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I am pleased to see that many of the world's leaders have publicly recognized that the crisis in the Middle East was deliberately incited by terrorist organizations.

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Barack Being Ambushed

I could see Barack Obama
to a wall (street) being pushed.
If slammed this way by a slammer,
he could claim he’s been amBushed,
but if driven quite insane
by peace processes where none
exist, men might claim that Hussein
a victory at last had won,
becoming not his middle name,
but first. We’ll have to wait and see,
and hope that BHO won’t game
with Jews as does the BBC,
but if we see Obama’s shove
transformed from pseudo-friendly push,
we’ll have to reconsider love,
while reminiscing about Bush.

Inspired by Thomas Friedman’s column in the NYT, January 7,2009 (“The Mideast’s Ground Zero”) :
Hamas’s overthrow of the more secular Fatah organization in Gaza in 2007 is part of a regionwide civil war between Islamists and modernists. In the week that Israel has been slicing through Gaza, Islamist suicide bombers have killed almost 100 Iraqis — first, a group of tribal sheikhs in Yusufiya, who were working on reconciliation between Shiites, Sunnis and Kurds, and, second, mostly women and children gathered at a Shiite shrine. These unprovoked mass murders have not stirred a single protest in Europe or the Middle East. Gaza today is basically ground zero for all three of these struggles, said Martin Indyk, the former Clinton administration’s Middle East adviser whose incisive new book, “Innocent Abroad: An Intimate Account of American Diplomacy in the Middle East, ” was just published. “This tiny little piece of land, Gaza, has the potential to blow all of these issues wide open and present a huge problem for Barack Obama on Day 1.” Obama’s great potential for America, noted Indyk, is also a great threat to Islamist radicals — because his narrative holds tremendous appeal for Arabs. For eight years Hamas, Hezbollah and Al Qaeda have been surfing on a wave of anti-U.S. anger generated by George W. Bush. And that wave has greatly expanded their base. No doubt, Hamas, Hezbollah and Iran are hoping that they can use the Gaza conflict to turn Obama into Bush. They know Barack Hussein Obama must be (am) Bushed — to keep America and its Arab allies on the defensive. Obama has to keep his eye on the prize. His goal — America’s goal — has to be a settlement in Gaza that eliminates the threat of Hamas rockets and opens Gaza economically to the world, under credible international supervision. Thats what will serve U.S. interests, moderate the three great struggles and earn him respect.


1/7/09

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Public interest in most of the Middle East was slight at that time; the Arab-Israeli conflict was all that people were interested in and that was not my specialty.

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I See That 'You' You Are

You may not need me,
Now.
Like you will.
Or,
Can say what you feel,
Now.
But somehow...
I know.

And that which I know...
No longer do I question,
Reasons why or how I do!

I know...
Your life lived is not a gift picked,
From a grab bag.
To exchange for something wished,
That is better than what you have.
And comparing your life...
Brings to you an unwanted sadness.
I know this.

I know...
You have been selected for a test.
And to pass it wont be easy.

I know...
Not too many can accept,
This gift that they get.
And they choose to disrespect it.
To leave it neglected.
Desperate is the grieving...
That becomes reflected.

And I know...
Those tempestuous storms,
One expects when clouds appear.
Come along to cleanse you,
From ills and evil.
Dispensed around you to endear!

When they come...
Do not hold them near.
Wish them away to disappear.

But you must cling onto faith without fail.
You can,
You must and will prevail!
To triumph and conquer,
Over your disturbing mental turbulence.

You may not need me,
Now.
Like you will.
Or,
Can say what you feel,
Now.
But somehow...
I know.

I know!
Because I see that 'you' you are...
In me!
And I am not about to go,
To leave you alone to suffer.
That...
I am not going to allow!
Like I did...
Before I saw the me in you.

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See That Gesture

If I have ever extended my hand,
With a smile to offer to you...
Or to anyone.
And it is dismissed as if I am diseased?

Well...
You will never again in your lifetime,
See that gesture from me towards you again.

And trust me...
I will not be the one feeling offended.
That's a promise.

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I'd Like to See That Done

I'd like to throw a stone,
Into that glass house you live.
I'd like to see you out in reality...
Being honest with yourself as you give.
I'd like to see you dropp pretensions,
And all of that political correctness mess.
I'd like to see you be yourself again...
If 'that' from you has not yet left!

I'd like to see that done,
Before you are overcomed...
By repossessions and foreclosures!
I'd like to see you.
But not with the look of shock.
Or the stunning that has knocked you out,
In a bout with reality!

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See that women

See that woman with the beautiful gray hair. With it blowing in the bright sunny air. She has her share of worries and pains but she never cries when it rains. For her husband she would do anything. For her children she would do everything. But now for her life it she must fight. It is not fair, it is not right. So know she must go to battle. This mighty beast she will tackle. Her husband will give her everything. Her children will do anything. To conquer the battle and win. She has the right to be free again.

-Author Unknown

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I See You Move With The Agility Of A Deer

I see you move with the agility of a deer,
your dark brown eyes glow luminous,
you black hair is braided into many strands
and there is something fragile petite about you.

Although mature, maybe you are too young for me
but there is a kind of attraction that really catches,
when the pool of your eyes reflects my face,
something pure and great and lovely to you.

Somehow you stun me, stop me in my tracks
like a black butterfly with magical bright specks,
I continually see you fluttering on a fragile wing
and know how easily I could fall in love with you.

