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It's really kind of a challenge to keep coordinated with the two station crews that we'll be interacting with. And of course one of them launched quite some time before our mission.

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Meet Me At The Station

(brother williams memphis sanctified singers)
Well if I get to heaven before you do
I will meet you at the station when your train comes along
Ill be watching and waiting, mother dear, for you
I will meet you at the station when your train comes along
Father, when the train
Father, when the train
Meet me at the station when the train comes along
When the train
Father, when the train comes along
I will meet you at the station when your train comes along
Well if my eyes see the glory, before yours do
I will meet you at the station when your train comes along
Ill be watching and waiting, father, for you
I will meet you at the station whe your train comes along
Father, when the train
Father, when the train
Meet me at the station when the train comes along
Father, when the train
Father, when the train comes along
I will meet you at the station when your train comes along
Now if my feet touch the homeline before yours do
I will meet you at the station when the train comes along
Ill be watching and waiting, my brother, for you
I will meet you at the station when the train comes along
When the train
When the train
Meet me at the station when the train comes along
When the train
When the train comes along
Meet me at the station when the train comes along
When the train
When the train
Meet me at the station when the train comes along
When the train
When the train comes along
Meet me at the station when the train comes along
Now if you see gods country before I do
Will you meet me at the station when my train comes along
Will you be there watching, sister, for me
Will you meet me at the station when my train comes along
When my train
When my train
Meet me at the station when my train comes along
When my train
Sister, when my train comes along
Will you meet me at the station when my train comes along
When the train
When the train
Meet me at the station when my train comes along

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Who's Living With That Mission?

Who here,
Lives to dance and sing?
Who here,
Lives to hear the birds singing?
And who here,
Lives their life just to give?
Who's living with that mission?

Who's living with that mission?
Who's living with that mission?

Who here,
Wakes up to give a damn?
Who here,
Demands to give a helping hand?
And who here,
Knows that peace has a chance?
Who's living with that mission?

Who's living with that mission?
Who's living with that mission?

Who here,
Thinks about their fellowman?
Who here,
Gives their neighbor understanding?
And who here,
Wants the bleeding done by man...
To end and please them?

Who's living with that mission?
Who's living with that mission?

Who here,
Thinks about what is right?
Who here,
Wants to do that day and night?
And who here,
Prays conflicts and fights
Would end!

Who's living with that mission?
Who's living with that mission?

Who here,
Lives to dance and sing?
Who here,
Lives to hear the birds singing?
And who here,
Lives their life just to give?

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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V. Count Guido Franceschini

Thanks, Sir, but, should it please the reverend Court,
I feel I can stand somehow, half sit down
Without help, make shift to even speak, you see,
Fortified by the sip of … why, 't is wine,
Velletri,—and not vinegar and gall,
So changed and good the times grow! Thanks, kind Sir!
Oh, but one sip's enough! I want my head
To save my neck, there's work awaits me still.
How cautious and considerate … aie, aie, aie,
Nor your fault, sweet Sir! Come, you take to heart
An ordinary matter. Law is law.
Noblemen were exempt, the vulgar thought,
From racking; but, since law thinks otherwise,
I have been put to the rack: all's over now,
And neither wrist—what men style, out of joint:
If any harm be, 't is the shoulder-blade,
The left one, that seems wrong i' the socket,—Sirs,
Much could not happen, I was quick to faint,
Being past my prime of life, and out of health.
In short, I thank you,—yes, and mean the word.
Needs must the Court be slow to understand
How this quite novel form of taking pain,
This getting tortured merely in the flesh,
Amounts to almost an agreeable change
In my case, me fastidious, plied too much
With opposite treatment, used (forgive the joke)
To the rasp-tooth toying with this brain of mine,
And, in and out my heart, the play o' the probe.
Four years have I been operated on
I' the soul, do you see—its tense or tremulous part—
My self-respect, my care for a good name,
Pride in an old one, love of kindred—just
A mother, brothers, sisters, and the like,
That looked up to my face when days were dim,
And fancied they found light there—no one spot,
Foppishly sensitive, but has paid its pang.
That, and not this you now oblige me with,
That was the Vigil-torment, if you please!
The poor old noble House that drew the rags
O' the Franceschini's once superb array
Close round her, hoped to slink unchallenged by,—
Pluck off these! Turn the drapery inside out
And teach the tittering town how scarlet wears!
Show men the lucklessness, the improvidence
Of the easy-natured Count before this Count,
The father I have some slight feeling for,
Who let the world slide, nor foresaw that friends
Then proud to cap and kiss their patron's shoe,
Would, when the purse he left held spider-webs,
Properly push his child to wall one day!

