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I'm more influenced by my own interests than anyone else's. Writers have to entertain themselves, or they can't entertain anyone else.

quote by Laurell K. Hamilton
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Four Main Types of Writers (personal opinion)

The Lonely Writer

Some writings tell me
This person is lonely
And is reaching out
For the touch of a friendly comment
These writers are sad, solitary,
Isolated, but good persons
And quite often very good writers

The needy juvenile writer

Some writings contain words
Or language meant to shock
And to offend.
These writers are lonely also
But in a different way.
These writers are simply saying
Like a little child
“hey! I exist! Someone better
Acknowledge me! ”
These writers can often write well
But usually don’t, can’t, or choose not to

The Spite Writer

This writer can be of either gender
But seems to be in a female majority
They’ve been spurned or rejected
Two-timed or lied to.
And they are going to vent their ire
In the most public way they can.
These writers can also be very good writers
But too often let their anger get in the way.

The Religious Writer

These writers show people passionate
And zealously devoted to singing the praises
Of the Lord and goodness and charity.
They’re probably austere, honest people
Who almost always write very well.
For the most part these writers seem
To want to spread the word and
At the same time tend to be rather singular
In the subject matter of their writings,
Rarely attempting other genres.

poem by David Whalen
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Most Writers

Most writers 'twould seem have moments of self doubt
But they never go short of things to write about
And to become a top writer of one a big ask
And to succeed as a writer for many seems too daunting a task.

Most writers do not write for wealth or for fame
And despite lack of success they pen on just the same
For every one hundred thousand writers perhaps one writing millionaire
Amongst the ranks of the wealthy the writers are rare.

Few writers can hope for to scale success height
For the love of writing they only do write
Few writers get published and fewer know of success
But in their writings on paper their thoughts they express.

Most writers will never know wealth and renown
And they are not even well known in their own Hometown
They never will be known beyond their home shore
They write for the love of it and little more.

poem by Francis Duggan
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Writer's Drought

You've heard of a thing called writer's block and you've heard of writer's drought
But writers are never short of things on which they can write about
It's just at times their inspiration well does seem to run dry
And they cannot seem to pen a line though hard enough they try.

The writers drought it causes writers moments of self doubt
Till the words that seem locked in them eventually flow out
Through their pens to their notebooks their dry spells do not last
And on time lost out on penning words they seem to catch up fast.

Some writers in their writing drought cannot seem to feel inspired
To write even a single line they feel mentally tired
But when fresh inspiration comes to them much better stuff they do write
And feeling re-invigorated they sit and pen all night.

Most writers you will talk to of writers drought can tell
When there is no inspiration in their inspiration well
But when inspiration returns to them and their creative juices flow
They become much better writers and in self confidence grow.

poem by Francis Duggan
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Death Of The Middle Class

Oligarchs and Banksters tighten financial screws
In a bold attempt to kill the global Middle Class
Heads of State unable/unwilling to halt this ruse
The “Great Depression of 1929” we soon surpass

ROTMS

By Andrew Gavin Marshall - Global Research

We now stand at the edge of the global financial abyss of a ‘Great Global Debt Depression, ’ where nations, mired in extreme debt, are beginning to implement ‘fiscal austerity’ measures to reduce their deficits, which will ultimately result in systematic global social genocide, as the middle classes vanish and the social foundations upon which our nations rest are swept away. How did we get here? Who brought us here? Where is this road leading? These are questions I will briefly attempt to answer.

At the heart of the global political economy is the central banking system. Central banks are responsible for printing a nation’s currency and setting interest rates, thus determining the value of the currency. This should no doubt be the prerogative of a national government, however, central banks are of a particularly deceptive nature, in which while being imbued with governmental authority, they are in fact privately owned by the world’s major global banks, and are thus profit-seeking institutions. How do central banks make a profit? The answer is simple: how do all banks make a profit? Interest on debt. Loans are made, interest rates are set, and profits are made. It is a system of debt, imperial economics at its finest.

In the United States, President Woodrow Wilson signed the Federal Reserve Act in 1913, creating the Federal Reserve System, with the Board located in Washington, appointed by the President, but where true power rested in the 12 regional banks, most notably among them, the Federal Reserve Bank of New York. The regional Fed banks were private banks, owned in shares by the major banks in each region, which elected the board members to represent them, and who would then share power with the Federal Reserve Board in Washington.

