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Next to a sincere compliment, I think I like a well-deserved and honest rebuke.

quote by William Feather
Added by Lucian Velea
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Honest Men

Were just a stones throw
From burning hellfire
Does anybody know,
Where did all the heroes go?
Weve had our fill of
This gallery of scoundrels,
The leaders of the world,
Those power hungry liars
Rise up and sound the sirens,
Send out the searching powers,
All we need is a few good men
Send the s.o.s. and red alerts
All across the universe
Calling your honest men?
S.o.s. emergency,
Sinking fast and getting worse.
Wheres your honest men?
In some village, far away,
Or in a little town pub.
High on a mountain top
There must be an honest man
Calling all honest men
Throw out the tyrants,
The aged fat cats
Outlived their usefulness
They have led us to this mess
Make them answer,
Hold them to their promises,
And throw them in the street
If they wont tell the truth
S.o.s. and red alert
All across the universe,
Calling all honest men
S.o.s. emergency,
Sinking fast and getting worse,
Wheres your honest men?
To your stations,
Man the ramparts,
The barricades
We need new heroes urgently
We need a few good honest men
Calling all honest men
Calling all honest men
Call to him
He lives next door,
Across the street
On the upper floor.
Its our only hope we need him now
Send the s.o.s. and red alert,
All across the universe,

[...] Read more

song performed by Electric Light Orchestra
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Jack Honest, or the Widow and Her Son

Jack Honest was only eight years of age when his father died,
And by the death of his father, Mrs Honest was sorely tried;
And Jack was his father's only joy and pride,
And for honesty Jack couldn't be equalled in the country-side.

So a short time before Jack's father died,
'Twas loud and bitterly for Jack he cried,
And bade him sit down by his bedside,
And then told him to be honest whatever did betide.

John, he said, looking him earnestly in the face,
Never let your actions your name disgrace,
Remember, my dear boy, and do what's right,
And God will bless you by day and night.

Then Mr Honest bade his son farewell, and breathed his last,
While the hot tears from Jack's eyes fell thick and fast;
And the poor child did loudly sob and moan,
When he knew his father had left him and his mother alone.

So, as time wore on, Jack grew to be a fine boy,
And was to his mother a help and joy;
And, one evening, she said, Jack, you are my only prop,
I must tell you, dear, I'm thinking about opening a shop.

Oh! that's a capital thought, mother, cried Jack,
And to take care of the shop I won't be slack;
Then his mother said, Jackey, we will try this plan,
And look to God for his blessing, and do all we can.

So the widow opened the shop and succeeded very well,
But in a few months fresh troubles her befell--
Alas! poor Mrs Honest was of fever taken ill,
But Jack attended his mother with a kindly will.

But, for fear of catching the fever, her customers kept away,
And once more there wasn't enough money the rent to pay;
And in her difficulties Mrs Honest could form no plan to get out,
But God would help her, she had no doubt.

So, one afternoon, Mrs Honest sent Jack away
To a person that owed her some money, and told him not to stay,
But when he got there the person had fled,
And to return home without the money he was in dread.

So he saw a gentleman in a carriage driving along at a rapid rate,
And Jack ran forward to his mansion and opened the lodge-gate,
Then the gentleman opened his purse and gave him, as he thought, a shilling
For opening the lodge-gate so cleverly and so willing.

[...] Read more

poem by William Topaz McGonagall
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A Stinging From A Venomous Tongue

What's been done...
Will always come back to be,
Left for another...
To be delivered,
And...received.
With a stinging from a venomous tongue.
And a stunning meaning to leave stung.

What's been done...
Will always come back to be,
Left for another...
To be delivered,
And...received.
With a stinging from a venomous tongue.
And a stunning meaning to leave stung.

And,
Deserved...
When,
Someone gets to receive...
A stunning meaning to leave stung.
From,
A stinging from a venomous tongue.
A stinging from a venomous tongue.

And,
Deserved...
When someone gets to receive,
A...
Stunning meaning to leave stung.
From...
Someone with a venomous tongue.
And a stinging of it meant to be done.

It's...
Deserved!
When someone gets to receive,
A...
Stunning meaning to leave stung.
From...
Someone with a venomous tongue.
And a stinging of it meant to be done.
A stinging of it meant to be done.

It's...
Deserved!
When someone gets to receive,
A stinging from a venomous tongue.
And a stinging of it meant to be done.
From someone with a venomous tongue.

[...] Read more

poem by Lawrence S. Pertillar
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Eighth Book

ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.