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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The Georgics

GEORGIC I

What makes the cornfield smile; beneath what star
Maecenas, it is meet to turn the sod
Or marry elm with vine; how tend the steer;
What pains for cattle-keeping, or what proof
Of patient trial serves for thrifty bees;-
Such are my themes.
O universal lights
Most glorious! ye that lead the gliding year
Along the sky, Liber and Ceres mild,
If by your bounty holpen earth once changed
Chaonian acorn for the plump wheat-ear,
And mingled with the grape, your new-found gift,
The draughts of Achelous; and ye Fauns
To rustics ever kind, come foot it, Fauns
And Dryad-maids together; your gifts I sing.
And thou, for whose delight the war-horse first
Sprang from earth's womb at thy great trident's stroke,
Neptune; and haunter of the groves, for whom
Three hundred snow-white heifers browse the brakes,
The fertile brakes of Ceos; and clothed in power,
Thy native forest and Lycean lawns,
Pan, shepherd-god, forsaking, as the love
Of thine own Maenalus constrains thee, hear
And help, O lord of Tegea! And thou, too,
Minerva, from whose hand the olive sprung;
And boy-discoverer of the curved plough;
And, bearing a young cypress root-uptorn,
Silvanus, and Gods all and Goddesses,
Who make the fields your care, both ye who nurse
The tender unsown increase, and from heaven
Shed on man's sowing the riches of your rain:
And thou, even thou, of whom we know not yet
What mansion of the skies shall hold thee soon,
Whether to watch o'er cities be thy will,
Great Caesar, and to take the earth in charge,
That so the mighty world may welcome thee
Lord of her increase, master of her times,
Binding thy mother's myrtle round thy brow,
Or as the boundless ocean's God thou come,
Sole dread of seamen, till far Thule bow
Before thee, and Tethys win thee to her son
With all her waves for dower; or as a star
Lend thy fresh beams our lagging months to cheer,
Where 'twixt the Maid and those pursuing Claws
A space is opening; see! red Scorpio's self
His arms draws in, yea, and hath left thee more
Than thy full meed of heaven: be what thou wilt-
For neither Tartarus hopes to call thee king,

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Street Missions

I don't know
Man, I just got here
You got me thinking
I'm about to leave
Some say maybe tomorrow
New direction, hello
What I know know know
What I know know know
I walk tall
I walk in the wild wind
I love to stare
I love to watch myself grow
Someday, maybe tomorrow
New direction, hello
Well I know know know
Well I know know know
Street mission
Street mission
Street mission
Street mission
And I'm promising nothing
I'm just living a smile
I casually arrange it
I know...well I know know know
Street mission
Street mission
Street mission
Street mission
I walk tall
I walk in the wild wind
I live an image
Of plastic and gold
Some say maybe tomorrow
A resurrection, hello
Well I know know know
Well I know know know
Well I know know know
Well I know know know
Oh...
Oh...
Oh...I need something
I need someone
I need you
Oh...I've got something
I've got someone
I've got you
Street mission
Street mission
Street mission
Good night

