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Next to the pleasure of finding a new mistress is that of being rid of an old one.

quote by William Wycherley
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Give That Up!

There is no gain one can claim with pain,
That remains the same...
Unchanged.
With a wish to rid it!

Give that up!
With a wish to rid it.
Give that up!
With a wish to rid it.
Give that up!
With a wish to rid it.
When too much of the stuff gets tough.

Give that up!
With a wish to rid it.
Give that up!
With a wish to rid it.
Give that up!
With a wish to rid it.
When too much of the stuff gets tough.
And you know you have had enough!

There is no gain one can claim with pain,
That remains the same...
Unchanged.
With a wish to rid it!

Give that up!
With a wish to rid it.
Give that up!
With a wish to rid it.
Give that up!
With a wish to rid it.
When too much of the stuff gets tough.
And you know you have had enough!

Just give that up!
When it gets too much...
And you know you have had enough!

Just give that up!
With a wish to rid it.
Give that up!
With a wish to rid it.
Give that up!
With a wish to rid it.
When too much of the stuff gets tough.
And you know you have had enough!

To live life you've got to live it...

[...] Read more

poem by Lawrence S. Pertillar
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My Name Is Qalme-Tari

My name is Qalme-Tari
Mistress of Death.
Were I go
People will follow.

My name is Qalme-Tari
Mistress of Death.
Were I go
Death follows.

My name is Qalme-Tari
Mistress of Death.
I bring death
Upon people of injustice.

My name is Qalme-Tari
Mistress of Death.
Death for people of injustice.
Tyrants beware!

My name is Qalme-Tari
Mistress of Death.
Dictators beware
I come for thee.

My name is Qalme-Tari
Mistress of Death.
Kidnapers beware
I come for thee.

My name is Qalme-Tari
Mistress of Death.
Child abusers beware
I come for thee.

My name is Qalme-Tari
Mistress of Death.
For those of injustice
I am Death.

My name is Estela
Mistress of Hope
For those of purity
I am Hope

My name is Qalme-Tari
Mistress of Death.
The in just
Shall flee before me.

[...] Read more

poem by Athena Goddess of Wisdom Lumis Light to all
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The Sorceress

Where are the bay-leaves, Thestylis, and the charms?
Fetch all; with fiery wool the caldron crown;
Let glamour win me back my false lord's heart!
Twelve days the wretch hath not come nigh to me,
Nor made enquiry if I die or live,
Nor clamoured (oh unkindness!) at my door.
Sure his swift fancy wanders otherwhere,
The slave of Aphrodite and of Love.
I'll off to Timagetus' wrestling-school
At dawn, that I may see him and denounce
His doings; but I'll charm him now with charms.
So shine out fair, O moon! To thee I sing
My soft low song: to thee and Hecate
The dweller in the shades, at whose approach
E'en the dogs quake, as on she moves through blood
And darkness and the barrows of the slain.
All hail, dread Hecate: companion me
Unto the end, and work me witcheries
Potent as Circe or Medea wrought,
Or Perimede of the golden hair!
Turn, magic wheel, draw homeward him I love.
First we ignite the grain. Nay, pile it on:
Where are thy wits flown, timorous Thestylis?
Shall I be flouted, I, by such as thou?
Pile, and still say, 'This pile is of his bones.'
Turn, magic wheel, draw homeward him I love.
Delphis racks me: I burn him in these bays.
As, flame-enkindled, they lift up their voice,
Blaze once, and not a trace is left behind:
So waste his flesh to powder in yon fire!
Turn, magic wheel, draw homeward him I love.
E'en as I melt, not uninspired, the wax,
May Mindian Delphis melt this hour with love:
And, swiftly as this brazen wheel whirls round,
May Aphrodite whirl him to my door.
Turn, magic wheel, draw homeward him I love.
Next burn the husks. Hell's adamantine floor
And aught that else stands firm can Artemis move.
Thestylis, the hounds bay up and down the town:
The goddess stands i' the crossroads: sound the gongs.
Turn, magic wheel, draw homeward him I love.
Hushed are the voices of the winds and seas;
But O not hushed the voice of my despair.
He burns my being up, who left me here
No wife, no maiden, in my misery.
Turn, magic wheel, draw homeward him I love.
Thrice I pour out; speak thrice, sweet mistress, thus:
'What face soe'er hangs o'er him be forgot
Clean as, in Dia, Theseus (legends say)
Forgat his Ariadne's locks of love.'

