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Carl Friedrich Gauss

I am coming more and more to the conviction that the necessity of our geometry cannot be demonstrated, at least neither by, nor for, the human intellect.

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Question And Answer On The Mountain

You ask for what reason I stay on the green mountain,
I smile, but do not answer, my heart is at leisure.
Peach blossom is carried far off by flowing water,
Apart, I have heaven and earth in the human world.


Another translation:

'You ask me why I dwell in the green mountain;
I smile and make no reply for my heart is free of care.
As the peach-blossom flows down stream
and is gone into the unknown,
I have a world apart that is not among men.'

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The freedom of thought is a sacred right of every individual man, and diversity will continue to increase with the progress, refinement, and differentiation of the human intellect.

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The Coming By-and-By

Sad is that woman's lot who, year by year,
Sees, one by one, her beauties disappear;
As Time, grown weary of her heart-drawn sighs,
Impatiently begins to "dim her eyes"! -
Herself compelled, in life's uncertain gloamings,
To wreathe her wrinkled brow with well-saved "combings" -
Reduced, with rouge, lipsalve, and pearly grey,
To "make up" for lost time, as best she may!

Silvered is the raven hair,
Spreading is the parting straight,
Mottled the complexion fair,
Halting is the youthful gait,

Hollow is the laughter free,
Spectacled the limpid eye,
Little will be left of me,
In the coming by-and-by!
Fading is the taper waist -
Shapeless grows the shapely limb,
And although securely laced,
Spreading is the figure trim!
Stouter than I used to be,
Still more corpulent grow I -
There will be too much of me
In the coming by-and-by!

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More of the Same

More of the same,
Is comforting to some.
Even though less of it is realized.

Memories of lives lived...
Have many wishing to revisit.

And each hour of today that passes...
Becomes a waste.
For those who accept and take,
A replacing of a happiness that can happen...
For an exchange of aches and heartbreaks.
Associated with age.
And what these moments passing lack.
As many now find themselves,
In times unattractive.

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Emily Dickinson

Where bells no more affright the morn

112

Where bells no more affright the morn—
Where scrabble never comes—
Where very nimble Gentlemen
Are forced to keep their rooms—

Where tired Children placid sleep
Thro' Centuries of noon
This place is Bliss—this town is Heaven—
Please, Pater, pretty soon!

"Oh could we climb where Moses stood,
And view the Landscape o'er"
Not Father's bells—nor Factories,
Could scare us any more!

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The world is more than the sum of it's parts

The world is more than the sum of it's parts;
Things so unequal, it must be an art,
For nothing's predictable as it might seem,
From the hour of our birth to the death of our dream.

In real life Cinderella can win the prince,
No matter how unlikely the size of her prints:
If the quantum shoe fits the strange facts of the case,
We can acquit and find there no disgrace.

The sole home of Ripley and Guinness and Freud;
Guilt not allayed and surprise unalloyed-
No use to bother with syntax or diction;
In this world, truth is much larger than fiction.

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Once More Into the Fire

Once more into the fire, my Lord, once more into the fire
Another one calling to be saved, Lord, what shall I do?
Therefore to offer help I go once more into the fire

Once more into the fire, my Lord, once more into the fire
I can't save her with my own two hands, Lord, what shall I do?
To offer her your strong arms, Lord, once more into the fire

Once more into the fire, my Lord, once more into the fire
What of the others who won't call out, Lord, what shall I do?
Pray for them and call to them, Lord, once more into the fire

One last time into the fire, Lord, once more into the fire
I see You reaching now out to me, Lord, what shall I do?
Take your hand to climb out, Lord, nevermore into the fire

((April 6th,2005))

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We go no more to the Forest

WE go no more to the forest,
The rimus are all cut down.
They are built into roof and sill and wall,
Into floors that thrill to the last foot-fall
In the dancing of the town.

We go no more to the forest,
The kauris are all cut down.
They are built into ships so stout and strong,
Bearing their cargoes safe along,
Sailing from town to town.

We go no more to the forest,
The ratas are all cut down.
There are cornfields, golden and green and wide,
For the tangled depths where a world might hide,
And our lawns lie smooth in town.

We go no more to the forest:
Young, wild things are all cut down.
We are buying and selling and making love,
As the grown folk do, with a roof above,
And our hearts are at home in town.

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Once more unto the [B]Reach, Dear Friends

Once more extend your reach, fair friend, revise!
None who on laurels stand can raise praised bay,
Charm birds from trees however hard pen tries,
Enraptured, keep time's creeping lines at bay.

Moreover meaning may with each revision
Open more windows, clearer writer link
Reader who shows often indecision,
Ease seeks through white write black and blue true [th]ink.

Unto the breach once more, make mind outreach,
Nuances shading, fading froth away,
Turning potter's wheel words' clay to teach
Oncoming generations of their Way.

THE gem, once polished, one more chance deserves,
REACH out, revise, streamline rhyme's sinews, curves.


[c] Jonathan Robin acrostic sonnet ONCE MORE UNTO THE REACH written 8 June 2008 robi3_1390_robi3_0000 AWX_IXX

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I Should Have Seen More of the World

I should have seen more of the world
It has so many things -
I should have touched the details down to the slightest difference
And made each perception – meaningful
I should have had a kind of mind different from my own
Less general and abstract and more able to make sensations real-
I should have spoken of what touches the earth and the actual lives
Of so many kinds of different people -
But I did not -

I sang my poem in my own small way about my own endless self
And thought and made my poems of thought
And I too writing this
Remembering how I always vowed to never repeat my father
And live in regret
Try to not say, ' Should and could and would have been’.