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Street Mission

I dont know
Man, I just got here
You got me thinking
Im about to leave
Some say maybe tomorrow
New direction, hello
What I know know know
What I know know know
I walk tall
I walk in the wild wind
I love to stare
I love to watch myself grow
Someday, maybe tomorrow
New direction, hello
Well I know know know
Well I know know know
Street mission
Street mission
Street mission
Street mission
And Im promising nothing
Im just living a smile
I casually arrange it
I know...well I know know know
Street mission
Street mission
Street mission
Street mission
I walk tall
I walk in the wild wind
I live an image
Of plastic and gold
Some say maybe tomorrow
A resurrection, hello
Well I know know know
Well I know know know
Well I know know know
Well I know know know
Oh...
Oh...
Oh...i need something
I need someone
I need you
Oh...Ive got something
Ive got someone
Ive got you
Street mission
Street mission
Street mission
Good night

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

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A Time To Feel Forlorn and Reconstruct What's Torn

There's a designated time in the universe for everything:

A time to limit, a time to expand.
A time to rise, time to lower and lend a hand.

A time to maintain, a time to abandon.
A time to develop, a time to rest at random.

A time to communicate, a time for silence.
A time to kiss your enemy, a time to concede wins.

A time to spite, a time to please.
A time for respite, a time to tease.

A time to process, a time to confess.
A time to do more. A time to do less.

A time to dominate. A time to captivate.
A time to plunge. A time to resurface straight.

A time to maximise. A time to minimise.
A time to diminish. A time to optimise.

A time to sacrifice. time to insist on rights.
A time to be selfish. A time to be concerned about plights.

A time to be big. A time to be small.
A time to care for a special one. A time to love all.

A time to add dimension. A time to simplify.
A time to advocate egalitarianism.
A time to exult.
A time to default.
A time to be accepting of imperfect humanism.

A time to enhance. A time to simplify.
A time to criticise. A time to dignify.

A time to produce. A time to use.
A time to relent. A time to refuse.

A time to demand. A time to give.
A time to die. a time to live.

A time to survive. A time to admit defeat.
A time to lie. A time to walk on your feet.

A time to compete. A time to not.
A time to remember. A time to concede you forgot.

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Zoo Station

Im ready
Ready for the laughing gas
Im ready
Ready for whats next
Ready to duck
Ready to dive
Ready to say
Im glad to be alive
Im ready
Im ready for the push
In the cool of the night
The wartmth of the breeze
Ill be crawling around
On my hands and knees
Shes just down the line ... zoo station
Got to make it on time ... zoo station
Im ready
Im ready for the gridlock
Im ready
To take it to the street
Ready for the shuffle
Ready for the deal
Ready to let go
Of the steering wheel
Im ready
Ready for the crush
Alright, alright, alright, alright, alright
Its alright...its alright...its alright...its alright
Hey baby...hey baby...hey baby...hey baby
Its alright
Its alright
Time is a train
Makes the future the past
Leaves you standing in the station
Your face pressed up against the glass
Im just down the line from your love...zoo station
Under the sign of your love...zoo station
Im gonna be there...zoo station
Tracing the line...zoo station
Im gonna make it on time...make it on time...zoo station
Just two stops down the line...zoo station
Just a stops down the line...zoo station

