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I prefer recording drums in the analog format, but that does not mean I would only do it that way.

quote by Randy Castillo
Added by Lucian Velea
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The Drums of Battersea

They can’t hear in West o’ London, where the worst dine with the best—
Deaf to all save lies and laughter, they can’t hear in London West—
Tailored brutes and splendid harlots, and the parasites that be—
They can’t hear the warning thunder of the Drums of Battersea.
More drums! War drums!
Drums of Misery—
Beating from the hearts of men—the Drums of Battersea.
Where the hearses hurry ever, and where man lives like a beast,
They can feel the war-drums beating—men of Hell! and London East.
And the far-off foreign farmers, fighting fiercely to be free,
Found new courage in the echo of the Drums of Battersea.
More drums! War drums!
Beating for the free—
Beating on the hearts of men—the Drums of Battersea.

And the drummers! Ah! the drummers!—stern and haggard men are those
Standing grimly at their meetings; and their washed and mended clothes
Speak of worn-out wives behind them and of grinding poverty—
But the English of the English beat the Drums of Battersea!
More drums! War drums!
Drums of agony—
The big bruised heart of England’s in the Drums of Battersea.

Where in fields slave Englishwomen, Oh! the sound of drums is there:
I have heard it in the laughter of the nights of Leicester Square—
Sailing southward with the summer, London but a dream to me,
Still I feel the distant thunder of the Drums of Battersea!
More drums! War drums!
Drums of Liberty—
Rolling round the English world—the Drums of Battersea.

Oh! I heard them in the Queen’s Hall—aye! and London heard that night—
While we formed up round the leaders while they struck one blow for right!
And the old strength, that old fire, that I thought was dead in me,
Blazed up fiercely at the beating of the Drums of Battersea!
More drums! War drums!
They beat for victory—
When above the roar of Jingoes rolled the Drums of Battersea.

And where’er my feet may wander, and howe’er I lay my head,
I shall hear them while I’m dreaming—I shall hear them when I’m dead!
For they beat for men and women, beat for Christ, and you and me:
There is hope and there is terror in the Drums of Battersea!
More drums! War drums!
Drums of destiny—
There’s hope!—there’s hope for England in the Drums of Battersea.

poem by Henry Lawson
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Possibilities

I prefer movies.
I prefer cats.
I prefer the oaks along the Warta.
I prefer Dickens to Dostoyevsky.
I prefer myself liking people
to myself loving mankind.
I prefer keeping a needle and thread on hand, just in case.
I prefer the color green.
I prefer not to maintain
that reason is to blame for everything.
I prefer exceptions.
I prefer to leave early.
I prefer talking to doctors about something else.
I prefer the old fine-lined illustrations.
I prefer the absurdity of writing poems
to the absurdity of not writing poems.
I prefer, where love's concerned, nonspecific anniversaries
that can be celebrated every day.
I prefer moralists
who promise me nothing.
I prefer cunning kindness to the over-trustful kind.
I prefer the earth in civvies.
I prefer conquered to conquering countries.
I prefer having some reservations.
I prefer the hell of chaos to the hell of order.
I prefer Grimms' fairy tales to the newspapers' front pages.
I prefer leaves without flowers to flowers without leaves.
I prefer dogs with uncropped tails.
I prefer light eyes, since mine are dark.
I prefer desk drawers.
I prefer many things that I haven't mentioned here
to many things I've also left unsaid.
I prefer zeroes on the loose
to those lined up behind a cipher.
I prefer the time of insects to the time of stars.
I prefer to knock on wood.
I prefer not to ask how much longer and when.
I prefer keeping in mind even the possibility
that existence has its own reason for being.

poem by Wislawa Szymborska
Added by Veronica Serbanoiu
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The Drums of Ages

Drums of all that’s right and wrong—of love and hate and scorn,
And the new-born baby hears them and it wails when it is born.
Drums of all that is to be, and all that has gone by,
And we hear them when we’re dreaming, and we hear them while we die.

