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The foolish are like ripples on water, For whatsoever they do is quickly effaced; But the righteous are like carvings upon stone, For their smallest act is durable.

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The Tower Beyond Tragedy

I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.

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XI. Guido

You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock

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Prince Hohenstiel-Schwangau, Saviour of Society

Epigraph

Υδραν φονεύσας, μυρίων τ᾽ ἄλλων πόνων
διῆλθον ἀγέλας . . .
τὸ λοίσθιον δὲ τόνδ᾽ ἔτλην τάλας πόνον,
. . . δῶμα θριγκῶσαι κακοῖς.

I slew the Hydra, and from labour pass'd
To labour — tribes of labours! Till, at last,
Attempting one more labour, in a trice,
Alack, with ills I crowned the edifice.

You have seen better days, dear? So have I —
And worse too, for they brought no such bud-mouth
As yours to lisp "You wish you knew me!" Well,
Wise men, 't is said, have sometimes wished the same,
And wished and had their trouble for their pains.
Suppose my Œdipus should lurk at last
Under a pork-pie hat and crinoline,
And, latish, pounce on Sphynx in Leicester Square?
Or likelier, what if Sphynx in wise old age,
Grown sick of snapping foolish people's heads,
And jealous for her riddle's proper rede, —
Jealous that the good trick which served the turn
Have justice rendered it, nor class one day
With friend Home's stilts and tongs and medium-ware,—
What if the once redoubted Sphynx, I say,
(Because night draws on, and the sands increase,
And desert-whispers grow a prophecy)
Tell all to Corinth of her own accord.
Bright Corinth, not dull Thebes, for Lais' sake,
Who finds me hardly grey, and likes my nose,
And thinks a man of sixty at the prime?
Good! It shall be! Revealment of myself!
But listen, for we must co-operate;
I don't drink tea: permit me the cigar!
First, how to make the matter plain, of course —
What was the law by which I lived. Let 's see:
Ay, we must take one instant of my life
Spent sitting by your side in this neat room:
Watch well the way I use it, and don't laugh!
Here's paper on the table, pen and ink:
Give me the soiled bit — not the pretty rose!
See! having sat an hour, I'm rested now,
Therefore want work: and spy no better work
For eye and hand and mind that guides them both,
During this instant, than to draw my pen
From blot One — thus — up, up to blot Two — thus —
Which I at last reach, thus, and here's my line
Five inches long and tolerably straight:

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Cool, Cool Water

Coolin so coolin coolin me
Coolin so coolin coolin me
Have some cool clear water
(drink a little drip drip drip drip drink a little)
(water coolin me)
Have some cool clear water
(drink a little drip drip drip drip drink a little)
(water coolin me)
Have some cool clear water
Have some cool clear water
Have some cool clear water
(drink a little drip drip drip drip drink a little)
Have some water
Coolin so coolin coolin me
Coolin so coolin coolin me
Have some cool clear water
(drink a little drip drip drip drip drink a little)
(water coolin me)
Have some cool clear water
Have some cool clear water
(drink a little drip drip drip drip drink a little)
Have some cool clear water
Have some cool clear water
(drink a little drip drip drip drip drink a little)
Have some water
Water water water water water water
Now now-now-now-now
Now now-now-now-now
Now now-now-now-now
Now now-now-now-now
Now now-now-now-now
Now now-now-now-now
Now now-now-now-now
Ah ah ah ah
Wa ah ah wa ah oo oo oo oo ah ah
Coolin so cool coolin me
Coolin so cool coolin me
(drip drip drip drip drink a little drip drip drip drip)
Coolin so cool coolin me
(drip drip drip drip drink a little drip drip drip drip)
Coolin so cool coolin me
(drip drip drip drip drink a little drip drip drip drip)
Coolin so cool coolin me
(drip drip drip drip drink a little drip drip drip drip)
When the heats got you down
Heres what you oughta
Get yourself in that cool cool water
(coolin so cool coolin me)
Cool cool water
Get yourself in that cool cool water