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When I See That Girl Of Mine

When I see that girl of mine
Makes me want to sigh
When I see that girl of mine
Makes me want to sigh
I dont care if the sun dont shine
Long as I can see that girl of mine
I know everythingll be fine
When I see that girl of mine
When I see that girl of mine
Getting ready and looking my best
Got to look my best so Im taking my time
cause I need that girl of mine
I know that shell be mine so Ill keep on trying
I dont care if the sun dont shine
Long as I can see that girl of mine
I know everythingll be fine
When I see that girl of mine
When I see that girl of mine
Cant you see shes the only girl for me
And when people look at me they can see
They can see, they can see, they can see
When I see that girl of mine
Makes me want to sigh
When I see that girl of mine
Makes me want to sigh
I dont care if the sun dont shine
Long as I can see that girl of mine
I know everythingll be fine
When I see that girl of mine
When I see that girl of mine
When I see that girl of mine

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See That My Grave Is Kept Clean

(first releaseblind lemon jefferson)
Well theres one kind of favor Ill ask for you
Well theres one kind of favor Ill ask for you
Theres just one kind of favor Ill ask for you
You can see that my grave is kept clean.
And theres two white horses following me
And theres two white horses following me
I got two white horses following me
Waiting on my burying ground.
Did you ever hear that coffin sound
Did you ever hear that coffin sound
Did you ever hear that coffin sound
Means another poor boy is underground.
Did you ever hear them church bells toll
Did you ever hear them church bells toll
Did you ever hear them church bells toll
Means another poor boy is dead and gone.
And my heart stopped beating and my hands turned cold
And my heart stopped beating and my hands turned cold
And my heart stopped beating and my hands turned cold
Now I believe what the Bible told.
Theres just one last favor Ill ask for you
And theres one last favor Ill ask for you
Theres just one last favor Ill ask for you
See that my grave is kept clean.

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Master, I would like to see that mountain again

Remember the old happy days
But nowadays really a catastrophe
As I haven't seen a bird, butterfly or a flower at all.
Someone has snatched my precious spring.
Living with a life's almost a threat
And I know the life is so short,
But there is little more time to live.
So, please blow me few air to my lonely bedroom
Hardly I could breathe through my shattered windows
That goes into my defeated lungs.
Master, I want to see that mountain again
But this time I am not able to climb with this wearied soul.
At least I could kneel down beneath the mountain
And recite this Psalm for the pilgrims' welfare.
'May the road rise to meet you,
May the winds be always at your back,
May the sun shine warm upon your face
And the rains fall soft upon your fields.'

-Today in our Gospel St.Mark reminds us of that beautiful story of the healing of the blind man.I have heard this story about his healing in the past, but what touched me today was how loud he was in asking Jesus to heal him.-
From the desk of Padre Jose'.
October 25,2009
Saint Anthony Catholic Community.
Long Beach.

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See That Love Grows

See that love grows
Naturally blooms and flows
As it is gifted by god
It must be thing of joy and not with concern or load

Love may, at one point, look a symbol of sex or lust
But as age advances it develops into mutual trust
It brings couple together and starts liking first
Anything else becomes secondary as crucial test

It is predominantly a human feeling
It has full consent with complete willingness
Two souls merge with honest combination
For duration of happy and long relation

Nobody can deny existence of such bond
It is divine feeling and person becomes very fond
Longs for particular person and express desire
Some times he may succeed and sometimes fired

It must happen and sometimes may not happen
As desire is emanated naturally and not hidden
Same is the situation with female partner
As in such a game both may be new beginner

Love flows in its own stream
It reflects even in spare time and in dream
The dream comes true and results into reality
Both love to unite and make life worth with humanity

Life is short and must be made meaningful
No one can be termed simply successful
Unless he has lived it to full length with motives
Even though he may remain concerned with and selective

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Many Are The People

I see a tree.
But knowing what it goes through,
On a daily basis to be a tree...
I can't say I know.
Therefore,
A knowing about it...
I can not prove or show.

I see squirrels, birds, cats and dogs,
On a daily basis...
To be what is perceived are animals.
Are they more or less intelligent than you,
Or me?
I can not claim to know this.
None have I met to chat with personally.

And that applies to people.
Many are the people with different ethnicities.
Many are their languages spoken,
And only fluent am I in one of these.
With a labelling by races and religious philosophies.
But can I claim to know them?
Not really. That would be too presumptuous of me.

But there are those who claim to know,
What is unseen.
They claim to know what others do,
Without having them on the scene.
Walk down any street anywhere and hear folks say,
Something about someone else to belittle and demean.
And not know one thing about them but they do it anyway.

Many are the people who would have others believe,
They know everything about someone else...
Including their history.
And these very same people are the reason why,
There is confusion and chaos in other people's lives...
From an ignorance known that shows.
And that fact should be prioritized as an agenda to realize.

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How Can We See That Far

Amy grant/tom hemby
Copyright 1991 age to age music, inc./edward grant, inc./puxico music (ascap), adm. by reunion music group, inc.
We said our promises by candlelight
You hold my hands, I was dressed in white
We were young
How can we see that far?
How can we see that far?
I knew I wanted you like no one else
I told my momma that Id found myself
In your eyes
How can we see that far?
How can we see that far?
But like your daddy said
The same sun that melts the wax can harden clay
And the same rain that drowns the rat will grow the hay
And the mighty wind that knocks us down
If we lean into it
Will drive our fears away.
And when I woke in the dead of night
To hold my hands, push away the fright
Life had come--a son
How can we see that far?
Yeah, we were nervous and a little scared
Until the music of our babys cry
Filled the air
How can we see that far?
But like your daddy said
The same sun that melts the wax can harden clay
And the same rain that drowns the rat will grow the hay
And the mighty wind that knocks us down
If we lean into it
Will drive our fears away.
We might die
We might live
We could hurt each other badly
Do things, things so hard to forgive
Ooooh, and if time is not our friend
Your mind might forget me before the end
And oh, I cannot
I cannot look that far.
But like your daddy said
How can we see that far?
The same sun that melts the wax can harden clay
And the same rain that drowns the rat will grow the hay
And the mighty wind that knocks us down
If we lean into it
How can we see that far?
Got to lean into it
Will drive our fears away
Its the same sun, yeah
And the same rain
Its the same sun
And the same rain.

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I think it is ironic that many of the leaders in technology were adopted.

I think it is ironic that many of the leaders in technology were adopted. Every one raves about how Steve Jobs put so much style into the apple; he turned his computers into an esthetic work of art, as well as into a fluid experience of joy; thus transforming both dimensions, making the out side experience as beautiful and wonderful as the inside, from a machine that was thoroughly repulsive to the vast majority prior to Steve Jobs. As people we wish the outside of our life was as beautiful, cooperative, exciting and rewarding as how we imagine it, as how we experience it on the inside as well as in moments from our depths.


