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Evelyn Waugh

All this fuss about sleeping together. For physical pleasure I'd sooner go to my dentist any day.

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Physical

I'm saying all the things that I know you like
Making good conversation
I've gotta handle you just right
You know what I mean
I took you to an intimate restaurant
Then to a suggestive movie
There's nothing left to talk about
Unless it's horizontally
Let's get physical, physical
I wanna get physical
Let's get into physical
Let me hear your body talk, your body talk
Let me hear your body talk
I've been patient, I've been good
Tried to keep my hands on the table
Oh it's getting hard to hold me back
You know what I mean
I'm sure you understand my point of view
We know each other better
You've gotta know you're bringing out
The animal in me
Let's get physical, physical
I wanna get physical
Let's get into physical
Let me hear your body talk, your body talk
Let me hear your body talk
(Physical) I wanna get physical
Let's get into physical
Let me hear your body talk, your body talk
Let me hear your body talk
(Get physical)
(Do you hear me)
(Mmm, yeah)
(C'mon)
(I know you want me)
(Physical)
Woah, yeah
Physical, physical, physical
I wanna get physical
Let's get into physical
Let me hear your body talk, your body talk
Let me hear your body talk
I wanna get physical, physical
I wanna get physical
Let's get into physical
Let me hear your body talk, your body talk
Let me hear your body talk
Let's get physical, physical
I wanna get physical
Let's get into physical

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Healthy Back Bag

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U. K. Girls (Physical)

UK
Girls like
Boys like
You can shasei
Do you
Make me happy
Make me feel good
You corrupt me
Let's get physical, physical
I wanna get physical
Let's get into physical
Let me hear your body talk, your body talk
Let me hear your body talk
I wanna get physical
I wanna get physical
Let's get into physical
Let me hear your body talk, your body talk
Let me hear your body talk
Shasei
Make me happy
Make me feel good
You could say some
Watch
Watch
Make me feel good
Make me happy
Let's get physical, physical
I wanna get physical
Let's get into physical
Let me hear your body talk, your body talk
Let me hear your body talk
I wanna get physical
I wanna get physical
Let's get into physical
Let me hear your body talk, your body talk
Let me hear your body talk
Let's get physical, physical
I wanna get physical
Let's get into physical
Let me hear your body talk, your body talk
Let me hear your body talk
I wanna get physical
I wanna get physical
Let's get into physical
Let me hear your body talk, your body talk
Let me hear your body talk

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Dentist Chair (Fun Poem 99)

Everyone hates the dentist
some much more than me.
Just the thought of the drill
and the light in your eyes
puts the chills up me.

One of my worst encounters
of the dentist chair came in the 1960’s
when a cold in a tooth made my face swell
on one side like a melon
and I could only drink through a straw.
They knocked me out to remove the tooth.
Having no recovery room
they put me back in the waiting room
and sat me in a chair out there.
It was the dawn of the plastic moulded ones
and the one I sat on was so slippery
I kept slipping down.
I mumbled aloud about the dentist being no good.
Some of his patients took one look at me
and decided I was right, then made a hasty exit
from the waiting room.
With the side of my face swollen to the size of a melon
I can understand why.

Another encounter with a dentist
was quite a few years later.
A different dentist with a wholly different approach.
He was having his waiting room decorated
and I was the only one there.
He came in with a Cheshire grin across his face.
“Mr Harris, do you mind if this gentleman
takes out your teeth today? ”
Being I and thinking it was a student,
I said I didn’t mind.
The dentist then said, “He is my interior decorator.”
The smile still implanted on his face.
I nearly ran out of there.

Now the third tale concerns my wife
and she fears the dentist even more than me.
She had an appointment
and when we arrived,
the surgery was closed for lunch.
We went for a little walk
and all the cars we passed had dents in the side.
“See that.” I said.
“Yes.” She replied.
“That’s what the dentist does
when he can’t get his own way.”