[...] Read more

poem by Theocritus
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The Quid Pro Quo; Or The Mistakes

DAME FORTUNE often loves a laugh to raise,
And, playing off her tricks and roguish ways,
Instead of giving us what we desire,
Mere quid pro quo permits us to acquire.
I've found her gambols such from first to last,
And judge the future by experience past.
Fair Cloris and myself felt mutual flame;
And, when a year had run, the sprightly dame
Prepared to grant me, if I may be plain,
Some slight concessions that would ease my pain.
This was her aim; but whatsoe'er in view,
'Tis opportunity we should pursue;
The lover, who's discreet, will moments seize;
And ev'ry effort then will tend to please.

ONE eve I went this charming fair to see;
The husband happened (luckily for me)
To be abroad; but just as it was night
The master came, not doubting all was right;
No Cloris howsoe'er was in the way;
A servant girl, of disposition gay,
Well known to me, with pretty smiling face,
'Tis said, was led to take her lady's place.
The mistress' loss for once was thus repaid;
The barter mutual:--wife against the maid.

WITH many tales like this the books abound;
But able hands are necessary found,
To place the incidents, arrange the whole,
That nothing may be forced nor feel control.
The urchin blind, who sees enough to lay
His num'rous snares, such tricks will often play.
The CRADLE in Boccace excels the most,
As to myself I do not mean to boast,
But fear, a thousand places, spite of toil,
By him made excellent, my labours spoil.
'Tis time howe'er with preface to have done,
And show, by some new turn, or piece of fun,
(While easy numbers from my pencil flow,)
Of Fortune and of Love the quid pro quo.
In proof, we'll state what happened at Marseilles:
The story is so true, no doubt prevails.

THERE Clidamant, whose proper name my verse,
Prom high respect, refuses to rehearse,
Lived much at ease: not one a wife had got,
Throughout the realm, who was so nice a lot,
Her virtues, temper, and seraphick charms,
Should have secured the husband to her arms;
But he was not to constancy inclined;

[...] Read more

poem by La Fontaine
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The Remedy of Love

When Cupid read this title, straight he said,
'Wars, I perceive, against me will be made.'
But spare, oh Love! to tax thy poet so,
Who oft bath borne thy ensign 'gainst thy foe;
I am not he by whom thy mother bled,
When she to heaven on Mars his horses fled.
I oft, like other youths, thy flame did prove,
And if thou ask, what I do still? I love.
Nay, I have taught by art to keep Love's course,
And made that reason which before was force.
I seek not to betray thee, pretty boy,
Nor what I once have written to destroy.
If any love, and find his mistress kind,
Let him go on, and sail with his own wind;
But he that by his love is discontented,
To save his life my verses were invented.
Why should a lover kill himself? or why
Should any, with his own grief wounded, die?
Thou art a boy, to play becomes thee still,
Thy reign is soft; play then, and do not kill;
Or if thou'lt needs be vexing, then do this,
Make lovers meet by stealth, and steal a kiss
Make them to fear lest any overwatch them,
And tremble when they think some come to catch them;
And with those tears that lovers shed all night,
Be thou content, but do not kill outright.—
Love heard, and up his silver wings did heave,
And said, 'Write on; I freely give thee leave.'
Come then, all ye despised, that love endure,
I, that have felt the wounds, your love will cure;
But come at first, for if you make delay,
Your sickness will grow mortal by your stay:
The tree, which by delay is grown so big,
In the beginning was a tender twig;
That which at first was but a span in length,
Will, by delay, be rooted past men's strength.
Resist beginnings, medicines bring no curing
Where sickness is grown strong by long enduring.
When first thou seest a lass that likes thine eye,
Bend all thy present powers to descry
Whether her eye or carriage first would shew
If she be fit for love's delights or no:
Some will be easy, such an one elect;
But she that bears too grave and stern aspect,
Take heed of her, and make her not thy jewel,
Either she cannot love, or will be cruel.
If love assail thee there, betime take heed,
Those wounds are dangerous that inward bleed;
He that to-day cannot shake off love's sorrow,
Will certainly be more unapt to-morrow.

[...] Read more

poem by Francis Beaumont
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Spirit of Elevation

What is it you wish...
You claim is there you wait for?
Hop aboard,
The Spirit of Elevation.
Separate yourself,
From those isolation days.
Get rid of devastating implementations.
Planted to erase,
The best of your well being...
Inside that's craved!

Hop aboard,
The Spirit of Elevation.
Replace your visions of limitation.
Remove any traces of it that sits.
To keep you in the midst of feared conflicts!