There are other things and other people and other worlds and much I cannot do and be -
Let me sing my own song
Others have what they have
And I what I am
And this poem too
Another meditation
Which tries to have a music of its own
And somehow broken and half real stumbles upon the page.

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More Of The Same Thing

You are wishing for...
More of the same thing.
You are wishing for...
A way to add more bling.
And you are wishing for,
An easier way to be...
More greedy,
But not so obviously.

You are wishing for...
More of the same thing.
You are wishing for...
A way to add more bling.
And you are wishing for,
An easier way to be...
More greedy,
But not so obviously.

And you are wishing for,
An easier way to be...
More greedy,
But not so obviously.

You are wishing for...
A way to add more bling.
And you are wishing for,
An easier way to be...
More greedy,
But not so obviously.

You want what you've already got!
But not so obviously.

You want it and that wanting wont stop!
Not so obviously.

You don't want to be greedy but you are!
And that is just like ME!
Bum, bum, bum, bum.
You don't want to be greedy but you are!
And that is just like ME!
Bum, bum, bum, bum.
You don't want to be greedy but you are!
And that is just like ME!

'So what is it that you're saying? '

You don't want to be greedy but you are!
Not so obviously.

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Beloved, Let Us Once More Praise The Rain

Beloved, let us once more praise the rain.
Let us discover some new alphabet,
For this, the often praised; and be ourselves,
The rain, the chickweed, and the burdock leaf,
The green-white privet flower, the spotted stone,
And all that welcomes the rain; the sparrow too,—
Who watches with a hard eye from seclusion,
Beneath the elm-tree bough, till rain is done.
There is an oriole who, upside down,
Hangs at his nest, and flicks an orange wing,—
Under a tree as dead and still as lead;
There is a single leaf, in all this heaven
Of leaves, which rain has loosened from its twig:
The stem breaks, and it falls, but it is caught
Upon a sister leaf, and thus she hangs;
There is an acorn cup, beside a mushroom
Which catches three drops from the stooping cloud.
The timid bee goes back to the hive; the fly
Under the broad leaf of the hollyhock
Perpends stupid with cold; the raindark snail
Surveys the wet world from a watery stone...
And still the syllables of water whisper:
The wheel of cloud whirs slowly: while we wait
In the dark room; and in your heart I find
One silver raindrop,—on a hawthorn leaf,—
Orion in a cobweb, and the World.

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To Control and Hold Back the Tears

Not many Americans really know what goes on,
And why when we get home so many of us veterans have in common,
Even though a lot of our memories are not the same,
We still have the same feelings as we lost our buddies and still can remember them name by name.
It all starts as we go out and go on patrol,
We pray to come back in one piece, which is our goal.
And yes, this is something that everyone prays for,
Because we see so much that hurts our hearts more and more.
To see our buddies get thrown and blown around,
Some are hurt and some just wounded, but others are heaven bound.
Coming back home is something that we all have to deal with and it is very hard,
Especially as we see our friends being buried in a National Cemetery grave yard.
To think that we will always remember these things as we get older and go through the years,
It's hard for us not to think about it and hold back the tears.
Some of us come with deep echoes and ringing sounds in our mind,
This causes us to lose control and to keep our way of thinking in a bind.
It is really hard for a lot of people to understand what it feels like to come back,
And to always feel like you are under attack.
Yes, this time of pain and is hard to control.
with help from the Lord and our family, we try to calm our soul.
As the time goes on and more and more of us are coming back and being diagnosed,
It finally helps us come out of our deep and wanting to be alone, and comatose.
Thank you to everyone that wants to try to understand what it feels like for us to go through and see what we see.
Because in our lives, it is finally here to show us that there is someone who cares for them and for me.

By Frank Pulver

SSgt/ USMCR

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Thar's More In the Man Than Thar Is In The Land

I knowed a man, which he lived in Jones,
Which Jones is a county of red hills and stones,
And he lived pretty much by gittin' of loans,
And his mules was nuthin' but skin and bones,
And his hogs was flat as his corn-bread pones,
And he had 'bout a thousand acres o' land.

This man -- which his name it was also Jones --
He swore that he'd leave them old red hills and stones,
Fur he couldn't make nuthin' but yallerish cotton,
And little o' THAT, and his fences was rotten,
And what little corn he had, HIT was boughten
And dinged ef a livin' was in the land.

And the longer he swore the madder he got,
And he riz and he walked to the stable lot,
And he hollered to Tom to come thar and hitch
Fur to emigrate somewhar whar land was rich,
And to quit raisin' cock-burrs, thistles and sich,
And a wastin' ther time on the cussed land.

So him and Tom they hitched up the mules,
Pertestin' that folks was mighty big fools
That 'ud stay in Georgy ther lifetime out,
Jest scratchin' a livin' when all of 'em mought
Git places in Texas whar cotton would sprout
By the time you could plant it in the land.

And he driv by a house whar a man named Brown
Was a livin', not fur from the edge o' town,
And he bantered Brown fur to buy his place,
And said that bein' as money was skace,
And bein' as sheriffs was hard to face,
Two dollars an acre would git the land.

They closed at a dollar and fifty cents,
And Jones he bought him a waggin and tents,
And loaded his corn, and his wimmin, and truck,
And moved to Texas, which it tuck
His entire pile, with the best of luck,
To git thar and git him a little land.

