,
An asura, a co-dravidian, among Dravidians.

It is an irony that the very Dravidian
Movement has landed in the hand of a Brahmin
And then at a hand who too had mortgaged the interest
To Aryan for sake of his dynasty.

poem by Rm. Shanmugam Chettiar
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Song: Spell Out The Blues

There's no-one who's better,
Better than you!
No ruthless go-getter,
With the dumb luck of youth.
There's no-one who's better,
Better than you!
A fashion trend setter,
Who's never uncouth.

My life's such a clutter,
But what can I do?
I've pulled down the shutters,
And choked off the view.
The world is a gutter,
A foul smelling brew.
And my writings still stutter,
To spell out the blues.
Spell out the blues!
They spell out the blues!
All the words that I splutter,
Spell out the blues!

There's no-one who's better,
Better than you!
I'm your prisoner in fetters,
Though you're never cruel.
There's no-one that's better,
Better than you!
No grudge or vendetta,
To play me the fool.

There's no-one who's better,
Better than you!
I am dry cheddar,
While you are just smooth.
There's no-one that's better,
Better than you!
You sent me those letters,
So I'd walk in your shoes.
Walk in your shoes!
Walk in your shoes!
I'd pound out the leather,
And walk in your shoes.

My fragile self shatters,
Yet you flatter me.
My attention is scattered,
I fall to my knee.
How can it matter,
If satyr I be?

[...] Read more

poem by David SmithWhite
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L'Héautontimorouménos (The Man Who Tortures Himself)

L'Héautontimorouménos
Je te frapperai sans colère
Et sans haine, comme un boucher,
Comme Moïse le rocher
Et je ferai de ta paupière,

Pour abreuver mon Saharah
Jaillir les eaux de la souffrance.
Mon désir gonflé d'espérance
Sur tes pleurs salés nagera

Comme un vaisseau qui prend le large,
Et dans mon coeur qu'ils soûleront
Tes chers sanglots retentiront
Comme un tambour qui bat la charge!
Ne suis-je pas un faux accord
Dans la divine symphonie,
Grâce à la vorace Ironie
Qui me secoue et qui me mord
Elle est dans ma voix, la criarde!
C'est tout mon sang ce poison noir!
Je suis le sinistre miroir
Où la mégère se regarde.

Je suis la plaie et le couteau!
Je suis le soufflet et la joue!
Je suis les membres et la roue,
Et la victime et le bourreau!

Je suis de mon coeur le vampire,
— Un de ces grands abandonnés
Au rire éternel condamnés
Et qui ne peuvent plus sourire!

The Man Who Tortures Himself

I shall strike you without anger
And without hate, like a butcher,
As Moses struck the rock!
And from your eyelids I shall make

The waters of suffering gush forth
To inundate my Sahara.
My desire swollen with hope
Will float upon your salty tears

Like a vessel which puts to sea,
And in my heart that they'll make drunk
Your beloved sobs will resound
Like a drum beating the charge!

[...] Read more

poem by Charles Baudelaire
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In Days to Come

IN DAYS TO COME

In days to come when, dumb, I’ll strum no more
rhymed witness to timed world where butterflies
still dance rare marbled patterns through fair skies -
when I’ll have sunk to rest unblessed before
enchantment fades – who’ll feel one penny poor?
Most, wor[l]dy-wise, ignore one poor demise,
for life continues as before - here lies
our irony, reflections poet pours
in [l]ink think themes on pixel pages’ scores
fade with ambitions one can’t realize,
when hopes unmet forget joy’s first surprise.
Self is both root and cause of fatal flaws.

My memory, wax candle w[e]aned from flame,
may shadow search vain answers to Life’s game.

20 May 2005 revised 16 November 2006 and 25 March 2009
robi03_1257_robi03_0000 SXX_DIZ

for previous versions see below variant of Unjaded Sparkle 6 July 1991

In Days to Come

In days to come when, dumb, I’ll bear no more
to Time rhymed witness, world where butterflies
still dance rare marbled patterns through fair skies -
when I’ll have sunk to rest twice blessed before
enchantment fades – who’ll feel one penny poor?
Most, wor[l]dy-wise, ignore one poor demise,
for life continues as before - here lies
our irony, reflections one would pour
in [l]ink think themes on pixel pages’ score
fade with ambitions one can’t realize,
when hopes unmet forget joy’s first surprise.
Within oneself is found the fatal flaw.

My memory - wax candle w[e]aned from flame,
while others, vain, search answers to Life’s game.

20 May 2005 and 16 November 2006 revised 23 November 2008
- for previous versions see below

In Days to Come

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poem by Jonathan Robin
Added by Poetry Lover
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