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Sooner Or Later

Im walking down the street I used to walk with them
Rain is falling down on me
Every step I take just leads to another
Now theres nothing in my way
No I dont no what I can say
And you wouldnt listen anyway
Sooner or later, later, later, oh oh oh, gonna find you
Sooner or later, later, gonna get to you
I got the message late last night, thats when it hit me
Though it over and over and over and over again
While I was drowning in the sea of your devotion
But you were miles and miles and miles away
Oh you wouldnt no what things to say
And you wouldnt say them anyway
But sooner or later, later, later, oh oh, gonna find you
Sooner or later, ah ah ah, gonna get to you
Sooner or later, later, later, gonna find you
Sooner or later, ah ah ah, gonna get to you
The sun is shining, making shadows on the wall
But not will soon be comin in
And every where there will be misery, misery, misery
Until I get to you again
Oh I never new you wanted to leave
You never thought about talkin to me
Sooner or later, later, later, oh, oh, gonna find you
Sooner or later, ah ah ah, gonna get to you
Sooner or later, later, later, oh, oh, gonna find you
Sooner or later, ah ah ah, gonna get to you
I dont know what I can say
But you wouldnt listen anyway
Sooner or later, later, later
Sooner or later, later, later, gonna get to you
Sooner or later, later, later, gonna find you
Sooner or later, later, later, gone get you
Sooner or later, sooner or later,
Sooner or later, sooner or later,
Sooner or later, sooner or later

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Sooner Or Later

Written by christine mcvie and eddy quintela.
I thought Id let you go
In my heart and in my mind
And look towards the future
Leaving the past behind
Well maybe its the season
That season of the year
Defying all my reason
I just want you to be here
I want you to be here
Sooner or later
Sooner or later Ill forget
I want you to be here
Sooner or later
Sooner or later Ill forget
And though its not the first time
Ive thought of you this way
The darkness of the winter
Keeps my happiness at bay
Its easy to forget you
In the summer, in the light
With the days of lazy laughter
And sweet, sweet dreams in the night
Sweet dreams in the night
Sooner or later
Sooner or later Ill forget
Sweet dreams in the night
Sooner or later
Sooner or later Ill forget
S all I really mean is
When all is said and all is done
Its all because of you babe
That Im the lucky one
I am the lucky one
Sooner or later
Sooner or later Ill forget
I am the lucky one
Sooner or later
Sooner or later Ill forget
I am the lucky one
Sooner or later
Sooner or later Ill forget
I am the lucky one
Sooner or later

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Quatrains Of Life

What has my youth been that I love it thus,
Sad youth, to all but one grown tedious,
Stale as the news which last week wearied us,
Or a tired actor's tale told to an empty house?

What did it bring me that I loved it, even
With joy before it and that dream of Heaven,
Boyhood's first rapture of requited bliss,
What did it give? What ever has it given?

'Let me recount the value of my days,
Call up each witness, mete out blame and praise,
Set life itself before me as it was,
And--for I love it--list to what it says.

Oh, I will judge it fairly. Each old pleasure
Shared with dead lips shall stand a separate treasure.
Each untold grief, which now seems lesser pain,
Shall here be weighed and argued of at leisure.

I will not mark mere follies. These would make
The count too large and in the telling take
More tears than I can spare from seemlier themes
To cure its laughter when my heart should ache.

Only the griefs which are essential things,
The bitter fruit which all experience brings;
Nor only of crossed pleasures, but the creed
Men learn who deal with nations and with kings.

All shall be counted fairly, griefs and joys,
Solely distinguishing 'twixt mirth and noise,
The thing which was and that which falsely seemed,
Pleasure and vanity, man's bliss and boy's.

So I shall learn the reason of my trust
In this poor life, these particles of dust
Made sentient for a little while with tears,
Till the great ``may--be'' ends for me in ``must.''

My childhood? Ah, my childhood! What of it
Stripped of all fancy, bare of all conceit?
Where is the infancy the poets sang?
Which was the true and which the counterfeit?

