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Corrupted freemen are the worst of slaves.

quote by David Garrick
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Perverts are the worst

A pae-do-phile is a pervert
So are pederasts and the homosexual.
They aren’t a good sexual partners.
28.01.2007

poem by Rm. Shanmugam Chettiar
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Where Are the Passionless Eyes?

Where are the passionless eyes,
Piercing the cradle of night
And smothered in stars?

Will the pale criminal remember them
In a riot of body
Or the languid panther deny them entrance?

Few now recall the black s*men of Caesar
Or the rotting bodies of his dismembered slaves,
Only his words were perfect
And his soldiers lie sleeping in eloquent graves.

poem by John Thorkild Ellison
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The Worst Crime

On my pouffe I add the worst crime,
The rejuvenation has begun of a time that conquers;
The rabble subside into the horizon,
Like radar I see them off, like war.
It is a rendezvous, a ready spread,
This event needs a ratchet-wheel to conquer
The slopes we enrich with movement.
This is my rendition of a worst pause,
The times of stamina are abating.
Strangle someone once you care,
Like a dog so paused at the will of the master.
On this day I relax and contemplate
In order to clasp the flag of defeat.

poem by Naveed Akram
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Baseball players have the worst body in sports

Baseball players have the worst body in sports
Gymnast and swimmers have the best
High board divers are fit and firm in form
And football players have to much fat
Ballet dancers look fine in their cups
Long distance runners are tight by their breath
Weight lifers are much to bulky in their built
So which is it that I like best?
It is the ice skater that takes my heart
Their movement of grace pleases me to no end
The way they twist trill and bend
The way they lean upon the narrow blade
Jump and sway with a skater’s grace.

poem by David E. Patton
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The Bad, The Worse And The Worst

THE bad has arrived
how can i refuse it? Then
it gets worse,
i have no cure for it,
and then
it goes worst,
it wants to eat me
but i stay cool
there is no reason
to panic

i hold on to the arms
of reason

the bad is temporary
just like the worse
the worst is simply the symptom
that bad is about end

when they leave
they leave together

so i just sit there
fan myself
and do not mind about
all of them
at all

they are bad anyway
and do not deserve my
attention

in that room
i only prepare
a cup of vanilla
ice cream
for myself

poem by Ric S. Bastasa
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Lord, You Are The Captain Of My Soul (In Answer To William Ernest Henley)

Even when the darkest darkness covers me
when no compass can find its magnetic pole,
when there is nothing at all that I can see
You still beacon me to draw my very soul.

In the striking of destiny and chance,
Your power is still here, is still about,
in the worst of any circumstance
You still care when I am really worn out.

Through the aging of many passing years
with You at my side, I am unafraid,
as in all happiness and all my tears
You are constantly coming to my aid.

Wherever my life goes, whatever is my destiny,
Your consistent love keeps making me whole
and leaves all my choices totally free
while You steer my life, are captaining my soul.

poem by Gert Strydom
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The Worst Day Ever

6 a.m.
The clock is ringing
I need to spend an hour snoozing
cuz I dont think Im going to make it
I punch in
Im still sleeping
Watch the clock,
But its not moving
cuz every day is never ending
I need to work Im always spending
[chorus:]
And I feel like
Im living the worst day
Over and over again
And I feel like the summer is leaving again
I feel like
Im living the worst day
I feel like youre gone
And every day is the worst day ever
Yesterday was the worst day ever
And tomorrow wont be better
Its history repeating
Summer plans are gone forever
I traded them in for dishpan water
And every day is never ending
I need to work Im always spending
[chorus]
Its so long
I cant go on
Its so long
I cant go on
[chorus]

song performed by Simple Plan
Added by Lucian Velea
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Sunsets Are The Best

Sunsets are the best, that Mother Nature has to give,
Under the sky's magnificence, you'll live.
Not until you've seen the shades of red;
Sunsets look as if, the angels have bled.
Everything can be made, always better.
The best ones sent home, in a letter,
Sent home to your love, romantic, it will get her.

All the colors blended together like coffee with cream.
Reds, oranges, and the yellows, make me feel it's a dream.
Everyone should watch - they're always supreme.

The worst sunset, is better than the best night;
Held forever in your mind's eye, just might
Envelop your spirit, with colors bright.

Beware what they may do to you,
Else you'll stop, to smell the roses too.
So, every time you get a chance,
Take a breath, and seek romance.

Acrostic Poem

poem by J.B. LeBuert
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Do Not Be Afraid To Write The Worst Lines

poems are feelings,
logic need not be there
but could be just instinct
words flowing like a river
following nothing but that
which takes the curves
of least resistance

enjoy over there the
view of the naked bathers
those that dive and
swim beneath the waters
only to rise and show
the beauty both outside
and within

look at the trees lining
on the banks of desire
up there the clouds have
tongues licking the
shapely bodies of the skies

we reach the edge and
we fall freely to the lowest
level of our journey
soon we will write about
the impact of the fall
the pains and the lowest
ebbs of our lives

do not be afraid to write
the worst lines for they
speak the truth of what
happened to each of us
faithful to our craft and
consistent to our conscripts

we dance we dream we die

poem by Ric S. Bastasa
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The Worst Band In The World

Its one thing to know it but another to admit
Were the worst band in the world
But we dont give a....
If garbo played guitar with valentino on the drums
Then wed be nothing more than a bunch of darma bums
So tune up, tune up
Well weve never done a days work in our life
And our records sell in zillions
It irrigates my heart with greed
To know that you adore me
Up yours, up mine
But up everybodys that takes time -
But were working on it
Working on it (ooh)
We never seen the van - leave it to the roadies -
Never met the roadies - leave them in the van
All because of circumstances way beyond control
We became the darlings of this thing called rock and roll, ooh
Here I am a record on a jukebox
A little piece of plastic with a hole, ooh
Play me
Buy me and you play me then my plastic turns to gold
Here we are together on your hi fi
A little piece of plastic with a hole, oh
Fade me, fade me, fade me, fade me.....

song performed by 10 Cc
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All The Worst

How do we deal with this?
How do we clean up all this mess?
Will there be a future for the latest generation?
Running around, believing the sound,
Is anything loud enough for us to decipher
Making a stand, extending our hand, we must understand
It's the least we can offer those less fortunate than us
[chorus x2]
There's something about this place
It brings out all the worst
Our history's been disgraced
Who will destroy who first?
I'm balling up my fists
Waiting here defenseless isn't pacifist
It's ignorant, and cannot be allowed
Maybe it's here or maybe it's there,
We're never aware of just how safe we are
Could it be us or could it be them, unable to trust
The information that we need
[chorus x2]
This time, will we all, live on? [background vocal]
If hurting still exists
Make it go away
The problems that are plaguing you and I the same
This time, will we all, live on? [background vocal]
Causing it to stay
Counting down the days
It's eating at the very core of us
[chorus x2]
There's something wrong with this place

song performed by Flaw
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The Worst Joke Ever

You see there's this cat burglar who can't see in the dark.
He lays his bets on 8 more lives, walks into a bar.
Slips on the 8 ball, falls on his knife.
Says, "I don't know what I've done, but it doesn't feel right!"
Some things don't hold up over the course of a lifetime,
When's the first time you heard that one, 1954?
Get to the punch line. fall to the floor.
Give me a minute and I'll tell you the setup for
The worst joke ever, I never
I'll tell you my version of the greatest life story
Don't bore me
Now I am floating,
I feel released.
The moorings have been dropped,
The weights unleashed.
Everything is crystalline, simple and free.
The crime of good men who can't wrestle with change,
Or are too afraid to face this life's misjudged unknowns
You're not hurting anybody else's chances,
But you're disfiguring your own.
Give me a minute and I'll tell you the setup for
The worst joke ever, I never
I'll tell you my version of the greatest life story
Don't bore me, I NEVER
Give me a minute and I'll tell you the setup
You see there's this feeling that I've heard this one before

song performed by REM
Added by Lucian Velea
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My Heart Is The Worst Kind Of Weapon

spent most of last night
dragging this lake
for the corpses of all
my past mistakes
sell me out, the jokes on you
he is salt and you are the wound
empty another bottle
and let me tear you to pieces
this is me wishing you
into the worst situations
i'm the kinda kid who cant
let anything go
but you wouldn't know a good thing
if it came up and slit your throat
whoa whoa ooooh whoa whoa
your remorse hasn't fallen on deaf ears
rather ones that just don't care
cause i know
that you're in between arms somewhere
next to heartbeats where you shouldn't be asleep
now i'll teach you a lesson for keeping secrets from me
take your taste back
peel back your skin
and try to forget how it feels inside
you should try saying no once in a while
oh once in a while
take your taste back peel back your skin
and try to forget how it feels inside
you should try saying no once in a while
oh once in a while
and did you hear the news
i could dissect you and gut you on this stage
not as eloquent as i may have imagined
but it will get the job done
you're done
every line is plotted and designed
to leave you standing on your bedroom windows ledge
and everyone else that it hits
that it gets to
is nothing more than collateral damage
take your taste back
peel back your skin
and try to forget how it feels inside
you should try saying no once in a while
oh once in a while
take your taste back peel back your skin
and try to forget how it feels inside
you should try saying no once in a while
oh once in a while

song performed by Fall Out Boy
Added by Lucian Velea
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You Are The One I Been Looking For

Out of every guy is you
You answered all my questions that I couldn't do myself
You are angel come to save me from this broken road and
Lead me into right direction
You are the one I been looking for
You make me understand life
I feel so alive and free
I couldn't feel like this if it wasn't for you
I'm changing all the time because of you
I care about your opinion and what you think about me
You know I like you
I shouldn't have write on there
If I'm not going do anything about it
I never meant to hurt, make you jealous, and I was never mad at you
I was dumb for what I done to you and make you think different of me
You are different out of every guy in good way
I enjoy your laugh, jokes, smile, and goofy sides of you and who you are
You are the most wonderful person I ever meet
On negative side if worst that I have to deal with your friends think they know who I am
You want to found out about me and what your friends think about me
You want to test me, practice me in certain areas, and subjects
I get why, but I didn't realized at time
This was way different than I expect out of you
I am blushing and smiling around you
It's been long time
Everything is because of you
I can enjoy life, see how much I miss out, and have fun again for first time
I want to take risks, do things I never do before
No more sad songs or past
It's you I see now
You are the one I been looking for
I feel so bless to found you
Thank you for everything
You are always one person there to make me feel better when I'm in bad mood and
I start laughing and smile all because of you
When we smile at each other
I get all this sparks back and is was good moment
I just no way to approach you and this time is different
You have a face of famous person even if you are not one
I will not cry anymore if this doesn't work out
I know to let it go and learn from this
This is life and life is not fair
I get it and know better
I should realized what did I got myself in first place
If like this with you, how you feel about this situation, and
I put myself though something that end like this
There is nothing left to say
You are the one I been looking for

poem by Christina Phan
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Why Do You Cast Me In The Worst Light

Why do you cast me in the worst light possible
when you know I treat you like the navel of the world,
the Pleiades, the ghost of a mountain
that was once my heart? Why do you lie to me
when you know there are doors beyond the truth
I’ve already walked through
like an initiation into a darkness
that will adorn your breath with stars?
Nothing mundane, nothing extraordinary
and yet I find myself here with you at sixty-three
having run out of mirrors and windows to read,
believing there are no more eyes
like wells in a desert to drink from, no further
delirium of the spirit that won’t prove me a clown
if I were to believe in it at my age
when every hour is either a funeral, a storm, or a crisis.
And yet how much I do want to believe,
how much I long to discover
rain on the moon, mystical fireflies
in the punk and tinder of the cattails,
sacred keychains on the ground at my feet,
a phoenix in the ashes of the blue guitar. At times
everything is ecclesiastically vain, contaminated
by the insight, bad meat in the mindstream,
that everything I ever cherished and tried to emulate
is nothing more than the shabby dream,
the random action of expiring illusions
indifferent to their embodiment in blood or blessing,
child, martyr, suicide or saint,
prick, pariah, or prophet, all
without exception, true to the vision that is them,
even the madman convinced of his private verities
as the apple-tree is convinced of its leaves
and the sun espouses the flower. Is it not absurdly vain,
knowing all things are vain
to feel abandoned by the assurance,
so blithely and brightly assumed when young
among the junkyards and the orchards
that life has not been endured and transcended in vain,
that the tender transience of the fire, and the shadows that it cast,
the myriad transformations, the chrysalis and the coffin,
and all the ore of ardour refined
by the pursuit of an igneous excellence, the grace
of a virtue slowly attained like the taming of a wild gazelle,
or a chair well-made by a man
with the soul of a tree, were not without the grandeur
of a hidden harmony more crucial than the obvious,
no life lived that was lived to no purpose?
I can give myself like a seed to the wind, I can
sit down at a table of elements with the atoms
and toast the bonding ceremonies of carbon;
and I can shine into the vast openness of an endless night
with the exaltant ferocity of a ray of light
certain there are vital planets
in the path of my shining,
astronomers, lovers, sailors, and birds
to mitigate the expansive vacancies
in the breach of intelligent eyes. And behind
the order, the law, the function,
the dazzling billboards,
I can wander for hours aimlessly in the dark fields
stretching forever beyond our accommodations of chaos.
In the wyrd of perceptions,
sensations, thoughts, passions and ideas,
the mysterious abundance of my sentience,
I can depose the petty elector of myself
and confess like a key to my homelessness
there never was a threshold to cross,
or a door that didn’t open
to greet the emptiness either way as guest or host,
There never was a country, a shadow on the wall,
to obey or rule, nothing
but a devastating freedom that longs for chains
that cannot hold us in our passing because
we alone are the chain that binds us,
the stone that shuts us in,
and even the most infallible of prisons
in the glimpse of an insight, is dust on the wind.
And yet I long, as I have longed for you
and implored intrusions of the night to stay,
for a sweeter affirmation, even of chaos,
than these diminishments of seeing that turn me grey.
In a waste of fear and fire, against
my own unknowing
I long for a lie that’s worthy of the truth, a truth
that masters the masters of illusion
by revealing a place to hide
that is not hidden, an infinite openness that yet embraces
the hard crystal in the heart of the dream-catcher,
and a law that doesn’t condemn
the selflessness of everything that’s it’s forbidden,
and a mystery that discloses without an exegete
who you are, who I am, what a rose is,
an origin that isn’t a defamation of the end,
an impersonality with the face of a friend.

poem by Patrick White
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The Progress Of A Divine: Satire

All priests are not the same, be understood!
Priests are, like other folks, some bad, some good.
What's vice or virtue, sure admits no doubt;
Then, clergy, with church mission, or without;
When good, or bad, annex we to your name,
The greater honour, or the greater shame.