The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:

[...] Read more

poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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An Epistle To William Hogarth

Amongst the sons of men how few are known
Who dare be just to merit not their own!
Superior virtue and superior sense,
To knaves and fools, will always give offence;
Nay, men of real worth can scarcely bear,
So nice is jealousy, a rival there.
Be wicked as thou wilt; do all that's base;
Proclaim thyself the monster of thy race:
Let vice and folly thy black soul divide;
Be proud with meanness, and be mean with pride.
Deaf to the voice of Faith and Honour, fall
From side to side, yet be of none at all:
Spurn all those charities, those sacred ties,
Which Nature, in her bounty, good as wise,
To work our safety, and ensure her plan,
Contrived to bind and rivet man to man:
Lift against Virtue, Power's oppressive rod;
Betray thy country, and deny thy God;
And, in one general comprehensive line,
To group, which volumes scarcely could define,
Whate'er of sin and dulness can be said,
Join to a Fox's heart a Dashwood's head;
Yet may'st thou pass unnoticed in the throng,
And, free from envy, safely sneak along:
The rigid saint, by whom no mercy's shown
To saints whose lives are better than his own,
Shall spare thy crimes; and Wit, who never once
Forgave a brother, shall forgive a dunce.
But should thy soul, form'd in some luckless hour,
Vile interest scorn, nor madly grasp at power;
Should love of fame, in every noble mind
A brave disease, with love of virtue join'd,
Spur thee to deeds of pith, where courage, tried
In Reason's court, is amply justified:
Or, fond of knowledge, and averse to strife,
Shouldst thou prefer the calmer walk of life;
Shouldst thou, by pale and sickly study led,
Pursue coy Science to the fountain-head;
Virtue thy guide, and public good thy end,
Should every thought to our improvement tend,
To curb the passions, to enlarge the mind,
Purge the sick Weal, and humanise mankind;
Rage in her eye, and malice in her breast,
Redoubled Horror grining on her crest,
Fiercer each snake, and sharper every dart,
Quick from her cell shall maddening Envy start.
Then shalt thou find, but find, alas! too late,
How vain is worth! how short is glory's date!
Then shalt thou find, whilst friends with foes conspire,
To give more proof than virtue would desire,

[...] Read more

poem by Charles Churchill
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Poor Honest Men

(A.D. 1800)

Your jar of Virginny
Will cost you a guinea,
Which you reckon too much by five shillings or ten;
But light your churchwarden
And judge it according,
When I've told you the troubles of poor honest men.

From the Capes of the Delaware,
As you are well aware,
We sail which tobacco for England-but then,
Our own British cruisers,
They watch us come through, sirs,
And they press half a score of us poor honest men!

Or if by quick sailing
(Thick weather prevailing )
We leave them behind ( as we do now and then)
We are sure of a gun from
Each frigate we run from,
Which is often destruction to poor honest men!

Broadsides the Atlantic
We tumble short-handed,
With shot-holes to plug and new canvas to bend;
And off the Azores,
Dutch, Dons and Monsieurs
Are waiting to terrify poor honest men.

Napoleon's embargo
Is laid on all cargo
Which comfort or aid to King George may intend;
And since roll, twist and leaf,
Of all comforts is chief,
They try for to steal it from poor honest men!
With no heart for fight,
We take refuge in flight,
But fire as we run, our retreat to defend;
Until our stern-chasers
Cut up her fore-braces,
And she flies off the wind from us poor honest men!

'Twix' the Forties and Fifties,
South-eastward the drift is,
And so, when we think we are making Land's End
Alas, it is Ushant
With half the King's Navy
Blockading French ports against poor honest men!

[...] Read more

poem by Rudyard Kipling
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VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator

Ah, my Giacinto, he's no ruddy rogue,
Is not Cinone? What, to-day we're eight?
Seven and one's eight, I hope, old curly-pate!
—Branches me out his verb-tree on the slate,
Amo-as-avi-atum-are-ans,
Up to -aturus, person, tense, and mood,
Quies me cum subjunctivo (I could cry)
And chews Corderius with his morning crust!
Look eight years onward, and he's perched, he's perched
Dapper and deft on stool beside this chair,
Cinozzo, Cinoncello, who but he?
—Trying his milk-teeth on some crusty case
Like this, papa shall triturate full soon
To smooth Papinianian pulp!

