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I'm a director's actor; I'm a storyteller's actor.

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We Can Create A Modern International Community

And I wonder when Congress will allow public nationwide schools...
in the United States to set aside time for children again to pray?
To pray for, or quietly reflect on behalf of, their once great Nation!

To pray for their nation during this proclaimed danger time...
of struggle against the forces of evil dark international terrorism!
But in the White House lurks a dark soul of 100% fetus murder!

Barack against murder international terrorism with Pro-Abortion Record!
Like Pharaoh in the time of the birth of Moses, like King Harold at the birth of Jesus, killing innocent children based on state law is ok in America today!

Why? How can this be? On 9th of March 2008 Barack proclaimed “We were once were, we are no longer a Christian nation, at least not just....”
No Ten Commandments, No God’s law displayed in government buildings!

15th April 2009 Barack proclaimed “We can create a modern international community that is respectful that is secure that is prosperous....
(in an aside to himself) and like Baal Worshippers we will support propagate

State Policies funding killing innocent children against the will of the majority of Americans and I Barack will use tax payer dollars to kill innocent unborn! We will fill White House high office with Pro Abortion all! Yes We Can!

Darth Vader will create a universal New World Order!

And in the on going baby killing sweepstakes infant killer Obama selects: -

Pro-Abortion Sen. Joe Biden as Obama’s vice-presidential running mate. Pro-Abortion Rep. Rahm Emanuel as Obama’s White House Chief of Staff.
Pro-Abortion former Sen. Tom Daschle as Obama’s Health and Human Services Secretary.

Former NARAL legal director Dawn Johnsen to serve as a member of Obama’s Department of Justice Review Team. Next appointed Assistant Attorney General for the Office of the Legal Counsel.

Betta check Obama’s rap sheet Pro-Abortion Record, for the rest of his all star elite baby killing machine selections.

'President Barack Obama's Pro-Abortion Record: A Pro-Life Compilation

Washington, DC (LifeNews.com) - The following is a compilation of bill signings, speeches, appointments and other actions that President Barack Obama has engaged in that have promoted abortion before and during his presidency. While Obama has promised to reduce abortions and some of his supporters believe that will happen, this long list proves his only agenda is promoting more abortions.

During the presidential election, Obama selected pro-abortion Sen. Joe Biden as his vice-presidential running mate.

Post-Election / Pre-Inauguration
November 5,2008 - Obama selects pro-abortion Rep. Rahm Emanuel as his White House Chief of Staff. Emanuel has a 0% pro-life voting record according to National Right to Life.

November 19,2008 - Obama picks pro-abortion former Sen. Tom Daschle as his Health and Human Services Secretary. Daschle has a long pro-abortion voting record according to National Right to Life.

November 20,2008 - Obama chooses former NARAL legal director Dawn Johnsen to serve as a member of his Department of Justice Review Team. Later, he finalizes her appointment as the Assistant Attorney General for the Office of the Legal Counsel in the Obama administration.

November 24,2008 - Obama appoints Ellen Moran, the former director of the pro-abortion group Emily's List as his White House communications director. Emily's List only supports candidates who favored taxpayer funded abortions and opposed a partial-birth abortion ban.

November 24,2008 - Obama puts former Emily's List board member Melody Barnes in place as his director of the Domestic Policy Council.

November 30,2008 - Obama named pro-abortion Sen. Hillary Clinton as the Secretary of State. Clinton has an unblemished pro-abortion voting record and has supported making unlimited abortions an international right.

December 10,2008 - Obama selects pro-abortion former Clinton administration official Jeanne Lambrew to become the deputy director of the White House Office of Health Reform. Planned Parenthood is 'excited' about the selection.

[...] Read more

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The Rosciad

Unknowing and unknown, the hardy Muse
Boldly defies all mean and partial views;
With honest freedom plays the critic's part,
And praises, as she censures, from the heart.

Roscius deceased, each high aspiring player
Push'd all his interest for the vacant chair.
The buskin'd heroes of the mimic stage
No longer whine in love, and rant in rage;
The monarch quits his throne, and condescends
Humbly to court the favour of his friends;
For pity's sake tells undeserved mishaps,
And, their applause to gain, recounts his claps.
Thus the victorious chiefs of ancient Rome,
To win the mob, a suppliant's form assume;
In pompous strain fight o'er the extinguish'd war,
And show where honour bled in every scar.
But though bare merit might in Rome appear
The strongest plea for favour, 'tis not here;
We form our judgment in another way;
And they will best succeed, who best can pay:
Those who would gain the votes of British tribes,
Must add to force of merit, force of bribes.
What can an actor give? In every age
Cash hath been rudely banish'd from the stage;
Monarchs themselves, to grief of every player,
Appear as often as their image there:
They can't, like candidate for other seat,
Pour seas of wine, and mountains raise of meat.
Wine! they could bribe you with the world as soon,
And of 'Roast Beef,' they only know the tune:
But what they have they give; could Clive do more,
Though for each million he had brought home four?
Shuter keeps open house at Southwark fair,
And hopes the friends of humour will be there;
In Smithfield, Yates prepares the rival treat
For those who laughter love, instead of meat;
Foote, at Old House,--for even Foote will be,
In self-conceit, an actor,--bribes with tea;
Which Wilkinson at second-hand receives,
And at the New, pours water on the leaves.
The town divided, each runs several ways,
As passion, humour, interest, party sways.
Things of no moment, colour of the hair,
Shape of a leg, complexion brown or fair,
A dress well chosen, or a patch misplaced,
Conciliate favour, or create distaste.
From galleries loud peals of laughter roll,
And thunder Shuter's praises; he's so droll.
Embox'd, the ladies must have something smart,

[...] Read more

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A accountant at a transport company

Figures on paper glare at me
with the sun hanging bright in a blue sky,
while busses and lories drive past the whole time.