Mark how a country Curate once could rise;
Tho' neither learn'd, nor witty, good, nor wise!
Of innkeeper, or butcher, if begot,
At Cam or Isis bred, imports it not.
A Servitor he was-Of hall, or college?
Ask not-to neither credit is his knowledge.

Four years, thro' foggy ale, yet made him see,
Just his neck-verse to read, and take degree.
A gown, with added sleeves, he now may wear;
While his round cap transforms into a square.
Him, quite unsconc'd, the butt'ry book shall own;
At pray'rs, tho' ne'er devout, so constant known.
Let testimonials then his worth disclose!
He gains a cassock, beaver and a rose.
A Curate now, his furniture review!
A few old sermons, and a bottle-screw.
A Curate?-Where? His name (cries one) recite!
Or tell me this-Is pudding his delight?
Why, our's loves pudding-Does he so?-'tis he!
A Servitor;-Sure Curl will find a key.

His Alma Mater now he quite forsakes;
She gave him one degree, and two he takes.
He now the hood and sleeve of Master wears;
Doctor! (quoth they)-and lo! a scarf he bears!
A swelling, russling, glossy scarf! yet he,
By peer unqualify'd, as by degree.

This Curate learns church-dues, and law to tease,
When time shall serve, for tithes, and surplice-fees;
When 'scapes some portion'd girl from guardian's pow'r,
He the snug licence gets for nuptual hour;
And rend'ring vain her parent's prudent cares,
To sharper weds her, and with sharper shares.
Let babes of poverty convulsive lie;
No bottle waits, tho' babes unsprinkled die.
Half-office serves the fun'ral, if it bring
No hope of scarf, or hatband, gloves, or ring.
Does any wealthy fair desponding lie,
With scrup'lous conscience, tho' she knows not why?
Would cordial counsel make the patient well?
Our priest shall raise the vapours, not dispel.
His cant some orphan's piteous case shall bring;
He bids her give the widow's heart to sing:
He pleads for age in want; and while she lingers,
Thus snares her charity with bird-lime fingers.

Now in the patron's mansion see the wight,
Factious for pow'r-a son of Levy right!
Servile to 'squires, to vassals proud his mien,
As Codex to inferior Clergy seen.
He flatters till you blush; but, when withdrawn,
'Tis his to slander, as 'twas his to fawn.
He pumps for secrets, pries o'er servants' ways,
And, like a meddling priest, can mischief raise;
And from such mischief thus can plead desert-
'Tis all my patron's int'rest at my heart.
Deep in his mind all wrongs from others live;
None more need pardon, and none less forgive.

At what does next his erudition aim?
To kill the footed and the feather'd game:
Then this Apostle, for a daintier dish.
With line or net, shall plot the fate of fish.
In kitchen, what the cookmaid calls a cot;
In cellar, with the butler, brother sot,
Here too he corks; in brewhouse hops the beer,
Bright in the hall, his parts at whist appear;
Dext'rous to pack; yet at all cheats exclaiming:
The priest has av'rice, av'rice itch of gaming,
And gaming fraud:-But fair he strikes the ball,
And at the plain of billiard pockets all.
At tables now!-But oh, if gammon'd there,
The startling echoes learn, like him, to swear!
Tho' ne'er at authors in the study seen,
At bowls sagacious master of the green.
A connoisseur, as cunning as a fox,
To bet on racers, or on battling cocks;
To preach o'er beer, in boroughs, to procure
Voters, to make the 'squire's election sure:
For this, where clowns stare, gape, and grin, and baul,
Free to buffoon his function to 'em all.
When the clod justice some horse-laugh wou'd raise,
Foremost the dullest of dull jokes to praise;
To say, or unsay, at his patron's nod;
To do the will of all-save that of God.

His int'rest the most servile part he deems;
Yet much he sways, where much to serve he seems;
He sways his patron, rules the Lady most,
And, as he rules the Lady, rules the roast.

Old tradesmen must give way to new-his aim
Extorted poundage, once the steward's claim.
Tenants are rais'd; or, as his pow'r increases,
Unless they fine to him, renew no leases.
Thus tradesmen, servants, tenants, none are free;
Their loss and murmur are his gain and glee.

Lux'ry he loves; but like a priest of sense,
Ev'n lux'ry loves not at his own expence.
Tho' harlot passions wanton with his will,
Yet av'rice is his wedded passion still.

See him with napkin o'er his band tuck'd in,
While the rich grease hangs glist'ning on his chin;
Or as the dew from Aaron's beard declines,
Ev'n to his garment hem soft-trickling shines!
He feeds, and feeds, swills soop, and sucks up marrow;
Swills, sucks, and feeds, till leach'rous as a sparrow.
Thy pleasure, Onan, now no more delights,
The lone amusement of his chaster nights.
He boasts-(let Ladies put him to the test!)
Strong back, broad shoulders, and a well-built chest.
With stiff'ning nerves, now steals he sly away;
Alert, warm, chuckling, ripe for am'rous play;
Ripe to caress the lass he once thought meet
At church to chide, when penanc'd in a sheet.
He pants the titillating joy to prove,
The fierce, short sallies of luxurious love.
Not fair Cadiere and Confessor than they,
In straining transports, more lascivious lay.

Conceives her womb, while each so melts and thrills?
He plies her now with love, and now with pills.
No more falls penance cloath'd in shame upon her;
These kill her embryo, and preserve her honour.

Riches, love, pow'r, his passions then we own:
Can he court pow'r, and pant not for renown?
Fool, wise, good, wicked-all desire a name:
Than him, young heroes burn not more for fame.
While about ways of heav'n the schoolmen jar,
(The church re-echoing to the wordy war)
The ways of earth, he (on his horse astride)
Can with big words contest, with blows decide;
He dares some carrier, charg'd with cumb'rous load,
Disputes, dismounts, and boxes for the road.
Ye hooting boys, Oh, Well-play'd parson, cry!
Oh, Well-play'd parson, hooting vales reply!
Winds waft it to Cathedral Domes around!
Cathedral Domes from inmost choirs resound!

The man has many meritorious ways:
He'll smoak his pipe, and London's prelate praise.
His public pray'rs, his oaths for George declare;
Yet mental reservation may forswear;
For, safe with friends, he now, in loyal stealth,
Hiccups, and, stagg'ring, cries-King Jemmy's health.
God's word he preaches now, and now profanes;
Now swallows camels, and at gnats now strains.
He pities men, who, in unrighteous days,
Read, or, what's worse, write poetry and plays.
He readeth not what any author saith;
The more his merit in implicit faith.
Those, who a jot from mother church recede,
He damns, like any Athanasian creed.
He rails at Hoadley; so can zeal possess him,
He's orthodox, as Gibson's self-God bless him.

Satan, whom yet, for once, he pays thanksgiving,
Sweeps off th' incumbent now of fat-goose living.
He seeks his patron's Lady, finds the fair,
And for her int'rest first prefers his prayer-
You pose me not (said she) tho' hard the task;
Tho' husbands seldom give what wives will ask.
My dearee does not yet to think incline,
How oft your nest you feather, priest, from mine.
This pin-money, tho' short, has not betray'd;
Nor jewels pawn'd, nor tradesmen's bills unpay'd;
Mine is the female, fashionable skill,
To win my wants, by cheating at quadrille.
You bid me, with prim look, the world delude;
Nor sins my priest demurer than his prude.
Least thinks my Lord, you plant the secret horn,
That yours his hopeful heir, so newly born.
'Tis mine to tease him first with jealous fears,
And thunder all my virtue in his ears:
My virtue rules unquestion'd-Where's the cue
For that which governs him to govern you?
I gave you pow'r the family complain;
I gave you love; but all your love is gain.
My int'rest, wealth-for these alone you burn;
With these you leave me, and with these return:
Then, as no truant wants excuse for play,
'Twas duty-duty call'd you far away;
The sick to visit-some miles off to preach:
-You come not, but to suck one like a leach.

Thus Lady-like, she wanders from the case,
Keeps to no point, but runs a wild-goose chase.
She talks, and talks-to him her words are wind:
For fat-goose living fills alone his mind.

He leaves her, to his patron warm applies:-
But parson, mark the terms! (his patron cries)
Yon door you held for me, and handmaid Nell:
The girl now sickens, and she soon will swell.
My spouse has yet no jealous, odd conjecture:
Oh, shield my morning rest from curtain-lecture:
Parson, take breeding Nelly quick to wife,
And fat-goose living then is yours for life!

Patron and spouse thus mutually beguil'd,
Patron and priest thus own each other's child.
Smock simony agreed-Thus Curate rise;
Tho' neither learn'd, nor witty, good nor wise.

Vicars (poor wights!) for lost impropriation,
Rue, tho' good protestants, the reformation.
Prefer'd from Curate, see our soul's protector
No murm'ring vicar, but rejoicing rector;
Not hir'd by laymen, nor by laymen shown,
Church-lands now theirs, and tithes no more his own!

His patron can't revoke, but may repent:
To bully now, not please, our parson's bent.
When from dependence freed (such priestly will!)
Priests soon treat all, but first their patrons, ill.

Vestries he rules-Ye lawyers, hither draw!
He snacks-His people deep are plung'd in law!
Now these plague those, this parish now sues that,
For burying, or maintaining foundling brat.
Now with churchwardens cribs the rev'rend thief,
From workhouse-pittance, and collection brief;
Nay, sacramental alms purloins as sure,
And ev'n at altars thus defrauds the poor.

Poor folks he'll shun; but pray by rich, if ill,
And watch, and watch-to slide into their will;
Then pop, perchance, in consecrated wine,
What speeds the soul, he fits for realms divine.

Why cou'd not London this good parson gain?
Before him sepulchres had rent in twain.
Then had he learn'd with sextons to invade,
And strip with sacrilegious hands the dead;
To tear off rings, e'er yet the finger rots;
To part 'em, for the vesture-shroud cast lots;
Had made dead skulls for coin the chymist's share,
The female corpse the surgeon's purchas'd ware;
And peering view'd, when for dissection laid,
That secret place, which love has sacred made.

Grudge heroes not your heads in stills inclos'd!
Grudge not, ye fair, your parts ripp'd up expos'd!
As strikes the choice anatomy our eyes;
As here dead skulls in quick'ning cordials rise;
From Egypt thus a rival traffic springs:
Her vended mummies thus were once her kings;
The line of Ninus now in drugs is roll'd,
And Ptolemy's himself for balsam sold.

Volumes unread his library compose,
Gay shine their gilded backs in letter'd rows.
Cheap he collects-His friends the dupes are known;
They buy, he borrows, and each book's his own.

Poor neighbours earn his ale, but earn it dear;
His ale he trafficks for a nobler cheer.
For mugs of ale some poach-no game they spare;
Nor pheasant, partridge, woodcock, snipe, nor hare.
Some plunder fishponds; others (ven'son thieves)
The forest ravage, and the priest receives.
Let plenty at his board then lacquey serve!
No-tho' with plenty, penury will starve.
He deals with London fishmongers-His books
Swell in accompts with poult'rers and with cooks.

Wide, and more wide, his swelling fortune flows;
Narrower, and narrower still, his spirit grows.

His servants-Hard has fate their lot decreed:
They toil like horses, like camelions feed.
Sunday, no sabbath, is in labour spent,
And Christmas renders 'em as lean as Lent.
Him long, nor faithful services engage;
See 'em dismiss'd in sickness or in age!

His wife, poor Nelly, leads a life of dread;
Now beat, now pinch'd on arms, and now in bread.
If decent powder deck th' adjusted hair;
If modish silk, for once, improve her air;
Her with past faults, thus shocks his cruel tone;
(Faults, tho' from thence her dow'ry, now his own)-
Thus shall my purse your carnal joys procure,
All dress is nothing, but a harlot's lure.
Sackcloth alone your sin shou'd, penanc'd wear;
Your locks, uncomb'd, with ashes sprinkled stare.
Spare diet thins the blood-if more you crave,
'Tis mine, my viands, and your soul to save.
Blood must be drawn, not swell'd-then strip, and dread
This waving horsewhip circling o'er my head!
Be yours the blubb'ring lip, and whimp'ring eye!
Frequent this lash shall righteous stripes supply.
What, squall you? Call no kindred to your aid!
You wedded when no widow, yet no maid.
Did law Mosaic now in force remain,
Say to what father durst you then complain?
What had your virtue witness'd? Well I know,
No bridal sheets could virgin tokens shew;
Elders had sought, but miss'd the signing red,
And law, then harlot, straight had ston'd you dead.