I see it now, alas, with eyes unsealed,
That age of innocence too well revealed.
The flowers I gathered--for I gathered flowers--
Were not more vain than I in that far field.

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History Will Teach Us Nothing

If we seek solace in the prisons of the distant past
Security in human systems were told will always always last
Emotions are the sail and blind faith is the mast
Without a breath of real freedom were getting nowhere fast
If God is dead and an actor plays his part
His words of fear will find their way to a place in your heart
Without the voice of reason every faith is its own curse
Without freedom from the past things can only get worse
Sooner or later just like the world first day
Sooner or later we learn to throw the past away
Sooner or later just like the world first day
Sooner or later we learn to throw the past away
Sooner or later we learn to throw the past away
History will teach us nothing
History will teach us nothing
Our written history is a catalogue of crime
The sordid and the powerful, the architects of time
The mother of invention, the oppression of the mild
The constant fear of scarcity, aggression as its child
Sooner or later
Sooner or later
Sooner or later
Sooner or later
Convince an enemy, convince him that hes wrong
Is to win a bloodless battle where victory is long
A simple act of faith
In reason over might
To blow up his children will only prove him right
History will teach us nothing
Sooner or later the world first day
Sooner or later we learn to throw the past away
Sooner or later the world first day
Sooner or later we learn to throw the past away
Sooner or later we learn to throw the past away
History will teach us nothing
History will teach us nothing
Know you human rights
Be what you come here for
Know your human rights
Be what you come here for
Know your human rights
Be what you come here for
Know your human rights
Be what you come here for

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Crocodile's Toothache

Oh the Crocodile
Went to the dentist
And sat down in the chair,
And the dentist said, 'Now tell me, sir,
Why does it hurt and where?'
And the Crocodile said, 'I'll tell you the truth.
I have a terrible ache in my tooth.'
And he opened his jaws so wide, so wide,
That the dentist he climbed right inside,
And the dentist laughed, 'Oh, isn't this fun?'
As he pulled the teeth out, one by one.
And the Crocodile cried, 'You're hurting me so!
Please put down your pliers and let me go.'
But the dentist just laughed with a Ho Ho Ho,
And he said, 'I still have twelve to go --
Oops, that's the wrong one, I confess.
But what's one crocodile's tooth, more or less?'
Then suddenly the jaws went snap,
And the dentist was gone right off the map.
And where he went one could only guess...
To North or South or East or West...
He left no forwarding address.
But what's one dentist more or less?

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Hush The Fuss

You've been familiar with the bottom,
But it's time to look up.
And dropp excuses if you got 'em,
With a mind corrupt...
On stuff!
And thinking life is too tough.
And that you've had enough,
Because the life you live is just too rough.
Hush the fuss.
Since too many got it rougher.

You've been familiar with the bottom,
But it's time to look up.
And dropp excuses if you got 'em,
With a mind corrupt...
On stuff!
Hush the fuss.
Since too many got it rougher.

You complain about the trivial things.
But...
Hush the fuss.
Since too many got it rougher.

You want to blame your pain on others to name,
But...
Hush the fuss.
Since too many got it rougher.

And you want to play the same tired games,
But...
Hush the fuss.
Since too many got it rougher.

Hush the fuss.
Hush the fuss.
Hush the fuss,
Since too many got it rougher.

You've been familiar with the bottom,
But it's time to look up.
And dropp excuses if you got 'em,
With a mind corrupt...
On stuff!
But...
Hush the fuss.
Hush the fuss.
Yes,
Hush your fuss,
Since too many got it rougher.