Outside vehicles are parked in rows and shine
and drivers walk about talking
where we are camped in, behind rusting wire and zinc.

When the managing director looks in he wants
me to make changes, to do an act of fraud.
Figures on paper glare at me

with a bonus waving,
and my name, my integrity is at stake
and drivers walk about talking

and I wonder how to get out of this trap
when I catch the eye of the managing directors charming daughter
while busses and lories drive past the whole time.

I again check calculations, re-determine and add
and I keep things correct
and my name, my integrity is at stake.

The managing director wants the final figures,
he makes threats and his temper is just under control.
Figures on paper glare at me

while I complete the financial statements
and thousands of things go through my mind
and I keep things correct

and the day rushes past
the managing directors daughter winks at me, walks down the passage
while busses and lories drive past the whole time,

sirens are ringing in the distance and the wall-clock ticks off the last minutes
and I know that I can loose my job
and thousands of things go through my mind

when the girl walks in with eyes cutting into my soul,
say that her dad is waiting and I feel like caught in web.
Figures on paper glare at me
while busses and lories drive past the whole time

and I hear excited voices in the managing directors office.
Outside vehicles are parked in rows and shine
and I know that I can loose my job,
where we are camped in, behind rusting wire and zinc.

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Actor Of Love

Hold on
I have found something I longing for
To fill the hollowness of my heart
But why I'm feeling more of sorrow

Before
I am the one who said: 'Oh, I'll control'
But now I realize you are my world
And it's waiting to break apart

I'm an actor of love
I'm trying to perfect
But I'm just fooling around

I'm an actor of love
I want to be your hero
But I've made myself a clown

I'm an actor of love
I need you by my side
But now you leave me alone

I'm an actor of love
I beg your forgiveness
But you refuse me so cold

Sometimes
We wonder why we should be together
Do we really dream of love forever?
Or we afraid to be alone

I'm an actor of love
I want to protect you
But I always hurt you bad

I'm an actor of love
I want to be your shield
But may turn someone you hate

I'm an actor of love
We kiss in the morning
But in night we have a war

I'm an actor of love
We care for each other
But we only circle round

If this love only makes me crazy
Take the story and just let it be
Tragedy or comedy

[...] Read more

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Monica Bellucci

Mel is a great director because he's not just a director, he's an actor, so he knows how to direct actors. I loved working with him. He's great as a director. He's so intelligent. He's generous. I really loved him.

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Behind the Scenes

The actor struts his little hour,
Between the limelight and the band;
The public feel the actor's power,
Yet nothing do they understand
Of all the touches here and there
That make or mar the actor's part,
They never see, beneath the glare,
The artist striving after art.
To them it seems a labour slight
Where nought of study intervenes;
You see it in another light
When once you've been behind the scenes.

For though the actor at his best
Is, like a poet, born not made,
He still must study with a zest
And practise hard to learn his trade.
So, whether on the actor's form
The stately robes of Hamlet sit,
Or as Macbeth he rave and storm,
Or plays burlesque to please the pit,

'Tis each and all a work of art,
That constant care and practice means --
The actor who creates a part
Has done his work behind the scenes.

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I wanted to hold onto and exploit the power of narrative. This is not only a book about a great storyteller, but there have to be stories about the storyteller.

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When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.

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I am definitely a storyteller, but probably not a traditional Storyteller.

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GRIOTTE by Marjorie Evasco

the story I remember Sandie Mbanefo remembers
her Igbo father telling her the old village storyteller
sat in the moonlight middle of a circle of ears and drums
beating the story in to let each one remember
stories from the very beginning simple complete
the way to throw nets onto the center of the lake
the way to cast spells to tame spit of the black mamba
in the countless spirals of words seeking the listening
whole navel dark pit memory called Mother in any tongue
in any story remembered and passed on in time
from time to time resurfacing in another other parts
of the world woven with skein like hers like mine like
Lina Sagaral Reyes bathing in the moonlight because
Bohol Electric cut off her supply her power to tell
the moonlight to me undiminished under the candleglow
as she remembered how rain water splashed
a shiver of fireflies on her brown body washed off salt
and silt from her twilight search for mollusks at Loay Beach
with the village women who also tell stories
what they remember everyday where crabs dance mate spawn
at new moon tide extraordinary things glowing
in the mangrove swamps while my feet tread their way
back to the night Sandie showed me Nigeria
the ceremonial clay figures in the round of storytelling
pulling me into the silent stretch of words as time curves
the gesture of fishers’ nets on to another lake where
I sit listen with Mabel Alampay to the blind
storyteller of Talisay remembering Taal Volcano
spewing lightning bolts the memory burned onto thin membrane
of eyelids shut forever into seeing inward a story of awe
passed on passing

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I think the director is becoming more important. To work under rushed conditions, you need to have an extremely professional director. If the director's good than the end result will be good.

