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Then I got out of the service, and I was going to be a Shakespearean actor.

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Room Service

Im feelin low, no place to go
And Im a-thinking that Im gonna scream
Because a hotel all alone is not a
Rock and roll stars dream
But just when Im about to shut the light and go to bed
A lady calls and asks if Im too tired or if Im just to dead for
Room service, baby I could use a meal
Room service, you do what you feel
Room service, I take the pleasure with the pain
I cant say no
My planes delayed and Im afraid
Theyre gonna keep me waiting here till nine
Then a stewardess in a tight blue dress says
I got the time
But just as Im about to take my coat and get my fly
She says oh please, shes on her knees
And one more time before I leave I get some
Room service, baby I could use a meal
Room service, you do what you feel
Room service, I take the pleasure with the pain
I cant say no, no
In my home town, Im hangin round
With all the ladies treatin me real good
A sweet sixteen lookin hot and mean says
I wish you would
But just as Im about to tell her yes, I think I can
I see her dad, hes getting mad
All the time he knows that Im in need of
Room service, baby I could use a meal
Room service, you do what you feel
Room service, I take the pleasure with the pain
I cant say no
Room service, baby I could use a meal
Room service, you do what you feel
Room service, I take the pleasure with the pain
I cant say no, I cant say no
Room service, baby I could use a meal
Room service, you do what you feel
Room service, you take the pleasure with the pain
I cant say no
Room service, well maybe baby, room service

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Lip Service

Lip service
By: jimmy buffett, michael utley
1981
For anyone who loves creole cookin and new orleans music
Talk-a, talk-a, talk until your jaws turn blue
But you never really tell me what youre gonna do
Seem to keep it all locked up inside
I cant help but start to thinkin
Youve got somethin to hide
Why the pain
Whats your game
Youre drivin this boy insane
Oooh what a voodoo, nobody can do like you do
Your bitchin and your cryin finally got to me
So I thought Id take you baby on a shoppin spree
You bought a space age watch and an antique hat
Hell now its digital this and digital that
What a pain
Silly games
Still drivin your man insane
Oooh what a voodoo, nobody can do like you do
Chorus:
Oh darlin oh darlin
All I ever get is lip service from you
Oh darlin oh darlin, Im through
cause all I ever get is lip service from you
(instrumental)
So listen to me baby
You got to change your ways
Or Im off to pascagoula in a few more days
Ill leave you and your poodle and all the mess he makes
Find some other fool to man your shovel and your rake
No more pain
End of game
Youre drivin yourself insane
Ooh what a voodoo, nobody can do like you do
Chorus:
Oh darlin oh darlin
All I ever get is lip service from you
Oh darlin oh darlin, Im through
cause all I ever get is lip service from you
Lip service from you (lip service)
Lip service from you-hoo
Lip service from you (lip service)
Lip service from you-hoo
Lip service from you (lip service)
Lip service from you-hoo
- notes:
Lead guitar: josh leo

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

[...] Read more

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Dogs Are Shakespearean, Children Are Strangers

Dogs are Shakespearean, children are strangers.
Let Freud and Wordsworth discuss the child,
Angels and Platonists shall judge the dog,
The running dog, who paused, distending nostrils,
Then barked and wailed; the boy who pinched his sister,
The little girl who sang the song from Twelfth Night,
As if she understood the wind and rain,
The dog who moaned, hearing the violins in concert.
—O I am sad when I see dogs or children!
For they are strangers, they are Shakespearean.


Tell us, Freud, can it be that lovely children
Have merely ugly dreams of natural functions?
And you, too, Wordsworth, are children truly
Clouded with glory, learned in dark Nature?
The dog in humble inquiry along the ground,
The child who credits dreams and fears the dark,
Know more and less than you: they know full well
Nor dream nor childhood answer questions well:
You too are strangers, children are Shakespearean.


Regard the child, regard the animal,
Welcome strangers, but study daily things,
Knowing that heaven and hell surround us,
But this, this which we say before we’re sorry,
This which we live behind our unseen faces,
Is neither dream, nor childhood, neither
Myth, nor landscape, final, nor finished,
For we are incomplete and know no future,
And we are howling or dancing out our souls
In beating syllables before the curtain:
We are Shakespearean, we are strangers.