Drums of martyred innocence and drums of driven guilt
Beating backward from the future when the first rude town was built;
Beating louder through the slave days and the dark and hungry nights,
While the hovels filled the valleys and the castles crowned the heights;
Beating louder while the mansions shifted east from miles of slums—
Don’t you hear them? Don’t you hear them? Don’t you hear the alley drums?

Drums of human sacrifice and drums of war at home—
While the Romans conquered nations they were beating loud in Rome.
Children heard them through the ages, mothers paused and glanced behind,
Madmen saw and heard the drummers, but the rest were deaf and blind.
Peasants starved on fields of plenty, workmen rotted in the slums—
Till the drummers came to Paris and the nations heard the drums.

Drums of hope and bursting hearts—the drums of Westward Ho!—
From the homes of generations and their native land they go.
’Groom and bride and grey-haired mother, bent old men who go alone—
Fleeing bitter persecution for the terrible unknown:
Seeking freedom, rest, or justice—and the peace that never comes—
And the wilderness was conquered when the pilgrims beat their drums.

Drums of Greed that followed fast where men had made the way,
Waking drums of stern rebellion when the exiles turned at bay,
Spreading death and desolation, breeding old-world hells anew,
Until England lost a nation for the blindness of a few.
Still the dirty Jewish talon reached from palaces and slums
Till a hundred thousand English died to stop the farmers’ drums.

Drums of tortured hearts o’ men—the drums that never ceased—
Throbbing through the British Empire from the heart of London East;
Growling louder still wherever, in the wake of those who lead,
Comes the murmur of the board-room and the stealthy steps of greed;
Growling through the Southern cities, murmuring in the Western gums,
Till the Empire falls to pieces at the beating of the drums!

Drums of all that’s right and wrong—of love and hate and scorn;
And the new-born baby hears them, and he wails when he is born.
Drums of all that is to be, and all that has gone by—
And we hear there when we’re dreaming, and we hear then while we die.

poem by Henry Lawson
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England In Egypt

FROM the dusty jaded sunlight of the careless Cairo streets,
Through the open bedroom window where the pale blue held the
palms,
There came a sound of music, thrilling cries and rattling beats,
That startled me from slumber with a shock of sweet alarms
For beneath this rainless heaven with this music in my ears
I was born, and all my boyhood with its joy was glorified,
And for me the ranging Red-coats hold a passion of bright tears,
And the glancing of the bayonets lights a hell of savage pride.
So I leaped and ran, and looked,
And I stood, and listened there,
Till I heard the fifes and drums,
Till I heard the fifes and drums,
The fifes and drums of England
Thrilling all the alien air! —
And 'England, England, England,'
I heard the wild fifes cry,
'We are here to rob for England,
And to throttle liberty!'
And 'England, England, England,'
I heard the fierce drums roar,
'We are tools for pious swindlers
And brute bullies evermore!'
And the silent Arabs crowded, half-defiant, half-dismayed.
And the jaunty fifers fifing flung their challenge to the breeze,
And the drummers kneed their drums up as the reckless drumsticks
played,
And the Tommies all came trooping, tripping, slouching at their ease.
Ah Christ, the love I bore them for their brave hearts and strong
Ah! Christ, the hate that smote me for their stupid dull conceits —
I know not which was greater, as I watched their conquering bands
In the dusty jaded sunlight of the sullen Cairo streets.
And my dream of love and hate
Surged, and broke, and gathered there,
As I heard the fifes and drums,
As I heard the fifes and drums,
The fifes and drums of England
Thrilling all the alien air! —
And 'Tommy, Tommy, Tommy,'
I heard the wild fifes cry,
'Will you never know the England
For which men, not fools, should die?'
And 'Tommy, Tommy, Tommy,'
I heard the fierce drums roar,
'Will you always be a cut-throat
And a slave for evermore?'
No, I shall never see it with these weary death-dim eyes,
The hour of Retribution, the hour of Fate's desire,
When before the outraged millions, as at last — at last they rise,
The rogues and thieves of England are as stubble to the fire!