We wish our inside could be understood by our loved ones. We wish to understand others seemingly incomprehensible emotional states. This is never more real than in infancy, as children, and later as teenagers. What Steve Jobs did was pure alchemy, on one level he was trying to bridge the gap from the lost part of himself, to make himself as attractive as possible to his miss attuned parents so that they would take an real interest in him. He attempted to decode what seemed to a child his parent's senseless emotional algorithm of being emotionally unavailable into something comprehensible. He also made something very distant assessable, complex codes to be memorized with great labor into a mouse and images, where one simply points and clicks.


He got the love, the admiration from many that he needed, he far out reach most, becoming an icon, but the child in him yearned and created the emotional attunement he never had, in both the inside and out side he had made himself through his products as appealing as possible, towards the end his exterior persona started to fade, and he could not maintain his brilliant performances, ironically for once he could experience the unconditional love on the out side and inside for who he was without having to physically dazzle and brilliantly perform. For once he would be loved for who he was, not for the dreams he could fulfill for others.

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New Balls Please... Yes It's Another Rant...

Big sports weekend…
in a coupla hours, Wimbledon,
or to local residents, Womble-din…

someone’s gointa win; someone’s
gointa lose. Thats life
for millionaire sportspersons;
love-all. New balls please, loser…

then those post-match, post-coital,
exquisitely embarrassing how-was-it-for-you,
high-thrive or detumescent interviews…

will the dreaded HOW virus strike again?
live-mike brings on rabbit-in-the-headlights syndrome –

at the end of the day, we know
the answer – thats what it’s all about,
all credit to the other guys…
yes, there was pressure – thats what it’s

it’s the questions, though, where the new
HOW virus strikes –
‘HOW pleased are you to have won? …’
‘HOW sorry are you to have lost? …’

thats like, on a scale of nought to infinity?
No lawyer would dare to use such
a leading phrase: ‘HOW sorry, Mr Under-age X,
are you to have murdered my client…? ’
‘Objection! Objection! …’

‘Oh, I’m really sorry to have won today…
it’ll put me in the supertax bracket,
I’ll see less of the kids, with
all those personal appearances…
who’ll get the kids anyway when we divorce? …’

‘Oh I’m really glad to have lost…
gives me something to aim for, I’ll
get to see the kids more, the wife’s
quite relieved… I can still afford
the tinted windows and the limo,
then I don’t get to hear the shouts
of ‘loser! ’ when they see me…’
and anyway, the other guy
was better on the day… all credit to the lad/girl…
I’ve got better legs, I’ll get more modelling contracts
than that ugly bull-cow…’

OK thats enough, time to switch on
to those pre-match interviews –
‘HOW confident are you of winning
today, with that extra pressure
of being the favourite…blah…blah…’

‘HOW much does the prospect
of being a nobody-yet
and playing the hugely popular favourite
with better legs and a winning smile
bother you…? ’

HOW much do you care about sport,
fatso saddo beer-belly couch-potato,
in that wanna-be-part-of-it, expensive
T-shirt…? One bowl of popcorn?
Two bowls of popcorn? How many
packets of crisps…?

Hey look at the time,
there’s high drama out there
on Henman Hill…
seeyer, chizmate..

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Hate That Dare Not Speak Its Name

The hate that dare not speak its name,
the hate that Muslims feel for Jews,
has now become the very same
that Nazis demonstrated––views
that Christian nations held for ages.
to trash the people that God chose
according to the Bible's pages.
Too many nation states oppose
the peaceful coexistence prophets
promised would occur when swords
would no more generate large profits,
but turned into plowshares. Their words
sometimes disguise their targets whom
they don't call Jews, but they describe
as Zionists, preparing doom
for members of the Jewish tribe.

Haman's sons all live, brought back
to life no longer hung on gallows,
and now are ready to attack
all Jews, and roast them like marshmallows,
as they once did in Spain to those
they called New Jews although they had
converted––could not change their nose,
whose length has always proved they're bad,
and many of them would be burned
alive on sacrificial pyres,
as Christian as the priests who turned
against them, claiming they were liars.

The hate that Haman felt towards
the Jews of Shushan had no name,
based on the theory Jews had hoards
of gold. Ahasuerus' dame,
Queen Esther, saved them then, but we
must make sure that the hate that hides
behind deception now will be
exposed. 'Beware the Ides
of March! ' ignored by Julius, proved
to be correct. We must beware,
lest men by hateful lies are moved
to do what hate makes bad men dare.

Though we’re all forced to live with Haman,
we must not ever compromise
with hate, but make it speak its name, an
attitude that lives on lies,
and kills with its deceptive lyin’,
conflating with its hateful fury
all Jewish foes as friends of Zion
to justify its hate of Jewry.

Ed Rothstein writes in the NYT about 'State of Deception: The Power of Nazi Propaganda, ' a major new exhibition at the United States Holocaust Memorial Museum ('Nazis' 'Terrible Weapon, ' Aimed at Minds and Heart, ' NYT, February 24,2009) :