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Roan Stallion

The dog barked; then the woman stood in the doorway, and hearing
iron strike stone down the steep road
Covered her head with a black shawl and entered the light rain;
she stood at the turn of the road.
A nobly formed woman; erect and strong as a new tower; the
features stolid and dark
But sculptured into a strong grace; straight nose with a high bridge,
firm and wide eyes, full chin,
Red lips; she was only a fourth part Indian; a Scottish sailor had
planted her in young native earth,
Spanish and Indian, twenty-one years before. He had named her
California when she was born;
That was her name; and had gone north.
She heard the hooves and
wheels come nearer, up the steep road.
The buckskin mare, leaning against the breastpiece, plodded into
sight round the wet bank.
The pale face of the driver followed; the burnt-out eyes; they had
fortune in them. He sat twisted
On the seat of the old buggy, leading a second horse by a long
halter, a roan, a big one,
That stepped daintily; by the swell of the neck, a stallion. 'What
have you got, Johnny?' 'Maskerel's stallion.
Mine now. I won him last night, I had very good luck.' He was
quite drunk, 'They bring their mares up here now.
I keep this fellow. I got money besides, but I'll not show you.'
'Did you buy something, Johnny,
For our Christine? Christmas comes in two days, Johnny.' 'By
God, forgot,' he answered laughing.
'Don't tell Christine it's Christmas; after while I get her something,
maybe.' But California:
'I shared your luck when you lost: you lost me once, Johnny, remember?
Tom Dell had me two nights
Here in the house: other times we've gone hungry: now that
you've won, Christine will have her Christmas.
We share your luck, Johnny. You give me money, I go down to
Monterey to-morrow,
Buy presents for Christine, come back in the evening. Next day
Christmas.' 'You have wet ride,' he answered
Giggling. 'Here money. Five dollar; ten; twelve dollar. You
buy two bottles of rye whiskey for Johnny.'
A11 right. I go to-morrow.'
He was an outcast Hollander; not
old, but shriveled with bad living.
The child Christine inherited from his race blue eyes, from his
life a wizened forehead; she watched
From the house-door her father lurch out of the buggy and lead
with due respect the stallion
To the new corral, the strong one; leaving the wearily breathing
buckskin mare to his wife to unharness.

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Water

The foreman over there hates the gang,
The foreman over there hates the gang,
The poor people on the farms get it so rough,
The poor people on the farms get it so rough,
Truck drivers drive like the devil,
Truck drivers drive like the devil,
The policemen theyre acting so tough.
The policemen theyre acting so tough.
They need water,
They need water,
Good water,
Good water,
They need water,
They need water,
And Im sure there isnt one of us here
And Im sure there isnt one of us here
Whod say no to somebodys daughter.
Whod say no to somebodys daughter.
No, no, no, no, no.
No, no, no, no, no.
The foreman over there hates the gang,
The foreman over there hates the gang,
The poor people on the farms get it so rough,
The poor people on the farms get it so rough,
Truck drivers drive like the devil,
Truck drivers drive like the devil,
The policemen theyre acting so tough.
The policemen theyre acting so tough.
They need water,
They need water,
Good water,
Good water,
They need water,
They need water,
And maybe somebodys daughter.
And maybe somebodys daughter.
Indian lake is burning,
Indian lake is burning,
The new york skyline is hazy,
The new york skyline is hazy,
The river thames is turning dry,
The river thames is turning dry,
The whole world is blazing.
The whole world is blazing.
We need water,
We need water,
Wow yeah good water,
Wow yeah good water,
Ooh we need water,
Ooh we need water,