[...] Read more

poem by Francis William Lauderdale Adams
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Senlin: His Futile Preoccupations

1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances
Lifting her hands, tossing her golden hair.
She combs her hair, the room of rock is darkened,
She extends herself in me, and I am sleep.
It is my pride that starlight is above me;
I dream amid waves of air, my walls are deep.

I am a door . . . before me roils the darkness,
Behind me ring clear waves of sound and light.
Stand in the shadowy street outside, and listen--
The crying of violins assails the night . . .
My walls are deep, but the cries of music pierce them;
They shake with the sound of drums . . . yet it is strange
That I should know so little what means this music,
Hearing it always within me change and change.

Knock on the door,--and you shall have an answer.
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,--
And startled, then, what a strange thing you will see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere.
I am a room, a house, a street, a town.

2

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.

Vine leaves tap my window,

[...] Read more

poem by Conrad Potter Aiken
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Choices

i prefer smooth peanut butter
to crunchy
mind you
crunchy is all right
but i prefer smooth.

i prefer strawberry jam
to raspberry
mind you
raspberry is tasty
but it's got all those seeds
and i prefer strawberry.

i prefer mustard
to mayonaisse
mind you mayonaisse has it's place
amongst condiments
but is likely to go bad
if left out to long
and poison everyone
so on the whole i prefer mustard.

i prefer cooked meat
to raw meat
for much the same reason
as i prefer mustard to mayonaisse
although it also has to do
with the fact that i don't
like my meat to bleat
or moo or make chicken noises (BAGOCK!)
when i eat
so i tend to avoid the raw
though mind you
the meat that i prefer
may at some time have been raw.

i prefer not to say
why i think so
but i do
and i suppose it's all
just a matter of taste
so if you'd prefer to think so
then crunchy is better
than smooth
even if it does interfere
with the texture of the
peanut butter
and jelly (strawberry) sandwich
which ought to be somewhat
devoid of substance

[...] Read more

poem by Laura Sewell
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Johnny, I Hardly Knew Ye

WHILE going the road to sweet Athy,
Hurroo! hurroo!
While going the road to sweet Athy,
Hurroo! hurroo!
While going the road to sweet Athy,
A stick in my hand and a drop in my eye,
A doleful damsel I heard cry:
“Och, Johnny, I hardly knew ye!

“With drums and guns, and guns and drums,
The enemy nearly slew ye;
My darling dear, you look so queer,
Och, Johnny, I hardly knew ye!

“Where are your eyes that looked so mild?
Hurroo! hurroo!
Where are your eyes that looked so mild?
Hurroo! hurroo!
Where are your eyes that looked so mild,
When my poor heart you first beguiled?
Why did you run from me and the child?
Och, Johnny, I hardly knew ye!
With drums, etc.

“Where are the legs with which you run?
Hurroo! hurroo!
Where are thy legs with which you run?
Hurroo! hurroo!
Where are the legs with which you run
When first you went to carry a gun?
Indeed, your dancing days are done!
Och, Johnny, I hardly knew ye!
With drums, etc.

It grieved my heart to see you sail,
Hurroo! hurroo!
It grieved my heart to see you sail,
Hurroo! hurroo!
It grieved my heart to see you sail,
Though from my heart you took leg-bail;
Like a cod you’re doubled up head and tail,
Och, Johnny, I hardly knew ye!
With drums, etc.

