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Arthur Miller

The theater is so endlessly fascinating because it's so accidental. It's so much like life.

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Endlessly Jealous

Jealousy, endlessly
Sweeps through my mind
Jealousy, often causes me to
Be unkind
Im sorry I said that
Im sorry I did that
Im sorry I hit you
Im sorry, Im sorry
Endlessly jealous of you
Being endlessly jealous of me
The man that you thought I could be turning red
With jealousy
Endlessly jealousy
Eats through my skull
Endlessly jealousy
Makes me feel dull
Fighting
Endless jealous fighting
I feel my fingers tightening
Tightening, please dont break her arm
Jealously thinking of you
Of your endless possession of me
Of my jealousy, endlessly, jealousy, endlessly
Jealous of you
Sorry, running to a phone to say
Im sorry, running out of dimes
The phone on the street spits at me
Have a good day
Sorry, please you know how I am sorry
Ive been this way for
Oh, so long, endlessly, zealously
Jealous of you
Jealousy, endlessly
Eats through my mind
Jealousy, endlessly
Makes me be unkind
Im sorry I said that
Im sorry I did that
Im sorry I hit you
Im sorry, Im sorry
Endlessly jealous of you
Being endlessly jealous of me
Endlessly jealous of you being endlessly
Jealous of me
Endlessly jealous of you
Endlessly jealous of you
Endlessly jealous of you
Endlessly jealous of you

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His Majesty Accident

Accidental meetings,
accidental greetings,
accidental walks,
accidental talks,
accidental questions,
accidental answers..
But…suddenly…
What has happened?
Meetings, greetings,
walks and talks,
questions and answers
stopped being accidental.
Life has become sentimental.
Love has rushed into the circle
and quickly closed it.
Sleepless nights appeared,
calmness disappeared.
“I love you” instead of “hi”,
a wish to inspire,
a stream of desire,
a heart is on fire,
a wish to fly.
His Majesty Accident governs the Land,
playing games that were not planned.
It sometimes gives us another chance:
to live, to love, to be happy and dance.
It sometimes goes up, sometimes down,
it sometimes gives us a crown.
Everyone waits for an accident,
everyone wishes the happy end.

Larisa R (Odessa, Ukraine)

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Notes On An Unadorned Night

after Rene Char

Let's agree that the night is a blank canvas, a station
break, a bridge of a song.

Let's agree further that activities at night—movies,
campfires, reading by a lamp—are all
basically an homage to the day.

I have come to regard these two statements as
contradictory. Let me explain.

First, set aside that one could see a movie, torch a fire,
and read with the sun blazing over us.

The in-between aspect of night need not spark a flurry of
activity, is all I'm saying.

You could do nothing at night! Just lay and sleep!

A Cézanne sketch I looked at last night bears
mentioning.

A big Gallic face, reclining upwards, looks up at three
boxcars on train tracks.

The man's eyes are wide open and unfulfilled.

The two disemboweled deer I saw the night before also
bear mentioning.

The torsos of both deer were connected to faces, both
looking up.

I assumed they were struck by trains near the house
where I was sleeping.

Anyway, it occurred to me that as I looked into these
two dead deer's eyes that so much has fallen at
me, rather than simply by me.

I want to be among people. I do.

But I just want the easy parts skipped, for bodies to rub
up against each other, to always feel as new flesh
touches new flesh.

Those deer weren't an emblem of anything. I'm not like that.

I don't need dead animals to mirror my own interior world.

[...] Read more

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Bad Side Of The Moon

(bernie taupin/elton john)
Published by songs of polygram international - bmi
Seems as though Ive lived my life on the bad side of the moon
To stir your dregs, and sittin still, without a rustic spoon
Now come on people, live with me, where the light has never shone
And the harlots flock like hummingbirds, speakin in a foreign tongue
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
It seems as though Ive lived my life on the bad side of the moon
To stir your dregs, and sittin still, without a rustic spoon
Now come on people, live with me, where the light has never shone
And the harlots flock like hummingbirds, speakin in a foreign tongue
Im a light world away, from the people who make me stay
Sittin on the bad side of the moon
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
There aint no need for watchdogs here, to justify our ways
We lived our lives in manacles, the main cause of our stay
And exiled here from other worlds, my sentence comes to soon
Why should I be made to pay on the bad side of the moon
Im a light world away, from the people who make me stay
Sittin on the bad side of the moon
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life
This is my life, this is my life, this is my life, my life