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Physical

I wanna take you baby
I wanna take you out
I wanna wine and dine you
Oh I wanna twist and twist and shout
I want you hot in my arms
So soft on my bed
You get the key to my heart
Oh when you wear that sweet dress
But youre too physical physical to me
Youre just too physical physical no to me
I want your rough house baby
I want this right in your ear
You let me feel your danger
I let you make this feeling clear here
I want the touch of your charms
The heat of your breath
I wanna say all those things
That would be better unsaid
No
But youre too physical physical to me
Youre just too physical oh
Youre too physical for me
Youre too physical to me
Youre really jus- just too- just
Too really f**k no
Youre just too physical
Youre just too physical
Too f**king physical
No no no no no no no
Oh youre too physical
Just too physical
Just too
Performed and produced by:trent reznor
Written by:adam ant

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Trash Bag

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Fitration Bags

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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Ella Wheeler Wilcox

Three Women

My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.

Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.

Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.


Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.


Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.


1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.


Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,

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Sensuality

Key:-
A - anita
R - ray
A: sensuality
Sensuality
Your love got a hold on me
Hey... hey...
Physical attraction
R: like a walk through the valley of paradise
Clouds disappear and the sunshine rises
Inner thoughts overflow like the sea
The secrets and fantasies of the body
It makes you sweat, it makes you wet
The kind of feeling that you got to get
Supernational irreistible
Feel the love, cause I like it sensual!
A: what is this physical attraction?
Cant help it, I need satisfaction
Oh yeah
Sensuality
Its got a hold on me
What is this physical attraction?
Cant help it I need satisfaction
And I knew satisfaction; yeah
R: now take a deep dive, let your emotions go
Further than you wish, but look out be cautious
The mind and body come together as one
But play it safe if youre gonna have fun
You need satisfaction, so start the flexin
Hungry for love, the physical attraction
Sexual, natural, no added flavour
cause I like it sensual
A: what is this physical attraction? physical
Cant help it, I need satisfaction
Oh yeah
Sensuality
Its got a hold on me
Hey... hey...
Sensuality
And I knew satisfaction
Its got a hold on me
Physical attraction
R: got to get it
Phyiscal attraction
Yeah, so sensual
Supernatural irresistible
A: hey yeah.. hey yeah..
Physical attraction
Sensuality
I need satisfaction

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The Castle Of Indolence

The castle hight of Indolence,
And its false luxury;
Where for a little time, alas!
We lived right jollily.

O mortal man, who livest here by toil,
Do not complain of this thy hard estate;
That like an emmet thou must ever moil,
Is a sad sentence of an ancient date:
And, certes, there is for it reason great;
For, though sometimes it makes thee weep and wail,
And curse thy star, and early drudge and late;
Withouten that would come a heavier bale,
Loose life, unruly passions, and diseases pale.
In lowly dale, fast by a river's side,
With woody hill o'er hill encompass'd round,
A most enchanting wizard did abide,
Than whom a fiend more fell is no where found.
It was, I ween, a lovely spot of ground;
And there a season atween June and May,
Half prankt with spring, with summer half imbrown'd,
A listless climate made, where, sooth to say,
No living wight could work, ne cared even for play.
Was nought around but images of rest:
Sleep-soothing groves, and quiet lawns between;
And flowery beds that slumbrous influence kest,
From poppies breathed; and beds of pleasant green,
Where never yet was creeping creature seen.
Meantime, unnumber'd glittering streamlets play'd,
And hurled every where their waters sheen;
That, as they bicker'd through the sunny glade,
Though restless still themselves, a lulling murmur made.
Join'd to the prattle of the purling rills
Were heard the lowing herds along the vale,
And flocks loud bleating from the distant hills,
And vacant shepherds piping in the dale:
And, now and then, sweet Philomel would wail,
Or stock-doves plain amid the forest deep,
That drowsy rustled to the sighing gale;
And still a coil the grasshopper did keep;
Yet all these sounds yblent inclined all to sleep.
Full in the passage of the vale, above,
A sable, silent, solemn forest stood;
Where nought but shadowy forms was seen to move,
As Idless fancied in her dreaming mood:
And up the hills, on either side, a wood
Of blackening pines, aye waving to and fro,
Sent forth a sleepy horror through the blood;
And where this valley winded out, below,
The murmuring main was heard, and scarcely heard, to flow.