But Brown moved out on the old Jones' farm,
And he rolled up his breeches and bared his arm,
And he picked all the rocks from off'n the groun',
And he rooted it up and he plowed it down,
Then he sowed his corn and his wheat in the land.

Five years glid by, and Brown, one day
(Which he'd got so fat that he wouldn't weigh),
Was a settin' down, sorter lazily,
To the bulliest dinner you ever see,
When one o' the children jumped on his knee
And says, 'Yan's Jones, which you bought his land.'

And thar was Jones, standin' out at the fence,
And he hadn't no waggin, nor mules, nor tents,
Fur he had left Texas afoot and cum
To Georgy to see if he couldn't git sum
Employment, and he was a lookin' as hum-
Ble as ef he had never owned any land.

But Brown he axed him in, and he sot
Him down to his vittles smokin' hot,
And when he had filled hisself and the floor
Brown looked at him sharp and riz and swore
That, 'whether men's land was rich or poor
Thar was more in the MAN than thar was in the LAND.'

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Future, Future Before and Future From The Future: Journey:

O'er the hills,
hills on land,
o'er the land,
land on water,
o'er the water.
water on land,
land on water again.
And again, again...

And so it goes,
to infinity, i see.
: deep thinkers discern:
travelling in the soul,
i went,
muscle stonger than ever,
flying high into SEVENTH HEAVEN,
soaring like the eagle,
with mystery more than,
MYSTERY OF THE PHANTOM FLAME,
but in the body im weak.
Here i lie,
thinking of,
great things.

Was i a weak soul?

Gently in my couch,
i rest,
viewing the infinity,
FUTURE! !

I looked o'er the future,
over the infinity,
i passed hills,
savannas
oceans,
then future.

But in soul not in body.

Was i the weak soul?

I saw what future awaits,
the poor soul.
Who has been living in future,
before time.
Now its the time,
he's doomed.
All things upside down.
I saw eyes red,
than the RED PARIS WINE.
I saw his eyes soured with tears,
tears to infinity.

Thoughts of great things,
keep flying all over his
working brain.
keeps being optimistic,
to lift of the heavy weight,
smiles so people,
not discern the truth,

OH HE'S BEEN GOING THROUGH,
HELL SINCE! !
People might say''he thinks''

But now is the future,
He has got a DEAD LIFE,
no light in him a again,
all is darkness.

Are you the thief,
that stole his dreams?

Oh! his precious dreams are gone,
the PRINCE OF SEVEN SEAS,
went for it,
but failed the mission.

Who can help the poor soul?
His dreams has being stolen,
i needa help him restore it,
maybe before the future

Was i a poor soul?
ive also got dreams,
to make true.
Here i am thinking of,
helping another soul.

I tapped him gently,
but he'll never say a thing.
He is in melancholy.
I sat down gently beside him,
saying words of comfort,
to the man who needs help?

Here i am,
i also need help,
but no one to pacify me.

I go on saying,
all spirit directs me.
Spirit being in my soul.

Gentle breeze serves the message,
right.
As it we sat down,
i heard the breeze,
whistling all i said,
into his glued ear.

He suddenly changed,
mood.
Looked at me with suprise,
told me he's going back.
To where?

OH MY!
Whats he saying?

TO WHERE HE BELONGS?

That wrecked life,
this future suits our life.
We can think of a car,
and we see it,
house and we see,
but,
not in reality,
the FUTURE FROM THE FUTURE.

He told me,
he wants to make things right,
he's going on a travel,
from the LAND OF DREAMS,
we are,
the FUTURE.
to the FUTURE FROM THE FUTURE.

That land of no hope?
Message,
: sobs:
i want to stay here,
i like it here,
dont want to get weak again,
back there.

Message
: rethinks:
Good gracious!
Ive just convinced a man,
who lives in future,
he'll be packing his loads,
to where he belongs.

HE'LL HAVE FAITH,
WHERE NO HOPE,
THERE'S STILL HOPE.
then he comes back at appointed,
time.
IN FULLEST GLORY.

I dont want to live,
my cars here and go back.
My estate,
cars.
I cant pack them along,
i'll stay here.

Future before future,

: Knocks:
Its me Belinda,
your new neighbour.

: Jerks:
: yawns:
: Quick thought:
and ive got beautiful houses,
built in the land FUTURE,
fine cars in the garage,
now here is a new neighbour,
i have here.
Im going to share,
this apartment again.

Someday i'll migrate fully,
TO THE FUTURE.
After i make thinks right,
by hardwork and love.
I'll laugh last

: knocks:
anybody home?

: Answer:
im sorry, im coming just stressed up from the journey i had.im on my way.

: thinks:
WHICH JOURNEY WAS I,
EVEN SAYING?

JOURNEY TO THE FUTURE.

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Patrick White

I Should Lie In The Sun And Melt Into The Grass

I should lie in the sun and melt into the grass.
I listen to the bikers throttling up like chain-saws.
I sit here urgently trying not to pollute time.
A poem's got one foot on shore and one in the boat.
Let Atlantis rise or sink as it will. I can wait.
Even when it's calm, my heart is an idling storm
and every third thought is a voodoo doll
as it sees itself on the inside
behind the eyelid of a visionary eclipse.
Nothing to worry about. I'm not going to put
the eyes of the telescope out for looking at Lady Godiva.