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The Victories Of Love. Book I

I
From Frederick Graham

Mother, I smile at your alarms!
I own, indeed, my Cousin's charms,
But, like all nursery maladies,
Love is not badly taken twice.
Have you forgotten Charlotte Hayes,
My playmate in the pleasant days
At Knatchley, and her sister, Anne,
The twins, so made on the same plan,
That one wore blue, the other white,
To mark them to their father's sight;
And how, at Knatchley harvesting,
You bade me kiss her in the ring,
Like Anne and all the others? You,
That never of my sickness knew,
Will laugh, yet had I the disease,
And gravely, if the signs are these:

As, ere the Spring has any power,
The almond branch all turns to flower,
Though not a leaf is out, so she
The bloom of life provoked in me;
And, hard till then and selfish, I
Was thenceforth nought but sanctity
And service: life was mere delight
In being wholly good and right,
As she was; just, without a slur;
Honouring myself no less than her;
Obeying, in the loneliest place,
Ev'n to the slightest gesture, grace
Assured that one so fair, so true,
He only served that was so too.
For me, hence weak towards the weak,
No more the unnested blackbird's shriek
Startled the light-leaved wood; on high
Wander'd the gadding butterfly,
Unscared by my flung cap; the bee,
Rifling the hollyhock in glee,
Was no more trapp'd with his own flower,
And for his honey slain. Her power,
From great things even to the grass
Through which the unfenced footways pass,
Was law, and that which keeps the law,
Cherubic gaiety and awe;
Day was her doing, and the lark
Had reason for his song; the dark
In anagram innumerous spelt
Her name with stars that throbb'd and felt;

[...] Read more

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

[...] Read more

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[9] O, Moon, My Sweet-heart!

O, Moon, My Sweet-heart!
[LOVE POEMS]

POET: MAHENDRA BHATNAGAR

POEMS

1 Passion And Compassion / 1
2 Affection
3 Willing To Live
4 Passion And Compassion / 2
5 Boon
6 Remembrance
7 Pretext
8 To A Distant Person
9 Perception
10 Conclusion
10 You (1)
11 Symbol
12 You (2)
13 In Vain
14 One Night
15 Suddenly
16 Meeting
17 Touch
18 Face To Face
19 Co-Traveller
20 Once And Once only
21 Touchstone
22 In Chorus
23 Good Omens
24 Even Then
25 An Evening At ‘Tighiraa’ (1)
26 An Evening At ‘Tighiraa’ (2)
27 Life Aspirant
28 To The Condemned Woman
29 A Submission
30 At Midday
31 I Accept
32 Who Are You?
33 Solicitation
34 Accept Me
35 Again After Ages …
36 Day-Dreaming
37 Who Are You?
38 You Embellished In Song

[...] Read more

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Theatre Of Dreams

Oh can I lie here, can I whisper; can I tell
you anything that you want to hear,
Is it thoughts, is it feelings, is it what you
need, can I make you feel good,
It's just something that I thought that
you'd like, in a world that's dying,
Oh I can see you smiling. Oh, can I do this
for you?
In the pale and lonely light you feel so
exciting ah,
I fail the words, I need to speak to tell you
how,
You can love who you love, you can be who
you want, in the theater of dreams,
Oh, you can love who you love, you can be
who you want, in the theater of dreams. In
the theater of dreams.
Oh can I touch you, can I hold you, I can
do anything, that you want me to,
Does it hurt, is it OK is it what you need to
make you feel good,
I got something that I think that you'd like,
in a world that's changing,
Oh I can feel you smiling, Oh can I do this
for you?
In a pale and lonely life, you seem so
exciting ah,
I fail the words, I need to speak to tell you
how.
You can love who you love, you can be who
you want, in the theater of dreams.
Oh, you can love who you love, you can be
who you want, in the theater of dreams.
This is where you open up your mind, yeah.
This is where you lose, lose your chains of
time.
In the theater of dreams.

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Bishop Blougram's Apology

No more wine? then we'll push back chairs and talk.
A final glass for me, though: cool, i' faith!
We ought to have our Abbey back, you see.
It's different, preaching in basilicas,
And doing duty in some masterpiece
Like this of brother Pugin's, bless his heart!
I doubt if they're half baked, those chalk rosettes,
Ciphers and stucco-twiddlings everywhere;
It's just like breathing in a lime-kiln: eh?
These hot long ceremonies of our church
Cost us a little—oh, they pay the price,
You take me—amply pay it! Now, we'll talk.