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We The Cats

And the time is right
And tonight's the night
Alreed-alright
Come on, old man, come on
We the cats shall hep ya
So reap this righteous riff
Here's the beat to hep ya
So reap this righteous riff
Well, you gotta come on like gi's
You dig the repeat with me and sigh
Put it right on the lee high
Then you can really get by, oh my
We the cats shall hep ya
So reap this righteous riff
Now you're hep i'll betcha
So reap this righteous riff
Well, we the cats shall hep ya
So reap this righteous riff
Here's the beat to hep ya
So reap this righteous riff
Well, you gotta come on like gi's
You dig the repeat with me and sigh
Put it right on the lee high
Then you can really get by, oh my
We the cats shall hep ya
So reap this righteous riff
Now you're hep i'll betcha
So reap this righteous riff
Well, we the cats shall hep ya
So reap this righteous riff
Here's the beat to hep ya
So reap this righteous riff
Well, you gotta come on like gi's
You dig the repeat with me and sigh
Put it right on the lee high
Then you can really get by, oh my
We the cats shall hep ya
So reap this righteous riff
Now you're hep i'll betcha
Skibble-de-dooba
Skibble-de-boy-boy
Skibble-de-reeba
This righteous, this righteous riff

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We The Cats (Shall Hep Ya)

(words and music by Cab Calloway and Jack Palmer)
And the time is right
And tonight's the night
Alreed-alright
Come on, old man, come on
We the cats shall hep ya
So reap this righteous riff
Here's the beat to hep ya
So reap this righteous riff
Well, you gotta come on like GI's
You dig the repeat with me and sigh
Put it right on the lee high
Then you can really get by, oh my
We the cats shall hep ya
So reap this righteous riff
Now you're hep I'll betcha
So reap this righteous riff
Well, we the cats shall hep ya
So reap this righteous riff
Here's the beat to hep ya
So reap this righteous riff
Well, you gotta come on like GI's
You dig the repeat with me and sigh
Put it right on the lee high
Then you can really get by, oh my
We the cats shall hep ya
So reap this righteous riff
Now you're hep I'll betcha
So reap this righteous riff
(instrumnetal break)
Well, we the cats shall hep ya
So reap this righteous riff
Here's the beat to hep ya
So reap this righteous riff
Well, you gotta come on like GI's
You dig the repeat with me and sigh
Put it right on the lee high
Then you can really get by, oh my
We the cats shall hep ya
So reap this righteous riff
Now you're hep I'll betcha
Skibble-de-dooba
Skibble-de-boy-boy
Skibble-de-reeba
This righteous, this righteous riff

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Tamar

I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.

The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,

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Turn To Stone

The city streets are empty now the lights dont shine no more
And so the songs are way down low turning turning turning
A sound that flows into my mind the echoes of the daylight
Of everything that is alive in my blue world
I turn to stone when you are gone, I turn to stone.
Turn to stone when you comin home, I cant go on.
The dying embers of the night a fire that slowly fades till dawn
Still glow upon the wall so bright burning burning burning
The tired streets that hide away from here to everywhere they go
Roll past my door into the day in my blue world
I turn to stone when you are gone, I turn to stone.
Turn to stone when you comin home, I cant go on.
Turn to stone when you are gone, I turn to stone.
Yes, Im turnin to stone cos you aint comin home.
Why you aint comin home if Im turnin to stone?
Youve been gone for so long and I cant carry on,
Yes, Im turnin, Im turnin, Im turnin to stone.
The dancing shadows on the wall the two-step in the hall
Are all I see since youve been gone turning turning turning
Through all I sit here and I wait I turn to stone I turn to stone
You will return again some day to my blue world
I turn to stone when you are gone, I turn to stone.
Turn to stone when you comin home, I cant go on.
Turn to stone when you are gone, I turn to stone.
I turn to stone when you are gone, I turn to stone.
Turn to stone when you comin home, I cant go on.
Turn to stone when you are gone, I turn to stone.