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It all has to do with the director, the captain of the ship. He sets the pace, the mood. If the director is quiet, the set is quiet. If the director is loud, then everybody has to be louder to be heard.

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It's a dumb question, because I don't look at things as a black director, just as a director, so ask me as a director first and we can segue into the colour thing later.

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First Encounter - Yasmin Ahmad

the first and the last
at long last
best director at home

Malaysia Film Festival awards for Best Director (2009) Talentime. Her first and last for best director from the Malaysian premier film festival. was there at Putra World Trade Centre for the ceremony. She was clad in a yellow ensemble.

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Beauty And Doubt

Beauty should be cause of doubt,
remaining as a paradox
within a fog that, with lights-out,
become its combination locks
which only should be opened for
the people that it may deceive
and all its images adore,
since they’re unable to believe
that lying very far beyond
the beauty that they worship lie
not icons of which they are fond
but feelings hidden from the eye,
felt only by the loving heart
that longs for union of the mind
with images that works of art
cannot portray till eyes are blind.
The image is to history
what certainty must be to doubt,
solution of a mystery
that true love can do well without.

Michael Kimmelman (“Unravelling a 15th-Century Whodunit, ” NYT, December 11,2008) writes about three images attributed to the Master of Flémaille, St. Veronica, Madonna and Child and Gnadenstuhl:
Here at the Städel Museum “The Master of Flémalle and Rogier van der Weyden” is an old-fashioned whodunit. Almost exhaustingly erudite, it mixes up very great Netherlandish paintings of the 15th century with a few not so great ones to unravel perennial questions from galaxy academe about which artist painted what. Why should we care? For the same reason film buffs debate if Howard Hawks was the real director behind “The Thing From Another World, ” the sci-fi classic from 1951 he produced, rather than Christian Nyby, the credited director, or whether the 1943 thriller “Journey Into Fear, ” for which Norman Foster is listed as director, was taken over by Orson Welles, who played a Turkish police detective in it and whose other movies it partly resembles.We should care because, commerce and the usual scholarly nitpicking aside, the debate is itself an excuse for looking closer, and because piecing together any great artist’s legacy is a bit like composing a novel, every chapter part of the artist’s grand narrative, without all of which the story is incomplete. And, well, also because good mysteries beg to be solved…. And yet. Some things are clear. The weary, aged face of Veronica looks deeply, memorably human. The young woman from Berlin is heartbreakingly beautiful. Elsewhere, a painting of a stout man who at first looks identical to a second portrait is built up from layers of paint that subtly absorb light and give weight and density to the face. Max J. Friedländer, the eminent historian, many years ago attributed the portrait to the Master of Flémalle, then later wondered if it wasn’t by Rogier. The curators here think maybe it was. But maybe not. Dendrochronological tests, to measure the dates of trees, have estimated the age of the wood panels on which it and other pictures were painted; spectrographs and X-rays have provided proof of under-drawings, pentimenti and erasures. The famous Mérode Altarpiece from the Cloisters in New York, long attributed to the Master of Flémalle, turns out to be partly copied, it seems, from a picture in Brussels, long thought to have been a copy of the altarpiece. That’s nice to know. But in the end the story of this exhibition is that beauty resides not just in the pictures (of course) but in doubt itself. That art of such profound and unprecedented verisimilitude, which took such pains to record the minutest details of the world, should remain shrouded in such a fog is both a paradox and healthy reminder of a basic truth. Great art is always a mystery.


12/11/08

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I'm a storyteller - that's the chief function of a director. And they're moving pictures, let's make 'em move!

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Patricia Clarkson

I'm really a director's actor. I rely heavily on a director.

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Brad Dourif

If it's stage, the two most important artists are the actor and the playwright. If it's film, THE most important person is the director. The director says where the camera goes.

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I still make more money as I do as an actor than director, however I don't want to be a commercial director.

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My Cat

Cool cat
Good cat
Pussy cat

When I see him walking
Makes no sense to me
My cat is everywhere
We watch him on TV

My cat is amazing
He can play the guitar
He may not be an actor
But he's a pussy superstar

My cat
Cool cat

My cat is everywhere
Sees what he can see
He may not be an actor
He acts atrociously

My cat is amazing
He can play the guitar
He may not be an actor
But he's a pussy superstar

My cat isn't crazy
He's everything to me
My cat burns the bible
And he thinks it's so funny

He isn't very good
He isn't very smart
He may not be Picasso
But he is a work of art

Hates me as much as I hate you

My cat
Cool cat
Good cat
Pussy cat

When I see him walking
Makes no sense to me
My cat is everywhere
We watch him on TV

My cat is amazing

[...] Read more

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