So, you despise me, Mr. Gigadibs.
No deprecation—nay, I beg you, sir!
Beside 't is our engagement: don't you know,
I promised, if you'd watch a dinner out,
We'd see truth dawn together?—truth that peeps
Over the glasses' edge when dinner's done,
And body gets its sop and holds its noise
And leaves soul free a little. Now's the time:
Truth's break of day! You do despise me then.
And if I say, "despise me"—never fear!
1 know you do not in a certain sense—
Not in my arm-chair, for example: here,
I well imagine you respect my place
(Status, entourage, worldly circumstance)
Quite to its value—very much indeed:
—Are up to the protesting eyes of you
In pride at being seated here for once—
You'll turn it to such capital account!
When somebody, through years and years to come,
Hints of the bishop—names me—that's enough:
"Blougram? I knew him"—(into it you slide)
"Dined with him once, a Corpus Christi Day,
All alone, we two; he's a clever man:
And after dinner—why, the wine you know—
Oh, there was wine, and good!—what with the wine . . .
'Faith, we began upon all sorts of talk!
He's no bad fellow, Blougram; he had seen
Something of mine he relished, some review:
He's quite above their humbug in his heart,
Half-said as much, indeed—the thing's his trade.
I warrant, Blougram's sceptical at times:
How otherwise? I liked him, I confess!"
Che che, my dear sir, as we say at Rome,
Don't you protest now! It's fair give and take;
You have had your turn and spoken your home-truths:
The hand's mine now, and here you follow suit.

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Endlessly

To me...
You are everything.
To me...
You're my Summer,
And my Spring.
To me...
You're warm when shoulders cold.
To me...
You bring fresh air,
I hold!
And to me...
You spark a flame that inspires.
To me...
You set fire to my desires.
And to me,
I would not feel this free...
To be this fascinated,
Endlessly!
To me...
You are everything.
To me...
You're my Summer,
And my Spring.
To me...
You're warm when shoulders cold.
As Fall turns into snow drifts in the Winter...
Knowing I grow old.
To me...
You're my Summer,
And my Spring.
And never will I dismiss that,
Feeling this...
You're with me,
Endlessly!
And never will I dismiss that,
Feeling this...
You're with me,
Endlessly!
You're with me,
Endlessly!
And never will I dismiss that,
Feeling this...
You're with me,
Endlessly!
You are with me,
Endlessly!

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An Accidental Man

(music: marillion lyrics: john helmer)
I was taught from the much too young
To never give myself away
Yes I was taught for every secret
Theres a price you have to pay
An accident of gender
An accident of birth
That holds me to this point of view
This time and place on earth
This time and place on earth
You ask me how Im feeling
I only wish you knew
How hard it is for me to share
Share those kind of things with you
Its not that I dont love you
Its just I cant connect
cause I was taught from much too young
To shine and not reflect
Im an accidental man
You ask me if Im happy
I only wish I knew
cause happiness is not something
That I ever learned to do
Its not that Im complaining
Its all the same to me
If everything that happens, happens
Accidentally
Im an accidental man
I was taught for every secret
Theres a price you have to pay
I was thought from much too young
To never give myself away
I was born to worthy causes
I was born to take the reins
I was taught from much too young
To never give myself away
An accident of gender
An accident of birth
That holds me to this point of view
This time and place on earth
So try and understand if
I dont say all I can
A stranger to myself I am
An accidental man
Im an accident
Im an accidental man

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Elizabeth Barrett Browning

First Book

OF writing many books there is no end;
And I who have written much in prose and verse
For others' uses, will write now for mine,–
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.

I, writing thus, am still what men call young;
I have not so far left the coasts of life
To travel inland, that I cannot hear
That murmur of the outer Infinite
Which unweaned babies smile at in their sleep
When wondered at for smiling; not so far,
But still I catch my mother at her post
Beside the nursery-door, with finger up,
'Hush, hush–here's too much noise!' while her sweet eyes
Leap forward, taking part against her word
In the child's riot. Still I sit and feel
My father's slow hand, when she had left us both,
Stroke out my childish curls across his knee;
And hear Assunta's daily jest (she knew
He liked it better than a better jest)
Inquire how many golden scudi went
To make such ringlets. O my father's hand,
Stroke the poor hair down, stroke it heavily,–
Draw, press the child's head closer to thy knee!
I'm still too young, too young to sit alone.