In the early 1920s, the Council on Foreign Relations was formed in the United States as the premier foreign policy think tank, dominated by powerful banking interests. In 1930, the Bank for International Settlements (BIS) was created to manage German reparations payments, but it also had another role, which was much less known, but much more significant. It was to act as a “coordinator of the operations of central banks around the world.” Essentially, it is the central bank for the world’s central banks, whose operations are kept ‘strictly confidential.’ As historian Carroll Quigley wrote:

'The powers of financial capitalism had another far-reaching aim, nothing less than to create a world system of financial control in private hands able to dominate the political system of each country and the economy of the world as a whole. This system was to be controlled in a feudalist fashion by the central banks of the world acting in concert, by secret agreements arrived at in frequent private meetings and conferences. The apex of the system was to be the Bank for International Settlements in Basel, Switzerland, a private bank owned and controlled by the world’s central banks which were themselves private corporations.'

In 1954, the Bilderberg Group was formed as a secretive global think tank, comprising intellectual, financial, corporate, political, military and media elites from Western Europe and North America, with prominent bankers such as David Rockefeller, as well as European royalty, such as the Dutch royal family, who are the largest shareholders in Royal Dutch Shell, whose CEO attends every meeting. This group of roughly 130 elites meets every year in secret to discuss and debate global affairs, and to set general goals and undertake broad agendas at various meetings. The group was initially formed to promote European integration. The 1956 meeting discussed European integration and a common currency. In fact, the current Chairman of the Bilderberg Group told European media last year that the euro was debated at the Bilderberg Group.

In 1973, David Rockefeller, Chairman and CEO of Chase Manhattan Bank, Chairman of the Council on Foreign Relations and a member of the Steering Committee of the Blderberg Group, formed the Trilateral Commission with CFR academic Zbigniew Brzezinski. That same year, the oil price shocks created a wealth of oil money, which was discussed at that years Bilderberg meeting 5 months prior to the oil shocks, and the money was funneled through western banks, which loaned it to ‘third world’ nations desperately in need of loans to finance industrialization.

When Jimmy Carter became President in 1977, he appointed over two dozen members of the Trilateral Commission into his cabinet, including himself, and of course, Zbigniew Brzezinski, who was his National Security Adviser. In 1979, Carter appointed David Rockefeller’s former aide and friend, Paul Volcker, who had held various positions at the Federal Reserve Bank of New York and the U.S. Treasury Department, and who also happened to be a member of the Trilateral Commission, as Chairman of the Federal Reserve. When another oil shock took place in 1979, Volcker decided to raise interest rates from 2% in the late 70s, to 18% in the early 80s. The effect this had was that the countries of the developing world suddenly had to pay enormous interest on their loans, and in 1982, Mexico announced it could no longer afford to pay its interest, and it defaulted on its debt, which set off the 1980s debt crisis – collapsing nations in debt across Latin America, Africa and parts of Asia.

It was the IMF and the World Bank came to the ‘assistance’ of the Third World with their ‘structural adjustment programs’, which forced countries seeking assistance to privatize all state owned industries and resources, devalue their currencies, liberalize their economies, dismantle health, education and social services; ultimately resulting in the re-colonization of the ‘Third World’ as Western corporations and banks bought all their assets and resources, and ultimately created the conditions of social genocide, with the spread of mass poverty, and the emergence of corrupt national elites who were subservient to the interests of Western elites. The people in these nations would protest, riot and rebel, and the states would clamp down with the police and military.

In the West, corporations and banks saw rapid, record-breaking profits. This was the era in which the term ‘globalization’ emerged. While profits soared, wages for people in the West did not. Thus, to consume in an economy in which prices were rising, people had to go into debt. This is why this era marked the rise of credit cards fueling consumption, and the middle class became a class based entirely on debt.

In the 1990s, the ‘new world order’ was born, with America ruling the global economy, free trade agreements began integrating regional and global markets for the benefit of global banks and corporations, and speculation dominated the economy.