The most haunting image in 'State of Deception: The Power of Nazi Propaganda, ' a major new exhibition at the United States Holocaust Memorial Museum here, may be the first one you see after the introductory videos. At the end of a darkened corridor is a black-and-white photograph on a black background. Underneath, with unornamented simplicity, is a single word: Hitler. It is a campaign poster from 1932, when the Nazi Party was already the second largest in the German Parliament. The mass rallies, the storm troopers, the frenzied rhetoric of this electrifying speaker: all are condensed into this silent face, which is deliberately unsettling, starkly divided into light and shade, mixing comfort with ferocity, transparency with subterranean energies. It is chilling because we know what that face unleashed, and as we make our way through the exhibition, we feel almost physically assailed. A muscular fist smashes into the face of a cringing, sweating Jew (1928) . An enormous
itler is superimposed on a crowd of ecstatic Germans raising hands in salute as red gothic letters shout, 'Ja! ' (1934) .. The exhibition points out that the Nazis financed anti-Semitic broadcasts by Haj Amin al-Husseini, 'an Arab nationalist and prominent Muslim religious leader.' Now no sponsorship seems needed. Major Middle East media outlets have asserted that Jews use children's blood to bake matzos. In recent weeks we have heard that Jews are following the nefarious plot outlined in the Protocols to exterminate all gentiles, this from the poet and former member of the Lebanese Parliament Ghassan Matar. An Egyptian cleric, Safwat Higazi, has described Jews being 'as smooth as a viper': 'Dispatch those son of apes and pigs to the Hellfire.' And an Egyptian cleric with strong ties to the West, Sheikh Yusuf al-Qaradhawi, has described Jews as 'a profligate, cunning arrogant band of people': 'Oh Allah, count their numbers, and kill them, down to the very last one.' The ex
ent of these visions (chronicled by the Middle East Media Research Institute) , the historical distortions they codify and the readiness with which they are taught to children and are secularized into political action suggest that the strongest contemporary analogy to Nazi propaganda may be one the exhibition leaves unmentioned.

© 2009 Gershon Hepner 2/24/09

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Economy, A Rhapsody, Addressed to Young Poets

Insanis; omnes gelidis quaecunqne lacernis
Sunt tibi, Nasones Virgiliosque vides.
~Mart.
Imitation.

--Thou know'st not what thou say'st;
In garments that scarce fence them from the cold
Our Ovids and our Virgils you behold.

Part first.