I write. My mother was a Florentine,
Whose rare blue eyes were shut from seeing me
When scarcely I was four years old; my life,
A poor spark snatched up from a failing lamp
Which went out therefore. She was weak and frail;
She could not bear the joy of giving life
The mother's rapture slew her. If her kiss
Had left a longer weight upon my lips,
It might have steadied the uneasy breath,
And reconciled and fraternised my soul
With the new order. As it was, indeed,
I felt a mother-want about the world,
And still went seeking, like a bleating lamb
Left out at night, in shutting up the fold,–
As restless as a nest-deserted bird
Grown chill through something being away, though what
It knows not. I, Aurora Leigh, was born
To make my father sadder, and myself
Not overjoyous, truly. Women know
The way to rear up children, (to be just,)

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Allegany Camp

amazing grace circus camp
amazing grace day camp
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amazing place chalet pigeon forge
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amazing race games for camps
amazing race girl scout camp
amazon camp dutch lodge oven
amazon camp in sweetwater missouri
amazon cast iron dutch lodge camp
amazon dutch oven camp
amazon lodge dutch oven camp
ambassador camp at lake waccamaw nc
ambassador camp inc
ambassador chalet
ambassador chalet at doral
ambassador chalet wgc
amber bowers
amber camp lazlo
amber pow camp
amberg germany dp camp
ambition camp hockey pro
ambler baseball camp
ambleside scotland school camp
ambon pow camp
ambor island pow camp
ambor pow camp
ambulance bower
amc camp dodge
amc camp movie summer
amc camp summer theater
amc little lyford camps
amc movie camp
amc movie camps
amc north west camp bear mountain
amc pinkham notch camp
amc summer camp for s
amc summer camp for s 2007
amc summer camp movies
amc summer movie camp
amc summer movie camp 2007
amc summer movie camp 2008
amc summer movie camp arlington
amc summer movie camp ontario california
amc theater camp hill
amc theatres summer camp
amcmovie camps
amelia earhart in japanese war camp

[...] Read more

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The Art Of Life

If anyone believes,
The one standing alone...
Taking the heat under spotlight,
Runs the show...
Hasn't met the director or the producer,
The manager, assistant manager.
The script writer, agent, publicist...
And a host of others behind the scenes.

If anyone believes,
The one standing alone...
Taking the heat under spotlight,
Runs the show...
Doesn't know theater.
Or who calls the shots,
To enable any light to shine
And be spotted anywhere.

Theater is staged.
No matter whose name is on the marquee,
To sell the tickets.
Theater is staged.
And the best acts are trained to fill the seats.
If one knew theater,
One would know the art of life.

And the importance of having not only a good director...
But one with the bucks,
Who can keep the production afloat long enough to seduce...
Is the key to selling an audience sold on what they see,
Until the curtain drops to signal the end of the performance.

Taken from its natural habitat to be staged,
The art of life...
Is only theater to delude and to captivate believers.

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The Great Stealth-burger Caper

A head cold had settled in with a vengeance.
After a couple of days at home I felt stir crazy.
Was it time to go somewhere, maybe a movie?

A quick glance at Arts & Entertainment section
and we made our choice of movies playing at our
favorite theater.

We jumped in the car and headed to the cinema.
“Haven’t eaten all day lets get a burger” I said.
“We don’t have enough time to stop to eat, lets
get something at the theater” Laureen replied.

“Nope, too expensive and the food is crappy anyway.
Let’s get some burgers to go and sneak them into the theater

“What? ” You know they don’t let people take in food”
“Yeah, so they don’t need to know, right? ”

We wheeled into “Cruisers” a 50’s throwback diner.
You know the kind with old pictures of Elvis and Marilyn,
hanging on the walls and black & white checkerboard floors.

Cruisers make great burgers cheap (volume...Over a zillion sold) .
Thin patties, shredded lettuce, onions, tomatoes, pickles
and fresh sesame buns. Burgers better than the guys
with the “Golden Arches” or “flame broiled” belly busters.