The global economic crisis arose as a result of decades of global imperialism – known recently as ‘globalization’ – and the reckless growth of– speculation, derivatives and an explosion of debt. As the economic crisis spread, nations of the world, particularly the United States, bailed out the major banks (which should have been made to fail and crumble under their own corruption and greed) , and now the West has essentially privatized profits for the banks, and socialized the risk. In other words, the nations bought the debt from the banks, and now the people have to pay for it. The people, however, are immersed in their own personal debt to such degrees that today, the average Canadian is $39,000 in debt, and students are graduating into a jobless market with tens to hundreds of thousands of dollars of student debt that they will never repay. Hence, we are now faced with a global debt crisis.

To manage the economic crisis, the G20 was established as the major international forum for cooperation among the 20 major economies of the world, including the major developing – or emerging – economies, such as India, Brazil, South Africa and China. At the onset of the financial crisis, China and Russia’s central banks began calling for the establishment of a global currency to replace the U.S. dollar as the world reserve currency. This proposal was backed by the UN and the IMF. It should be noted, however, that the Chinese and Russian central banks cooperate with the Western central banks through the Bank for International Settlements – which the President of the European Central Bank, Jean-Claude Trichet, recently said was the principle forum for “governance of central bank cooperation” and that the G20 is “the prime group for global economic governance.” In 2009, the IMF stated that the BIS “is the central and the oldest focal point for coordination of global governance arrangements.” The President of the European Union, appointed to the position after attending a Bilderberg meeting, declared 2009 as the “first year of global governance.” The 2009 Bilderberg meeting reported on the desire to create a global treasury, or global central bank, to manage the world economy. In 2009, prior to the Bilderberg meeting in fact, the G20 set in motion plans to make the IMF a global central bank of sorts, issuing and even printing its own currency – called Special Drawing Rights (SDRs) – which is valued against a basket of currencies. In May of 2010, the IMF Managing Director stated that “crisis is an opportunity, ” and while Special Drawing Rights are a step in the right direction, ultimately what is needed is “a new global currency issued by a global central bank, with robust governance and institutional features.” Thus, we see the emergence of a process towards the formation of a global central bank and a global currency, totally unaccountable to any nation or people, and totally controlled by global banking interests.

In 2010, Greece was plunged into a debt crisis, a crisis which is now spreading across Europe, to the U.K. and eventually to Japan and the United States. If we look at Greece, we see the nature of the global debt crisis. The debt is owed to major European and American banks. To pay the interest on the debt, Greece had to get a loan from the European Central Bank and the IMF, which forced the country to impose ‘fiscal austerity’ measures as a condition for the loans, pressuring Greece to commit social genocide. Meanwhile, the major banks of America and Europe speculate against the Greek debt, further plunging the country into economic and social crisis. The loan is granted, to pay the interest, yet simply has the effect of adding to the overall debt, as a new loan is new debt. Thus, Greece is caught in the same debt trap that re-colonized the Third World.

At the recent G20 meeting in Toronto, the major nations of the world agreed to impose fiscal austerity – or in other words, commit social genocide – within their nations, in a veritable global structural adjustment program. So now we will see the beginnings of the Great Global Debt Depression, in which major western and global nations cut social spending, create mass unemployment by dismantling health, education, and social services. Further, state infrastructure – such as roads, bridges, airports, ports, railways, prisons, hospitals, electric transmission lines and water – will be privatized, so that global corporations and banks will own the entirely of national assets. Simultaneously, of course, taxes will be raised dramatically to levels never before seen. The BIS said that interest rates should rise at the same time, meaning that interest payments on debt will dramatically increase at both the national and individual level, forcing governments to turn to the IMF for loans – likely in the form of its new global reserve currency – to simply pay the interest, and will thus be absorbing more debt. Simultaneously, of course, the middle class will in effect have its debts called in, and since the middle class exists only as an illusion, the illusion will vanish.

Already, towns, cities, and states across America are resorting to drastic actions to reduce their debts, such as closing fire stations, scaling back trash collection, turning off street lights, ending bus services and public transportation, cutting back on library hours or closing them altogether, school districts cutting down the school day, week or year. Simultaneously, this is occurring with a dramatic increase in the rate of privatizations or “public-private partnerships” in which even libraries are being privatized.