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My Buddy

Artist: dj jazzy jeff and the fresh prince
[fresh prince]
Id like to know, are you really for some super-dynamite soul?
Introducing the worlds greatest entertainer
The amazing mr. beat-beat himself
The hardest working beatbox in showbusiness
Ready rock!
[rr] ready, ready rock, ready rock c
[fp] tell em your name, tell em your name
[rr] ready rock, ready rock, ready rock, ready rock c
[fp] ooh that was nice ready
[rr] ready rock, rrrrrrrrrrrrr
Ready rock
[fp] hey man, hold up man
I think I wanna tell em a little about this man
Aight break it down ready, break it down
[fresh prince]
Please pay attention, to my rhymes
So I can tell you all about this pal of mine
Hes my buddy, my best friend
When its a beat I need its a beat hell land
I wanna take time-out, to talk about him
Cause frankly I dont know what I would do without him
We work together like a medical crew
When Im backin ready up {Im backin prince up too}
Tryin to beat us, that doesnt make any sense
Hes ready rock c, and Im the fresh prince
In the rap industry were ranked at first
Aint a better combination in the whole universe
So if you wanna battle your future looks muddy
That you just cant beat, my buddy
Word, break it down break it down ready
Weve won so many battles, people think its a trick
That when the crowd gets to judge its us that theyll pick
They see readys face and then they hear my voice
To choose us as the winners is the natural choice
Because battle after battle we remain on top
Cause its not the way we look, its the way that we rock
So if you thought you wanted to battle, bust this rhyme
Just keep it and Im sure that I can change your mind
There was ten wack dudes tryin to play high post
One crew got bold and they began to boast
But said, yall shut up and get back in line
But they refused {what happened now? } so now theres nine
Nine wack crews tryin to rock like this
They were bitin my rhymes and just couldnt resisit
I said please stop bitin, please dont imitate
But they kept on bitin, so theres now theres eight
Eight wack crews poppin big time trash
Tellin us that in a battle we cant last

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Love Is The Healer

So many times in my life
Ive been alone, left alone
Heart broken and
Turned around
I find myself
Crying in the night time
Dying out loud
In the night I sleeplessly
Wake up
From a dream thats
Tormenting me
I, i, i, i, I gotta get help
Oh, yeah
Love is the healer
Love is the healer
Come heal me
Love is the healer
Love is the healer
Set me free
Late at night I was afraid
And I tried to turn away
I was afraid to face
What in-evil-it-able is
Say you know the way
To find true freedom
Can you save yourself
From the pain youre feeling
Something in my head
That youre dreaming
That the angels said
Love is the healer
Love is the healer
Come heal me
Love is the healer
Love is the healer
Set me free
Love is the healer
Love is the healer
Come heal me
Love is the healer
Love is the healer
Set me free
I am on a mission, a mission of love
I am on a mission, a mission of love
I am on a mission, a mission of love
I am on a mission, a mission of love
I am on a mission, a mission of love
Love...is the healer
Love is the healer
Come as a healer

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Love Is The Healer (Album Version)

So many times in my life
I've been alone, left alone
Heart broken and
Turned around
I find myself
Crying in the night time
Dying out loud
In the night i sleeplessly
Wake up
From a dream that's
Tormenting me
I, i, i, i, i gotta get help
Oh, yeah
Love is the healer
Love is the healer
Come heal me
Love is the healer
Love is the healer
Set me free
Late at night i was afraid
And i tried to turn away
I was afraid to face
What in-evil-it-able is
Say you know the way
To find true freedom
Can you save yourself
From the pain you're feeling
Something in my head
That you're dreaming
That the angels said
Love is the healer
Love is the healer
Come heal me
Love is the healer
Love is the healer
Set me free
Love is the healer
Love is the healer
Come heal me
Love is the healer
Love is the healer
Set me free
I am on a mission, a mission of love
I am on a mission, a mission of love
I am on a mission, a mission of love
I am on a mission, a mission of love
I am on a mission, a mission of love
Love...is the healer
Love is the healer
Come as a healer

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Up For The Challenge

Up for the challenge,
And wearing brand new boots.
Up for the challenge.
I've got something to prove!
If I win or lose.

Depictions make no sense.
Whether intended,
Or made by accident.

Up for the challenge,
And wearing brand new boots.
Up for the challenge.
I've got something to prove!
If I win or lose.

Someone others thought a fool,
Maybe one who someday rules!

Some have no purpose but to fly at night like bats.
Some have no purpose but to chitter chat in packs.
Some have no purpose but to stir up tit for tats...
And,
Be petty like that.
'Cause...
That is where their minds are at!