Look at me tracking myself all over this paper,
mouse and bird letters in the snow at the base of a juniper.
How human it is to forgo yourself for a future that doesn't exist.
God, I wish there were more fireflies in my life than street signs.
Do you see the lack of meaning in how things are understood?
Thought will get you as far as a frog on a lily pad
but once you get there it's easy to see it's the lily that shines
in a whole other realm of language
that everyone understands but no one can speak.
I watch the honeysuckle burn the gate I came through.
I note the blue eye shadow of the damselfly
applying herself like a cosmetic pencil to the heavy petals
of the wild roses tangled in the fallen birch.

What a shock it would be if I were to take off my lifemask
and you were to discover me infinitely closer to you
like a dimension you hadn't detected in your awareness
than the light is to what you see when
you're sitting up in bed alone in the dark at three in the morning.
What a world, hey? What do you make of it?
The marvel and the horror and the mystery
and the way destiny manifestly unrolls like a lottery
for every living thing on a planet that occasionally plays
Russian roulette with the asteroids, and our tiny part in it all,
this mere speck of nothingness that can embody
in its formless spaces within, the superclustering of galaxies?
And the pain and the anger and the sorrow and the fear
and the way things change and disappear
as you look for the forms of your expectations everywhere
and everything's either an approximation or consolation
of what you can see so clearly, it burns the air?

I should lie down in the sun and melt into the grass,
but forgotten among buildings here, I am unbound
and not even the dead are as free as I am right now.
The whole universe is one big solid insight
where inanimate things are just another mode of motion
sitting in the room like Latin, dogpaddling in space and time,
and I'm tucked under your eyelids like a loveletter
you weren't expecting in a language that could read you
like any one of the seventy-two scholars of the Septuagint.
I've been listening to you for lightyears like leaves
listen for the wind and the rain and the moonlight
and what you have felt about being alive
to say hello and sing farewell, has been my feeling,
and when you have wept at the intransigence of angels
and the generosity of their expansive interventions,
I have been humbled by the eyes of my own exaltations.
And my feet swept out from under me
like an undertow of shadows on the moon.

Sister Lunacy, who can stand in the light
of these intensities and immensities for long
this vertigo of stars and skulls, bells and scars
without reeling in the delirium of simply being here
to witness them as if they somehow depended on us
to embody them in our hearts and minds and voids
as if they were no different from us than we were,
all waves of awareness the wind blows up on the ocean.
The imagination transforms everything in to us.
The stars reek of the eyes that have gazed up at them
like pyres and telescopes and censers, it's
in the hair of a comet like the smell of a lover,
it's what makes the meteorites as kissable
as the head of a snake to the lips of a gentle enemy.

Sister Lunacy, my heartfelt muse, my dark-side dakini,
what have you been dancing for all these years?
Have you been pearldiving among the castanets
for a moonrise in the mouth of a seashell
that could sing to you like the ocean you're lost upon?
You're the station every seeker gets to
on a pilgrimage he doesn't know he's taking
where he damns the consequences and blessings alike
and enters into the spiritual life as a rebel of compassion
as he addresses himself to what's arrayed before him
as if there were only one voice between himself and another
like a bridge that flows, like a star
that doesn't drown in your eye like a firefly.
And if there were anything I could ever say I was
it would have to be this just as it is, this
endlessness I keep being poured out into
as if my heart were the only waterclock I could live by
and disembodied space the only medium
that could accommodate my shapeshifting adaptations
like goldfish coming to the surface to feed on the stars.

Sister Lunacy, the moon reaches down to the roots of the river reeds
and the catfish thrive among the wild rice in the shallows,
and eyes in the darkness high overhead, as if
someone shattered a mirror into a billion bits of awareness
see you standing on your barren precipice
and long to know what it is you're thinking.
In order to understand you must become the thing itself.
You must abdicate your own presence to be
remotely at peace with the world, it's a strawdog anyway,
and it burns too fast to be much of a lighthouse.
And o my darkness, there are so many skins you have yet to shed
like the moon trying on a wardrobe of water
laying her gown across the lake like an early frost of sequins.
I shall come to you at first as a premonition
as lightly as a cloud touches the mountain, an aberrant insight,
a synchronistic intuition of our simultaneity,
and in your breath my breath shall be an atmosphere
and in your eye my eye shall lavish the most intimate of stars,
and in your blood my blood shall be the poppy and the rose.

Sister Lunacy, even after the house has burnt to the ground
my passion stands like a blackened doorway in the rain
and though I look at you through a broken window,
the moon is whole, and the sky is not torn or bruised.

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Book IV - Part 02 - Existence And Character Of The Images

But since I've taught already of what sort
The seeds of all things are, and how distinct
In divers forms they flit of own accord,
Stirred with a motion everlasting on,
And in what mode things be from them create,
And since I've taught what the mind's nature is,
And of what things 'tis with the body knit
And thrives in strength, and by what mode uptorn
That mind returns to its primordials,
Now will I undertake an argument-
One for these matters of supreme concern-
That there exist those somewhats which we call
The images of things: these, like to films
Scaled off the utmost outside of the things,
Flit hither and thither through the atmosphere,
And the same terrify our intellects,
Coming upon us waking or in sleep,
When oft we peer at wonderful strange shapes
And images of people lorn of light,
Which oft have horribly roused us when we lay
In slumber- that haply nevermore may we
Suppose that souls get loose from Acheron,
Or shades go floating in among the living,
Or aught of us is left behind at death,
When body and mind, destroyed together, each
Back to its own primordials goes away.