To you, ye Bards! whose lavish breast requires
This monitory lay, the strains belong;
Nor think some miser vents his sapient saw,
Or some dull cit, unfeeling of the charms
That tempt profusion, sings; while friendly Zeal,
To guard from fatal ills the tribe he loves,
Inspires the meanest of the Muse's train!
Like you I loathe the grovelling progeny,
Whose wily arts, by creeping time matured,
Advance them high on Power's tyrannic throne,
To lord it there in gorgeous uselessness,
And spurn successless Worth that pines below!
See the rich churl, amid the social sons
Of wine and wit, regaling! hark, he joins
In the free jest delighted! seems to show
A meliorated heart! he laughs, he sings!
Songs of gay import, madrigals of glee,
And drunken anthems, set agape the board,
Like Demea, in the play, benign and mild,
And pouring forth benevolence of soul,
Till Micio wonder; or, in Shakspeare's line,
Obstreperous Silence, drowning Shallow's voice,
And startling Falstaff, and his mad compeers.
He owns 'tis prudence, ever and anon
To smooth his careful brow, to let his purse
Ope to a sixpence's diameter!
He likes our ways; he owns the ways of wit
Are ways of pleasance, and deserve regard.
True, we are dainty good society,
But what art thou? Alas! consider well,
Thou bane of social pleasure, know thyself:
Thy fell approach, like some invasive damp
Breathed through the pores of earth from Stygian caves
Destroys the lamp of mirth; the lamp which we,
Its flamens, boast to guard: we know not how,
But at thy sight the fading flame assumes
A ghastly blue, and in a stench expires.
True, thou seem'st changed; all sainted, all enskied:
The trembling tears that charge thy melting eyes
Say thou art honest and of gentle kind:
But all is false! an intermitting sigh
Condemns each hour, each moment given to smiles,
And deems those only lost thou dost not lose.
Even for a demi-groat this open'd soul,
This boon companion, this elastic breast,
Revibrates quick; and sends the tuneful tongue
To lavish music on the rugged walls
Of some dark dungeon. Hence, thou Caitiff! fly;
Touch not my glass, nor drain my sacred bowl,
Monster, ingrate! beneath one common sky
Why shouldst thou breathe? beneath one common roof
Thou ne'er shalt harbour, nor my little boat
Receive a soul with crimes to press it down.
Go to thy bags, thou Recreant! hourly go,
And, gazing there, bid them be wit, be mirth,
Be conversation. Not a face that smiles
Admits thy presence! not a soul that glows
With social purport, bid, or even or morn,
Invest thee happy! but when life declines,
May thy sure heirs stand tittering round thy bed,
And, ushering in their favourites, burst thy locks,
And fill their laps with gold, till Want and Care
With joy depart, and cry, 'We ask no more.'
Ah! never, never may the harmonious mind
Endure the worldly! Poets, ever void
Of guile, distrustless, scorn the treasured gold,
And spurn the miser, spurn his deity.
Balanced with friendship, in the poet's eye
The rival scale of interest kicks the beam,
Than lightning swifter. From his cavern'd store
The sordid soul, with self-applause, remarks
The kind propensity; remarks and smiles,
And hies with impious haste to spread the snare.
Him we deride, and in our comic scenes
Contemn the niggard form Moliere has drawn:
We loathe with justice; but, alas! the pain
To bow the knee before this calf of gold;
Implore his envious aid, and meet his frown!
But 'tis not Gomez, 'tis not he whose heart
Is crusted o'er with dross, whose callous mind
Is senseless as his gold, the slighted Muse
Intensely loathes. 'Tis sure no equal task
To pardon him who lavishes his wealth
On racer, foxhound, hawk, or spaniel, all
But human merit; who with gold essays
All, but the noblest pleasure, to remove
The wants of Genius, and its smiles enjoy.
But you, ye titled youths! whose nobler zeal
Would burnish o'er your coronets with fame;
Who listen pleased when poet tunes his lay;
Permit him not, in distant solitudes,
To pine, to languish out the fleeting hours
Of active youth; then Virtue pants for praise.
That season unadorn'd, the careless bard
Quits your worn threshold, and, like honest Gay,
Contemns the niggard boon ye time so ill.
Your favours then, like trophies given the tomb,
The enfranchised spirit soaring, not perceives,
Or scorns perceived, and execrates the smile
Which bade his vigorous bloom, to treacherous hopes
And servile cares a prey, expire in vain!
Two lawless powers, engaged by mutual hate
In endless war, beneath their flags enrol
The vassal world: this, Avarice is named;
That, Luxury: 'tis true their partial friends
Assign them softer names; usurpers both!
That share by dint of arms the legal throne
Of just Economy; yet both betray'd
By fraudful ministers. The niggard chief,
Listening to want, all faithless, and prepared
To join each moment in his rival's train,
His conduct models by the needless fears
The slave inspires, while Luxury, a chief
Of amplest faith, to Plenty's rule resigns
His whole campaign. 'Tis Plenty's flattering sounds
Engross his ear; 'tis Plenty's smiling form
Moves still before his eye. Discretion strives,
But strives in vain, to banish from the throne
The perjured minion: he, secure of trust,
With latent malice to the hostile camp;
Day, night, and hour, his monarch's wealth conveys.
Ye towering minds! ye sublimated souls!
Who, careless of your fortunes, seal and sign,
Set, let, contract, acquit, with easier mien
Than fops take snuff! whose economic care
Your green silk purse engrosses! easy, pleased,
To see gold sparkle through the subtle folds;
Lovely, as when the Hesperian fruitage smiled
Amid the verdurous grove! who fondly hope
Spontaneous harvests! harvests all the year!
Who scatter wealth, as though the radiant crop
Glitter'd on every bough; and every bough,
Like that the Trojan gather'd, once avulsed,
Were by a splendid successor supplied
Instant, spontaneous listen to my lays;
For 'tis not fools, whate'er proverbial phrase
Have long decreed, that quit with greatest ease
The treasured gold. Of words indeed profuse,
Of gold tenacious, their torpescent soul
