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Edith Piaf

Don't care what people say. Don't give a damn about their laws.

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Give The Po Man A Break

Give po man a break
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[...] Read more

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John Dryden

Absalom and Achitophel

In pious times, e'er Priest-craft did begin,
Before Polygamy was made a sin;
When man, on many, multiply'd his kind,
E'r one to one was, cursedly, confind:
When Nature prompted, and no law deny'd
Promiscuous use of Concubine and Bride;
Then, Israel's monarch, after Heaven's own heart,
His vigorous warmth did, variously, impart
To Wives and Slaves; And, wide as his Command,
Scatter'd his Maker's Image through the Land.
Michal, of Royal blood, the Crown did wear,
A Soyl ungratefull to the Tiller's care;
Not so the rest; for several Mothers bore
To Godlike David, several Sons before.
But since like slaves his bed they did ascend,
No True Succession could their seed attend.
Of all this Numerous Progeny was none
So Beautifull, so brave as Absalon:
Whether, inspir'd by some diviner Lust,
His father got him with a greater Gust;
Or that his Conscious destiny made way
By manly beauty to Imperiall sway.
Early in Foreign fields he won Renown,
With Kings and States ally'd to Israel's Crown
In Peace the thoughts of War he could remove,
And seem'd as he were only born for love.
What e'er he did was done with so much ease,
In him alone, 'twas Natural to please.
His motions all accompanied with grace;
And Paradise was open'd in his face.
With secret Joy, indulgent David view'd
His Youthfull Image in his Son renew'd:
To all his wishes Nothing he deny'd,
And made the Charming Annabel his Bride.
What faults he had (for who from faults is free?)
His Father could not, or he would not see.
Some warm excesses, which the Law forbore,
Were constru'd Youth that purg'd by boyling o'r:
And Amnon's Murther, by a specious Name,
Was call'd a Just Revenge for injur'd Fame.
Thus Prais'd, and Lov'd, the Noble Youth remain'd,
While David, undisturb'd, in Sion raign'd.
But Life can never be sincerely blest:
Heaven punishes the bad, and proves the best.
The Jews, a Headstrong, Moody, Murmuring race,
As ever try'd th' extent and stretch of grace;
God's pamper'd people whom, debauch'd with ease,
No King could govern, nor no God could please;
(Gods they had tri'd of every shape and size
That Gods-smiths could produce, or Priests devise.)

[...] Read more

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John Dryden

The Hind And The Panther, A Poem In Three Parts : Part III.

Much malice, mingled with a little wit,
Perhaps may censure this mysterious writ;
Because the muse has peopled Caledon
With panthers, bears, and wolves, and beasts unknown,
As if we were not stocked with monsters of our own.
Let Æsop answer, who has set to view
Such kinds as Greece and Phrygia never knew;
And Mother Hubbard, in her homely dress,
Has sharply blamed a British lioness;
That queen, whose feast the factious rabble keep,
Exposed obscenely naked, and asleep.
Led by those great examples, may not I
The wonted organs of their words supply?
If men transact like brutes, 'tis equal then
For brutes to claim the privilege of men.
Others our Hind of folly will indite,
To entertain a dangerous guest by night.
Let those remember, that she cannot die,
Till rolling time is lost in round eternity;
Nor need she fear the Panther, though untamed,
Because the Lion's peace was now proclaimed;
The wary savage would not give offence,
To forfeit the protection of her prince;
But watched the time her vengeance to complete,
When all her furry sons in frequent senate met;
Meanwhile she quenched her fury at the flood,
And with a lenten salad cooled her blood.
Their commons, though but coarse, were nothing scant,
Nor did their minds an equal banquet want.
For now the Hind, whose noble nature strove
To express her plain simplicity of love,
Did all the honours of her house so well,
No sharp debates disturbed the friendly meal.
She turned the talk, avoiding that extreme,
To common dangers past, a sadly-pleasing theme;
Remembering every storm which tossed the state,
When both were objects of the public hate,
And dropt a tear betwixt for her own children's fate.
Nor failed she then a full review to make
Of what the Panther suffered for her sake;
Her lost esteem, her truth, her loyal care,
Her faith unshaken to an exiled heir,
Her strength to endure, her courage to defy,
Her choice of honourable infamy.
On these, prolixly thankful, she enlarged;
Then with acknowledgments herself she charged;
For friendship, of itself an holy tie,
Is made more sacred by adversity.
Now should they part, malicious tongues would say,
They met like chance companions on the way,