“You haven’t an arm and you haven’t a leg,
Hurroo! hurroo!
You haven’t an arm and you haven’t a leg,
Hurroo! hurroo!
You haven’t an arm and you haven’t a leg,
You’re an eyeless, noseless, chickenless egg;

[...] Read more

poem by Anonymous English
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Sound Of Drums

I hear the sound of drums on a melody
I hear the sound of drums
Well, singing the names above in the city
Yeah, revolution for fun
I feel the time has come like a remody
I feel the time has come
Were shaking the spear of love in the city
Yeah, I hear the sound of drums
Yeah, can you feel the love for me, yeah yeah
I feel the time has come
I hear the sound of drums
I hear the sound of drums on a melody,
Calling me to return
Well, I laugh and catch the sun
cause its gonna be revolution for fun
Yeah, can you feel the love for me, yeah yeah
I feel the time has come
I hear the sound of drums..oh oohh...
Well, I feel the time has come with the melody
I see the golden one
Well, Im not the only one with the remedy
Im not the only one
I feel the time has come
I hear the sound of drums

song performed by Kula Shaker
Added by Lucian Velea
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Banging On My Drum

Im banging on my drum
Im banging on my drum
Then banging on my drum, boy
And Im having lots of fun
Im banging on my drums, yeah
Im banging on my drums
Im banging on my drum, now baby
And Im having lots of fun
Im banging on my drum
Im banging on my drum
Im banging on my drums, boy
And Im having lots of fun
Im banging on my one, huh, my one
Yeah, my, my drum
Im banging on my one, my drums, my one
Im banging on my drum
Yeah, Im banging on drums, yeah
Yeah, Im banging on drum
Yeah, Im banging on drums, now, now
And Im having lots of fun, fun, fun
Yeah

song performed by Lou Reed
Added by Lucian Velea
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D Is For Drums

JL: Hey John.
JF: Oh, hey John.
JL: What's going on?
JF: Man, I'm confused.
JL: You're confused? Why?
JF: I'm no good at remembering stuff.
JL: Really?
JF: Yeah.
JL: Like what?
JF: I can't remember what 'D' is for.
JL: You can't remember what 'D' is for?
JF: I think it's for an instrument that you play in a band.
JL: I'm surprised you can't remember what 'D' is for.
JF: I can't remember there's too much noise.
JL: Put your Thinking Cap on John, I'll give you a hint.
JF: See, I can't find my Thinking Cap.I think it's lost.
JL: John, come on, tell me. 'D' is for what?
JF: 'D' is for something that you play with sticks.
JL: That's right, that's right. You're getting close.
JF: 'D' is for drums!
Both: Yes, 'D' is for drums!
'D' is for drums!
Yes, 'D' is for drums!
JL: Well, I'm glad we got that straight.
JF: Hey John.
JL: Yeah.
JF: I need some juice.
JL: I got some juice.
JF: Well, let's go to your house.
JL: Okay, I'll meet you over there.
JF: Okay.
'D' is for drums! 'D' is for drums!

song performed by They Might Be Giants
Added by Lucian Velea
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Beat! Beat! Drums!

BEAT! beat! drums!--Blow! bugles! blow!
Through the windows--through doors--burst like a ruthless force,
Into the solemn church, and scatter the congregation;
Into the school where the scholar is studying;
Leave not the bridegroom quiet--no happiness must he have now with
his bride;
Nor the peaceful farmer any peace, plowing his field or gathering his
grain;
So fierce you whirr and pound, you drums--so shrill you bugles blow.

Beat! beat! drums!--Blow! bugles! blow!
Over the traffic of cities--over the rumble of wheels in the streets:
Are beds prepared for sleepers at night in the houses? No sleepers
must sleep in those beds; 10
No bargainers' bargains by day--no brokers or speculators--Would they
continue?
Would the talkers be talking? would the singer attempt to sing?
Would the lawyer rise in the court to state his case before the
judge?
Then rattle quicker, heavier drums--you bugles wilder blow.