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I Go Swimming

Ooh, I go swimming, swimming in the water
Swimming in the river, swimming in the sea
I go swimming
I go swimming, swimming in the water
Swimming in the pool, swimming is cool
I go swimming
The sun is burning, I am yearning
For the waterflow (waterflow)
Next to my skin i, like to begin a
Waterflow (waterflow)
Letting off steam I float in a dream,
I cant let go (cant let go)
Follow my wishes, follow the fishes
Down below (down below)
I go swimming
I need water, water to drink
Water on my brain, water sustain,
Water over me
I want water, water I need
Water to think, water to drink
Water over me
The sun is burning, I am yearning
For the waterflow (waterflow)
Next to my skin i, like to begin a
Waterflow (waterflow)
Letting off steam I float in a dream,
I cant let go (cant let go)
Follow my wishes, follow the fishes
Down below (down below)
I go swimming
I go swimming, I go swimming
Swimming in water, swimming in water, swimming in water
Water all over me
Swimming in water, swimming in water, swimming in water
I go swimming, I go swimming
I go swimming, I go swimming
Swimming, I go swimming
Oh I go swimming, I go swimming
Water all over me
Swimming in water, swimming in water, swimming in water
Water all over me
Swimming in water, swimming in water, swimming in water
Water all over me
Swimming in water, swimming in water, swimming in water
Water all over me

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Gareth And Lynette

The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy--
And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to--
Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he--
Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'

And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'

And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw

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Rose Mary

Of her two fights with the Beryl-stone
Lost the first, but the second won.

PART I

“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.

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Byron

Canto the Second

I
Oh ye! who teach the ingenuous youth of nations,
Holland, France, England, Germany, or Spain,
I pray ye flog them upon all occasions,
It mends their morals, never mind the pain:
The best of mothers and of educations
In Juan's case were but employ'd in vain,
Since, in a way that's rather of the oddest, he
Became divested of his native modesty.

II
Had he but been placed at a public school,
In the third form, or even in the fourth,
His daily task had kept his fancy cool,
At least, had he been nurtured in the north;
Spain may prove an exception to the rule,
But then exceptions always prove its worth -—
A lad of sixteen causing a divorce
Puzzled his tutors very much, of course.

III
I can't say that it puzzles me at all,
If all things be consider'd: first, there was
His lady-mother, mathematical,
A—never mind; his tutor, an old ass;
A pretty woman (that's quite natural,
Or else the thing had hardly come to pass);
A husband rather old, not much in unity
With his young wife—a time, and opportunity.

IV
Well—well, the world must turn upon its axis,
And all mankind turn with it, heads or tails,
And live and die, make love and pay our taxes,
And as the veering wind shifts, shift our sails;
The king commands us, and the doctor quacks us,
The priest instructs, and so our life exhales,
A little breath, love, wine, ambition, fame,
Fighting, devotion, dust,—perhaps a name.

V
I said that Juan had been sent to Cadiz -—
A pretty town, I recollect it well -—
'T is there the mart of the colonial trade is
(Or was, before Peru learn'd to rebel),
And such sweet girls—I mean, such graceful ladies,
Their very walk would make your bosom swell;
I can't describe it, though so much it strike,
Nor liken it—I never saw the like:

[...] Read more

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The Foolish Thing To Do

I was thinking just the other day
How it started in such a strange way
It ended in a strange way too
And this is why I am singing this song for you
Its a foolish thing to do
Such a foolish thing to do
Give your heart to someone new
Its a foolish thing to do
(yeah)
Weve all made the same mistakes
One foolish glance one smile we made
A hundred thousand feel this way
While other people are just waiting for the day
Its a foolish thing to do
Such a foolish foolish thing to do
Go when you want it
When you need it
Dont just believe it
For the first an last time
Stop !
Youd better look around
One day youll walk into the room
Your eyes will meet
Youll fall in love too soon
The next time you might hesitate
The chance is all those rooms have eyes
So dont forget
Its a foolish thing to do
Such a such a foolish thing to do
To go and give your heart and soul to someone new
Its a foolish foolish thing to do
So when you feel it
When you can touch it
And you believe it
For the first an last time
Stop !
Youd better look around
Its a foolish thing to do
Such a foolish thing to do