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

[...] Read more

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Actor Of Love

Hold on
I have found something I longing for
To fill the hollowness of my heart
But why I'm feeling more of sorrow

Before
I am the one who said: 'Oh, I'll control'
But now I realize you are my world
And it's waiting to break apart

I'm an actor of love
I'm trying to perfect
But I'm just fooling around

I'm an actor of love
I want to be your hero
But I've made myself a clown

I'm an actor of love
I need you by my side
But now you leave me alone

I'm an actor of love
I beg your forgiveness
But you refuse me so cold

Sometimes
We wonder why we should be together
Do we really dream of love forever?
Or we afraid to be alone

I'm an actor of love
I want to protect you
But I always hurt you bad

I'm an actor of love
I want to be your shield
But may turn someone you hate

I'm an actor of love
We kiss in the morning
But in night we have a war

I'm an actor of love
We care for each other
But we only circle round

If this love only makes me crazy
Take the story and just let it be
Tragedy or comedy

[...] Read more

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Secret Service

You don't mind giving in to temptation as long as no one knows
Your midnight invitation where your madness flows
Fires of passion rage all night angels falling out of the light
Control undercover you can paralyze
Every love is one more victim they never realize
All their desires burn like a fever
They want to run but they just can't leave her
Secret Service Secret Service
Do they know how you scream
Secret Service passion - hunger
Do they know how you scream
I should have seen through her disguise she was a masquerade
Cold kiss hungry eyes then she began to fade
Feeling lost I want to be found
Heaven's in hell DON'T LOOK DOWN
Secret Service Secret Service
Do they know how you scream
Secret Service Secret Service
Do they know how you cry, can they see your dreams
Have they heard you sigh
Or do you save it all for me in your SECRET SERVICE

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

[...] Read more

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Service

Service is rendering assistance,
To persons nigh and in a distance.

Service should be in consistence,
And ever in abiding persistence

For peoples vital subsistence,
And for our peaceful co-existence.

Service constitutes us to be dynamic,
It cleanses the mind, and we are not sick.

Service entails ego annihilation,
And our materialism is in destruction.

Service makes us to give others a benefit,
It brings society to a frame-work knit.

Service allows us to do to others a favour,
Which adds to our life full of flavour.
.
Service endows us with a virtuous life,
And it empowers us to live a larger life.

Service chisels us to beautifully refine,
And it tunes us to be in a haven divine.

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Satan Absolved

(In the antechamber of Heaven. Satan walks alone. Angels in groups conversing.)
Satan. To--day is the Lord's ``day.'' Once more on His good pleasure
I, the Heresiarch, wait and pace these halls at leisure
Among the Orthodox, the unfallen Sons of God.
How sweet in truth Heaven is, its floors of sandal wood,
Its old--world furniture, its linen long in press,
Its incense, mummeries, flowers, its scent of holiness!
Each house has its own smell. The smell of Heaven to me
Intoxicates and haunts,--and hurts. Who would not be
God's liveried servant here, the slave of His behest,
Rather than reign outside? I like good things the best,
Fair things, things innocent; and gladly, if He willed,
Would enter His Saints' kingdom--even as a little child.

[Laughs. I have come to make my peace, to crave a full amaun,
Peace, pardon, reconcilement, truce to our daggers--drawn,
Which have so long distraught the fair wise Universe,
An end to my rebellion and the mortal curse
Of always evil--doing. He will mayhap agree
I was less wholly wrong about Humanity
The day I dared to warn His wisdom of that flaw.
It was at least the truth, the whole truth, I foresaw
When He must needs create that simian ``in His own
Image and likeness.'' Faugh! the unseemly carrion!
I claim a new revision and with proofs in hand,
No Job now in my path to foil me and withstand.
Oh, I will serve Him well!
[Certain Angels approach. But who are these that come
With their grieved faces pale and eyes of martyrdom?
Not our good Sons of God? They stop, gesticulate,
Argue apart, some weep,--weep, here within Heaven's gate!
Sob almost in God's sight! ay, real salt human tears,
Such as no Spirit wept these thrice three thousand years.
The last shed were my own, that night of reprobation
When I unsheathed my sword and headed the lost nation.
Since then not one of them has spoken above his breath
Or whispered in these courts one word of life or death
Displeasing to the Lord. No Seraph of them all,
Save I this day each year, has dared to cross Heaven's hall
And give voice to ill news, an unwelcome truth to Him.
Not Michael's self hath dared, prince of the Seraphim.
Yet all now wail aloud.--What ails ye, brethren? Speak!
Are ye too in rebellion? Angels. Satan, no. But weak
With our long earthly toil, the unthankful care of Man.

Satan. Ye have in truth good cause.

Angels. And we would know God's plan,
His true thought for the world, the wherefore and the why
Of His long patience mocked, His name in jeopardy.