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Homer

The Iliad: Book 10

Now the other princes of the Achaeans slept soundly the whole
night through, but Agamemnon son of Atreus was troubled, so that he
could get no rest. As when fair Juno's lord flashes his lightning in
token of great rain or hail or snow when the snow-flakes whiten the
ground, or again as a sign that he will open the wide jaws of hungry
war, even so did Agamemnon heave many a heavy sigh, for his soul
trembled within him. When he looked upon the plain of Troy he
marvelled at the many watchfires burning in front of Ilius, and at the
sound of pipes and flutes and of the hum of men, but when presently he
turned towards the ships and hosts of the Achaeans, he tore his hair
by handfuls before Jove on high, and groaned aloud for the very
disquietness of his soul. In the end he deemed it best to go at once
to Nestor son of Neleus, and see if between them they could find any
way of the Achaeans from destruction. He therefore rose, put on his
shirt, bound his sandals about his comely feet, flung the skin of a
huge tawny lion over his shoulders- a skin that reached his feet-
and took his spear in his hand.
Neither could Menelaus sleep, for he, too, boded ill for the Argives
who for his sake had sailed from far over the seas to fight the
Trojans. He covered his broad back with the skin of a spotted panther,
put a casque of bronze upon his head, and took his spear in his brawny
hand. Then he went to rouse his brother, who was by far the most
powerful of the Achaeans, and was honoured by the people as though
he were a god. He found him by the stern of his ship already putting
his goodly array about his shoulders, and right glad was he that his
brother had come.
Menelaus spoke first. "Why," said he, "my dear brother, are you thus
arming? Are you going to send any of our comrades to exploit the
Trojans? I greatly fear that no one will do you this service, and
spy upon the enemy alone in the dead of night. It will be a deed of
great daring."
And King Agamemnon answered, "Menelaus, we both of us need shrewd
counsel to save the Argives and our ships, for Jove has changed his
mind, and inclines towards Hector's sacrifices rather than ours. I
never saw nor heard tell of any man as having wrought such ruin in one
day as Hector has now wrought against the sons of the Achaeans- and
that too of his own unaided self, for he is son neither to god nor
goddess. The Argives will rue it long and deeply. Run, therefore, with
all speed by the line of the ships, and call Ajax and Idomeneus.
Meanwhile I will go to Nestor, and bid him rise and go about among the
companies of our sentinels to give them their instructions; they
will listen to him sooner than to any man, for his own son, and
Meriones brother in arms to Idomeneus, are captains over them. It
was to them more particularly that we gave this charge."
Menelaus replied, "How do I take your meaning? Am I to stay with
them and wait your coming, or shall I return here as soon as I have
given your orders?" "Wait," answered King Agamemnon, "for there are so
many paths about the camp that we might miss one another. Call every
man on your way, and bid him be stirring; name him by his lineage
and by his father's name, give each all titular observance, and

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pleassure - The Pin Cushion

'PLEASSURE - THE PIN CUSHION'
esspeecee …08.12.04.

# Compound of -
Pleasure is labile,
But of
Pain is stable
In mind lab. [1]

# Pleasure poses
Neutrino heaviness
Pain up-pulls
Tachyonic buoyancy. [2]

# Pleasure is
Entry to eventuality
Pain is
Exit from eventuality. [3]

# Pleasure is -
Snow ball
Ache-fully swells,
Pain is -
Metal ball
Anesthetically dwindles,
With the friction of life. [4]

# Pleasure is,
The pin cushion -
For de-phonetization,
Pain is pen cushion –
For vocabularization. [5]

# Pleasure is -
Compulsion,
Pleasure is -
Impulsion. [6]

# Pleasure is -
Gourmand ‘give-in’-izer,
Pain is-
Valorous valedictori-zer. [7]

# Pleasure is -
Fate maker,
Pain is -
Fate eraser. [8]

# Pleasure rewrites
Rupture,

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