It trots
Already through my head, though noon be now,
Does supper-time and what belongs to eve.
Dispose, O Don, o' the day, first work then play!
—The proverb bids. And "then" means, won't we hold
Our little yearly lovesome frolic feast,
Cinuolo's birth-night, Cinicello's own,
That makes gruff January grin perforce!
For too contagious grows the mirth, the warmth
Escaping from so many hearts at once—
When the good wife, buxom and bonny yet,
Jokes the hale grandsire,—such are just the sort
To go off suddenly,—he who hides the key
O' the box beneath his pillow every night,—
Which box may hold a parchment (someone thinks)
Will show a scribbled something like a name
"Cinino, Ciniccino," near the end,
"To whom I give and I bequeath my lands,
"Estates, tenements, hereditaments,
"When I decease as honest grandsire ought."
Wherefore—yet this one time again perhaps—
Shan't my Orvieto fuddle his old nose!
Then, uncles, one or the other, well i' the world,
May—drop in, merely?—trudge through rain and wind,
Rather! The smell-feasts rouse them at the hint
There's cookery in a certain dwelling-place!
Gossips, too, each with keepsake in his poke,
Will pick the way, thrid lane by lantern-light,
And so find door, put galligaskin off
At entry of a decent domicile
Cornered in snug Condotti,—all for love,
All to crush cup with Cinucciatolo!

Well,
Let others climb the heights o' the court, the camp!

[...] Read more

poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
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You Send Me

Darlin' you send me
Darlin' you send me
I know you send me
Honest you do, honest you do, honest you do
You thrill me
I know you thrill me
I know you thrill me
Honest you do, honest you do, honest you do
When at first I thought it infatuation
But now it's lasted so long
And now I find myself wanting to marry you
And take you home
Whoa, you send me
Darlin' you send me
I know you send me
Honest you do, honest you do, honest you do
When at first it was infatuation
But now it's lasted so long
And now I find myself wanting to marry you
And take you home
You send me
You send me
You send me
Honest you do
You send me

song performed by Dixie Chicks
Added by Lucian Velea
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Bring It On Home To Me / You Send Me

(sam cooke)
Well if you ever want to come home to me
Ill still be here waiting
If you ever change your mind
About leaving, leaving me behind
Baby bring it to me, bring your sweet loving
Bring it on home to me
I know I laughed when you left
But now I know that I only hurt myself
Honey bring it to me, bring your sweet loving
Bring it on home to me
Let me tell you all about it
Ill give you tulips and money too
That aint all, that aint all Id do for you
If youll bring it to me, bring youre sweet loving
Bring it on home to me
You know Ill always be your slave
Until Im buried, buried in my grave
Oh honey bring it to me, bring your sweet loving
Bring it on home to me
I tried to treat you right
But you stayed out, stayed out late at night
But I forgive you
Bring it to me, bring your sweet loving
Bring it on home to me
Just remember this one thing darlin that
You, you, you send me, you know this one
You, you know darlin you send me
And I know that you, you thrill me
Honest you do, honest you do, honest you do
And I wanna tell you one thing that
And I know this one thing that
You send me honest you do, honest you do
Honest you do, let me tell you
When I get home youre always there for me
And I know that youre gonna send me
Honest you do, honest you do, honest you do
I know, I know, I know, I know, I know
Well you thrill me
Darlin youre always gonna send me

song performed by Rod Stewart
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Independence

Happy the bard (though few such bards we find)
Who, 'bove controlment, dares to speak his mind;
Dares, unabash'd, in every place appear,
And nothing fears, but what he ought to fear:
Him Fashion cannot tempt, him abject Need
Cannot compel, him Pride cannot mislead
To be the slave of Greatness, to strike sail
When, sweeping onward with her peacock's tail,
Quality in full plumage passes by;
He views her with a fix'd, contemptuous eye,
And mocks the puppet, keeps his own due state,
And is above conversing with the great.
Perish those slaves, those minions of the quill,
Who have conspired to seize that sacred hill
Where the Nine Sisters pour a genuine strain,
And sunk the mountain level with the plain;
Who, with mean, private views, and servile art,
No spark of virtue living in their heart,
Have basely turn'd apostates; have debased
Their dignity of office; have disgraced,
Like Eli's sons, the altars where they stand,
And caused their name to stink through all the land;
Have stoop'd to prostitute their venal pen
For the support of great, but guilty men;
Have made the bard, of their own vile accord,
Inferior to that thing we call a lord.
What is a lord? Doth that plain simple word
Contain some magic spell? As soon as heard,
Like an alarum bell on Night's dull ear,
Doth it strike louder, and more strong appear
Than other words? Whether we will or no,
Through Reason's court doth it unquestion'd go
E'en on the mention, and of course transmit
Notions of something excellent; of wit
Pleasing, though keen; of humour free, though chaste;
Of sterling genius, with sound judgment graced;
Of virtue far above temptation's reach,
And honour, which not malice can impeach?
Believe it not--'twas Nature's first intent,
Before their rank became their punishment,
They should have pass'd for men, nor blush'd to prize
The blessings she bestow'd; she gave them eyes,
And they could see; she gave them ears--they heard;
The instruments of stirring, and they stirr'd;
Like us, they were design'd to eat, to drink,
To talk, and (every now and then) to think;
Till they, by Pride corrupted, for the sake
Of singularity, disclaim'd that make;
Till they, disdaining Nature's vulgar mode,
Flew off, and struck into another road,