Nor former vice alone her pain insures;
Nelly, for present virtue, much endures;
For lo, she charms some wealthy, am'rous 'squire!
Her spouse would let her, like his mare, for hire.
'Twere thus no sin, shou'd love her limbs employ:
Be his the profit, and be hers the joy!
This, when her chastity, or pride denies;
His words reproach her, and his kicks chastise.

At length, in childbed, she, with broken heart,
Tips off-poor soul!-Let her in peace depart!
He mourns her death, who did her life destroy;
He weeps, and weeps-Oh, how he weeps-for joy!
Then cries, with seeming grief, Is Nelly dead?
No more with woman creak my couch or bed!
'Tis true, he spouse nor doxy more enjoys;
Women farewel! He lusts not-but for boys.

This priest, ye Clergy, not fictitious call;
Think him not form'd to represent ye all.
Should satire quirks of vile attornies draw;
Say, wou'd that mean to ridicule all law?
Describe some murd'ring quack with want of knowledge,
Wou'd true physicians cry-You mean the college?
Blest be your cloth!-But, if in him, 'tis curst,
'Tis as best things, corrupted, are the worst.

But lest with keys the guiltless Curl defame,
Be publish'd here-Melchisedeck his name!
Of Oxford too; but her strict terms have dropp'd him:
And Cambridge, ad eundem, shall adopt him.
Of Arts now Master him the hood confirms;
'Scap'd are his exercises, 'scap'd his terms.
See the degree of Doctor next excite!
The scarf, he once usurp'd, becomes his right.
A Doctor! cou'd be disputants refute?
Not so-first compromis'd was the dispute.

At fat-goose living seldom he resides;
A Curate there, small pittance well provides.
See him at London, studiously profound,
With bags of gold, not books, encompass'd roun!
He, from the broker, how to jobb discerns;
He, from the scriv'ner, art of usury learns;
How to let int'rest run on int'rest knows,
And how to draw the mortgage, how foreclose;
Tenants and boroughs bought with monstrous treasure,
Elections turn obedient to his pleasure.
Like St'bb'ng, let him country mobs support,
And then, like St'bb'ng, crave a grace at court!
He sues, he teases, and he perseveres:
Not blushless Henley less abash'd appears.
His impudence, of proof in ev'ry trial,
Kens no polite, and heeds no plain denial.
A spy, he aims by others' fall to rise;
Vile as Iscariot U--n, betrays, belies;
And say, what better recommends than this?
Lo, Codex greets him with a holy kiss;
Him thus instructs in controversial stuff;
Him, who ne'er argu'd, but with kick and cuff!

My Weekly Miscellany be your lore;
Then rise, at once, the champion of church-pow'r!
The trick of jumbling contradictions know;
In church be high, in politics seem low:
Seek some antagonist, then wound his name;
The better still his life, the more defame;
Quote him unfair; and, in expression quaint,
Force him to father meanings never meant!
Learn but mere names, resistless is your page;
For these enchant the vulgar, those enrage.
Name Church, that mystic spell shall mobs command,
Let Heretic each reas'ning Christian brand;
Cry Schismatic, let men of conscience shrink!
Cry Infidel, and who shall dare to think?
Invoke the Civil Pow'r, not Sense, for aid;
Assert, not argue; menace, not persuade;
Shew discord and her fiends would save the nation;
But her call Peace, her fiends a Convocation!

By me, and Webster, finish'd thus at school,
Last for the pulpit, learn this golden rule!
Detach the sense, and pother o'er the text,
And puzzle first yourself, your audience next:
Ne'er let your doctrine ethic truth impart;
Be that as free from morals as your heart!
Say faith, without one virtue, shall do well;
But, without faith, all virtues doom to hell!
What is this faith? Not what (as Scripture shows)
Appeals to reason, when 'twou'd truth disclose;
This, against reason, dare we recommend;
Faith may be true; yet not on truth depend.
'Tis mystic light-a light which shall conceal;
A Revelation, which shall not reveal.
If faith is faith, 'tis orthodox-in brief,
Belief, not orthodox, is not belief;
And who has not belief, pronounce him plain
No Christian-Codex bids you this maintain.

Thus with much wealth, some jargon, and no grace,
To seat episcopal our Doctor trace!
Codex, deceiving the superior ear,
Procures the Congè(much miscall'd) D'Elire.
(Let this the force of our fine precept tell,
That faith, without one virtue, shall do well.)
The Dean and Chapter, daring not t' enquire,
Elect him-Why?-to shun a Premunire.
Within, without, be tidings roll'd around;
Organs within, and bells without resound.
Lawn-sleev'd, and mitred, stand he now confest:
See Codex consecrate!-A solemn jest!
The wicked's pray'rs prevail not-pardon me,
Who, for your Lordship's blessing, bend-no knee.

Like other priests, when to small sees you send 'em,
Let ours hold fat-goose living in commendam!
An officer, who ne'er his King rever'd;
For trait'rous toasts, and cowardice cashier'd;
A broken 'pothecary, once renown'd
For drugs, that poison'd half the country round;
From whom warm girls, if pregnant ere they marry,
Take physic, and for honour's sake miscarry:
A lawyer, fam'd for length'ning bills of cost,
While much he plagu'd mankind, his clients most,
To lick up ev'ry neighbour's fortune known,
And then let lux'ry lick up all his own;
A Cambridge Soph, who once for wit was held
Esteem'd; but vicious, and for vice expell'd;
With parts, his Lordship's lame ones to support,
In well-tim'd sermons fit to cant at court;
Or accurately pen (a talent better!)
His Lordship's senate-speech, and past'ral letter:
These four, to purify from sinful stains
This Bishop first absolves, and then ordains.
His chaplains these? and each of rising knows
Those righteous arts, by which their patron rose.

See him Lord Spiritual, dead-voting seated!
He soon (tho' ne'er to heav'n) shall be translated.
Wou'd now the mitre circle Rundle's crest?
See him, with Codex, ready to protest!
Thus holy, holy, holy Bishop rise;
Tho' neither learn'd, nor witty, good, nor wise!

Think not these lays, ye Clergy, would abuse;
Thus, when these lays commenc'd, premis'd the muse-
All priests are not the same, be understood!
Priests are, like other folks, some bad, some good.
The good no sanction give the wicked's fame;
Nor, with the wicked, share the good in shame.
Then wise free-thinkers cry not smartly thus-
Is the priest work'd?-The poet's one of us.
Free-thinkers, Bigots are alike to me;
For these misdeem half-thinking, thinking free;
Those, speculative without speculation,
Call myst'ry and credulity salvation.
Let us believe with reason, and in chief,
Let our good works demonstrate our belief;
Faith, without virtue, never shall do well;
And never virtue, without faith, excel.

poem by Richard Savage
Added by Poetry Lover
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The Wife Of Bath Her Tale