And thus I say that effigies of things,
And tenuous shapes from off the things are sent,
From off the utmost outside of the things,
Which are like films or may be named a rind,
Because the image bears like look and form
With whatso body has shed it fluttering forth-
A fact thou mayst, however dull thy wits,
Well learn from this: mainly, because we see
Even 'mongst visible objects many be
That send forth bodies, loosely some diffused-
Like smoke from oaken logs and heat from fires-
And some more interwoven and condensed-
As when the locusts in the summertime
Put off their glossy tunics, or when calves
At birth drop membranes from their body's surface,
Or when, again, the slippery serpent doffs
Its vestments 'mongst the thorns- for oft we see
The breres augmented with their flying spoils:
Since such takes place, 'tis likewise certain too
That tenuous images from things are sent,
From off the utmost outside of the things.
For why those kinds should drop and part from things,
Rather than others tenuous and thin,
No power has man to open mouth to tell;
Especially, since on outsides of things
Are bodies many and minute which could,
In the same order which they had before,
And with the figure of their form preserved,
Be thrown abroad, and much more swiftly too,
Being less subject to impediments,
As few in number and placed along the front.
For truly many things we see discharge
Their stuff at large, not only from their cores
Deep-set within, as we have said above,
But from their surfaces at times no less-
Their very colours too. And commonly
The awnings, saffron, red and dusky blue,
Stretched overhead in mighty theatres,
Upon their poles and cross-beams fluttering,
Have such an action quite; for there they dye
And make to undulate with their every hue
The circled throng below, and all the stage,
And rich attire in the patrician seats.
And ever the more the theatre's dark walls
Around them shut, the more all things within
Laugh in the bright suffusion of strange glints,
The daylight being withdrawn. And therefore, since
The canvas hangings thus discharge their dye
From off their surface, things in general must
Likewise their tenuous effigies discharge,
Because in either case they are off-thrown
From off the surface. So there are indeed
Such certain prints and vestiges of forms
Which flit around, of subtlest texture made,
Invisible, when separate, each and one.
Again, all odour, smoke, and heat, and such
Streams out of things diffusedly, because,
Whilst coming from the deeps of body forth
And rising out, along their bending path
They're torn asunder, nor have gateways straight
Wherethrough to mass themselves and struggle abroad.
But contrariwise, when such a tenuous film
Of outside colour is thrown off, there's naught
Can rend it, since 'tis placed along the front
Ready to hand. Lastly those images
Which to our eyes in mirrors do appear,
In water, or in any shining surface,
Must be, since furnished with like look of things,
Fashioned from images of things sent out.
There are, then, tenuous effigies of forms,
Like unto them, which no one can divine
When taken singly, which do yet give back,
When by continued and recurrent discharge
Expelled, a picture from the mirrors' plane.
Nor otherwise, it seems, can they be kept
So well conserved that thus be given back
Figures so like each object.
Now then, learn
How tenuous is the nature of an image.
And in the first place, since primordials be
So far beneath our senses, and much less
E'en than those objects which begin to grow
Too small for eyes to note, learn now in few
How nice are the beginnings of all things-
That this, too, I may yet confirm in proof:
First, living creatures are sometimes so small
That even their third part can nowise be seen;
Judge, then, the size of any inward organ-
What of their sphered heart, their eyes, their limbs,
The skeleton?- How tiny thus they are!
And what besides of those first particles
Whence soul and mind must fashioned be?- Seest not
How nice and how minute? Besides, whatever
Exhales from out its body a sharp smell-
The nauseous absinth, or the panacea,
Strong southernwood, or bitter centaury-
If never so lightly with thy [fingers] twain
Perchance [thou touch] a one of them

Then why not rather know that images
Flit hither and thither, many, in many modes,
Bodiless and invisible?
But lest
Haply thou holdest that those images
Which come from objects are the sole that flit,
Others indeed there be of own accord
Begot, self-formed in earth's aery skies,
Which, moulded to innumerable shapes,
Are borne aloft, and, fluid as they are,
Cease not to change appearance and to turn
Into new outlines of all sorts of forms;
As we behold the clouds grow thick on high
And smirch the serene vision of the world,
Stroking the air with motions. For oft are seen
The giants' faces flying far along
And trailing a spread of shadow; and at times
The mighty mountains and mountain-sundered rocks
Going before and crossing on the sun,
Whereafter a monstrous beast dragging amain
And leading in the other thunderheads.
Now [hear] how easy and how swift they be
Engendered, and perpetually flow off
From things and gliding pass away....

For ever every outside streams away
From off all objects, since discharge they may;
And when this outside reaches other things,
As chiefly glass, it passes through; but where
It reaches the rough rocks or stuff of wood,
There 'tis so rent that it cannot give back
An image. But when gleaming objects dense,
As chiefly mirrors, have been set before it,
Nothing of this sort happens. For it can't
Go, as through glass, nor yet be rent- its safety,
By virtue of that smoothness, being sure.
'Tis therefore that from them the images
Stream back to us; and howso suddenly
Thou place, at any instant, anything
Before a mirror, there an image shows;
Proving that ever from a body's surface
Flow off thin textures and thin shapes of things.
Thus many images in little time
Are gendered; so their origin is named
Rightly a speedy. And even as the sun
Must send below, in little time, to earth
So many beams to keep all things so full
Of light incessant; thus, on grounds the same,
From things there must be borne, in many modes,
To every quarter round, upon the moment,
The many images of things; because
Unto whatever face of things we turn
The mirror, things of form and hue the same
Respond. Besides, though but a moment since
Serenest was the weather of the sky,
So fiercely sudden is it foully thick
That ye might think that round about all murk
Had parted forth from Acheron and filled
The mighty vaults of sky- so grievously,
As gathers thus the storm-clouds' gruesome night,
Do faces of black horror hang on high-
Of which how small a part an image is
There's none to tell or reckon out in words.