Beat! beat! drums!--Blow! bugles! blow!
Make no parley--stop for no expostulation;
Mind not the timid--mind not the weeper or prayer;
Mind not the old man beseeching the young man;
Let not the child's voice be heard, nor the mother's entreaties;
Make even the trestles to shake the dead, where they lie awaiting the
hearses, 20
So strong you thump, O terrible drums--so loud you bugles blow.

poem by Walt Whitman
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Analog or Digital

Digital is absolute, on or off, zero or infinity.
Analog is steadily changing, never absolute.
Cyberpunk is climbing towards reality with novelty.
Do we see it as an end point or another transition?
Is science fiction imagination or prediction?
Does it depend on the human motive or imagination?
What is the nature of reality?
All of creation is good, even upon death.
All is potential, nothing is dead.
Even upon death, these things persist.
We speak in absolutes. We think in absolutes.
Or we think in analog, hopefully.
Both are valuable and detrimental.

poem by Poet Dragon
Added by Poetry Lover
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Wajah Pagi di Wajahmu yang Malam Memancar Cahaya Malammu di Wajah Pagi

Sudah berapa banyak angka dari kalender
Merawat nyeri dari luka paragraf soliloqui
Pada bangunan yang dipurbakan
Setiap jeda waktu terteriak di mulutmu
Serupa dengung tawon dalam hutan
Deru suaramu meruwat perjalanan ngilu

Ngilu: Kau ceritakan lagi pagi ini
Seperti pagi yang lalu tanpa ingata
Mungkin di pagi yang lain, insomniamu
Dan kamu akan datang lagi, ceritakan nyeri
Pada kematian di hamparan panggung teater lengang
Lalu tegang di wajahmu
Lalu tenang seolah-olah
Pada bait-bait puisi
Yang kau sesalkan sebelum tidur
Lalu mimpi buruk melumat sesal
Sembunyikan ketakutan di bibirmu

Bibirmu: Cerita ngilu di sebuah pagi
"pada akhirnya batang tubuh berakal ini
menjadi analog-analog kecil dalam satwa
yang kau juga aku mengembunkannya
pada imajinasi untuk sesuap nasi."

Kau diam sebentar, bercakap kecil
Kulihat ke dalam matamu, ada luka

"Luka itu kawan, yang membuat senyum
di kanvas pagi yang ngilu pada ceritaku
selain luka tak ada lagi untuk sebuah cerita
dan kenangan hanya maut yang tak kukenal."

Kata-katamu menetaskan api pagi ini
Sebagaimana aksara di bibir penyair itu
Telah membakar puisi dan mengabu kini
Terhempas ke ladang-ladang petani
Terhimpit map-map plastik di kantor-kantor
Menempel di wajahmu sendiri
Pagi ini, lembut. Legam.

Kau diam kemudian
Sambil menunjuk jari ke tubuh ayam betina
Yang mencari makan sisa angin dan embun segar semalam
Jika hujan tak membawanya pergi
Dan kau tak mencolongnya untuk sepenggal diksi

"Lihatlah ayam betina itu, tenang dan tentram."

Sebab tak punyai kata-kata untuk luka

[...] Read more

poem by Selendang Sulaiman
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Healthy Back Bag

animated bag of chips
amor dive bag
american eagle outfitters bags
ambag poly bags wholesale
american airlines bag limits
american beauty plastic bag theme mp3
amf bowling bag
aluminum tab weave bag
ampac tote bags
american trails atv bag
american tourister bonneville ii garment bag
alt ieri bassoon bag
almond flavored tea bags
ameribag shoulder bags
a mco saddel bags 1977
an enema bag for men
amulet bag book
analyse art falconers bag
amy butler sweet life bag
alto sax bag
alpha kappa alpha diva tote bag
amylou bag in eureka ca
ani hand bags
american west rodeo bags
amex insurance for delayed bags
an interchangeable foundation bag
al verio martini bags
animal bag mp3
american trail ventures atv cargo bags
aluminium coated plastic bags
amy butlet runaway bag pattern
angel bag
animae bop bag
allowed to carry on garment bag
a nimal bag print tote
an imal overnight bag
aloksak bags
amz bag fun src
ameribag microfiber bag
american tourister laptop bag
allied waste service blue bags
american indian medicine bags
alternative to plastic trash bags
amish buggy bag
alpha poly bag
ammo shoulder bag
american sign language tote bags
animated gif people with hand bags
amazing bag grace pipe
altieri bags

[...] Read more

poem by Rwetewrt Erwtwer
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The History of Now

The recording of culture is history;
but our culture is more than that.
It's the world of human action,
and the myths we make of the fact.