In days of old, when Arthur filled the throne,
Whose acts and fame to foreign lands were blown,
The king of elves, and little fairy queen,
Gambolled on heaths, and danced on every green;
And where the jolly troop had led the round,
The grass unbidden rose, and marked the ground.
Nor darkling did they dance, the silver light
Of Phœbe served to guide their steps aright,
And, with their tripping pleased, prolong the night.
Her beams they followed, where at full she played,
Nor longer than she shed her horns they staid,
From thence with airy flight to foreign lands conveyed.
Above the rest our Britain held they dear,
More solemnly they kept their sabbaths here,
And made more spacious rings, and revelled half the year.
I speak of ancient times; for now the swain
Returning late may pass the woods in vain,
And never hope to see the nightly train;
In vain the dairy now with mints is dressed,
The dairy-maid expects no fairy guest
To skim the bowls, and after pay the feast.
She sighs, and shakes her empty shoes in vain,
No silver penny to reward her pain;1
For priests with prayers, and other godly gear,
Have made the merry goblins disappear;
And where they played their merry pranks before,
Have sprinkled holy water on the floor;
And friars that through the wealthy regions run,
Thick as the motes that twinkle in the sun,
Resort to farmers rich, and bless their halls,
And exorcise the beds, and cross the walls:
This makes the fairy quires forsake the place,
When once ‘tis hallowed with the rites of grace:
But in the walks, where wicked elves have been,
The learning of the parish now is seen;
The midnight parson, posting o’er the green,
With gown tucked up, to wakes; for Sunday next,
With humming ale encouraging his text;
Nor wants the holy leer to country-girl betwixt.
From fiends and imps he sets the village free,
There haunts not any incubus but he.
The maids and women need no danger fear
To walk by night, and sanctity so near;
For by some haycock, or some shady thorn,
He bids his beads both even-song and morn.
It so befel in this king Arthur’s reign,
A lusty knight was pricking o’er the plain;
A bachelor he was, and of the courtly train.
It happened as he rode, a damsel gay
In russet robes to market took her way;
Soon on the girl he cast an amorous eye,
So straight she walked, and on her pasterns high:
If seeing her behind he liked her pace,
Now turning short, he better likes her face.
He lights in haste, and, full of youthful fire,
By force accomplished his obscene desire.
This done, away he rode, not unespied,
For swarming at his back, the country cried:
And once in view they never lost the sight,
But seized, and pinioned brought to court the knight.
Then courts of kings were held in high renown,
Ere made the common brothels of the town;
There, virgins honourable vows received,
But chaste as maids in monasteries lived:
The king himself, to nuptial ties a slave,
No bad example to his poets gave;
And they, not bad, but in a vicious age,
Had not, to please the prince, debauched the stage.2
Now what should Arthur do? He loved the knight,
But sovereign monarchs are the source of right:
Moved by the damsel’s tears and common cry,
He doomed the brutal ravisher to die.
But fair Geneura rose in his defence,
And prayed so hard for mercy from the prince,
That to his queen the king the offender gave,
And left it in her power to kill or save.
This gracious act the ladies all approve,
Who thought it much a man should die for love;
And with their mistress joined in close debate,
(Covering their kindness with dissembled hate,)
If not to free him, to prolong his fate.
At last agreed, they call him by consent
Before the queen and female parliament;
And the fair speaker rising from the chair,
Did thus the judgment of the house declare.
‘Sir knight, though I have asked thy life, yet still
Thy destiny depends upon my will:
Nor hast thou other surety, than the grace
Not due to thee from our offended race.
But as our kind is of a softer mould,
And cannot blood without a sigh behold,
I grant thee life; reserving still the power
To take the forfeit when I see my hour;
Unless thy answer to my next demand
Shall set thee free from our avenging hand.
The question, whose solution I require,
Is, What the sex of women most desire?
In this dispute thy judges are at strife;
Beware; for on thy wit depends thy life.
Yet (lest, surprised, unknowing what to say,
Thou damn thyself) we give thee farther day;
A year is thine to wander at thy will;
And learn from others, if thou want’st the skill.
But, not to hold our proffer turned to scorn,
Good sureties will we have for thy return,
That at the time prefixed thou shalt obey,
And at thy pledge’s peril keep thy day.’
Woe was the knight at this severe command,
But well he knew ’twas bootless to withstand.
The terms accepted, as the fair ordain,
He put in bail for his return again;
And promised answer at the day assigned,
The best, with Heaven’s assistance, he could find.
His leave thus taken, on his way he went
With heavy heart, and full of discontent,
Misdoubting much, and fearful of the event.
’Twas hard the truth of such a point to find,
As was not yet agreed among the kind.
Thus on he went; still anxious more and more,
Asked all he met, and knocked at every door;
Inquired of men; but made his chief request
To learn from women what they loved the best.
They answered each according to her mind,
To please herself, not all the female kind.
One was for wealth, another was for place;
Crones, old and ugly, wished a better face;
The widow’s wish was oftentimes to wed;
The wanton maids were all for sport a-bed;
Some said the sex were pleased with handsome lies,
And some gross flattery loved without disguise.
‘Truth is,’ says one, ‘he seldom fails to win
Who flatters well; for that’s our darling sin.
But long attendance, and a duteous mind,
Will work even with the wisest of the kind.’
One thought the sex’s prime felicity
Was from the bonds of wedlock to be free;
Their pleasures, hours, and actions all their own,
And uncontrolled to give account to none.
Some wish a husband-fool; but such are curst,
For fools perverse of husbands are the worst:
All women would be counted chaste and wise,
Nor should our spouses see but with our eyes;
For fools will prate; and though they want the wit
To find close faults, yet open blots will hit;
Though better for their ease to hold their tongue,
For woman-kind was never in the wrong.
So noise ensues, and quarrels last for life;
The wife abhors the fool, the fool the wife.
And some men say, that great delight have we
To be for truth extolled, and secresy:
And constant in one purpose still to dwell,
And not our husband’s counsels to reveal.
But that’s a fable: for our sex is frail,
Inventing rather than not tell a tale.
Like leaky sieves no secrets we can hold;
Witness the famous tale that Ovid told.
Midas, the king, as in his book appears,
By Phœbus was endowed with ass’s ears,
Which under his long locks he well concealed,
(As monarch’s vices must not be revealed)
For fear the people have them in the wind,
Who long ago were neither dumb nor blind;
Nor apt to think from Heaven their title springs,
Since Jove and Mars left off begetting kings.
This Midas knew; and durst communicate
To none but to his wife his ears of state;
One must be trusted, and he thought her fit,
As passing prudent, and a parlous wit.
To this sagacious confessor he went,
And told her what a gift the gods had sent;
But told it under matrimonial seal,
With strict injunction never to reveal.
The secret heard, she plighted him her troth,
(And sacred sure is every woman’s oath,)
The royal malady should rest unknown,
Both for her husband’s honour and her own:
But ne’ertheless she pined with discontent;
The counsel rumbled till it found a vent.
The thing she knew she was obliged to hide;
By interest and by oath the wife was tied,
But if she told it not, the woman died.
Loath to betray a husband and a prince,
But she must burst, or blab, and no pretence
Of honour tied her tongue from self-defence.
A marshy ground commodiously was near,
Thither she ran, and held her breath for fear,
Lest if a word she spoke of any thing,
That word might be the secret of the king.
Thus full of counsel to the fen she went,
Griped all the way, and longing for a vent;
Arrived, by pure necessity compelled,
On her majestic marrow bones she kneeled;
Then to the water’s brink she laid her head,
And as a bittour bumps within a reed,3
‘To thee alone, O lake,’ she said, ‘I tell,
(And, as thy queen, command thee to conceal,)
Beneath his locks, the king my husband wears
A goodly royal pair of ass’s ears:
Now I have eased my bosom of the pain,
Till the next longing fit return again.’
Thus through a woman was the secret known;
Tell us, and in effect you tell the town.
But to my tale. The knight with heavy cheer,
Wandering in vain, had now consumed the year;
One day was only left to solve the doubt,
Yet knew no more than when he first set out.
But home he must, and as the award had been,
Yield up his body captive to the queen.
In this despairing state he happed to ride,
As fortune led him, by a forest side;
Lonely the vale, and full of horror stood,
Brown with the shade of a religious wood;
When full before him at the noon of night,
(The moon was up, and shot a gleamy light,)
He saw a quire of ladies in a round
That featly footing seemed to skim the ground;
Thus dancing hand in hand, so light they were,
He knew not where they trod, on earth or air.
At speed he drove, and came a sudden guest,
In hope where many women were, at least
Some one by chance might answer his request.
But faster than his horse the ladies flew,
And in a trice were vanished out of view.
One only hag remained: but fouler far
Than grandame apes in Indian forests are:
Against a withered oak she leaned her weight,
Propped on her trusty staff, not half upright,
And dropped an awkward courtesy to the knight.
Then said, ‘What makes you, sir, so late abroad
Without a guide, and this no beaten road?
Or want you aught that here you hope to find,
Or travel for some trouble in your mind?
The last I guess; and if I read aright,
Those of our sex are bound to serve a knight.
Perhaps good counsel may your grief assuage,
Then tell your pain, for wisdom is in age.’
To this the knight: ‘Good mother, would you know
The secret cause and spring of all my woe?
My life must with to-morrow’s light expire,
Unless I tell what women most desire.
Now could you help me at this hard essay,
Or for your inborn goodness, or for pay,
Yours is my life, redeemed by your advice,
Ask what you please, and I will pay the price:
The proudest kerchief of the court shall rest
Well satisfied of what they love the best.’
‘Plight me thy faith,’ quoth she, ‘that what I ask,
Thy danger over, and performed thy task,
That thou shalt give for hire of thy demand;
Here take thy oath, and seal it on my hand;
I warrant thee, on peril of my life,
Thy words shall please both widow, maid, and wife.’
More words there needed not to move the knight,
To take her offer, and his truth to plight.
With that she spread a mantle on the ground,
And, first inquiring whither he was bound,
Bade him not fear, though long and rough the way,
At court he should arrive ere break of day:
His horse should find the way without a guide.
She said: with fury they began to ride,
He on the midst, the beldam at his side.
The horse, what devil drove I cannot tell,
But only this, they sped their journey well;
And all the way the crone informed the knight,
How he should answer the demand aright.
To court they came; the news was quickly spread
Of his returning to redeem his head.
The female senate was assembled soon,
With all the mob of women of the town:
The queen sat lord chief justice of the hall,
And bade the crier cite the criminal.
The knight appeared; and silence they proclaim:
Then first the culprit answered to his name;
And, after forms of law, was last required
To name the thing that women most desired.
The offender, taught his lesson by the way,
And by his counsel ordered what to say,
Thus bold began:—‘My lady liege,’ said he,
‘What all your sex desire is—SOVEREIGNTY.
The wife affects her husband to command;
All must be hers, both money, house, and land:
The maids are mistresses even in their name,
And of their servants full dominion claim.
This, at the peril of my head, I say,
A blunt plain truth, the sex aspires to sway,
You to rule all, while we, like slaves, obey.’
There was not one, or widow, maid, or wife,
But said the knight had well deserved his life.
Even fair Geneura, with a blush, confessed
The man had found what women love the best.
Up starts the beldam, who was there unseen,
And, reverence made, accosted thus the queen:—
‘My liege,’ said she, ‘before the court arise,
May I, poor wretch, find favour in your eyes,
To grant my just request: ’twas I who taught
The knight this answer, and inspired his thought.
None but a woman could a man direct
To tell us women what we most affect.
But first I swore him on his knightly troth,
(And here demand performance of his oath,)
To grant the boon that next I should desire;
He gave his faith, and I expect my hire:
My promise is fulfilled: I saved his life,
And claim his debt, to take me for his wife.’
The knight was asked, nor could his oath deny,
But hoped they would not force him to comply.
The women, who would rather wrest the laws,
Than let a sister-plaintiff lose the cause,
(As judges on the bench more gracious are,
And more attent to brothers of the bar,)
Cried, one and all, the suppliant should have right,
And to the grandame hag adjudged the knight.
In vain he sighed, and oft with tears desired
Some reasonable suit might be required.
But still the crone was constant to her note;
The more he spoke, the more she stretched her throat.
In vain he proffered all his goods, to save
His body destined to that living grave.
The liquorish hag rejects the pelf with scorn,
And nothing but the man would serve her turn.
‘Not all the wealth of eastern kings,’ said she,
‘Have power to part my plighted love and me;
And, old and ugly as I am, and poor,
Yet never will I break the faith I swore;
For mine thou art by promise, during life,
And I thy loving and obedient wife.’
‘My love! nay, rather my damnation thou,’
Said he: ‘nor am I bound to keep my vow;
The fiend, thy sire, hath sent thee from below,
Else how couldst thou my secret sorrows know?
Avaunt, old witch! for I renounce thy bed:
The queen may take the forfeit of my head,
Ere any of my race so foul a crone shall wed.’
Both heard, the judge pronounced against the knight;
So was he married in his own despite:
And all day after hid him as an owl,
Not able to sustain a sight so foul.
Perhaps the reader thinks I do him wrong,
To pass the marriage feast, and nuptial song:
Mirth there was none, the man was à-la-mort,
And little courage had to make his court.
To bed they went, the bridegroom and the bride:
Was never such an ill-paired couple tied:
Restless he tossed, and tumbled to and fro,
And rolled, and wriggled further off for woe.
The good old wife lay smiling by his side,
And caught him in her quivering arms, and cried,
‘When you my ravished predecessor saw,
You were not then become this man of straw;
Had you been such you might have ’scaped the law.
Is this the custom of King Arthur’s court?
Are all round-table knights of such a sort?
Remember I am she who saved your life,
Your loving, lawful, and complying wife:
Not thus you swore in your unhappy hour,
Nor I for this return employed my power.
In time of need I was your faithful friend;
Nor did I since, nor ever will offend.
Believe me, my loved lord, ’tis much unkind;
What fury has possessed your altered mind?
Thus on my wedding night,—without pretence,—
Come, turn this way—or tell me my offence.
If not your wife, let reason’s rule persuade,
Name but my fault, amends shall soon be made.’
‘Amends! nay, that’s impossible,’ said he,
‘What change of age, or ugliness, can be?
Or could Medea’s magic mend thy face,
Thou art descended from so mean a race,
That never knight was matched with such disgrace.
What wonder, madam, if I move my side,
When, if I turn, I turn to such a bride?’
‘And is this all that troubles you so sore?
‘And what the devil couldst thou wish me more?’
‘Ah, Benedicite!’ replied the crone:
‘Then cause of just complaining have you none.
The remedy to this were soon applied,
Would you be like the bridegroom to the bride:
But, for you say a long descended race,
And wealth, and dignity, and power, and place,
Make gentlemen, and that your high degree
Is much disparaged to be matched with me;
Know this, my lord, nobility of blood
Is but a glittering and fallacious good:
The nobleman is he whose noble mind
Is filled with inborn worth, unborrowed from his kind.
The King of Heaven was in a manger laid,
And took his earth but from an humble Maid:
Then what can birth, or mortal men, bestow,
Since floods no higher than their fountains flow?
We, who for name and empty honour strive,
Our true nobility from him derive.
Your ancestors, who puff your mind with pride,
And vast estates to mighty titles tied,
Did not your honour, but their own, advance;
For virtue comes not by inheritance.
If you tralineate from your father’s mind,
What are you else but of a bastard kind?
Do as your great progenitors have done,
And by their virtues prove yourself their son.
No father can infuse or wit, or grace;
A mother comes across, and mars the race.
A grandsire or a grandame taints the blood;
And seldom three descents continue good.
Were virtue by descent, a noble name
Could never villanize his father’s fame:
But, as the first, the last of all the line,
Would, like the sun, even in descending shine.
Take fire, and bear it to the darkest house
Betwixt king Arthur’s court and Caucasus;
If you depart, the flame shall still remain,
And the bright blaze enlighten all the plain;
Nor, till the fuel perish, can decay,
By nature formed on things combustible to prey.
Such is not man, who, mixing better seed
With worse, begets a base degenerate breed:
The bad corrupts the good, and leaves behind
No trace of all the great begetter’s mind.
The father sinks within his son, we see,
And often rises in the third degree;
If better luck a better mother give,
Chance gave us being, and by chance we live.
Such as our atoms were, even such are we,
Or call it chance, or strong necessity:
Thus loaded with dead weight, the will is free.
And thus it needs must be: for seed conjoined
Lets into nature’s work the imperfect kind;
But fire, the enlivener of the general frame,
Is one, its operation still the same.
Its principle is in itself: while ours
Works, as confederates war, with mingled powers;
Or man or woman, which soever fails;
And oft the vigour of the worse prevails.
æther with sulphur blended alters hue,
And casts a dusky gleam of Sodom blue.
Thus, in a brute, their ancient honour ends,
And the fair mermaid in a fish descends:
The line is gone; no longer duke or earl;
But, by himself degraded, turns a churl.
Nobility of blood is but renown
Of thy great fathers by their virtue known,
And a long trail of light, to thee descending down.
If in thy smoke it ends, their glories shine;
But infamy and villanage are thine.
Then what I said before is plainly showed,
The true nobility proceeds from God:
Nor left us by inheritance, but given
By bounty of our stars, and grace of Heaven.
Thus from a captive Servius Tullius rose,
Whom for his virtues the first Romans chose:
Fabricius from their walls repelled the foe,
Whose noble hands had exercised the plough.
From hence, my lord, and love, I thus conclude,
That though my homely ancestors were rude,
Mean as I am, yet I may have the grace
To make you father of a generous race:
And noble then am I, when I begin,
In virtue clothed, to cast the rags of sin.
If poverty be my upbraided crime,
And you believe in Heaven, there was a time
When He, the great controller of our fate,
Deigned to be man, and lived in low estate;
Which He who had the world at his dispose,
If poverty were vice, would never choose.
Philosophers have said, and poets sing,
That a glad poverty’s an honest thing.
Content is wealth, the riches of the mind,
And happy he who can that treasure find;
But the base miser starves amidst his store,
Broods on his gold, and griping still at more,
Sits sadly pining, and believes he’s poor.
The ragged beggar, though he want relief,
Has nought to lose, and sings before the thief.
Want is a bitter and a hateful good,
Because its virtues are not understood.
Yet many things, impossible to thought,
Have been by need to full perfection brought:
The daring of the soul proceeds from thence,
Sharpness of wit, and active diligence;
Prudence at once and fortitude it gives,
And if in patience taken, mends our lives;
For even that indigence that brings me low,
Makes me myself and Him above to know;
A good which none would challenge, few would choose;
A fair possession, which mankind refuse.
If we from wealth to poverty descend,
Want gives to know the flatterer from the friend.
If I am old and ugly, well for you,
No lewd adulterer will my love pursue;
Nor jealousy, the bane of married life,
Shall haunt you for a withered homely wife;
For age and ugliness, as all agree,
Are the best guards of female chastity.
‘Yet since I see your mind is worldly bent,
I’ll do my best to further your content.
And therefore of two gifts in my dispose,—
Think ere you speak, —I grant you leave to choose:
Would you I should be still deformed and old,
Nauseous to touch, and loathsome to behold;
On this condition to remain for life
A careful, tender, and obedient wife,
In all I can contribute to your ease,
And not in deed, or word, or thought displease:
Or would you rather have me young and fair,
And take the chance that happens to your share?
Temptations are in beauty, and in youth,
And how can you depend upon my truth?
Now weigh the danger with the doubtful bliss,
And thank yourself, if aught should fall amiss.’
Sore sighed the knight, who this long sermon heard;
At length considering all, his heart he cheered,
And thus replied: —‘My lady, and my wife,
To your wise conduct I resign my life:
Choose you for me, for well you understand
The future good and ill, on either hand:
But if an humble husband may request,
Provide and order all things for the best;
Yours be the care to profit and to please:
And let your subject servant take his ease.’
‘Then thus in peace,’ quoth she, ‘concludes the strife,
Since I am turned the husband, you the wife:
The matrimonial victory is mine,
Which, having fairly gained, I will resign;
Forgive if I have said or done amiss,
And seal the bargain with a friendly kiss:
I promised you but one content to share,
But now I will become both good and fair.
No nuptial quarrel shall disturb your ease;
The business of my life shall be to please;
And for my beauty, that, as time shall try,
But draw the curtain first, and cast your eye.’
He looked, and saw a creature heavenly fair,
In bloom of youth, and of a charming air.
With joy he turned, and seized her ivory arm;
And, like Pygmalion, found the statue warm.
Small arguments there needed to prevail,
A storm of kisses poured as thick as hail.
Thus long in mutual bliss they lay embraced,
And their first love continued to the last:
One sunshine was their life, no cloud between,
Nor ever was a kinder couple seen.
And so may all our lives like theirs be led;
Heaven send the maids young husbands fresh in bed:
May widows wed as often as they can,
And ever for the better change their man.
And some devouring plague pursue their lives,
Who will not well be governed by their wives.

poem by John Dryden
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The Bride of Abydos

"Had we never loved so kindly,
Had we never loved so blindly,
Never met or never parted,
We had ne'er been broken-hearted." — Burns

TO
THE RIGHT HONOURABLE LORD HOLLAND,
THIS TALE IS INSCRIBED,
WITH EVERY SENTIMENT OF REGARD AND RESPECT,
BY HIS GRATEFULLY OBLIGED AND SINCERE FRIEND,

BYRON.