Clenches their coin; and what electral fire
Shall solve the frosty gripe, and bid it flow?
'Tis Genius, Fancy, that to wild expense
Of health, of treasure, stimulates the soul;
These, with officious care, and fatal art,
Improve the vinous flavour; these the smile
Of Cloe soften: these the glare of dress
Illume; the glittering chariot gild anew,
And add strange wisdom to the furs of Power.
Alas! that he, amid the race of men,
That he who thinks of purest gold with scorn,
Should with unsated appetite demand,
And vainly court the pleasure it procures!
When Fancy's vivid spark impels the soul
To scorn quotidian scenes, to spurn the bliss
Of vulgar minds, what nostrum shall compose
Its fatal tension? in what lonely vale
Of balmy Medicine's various field, aspires
The blest refrigerant? Vain, ah! vain the hope
Of future peace, this orgasm uncontroll'd!
Impatient, hence, of all the frugal mind
Requires; to eat, to drink, to sleep, to fill
A chest with gold, the sprightly breast demands
Incessant rapture; life, a tedious load
Denied its continuity of joy.
But whence obtain? philosophy requires
No lavish cost; to crown its utmost prayer
Suffice the root-built cell, the simple fleece,
The juicy viand, and the crystal stream.
Even mild Stupidity rewards her train
With cheap contentment. Taste alone requires
Entire profusion! Days, and nights, and hours,
Thy voice, hydropic Fancy! calls aloud
For costly draughts, inundant bowls of joy,
Rivers of rich regalement, seas of bliss-
Seas without shore, infinity of sweets!
And yet, unless sage Reason join her hand
In Pleasure's purchase, Pleasure is unsure!
And yet, unless Economy's consent
Legitimate expense, some graceless mark,
Some symptom ill conceal'd, shall, soon or late,
Burst like a pimple from the vicious tide
Of acid blood, proclaiming Want's disease,
Amidst the bloom of show. The scanty stream,
Slow-loitering in its channel, seems to vie
With Vaga's depth; but should the sedgy power,
Vain-glorious, empty his penurious urn
O'er the rough rock, how must his fellow streams
Deride the tinklings of the boastive rill!
I not aspire to mark the dubious path
That leads to wealth, to poets mark'd in vain!
But, ere self-flattery soothe the vivid breast
With dreams of fortune near allied to fame,
Reflect how few, who charm'd the listening ear
Of satrap or of king, her smiles enjoyed!
Consider well, what meagre alms repaid
The great Maeonian! fire of tuneful song,
And prototype of all that soar'd sublime,
And left dull cares below; what griefs impell'd
The modest bard of learn'd Eliza's reign
To swell with tears his Mulla's parent stream,
And mourn aloud the pang, 'to ride, to run,
To spend, to give, to want, to be undone.'
Why should I tell of Cowley's pensive Muse,
Beloved in vain? too copious is my theme!
Which of your boasted race might hope reward
Like loyal Butler, when the liberal Charles,
The judge of wit, perused the sprightly page,
Triumphant o'er his foes? Believe not Hope,
The poet's parasite; but learn alone
To spare the scanty boon the Fates decree.
Poet and rich! 'tis solecism extreme!
'Tis heighten'd contradiction! in his frame,
In every nerve and fibre of his soul,
The latent seeds and principles of want
Has Nature wove, and Fate confirm'd the clue.
Nor yet despair to shun the ruder gripe
Of Penury: with nice precision learn
A dollar's value. Foremost in the page
That marks the expense of each revolving year,
Place inattention. When the lust of praise,
Or honour's false idea, tempts thy soul
To slight frugality, assure thine heart
That danger's near. This perishable coin
Is no vain ore. It is thy liberty;
It fetters misers, but it must alone
Enfranchise thee. The world, the cit-like world,
Bids thee beware; thy little craft essay;
Nor, piddling with a tea-spoon's slender form,
See with soup-ladles devils gormandize.
Economy! thou good old aunt, whose mien,
Furrow'd with age and care, the wise adore,
The wits contemn! reserving still thy stores
To cheer thy friends at last! why with the cit
Or bookless churl, with each ignoble name,
Each earthly nature, deign'st thou to reside?
And shunning all, who by thy favours crown'd
Might glad the world, to seek some vulgar mind,
Inspiring pride, and selfish shapes of ill?
Why with the old, infirm, and impotent,
And childless, love to dwell; yet leave the breast
Of youth unwarn'd, unguided, uninform'd?
Of youth, to whom thy monitory voice
Were doubly kind? for, sure, to youthful eyes,
(How short soe'er it prove), the road of life
Appears protracted; fair on either side
The Loves, the Graces play, on Fortune's child
Profusely smiling: well might youth essay
The frugal plan, the lucrative employ,
Source of their favour all the livelong day;
But Fate assents not. Age alone contracts
His meagre palm, to clench the tempting bane
Of all his peace, the glittering seeds of care!
O that the Muse's voice might pierce the ear
Of generous youth! for youth deserves her song.
Youth is fair virtue's season, virtue then
Requires the pruner's hand; the sequent stage,
It barely vegetates; nor long the space
Ere, robb'd of warmth, its arid trunk displays
Fell Winter's total reign. O lovely source
Of generous foibles, youth! when opening minds
Are honest as the light, lucid as air,
As fostering breezes kind, as linnets gay,
Tender as buds, and lavish as the spring!
Yet, hapless state of man! his earliest youth
Cozens itself; his age defrauds mankind.
Nor deem it strange that rolling years abrade
The social bias. Life's extensive page,
What does it but unfold repeated proofs
Of gold's omnipotence? With patriots, friends,
Sickening beneath its ray, enervate some,
And others dead, whose putrid name exhales
A noisome scent, the bulky volume teems:
With kinsmen, brothers, sons, moistening the shroud,
Or honouring the grave, with specious grief
Of short duration; soon in fortune's beams
Alert, and wondering at the tears they shed.
But who shall save, by tame prosaic strain,
That glowing breast where wit with youth conspires
To sweeten luxury? The fearful Muse
Shall yet proceed, though by the faintest gleam
Of hope inspired, to warn the train she loves.