No wonder then, that this month, the Managing Director of the IMF warned that America and Europe, in the midst of the worst jobs crisis since the Great Depression, face an “explosion of social unrest.” Just yesterday, Europe experienced a wave of mass protests and social unrest in opposition to ‘austerity measures’, with a general strike in Spain involving millions of people, and a march on the EU headquarters in Brussels of nearly 100,000 people. As social unrest spreads, governments will likely react – as we saw in the case of the G20 in Toronto – with oppressive police state measures. Here, we see the true relevance of the emergence of ‘Homeland Security States’, designed not to protect people from terrorists, but to protect the powerful from the people.

So while things have never seemed quite so bleak, there is a dim and growing beacon of hope, in what Zbigniew Brzezinski has termed as the greatest threat to elite interests everywhere – the ‘global political awakening’. The global political awakening is representative of the fact that for the first time in all of human history, mankind is politically awakened and stirring, activated and aware, and that generally – as Zbigniew Brzezinski explains – generally is aware of global inequalities, exploitation, and disrespect. This awakening is largely the result of the information revolution – thus revealing the contradictory nature of the globalization project – as while it globalizes power and oppression, so too does it globalize awareness and opposition. This awakening is the greatest threat to entrenched elite interests everywhere. The awakening, while having taken root in the global south – already long subjected to exploitation and devastation – is now stirring in the west, and will grow as the economy crumbles. As the middle classes realize their consumption was an illusion of wealth, they will seek answers and demand true change, not the Wall Street packaged ‘brand-name’ change of Obama Inc., but true, inspired, and empowering change.

In 1967, Martin Luther King delivered a speech in which he spoke out against the Vietnam War and the American empire, and he stated that, “It seems as if we are on the wrong side of a world revolution.” So now it seems to me that the time has come for that to change.

Andrew Gavin Marshall is a Research Associate with the Centre for Research on Globalization (CRG) .

poem by Ray Lucero
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If You can Keep your Cheese - after Rudyard Kipling

If you can keep your cheese while few about you
are holding onto theirs', all envy ease.
If none can get your goat nor cow could doubt you
your scent which, heaven sent, can tell true bries
from gorgonzola, parmesan without you
planning for house mouse contingencies,
or short supply where larder rats may scout to
grind, compromise the tasty rind most please.

If by a whisker cheshire follows trout to
provide fit end for sweet delicacies,
or cheddar meat meal follows leaves no gout to
blur enjoyment, taste buds' harmonies.
If desert heat no threat presents, no pout too
in winter's cold where lizard's blood would freeze,
If neither flood nor drought can mar, throughout you
may triumph over blue mould colonies.

If all kowtow, if none would ever flout you
remembering to bow before ‘big cheese'...
if hole in one you score in club you clout to
take golden trophy - competition flees.
If all above's accomplished taste devout, true,
while others fail to prove their expertise,
your's is the world, which elsewhere's up the spout, few
can make their time your rhyme's real_I_tease!

IF - A Writers' Guild Gild Guile Guide
If you can form and not make norms your master,
conformity, performance formal, flame.
If you inform, share, [fl]airing, flow far faster,
yet let not copyright bind tight to shame.
If you treat critic's inconstructive blaster
with humour, beat him at his game's lame claim,
take not to hea[r]t his tumour, bandage, plaster
half-heartedly, pretend [s]he never came.

If you can couple energy creative
well in advance of others in your field,
without confusing nominative, dative,
rei[g]n arguments through cogency revealed
in context, in a manner innovative,
code palimpsests from all but s[t]age concealed,
If trust in self is never compensative
reaction used when you refused to yield.

If you can link great ends with small beginnings,
and yet not brag, nor tag each copy sold,
If dialogue's more vital than piled winnings,
to trim the quill where will won't be short-sold,

[...] Read more

poem by Jonathan Robin
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Hudibras: Part 3 - Canto I

THE ARGUMENT

The Knight and Squire resolve, at once,
The one the other to renounce.
They both approach the Lady's Bower;
The Squire t'inform, the Knight to woo her.
She treats them with a Masquerade,
By Furies and Hobgoblins made;
From which the Squire conveys the Knight,
And steals him from himself, by Night.