THE BRIDE OF ABYDOS

CANTO THE FIRST.

I.

Know ye the land where cypress and myrtle
Are emblems of deeds that are done in their clime,
Where the rage of the vulture, the love of the turtle,
Now melt into sorrow, now madden to crime?
Know ye the land of the cedar and vine,
Where the flowers ever blossom, the beams ever shine;
Where the light wings of Zephyr, oppress'd with perfume,
Wax faint o'er the gardens of Gúl in her bloom; [1]
Where the citron and olive are fairest of fruit,
And the voice of the nightingale never is mute;
Where the tints of the earth, and the hues of the sky,
In colour though varied, in beauty may vie,
And the purple of Ocean is deepest in dye;
Where the virgins are soft as the roses they twine,
And all, save the spirit of man, is divine?
'Tis the clime of the East; 'tis the land of the Sun —
Can he smile on such deeds as his children have done? [2]
Oh! wild as the accents of lovers' farewell
Are the hearts which they bear, and the tales which they tell.

II.

Begirt with many a gallant slave,
Apparell'd as becomes the brave,
Awaiting each his lord's behest
To guide his steps, or guard his rest,
Old Giaffir sate in his Divan:
Deep thought was in his aged eye;
And though the face of Mussulman
Not oft betrays to standers by
The mind within, well skill'd to hide
All but unconquerable pride,
His pensive cheek and pondering brow
Did more than he wont avow.

III.

"Let the chamber be clear'd." — The train disappear'd —
"Now call me the chief of the Haram guard."
With Giaffir is none but his only son,
And the Nubian awaiting the sire's award.
"Haroun — when all the crowd that wait
Are pass'd beyond the outer gate,
(Woe to the head whose eye beheld
My child Zuleika's face unveil'd!)
Hence, lead my daughter from her tower:
Her fate is fix'd this very hour:
Yet not to her repeat my thought;
By me alone be duty taught!"
"Pacha! to hear is to obey."
No more must slave to despot say —
Then to the tower had ta'en his way,
But here young Selim silence brake,
First lowly rendering reverence meet!
And downcast look'd, and gently spake,
Still standing at the Pacha's feet:
For son of Moslem must expire,
Ere dare to sit before his sire!

"Father! for fear that thou shouldst chide
My sister, or her sable guide,
Know — for the fault, if fault there be,
Was mine — then fall thy frowns on me —
So lovelily the morning shone,
That — let the old and weary sleep —
I could not; and to view alone
The fairest scenes of land and deep,
With none to listen and reply
To thoughts with which my heart beat high
Were irksome — for whate'er my mood,
In sooth I love not solitude;
I on Zuleika's slumber broke,
And as thou knowest that for me
Soon turns the Haram's grating key,
Before the guardian slaves awoke
We to the cypress groves had flown,
And made earth, main, and heaven our own!
There linger'd we, beguil'd too long
With Mejnoun's tale, or Sadi's song, [3]
Till I, who heard the deep tambour [4]
Beat thy Divan's approaching hour,
To thee, and to my duty true,
Warn'd by the sound, to greet thee flew:
But there Zuleika wanders yet —
Nay, father, rage not — nor forget
That none can pierce that secret bower
But those who watch the women's tower."

IV.

"Son of a slave" — the Pacha said —
"From unbelieving mother bred,
Vain were a father's hope to see
Aught that beseems a man in thee.
Thou, when thine arm should bend the bow,
And hurl the dart, and curb the steed,
Thou, Greek in soul if not in creed,
Must pore where babbling waters flow,
And watch unfolding roses blow.
Would that yon orb, whose matin glow
Thy listless eyes so much admire,
Would lend thee something of his fire!
Thou, who wouldst see this battlement
By Christian cannon piecemeal rent;
Nay, tamely view old Stamboul's wall
Before the dogs of Moscow fall,
Nor strike one stroke for life or death
Against the curs of Nazareth!
Go — let thy less than woman's hand
Assume the distaff — not the brand.
But, Haroun! — to my daughter speed:
And hark — of thine own head take heed —
If thus Zuleika oft takes wing —
Thou see'st yon bow — it hath a string!"

V.

No sound from Selim's lip was heard,
At least that met old Giaffir's ear,
But every frown and every word
Pierced keener than a Christian's sword.
"Son of a slave! — reproach'd with fear!
Those gibes had cost another dear.
Son of a slave! and who my sire?"
Thus held his thoughts their dark career,
And glances ev'n of more than ire
Flash forth, then faintly disappear.
Old Giaffir gazed upon his son
And started; for within his eye
He read how much his wrath had done;
He saw rebellion there begun:
"Come hither, boy — what, no reply?
I mark thee — and I know thee too;
But there be deeds thou dar'st not do:
But if thy beard had manlier length,
And if thy hand had skill and strength,
I'd joy to see thee break a lance,
Albeit against my own perchance."

As sneeringly these accents fell,
On Selim's eye he fiercely gazed:
That eye return'd him glance for glance,
And proudly to his sire's was raised,
Till Giaffir's quail'd and shrunk askance —
And why — he felt, but durst not tell.
"Much I misdoubt this wayward boy
Will one day work me more annoy:
I never loved him from his birth,
And — but his arm is little worth,
And scarcely in the chase could cope
With timid fawn or antelope,
Far less would venture into strife
Where man contends for fame and life —
I would not trust that look or tone:
No — nor the blood so near my own.

That blood — he hath not heard — no more —
I'll watch him closer than before.
He is an Arab to my sight, [5]
Or Christian crouching in the fight —
But hark! — I hear Zuleika's voice;
Like Houris' hymn it meets mine ear:
She is the offspring of my choice;
Oh! more than ev'n her mother dear,
With all to hope, and nought to fear —
My Peri! — ever welcome here!
Sweet, as the desert fountain's wave,
To lips just cool'd in time to save —
Such to my longing sight art thou;
Nor can they waft to Mecca's shrine
More thanks for life, than I for thine,
Who blest thy birth, and bless thee now."

VI.

Fair, as the first that fell of womankind,
When on that dread yet lovely serpent smiling,
Whose image then was stamp'd upon her mind —
But once beguiled — and evermore beguiling;
Dazzling, as that, oh! too transcendent vision
To Sorrow's phantom-peopled slumber given,
When heart meets heart again in dreams Elysian,
And paints the lost on Earth revived in Heaven;
Soft, as the memory of buried love;
Pure as the prayer which Childhood wafts above,
Was she — the daughter of that rude old Chief,
Who met the maid with tears — but not of grief.

Who hath not proved how feebly words essay
To fix one spark of Beauty's heavenly ray?
Who doth not feel, until his failing sight
Faints into dimness with its own delight,
His changing cheek, his sinking heart confess
The might — the majesty of Loveliness?
Such was Zuleika — such around her shone
The nameless charms unmark'd by her alone;
The light of love, the purity of grace,
The mind, the Music breathing from her face, [6]
The heart whose softness harmonised the whole —
And, oh! that eye was in itself a Soul!

Her graceful arms in meekness bending
Across her gently-budding breast;
At one kind word those arms extending
To clasp the neck of him who blest
His child caressing and carest,
Zuleika came — Giaffir felt
His purpose half within him melt;
Not that against her fancied weal
His heart though stern could ever feel;
Affection chain'd her to that heart;
Ambition tore the links apart.

VII.

"Zuleika! child of gentleness!
How dear this very day must tell,
When I forget my own distress,
In losing what I love so well,
To bid thee with another dwell:
Another! and a braver man
Was never seen in battle's van.
We Moslems reck not much of blood;
But yet the line of Carasman [7]
Unchanged, unchangeable, hath stood
First of the bold Timariot bands
That won and well can keep their lands.
Enough that he who comes to woo
Is kinsman of the Bey Oglou:
His years need scarce a thought employ:
I would not have thee wed a boy.
And thou shalt have a noble dower:
And his and my united power
Will laugh to scorn the death-firman,
Which others tremble but to scan,
And teach the messenger what fate
The bearer of such boon may wait, [8]
And now thy know'st thy father's will;
All that thy sex hath need to know:
'Twas mine to teach obedience still —
The way to love, thy lord may show."

VIII.

In silence bow'd the virgin's head;
And if her eye was fill'd with tears
That stifled feeling dare not shed,
And changed her cheek to pale to red,
And red to pale, as through her ears
Those winged words like arrows sped,
What could such be but maiden fears?
So bright the tear in Beauty's eye,
Love half regrets to kiss it dry;
So sweet the blush of Bashfulness,
Even Pity scarce can wish it less!

Whate'er it was the sire forgot;
Or if remember'd, mark'd it not;
Thrice clapp'd his hands, and call'd his steed, [9]
Resign'd his gem-adorn'd chibouque, [10]
And mounting featly for the mead,
With Maugrabee [11] and Mamaluke,
His way amid his Delis took, [12]
To witness many an active deed
With sabre keen, or blunt jerreed.
The Kislar only and his Moors
Watch well the Haram's massy doors.

IX.

His head was leant upon his hand,
His eye look'd o'er the dark blue water
That swiftly glides and gently swells
Between the winding Dardanelles;
But yet he saw nor sea nor strand,
Nor even his Pacha's turban'd band
Mix in the game of mimic slaughter,
Careering cleave the folded felt [13]
With sabre stroke right sharply dealt;
Nor mark'd the javelin-darting crowd,
Nor heard their Ollahs wild and loud [14] —
He thought but of old Giaffir's daughter!

X.

No word from Selim's bosom broke;
One sigh Zuleika's thought bespoke:
Still gazed he through the lattice grate,
Pale, mute, and mournfully sedate.
To him Zuleika's eye was turn'd,
But little from his aspect learn'd;
Equal her grief, yet not the same:
Her heart confess'd a gentler flame:
But yet that heart, alarm'd, or weak,
She knew not why, forbade to speak.
Yet speak she must — but when essay?
"How strange he thus should turn away!
Not thus we e'er before have met;
Not thus shall be our parting yet."
Thrice paced she slowly through the room,
And watched his eye — it still was fix'd:
She snatch'd the urn wherein was mix'd
The Persian Atar-gúl's perfume, [15]
And sprinkled all its odours o'er
The pictured roof and marble floor: [16]
The drops, that through his glittering vest
The playful girl's appeal address'd,
Unheeded o'er his bosom flew,
As if that breast were marble too.
"What sullen yet? it must not be —
Oh! gentle Selim, this from thee!"
She saw in curious order set
The fairest flowers of Eastern land —
"He loved them once; may touch them yet
If offer'd by Zuleika's hand."
The childish thought was hardly breathed
Before the Rose was pluck'd and wreathed;
The next fond moment saw her seat
Her fairy form at Selim's feet:
"This rose to calm my brother's cares
A message from the Bulbul bears; [17]
It says to-night he will prolong
For Selim's ear his sweetest song;
And though his note is somewhat sad,
He'll try for once a strain more glad,
With some faint hope his alter'd lay
May sing these gloomy thoughts away.

XI.

"What! not receive my foolish flower?
Nay then I am indeed unblest:
On me can thus thy forehead lower?
And know'st thou not who loves thee best?
Oh, Selim dear! oh, more than dearest!
Say is it me thou hat'st or fearest?
Come, lay thy head upon my breast,
And I will kiss thee into rest,
Since words of mine, and songs must fail
Ev'n from my fabled nightingale.
I knew our sire at times was stern,
But this from thee had yet to learn:
Too well I know he loves thee not;
But is Zuleika's love forgot?
Ah! deem I right? the Pacha's plan —
This kinsman Bey of Carasman
Perhaps may prove some foe of thine:
If so, I swear by Mecca's shrine,
If shrines that ne'er approach allow
To woman's step admit her vow,
Without thy free consent, command,
The Sultan should not have my hand!
Think'st though that I could bear to part
With thee, and learn to halve my heart?
Ah! were I sever'd from thy side,
Where were thy friend — and who my guide?
Years have not seen, Time shall not see
The hour that tears my soul from thee:
Even Azrael, [18] from his deadly quiver
When flies that shaft, and fly it must,
That parts all else, shall doom for ever
Our hearts to undivided dust!"