Now come; with what swift motion they are borne,
These images, and what the speed assigned
To them across the breezes swimming on-
So that o'er lengths of space a little hour
Alone is wasted, toward whatever region
Each with its divers impulse tends- I'll tell
In verses sweeter than they many are;
Even as the swan's slight note is better far
Than that dispersed clamour of the cranes
Among the southwind's aery clouds. And first,
One oft may see that objects which are light
And made of tiny bodies are the swift;
In which class is the sun's light and his heat,
Since made from small primordial elements
Which, as it were, are forward knocked along
And through the interspaces of the air
To pass delay not, urged by blows behind;
For light by light is instantly supplied
And gleam by following gleam is spurred and driven.
Thus likewise must the images have power
Through unimaginable space to speed
Within a point of time,- first, since a cause
Exceeding small there is, which at their back
Far forward drives them and propels, where, too,
They're carried with such winged lightness on;
And, secondly, since furnished, when sent off,
With texture of such rareness that they can
Through objects whatsoever penetrate
And ooze, as 'twere, through intervening air.
Besides, if those fine particles of things
Which from so deep within are sent abroad,
As light and heat of sun, are seen to glide
And spread themselves through all the space of heaven
Upon one instant of the day, and fly
O'er sea and lands and flood the heaven, what then
Of those which on the outside stand prepared,
When they're hurled off with not a thing to check
Their going out? Dost thou not see indeed
How swifter and how farther must they go
And speed through manifold the length of space
In time the same that from the sun the rays
O'erspread the heaven? This also seems to be
Example chief and true with what swift speed
The images of things are borne about:
That soon as ever under open skies
Is spread the shining water, all at once,
If stars be out in heaven, upgleam from earth,
Serene and radiant in the water there,
The constellations of the universe-
Now seest thou not in what a point of time
An image from the shores of ether falls
Unto the shores of earth? Wherefore, again,
And yet again, 'tis needful to confess
With wondrous...

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John Keats

The Cap And Bells; Or, The Jealousies: A Faery Tale -- Unfinished

I.
In midmost Ind, beside Hydaspes cool,
There stood, or hover'd, tremulous in the air,
A faery city 'neath the potent rule
Of Emperor Elfinan; fam'd ev'rywhere
For love of mortal women, maidens fair,
Whose lips were solid, whose soft hands were made
Of a fit mould and beauty, ripe and rare,
To tamper his slight wooing, warm yet staid:
He lov'd girls smooth as shades, but hated a mere shade.

II.
This was a crime forbidden by the law;
And all the priesthood of his city wept,
For ruin and dismay they well foresaw,
If impious prince no bound or limit kept,
And faery Zendervester overstept;
They wept, he sin'd, and still he would sin on,
They dreamt of sin, and he sin'd while they slept;
In vain the pulpit thunder'd at the throne,
Caricature was vain, and vain the tart lampoon.

III.
Which seeing, his high court of parliament
Laid a remonstrance at his Highness' feet,
Praying his royal senses to content
Themselves with what in faery land was sweet,
Befitting best that shade with shade should meet:
Whereat, to calm their fears, he promis'd soon
From mortal tempters all to make retreat,--
Aye, even on the first of the new moon,
An immaterial wife to espouse as heaven's boon.

IV.
Meantime he sent a fluttering embassy
To Pigmio, of Imaus sovereign,
To half beg, and half demand, respectfully,
The hand of his fair daughter Bellanaine;
An audience had, and speeching done, they gain
Their point, and bring the weeping bride away;
Whom, with but one attendant, safely lain
Upon their wings, they bore in bright array,
While little harps were touch'd by many a lyric fay.

V.
As in old pictures tender cherubim
A child's soul thro' the sapphir'd canvas bear,
So, thro' a real heaven, on they swim
With the sweet princess on her plumag'd lair,
Speed giving to the winds her lustrous hair;
And so she journey'd, sleeping or awake,
Save when, for healthful exercise and air,
She chose to 'promener à l'aile,' or take
A pigeon's somerset, for sport or change's sake.

VI.
'Dear Princess, do not whisper me so loud,'
Quoth Corallina, nurse and confidant,
'Do not you see there, lurking in a cloud,
Close at your back, that sly old Crafticant?
He hears a whisper plainer than a rant:
Dry up your tears, and do not look so blue;
He's Elfinan's great state-spy militant,
His running, lying, flying foot-man too,--
Dear mistress, let him have no handle against you!

VII.
'Show him a mouse's tail, and he will guess,
With metaphysic swiftness, at the mouse;
Show him a garden, and with speed no less,
He'll surmise sagely of a dwelling house,
And plot, in the same minute, how to chouse
The owner out of it; show him a' --- 'Peace!
Peace! nor contrive thy mistress' ire to rouse!'
Return'd the Princess, 'my tongue shall not cease
Till from this hated match I get a free release.