'Tis true, no lover has that pow'r
T' enforce a desperate amour,
As he that has two strings t' his bow,
And burns for love and money too;
For then he's brave and resolute,
Disdains to render in his suit,
Has all his flames and raptures double,
And hangs or drowns with half the trouble,
While those who sillily pursue,
The simple, downright way, and true,
Make as unlucky applications,
And steer against the stream their passions.
Some forge their mistresses of stars,
And when the ladies prove averse,
And more untoward to be won
Than by CALIGULA the Moon,
Cry out upon the stars, for doing
Ill offices to cross their wooing;
When only by themselves they're hindred,
For trusting those they made her kindred;
And still, the harsher and hide-bounder
The damsels prove, become the fonder.
For what mad lover ever dy'd
To gain a soft and gentle bride?
Or for a lady tender-hearted,
In purling streams or hemp departed?
Leap'd headlong int' Elysium,
Through th' windows of a dazzling room?
But for some cross, ill-natur'd dame,
The am'rous fly burnt in his flame.
This to the Knight could be no news,
With all mankind so much in use;
Who therefore took the wiser course,
To make the most of his amours,
Resolv'd to try all sorts of ways,
As follows in due time and place

No sooner was the bloody fight,
Between the Wizard, and the Knight,

[...] Read more

poem by Samuel Butler
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Caricatures

There are writers great and writers small
And writers on the spree;
And writers short and writers tall,
And bards of low degree.

There are artists small and artist great,
With lines both bold and free –
It takes a Low to illustrate
Us bards of low degree.

poem by Henry Lawson
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The Truth can Hurt

The truth can hurt

Some writers write infrequently
and others write prolifically.
What matters is the quality
much more so than the quantity.

Good writers by their words display
their thoughts in a coherent way
Describing things they have observed
and garner praise that’s well deserved.

But some think anything will do
and they pay no attention to
the rules successful writers use
they will not learn: point blank refuse

to accept well meant critique.
They much prefer dishonest praise
from so called friends afraid
to speak the simple truth lest they dismay

their friend by speaking honestly.
So naturally they take offence
when other people criticise
that which seems perfect in their eyes.

True writers take this in their stride
they know their work is not perfect.
But what they know is they have tried
and that is all you can expect.

New writers lack experience
but everyone must start some where.
The wise ones do not take offence
when other people show they care

enough to offer some advice.
Because they can remember when
they too were just a new novice
to painting pictures with their pen.
27 feb 08

poem by Ivor Or Ivor.e Hogg
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Essay on Psychiatrists

I. Invocation

It‘s crazy to think one could describe them—
Calling on reason, fantasy, memory, eves and ears—
As though they were all alike any more

Than sweeps, opticians, poets or masseurs.
Moreover, they are for more than one reason
Difficult to speak of seriously and freely,

And I have never (even this is difficult to say
Plainly, without foolishness or irony)
Consulted one for professional help, though it happens

Many or most of my friends have—and that,
Perhaps, is why it seems urgent to try to speak
Sensibly about them, about the psychiatrists.

II. Some Terms

“Shrink” is a misnomer. The religious
Analogy is all wrong, too, and the old,
Half-forgotten jokes about Viennese accents

And beards hardly apply to the good-looking woman
In boots and a knit dress, or the man
Seen buying the Sunday Times in mutton-chop

Whiskers and expensive running shoes.
In a way I suspect that even the terms “doctor”
And “therapist” are misnomers; the patient

Is not necessarily “sick.” And one assumes
That no small part of the psychiatrist’s
Role is just that: to point out misnomers.

III. Proposition

These are the first citizens of contingency.
Far from the doctrinaire past of the old ones,
They think in their prudent meditations

Not about ecstasy (the soul leaving the body)
Nor enthusiasm (the god entering one’s person)
Nor even about sanity (which means

Health, an impossible perfection)
But ponder instead relative truth and the warm

[...] Read more

poem by Robert Pinsky
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An Essay On The Different Stiles Of Poetry

To Henry, Lord Viscount Bolingbroke.