XII.

He lived — he breathed — he moved — he felt;
He raised the maid from where she knelt;
His trance was gone — his keen eye shone
With thoughts that long in darkness dwelt;
With thoughts that burn — in rays that melt.
As the streams late conceal'd
By the fringe of its willows,
When it rushes reveal'd
In the light of its billows;
As the bolt bursts on high
From the black cloud that bound it,
Flash'd the soul of that eye
Through the long lashes round it.
A war-horse at the trumpet's sound,
A lion roused by heedless hound,
A tyrant waked to sudden strife
By graze of ill-directed knife,
Starts not to more convulsive life
Than he, who heard that vow, display'd,
And all, before repress'd, betray'd:

"Now thou art mine, for ever mine,
With life to keep, and scarce with life resign;
Now thou art mine, that sacred oath,
Though sworn by one, hath bound us both.
Yes, fondly, wisely hast thou done;
That vow hath saved more heads than one:
But blench not thou — thy simplest tress
Claims more from me than tenderness;
I would not wrong the slenderest hair
That clusters round thy forehead fair,
For all the treasures buried far
Within the caves of Istakar. [19]
This morning clouds upon me lower'd,
Reproaches on my head were shower'd,
And Giaffir almost call'd me coward!
Now I have motive to be brave;
The son of his neglected slave —
Nay, start not, 'twas the term he gave —
May shew, though little apt to vaunt,
A heart his words nor deeds can daunt.
His son, indeed! — yet, thanks to thee,
Perchance I am, at least shall be!
But let our plighted secret vow
Be only known to us as now.
I know the wretch who dares demand
From Giaffir thy reluctant hand;
More ill-got wealth, a meaner soul
Holds not a Musselim's control: [20]
Was he not bred in Egripo? [21]
A viler race let Israel show!
But let that pass — to none be told
Our oath; the rest let time unfold.
To me and mine leave Osman Bey;
I've partisans for peril's day:
Think not I am what I appear;
I've arms, and friends, and vengeance near."

XIII.

"Think not thou art what thou appearest!
My Selim, thou art sadly changed:
This morn I saw thee gentlest, dearest:
But now thou'rt from thyself estranged.
My love thou surely knew'st before,
It ne'er was less, nor can be more.
To see thee, hear thee, near thee stay,
And hate the night, I know not why,
Save that we meet not but by day;
With thee to live, with thee to die,
I dare not to my hope deny:
Thy cheek, thine eyes, thy lips to kiss,
Like this — and this — no more than this;
For, Allah! Sure thy lips are flame:
What fever in thy veins is flushing?
My own have nearly caught the same,
At least I feel my cheek too blushing.
To soothe thy sickness, watch thy health,
Partake, but never waste thy wealth,
Or stand with smiles unmurmuring by,
And lighten half thy poverty;
Do all but close thy dying eye,
For that I could not live to try;
To these alone my thoughts aspire:
More can I do? or thou require?
But, Selim, thou must answer why
We need so much of mystery?
The cause I cannot dream nor tell,
But be it, since thou say'st 'tis well;
Yet what thou mean'st by 'arms' and 'friends,'
Beyond my weaker sense extends.
I mean that Giaffir should have heard
The very vow I plighted thee;
His wrath would not revoke my word:
But surely he would leave me free.
Can this fond wish seem strange in me,
To be what I have ever been?
What other hath Zuleika seen
From simple childhood's earliest hour?
What other can she seek to see
Than thee, companion of her bower,
The partner of her infancy?
These cherish'd thoughts with life begun,
Say, why must I no more avow?
What change is wrought to make me shun
The truth; my pride, and thine till now?
To meet the gaze of stranger's eyes
Our law, our creed, our God denies,
Nor shall one wandering thought of mine
At such, our Prophet's will, repine:
No! happier made by that decree!
He left me all in leaving thee.
Deep were my anguish, thus compell'd
To wed with one I ne'er beheld:
This wherefore should I not reveal?
Why wilt thou urge me to conceal!
I know the Pacha's haughty mood
To thee hath never boded good:
And he so often storms at naught,
Allah! forbid that e'er he ought!
And why I know not, but within
My heart concealment weighs like sin.
If then such secresy be crime,
And such it feels while lurking here,
Oh, Selim! tell me yet in time,
Nor leave me thus to thoughts of fear.
Ah! yonder see the Tchocadar, [22]
My father leaves the mimic war:
I tremble now to meet his eye —
Say, Selim, canst thou tell me why?"

XIV.

"Zuleika — to thy tower's retreat
Betake thee — Giaffir I can greet:
And now with him I fain must prate
Of firmans, imposts, levies, state.
There's fearful news from Danube's banks,
Our Vizier nobly thins his ranks,
For which the Giaour may give him thanks!
Our sultan hath a shorter way
Such costly triumph to repay.
But, mark me, when the twilight drum
Hath warn'd the troops to food and sleep,
Unto thy cell will Selim come:
Then softly from the Haram creep
Where we may wander by the deep:
Our garden-battlements are steep;
Nor these will rash intruder climb
To list our words, or stint our time;
And if he doth, I want not steel
Which some have felt, and more may feel.
Then shalt thou learn of Selim more
Than thou hast heard or thought before:
Trust me, Zuleika — fear not me!
Thou know'st I hold a Haram key."

"Fear thee, my Selim! ne'er till now
Did word like this — "
"Delay not thou;
I keep the key — and Haroun's guard
Have some, and hope of more reward.
Tonight, Zuleika, thou shalt hear
My tale, my purpose, and my fear:
I am not, love! what I appear."

_

CANTO THE SECOND.

I.

The winds are high on Helle's wave,
As on that night of stormy water,
When Love, who sent, forgot to save
The young, the beautiful, the brave,
The lonely hope of Sestos' daughter.
Oh! when alone along the sky
Her turret-torch was blazing high,
Though rising gale, and breaking foam,
And shrieking sea-birds warn'd him home;
And clouds aloft and tides below,
With signs and sounds, forbade to go,
He could not see, he would not hear,
Or sound or sign foreboding fear;
His eye but saw the light of love,
The only star it hail'd above;
His ear but rang with Hero's song,
"Ye waves, divide not lovers long!" —
That tale is old, but love anew
May nerve young hearts to prove as true.

II.

The winds are high, and Helle's tide
Rolls darkly heaving to the main;
And Night's descending shadows hide
That field with blood bedew'd in vain,
The desert of old Priam's pride;
The tombs, sole relics of his reign,
All — save immortal dreams that could beguile
The blind old man of Scio's rocky isle!

III.

Oh! yet — for there my steps have been!
These feet have press'd the sacred shore,
These limbs that buoyant wave hath borne —
Minstrel! with thee to muse, to mourn,
To trace again those fields of yore,
Believing every hillock green
Contains no fabled hero's ashes,
And that around the undoubted scene
Thine own "broad Hellespont" still dashes, [23]
Be long my lot! and cold were he
Who there could gaze denying thee!

IV.

The night hath closed on Helle's stream,
Nor yet hath risen on Ida's hill
That moon, which shoon on his high theme:
No warrior chides her peaceful beam,
But conscious shepherds bless it still.
Their flocks are grazing on the mound
Of him who felt the Dardan's arrow;
That mighty heap of gather'd ground
Which Ammon's son ran proudly round, [24]
By nations raised, by monarchs crown'd,
Is now a lone and nameless barrow!
Within — thy dwelling-place how narrow?
Without — can only strangers breathe
The name of him that was beneath:
Dust long outlasts the storied stone;
But Thou — thy very dust is gone!

V.

Late, late to-night will Dian cheer
The swain, and chase the boatman's fear;
Till then — no beacon on the cliff
May shape the course of struggling skiff;
The scatter'd lights that skirt the bay,
All, one by one, have died away;
The only lamp of this lone hour
Is glimmering in Zuleika's tower.
Yes! there is light in that lone chamber,
And o'er her silken Ottoman
Are thrown the fragrant beads of amber,
O'er which her fairy fingers ran; [25]
Near these, with emerald rays beset,
(How could she thus that gem forget?)
Her mother's sainted amulet, [26]
Whereon engraved the Koorsee text,
Could smooth this life, and win the next;
And by her Comboloio lies [27]
A Koran of illumined dyes;
And many a bright emblazon'd rhyme
By Persian scribes redeem'd from time;
And o'er those scrolls, not oft so mute,
Reclines her now neglected lute;
And round her lamp of fretted gold
Bloom flowers in urns of China's mould;
The richest work of Iran's loom,
And Sheeraz' tribute of perfume;
All that can eye or sense delight
Are gather'd in that gorgeous room:
But yet it hath an air of gloom.
She, of this Peri cell the sprite,
What doth she hence, and on so rude a night?

VI.

Wrapt in the darkest sable vest,
Which none save noblest Moslems wear,
To guard from winds of heaven the breast
As heaven itself to Selim dear,
With cautious steps the thicket threading,
And starting oft, as through the glade
The gust its hollow moanings made;
Till on the smoother pathway treading,
More free her timid bosom beat,
The maid pursued her silent guide;
And though her terror urged retreat,
How could she quit her Selim's side?
How teach her tender lips to chide?

VII.

They reach'd at length a grotto, hewn
By nature, but enlarged by art,
Where oft her lute she wont to tune,
And oft her Koran conn'd apart:
And oft in youthful reverie
She dream'd what Paradise might be;
Where woman's parted soul shall go
Her Prophet had disdain'd to show;
But Selim's mansion was secure,
Nor deem'd she, could he long endure
His bower in other worlds of bliss,
Without her, most beloved in this!
Oh! who so dear with him could dwell?
What Houri soothe him half so well?

VIII.

Since last she visited the spot
Some change seem'd wrought within the grot;
It might be only that the night
Disguised things seen by better light:
That brazen lamp but dimly threw
A ray of no celestial hue:
But in a nook within the cell
Her eye on stranger objects fell.
There arms were piled, not such as wield
The turban'd Delis in the field;
But brands of foreign blade and hilt,
And one was red — perchance with guilt!
Ah! how without can blood be spilt?
A cup too on the board was set
That did not seem to hold sherbet.
What may this mean? she turn'd to see
Her Selim — "Oh! can this be he?"

IX.

His robe of pride was thrown aside,
His brow no high-crown'd turban bore
But in its stead a shawl of red,
Wreathed lightly round, his temples wore:
That dagger, on whose hilt the gem
Were worthy of a diadem,
No longer glitter'd at his waist,
Where pistols unadorn'd were braced;
And from his belt a sabre swung,
And from his shoulder loosely hung
The cloak of white, the thin capote
That decks the wandering Candiote:
Beneath — his golden plated vest
Clung like a cuirass to his breast
The greaves below his knee that wound
With silvery scales were sheathed and bound.
But were it not that high command
Spake in his eye, and tone, and hand,
All that a careless eye could see
In him was some young Galiongée. [28]

X.

"I said I was not what I seem'd;
And now thou see'st my words were true:
I have a tale thou hast not dream'd,
If sooth — its truth must others rue.
My story now 'twere vain to hide,
I must not see thee Osman's bride:
But had not thine own lips declared
How much of that young heart I shared,
I could not, must not, yet have shown
The darker secret of my own.
In this I speak not now of love;
That, let time, truth, and peril prove:
But first — oh! never wed another —
Zuleika! I am not thy brother!"

XI.

"Oh! not my brother! — yet unsay —
God! am I left alone on earth
To mourn — I dare not curse the day
That saw my solitary birth?
Oh! thou wilt love me now no more!
My sinking heart foreboded ill;
But know me all I was before,
Thy sister — friend — Zuleika still.
Thou ledd'st me hear perchance to kill;
If thou hast cause for vengeance see
My breast is offer'd — take thy fill!
Far better with the dead to be
Than live thus nothing now to thee;
Perhaps far worse, for now I know
Why Giaffir always seem'd thy foe;
And I, alas! am Giaffir's child,
Form whom thou wert contemn'd, reviled.
If not thy sister — wouldst thou save
My life, oh! bid me be thy slave!"

XII.

"My slave, Zuleika! — nay, I'm thine;
But, gentle love, this transport calm,
Thy lot shall yet be link'd with mine;
I swear it by our Prophet's shrine,
And be that thought thy sorrow's balm.
So may the Koran verse display'd [29]
Upon its steel direct my blade,
In danger's hour to guard us both,
As I preserve that awful oath!
The name in which thy heart hath prided
Must change; but, my Zuleika, know,
That tie is widen'd, not divided,
Although thy Sire's my deadliest foe.
My father was to Giaffir all
That Selim late was deem'd to thee;
That brother wrought a brother's fall,
But spared, at least, my infancy;
And lull'd me with a vain deceit
That yet a like return may meet.
He rear'd me, not with tender help,
But like the nephew of a Cain; [30]
He watch'd me like a lion's whelp,
That gnaws and yet may break his chain.
My father's blood in every vein
Is boiling; but for thy dear sake
No present vengeance will I take;
Though here I must no more remain.
But first, beloved Zuleika! hear
How Giaffir wrought this deed of fear.

XIII.

"How first their strife to rancour grew,
If love or envy made them foes,
It matters little if I knew;
In fiery spirits, slights, though few
And thoughtless, will disturb repose.
In war Abdallah's arm was strong,
Remember'd yet in Bosniac song,
And Paswan's rebel hordes attest [31]
How little love they bore such guest:
His death is all I need relate,
The stern effect of Giaffir's hate;
And how my birth disclosed to me,
Whate'er beside it makes, hath made me free.