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I Don't Care Anymore

Well you can tell ev'ryone I'm a down disgrace
So drag my name all over the place.
I don't care anymore. (I don't care)
You can tell ev'rybody 'bout the state I'm in
You won't catch me crying 'cos I just can't win.
I don't care anymore I don't care anymore
I don't care what you say
I don't play the same games you play.
'Cos I've been talking to the people that you call your friends
And it seems to me there's a means to and end.
They don't care anymore. (they don't care)
And as for me I can sit here and bide my time
I got nothing to lose if I speak my mind.
I don't care anymore I don't care no more
I don't care what you say
We never played by the same rules anyway.
I won't be there anymore
Get out of my way
Let me by
I got better things to do with my time
I don't care anymore I don't care anymore
I don't care anymore I don't care anymore
Well, I don't care now what you say (I don't care what you say)
'Cos ev'ry day (everyday)
I'm feeling fine with myself (I'm feeling fine with myself)
And I don't care now what you say (I don't care what you say)
Hey I'll do alright by myself (I'll be alright by myself)
I don't care (I don't care) anymore (anymore)
I don't care (I don't care) anymore (anymore)
I don't care (I don't care) anymore (anymore)
I don't care anymore
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
Do you care? Hell no!
Do you care? Hell no!
Do you care? Hell no!
What what?
'Cos I remember all the times I tried so hard
And you laughed in my face 'cos ya held all the cards.
I don't care anymore.

[...] Read more

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Give Up

(bernard edwards/nile rodgers)
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
You better listen well
When I tell you
To be on the look out
You cant call for help
cause I know you inside out
Despite all your hideouts
Im no great pretender
Ill make you surrender
So come along quietly
Heres a thought to remember
I have not met a man yet
To escape from my drag-net
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
Ill give you just the facts man
And you can draw all your own conclusions
Ill keep your mind surrounded
With chains of love so strong
You cant break through them
My arsenal is stocked
With all kinds of seductive weapons
Although your hearts locked up
My love will assist me
So that you cant resist me
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me
No, no, no
Give up, give up
Give up youre love to me
Give up, give up
Give up youre love to me

[...] Read more

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I Don't Give

Every time you go away
It actually kinda makes my day
Every time you leave, you slam the door
You pick your words so carefully
You hate to think you're hurtin' me
You leave me laughing on the floor, 'cuz-
(Chorus)
I don't give it up,
I don't give a damn what you say about that
You know-
I don't give it up
I don't give a damn what you say about that
You know-
I'm not gonna cry about some stupid guy
A guy who thinks he's all that
I thought we were just hangin' out (hangin' out)
So why'd you kiss me on the mouth?
You thought the way you taste would get me high- (oh)
You went to all your friends to brag (to brag)
Guys are always such a drag (a drag)
Don't you know the reason the reason that I kissed you was to say good-bye?
(Chorus)
'Cuz I don't give it up
I don't give a damn what you say about that
You know-
I don't give it up
I don't give a damn what you say about that
You know-
I'm not gonna cry about some stupid guy
A guy who thinks he's all that
Hangin', hangin' out; I am simply
Hangin', hangin' out; I am simply
Hangin'... so why'd you kiss me on the mouth? (why'd you kiss me)
Don't you know that I-
I don't give a damn about you
I won't give it up, not for you
I don't give a damn about you
I won't give it up, not for you
I'm not gonna cry about some stupid guy
A guy who thinks he's all that
I don't give it up
I don't give a damn (I don't give it up)
What you say about that (I don't give a damn)
I don't give it up (I don't give it up)
I don't give a damn ( I don't give a damn)-acapo