I hate the Vulgar with untuneful Mind,
Hearts uninspir'd, and Senses unrefin'd.
Hence ye Prophane, I raise the sounding String,
And Bolingbroke descends to hear me sing.

When Greece cou'd Truth in Mystick Fable shroud,
And with Delight instruct the list'ning Crowd,
An ancient Poet (Time has lost his Name)
Deliver'd Strains on Verse to future Fame.
Still as he sung he touch'd the trembling Lyre,
And felt the Notes a rising Warmth inspire.
Ye sweet'ning Graces in the Musick Throng,
Assist my Genius, and retrieve the Song
From dark Oblivion. See, my Genius goes
To call it forth. 'Twas thus the Poem rose.

Wit is the Muses Horse, and bears on high
The daring Rider to the Muses Sky:
Who, while his strength to mount aloft he tries,
By Regions varying in their Nature, flies.

At first he riseth o'er a Land of Toil,
A barren, hard, and undeserving Soil,
Where only Weeds from heavy Labour grow,
Which yet the Nation prune, and keep for show.
Where Couplets jingling on their Accent run,
Whose point of Epigram is sunk to Pun.
Where Wings by Fancy never feather'd fly,
Where Lines by measure form'd in Hatchets lie;
Where Altars stand, erected Porches gape,
And Sense is cramp'd while Words are par'd to shape;
Where mean Acrosticks labour'd in a Frame,
On scatter'd Letters raise a painful Scheme;
And by Confinement in their Work controul
The great Enlargings of the boundless Soul.
Where if a Warriour's elevated Fire
Wou'd all the brightest Strokes of Verse require,
Then streight in Anagram a wretched Crew
Will pay their undeserving Praises too;
While on the rack his poor disjointed Name
Must tell its Master's Character to Fame.
And (if my Fire and Fears aright presage)
The lab'ring Writers of a future Age
Shall clear new ground, and Grotts and Caves repair,
To civilize the babbling Ecchoes there.
Then while a Lover treads a lonely Walk,
His Voice shall with its own Reflection talk,

[...] Read more

poem by Thomas Parnell
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Lament for Zenocrate

Black is the beauty of the brightest day,
The golden belle of heaven's eternal fire,
That danced with glory on the silver waves,
Now wants the fuel that inflamed his beams:
And all with faintness and for foul disgrace,
He binds his temples with a frowning cloud,
Ready to darken earth with endless night:
Zenocrate that gave him light and life,
Whose eyes shot fire from their ivory bowers,
And tempered every soul with lively heat,
Now by the malice of the angry skies,
Whose jealousy admits no second mate,
Draws in the comfort of her latest breath
All dazzled with the hellish mists of death.
Now walk the angels on the walls of heaven,
As sentinels to warn th'immortal souls,
To entertain divine Zenocrate.
Apollo, Cynthia, and the ceaseless lamps
That gently looked upon this loathsome earth,
Shine downwards now no more, but deck the heavens
To entertain divine Zenocrate.
The crystal springs whose taste illuminates
Refined eyes with an eternal sight,
Like tried silver runs through Paradise
To entertain divine Zenocrate.
The Cherubins and holy Seraphins
That sing and play before the King of Kings,
Use all their voices and their instruments
To entertain divine Zenocrate.
And in this sweet and curious harmony,
The God that tunes this music to our souls,
Holds out his hand in highest majesty
To entertain divine Zenocrate.
Then let some holy trance convey my thoughts,
Up to the palace of th'imperial heaven:
That this my life may be as short to me
As are the days of sweet Zenocrate.

poem by Christopher Marlowe
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Instead, there were a variety of controls of which some could be influenced by bankers, some could be influenced by the government, and some could hardly be influenced by either.

quote by Carroll Quigley
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Bond is not constant.