Get rid of it!
There is nothing to value,
To maintain such a grip.
Get rid of it!
Get rid of it!
There is nothing of it that benefits!
Get rid of it!
Get rid of it!
And delight in a higher consciousness.

Hop aboard,
The Spirit of Elevation.
Replace your visions of limitation.
Remove any traces of it that sits.
To keep you in the midst of feared conflicts!

Get rid of it!
There is nothing to value,
To maintain such a grip.
Get rid of it!
Get rid of it!
There is nothing of it that benefits!
Get rid of it!
Get rid of it!
And delight in a higher consciousness.

What is it you wish...
You claim is there you wait for?
Hop aboard,
The Spirit of Elevation.
Separate yourself,
From those isolation days.
Get rid of devastating implementations.

[...] Read more

poem by Lawrence S. Pertillar
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Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

[...] Read more

poem by Byron from Don Juan (1824)
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Le Balcon (The Balcony)

Le Balcon

Mère des souvenirs, maîtresse des maîtresses,
Ô toi, tous mes plaisirs! ô toi, tous mes devoirs!
Tu te rappelleras la beauté des caresses,
La douceur du foyer et le charme des soirs,
Mère des souvenirs, maîtresse des maîtresses!

Les soirs illuminés par l'ardeur du charbon,
Et les soirs au balcon, voilés de vapeurs roses.
Que ton sein m'était doux! que ton coeur m'était bon!
Nous avons dit souvent d'impérissables choses
Les soirs illumines par l'ardeur du charbon.

Que les soleils sont beaux dans les chaudes soirées!
Que l'espace est profond! que le coeur est puissant!
En me penchant vers toi, reine des adorées,
Je croyais respirer le parfum de ton sang.
Que les soleils sont beaux dans les chaudes soirées!

La nuit s'épaississait ainsi qu'une cloison,
Et mes yeux dans le noir devinaient tes prunelles,
Et je buvais ton souffle, ô douceur! ô poison!
Et tes pieds s'endormaient dans mes mains fraternelles.
La nuit s'épaississait ainsi qu'une cloison.

Je sais l'art d'évoquer les minutes heureuses,
Et revis mon passé blotti dans tes genoux.
Car à quoi bon chercher tes beautés langoureuses
Ailleurs qu'en ton cher corps et qu'en ton coeur si doux?
Je sais l'art d'évoquer les minutes heureuses!

Ces serments, ces parfums, ces baisers infinis,
Renaîtront-ils d'un gouffre interdit à nos sondes,
Comme montent au ciel les soleils rajeunis
Après s'être lavés au fond des mers profondes?
— Ô serments! ô parfums! ô baisers infinis!

The Balcony

Mother of memories, mistress of mistresses,
O you, all my pleasure, O you, all my duty!
You'll remember the sweetness of our caresses,
The peace of the fireside, the charm of the evenings.
Mother of memories, mistress of mistresses!

The evenings lighted by the glow of the coals,
The evenings on the balcony, veiled with rose mist;
How soft your breast was to me! how kind was your heart!

[...] Read more

poem by Charles Baudelaire
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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

poem by Robert Browning from The Ring and the Book
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On Your Own

Tell me what you seen
Tell me what you seen
Was it a dream?
Was it a dream?
Was I in it?
Was I in it?
Life seems so obscene
Life seems so obscene
Until its over
Until its over
Who knows?
Who knows?
All I want is someone who can fill the hole
In the life I know
All I want is someone who can fill the hole
In between life and death
In the life I know
When theres nothing left
In between life and death
Do you wanna know?
When theres nothing left
Do you wanna know?
You come in on your own
And you leave on your own
Forget the lovers youve know
You come in on your own
And your friends on your own
And you leave on your own
Forget the lovers youve know
Tell me if its true
And your friends on your own
That I need you
You are changing
Ive seen this road before down on this floor
Tell me if its true
It is hurting me
That I need you
You are changing
All I want is someone
Ive seen this road before down on this floor
Who can fill the hole
It is hurting me
In the life I know
In between life and death
When theres nothing left
All I want is someone
Do you want to know?
Who can fill the hole
In the life I know
You come in on your own

[...] Read more

song performed by Verve
Added by Lucian Velea
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On Your Own