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Shut Up

I'm Jimmy Pop here in a jiffy heat me up and add oil
I'm like a zit a wart a corn a cyst a festering boil
I get under your skin and I sebaceously form
I'm as deep as the plot to an amateur gay porn
Keep ya hungry for more like Bangladesh
Then I'll borg di borg do borg ya like the Swedish Chef
Cause I'm one of a kind and kind of hard to find
Kind of like an Injun without his fire water wine
I'm like Schneider one day at a time
I'm feeling like Bob Vila nailing up your behind
To my wall like Daniel-son does
I'm waxing on I'm waxing off I'm waxing just because
I get wired like a Western Union and I got to be me
And I got more balls than the daily lottery
Like hemorrhoidal itch yo you can't ignore me
Cause I'm more tongue and cheek than a lesbo orgy
And I don't give a damn if you don't like me
Cause' I don't like you cause you're not like me
And I don't give a damn if you don't like me
Cause' I don't like you cause you're not like me
And I don't give a damn if you don't like me
Cause' I don't like you cause you're not like me

Second verse is different from the first

I'm Jimmy Pop I am
Jimmity Jimmity Pop I am I am
See my name's not Hoover and I don't give a damn
And I got a different angle like a parellelogram
And you'll be all ears like a field of corn
I'll make you Dizzy like Gillespie as I toot my own horn
Like a No. 2 pencil I always got a point
You'll want to share it with friends like a poorly rolled joint
I'm Jimmy Pop y'all I'm Jimmy Pop y'all I'm an Alka Seltzer that's right you're a seagull
As I continue to expand your head is gonna burst
Leave a bad taste in your mouth like moldy Liverwurst
Like the Texas Chainsaw Massacre I'll get in your face
But then I'll brush you off like Aqua-Fresh toothpaste
Cause I'm letting off steam like a Chinese Laundromat
But I'm not a roll of Charmin so don't give me no crap
And I don't give a damn if you don't like me
Cause' I don't like you cause you're not like me
And I don't give a damn if you don't like me
Cause' I don't like you cause you're not like me
And I don't give a damn if you don't like me
Cause' I don't like you cause you're not like me

I hate a lot of whites and I hate a lot of blacks
I hate poopin' in public places but we all hate that
I hate lesbian feminists because they're all so damn ugly

[...] Read more

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You Got The Damn Thing

Underdogs
You know you got the damn thing
You got the damn thing I like(oh yeah)you know you got the damn thing I like, like,i like
(you got the damn thing) you know you got the damn thing I like,
you know you got the damn thing
Papi, fly as can be
Lookin flosey now daddy I see you thugin with your peeps
That's so sexy to me
Your a dime piece like me
Like what I see I'm gonna get it
We can take it to my drop top
Tell ur boys that you just hooked up
Little chick
Little ride
Got a little bit of thug in me
You know its goin down if I let you mash wit me
Baby cant you see
Cant you see that I'm feelin you everything about you
is so tight,you know you got the damn thing I like
Gotta a G straight trippin
Up in the club wit your wrist iced up and your temps like what all right
Sometime you know you got the damn thing I like the kind that makes me sippy
hen straight up wit your wrist laced up
I feelin you cuz you got the damn thing I like
All these guys gettin at me
But you don't speak what you don't see me
Boy you know you do
But you got this attitude
Actin all hard in your ??
Turnin me on
You know I'm waiting
Baby why don't we shake up spot
And tell your boys that you just hooked up
Little chick
Little ride
Got a little bit of thug in me
You know its goin down if I let you mash wit me
Baby cant you see
Cant you see that im feelin you everything about you
is so tight,you know you got the damn thing I like
Gotta a G straight trippin
Up in the club wit your wrist iced up and your temps like what all right
Sometime you know you got the damn thing I like the kind that makes me sippy
?? straight up wit your wrist laced up
I feelin you cuz you got the damn thing I like
Usually playas
Cant fade me
Cant make me
Or brake me
But everything about you