Interests create involvement.
Involvements create interests.
Interests tiring, involvements die.
Involvements straining, interests die.
The bond is not constant.
06.10.2006

poem by Rm. Shanmugam Chettiar
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Egotism

YE powers fantastic ! goblin, sylph and fay,
Whose subtle forms no laws material sway ;
Ethereal essences, that dart and glide
Wherever pleasure or caprice may guide ;
Who leap with equal ease, if ye are bid,
A lady's thimble and a pyramid,
And scale, alike regardless of a fall,
The parlour fender and the Chinese wall,
Slip through a key-hole, 'neath the listed door,
Or from the smallest crevice in the floor ;
Or steer your way (and man's devices mock)
Through the dark mazes of a patent lock ;--
Of you I sing not--but my theme shall be
Of things as quick and volatile as ye,
--Those busy, subtle pronouns, I and Me.
Unsought, and unexpected they appear ;
No barriers heed they, and no laws revere;
But wind and penetrate, with dextrous force,
Through all the cracks and crannies of discourse.

Of those with whom self proves the darling theme,
Not all indulge it in a like extreme ;
Some have the sense to cover it no doubt ;
Would they had sense enough to root it out !
We therefore bring, as first upon the list,
The loud, loquacious, vulgar egotist ;
Whose I's and Me's are scattered in his talk,
Thick as the pebbles on a gravel walk.
Whate'er the topic be, through thick and thin
Himself is thrust, or squeezed, or sidled in.
Conceiving thus his own importance swells,
He makes himself a part of all he tells ;
And still to this he winds the subject round :
Suppose his friend is married, sick, or drowned,
He brought about the match, he lets you know ;
Told him about Miss B. a year ago ;
Or never shall forget, whate'er ensues,
How much he felt when first he heard the news.
A horseman thrown, lay weltering in the mud;
He thought of something that would stop the blood.
A neighhour had a quarrel with his wife ;
He never saw such doings in his life !
A fire broke out at midnight in the town ;
He started up, threw on his flannel gown,
Seized an old hat full twice as large as his,
And said, says he , 'I wonder where it is !'
Was doubtful if 'twere best to stay or go,
And trembled like a leaf, from top to toe.
In vain at times, some modest stander-by,
Catching a pause to make his brief reply,

[...] Read more

poem by Jane Taylor
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My Interests Have Changed

All of this time,
You knew you had information...
That could have provided me with benefits.
And you never mention this once,
Knowing I would advantage from it.
Why?

'I tried with many attempts.
Remember when you told me,
My interests were not of your concern? '

But why didn't you insist,
I close my mouth and open my ears to listen?

'Remember when you told me,
My interests were not of your concern?
And when I insisted that you listen...
On me your back you turned.
And for weeks,
You refused to say a thing to me?

And the last time I saw you standing on the street,
You told me I aggravated you!
And loudly exclaimed I interferred with your view.'

But I had not known,
Your interests were to my benefit.

'Now you do but guess what? '

What?

'My interests have changed.'

poem by Lawrence S. Pertillar
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A goal in sight

One two or go on making it to eight hundred
The poems may go on piling without any end
There is definite goal or aim in sight
You might attain it or would like to continue the fight

'You are good man but bad poet'
I read message which cautioned me not to write
This is not right place for you to reflect the views
I too felt it needed constant reviews

It has become craze among writers
They try to play easy and not prove as good fighters
They may approach readers to view their articles
They also try to limit themselves in small circle

'You read my article and I shall read yours'
This may please each other to have some favors
The quality may limit to one particular leave
The writers may not have good chance to excel

The flaws or drawbacks may not be pointed to him at all
It may be crushed under friendly observation or call
Why at all we need to approach viewers to comment?
Is there no other option to approach them for a moment?

Many comment sarcastically as if they are very good expert
The writer' only crime is request for support
This is not essentially to find any favor at the outset
It is only aimed at getting foot hold to set

Some writers get alienated over the honest remark
They want favorable remarks when try to venture or embark
This is not correct approach as it may not allow their real talents to surface
It may block the creativity and finally they enter in mad race

Any human being may not be pleased with the criticism
It hurts their ego and they take it affront to individualism
The relation has to be kept at one side and profession on other
Both should not be mixed and it should not concern or bother

The writing skill is God's gift and may come out as creation
To some it may prove dine piece and to others only recreation
Everybody has different perception and right to evaluate
The writers weight pro and con and the calculate

It is always nice to find place with some recognition
Your pen may be contributing more with ammunition
They may embark up on new themes and excel
Everything may then move on sound footing to fare well

[...] Read more

poem by Hasmukh Amathalal
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Writers and Poets

Here I sit
At a desk dimly lit.
Holding an unsharpened pencil
Over a piece of old, faded paper,
In my mind lingers a vague intention
Within the unformed idea
Of somehow writing something.
With no clear idea, theme or plan.
Only the restless desire to write.