VIII.
'Ah, beauteous mortal!' 'Hush!' quoth Coralline,
'Really you must not talk of him, indeed.'
'You hush!' reply'd the mistress, with a shinee
Of anger in her eyes, enough to breed
In stouter hearts than nurse's fear and dread:
'Twas not the glance itself made nursey flinch,
But of its threat she took the utmost heed;
Not liking in her heart an hour-long pinch,
Or a sharp needle run into her back an inch.

IX.
So she was silenc'd, and fair Bellanaine,
Writhing her little body with ennui,
Continued to lament and to complain,
That Fate, cross-purposing, should let her be
Ravish'd away far from her dear countree;
That all her feelings should be set at nought,
In trumping up this match so hastily,
With lowland blood; and lowland blood she thought
Poison, as every staunch true-born Imaian ought.

X.
Sorely she griev'd, and wetted three or four
White Provence rose-leaves with her faery tears,
But not for this cause; -- alas! she had more
Bad reasons for her sorrow, as appears
In the fam'd memoirs of a thousand years,
Written by Crafticant, and published
By Parpaglion and Co., (those sly compeers
Who rak'd up ev'ry fact against the dead,)
In Scarab Street, Panthea, at the Jubal's Head.

XI.
Where, after a long hypercritic howl
Against the vicious manners of the age,
He goes on to expose, with heart and soul,
What vice in this or that year was the rage,
Backbiting all the world in every page;
With special strictures on the horrid crime,
(Section'd and subsection'd with learning sage,)
Of faeries stooping on their wings sublime
To kiss a mortal's lips, when such were in their prime.

XII.
Turn to the copious index, you will find
Somewhere in the column, headed letter B,
The name of Bellanaine, if you're not blind;
Then pray refer to the text, and you will see
An article made up of calumny
Against this highland princess, rating her
For giving way, so over fashionably,
To this new-fangled vice, which seems a burr
Stuck in his moral throat, no coughing e'er could stir.

XIII.
There he says plainly that she lov'd a man!
That she around him flutter'd, flirted, toy'd,
Before her marriage with great Elfinan;
That after marriage too, she never joy'd
In husband's company, but still employ'd
Her wits to 'scape away to Angle-land;
Where liv'd the youth, who worried and annoy'd
Her tender heart, and its warm ardours fann'd
To such a dreadful blaze, her side would scorch her hand.

XIV.
But let us leave this idle tittle-tattle
To waiting-maids, and bed-room coteries,
Nor till fit time against her fame wage battle.
Poor Elfinan is very ill at ease,
Let us resume his subject if you please:
For it may comfort and console him much,
To rhyme and syllable his miseries;
Poor Elfinan! whose cruel fate was such,
He sat and curs'd a bride he knew he could not touch.

XV.
Soon as (according to his promises)
The bridal embassy had taken wing,
And vanish'd, bird-like, o'er the suburb trees,
The Emperor, empierc'd with the sharp sting
Of love, retired, vex'd and murmuring
Like any drone shut from the fair bee-queen,
Into his cabinet, and there did fling
His limbs upon a sofa, full of spleen,
And damn'd his House of Commons, in complete chagrin.

XVI.
'I'll trounce some of the members,' cry'd the Prince,
'I'll put a mark against some rebel names,
I'll make the Opposition-benches wince,
I'll show them very soon, to all their shames,
What 'tis to smother up a Prince's flames;
That ministers should join in it, I own,
Surprises me! -- they too at these high games!
Am I an Emperor? Do I wear a crown?
Imperial Elfinan, go hang thyself or drown!

XVII.
'I'll trounce 'em! -- there's the square-cut chancellor,
His son shall never touch that bishopric;
And for the nephew of old Palfior,
I'll show him that his speeches made me sick,
And give the colonelcy to Phalaric;
The tiptoe marquis, mortal and gallant,
Shall lodge in shabby taverns upon tick;
And for the Speaker's second cousin's aunt,
She sha'n't be maid of honour,-- by heaven that she sha'n't!

XVIII.
'I'll shirk the Duke of A.; I'll cut his brother;
I'll give no garter to his eldest son;
I won't speak to his sister or his mother!
The Viscount B. shall live at cut-and-run;
But how in the world can I contrive to stun
That fellow's voice, which plagues me worse than any,
That stubborn fool, that impudent state-dun,
Who sets down ev'ry sovereign as a zany,--
That vulgar commoner, Esquire Biancopany?

XIX.
'Monstrous affair! Pshaw! pah! what ugly minx
Will they fetch from Imaus for my bride?
Alas! my wearied heart within me sinks,
To think that I must be so near ally'd
To a cold dullard fay,--ah, woe betide!
Ah, fairest of all human loveliness!
Sweet Bertha! what crime can it be to glide
About the fragrant plaintings of thy dress,
Or kiss thine eyes, or count thy locks, tress after tress?'

XX.
So said, one minute's while his eyes remaind'
Half lidded, piteous, languid, innocent;
But, in a wink, their splendour they regain'd,
Sparkling revenge with amorous fury blent.
Love thwarted in bad temper oft has vent:
He rose, he stampt his foot, he rang the bell,
And order'd some death-warrants to be sent
For signature: -- somewhere the tempest fell,
As many a poor fellow does not live to tell.

XXI.
'At the same time, Eban,' -- (this was his page,
A fay of colour, slave from top to toe,
Sent as a present, while yet under age,
From the Viceroy of Zanguebar, -- wise, slow,
His speech, his only words were 'yes' and 'no,'
But swift of look, and foot, and wing was he,--)
'At the same time, Eban, this instant go
To Hum the soothsayer, whose name I see
Among the fresh arrivals in our empery.