[...] Read more

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U In Me

(dallas austin)
1999 cyptron music/emi blackwood music (bmi)
(appears on japanese import only)
U in me feels twice as nice
And everything we do is right
Its nasty love but thats all right with me
Once a month is not enough
I think about it every week
Theres other guys
But thats not u in me
Chorus:
I cant understand why it feels so good
I never felt this way before
I want u more and more each day
Even if theres someone else
I might as well take care of myself
Im never satisfied like u in me
Youre so damn special baby yeah
I could have anybody but thats not u in me
Youre so damn special
Dont wanna give mine up cause I like u in me
U in me became unreal
I never hesitate to see
I need it now and thats how it should be
U in me was somethin else
Started messin with my mind
Cuz there will never be me in u (hey hey)
Chorus
Chorus
I could have anybody but thats not u in me
So damn special yeah
Dont wanna give mine up cause I like u in me
Youre so damn special, u know, u know, u know baby
I could have anybody but thats not u in me
So damn special
Cant understand the way I feel
Dont wanna give mine up cause I like u in me
Youre so damn special baby
I could have anybody but thats not u in me
So damn special hey hey hey yeah
Dont wanna give mine up cause I like u in me
So damn special hey oh oh
I could have anybody but thats not u in me
So damn special hey yeah hey yeah
Dont wanna give mine up cause I like u in me
So damn special baby
So damn special
I could have anybody but thats not u in me
So damn special baby hey
Dont wanna give mine up cause I like u in me

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Tale I

That all men would be cowards if they dare,
Some men we know have courage to declare;
And this the life of many a hero shows,
That, like the tide, man's courage ebbs and flows:
With friends and gay companions round them, then
Men boldly speak and have the hearts of men;
Who, with opponents seated miss the aid
Of kind applauding looks, and grow afraid;
Like timid travelers in the night, they fear
Th' assault of foes, when not a friend is near.
In contest mighty, and of conquest proud,
Was Justice Bolt, impetuous, warm, and loud;
His fame, his prowess all the country knew,
And disputants, with one so fierce, were few:
He was a younger son, for law design'd,
With dauntless look and persevering mind;
While yet a clerk, for disputation famed,
No efforts tired him, and no conflicts tamed.
Scarcely he bade his master's desk adieu,
When both his brothers from the world withdrew.
An ample fortune he from them possessed,
And was with saving care and prudence bless'd.
Now would he go and to the country give
Example how an English 'squire should live;
How bounteous, yet how frugal man may be,
By well-order'd hospitality;
He would the rights of all so well maintain.
That none should idle be, and none complain.
All this and more he purposed--and what man
Could do, he did to realise his plan;
But time convinced him that we cannot keep
A breed of reasoners like a flock of sheep;
For they, so far from following as we lead,
Make that a cause why they will not proceed.
Man will not follow where a rule is shown,
But loves to take a method of his own:
Explain the way with all your care and skill,
This will he quit, if but to prove he will. -
Yet had our Justice honour--and the crowd,
Awed by his presence, their respect avow'd.
In later years he found his heart incline,
More than in youth, to gen'rous food and wine;
But no indulgence check'd the powerful love
He felt to teach, to argue, and reprove.
Meetings, or public calls, he never miss'd -
To dictate often, always to assist.
Oft he the clergy join'd, and not a cause
Pertain'd to them but he could quote the laws;
He upon tithes and residence display'd
A fund of knowledge for the hearer's aid;