It was 30 minutes before show time, but we were in luck.
Things were going well because we arrived 15 minutes before noon.
The movie gods were with us…
Just as we placed our order, people started lining up behind us.

“Two regular burgers with the works and mustard dressing please”
“Want fries with your burgers”
“Nope” I said hurriedly.

Laureen placed her order,
“One regular burger with everything except onions and an order of fries.”
“Do you want curly, regular, tatter tots or steak fries? ”
“Uh, I’ll take the steak fries please”
“Anything to drink? ”
“No thanks, just a cup for water (she wasn’t about to let me drink from her water bottle) .
We looked at each other as we sat down holding
our plastic tent with a black number 3 on it.

“Uh, how are we going to smuggle in that much food”, laureen asked.
“In your purse” I answered with a clueless grin on my face.
“Are you kidding, its already full and besides my water bottle is in it
“I’ll put the water bottle in my back pocket”

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My Old Flame

Arthur johnson / sam coslow
My old flame
I cant even think of his name
But its funny now and then
How my thoughts go flashing back again
To my old flame
My old flame
My new lovers all seem so tame
For I havent met a gent
So innocent or elegant
As my old flame
Ive met so many men
With fascinating ways
A fascinating gaze in their eyes
Som who sent me up to the skies
But their attempts at love
Were only imitations of
My old flame
I cant even think of his name
But Ill never be the same
Untill I discover what became
Of my old flame
Ive met so many men
With fascinating ways
A fascinating gaze in their eyes
Som who sent me up to the skies
But their attempts at love
Were only imitations of
My old flame
I cant even think of his name
But Ill never be the same
Untill I discover what became
Of my old flame

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Snobbery

A solitary rose in red attire
Condescended:
A fleeting glance -
She apprehended
My affections,
Turned away
From me, a stray -

Stubble weed -
Genes to build an oddity:
Common seed -
Happy-go-lucky entity
In dull array.

The rose glowered,
But in ascension
Slipped a view of blight
Upon her regal greenery:
Black spot!

In all her bold perfumery
And blushing flower,
The sheen of vulnerability in jet
Reminded me how snobbery
And haughty shower
Tarnish with an underlying debt!

She wavered in her shallow play -
Man-bred -
Hardiness foregone.

The rose no longer shone.


Copyright © Mark R Slaughter 2010
From: Poetry Rivals 2010 - A New Dawn Breaks
Forward Press


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Stranger in Strange Crowd

STRANGER IN STRANGE CROWD


Dreams stranger’s path divide
from crowd’s uneven t[h]read
who's tissue, issues poorly understood, through dread
is left behind, swirls second rate as flotsam on life's tide,
noise windmills, senses silent, life-blood sped,
bled white, so often fearing fear, by wisdom wide,
unblessed, unsteady set sights low instead.

Despite stress, sentiments denied, imagination set aside,
stranger story stores till head heeds heart, until desires well led
fire understanding rich allied with empathy sustaining ride.
Swift Pegasus is supplied
with neither saddle, A to Zed accoutrements life tears to shreds
when vested interests, motives pure collide.

Defy temptations of soft ride
along straight road which, comfort fed,
selects ‘safe way’, too often dreads
free choice, autonomy. Self-pride
corresponds to quest for bread.

Distrust that moment Fortune’s tide
entwines in fickle thread
conformity, convention wed.
Scorn empty homage, those who glide
through vain p[l]ain life, misled.

Survival instinct, safe homestead, a ‘living wage’, priorities
appear, as opportunities to seize as each spins finite set
tripped, snipped, then ripped by Norms with ease.

Far from madding crowd who dares assign
himself true rôle in life, who thinks,
who sifts chaff, grain, drains lees from wine, palms pearls from swine?
Who, intact, acts and interacts, discerning fiction, facts,

opposes expedience, authority which hoodwinks
manipulated herd unheard, which lacks
true overview impartial, thus reacts
rather than responds, its armour: chinks.
On each new generation weigh rigid systems spawned by Fate unkind.
As pawns most men play puppet parts in Time’s relay game of tiddly-winks.

Is search for self through mirrored minds
just base reflection on sight lost?
Insisting on base ‘skills’ man finds
intuitions atrophy - cost

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Everything is accidental

Ask. If you are given, it is accidental.
Search. If you have found, it is accidental.
Knock. If it is open, it is the accidental.
Without any prayer too, you might get
With prayer too, you might miss.
17.11.2007

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