The recording of history is culture,
but our history is more than that.
It informs a hidden agenda.
Unconscious of motive we act.

It's the history of now, the history of now.
It's only the present that exists as endowed.
It's the history of now. The moment - KAPOW!
That knocks you right over and muddies your brow.

Through the prism of language, we know what we know.
We carry our baggage and stories of woe.
Victor and vanquished pride cannot budge,
the dead weight of hatred and ancestral grudge.

We fight our good fights with our hand on our heart;
the music is swelling as loved ones depart.
As sheep to the slaughter, the script cannot chart,
a course more ignoble: the propagandist's art.

The recording of history is culture,
but our culture is more than that.
More than the great individuals,
the scholars so love in their tracts.

The recording of culture is history;
but our history is more than that.
Not simple dates or statistics,
the full horror and gore still attracts.

It's the history of now, the history of now.
A strange contradiction that makes sense somehow.
It's the history of now, a mystery and shroud.
The past and the future: best fiction allowed.

poem by David SmithWhite
Added by Poetry Lover
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I Prefer The Moonlight

I prefer the moonlight
When temptin eyes cross the room
Said to me Id love to be with you
Im not tempted for a moment
I just think about my woman
My baby calls me on the phone
Telling me I need to hurry home
Well the hurryin is easy
cause shes waiting up
With all the love Im needin
I prefer the moonlight, and a blanket
And the one right little lady by my side
Thats what I like
I prefer a late drive down the turnpike
With the moonlight shinin so bright
Got her by my side
Thats what Id like
When its magic moment time,
I prefer the moonlight
The river plays a quiet song
She and I lay down and play along
Shes her mothers lovely daughter
Moonlight dances on the water
The moon is full and so am i
I look at her and feel like I could cry
But my tears contain no sorrow
cause I know shell wake up by my side tomorrow
I prefer...
Mornin noon and night,
When the feelin comes around
Somewhere in some sky
That ol moon is surely shinin bright
I prefer...

song performed by Kenny Rogers
Added by Lucian Velea
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Dr Livingstone

Steam ship, sail down the river
Fight the mosquitoes that fly in a swarm
White smoke covers the jungle
See Dr. Livingston land with a thunk
Down where the sad willows gather
Young women weep for their dying babies
I am a white man in Africa
If I were to stay here
There'd be no one to save me
I hear the drums
I know it's urgent
I hear survival in his hands
Switch to record
I get the picture
But I will never understand
Mad world, invisible army
Blow up the bridges and come like a storm
Young girl, eyes full of promise
Carry the baby and keeping it warm
Down where the sad willows gather
Young men go down on their knees
I am a white man in Africa
With more than just my god to appease
I hear the drums
I know it's urgent
I hear survival in his hands
Switch to record
I get the picture
But I will never understand
How there is love in his face
'Midst of all this waste
In the Mozambique sun
Under the gun
I hear the drums
I hear survival in his hands
I hear the drums
There is a curse upon this land
I hear the drums
I know it's urgent
I hear survival in his hands
Hit record
Get the picture
I will never understand
Carry the sound and the fury
Left all alone in a war zone
Carry the sound and the fury
Hours later
Thoughts of my bed
Leave me tired and ready for sleep
So tell me about all the places you go

[...] Read more

song performed by Crowded House
Added by Lucian Velea
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Sad-eyed Lady Of The Lowlands