Tell me what you seen
Tell me what you seen
Was it a dream?
Was it a dream?
Was I in it?
Was I in it?
Life seems so obscene
Life seems so obscene
Until its over
Until its over
Who knows?
Who knows?
All I want is someone who can fill the hole
In the life I know
All I want is someone who can fill the hole
In between life and death
In the life I know
When theres nothing left
In between life and death
Do you wanna know?
When theres nothing left
Do you wanna know?
You come in on your own
And you leave on your own
Forget the lovers youve know
You come in on your own
And your friends on your own
And you leave on your own
Forget the lovers youve know
Tell me if its true
And your friends on your own
That I need you
You are changing
Ive seen this road before down on this floor
Tell me if its true
It is hurting me
That I need you
You are changing
All I want is someone
Ive seen this road before down on this floor
Who can fill the hole
It is hurting me
In the life I know
In between life and death
When theres nothing left
All I want is someone
Do you want to know?
Who can fill the hole
In the life I know
You come in on your own

[...] Read more

song performed by Verve
Added by Lucian Velea
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If One Admits It

Being bottled up...
Can be resisted,
If...
One admits it.
With a wsh to rid it quick.

Pop it with a fizzle,
To be from your mind gone.
Don't get that bothered to be bottled!
Get rid of it quick.

Pop it with a fizzle,
To be from your mind gone.
Don't get that bothered to be bottled!
Get rid of it quick.

Panic can be managed,
With admitting it to rid.
Pop it with a fizzle,
To be from your mind gone.

Panic can be managed,
With admitting it to rid.
Don't get that bothered to be bottled,
Let it fizz and rid it quick.

Pop it with a fizzle,
To be from your mind gone.
Don't get that bothered to be bottled,
Let it fizz and rid it quick.

Being bottled up...
Can be resisted,
If...
One admits it.
With a wsh to rid it quick.

Panic can be managed,
With admitting it to rid.
Pop it with a fizzle,
To be from your mind gone.

Bottled up and panicked,
Can be popped and fizzled quick.
If one admits it.
To rid it!

poem by Lawrence S. Pertillar
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pleassure - The Pin Cushion

'PLEASSURE - THE PIN CUSHION'
esspeecee …08.12.04.

# Compound of -
Pleasure is labile,
But of
Pain is stable
In mind lab. [1]

# Pleasure poses
Neutrino heaviness
Pain up-pulls
Tachyonic buoyancy. [2]

# Pleasure is
Entry to eventuality
Pain is
Exit from eventuality. [3]

# Pleasure is -
Snow ball
Ache-fully swells,
Pain is -
Metal ball
Anesthetically dwindles,
With the friction of life. [4]

# Pleasure is,
The pin cushion -
For de-phonetization,
Pain is pen cushion –
For vocabularization. [5]

# Pleasure is -
Compulsion,
Pleasure is -
Impulsion. [6]

# Pleasure is -
Gourmand ‘give-in’-izer,
Pain is-
Valorous valedictori-zer. [7]

# Pleasure is -
Fate maker,
Pain is -
Fate eraser. [8]

# Pleasure rewrites
Rupture,

[...] Read more

poem by Dr. Sakti P. Chakravorty
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Quatrains Of Life

What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?

What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?

'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.

Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.

I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.

Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.

All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.

So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''

My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?

I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.

[...] Read more

poem by Wilfrid Scawen Blunt
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Giving Up Should Be A Thought To Rid

Giving up should never be an option,
For anyone...
With more to be done.
Giving up should never be considered.
Giving up should be a thought to rid.

Giving up should never be an option,
For anyone...
With more to be done.
Giving up should never be considered.
Giving up should be a thought to rid.

People who've been spoiled haven't lived,
To know all there is...
About life.
To let it quickly fizzle into an abyss.
It's about risks!
That's what life is!

Giving up should never be considered.
Giving up should be a thought to rid.

People who've been spoiled haven't lived,
To know all there is...
About life.
Giving up should never be considered.
Giving up should be a thought to rid.

Giving up should never be an option,
For anyone...
With more to be done.
Giving up should never be considered.
Giving up should be a thought to rid.

People who've been spoiled haven't lived,
To know that living life is taking risks.
And...
Giving up should never be an option,
For anyone...
With more to be done.
Giving up should never be considered.
Giving up should be a thought to rid.

Giving up should never be considered.
Giving up should be a thought to rid.
Giving up should be a thought to rid.
Yes,
Giving up should be a thought to rid.

poem by Lawrence S. Pertillar
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That Pity B-Gone!

Let that pity b-gone!
No more from me you get pity.
That pity b-gone!
You indulged and had to rid of it.
That pity b-gone.
And also going are those benefits.
If you carry on...
Like you can't handle it!