Up for the challenge.
And I know that I can manage it!

Up for the challenge,
And wearing brand new boots.
Up for the challenge,
'Cause I've got something to prove.

Depictions make no sense.
Whether intended,
Or made by accident.
But I admit I get incensed,
When no one but me pays my rent!

'Oh? '

No 'Oh'.

Some have no purpose but to fly at night like bats.
And...
Some have no purpose but to chitter chat in packs.
And...
Some have no purpose but to stir up tit for tats.

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The Amber Whale

WE were down in the Indian Ocean, after sperm, and three years out;
The last six months in the tropics, and looking in vain for a spout,—
Five men up on the royal yards, weary of straining their sight;
And every day like its brother,—just morning and noon and night—
Nothing to break the sameness: water and wind and sun
Motionless, gentle, and blazing,—never a change in one.
Every day like its brother: when the noonday eight-bells came,
'Twas like yesterday; and we seemed to know that to-morrow would be the same.
The foremast hands had a lazy time: there was never a thing to do;
The ship was painted, tarred down, and scraped; and the mates had nothing new.
We'd worked at sinnet and ratline till there wasn't a yarn to use,
And all we could do was watch and pray for a sperm whale's spout—or news.
It was whaler's luck of the vilest sort; and, though many a volunteer
Spent his watch below on the look-out, never a whale came near,—
At least of the kind we wanted: there were lots of whales of a sort,—
Killers and finbacks, and such like, as if they enjoyed the sport
Of seeing a whale-ship idle; but we never lowered a boat
For less than a blackfish, —there's no oil in a killer's or finback's coat.
There was rich reward for the look-out men,—tobacco for even a sail,
And a barrel of oil for the lucky dog who'd be first to 'raise' a whale.
The crew was a mixture from every land, and many a tongue they spoke;
And when they sat in the fo'castle, enjoying an evening smoke,
There were tales told, youngster, would make you stare—stories of countless shoals
Of devil-fish in the Pacific and right-whales away at the Poles.
There was one of these fo'castle yarns that we always loved to hear,—
Kanaka and Maori and Yankee; all lent an eager ear
To that strange old tale that was always new,—the wonderful treasure-tale
Of an old Down-Eastern harpooneer who had struck an Amber Whale!
Ay, that was a tale worth hearing, lad: if 'twas true we couldn't say,
Or if 'twas a yarn old Mat had spun to while the time away.

'It's just fifteen years ago,' said Mat, 'since I shipped as harpooneer
On board a bark in New Bedford, and came cruising somewhere near
To this whaling-ground we're cruising now; but whales were plenty then,
And not like now, when we scarce get oil to pay for the ship and men.
There were none of these oil wells running then,—at least, what shore folk term
An oil well in Pennsylvania,—but sulphur-bottom and sperm
Were plenty as frogs in a mud-hole, and all of 'em big whales, too;
One hundred barrels for sperm-whales; and for sulphur-bottom, two.
You couldn't pick out a small one: the littlest calf or cow
Had a sight more oil than the big bull whales we think so much of now.
We were more to the east, off Java Straits, a little below the mouth,—
A hundred and five to the east'ard and nine degrees to the south;
And that was as good a whaling-ground for middling-sized, handy whales
As any in all the ocean; and 'twas always white with sails
From Scotland and Hull and New England,—for the whales were thick as frogs,
And 'twas little trouble to kill 'em then, for they lay as quiet as logs.
And every night we'd go visiting the other whale-ships 'round,
Or p'r'aps we'd strike on a Dutchman, calmed off the Straits, and bound
To Singapore or Batavia, with plenty of schnapps to sell

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The Athenaid: Volume III: Book the Twenty-eighth