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Heavy Metal Poisoning

Written by james young
Lead vocals by james young
Murolces odro suvon sitpeoc tiunna
What the devils goin on
Why dont your turn that music down
Youre going deaf and thats for sure
But all you do is scream for more
Get the lead out go for broke
Pop your pills and drink and smoke
Shoot those chemicals into your vein
Anything to ease the pain
Heavy metal (heavy metal) poisoning (its a poison)
A toxic wasteland (got a toxic wasteland) in your ear canal (in your ear canal!)
Overloaded (Im overloaded), suffering (yeah!)
Overloaded (overloaded) on sex and drugs
Everything is black and white
You are wrong and we are right
First well spank your big behinds
Then well twist your little minds
Im dr. righteous (Im dr. righteous), and Im here to sing (yeah!)
That heavy metal (heavy metal) is poisoning
Its a music wasteland, that destroys the young (yeah!)
Theyre overloaded (overloaded) on sex and drugs, sex and drugs, sex and drugs
And rock and roll!
Sterces eht sdloh natas
Im dr. righteous (Im dr. righteous), and Im here to sing (yeah!)
That heavy metal (heavy metal) is poisoning
Its a music wasteland, that destroys the young (yeah!)
Theyre overloaded (overloaded) on sex and drugs, sex and drugs, sex and drugs
And rock and roll!
Heavy metal (heavy metal) poisoning (its a poison)
A toxic wasteland (got a toxic wasteland) in your love canal love canal!)
Overloaded (Im overloaded), suffering (yeah!)
Overloaded (overloaded) on sex and drugs, sex and drugs, sex and drugs
Sex and drugs, sex and drugs, sex and drugs, sex and drugs, sex and drugs
Righteous! righteous!...
Shut up!
...righteous! righteous! righteous! righteous! righteous! yeah!
Shut up! shut up!
[giggles]

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Rainy Day Women #12 35

Well, theyll stone ya when youre trying to be so good,
Theyll stone ya just a-like they said they would.
Theyll stone ya when youre tryin to go home.
Then theyll stone ya when youre there all alone.
But I would not feel so all alone,
Everybody must get stoned.
Well, theyll stone ya when youre walkin long the street.
Theyll stone ya when youre tryin to keep your seat.
Theyll stone ya when youre walkin on the floor.
Theyll stone ya when youre walkin to the door.
But I would not feel so all alone,
Everybody must get stoned.
Theyll stone ya when youre at the breakfast table.
Theyll stone ya when you are young and able.
Theyll stone ya when youre tryin to make a buck.
Theyll stone ya and then theyll say, good luck.
Tell ya what, I would not feel so all alone,
Everybody must get stoned.
Well, theyll stone you and say that its the end.
Then theyll stone you and then theyll come back again.
Theyll stone you when youre riding in your car.
Theyll stone you when youre playing your guitar.
Yes, but I would not feel so all alone,
Everybody must get stoned.
Well, theyll stone you when you walk all alone.
Theyll stone you when you are walking home.
Theyll stone you and then say you are brave.
Theyll stone you when you are set down in your grave.
But I would not feel so all alone,
Everybody must get stoned.