Let that pity b-gone!
No more from me you get pity.
That pity b-gone!
You indulged and had to rid of it.
That pity b-gone.
And also going are those benefits.
If you carry on...
Like you can't handle it!

We knew that pity had to split!
B-gone.
We knew that our hearts would split, and soon...
B-gone.
If we let that pity sit,
Between us....
Both of us would have a fit.
If we let that pity sit,
Both of us would have a fit.
If we let that pity sit...
Between us!

And...
You'd believe,
That I could never love you.
To leave me feeling sorry,
And blue.

But...
I would know,
How deep inside my love goes.
And protecting what I love,
Before it overflows.

Let that pity b-gone!
No more from me you get pity.
That pity b-gone!
You indulged and had to rid of it.
That pity b-gone.
And also going are those benefits.
If you carry on...
Like you can't handle it!

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poem by Lawrence S. Pertillar
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Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Canto the Third

I
Hail, Muse! et cetera.—We left Juan sleeping,
Pillow'd upon a fair and happy breast,
And watch'd by eyes that never yet knew weeping,
And loved by a young heart, too deeply blest
To feel the poison through her spirit creeping,
Or know who rested there, a foe to rest,
Had soil'd the current of her sinless years,
And turn'd her pure heart's purest blood to tears!

II
Oh, Love! what is it in this world of ours
Which makes it fatal to be loved? Ah, why
With cypress branches hast thou wreathed thy bowers,
And made thy best interpreter a sigh?
As those who dote on odours pluck the flowers,
And place them on their breast—but place to die—
Thus the frail beings we would fondly cherish
Are laid within our bosoms but to perish.

III
In her first passion woman loves her lover,
In all the others all she loves is love,
Which grows a habit she can ne'er get over,
And fits her loosely—like an easy glove,
As you may find, whene'er you like to prove her:
One man alone at first her heart can move;
She then prefers him in the plural number,
Not finding that the additions much encumber.

IV
I know not if the fault be men's or theirs;
But one thing's pretty sure; a woman planted
(Unless at once she plunge for life in prayers)
After a decent time must be gallanted;
Although, no doubt, her first of love affairs
Is that to which her heart is wholly granted;
Yet there are some, they say, who have had none,
But those who have ne'er end with only one.

V
'T is melancholy, and a fearful sign
Of human frailty, folly, also crime,
That love and marriage rarely can combine,
Although they both are born in the same clime;
Marriage from love, like vinegar from wine—
A sad, sour, sober beverage—by time
Is sharpen'd from its high celestial flavour
Down to a very homely household savour.

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poem by Byron from Don Juan (1824)
Added by Veronica Serbanoiu
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Don Juan: Canto The Third

Hail, Muse! et cetera.--We left Juan sleeping,
Pillow'd upon a fair and happy breast,
And watch'd by eyes that never yet knew weeping,
And loved by a young heart, too deeply blest
To feel the poison through her spirit creeping,
Or know who rested there, a foe to rest,
Had soil'd the current of her sinless years,
And turn'd her pure heart's purest blood to tears!

Oh, Love! what is it in this world of ours
Which makes it fatal to be loved? Ah, why
With cypress branches hast thou Wreathed thy bowers,
And made thy best interpreter a sigh?
As those who dote on odours pluck the flowers,
And place them on their breast- but place to die-
Thus the frail beings we would fondly cherish
Are laid within our bosoms but to perish.

In her first passion woman loves her lover,
In all the others all she loves is love,
Which grows a habit she can ne'er get over,
And fits her loosely- like an easy glove,
As you may find, whene'er you like to prove her:
One man alone at first her heart can move;
She then prefers him in the plural number,
Not finding that the additions much encumber.

I know not if the fault be men's or theirs;
But one thing 's pretty sure; a woman planted
(Unless at once she plunge for life in prayers)
After a decent time must be gallanted;
Although, no doubt, her first of love affairs
Is that to which her heart is wholly granted;
Yet there are some, they say, who have had none,
But those who have ne'er end with only one.

'T is melancholy, and a fearful sign
Of human frailty, folly, also crime,
That love and marriage rarely can combine,
Although they both are born in the same clime;
Marriage from love, like vinegar from wine-
A sad, sour, sober beverage- by time
Is sharpen'd from its high celestial flavour
Down to a very homely household savour.

There 's something of antipathy, as 't were,
Between their present and their future state;
A kind of flattery that 's hardly fair
Is used until the truth arrives too late-
Yet what can people do, except despair?

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poem by Byron
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Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.

Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.

Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.

1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.

Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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poem by Ella Wheeler Wilcox
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