[...] Read more

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Pusher

(1970) hoyt axton
You know I smoked a lot of grass,oh lord
And I popped a lot of pills
But I never did touch nothing
That my spirit couldnt kill
You know I see a lot of people walkin round
Here with tombstones in their eyes
cause the pusher dont care
Child if you live or if you die
God damn on the pusher, yea yea
I said God damn him
God damn him, pusher man
You know the dealer
I said the dealer is a man
With lots of love racks in his hand
But the pusher is a monster
Good god, oh lord hes my natural man
You know the dealer
The dealer takes a nickel lord
And sells you lots of sweet dreams
And lord knows we need lots a sweet dreams
But here comes the pusher
Takes your body and leaves your mind a screen
God damn on the pusher
I said God damn the pusher
Hes not a natural man
You know the dealer takes a nickel
And he sells a box of sweet dreams
But he pusher takes your body
He takes your body
He takes your body
And he leaves your mind a screen
God damn him
God damn him, God damn him
God damn him, God damn the pusher
If I were the president, hear me, of this land
Id declare totale war on the pusher man
Gimme now, now
Id shoot him if he stands
Id cut him if he runs yea
Id kill him with my bible
My razor and my gun
God damn him, God damn him
Oh, the pusher
God damn the pusher man

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The Pusher

(1970) Hoyt Axton
You know I smoked a lot of grass,Oh Lord
And I popped a lot of pills
But I never did touch nothing
That my spirit couldn't kill
You know I see a lot of people walkin' round
Here with tombstones in their eyes
'Cause the pusher don't care
Child if you live or if you die
God damn on the pusher, yea yea
I said God damn him
God damn him, pusher man
You know the dealer
I said the dealer is a man
With lots of love racks in his hand
But the pusher is a monster
Good God, oh Lord he's my natural man
You know the dealer
The dealer takes a nickel lord
And sells you lots of sweet dreams
And lord knows we need lots a sweet dreams
But here comes the pusher
Takes your body and leaves your mind a screen
God damn on the pusher
I said God damn the pusher
He's not a natural man
You know the dealer takes a nickel
And he sells a box of sweet dreams
But he pusher takes your body
He takes your body
He takes your body
And he leaves your mind a screen
God damn him
God damn him, God damn him
God damn him, God damn the pusher
If I were the president, hear me, of this land
I'd declare totale war on the pusher man
Gimme now, now
I'd shoot him if he stands
I'd cut him if he runs yea
I'd kill him with my Bible
My razor and my gun
God damn him, God damn him
Oh, the pusher
God damn the pusher man

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Samuel Butler

Hudibras: Part 3 - Canto I

THE ARGUMENT

The Knight and Squire resolve, at once,
The one the other to renounce.
They both approach the Lady's Bower;
The Squire t'inform, the Knight to woo her.
She treats them with a Masquerade,
By Furies and Hobgoblins made;
From which the Squire conveys the Knight,
And steals him from himself, by Night.

'Tis true, no lover has that pow'r
T' enforce a desperate amour,
As he that has two strings t' his bow,
And burns for love and money too;
For then he's brave and resolute,
Disdains to render in his suit,
Has all his flames and raptures double,
And hangs or drowns with half the trouble,
While those who sillily pursue,
The simple, downright way, and true,
Make as unlucky applications,
And steer against the stream their passions.
Some forge their mistresses of stars,
And when the ladies prove averse,
And more untoward to be won
Than by CALIGULA the Moon,
Cry out upon the stars, for doing
Ill offices to cross their wooing;
When only by themselves they're hindred,
For trusting those they made her kindred;
And still, the harsher and hide-bounder
The damsels prove, become the fonder.
For what mad lover ever dy'd
To gain a soft and gentle bride?
Or for a lady tender-hearted,
In purling streams or hemp departed?
Leap'd headlong int' Elysium,
Through th' windows of a dazzling room?
But for some cross, ill-natur'd dame,
The am'rous fly burnt in his flame.
This to the Knight could be no news,
With all mankind so much in use;
Who therefore took the wiser course,
To make the most of his amours,
Resolv'd to try all sorts of ways,
As follows in due time and place

No sooner was the bloody fight,
Between the Wizard, and the Knight,

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The Inner Voice - Conscience

Laws on earth can be made, unmade;
Laws can be bettered or worsened by change;
Laws may be just or unjust and never perfect;
Laws can be changed for comfort and convenience.