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Rainy Day Women #12 & 35

Well, they'll stone ya when you're trying to be so good,
They'll stone ya just a-like they said they would.
They'll stone ya when you're tryin' to go home.
Then they'll stone ya when you're there all alone.
But i would not feel so all alone,
Everybody must get stoned.
Well, they'll stone ya when you're walkin' 'long the street.
They'll stone ya when you're tryin' to keep your seat.
They'll stone ya when you're walkin' on the floor.
They'll stone ya when you're walkin' to the door.
But i would not feel so all alone,
Everybody must get stoned.
They'll stone ya when you're at the breakfast table.
They'll stone ya when you are young and able.
They'll stone ya when you're tryin' to make a buck.
They'll stone ya and then they'll say, "good luck."
Tell ya what, i would not feel so all alone,
Everybody must get stoned.
Well, they'll stone you and say that it's the end.
Then they'll stone you and then they'll come back again.
They'll stone you when you're riding in your car.
They'll stone you when you're playing your guitar.
Yes, but i would not feel so all alone,
Everybody must get stoned.
Well, they'll stone you when you walk all alone.
They'll stone you when you are walking home.
They'll stone you and then say you are brave.
They'll stone you when you are set down in your grave.
But i would not feel so all alone,
Everybody must get stoned.

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Daddy Rolling Stone

Girl you think youve had loving,
Girl you think youve had loving,
Girl you think youve had fun,
Girl you think youve had fun,
Girl you aint a seen nothin til I come along.
Girl you aint a seen nothin til I come along.
Im a daddy, Im a daddy, Im a daddy,
Im a daddy, Im a daddy, Im a daddy,
Yeah Im a daddy daddy Im daddy rolling stone.
Yeah Im a daddy daddy Im daddy rolling stone.
I got a friend named cody,
I got a friend named cody,
Hes got a girl named chris,
Hes got a girl named chris,
Im gonna steal that girl though hes twice my size,
Im gonna steal that girl though hes twice my size,
cause I know how to do it like this.
cause I know how to do it like this.
Im a daddy, Im a daddy, Im a daddy,
Im a daddy, Im a daddy, Im a daddy,
Yeah Im a daddy daddy Im daddy rolling stone,
Yeah Im a daddy daddy Im daddy rolling stone,
Im daddy rolling stone, Im daddy rolling stone,
Im daddy rolling stone, Im daddy rolling stone,
Daddy rolling stone, call me daddy rolling stone.
Daddy rolling stone, call me daddy rolling stone.
I said I got a friend named cody,
I said I got a friend named cody,
Hes got a girl named chris,
Hes got a girl named chris,
Im gonna steal that girl though hes twice my size,
Im gonna steal that girl though hes twice my size,
cause I know how to do it like this.
cause I know how to do it like this.
Im a daddy, Im a daddy, Im a daddy, daddy,
Im a daddy, Im a daddy, Im a daddy, daddy,
Im daddy rolling stone, Im daddy rolling stone,
Im daddy rolling stone, Im daddy rolling stone,
Just call me daddy rolling stone dear,
Just call me daddy rolling stone dear,
Long hair long nose, daddy rolling stone.
Long hair long nose, daddy rolling stone.

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Wade In The Water

(first release, live version minneapolis, december 22, 1961traditional, arranged by bob dylan)
Wade in the water
Wade in the water, children
Wade in the water
Gods a-gonna trouble the water
Gods a-gonna trouble the water.
Well, who are these children all dressed in red?
Gods a-gonna trouble the water
Must-a-be the children that moses lead
Gods a-gonna trouble the water.
Wade in the water
Wade in the water, children
Wade in the water
Gods a-gonna trouble the water
Gods a-gonna trouble the water.
Well out of the mountain come fire an smoke
Gods a-gonna trouble the water
Jehovah nobody be he couldve spoke
Gods a-gonna trouble the water.
Wade in the water
Wade in the water, children
Wade in the water
Gods a-gonna trouble the water
Gods a-gonna trouble the water.
Well, Im walkin down the highway an the waters gettin low
Gods a-gonna trouble the water.
Walkin down the highway, nowhere to go
Gods a-gonna trouble the water.
But its wade in the water
Wade in the water, children
Wade in the water
Gods a-gonna trouble the water
Gods a-gonna trouble the water.
Gods a-gonna trouble the water.

song performed by Bob DylanReport problemRelated quotes
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