[...] Read more

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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Behind the Scenes

The actor struts his little hour,
Between the limelight and the band;
The public feel the actor's power,
Yet nothing do they understand
Of all the touches here and there
That make or mar the actor's part,
They never see, beneath the glare,
The artist striving after art.
To them it seems a labour slight
Where nought of study intervenes;
You see it in another light
When once you've been behind the scenes.

For though the actor at his best
Is, like a poet, born not made,
He still must study with a zest
And practise hard to learn his trade.
So, whether on the actor's form
The stately robes of Hamlet sit,
Or as Macbeth he rave and storm,
Or plays burlesque to please the pit,

'Tis each and all a work of art,
That constant care and practice means --
The actor who creates a part
Has done his work behind the scenes.

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Robin Suicide

A robin committed suicide today
dead against my living room window pane;
flying fast in chilly mid-November;
perhaps heading south.

The sound; wings blurred; a thump!
he went straight to ground.

He should have missed the house,
it's large, the window is below the roof,
he was not flying blind
or forgot to look.

Like a jet with no flaps down,
he hit the window full-throttle;
smashing pain.

I got up took a look
expecting him to fly or stir
but he didn't move below; lay quiet.

I went down to see.
Robin, older, neck awry
didn't stir, didn't move.
no silent cry.

Neck broken.
Instant Death.
Instant Oblivion,

I looked for mourners.
There were none.

This Robin was solo in Death as we all are;
on his own.

It didn't seem fitting
to conduct a garbage-can burial,
I said a few words, cursed,
and decided to bury him in dirt.


Picked him up by his tail plumage
took him to the back yard;

dug a shallow grave, mumbled something;
lay him down in there;
patted the top of his dirt pyre
my good deed done.

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Don't Tell THe World! (Sonnet)

This Sonnet is in the popular Petrarchan Form

I behold thy love as beautiful thing,
In my wrecked heart, a pleasure garden,
Thy revered love, a blooming Eden.
A daisy tuft seasoned by bright spring,
Surging in moments that defeats waiting,
I behold thy words as a jeweled crown,
On my worn pages of despicable frown.
And thy memory feeds my mind dying,
Daring couple disclose, but don’t you tell,
About memoirs many encased and kept,
Say not thy chronicle, sweet as daisy smell,
Buried, not unseen to thy eyes except
Reveal not, the guarded stash of our love,
Lest a rational world desires to know! ! !


IA NOTE: For those who find the format unfitting to a sonnet!

(Sonnet
only 14 lines long— and has a firmly fixed form. The sonnet works best for expressing strong emotion or intense feeling, firm purpose, or great seriousness. This form works best if you want to focus attention on a single thing—a particular idea, situation, emotion, problem, observation, etc. —the sonnet gets to its point quickly and efficiently, with beauty and charm of form or expression.

The Shakespearean (or English) sonnet and the Petrarchan (or Italian) sonnet are the two most prevalent versions of this form today.
A Shakespearean sonnet or English sonnet is written in one stanza composed of three rhymed quatrains (each making one point in a three-step argument) , followed by a rhyming couplet that summarizes the argument
A Petrarchan sonnet or Italian sonnet is composed of an octet followed by a sestet with a variable rhyme scheme. The octet presents the poem’s theme or problem, while the sestet offers a change or a resolution. In its traditional form, this sonnet never ends in a couplet.
Robert Frost was popular at Petrarchan form of sonnets.
sonnet’s formal requirements (14 lines of iambic pentameter with a specific rhyme scheme) , method (a strong focus on one subject) , and goals (persuasion, surprise, balance) ,
Ref: www.poetry.com/techniques/form of poetic expressions.

Thank You

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We Reserve The Right To Refuse Service To You

(kinky friedman, rick goldberg, j. maizel)
While traveling through the lone star state
I lost my lunch before I ate,
It happened in a pull-ahead caf. yahoo!
I felt my bones begin to crunch
I saw my name on the businessmans lunch
And the neck who owned the place stepped up to say:
hey buddy, are you blind,
Say, partner, cant you read the sign ?
We reserve the right to refuse service to you,
Take your business back to walgreens,
Have you tried your local zoo ?
You smell just like a communist,
You come on through just like a jew,
We reserve the right to refuse service to you.
Well, I walked on in to my house of god
Congregation on the nod,
Just chosen folks are doing their weekly thing.
Hear, o israel, yes indeed,
My book was backwards, couldnt read,
But I got a good rise when I heard that rabbi sing,
boruch atoh adonoi,
What the hell are you doing back there, boy ?
We reserve the right to refuse services to you,
Your friends are all on welfare
You call yourself a jew ?
You need your ticket and your tie
To zip your prayers on through,
We reserve the right to refuse services unto you.
Life from laos and cambodia
No more tears tonight they showed ya
The latest old war movies on tv.
You know its bound to escalate
So go and turn on channel eight,
Watch channel seven border channel three.
Well, I wont mind your tanks and jets and jeeps
And speaking on behalf of all my fellow creeps:
We reserve the right to refuse service to you,
Right, face, forward, move
And get the children, too.
Let saigons be bygones,
Dont you blow this world in two.
We reserve the right to refuse service to you.
Well, its just my luck that gods a texan
One big sonbitchin anglo-saxon,
Some crazy tall norwegian bore
Just to help my body shipped air-freight
From texas to the pearly gate
Just ring the bell and leave me at the door.
Ill be somewhere over jordan swinging low,