With your mercury mouth in the missionary times,
And your eyes like smoke and your prayers like rhymes,
And your silver cross, and your voice like chimes,
Oh, who among them do they think could bury you?
With your pockets well protected at last,
And your streetcar visions which you place on the grass,
And your flesh like silk, and your face like glass,
Who among them do they think could carry you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?
With your sheets like metal and your belt like lace,
And your deck of cards missing the jack and the ace,
And your basement clothes and your hollow face,
Who among them can think he could outguess you?
With your silhouette when the sunlight dims
Into your eyes where the moonlight swims,
And your match-book songs and your gypsy hymns,
Who among them would try to impress you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?
The kings of tyrus with their convict list
Are waiting in line for their geranium kiss,
And you wouldnt know it would happen like this,
But who among them really wants just to kiss you?
With your childhood flames on your midnight rug,
And your spanish manners and your mothers drugs,
And your cowboy mouth and your curfew plugs,
Who among them do you think could resist you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?
Oh, the farmers and the businessmen, they all did decide
To show you the dead angels that they used to hide.
But why did they pick you to sympathize with their side?
Oh, how could they ever mistake you?
They wished youd accepted the blame for the farm,
But with the sea at your feet and the phony false alarm,
And with the child of a hoodlum wrapped up in your arms,
How could they ever, ever persuade you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my arabian drums,

[...] Read more

song performed by Bob Dylan
Added by Lucian Velea
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Dirge For Two Veterans

THE last sunbeam
Lightly falls from the finish'd Sabbath,
On the pavement here--and there beyond, it is looking,
Down a new-made double grave.

Lo! the moon ascending!
Up from the east, the silvery round moon;
Beautiful over the house tops, ghastly phantom moon;
Immense and silent moon.

I see a sad procession,
And I hear the sound of coming full-key'd bugles; 10
All the channels of the city streets they're flooding,
As with voices and with tears.

I hear the great drums pounding,
And the small drums steady whirring;
And every blow of the great convulsive drums,
Strikes me through and through.

For the son is brought with the father;
In the foremost ranks of the fierce assault they fell;
Two veterans, son and father, dropt together,
And the double grave awaits them. 20

Now nearer blow the bugles,
And the drums strike more convulsive;
And the day-light o'er the pavement quite has faded,
And the strong dead-march enwraps me.

In the eastern sky up-buoying,
The sorrowful vast phantom moves illumin'd;
('Tis some mother's large, transparent face,
In heaven brighter growing.)

O strong dead-march, you please me!
O moon immense, with your silvery face you soothe me! 30
O my soldiers twain! O my veterans, passing to burial!
What I have I also give you.

The moon gives you light,
And the bugles and the drums give you music;

[...] Read more

poem by Walt Whitman
Added by Poetry Lover
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Street-Cheap-Meat

You've given me up to boost danger.
A mistake made with a stranger.
Who knocked on your door proposing,
With a cut glass rock and plated gold.

And street-cheap-meat!
Oh...
You've given me up to boost danger.
A mistake made with a stranger.
Who knocked on your door proposing,
With a cut glass rock and plated gold.

Our minds were united,
And tight for a lifetime.
We sought for that right time...
When we'd be together,
Forever and ever.

Our minds were united,
And tight for a lifetime.
We sought for that right time...
When we'd be together,
Forever and ever.

But,
You've given me up to boost danger.
A mistake made with a stranger.
Who knocked on your door proposing,
With a cut glass rock and plated gold.

And street-cheap-meat!
Oh...
Our minds were united,
And tight for a lifetime.
We sought for that right time...
When we'd be together,
Forever and ever.
But you prefer street-cheap-meat.

Our minds were united,
And ripe for that lifetime.
But you prefer street-cheap-meat.

Our minds were united,
And ripe for that lifetime.
But you prefer street-cheap-meat.

Our minds were united,
And ripe for that lifetime.
But you prefer street-cheap-meat.

[...] Read more

poem by Lawrence S. Pertillar
Added by Poetry Lover
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