XIV.

"When Paswan, after years of strife,
At last for power, but first for life,
In Widdin's walls too proudly sate,
Our Pachas rallied round the state;
Nor last nor least in high command,
Each brother led a separate band;
They gave their horse-tails to the wind, [32]
And mustering in Sophia's plain
Their tents were pitch'd, their posts assign'd;
To one, alas! assign'd in vain!
What need of words? the deadly bowl,
By Giaffir's order drugg'd and given,
With venom subtle as his soul,
Dismiss'd Abdallah's hence to heaven.
Reclined and feverish in the bath,
He, when the hunter's sport was up,
But little deem'd a brother's wrath
To quench his thirst had such a cup:
The bowl a bribed attendant bore;
He drank one draught, and nor needed more! [33]
If thou my tale, Zuleika, doubt,
Call Haroun — he can tell it out.

XV.

"The deed once done, and Paswan's feud
In part suppress'd, though ne'er subdued,
Abdallah's Pachalic was gain'd: —
Thou know'st not what in our Divan
Can wealth procure for worse than man —
Abdallah's honours were obtain'd
By him a brother's murder stain'd;
'Tis true, the purchase nearly drain'd
His ill got treasure, soon replaced.
Wouldst question whence? Survey the waste,
And ask the squalid peasant how
His gains repay his broiling brow! —
Why me the stern usurper spared,
Why thus with me the palace shared,
I know not. Shame, regret, remorse,
And little fear from infant's force;
Besides, adoption of a son
Of him whom Heaven accorded none,
Or some unknown cabal, caprice,
Preserved me thus; but not in peace;
He cannot curb his haughty mood,
Nor I forgive a father's blood!

XVI.

"Within thy father's house are foes;
Not all who break his bread are true:
To these should I my birth disclose,
His days, his very hours, were few:
They only want a heart to lead,
A hand to point them to the deed.
But Haroun only knows — or knew —
This tale, whose close is almost nigh:
He in Abdallah's palace grew,
And held that post in his Serai
Which holds he here — he saw him die:
But what could single slavery do?
Avenge his lord? alas! too late;
Or save his son from such a fate?
He chose the last, and when elate
With foes subdued, or friends betray'd,
Proud Giaffir in high triumph sate,
He led me helpless to his gate,
And not in vain it seems essay'd
To save the life for which he pray'd.
The knowledge of my birth secured
From all and each, but most from me;
Thus Giaffir's safety was insured.
Removed he too from Roumelie
To this our Asiatic side,
Far from our seat by Danube's tide,
With none but Haroun, who retains
Such knowledge — and that Nubian feels
A tyrant's secrets are but chains,
From which the captive gladly steals,
And this and more to me reveals:
Such still to guilt just Allah sends —
Slaves, tools, accomplices — no friends!

XVII.

"All this, Zuleika, harshly sounds;
But harsher still my tale must be:
Howe'er my tongue thy softness wounds,
Yet I must prove all truth to thee.
I saw thee start this garb to see,
Yet is it one I oft have worn,
And long must wear: this Galiongée,
To whom thy plighted vow is sworn,
Is leader of those pirate hordes,
Whose laws and lives are on their swords;
To hear whose desolating tale
Would make thy waning cheek more pale:
Those arms thou see'st my band have brought,
The hands that wield are not remote;
This cup too for the rugged knaves
Is fill'd — once quaff'd, they ne'er repine:
Our Prophet might forgive the slaves;
They're only infidels in wine!

XVIII.

"What could I be? Proscribed at home,
And taunted to a wish to roam;
And listless left — for Giaffir's fear
Denied the courser and the spear —
Though oft — oh, Mohammed! how oft! —
In full Divan the despot scoff'd,
As if my weak unwilling hand
Refused the bridle or the brand:
He ever went to war alone,
And pent me here untried — unknown;
To Haroun's care with women left,
By hope unblest, of fame bereft.
While thou — whose softness long endear'd,
Though it unmann'd me, still had cheer'd —
To Brusa's walls for safety sent,
Awaited'st there the field's event.
Haroun, who saw my spirit pining
Beneath inaction's sluggish yoke,
His captive, though with dread, resigning,
My thraldom for a season broke,
On promise to return before
The day when Giaffir's charge was o'er.
'Tis vain — my tongue can not impart
My almost drunkenness of heart,
When first this liberated eye
Survey'd Earth, Ocean, Sun and Sky,
As if my spirit pierced them through,
And all their inmost wonders knew!
One word alone can paint to thee
That more than feeling — I was Free!
Ev'n for thy presence ceased to pine;
The World — nay — Heaven itself was mine!

XIX.

"The shallop of a trusty Moor
Convey'd me from this idle shore;
I long'd to see the isles that gem
Old Ocean's purple diadem:
I sought by turns, and saw them all: [34]
But when and where I join'd the crew,
With whom I'm pledged to rise or fall,
When all that we design to do
Is done, 'twill then be time more meet
To tell thee, when the tale's complete.

XX.

"'Tis true, they are a lawless brood,
But rough in form, nor mild in mood;
With them hath found — may find — a place:
But open speech, and ready hand,
Obedience to their chief's command;
A soul for every enterprise,
That never sees with terror's eyes;
Friendship for each, and faith to all,
And vengeance vow'd for those who fall,
Have made them fitting instruments
For more than ev'n my own intents.
And some — and I have studied all
Distinguish'd from the vulgar rank,
But chiefly to my council call
The wisdom of the cautious Frank —
And some to higher thoughts aspire,
The last of Lambro's patriots there [35]
Anticipated freedom share;
And oft around the cavern fire
On visionary schemes debate,
To snatch the Rayahs from their fate. [36]
So let them ease their hearts with prate
Of equal rights, which man ne'er knew;
I have a love of freedom too.
Ay! let me like the ocean-Patriarch roam, [37]
Or only known on land the Tartar's home! [38]
My tent on shore, my galley on the sea,
Are more than cities and Serais to me:
Borne by my steed, or wafted by my sail,
Across the desert, or before the gale,
Bound where thou wilt, my barb! or glide, my prow!
But be the star that guides the wanderer, Thou!
Thou, my Zuleika! share and bless my bark;
The Dove of peace and promise to mine ark!
Or, since that hope denied in worlds of strife,
Be thou the rainbow to the storms of life!
The evening beam that smiles the cloud away,
And tints to-morrow with prophetic ray!
Blest — as the Muezzin's strain from Mecca's wall
To pilgrims pure and prostrate at his call;
Soft — as the melody of youthful days,
That steals the trembling tear of speechless praise;
Dear — as his native song to exile's ears,
Shall sound each tone thy long-loved voice endears.
For thee in those bright isles is built a bower
Blooming as Aden in its earliest hour. [39]
A thousand swords, with Selim's heart and hand,
Wait — wave — defend — destroy — at thy command!
Girt by my band, Zuleika at my side,
The spoil of nations shall bedeck my bride.
The Haram's languid years of listless ease
Are well resign'd for cares — for joys like these:
Not blind to fate, I see, where'er I rove,
Unnumber'd perils — but one only love!
Yet well my toils shall that fond beast repay,
Though fortune frown or falser friends betray.
How dear the dream in darkest hours of ill,
Should all be changed, to find thee faithful still!
Be but thy soul, like Selim's, firmly shown;
To thee be Selim's tender as thine own;
To soothe each sorrow, share in each delight,
Blend every thought, do all — but disunite!
Once free, 'tis mine our horde again to guide;
Friends to each other, foes to aught beside:
Yet there we follow but the bent assign'd
By fatal Nature to man's warring kind:
Mark! where his carnage and his conquests cease!
He makes a solitude, and calls it — peace!
I like the rest must use my skill or strength,
But ask no land beyond my sabre's length:
Power sways but by division — her resource
The blest alternative of fraud or force!
Ours be the last; in time deceit may come
When cities cage us in a social home:
There ev'n thy soul might err — how oft the heart
Corruption shakes which peril could not part!
And woman, more than man, when death or woe,
Or even disgrace, would lay her lover low,
Sunk in the lap of luxury will shame —
Away suspicion! — not Zuleika's name!
But life is hazard at the best; and here
No more remains to win, and much to fear:
Yes, fear! — the doubt, the dread of losing thee,
By Osman's power, and Giaffir's stern decree.
That dread shall vanish with the favouring gale,
Which Love to-night hath promised to my sail:
No danger daunts the pair his smile hath blest,
Their steps till roving, but their hearts at rest.
With thee all toils are sweet, each clime hath charms;
Earth — sea alike — our world within our arms!
Ay — let the loud winds whistle o'er the deck,
So that those arms cling closer round my neck:
The deepest murmur of this lip shall be
No sigh for safety, but a prayer for thee!
The war of elements no fears impart
To Love, whose deadliest bane is human Art:
There lie the only rocks our course can check;
Here moments menace — there are years of wreck!
But hence ye thoughts that rise in Horror's shape!
This hour bestows, or ever bars escape.
Few words remain of mine my tale to close:
Of thine but one to waft us from our foes;
Yea — foes — to me will Giaffir's hate decline?
And is not Osman, who would part us, thine?

XXI.

"His head and faith from doubt and death
Return'd in time my guard to save;
Few heard, none told, that o'er the wave
From isle to isle I roved the while:
And since, though parted from my band
Too seldom now I leave the land,
No deed they've done, nor deed shall do,
Ere I have heard and doom'd it too:
I form the plan, decree the spoil,
'Tis fit I oftener share the toil.
But now too long I've held thine ear;
Time presses, floats my bark, and here
We leave behind but hate and fear.
To-morrow Osman with his train
Arrives — to-night must break thy chain:
And wouldst thou save that haughty Bey,
Perchance, his life who gave the thine,
With me this hour away — away!
But yet, though thou art plighted mine,
Wouldst thou recall thy willing vow,
Appall'd by truth imparted now,
Here rest I — not to see thee wed:
But be that peril on my head!"

XXII.

Zuleika, mute and motionless,
Stood like that statue of distress,
When, her last hope for ever gone,
The mother harden'd into stone;
All in the maid that eye could see
Was but a younger Niobè.
But ere her lip, or even her eye,
Essay'd to speak, or look reply,
Beneath the garden's wicket porch
Far flash'd on high a blazing torch!
Another — and another — and another —
"Oh! — no more — yet now my more than brother!"
Far, wide, through every thicket spread,
The fearful lights are gleaming red;
Nor these alone — for each right hand
Is ready with a sheathless brand.
They part, pursue, return, and wheel
With searching flambeau, shining steel;
And last of all, his sabre waving,
Stern Giaffir in his fury raving:
And now almost they touch the cave —
Oh! must that grot be Selim's grave?

XXIII.

Dauntless he stood — "'Tis come — soon past —
One kiss, Zuleika — 'tis my last:
But yet my band not far from shore
May hear this signal, see the flash;
Yet now too few — the attempt were rash:
No matter — yet one effort more."
Forth to the cavern mouth he stept;
His pistol's echo rang on high,
Zuleika started not nor wept,
Despair benumb'd her breast and eye! —
"They hear me not, or if they ply
Their oars, 'tis but to see me die;
That sound hath drawn my foes more nigh.
Then forth my father's scimitar,
Thou ne'er hast seen less equal war!
Farewell, Zuleika! — Sweet! retire:
Yet stay within — here linger safe,
At thee his rage will only chafe.
Stir not — lest even to thee perchance
Some erring blade or ball should glance.
Fear'st though for him? — may I expire
If in this strife I seek thy sire!
No — though by him that poison pour'd:
No — though again he call me coward!
But tamely shall I meet their steel?
No — as each crest save his may feel!"

XXIV.

One bound he made, and gain'd the sand:
Already at his feet hath sunk
The foremost of the prying band,
A gasping head, a quivering trunk:
Another falls — but round him close
A swarming circle of his foes;
From right to left his path he cleft,
And almost met the meeting wave:
His boat appears — not five oars' length —
His comrades strain with desperate strength —
Oh! are they yet in time to save?
His feet the foremost breakers lave;
His band are plunging in the bay,
Their sabres glitter through the spray;
We — wild — unwearied to the strand
They struggle — now they touch the land!
They come — 'tis but to add to slaughter —
His heart's best blood is on the water!

XXV.

Escaped from shot, unharm'd by steel,
Or scarcely grazed its force to feel,
Had Selim won, betray'd, beset,
To where the strand and billows met:
There as his last step left the land,
And the last death-blow dealt his hand —
Ah! wherefore did he turn to look
For her his eye but sought in vain?
That pause, that fatal gaze he took,
Hath doom'd his death, or fix'd his chain.
Sad proof, in peril and in pain,
How late will Lover's hope remain!
His back was to the dashing spray;
Behind, but close, his comrades lay
When, at the instant, hiss'd the ball —
"So may the foes of Giaffir fall!"
Whose voice is heard? whose carbine rang?
Whose bullet through the night-air sang,
Too nearly, deadly aim'd to err?
'Tis thine — Abdallah's Murderer!
The father slowly rued thy hate,
The son hath found a quicker fate:
Fast from his breast the blood is bubbling,
The whiteness of the sea-foam troubling —
If aught his lips essay'd to groan,
The rushing billows choked the tone!

XXVI.