Laws may change from time to time;
Laws cannot reflect truth always;
Laws depend on the constituent makers;
Laws can never be ideal for all times!

But the inner Voice -the Conscience is static;
It always speaks the truth irrevocably;
It is not transmutable anytime;
It can never lie ever even by chance.

The Inner Voice scores over laws always;
One's conscience always tells what is right;
Freedom of man's conscience is paramount;
Laws to stifle the Inner Voice are simply futile!

Laws are needed but must be just and fair;
Laws aren't needed to fetter the conscience;
Laws are man-made and transmutable;
Conscience is God-given, remaining the same in everyone!

Obey the laws when they are fair and just;
Heed to your Conscience, God's law-maker within!

Copyright by Dr John Celes 14-02-12

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Byron

Canto the First

I
I want a hero: an uncommon want,
When every year and month sends forth a new one,
Till, after cloying the gazettes with cant,
The age discovers he is not the true one;
Of such as these I should not care to vaunt,
I'll therefore take our ancient friend Don Juan—
We all have seen him, in the pantomime,
Sent to the devil somewhat ere his time.

II
Vernon, the butcher Cumberland, Wolfe, Hawke,
Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
Evil and good, have had their tithe of talk,
And fill'd their sign posts then, like Wellesley now;
Each in their turn like Banquo's monarchs stalk,
Followers of fame, "nine farrow" of that sow:
France, too, had Buonaparté and Dumourier
Recorded in the Moniteur and Courier.

III
Barnave, Brissot, Condorcet, Mirabeau,
Petion, Clootz, Danton, Marat, La Fayette,
Were French, and famous people, as we know:
And there were others, scarce forgotten yet,
Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
With many of the military set,
Exceedingly remarkable at times,
But not at all adapted to my rhymes.

IV
Nelson was once Britannia's god of war,
And still should be so, but the tide is turn'd;
There's no more to be said of Trafalgar,
'T is with our hero quietly inurn'd;
Because the army's grown more popular,
At which the naval people are concern'd;
Besides, the prince is all for the land-service,
Forgetting Duncan, Nelson, Howe, and Jervis.

V
Brave men were living before Agamemnon
And since, exceeding valorous and sage,
A good deal like him too, though quite the same none;
But then they shone not on the poet's page,
And so have been forgotten:—I condemn none,
But can't find any in the present age
Fit for my poem (that is, for my new one);
So, as I said, I'll take my friend Don Juan.

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Samuel Butler

Hudibras: Part 3 - Canto II

THE ARGUMENT

The Saints engage in fierce Contests
About their Carnal interests;
To share their sacrilegious Preys,
According to their Rates of Grace;
Their various Frenzies to reform,
When Cromwel left them in a Storm
Till, in th' Effigy of Rumps, the Rabble
Burns all their Grandees of the Cabal.

THE learned write, an insect breeze
Is but a mungrel prince of bees,
That falls before a storm on cows,
And stings the founders of his house;
From whose corrupted flesh that breed
Of vermin did at first proceed.
So e're the storm of war broke out,
Religion spawn'd a various rout
Of petulant Capricious sects,
The maggots of corrupted texts,
That first run all religion down,
And after ev'ry swarm its own.
For as the Persian Magi once
Upon their mothers got their sons,
That were incapable t' enjoy
That empire any other way;
So PRESBYTER begot the other
Upon the good old Cause, his mother,
Then bore then like the Devil's dam,
Whose son and husband are the same.
And yet no nat'ral tie of blood
Nor int'rest for the common good
Cou'd, when their profits interfer'd,
Get quarter for each other's beard.
For when they thriv'd, they never fadg'd,
But only by the ears engag'd:
Like dogs that snarl about a bone,
And play together when they've none,
As by their truest characters,
Their constant actions, plainly appears.
Rebellion now began, for lack
Of zeal and plunders to grow slack;
The Cause and covenant to lessen,
And Providence to b' out of season:
For now there was no more to purchase
O' th' King's Revenue, and the Churches,
But all divided, shar'd, and gone,
That us'd to urge the Brethren on;
Which forc'd the stubborn'st for the Cause,

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Alexander Pope

An Essay on Criticism

Part I

INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.