[...] Read more

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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Armand Assante

My dream as a youngster was to be like Olivier. To be a great stage actor. To be a great Shakespearean actor. To me that is the Olympics of acting.

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Quatrains Of Life

What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?

What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?

'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.

Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.

I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.

Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.

All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.

So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''

My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?

I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.

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The Ancient Banner

In boundless mercy, the Redeemer left,
The bosom of his Father, and assumed
A servant's form, though he had reigned a king,
In realms of glory, ere the worlds were made,
Or the creating words, 'Let there be light'
In heaven were uttered. But though veiled in flesh,
His Deity and his Omnipotence,
Were manifest in miracles. Disease
Fled at his bidding, and the buried dead
Rose from the sepulchre, reanimate,
At his command, or, on the passing bier
Sat upright, when he touched it. But he came,
Not for this only, but to introduce
A glorious dispensation, in the place
Of types and shadows of the Jewish code.
Upon the mount, and round Jerusalem,
He taught a purer, and a holier law,—
His everlasting Gospel, which is yet
To fill the earth with gladness; for all climes
Shall feel its influence, and shall own its power.
He came to suffer, as a sacrifice
Acceptable to God. The sins of all
Were laid upon Him, when in agony
He bowed upon the cross. The temple's veil
Was rent asunder, and the mighty rocks,
Trembled, as the incarnate Deity,
By his atoning blood, opened that door,
Through which the soul, can have communion with
Its great Creator; and when purified,
From all defilements, find acceptance too,
Where it can finally partake of all
The joys of His salvation.
But the pure Church he planted,—the pure Church
Which his apostles watered,—and for which,
The blood of countless martyrs freely flowed,
In Roman Amphitheatres,—on racks,—
And in the dungeon's gloom,—this blessed Church,
Which grew in suffering, when it overspread
Surrounding nations, lost its purity.
Its truth was hidden, and its light obscured
By gross corruption, and idolatry.
As things of worship, it had images,
And even painted canvas was adored.
It had a head and bishop, but this head
Was not the Saviour, but the Pope of Rome.
Religion was a traffic. Men defiled,
Professed to pardon sin, and even sell,
The joys of heaven for money,—and to raise
Souls out of darkness to eternal light,
For paltry silver lavished upon them.

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The Court Of Love

With timerous hert and trembling hand of drede,
Of cunning naked, bare of eloquence,
Unto the flour of port in womanhede
I write, as he that non intelligence
Of metres hath, ne floures of sentence;
Sauf that me list my writing to convey,
In that I can to please her hygh nobley.


The blosmes fresshe of Tullius garden soote
Present thaim not, my mater for to borne:
Poemes of Virgil taken here no rote,
Ne crafte of Galfrid may not here sojorne:
Why nam I cunning? O well may I morne,
For lak of science that I can-not write
Unto the princes of my life a-right


No termes digne unto her excellence,
So is she sprong of noble stirpe and high:
A world of honour and of reverence
There is in her, this wil I testifie.
Calliope, thou sister wise and sly,
And thou, Minerva, guyde me with thy grace,
That langage rude my mater not deface.


Thy suger-dropes swete of Elicon
Distill in me, thou gentle Muse, I pray;
And thee, Melpomene, I calle anon,
Of ignoraunce the mist to chace away;
And give me grace so for to write and sey,
That she, my lady, of her worthinesse,
Accepte in gree this litel short tretesse,


That is entitled thus, 'The Court of Love.'
And ye that ben metriciens me excuse,
I you besech, for Venus sake above;
For what I mene in this ye need not muse:
And if so be my lady it refuse
For lak of ornat speche, I wold be wo,
That I presume to her to writen so.


But myn entent and all my besy cure
Is for to write this tretesse, as I can,
Unto my lady, stable, true, and sure,
Feithfull and kind, sith first that she began
Me to accept in service as her man:

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