Part second.

In some dark season, when the misty shower
Obscures the sun, and saddens all the sky,
When linnets drop the wing, nor grove nor stream
Invites thee forth, to sport thy drooping muse;
Seize the dull hour, nor with regret assign
To worldly Prudence. She, nor nice nor coy,
Accepts the tribute of a joyless day;
She smiles well pleased when wit and mirth recede,
And not a Grace, and not a Muse will hear.
Then, from majestic Maro's awful strain,
Or towering Homer, let thine eye descend
To trace, with patient industry, the page
Of income and expense: and, oh! beware
Thy breast, self-flattering; place no courtly smile,
No golden promise of your faithless Muse,
Nor latent mine which Fortune's hand may show,
Amid thy solid store: the Siren's song
Wrecks not the listening sailor, half so sure.
See by what avenues, what devious paths,
The foot of Want, detested, steals along,
And bars each fatal pass! Some few short hours
Of punctual care, the refuse of thy year,
On frugal schemes employ'd, shall give the Muse
To sing intrepid many a cheerful day.
But if too soon before the tepid gales
Thy resolution melt; and ardent vows,
In wary hours preferr'd, or die forgot,
Or seem the forced effect of hazy skies;
Then, ere surprise, by whose impetuous rage
The massy fort, with which thy gentler breast
I not compare, is won, the song proceeds.
Know, too, by Nature's undiminish'd law,
Throughout her realms obey'd, the various parts
Of deep creation, atoms, systems, all,
Attract, and are attracted; nor prevails the law
Alone in matter; soul alike with soul
Aspires to join; nor yet in souls alone;
In each idea it imbibes, is found
The kind propensity; and when they meet
And grow familiar, various though their tribe,
Their tempers various, vow perpetual faith;
That, should the world's disjointed frame once more
To chaos yield the sway, amid the wreck
Their union should survive; with Roman warmth,
By sacred hospitable laws endear'd,
Should each idea recollect its friend.
Here then we fix; on this perennial base
Erect thy safety, and defy the storm.
Let soft Profusion's fair idea join
Her hand with Poverty; nor here desist,
Till o'er the group that forms their various train
Thou sing loud hymeneals. Let the pride
Of outward show in lasting leagues combine
With shame threadbare; the gay vermilion face
Of rash Intemperance be discreetly pair'd
With sallow Hunger: the licentious joy
With mean dependence; even the dear delight
Of sculpture, paint, intaglios, books, and coins,
Thy breast, sagacious Prudence! shall connect
With filth and beggary; nor disdain to link
With black Insolvency. Thy soul, alarm'd,
Shall shun the Siren's voice; nor boldly dare
To bid the soft enchantress share thy breast,
With such a train of horrid fiends conjoin'd.
Nor think, ye sordid race! ye grovelling minds!
I frame the song for you; for you the Muse
Could other rules impart. The friendly strain,
For gentler bosoms plann'd, to yours would prove
The juice of lurid aconite, exceed
Whatever Colchos bore; and in your breast
Compassion, love, and friendship, all destroy!
It greatly shall avail, if e'er thy stores.
Increase apace, by periodic days
Of annual payment, or thy patron's boon,
The lean reward of gross unbounded praise!
It much avails, to seize the present hour,
And, undeliberating, call around
Thy hungry creditors; their horrid rage,
When once appeased, the small remaining store
Shall rise in weight tenfold, in lustre rise,
As gold improved by many a fierce assay.
'Tis thus the frugal husbandman directs
His narrow stream, if o'er its wonted banks,
By sudden rains impell'd, it proudly swell;
His timely hand through better tracts conveys
The quick decreasing tide: ere borne along,
Or through the wild morass, or cultured fields,
Or bladed grass mature, or barren sands,
It flow destructive, or it flow in vain.
But happiest he who sanctifies expense
By present pay; who subjects not his fame
To tradesmen's varlets, nor bequeaths his name,
His honour'd name, to deck the vulgar page
Of base mechanic, sordid, unsincere!
There haply, while thy Muse sublimely soars
Beyond this earthly sphere, in heaven's abodes,
And dreams of nectar and ambrosial sweets,
Thy growing debt steals unregarded o'er
The punctual record; till nor Phoebus self,
Nor sage Minerva's art, can aught avail
To soothe the ruthless dun's detested rage:
Frantic and fell, with many a curse profane
He loads the gentle Muse, then hurls thee down
To want, remorse, captivity, and shame.
Each public place, the glittering haunts of men,
With horror fly. Why loiter near thy bane?-
Why fondly linger on a hostile shore,
Disarm'd, defenceless? why require to tread
The precipice? or why, alas! to breathe
A moment's space, where every breeze is death,
Death to thy future peace? Away, collect
Thy dissipated mind; contract thy train
Of wild ideas, o'er the flowery fields
Of show diffused, and speed to safer climes.
Economy presents her glass, accept
The faithful mirror, powerful to disclose
A thousand forms, unseen by careless eyes,
That plot thy fate. Temptation in a robe
Of Tyrian dye, with every sweet perfumed,
Besets thy sense; Extortion follows close
Her wanton step, and Ruin brings the rear.
These and the rest shall her mysterious glass
Embody to thy view; like Venus kind,
When to her labouring son, the vengeful powers
That urged the fall of Ilium, she displayed:
He, not imprudent, at the sight declined
The unequal conflict, and decreed to raise
The Trojan welfare on some happier shore.
For here to drain thy swelling purse await
A thousand arts, a thousand frauds attend:
'The cloud-wrought canes, the gorgeous snuff-boxes,
The twinkling jewels, and the gold etui,
With all its bright inhabitants, shall waste
Its melting stores, and in the dreary void
Leave not a doit behind.' Ere yet, exhaust,
Its flimsy folds offend thy pensive eye,
Away! embosom'd deep in distant shades,
Nor seen nor seeing, thou mayst vent thy scorn
Of lace, embroidery, purple, gems, and gold!
There of the faded fop and essenced beau,
Ferocious, with a Stoic's frown disclose
Thy manly scorn, averse to tinsel pomp;
And fluent thine harangue. But can thy soul
Deny thy limbs the radiant grace of dress,
Where dress is merit? where thy graver friend
Shall wish thee burnish'd? where the sprightly fair
Demand embellishment? even Delia's eye,
As in a garden, roves, of hues alone
Inquirent, curious? Fly the cursed domain;
These are the realms of luxury and show,
No classic soil; away! the bloomy spring
Attracts thee hence; the warning autumn warns;
Fly to thy native shades, and dread, even there,
Lest busy fancy tempt thy narrow state
Beyond its bounds. Observe Florelio's mien:
Why treads my friend with melancholy step
That beauteous lawn? why, pensive, strays his eye
O'er statues, grottos, urns, by critic art
Proportion'd fair? or from his lofty dome,
Bright glittering through the grove, returns his eye
Unpleased, disconsolate? And is it love,
Disastrous love, that robs the finish'd scenes
Of all their beauty, centering all in her
His soul adores? or from a blacker cause
Springs this remorseful gloom? Is conscious guilt
The latent source of more than love's despair?
It cannot be within that polish'd breast,
Where science dwells, that guilt should harbour there.
No; 'tis the sad survey of present want
And past profusion! lost to him the sweets
Of yon pavilion, fraught with every charm
For other eyes; or if remaining, proofs
Of criminal expense! Sweet interchange
Of river, valley, mountain, woods, and plains!
How gladsome once he ranged your native turf,
Your simple scenes, how raptured! ere Expense
Had lavish'd thousand ornaments, and taught
Convenience to perplex him, Art to pall,
Pomp to deject, and Beauty to displease!
Oh! for a soul to all the glare of wealth,
To Fortune's wide exhaustless treasury,
Nobly superior! but let Caution guide
The coy disposal of the wealth we scorn,
And Prudence be our Almoner. Alas!
The pilgrim wandering o'er some distant clime,
Sworn foe of avarice! nor disdains to learn
Its coin's imputed worth, the destined means
To smooth his passage to the favour'd shrine.
Ah! let not us, who tread this stranger world,
Let none who sojourn on the realms of life,
Forget the land is mercenary, nor waste
His fare, ere landed on no venal shore.
Let never bard consult Palladio's rules;
Let never bard, O Burlington! survey
Thy learned art, in Chiswick's dome display'd;
Dangerous incentive! nor with lingering eye
Survey the window Venice calls her own.
Better for him, with no ingrateful Muse,
To sing a requiem to that gentle soul
Who plann'd the skylight, which to lavish bards
Conveys alone the pure ethereal ray;
For garrets him, and squalid walls, await,
Unless, presageful, from this friendly strain
He glean advice, and shun the scribbler's doom.