'Tis hard to say if greater want of skill
Appear in writing or in judging ill;
But of the two less dangerous is th'offence
To tire our patience than mislead our sense:
Some few in that, but numbers err in this;
Ten censure wrong for one who writes amiss;
A fool might once himself alone expose;
Now one in verse makes many more in prose.

'Tis with our judgments as our watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critic's share;
Both must alike from Heav'n derive their light,
These born to judge, as well as those to write.
Let such teach others who themselves excel,
And censure freely who have written well;
Authors are partial to their wit, 'tis true,
But are not Critics to their judgment too?

Yet if we look more closely, we shall find
Most have the seeds of judgment in their mind:
Nature affords at least a glimm'ring light;
The lines, tho' touch'd but faintly, are drawn right:
But as the slightest sketch, if justly traced,
Is by ill col'ring but the more disgraced,
So by false learning is good sense defaced:
Some are bewilder'd in the maze of schools,
And some made coxcombs Nature meant but fools:
In search of wit these lose their common sense,
And then turn Critics in their own defence:
Each burns alike, who can or cannot write,
Or with a rival's or an eunuch's spite.
All fools have still an itching to deride,
And fain would be upon the laughing side.
If Mævius scribble in Apollo's spite,
There are who judge still worse than he can write.

Some have at first for Wits, then Poets pass'd;
Turn'd Critics next, and prov'd plain Fools at last.
Some neither can for Wits nor Critics pass,
As heavy mules are neither horse nor ass.
Those half-learn'd witlings, numerous in our isle,
As half-form'd insects on the banks of Nile;
Unfinish'd things, one knows not what to call,

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The Library

When the sad soul, by care and grief oppress'd,
Looks round the world, but looks in vain for rest;
When every object that appears in view
Partakes her gloom and seems dejected too;
Where shall affliction from itself retire?
Where fade away and placidly expire?
Alas! we fly to silent scenes in vain;
Care blasts the honours of the flow'ry plain:
Care veils in clouds the sun's meridian beam,
Sighs through the grove, and murmurs in the stream;
For when the soul is labouring in despair,
In vain the body breathes a purer air:
No storm-tost sailor sighs for slumbering seas,-
He dreads the tempest, but invokes the breeze;
On the smooth mirror of the deep resides
Reflected woe, and o'er unruffled tides
The ghost of every former danger glides.
Thus, in the calms of life, we only see
A steadier image of our misery;
But lively gales and gently clouded skies
Disperse the sad reflections as they rise;
And busy thoughts and little cares avail
To ease the mind, when rest and reason fail.
When the dull thought, by no designs employ'd,
Dwells on the past, or suffer'd or enjoy'd,
We bleed anew in every former grief,
And joys departed furnish no relief.
Not Hope herself, with all her flattering art,
Can cure this stubborn sickness of the heart:
The soul disdains each comfort she prepares,
And anxious searches for congenial cares;
Those lenient cares, which with our own combined,
By mix'd sensations ease th' afflicted mind,
And steal our grief away, and leave their own

behind;
A lighter grief! which feeling hearts endure
Without regret, nor e'en demand a cure.
But what strange art, what magic can dispose
The troubled mind to change its native woes?
Or lead us willing from ourselves, to see
Others more wretched, more undone than we?
This BOOKS can do;--nor this alone; they give
New views to life, and teach us how to live;
They soothe the grieved, the stubborn they

chastise,
Fools they admonish, and confirm the wise:
Their aid they yield to all: they never shun
The man of sorrow, nor the wretch undone:

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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