[...] Read more

poem by Charles Churchill
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Worthy Of Love Deserved

Well...
Here I go again!
Wanting to be loved,
Just the way I was...
Back then with you,
When love I knew was new!

Well...
Here I go,
Again!
Thinking love will be...
With someone I see,
Who will know what love means,
To me!

I sometimes wonder why,
I hope that I...
Will find true love,
I will know.

And why am I surprised,
When I find...
I am denied,
This need in me!

Well...
Here I go,
Again!
Thinking love will be...
With someone I see,
Who will know what love means,
To me!

And,
Well...
Here I go again!
Wanting to be loved,
Just the way I was...
Back then with you,
When love I knew...
Was new!

And why,
Is not true love meant to be?
When it seems easy for me,
To have my feelings hurt...
When I've searched to have a love deserved.

And why,
Is not true love meant to be?

[...] Read more

poem by Lawrence S. Pertillar
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Wat Tyler - Act II

ACT II.

SCENE— BLACKHEATH.

TYLER, HOB, &c.

SONG.

' When Adam delv'd, and Eve span,
' Who was then the gentleman?'

Wretched is the infant's lot,
Born within the straw-roof'd cot!
Be he generous, wise, or brave,
He must only be a slave.
Long, long labour, little rest,
Still to toil to be oppress'd;
Drain'd by taxes of his store,
Punish'd next for being poor;
This is the poor wretch's lot,
Born within the straw-roof'd cot.

While the peasant works— to sleep;
What the peasant sows— to reap;
On the couch of ease to lie,
Rioting in revelry;
Be he villain, be he fool,
Still to hold despotic rule,
Trampling on his slaves with scorn;
This is to be nobly born.

' When Adam delv'd, and Eve span,
' Who was then the gentleman?'

JACK STRAW.

The mob are up in London— the proud courtiers
Begin to tremble.

TOM MILLER.

Aye, aye, 'tis time to tremble;
Who'll plow their fields, who'll do their drudgery now?
And work like horses, to give them the harvest?

JACK STRAW.

[...] Read more

poem by Robert Southey
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Are You Sincere

(words & music by wayne walker)
Are you sincere when you say I love you
Are you sincere when you say you love me too
Oh and are you really mine every day, all the time
Ive gotta know which way to go
Will our love grow, are you sincere
Are you sincere when you say I love you
Honey, are you sincere when you say you love me too
And are you really mine every day, all the time
Ive gotta know which way to go
Will our love grow, are you sincere

song performed by Elvis Presley
Added by Lucian Velea
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The Candidate

This poem was written in , on occasion of the contest between the
Earls of Hardwicke and Sandwich for the High-stewardship of the
University of Cambridge, vacant by the death of the Lord Chancellor
Hardwicke. The spirit of party ran high in the University, and no
means were left untried by either candidate to obtain a majority. The
election was fixed for the th of March, when, after much
altercation, the votes appearing equal, a scrutiny was demanded;
whereupon the Vice-Chancellor adjourned the senate _sine die_. On
appeal to the Lord High-Chancellor, he determined in favour of the
Earl of Hardwicke, and a mandamus issued accordingly.