Morn slowly rolls the clouds away;
Few trophies of the fight are there:
The shouts that shook the midnight-bay
Are silent; but some signs of fray
That strand of strife may bear,
And fragments of each shiver'd brand;
Steps stamp'd; and dash'd into the sand
The print of many a struggling hand
May there be mark'd; nor far remote
A broken torch, an oarless boat;
And tangled on the weeds that heap
The beach where shelving to the deep
There lies a white capote!
'Tis rent in twain — one dark-red stain
The wave yet ripples o'er in vain:
But where is he who wore?
Ye! who would o'er his relics weep,
Go, seek them where the surges sweep
Their burthen round Sigæum's steep,
And cast on Lemnos' shore:
The sea-birds shriek above the prey,
O'er which their hungry beaks delay,
As shaken on his restless pillow,
His head heaves with the heaving billow;
That hand, whose motion is not life,
Yet feebly seems to menace strife,
Flung by the tossing tide on high,
Then levell'd with the wave —
What recks it, though that corse shall lie
Within a living grave?
The bird that tears that prostrate form
Hath only robb'd the meaner worm:
The only heart, the only eye
Had bled or wept to see him die,
Had seen those scatter'd limbs composed,
And mourn'd above his turban-stone, [40]
That heart hath burst — that eye was closed —
Yea — closed before his own!

XXVII.

By Helle's stream there is a voice of wail!
And woman's eye is wet — man's cheek is pale:
Zuleika! last of Giaffir's race,
Thy destined lord is come too late:
He sees not — ne'er shall see — thy face!
Can he not hear
The loud Wul-wulleh warn his distant ear? [41]
Thy handmaids weeping at the gate,
The Koran-chanters of the hymn of fate,
The silent slaves with folded arms that wait,
Sighs in the hall, and shrieks upon the gale,
Tell him thy tale!
Thou didst not view thy Selim fall!
That fearful moment when he left the cave
Thy heart grew chill:
He was thy hope — thy joy — thy love — thine all —
And that last thought on him thou couldst not save
Sufficed to kill;

Burst forth in one wild cry — and all was still.
Peace to thy broken heart, and virgin grave!
Ah! happy! but of life to lose the worst!
That grief — though deep — though fatal — was thy first!
Thrice happy! ne'er to feel nor fear the force
Of absence, shame, pride, hate, revenge, remorse!
And, oh! that pang where more than madness lies!
The worm that will not sleep — and never dies;
Thought of the gloomy day and ghastly night,
That dreads the darkness, and yet loathes the light,
That winds around, and tears the quivering heart!
Ah! wherefore not consume it — and depart!
Woe to thee, rash and unrelenting chief!
Vainly thou heap'st the dust upon thy head,
Vainly the sackcloth o'er thy limbs doth spread;
By that same hand Abdallah — Selim — bled.
Now let it tear thy beard in idle grief:
Thy pride of heart, thy bride for Osman's bed,
Thy Daughter's dead!
Hope of thine age, thy twilight's lonely beam,
The star hath set that shone on Helle's stream.
What quench'd its ray? — the blood that thou hast shed!
Hark! to the hurried question of Despair:
"Where is my child?" — an Echo answers — "Where?" [42]

XVIII.

Within the place of thousand tombs
That shine beneath, while dark above
The sad but living cypress glooms,
And withers not, though branch and leaf
Are stamp'd with an eternal grief,
Like early unrequited Love,
One spot exists, which ever blooms,
Ev'n in that deadly grove —
A single rose is shedding there
Its lonely lustre, meek and pale:
It looks as planted by Despair —
So white — so faint — the slightest gale
Might whirl the leaves on high;
And yet, though storms and blight assail,
And hands more rude than wintry sky
May wring it from the stem — in vain —
To-morrow sees it bloom again!
The stalk some spirit gently rears,
And waters with celestial tears;
For well may maids of Helle deem
That this can be no earthly flower,
Which mocks the tempest's withering hour,
And buds unshelter'd by a bower;
Nor droops, though spring refuse her shower,
Nor woos the summer beam:
To it the livelong night there sings
A bird unseen — but not remote:
Invisible his airy wings,
But soft as harp that Houri strings
His long entrancing note!
It were the Bulbul; but his throat,
Though mournful, pours not such a strain:
For they who listen cannot leave
The spot, but linger there and grieve,
As if they loved in vain!
And yet so sweet the tears they shed,
'Tis sorrow so unmix'd with dread,
They scarce can bear the morn to break
That melancholy spell,
And longer yet would weep and wake,
He sings so wild and well!
But when the day-blush bursts from high
Expires that magic melody.
And some have been who could believe,
(So fondly youthful dreams deceive,
Yet harsh be they that blame,)
That note so piercing and profound
Will shape and syllable its sound
Into Zuleika's name. [43]
'Tis from her cypress' summit heard,
That melts in air the liquid word;
'Tis from her lowly virgin earth
That white rose takes its tender birth.
There late was laid a marble stone;
Eve saw it placed — the Morrow gone!
It was no mortal arm that bore
That deep fixed pillar to the shore;
For there, as Helle's legends tell,
Next morn 'twas found where Selim fell;
Lash'd by the tumbling tide, whose wave
Denied his bones a holier grave:
And there by night, reclined, 'tis said,
Is seen a ghastly turban'd head:
And hence extended by the billow,
'Tis named the "Pirate-phantom's pillow!"
Where first it lay that mourning flower
Hath flourish'd; flourisheth this hour,
Alone and dewy, coldly pure and pale;
As weeping Beauty's cheek at Sorrow's tale.

(1) "Gúl," the rose.

(2) "Souls made of fire, and children of the Sun,
With whom revenge is virtue." — YOUNG'S "REVENGE."

(3) Mejnoun and Leila, the Romeo and Juliet of the East. Sadi, the moral set of Persia.

(4) "Tambour," Turkish drum, which sounds at sunrise, none, and twilight.

(5) The Turks abhor the Arabs (who return the compliment a hundred-fold) even more than they hate the Christians.

(6) This expression has met with objections. I will not refer to "Him who hath not Music in his soul," but merely request the reader to recollect, for ten seconds, the features of the woman whom he believes to be the most beautiful; and if he then does not comprehend fully what is feebly expressed in the above line, I shall be sorry for us both. For an eloquent passage in the latest work of the first female writer of this, perhaps of any age, on the analogy (and the immediate comparison excited by that analogy) between "painting and music," see vol. iii. cap. 10, "De L'Allemagne." And is not this connexion still stronger with the original than the copy? with the colouring of Nature than of Art? After all, this is rather to be felt than described; still, I think there are some who will understand it, at least they would have done had they beheld the countenance whose speaking harmony suggested the idea; for this passage is not drawn from imagination but memory, that mirror which Affliction dashes to the earth, and looking down upon the fragments, only beholds the reflection multiplied.

(7) Carasman Oglou, or Kara Osman Oglou, is the principle landholder in Turkey; he governs Magnesia. Those who, by a kind of feudal tenure, possess land on condition of service, are called Timariots; they serve as Spahis, according to the extent of territory, and bring a certain number into the field, generally cavalry.

(8) When a Pacha is sufficiently strong to resist, the single messenger, who is always the first bearer of the order for his death, is strangled instead, and sometimes five or six, one after the other, on the same errand, by command of the refractory patient; if, on the contrary, he is weak or loyal, he bows, kisses the Sultan's respectable signature, and is bowstrung with great complacency. In 1810, several of "these presents" were exhibited in the niche of the Seraglio gate: among others, the head of the Pacha of Bagdad, a brave young man, cut off by treachery, after a desperate resistance.

(9) Clapping of the hands calls the servants. The Turks hate a superfluous expenditure of voice, and they have no bells.

(10) "Chibouque," the Turkish pipe, of which the amber mouth-piece, and sometimes the ball which contains the leaf, is adorned with precious stones, if in possession of the wealthier orders.

(11) "Maugrabee," Moorish mercenaries.

(12) "Delis," bravoes who form the forlorn-hope of the cavalry, and always begin the action.

(13) A twisted fold of felt is used for scimitar practice by the Turks, and few but Mussulman arms can cut through it at a single stroke: sometimes a tough turban is used for the same purpose. The jerreed is a game of blunt javelins, animated and graceful.

(14) "Ollahs," Alla il Allah, the "Leilles," as the Spanish poets call them; the sound is Ollah; a cry of which the Turks, for a silent people, are somewhat profuse, particularly during the jerreed, or in the chase, but mostly in battle. Their animation in the field, and gravity in the chamber, with their pipes and comboloios, form an amusing contrast.

(15) "Atar-gúl," ottar of roses. The Persian is the finest.

(16) The ceiling and wainscots, or rather walls, of the Mussulman apartments are generally painted, in great houses, with one eternal and highly-coloured view of Constantinople, wherein the principle feature is a noble contempt of perspective; below, arms, scimitars, &c., are generally fancifully and not inelegantly disposed.

(17) It has been much doubted whether the notes of this "Lover of the rose are sad or merry; and Mr Fox's remarks on the subject have provoked some learned controversy as to the opinions of the ancients on the subject. I dare not venture a conjecture on the point, though a little inclined to the "errare [m?]alleum," &c., if Mr Fox was mistaken.

[Transcriber's note: the print impression I am working from is poor and in places not entirely intelligible.]

(18) "Azrael," the angel of death.

(19) The treasures of the Pre-Adamite Sultans. See D'Herbelot, article Istakar.

(20) "Musselim," a governor, the next in rank after a Pacha; a Waywode is the third; and then come the Agas.

(21) "Egripo" — the Negropont. According to the proverb, the Turks of Egrip, the Jews of Salonica, and the Greeks of Athens are the worst of their respective races.

(22) "Tchocadar," one of the attendants who precedes a man of authority.

(23) The wrangling about this epithet, "the broad Hellespont," or the "boundless Hellespont," whether it means one or the other, or what it means at all, has been beyond all possibility of detail. I have even heard it disputed on the spot; and not foreseeing a speedy conclusion to the controversy, amused myself by swimming across it in the meantime, and probably may again, before the point is settled. Indeed, the question as to the truth of "the tale of Troy divine" still continues, much of it resting upon the word {'ápeiros} [in Greek]: probably Homer had the same notion of distance that a coquette has of time, and when he talks of the boundless, means half a mile; as the latter, by a like figure, when she says eternal attachment, simply specifies three weeks.

(24) Before his Persian invasion, and crowned the altar with laurel, &c. He was afterwards imitated by Caracalla in his race. It is believed that the last also poisoned a friend, named Festus, for the sake of new Patroclan games. I have seen the sheep feeding on the tombs of Æsietes and Antilochos: the first is in the center of the plain.

(25) When rubbed, the amber is susceptible of a perfume, which is slight but not disagreeable.

(26) The belief in amulets engraved on gems, or enclosed in gold boxes, containing scraps from the Koran, worn round the neck, wrist, or arm, is still universal in the East. The Koorsee (throne) verse in the second chapter of the Koran describes the attributes of the Most High, and is engraved in this manner, and worn by the pious, as the most esteemed and sublime of all sentences.

(27) "Comboloio," a Turkish rosary. The MSS., particularly those of the Persians, are richly adorned and illuminated. The Greek females are kept in utter ignorance; but many of the Turkish girls are highly accomplished, though not actually qualified for a Christian coterie. Perhaps some of our own "blues" might not be the worse for bleaching.

(28) "Galiongée," or Galiongi, a sailor, that is, a Turkish sailor; the Greeks navigate, the Turks work the guns. Their dress is picturesque; and I have seen the Capitan Pacha more than once wearing it as a kind of incog. Their legs, however, are generally naked. The buskins described in the text as sheathed behind with silver are those of an Arnaut robber, who was my host (he had quitted the profession) at his Pyrgo, near Gastouni in the Morea; they were plated in scales one over the other, like the back of an armadillo.

(29) The characters on all Turkish scimitars contain sometimes the name of the place of their manufacture, but more generally a text from the Koran, in letters of gold. Amongst those in my possession is one with a blade of singular construction; it is very broad, and the edge notched into serpentine curves like the ripple of water, or the wavering of flame. I asked the Armenian who sold it what possible use such a figure could add: he said, in Italian, that he did not know; but the Mussulmans had an idea that those of this form gave a severer wound; and liked it because it was "piu feroce." I did not much admire the reason, but bought it for its peculiarity.

(30) It is to be observed, that every allusion to anything or personage in the Old Testament, such as the Ark, or Cain, is equally the privilege of Mussulman and Jew: indeed, the former profess to be much better acquainted with the lives, true and fabulous, of the patriarchs, than is warranted by our own sacred writ; and not content with Adam, they have a biography of Pre-Adamites. Solomon is the monarch of all necromancy, and Moses a prophet inferior only to Christ and Mohammed. Zuleika is the Persian name of Potiphar's wife; and her amour with Joseph constitutes one of the finest poems in their language. It is, therefore, no violation of costume to put the names of Cain, or Noah, into the mouth of a Moslem.

(31) Paswan Oglou, the rebel of Widdin; who, for the last years of his life, set the whole power of the Porte at defiance.

(32) "Horse-tail," the standard of a Pacha.

(33) Giaffir, Pacha of Argyro Castro, or Scutari, I am not sure which, was actually taken off by the Albanian Ali, in the manner described in the text. Ali Pacha, while I was in the country, married the daughter of his victim, some years after the event had taken place at a bath in Sophia, or Adrianople. The poison was mixed in

poem by Byron
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You Are The One

you are the chosen one
fronting the sun
you cast no shadow

poem by Ric S. Bastasa
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God you are the best

You are mass and space
And everything else in It;
God you are the best

poem by Asif Andalib
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