While lamentation for Masistius dead
Depress'd the Persians, undisturb'd the Greeks
To all their camp refreshment had deriv'd
From clear Asopus. To th' accustom'd edge
Of his abounding flood they now resort.
Stones, darts and arrows from unnumber'd ranks,
Along the margin opposite dispos'd
By Mindarus, forbid access. Repulse
Disbands the Greeks. Exulting, he forgets
Cleora; active valour in his breast
Extinguishes the embers, cherish'd long
By self-tormenting memory, and warmth
Of fruitless passion. Present too his chief,
His friend and kinsman, from a fiery steed
Mardonius rules and stimulates the fight,
Like Boreas, riding on a stormy cloud,
Whence issue darts of light'ning, mix'd with hail
In rattling show'rs. The enemies dispers'd,
Embolden Mindarus to ford the stream.
In guidance swift of cavalry expert,
With unresisted squadrons he careers
Along the field. Inviolate the flood
He guards; each hostile quarter he insults.


Now Gobryas' son, unfetter'd from the bonds
Of superstitious terrors, joyful sees
In Mindarus a new Masistius rise;
Nor less the tidings Tiridates sends,
Who in Cithæron's passes hath despoil'd
The slaughter'd foes, inspire the gen'ral's thoughts,
Which teem with arduous enterprise. The camp
He empties all; beneath whose forming host
The meadow sounds. The native Persians face
Laconia's station, Greek allies oppose
Th' Athenian. All the force of Thebes array'd
Envenom'd Leontiades commands.


Greece in her lines sits tranquil; either host
Expects the other. By their augurs still
Restrain'd, they shun the interdicted ford.
But of the river's plenteous stream depriy'd
By Mindarus, the Grecians fear a dearth
Of that all-cheering element. A rill
Flows from a distant spring, Gargaphia nam'd,
Their sole resource. Nor dread of other wants
Afflicts them less; their convoy is o'erpow'r'd
By Tiridates. Anxious all exhaust
A night disturb'd; the bravest grieve the most,

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VI. Giuseppe Caponsacchi

Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,

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The Interpretation of Nature and

I.

MAN, being the servant and interpreter of Nature, can do and understand so much and so much only as he has observed in fact or in thought of the course of nature: beyond this he neither knows anything nor can do anything.


II.

Neither the naked hand nor the understanding left to itself can effect much. It is by instruments and helps that the work is done, which are as much wanted for the understanding as for the hand. And as the instruments of the hand either give motion or guide it, so the instruments of the mind supply either suggestions for the understanding or cautions.

III.

Human knowledge and human power meet in one; for where the cause is not known the effect cannot be produced. Nature to be commanded must be obeyed; and that which in contemplation is as the cause is in operation as the rule.

IV.

Towards the effecting of works, all that man can do is to put together or put asunder natural bodies. The rest is done by nature working within.

V.

The study of nature with a view to works is engaged in by the mechanic, the mathematician, the physician, the alchemist, and the magician; but by all (as things now are) with slight endeavour and scanty success.

VI.

It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.

VII.

The productions of the mind and hand seem very numerous in books and manufactures. But all this variety lies in an exquisite subtlety and derivations from a few things already known; not in the number of axioms.

VIII.

Moreover the works already known are due to chance and experiment rather than to sciences; for the sciences we now possess are merely systems for the nice ordering and setting forth of things already invented; not methods of invention or directions for new works.

IX.

The cause and root of nearly all evils in the sciences is this -- that while we falsely admire and extol the powers of the human mind we neglect to seek for its true helps.

X.

The subtlety of nature is greater many times over than the subtlety of the senses and understanding; so that all those specious meditations, speculations, and glosses in which men indulge are quite from the purpose, only there is no one by to observe it.

XI.

As the sciences which we now have do not help us in finding out new works, so neither does the logic which we now have help us in finding out new sciences.

XII.

The logic now in use serves rather to fix and give stability to the errors which have their foundation in commonly received notions than to help the search after truth. So it does more harm than good.

XIII.

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The Ghost - Book IV

Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;

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