Enough of Actors--let them play the player,
And, free from censure, fret, sweat, strut, and stare;
Garrick abroad, what motives can engage
To waste one couplet on a barren stage?
Ungrateful Garrick! when these tasty days,
In justice to themselves, allow'd thee praise;
When, at thy bidding, Sense, for twenty years,
Indulged in laughter, or dissolved in tears;
When in return for labour, time, and health,
The town had given some little share of wealth,
Couldst thou repine at being still a slave?
Darest thou presume to enjoy that wealth she gave?
Couldst thou repine at laws ordain'd by those
Whom nothing but thy merit made thy foes?
Whom, too refined for honesty and trade,
By need made tradesmen, Pride had bankrupts made;
Whom Fear made drunkards, and, by modern rules,
Whom Drink made wits, though Nature made them fools;
With such, beyond all pardon is thy crime,
In such a manner, and at such a time,
To quit the stage; but men of real sense,
Who neither lightly give, nor take offence,
Shall own thee clear, or pass an act of grace,
Since thou hast left a Powell in thy place.
Enough of Authors--why, when scribblers fail,
Must other scribblers spread the hateful tale?
Why must they pity, why contempt express,
And why insult a brother in distress?
Let those, who boast the uncommon gift of brains
The laurel pluck, and wear it for their pains;
Fresh on their brows for ages let it bloom,
And, ages past, still flourish round their tomb.
Let those who without genius write, and write,
Versemen or prosemen, all in Nature's spite,
The pen laid down, their course of folly run
In peace, unread, unmention'd, be undone.
Why should I tell, to cross the will of Fate,
That Francis once endeavour'd to translate?
Why, sweet oblivion winding round his head,

[...] Read more

poem by Charles Churchill
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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

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poem by Charles Churchill
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The Parish Register - Part III: Burials

THERE was, 'tis said, and I believe, a time
When humble Christians died with views sublime;
When all were ready for their faith to bleed,
But few to write or wrangle for their creed;
When lively Faith upheld the sinking heart,
And friends, assured to meet, prepared to part;
When Love felt hope, when Sorrow grew serene,
And all was comfort in the death-bed scene.
Alas! when now the gloomy king they wait,
'Tis weakness yielding to resistless fate;
Like wretched men upon the ocean cast,
They labour hard and struggle to the last;
'Hope against hope,' and wildly gaze around
In search of help that never shall be found:
Nor, till the last strong billow stops the breath,
Will they believe them in the jaws of Death!
When these my Records I reflecting read,
And find what ills these numerous births succeed;
What powerful griefs these nuptial ties attend;
With what regret these painful journeys end;
When from the cradle to the grave I look,
Mine I conceive a melancholy book.
Where now is perfect resignation seen?
Alas! it is not on the village-green: -
I've seldom known, though I have often read,
Of happy peasants on their dying-bed;
Whose looks proclaimed that sunshine of the breast,
That more than hope, that Heaven itself express'd.
What I behold are feverish fits of strife,
'Twixt fears of dying and desire of life:
Those earthly hopes, that to the last endure;
Those fears, that hopes superior fail to cure;
At best a sad submission to the doom,
Which, turning from the danger, lets it come.
Sick lies the man, bewilder'd, lost, afraid,
His spirits vanquish'd, and his strength decay'd;
No hope the friend, the nurse, the doctor lend -
'Call then a priest, and fit him for his end.'
A priest is call'd; 'tis now, alas! too late,
Death enters with him at the cottage-gate;
Or time allow'd--he goes, assured to find
The self-commending, all-confiding mind;
And sighs to hear, what we may justly call
Death's common-place, the train of thought in all.
'True I'm a sinner,' feebly he begins,
'But trust in Mercy to forgive my sins:'
(Such cool confession no past crimes excite!
Such claim on Mercy seems the sinner's right!)
'I know mankind are frail, that God is just,
And pardons those who in his Mercy trust;

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poem by George Crabbe
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Canto the Fifteenth

I
Ah! -- What should follow slips from my reflection;
Whatever follows ne'ertheless may be
As à-propos of hope or retrospection,
As though the lurking thought had follow'd free.
All present life is but an interjection,
An "Oh!" or "Ah!" of joy or misery,
Or a "Ha! ha!" or "Bah!" -- a yawn, or "Pooh!"
Of which perhaps the latter is most true.

II
But, more or less, the whole's a syncopé
Or a singultus -- emblems of emotion,
The grand antithesis to great ennui,
Wherewith we break our bubbles on the ocean, --
That watery outline of eternity,
Or miniature at least, as is my notion,
Which ministers unto the soul's delight,
In seeing matters which are out of sight.

III
But all are better than the sigh supprest,
Corroding in the cavern of the heart,
Making the countenance a masque of rest,
And turning human nature to an art.
Few men dare show their thoughts of worst or best;
Dissimulation always sets apart
A corner for herself; and therefore fiction
Is that which passes with least contradiction.