It's raining. Again.
It seems to rain often.
Not the weather.
Life.
Interior drops fall,
Like flower pedals sacrificed.
Beautys death, the ransom price.
My desire lives in poetic rhythms,
Not in serious writers cadences.
I am not a writer.
- I hope to be a poet-
There is a difference? one may ask;
Oh yes, I believe so.
I'll attempt to express why.
In poetry words flow,
Like living waters.
In writing ideas are built within words.
The writer builds something,
Like a dam, to hold and control the way of the water,
To cause it to go somewhere precisely.
Writers form canals to move readers
To certain places.
Poets open up the dark clouds over life
Pouring out necessary wonders onto human souls;
Thirst quenching beauties that all
-in one way or another-
Are in great need of.
Writers, thankfully, take people
To places where they are able
To realize their own thirst.
Poets give them the drink.
The taste towards fulfilling life's true longings.

Writers and poets together
Make the dark a bit brighter,
The waters a bit more navagatible,
The way a bit clearer,
And the thirst of life
A bit more quenchable.

poem by Smoky Hoss
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A Well Crafted Word

Why am I so philosophical, a philosopher a long time ago once wrote.
The song writer, script writer, poet and novelist like to use a great quote.
Some poems are written with a catchy rhyme and a theme.
A well crafted word can help and be a great writers dream.
Everyone knows that the pen is mightier than the sword.
A well crafted word can give the reader great reward.
'A metaphor is just like a simile'; An unknown author once quoted.
It's true about all writers I know, they all hate their words being misquoted.
To writers one and all, a well crafted word is always a must to write down.
Just remember this about all writers, they can make great use of a pronoun.

poem by Nichole Kaci McKnight
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We all know nations that can be identified by the flight of writers from their shores. These are regimes whose fear of unmonitored writing is justified because truth is trouble. It is trouble for the warmonger, the torturer, the corporate thief, the political hack, the corrupt justice system, and for a comatose public. Unpersecuted, unjailed, unharrassed writers are trouble for the ignorant bully, the sly racist, and the predators feeding off the world’s resources. The alarm, the disquiet, writers raise is instructive because it is open and vulnerable, because if unpoliced it is threatening. Therefore the historical suppression of writers is the earliest harbinger of the steady peeling away of additional rights and liberties that will follow.

quote by Toni Morrison
Added by Veronica Serbanoiu
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The Plot

My class were all slow payers,
And they weren't the best of stayers
When they came along to evening classes
Straight from keeping shop,
So I'd try to entertain them
Though I knew I'd rather brain them,
All I wanted was some input
When their heads began to drop.

'Come on guys and girls, get with it, '
I would clap my hands, 'let's live it! '
'Give me three basic ingredients
You need to build a plot! '
'A beginning, ' said one joker,
'...and an end....' - (I thought I'd choke her!)
But I couldn't get a 'middle' from them,
That was all they'd got!

'You told me you were writers
That you burn the midnight light as
Other people lie there sleeping
While you wield your mighty pens.
You've got 'character' and 'colour'
As you like to tell each other,
But without a plot you haven't got
A story for your friends.'

'All you've given me - Moon Bayers,
And a host of Vampire Slayers
And some Super Hero wielding powers
Not you, nor I have got,
And a princess who's a virgin
With some hanger on, an urchin,
Come on folks! - there's not a virgin
Over fifteen worth a drop! '

'What we need are real people,
Keep it real and keep it simple
From the hair down to the dimple
(That you shouldn't know she's got!)
Use the guy who drives the tanker,
Or the fat and balding Banker
Who's been betting on the Gee Gee's
And is skimming off the top.'

'Or the girl there, in the city
Who's naive, but very pretty
When she meets the married businessman
Who takes her out to lunch,
Then invites her back for 'drinkies'

[...] Read more

poem by David Lewis Paget
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