Part third.

Yet once again, and to thy doubtful fate
The trembling Muse consigns thee. Ere contempt,
Or Want's empoison'd arrow, ridicule,
Transfix thy weak unguarded breast, behold!
The poet's roofs, the careless poet's, his
Who scorns advice, shall close my serious lay.
When Gulliver, now great, now little deem'd,
The plaything of Comparison, arrived
Where learned bosoms their aerial schemes
Projected, studious of the public weal;
'Mid these, one subtler artist he descried,
Who cherish'd in his dusty tenement
The spider's web, injurious, to supplant
Fair Albion's fleeces! Never, never may
Our monarchs on such fatal purpose smile,
And irritate Minerva's beggar'd sons,
The Melksham weavers! Here in every nook
Their wefts they spun; here revell'd uncontroll'd,
And, like the flags from Westminster's high roof
Dependent, here their fluttering textures waved.
Such, so adorn'd the cell I mean to sing!
Cell ever squalid! where the sneerful maid
Will not fatigue her hand! broom never comes,
That comes to all! o'er whose quiescent walls
Arachne's unmolested care has drawn
Curtains subsusk, and save the expense of art.
Survey those walls, in fady texture clad,
Where wandering snails in many a slimy path,
Free, unrestrain'd, their various journeys crawl;
Peregrinations strange, and labyrinths
Confused, inextricable! such the clue
Of Cretan Ariadne ne'er explain'd!
Hooks! angles! crooks! and involutions wild!
Meantime, thus silver'd with meanders gay,
In mimic pride the snail-wrought tissue shines,
Perchance of tabby, or of aretine,
Not ill expressive; such the power of snails!
Behold his chair, whose fractured seat infirm
An aged cushion hides! replete with dust
The foliaged velvet; pleasing to the eye
Of great Eliza's reign, but now the snare
Of weary guest that on the specious bed
Sits down confiding. Ah! disastrous wight!
In evil hour and rashly dost thou trust
The fraudful couch! for though in velvet cased,
Thy fated thigh shall kiss the dusty floor.
The traveller thus, that o'er Hibernian plains
Hath shaped his way, on beds profuse of flowers,
Cowslip, or primrose, or the circular eye
Of daisy fair, decrees to bask supine.
And see! delighted, down he drops, secure
Of sweet refreshment, ease without annoy,
Or luscious noonday nap. Ah! much deceived,
Much suffering pilgrim! thou nor noonday nap
Nor sweet repose shalt find; the false morass
In quivering undulations yields beneath
Thy burden, in the miry gulf enclosed!
And who would trust appearance? cast thine eye
Where 'mid machines of heterogeneous form
His coat depends; alas! his only coat,
Eldest of things! and napless as an heath
Of small extent by fleecy myriads grazed.
Not different have I seen in dreary vault
Display'd a coffin; on each sable side
The texture unmolested seems entire;
Fraudful, when touch'd it glides to dust away,
And leaves the wondering swain to gape, to stare,
And with expressive shrug and piteous sigh,
Declare the fatal force of rolling years,
Or dire extent of frail mortality.
This aged vesture, scorn of gazing beaus,
And formal cits (themselves too haply scorn'd),
Both on its sleeve, and on its skirt, retains
Full many a pin wide-sparkling: for, if e'er
Their well-known crest met his delighted eye,
Though wrapt in thought, commercing with the sky,
He, gently stooping, scorn'd not to upraise,
And on each sleeve, as conscious of their use,
Indenting fix them; nor, when arm'd with these,
The cure of rents and separations dire,
And chasms enormous, did he view, dismay'd,
Hedge, bramble, thicket, bush, portending fate
To breeches, coat, and hose! had any wight
Of vulgar skill the tender texture own'd;
But gave his mind to form a sonnet quaint
Of Silvia's shoe-string, or of Chloe's fan,
Or sweetly-fashion'd tip of Celia's ear.
Alas! by frequent use decays the force
Of mortal art! the refractory robe
Eludes the tailor's art, eludes his own;
How potent once, in union quaint conjoin'd!
See, near his bed (his bed, too falsely call'd
The place of rest, while it a bard sustains;
Pale, meagre, muse-rid wight! who reads in vain
Narcotic volumes o'er) his candlestick,
Radiant machine! when from the plastic hand
Of Mulciber, the Mayor of Birmingham,
The engine issued; now, alas! disguised
By many an unctuous tide, that wandering down
Its sides congeal; what he, perhaps, essays,
With humour forced, and ill-dissembled smile,
Idly to liken to the poplar's trunk,
When o'er its bark the lucid amber, wound
In many a pleasing fold, incrusts the tree;
Or suits him more the winter's candied thorn,
When from each branch, annealed, the works of frost
Pervasive, radiant icicles depend?
How shall I sing the various ills that wait
The careful sonneteer? or who can paint
The shifts enormous, that in vain he forms
To patch his paneless window; to cement
His batter'd tea-pot, ill-retentive vase,
To war with ruin? anxious to conceal
Want's fell appearance, of the real ill
Nor foe, nor fearful. Ruin unforeseen
Invades his chattels; Ruin will invade,
Will claim his whole invention to repair,
Nor of the gift, for tuneful ends design'd,
Allow one part to decorate his song;
While Ridicule, with ever-pointing hand,
Conscious of every shift, of every shift
Indicative, his inmost plot betrays,
Points to the nook, which he his Study calls,
Pompous and vain! for thus he might esteem
His chest a wardrobe; purse, a treasury;
And shows, to crown her full display, himself;
One whom the powers above, in place of health
And wonted vigour, of paternal cot,
Or little farm; of bag, or scrip, or staff,
Cup, dish, spoon, plate, or worldly utensil,
A poet framed, yet framed not to repine,
And wish the cobbler's loftiest site his own;
Nor, partial as they seem, upbraid the Fates,
Who to the humbler mechanism join'd
Goods so superior, such exalted bliss!
See with what seeming ease, what labour'd peace,
He, hapless hypocrite! refines his nail,
His chief amusement! then how feign'd, how forced,
That care-defying sonnet, which implies
His debts discharged, and he of half-a-crown
In full possession, uncontested right
And property! Yet, ah! whoe'er this wight
Admiring view, if such there be, distrust
The vain pretence, the smiles that harbour grief,
As lurks the serpent deep in flowers enwreath'd.
Forewarn'd, be frugal, or with prudent rage
Thy pen demolish; choose the trustier flail,
And bless those labours which the choice inspired.
But if thou view'st a vulgar mind, a wight
Of common sense, who seeks no brighter name,
Him envy, him admire; him, from thy breast,
Prescient of future dignities, salute
Sheriff, or mayor, in comfortable furs
Enwrapt, secure; nor yet the laureat's crown
In thought exclude him! he perchance shall rise
To nobler heights than foresight can decree.
When fired with wrath for his intrigues display'd
In many an idle song, Saturnian Jove
Vow'd sure destruction to the tuneful race;
Appeased by suppliant Phoebus; 'Bards,' he said,
'Henceforth of plenty, wealth and pomp debarr'd,
But fed by frugal cares, might wear the bay
Secure of thunder.'-Low the Delian bow'd,
Nor at the invidious favour dared repine.

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Greetings, I am pleased to see that we are different. May we together become greater than the sum of both of us.

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I am pleased to see that information campaigns, such as the America's WETLAND effort, are getting the message out, and people are beginning to realize that wetlands loss in Louisiana affects us all.

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I See You Rise Above The Skies

i see you rise above the skies
i am smiling
but i always understand
the discrepancies of
this world

honestly, despite the throne that you own
(how you obtained that)
i keep silent
you never deserve it

the true stars around you too silently are laughing
inside their hearts
your light is not as bright

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