IV
Ah! who can tell? Or rather, who can not
Remember, without telling, passion's errors?
The drainer of oblivion, even the sot,
Hath got blue devils for his morning mirrors:
What though on Lethe's stream he seem to float,
He cannot sink his tremors or his terrors;
The ruby glass that shakes within his hand
Leaves a sad sediment of Time's worst sand.

V
And as for love -- O love! -- We will proceed.
The Lady Adeline Amundeville,
A pretty name as one would wish to read,
Must perch harmonious on my tuneful quill.
There's music in the sighing of a reed;
There's music in the gushing of a rill;
There's music in all things, if men had ears:
Their earth is but an echo of the spheres.

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poem by Byron from Don Juan (1824)
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Don Juan: Canto The Fifteenth

Ah!--What should follow slips from my reflection;
Whatever follows ne'ertheless may be
As à-propos of hope or retrospection,
As though the lurking thought had follow'd free.
All present life is but an interjection,
An 'Oh!' or 'Ah!' of joy or misery,
Or a 'Ha! ha!' or 'Bah!'-- a yawn, or 'Pooh!'
Of which perhaps the latter is most true.

But, more or less, the whole's a syncope
Or a singultus - emblems of emotion,
The grand antithesis to great ennui,
Wherewith we break our bubbles on the ocean,--
That watery outline of eternity,
Or miniature at least, as is my notion,
Which ministers unto the soul's delight,
In seeing matters which are out of sight.

But all are better than the sigh supprest,
Corroding in the cavern of the heart,
Making the countenance a masque of rest,
And turning human nature to an art.
Few men dare show their thoughts of worst or best;
Dissimulation always sets apart
A corner for herself; and therefore fiction
Is that which passes with least contradiction.

Ah! who can tell? Or rather, who can not
Remember, without telling, passion's errors?
The drainer of oblivion, even the sot,
Hath got blue devils for his morning mirrors:
What though on Lethe's stream he seem to float,
He cannot sink his tremors or his terrors;
The ruby glass that shakes within his hand
Leaves a sad sediment of Time's worst sand.

And as for love--O love!--We will proceed.
The Lady Adeline Amundeville,
A pretty name as one would wish to read,
Must perch harmonious on my tuneful quill.
There's music in the sighing of a reed;
There's music in the gushing of a rill;
There's music in all things, if men had ears:
Their earth is but an echo of the spheres.

The Lady Adeline, right honourable;
And honour'd, ran a risk of growing less so;
For few of the soft sex are very stable
In their resolves--alas! that I should say so!
They differ as wine differs from its label,

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poem by Byron
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Expostulation

Why weeps the muse for England? What appears
In England's case to move the muse to tears?
From side to side of her delightful isle
Is she not clothed with a perpetual smile?
Can Nature add a charm, or Art confer
A new-found luxury, not seen in her?
Where under heaven is pleasure more pursued
Or where does cold reflection less intrude?
Her fields a rich expanse of wavy corn,
Pour'd out from Plenty's overflowing horn;
Ambrosial gardens, in which art supplies
The fervor and the force of Indian skies:
Her peaceful shores, where busy Commerce waits
To pour his golden tide through all her gates;
Whom fiery suns, that scorch the russet spice
Of eastern groves, and oceans floor'd with ice
Forbid in vain to push his daring way
To darker climes, or climes of brighter day;
Whom the winds waft where'er the billows roll
From the World's girdle to the frozen pole;
The chariots bounding in her wheel-worn streets,
Her vaults below, where every vintage meets;
Her theatres, her revels, and her sports;
The scenes to which not youth alone resorts,
But age, in spite of weakness and of pain,
Still haunts, in hope to dream of youth again;
All speak her happy; let the muse look round
From East to West, no sorrow can be found;
Or only what, in cottages confined,
Sighs unregarded to the passing wind.
Then wherefore weep for England? What appears
In England's case to move the muse to tears?
The prophet wept for Israel; wish'd his eyes
Were fountains fed with infinite supplies;
For Israel dealt in robbery and wrong;
There were the scorner's and the slanderer's tongue;
Oaths, used as playthings or convenient tools,
As interest biass'd knaves, or fashion fools;
Adultery, neighing at his neighbor's door;
Oppression laboring hard to grind the poor;
The partial balance and deceitful weight;
The treacherous smile, a mask for secret hate;
Hypocrisy, formality in prayer,
And the dull service of the lip were there.
Her women, insolent and self-caress'd,
By Vanity's unwearied finger dress'd,
Forgot the blush that virgin fears impart
To modest cheeks, and borrow'd one from art;
Were just trifles, without worth or use,
As silly pride and idleness produce;

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poem by William Cowper
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