XXII.
'Bring Hum to me! But stay -- here, take my ring,
The pledge of favour, that he not suspect
Any foul play, or awkward murdering,
Tho' I have bowstrung many of his sect;
Throw in a hint, that if he should neglect
One hour, the next shall see him in my grasp,
And the next after that shall see him neck'd,
Or swallow'd by my hunger-starved asp,--
And mention ('tis as well) the torture of the wasp.'

XXIII.
These orders given, the Prince, in half a pet,
Let o'er the silk his propping elbow slide,
Caught up his little legs, and, in a fret,
Fell on the sofa on his royal side.
The slave retreated backwards, humble-ey'd,
And with a slave-like silence clos'd the door,
And to old Hun thro' street and alley hied;
He 'knew the city,' as we say, of yore,
And for short cuts and turns, was nobody knew more.

XXIV.
It was the time when wholesale dealers close
Their shutters with a moody sense of wealth,
But retail dealers, diligent, let loose
The gas (objected to on score of health),
Convey'd in little solder'd pipes by stealth,
And make it flare in many a brilliant form,
That all the powers of darkness it repell'th,
Which to the oil-trade doth great scaith and harm,
And superseded quite the use of the glow-worm.

XXV.
Eban, untempted by the pastry-cooks,
(Of pastry he got store within the palace,)
With hasty steps, wrapp'd cloak, and solemn looks,
Incognito upon his errand sallies,
His smelling-bottle ready for the allies;
He pass'd the Hurdy-gurdies with disdain,
Vowing he'd have them sent on board the gallies;
Just as he made his vow; it 'gan to rain,
Therefore he call'd a coach, and bade it drive amain.

XXVI.
'I'll pull the string,' said he, and further said,
'Polluted Jarvey! Ah, thou filthy hack!
Whose springs of life are all dry'd up and dead,
Whose linsey-woolsey lining hangs all slack,
Whose rug is straw, whose wholeness is a crack;
And evermore thy steps go clatter-clitter;
Whose glass once up can never be got back,
Who prov'st, with jolting arguments and bitter,
That 'tis of modern use to travel in a litter.

XXVII.
'Thou inconvenience! thou hungry crop
For all corn! thou snail-creeper to and fro,
Who while thou goest ever seem'st to stop,
And fiddle-faddle standest while you go;
I' the morning, freighted with a weight of woe,
Unto some lazar-house thou journeyest,
And in the evening tak'st a double row
Of dowdies, for some dance or party drest,
Besides the goods meanwhile thou movest east and west.

XXVIII.
'By thy ungallant bearing and sad mien,
An inch appears the utmost thou couldst budge;
Yet at the slightest nod, or hint, or sign,
Round to the curb-stone patient dost thou trudge,
School'd in a beckon, learned in a nudge,
A dull-ey'd Argus watching for a fare;
Quiet and plodding, thou dost bear no grudge
To whisking Tilburies, or Phaetons rare,
Curricles, or Mail-coaches, swift beyond compare.'

XXIX.
Philosophizing thus, he pull'd the check,
And bade the Coachman wheel to such a street,
Who, turning much his body, more his neck,
Louted full low, and hoarsely did him greet:
'Certes, Monsieur were best take to his feet,
Seeing his servant can no further drive
For press of coaches, that to-night here meet,
Many as bees about a straw-capp'd hive,
When first for April honey into faint flowers they dive.'

XXX.
Eban then paid his fare, and tiptoe went
To Hum's hotel; and, as he on did pass
With head inclin'd, each dusky lineament
Show'd in the pearl-pav'd street, as in a glass;
His purple vest, that ever peeping was
Rich from the fluttering crimson of his cloak,
His silvery trowsers, and his silken sash
Tied in a burnish'd knot, their semblance took
Upon the mirror'd walls, wherever he might look.

XXXI.
He smil'd at self, and, smiling, show'd his teeth,
And seeing his white teeth, he smil'd the more;
Lifted his eye-brows, spurn'd the path beneath,
Show'd teeth again, and smil'd as heretofore,
Until he knock'd at the magician's door;
Where, till the porter answer'd, might be seen,
In the clear panel more he could adore,--
His turban wreath'd of gold, and white, and green,
Mustachios, ear-ring, nose-ring, and his sabre keen.

XXXII.
'Does not your master give a rout to-night?'
Quoth the dark page. 'Oh, no!' return'd the Swiss,
'Next door but one to us, upon the right,
The Magazin des Modes now open is
Against the Emperor's wedding;--and, sir, this
My master finds a monstrous horrid bore;
As he retir'd, an hour ago I wis,
With his best beard and brimstone, to explore
And cast a quiet figure in his second floor.

XXXIII.
'Gad! he's oblig'd to stick to business!
For chalk, I hear, stands at a pretty price;
And as for aqua vitae -- there's a mess!
The dentes sapientiae of mice,
Our barber tells me too, are on the rise,--
Tinder's a lighter article, -- nitre pure
Goes off like lightning, -- grains of Paradise
At an enormous figure! -- stars not sure! --
Zodiac will not move without a slight douceur!

XXXIV.
'Venus won't stir a peg without a fee,
And master is too partial, entre nous,
To' -- 'Hush -- hush!' cried Eban, 'sure that is he
Coming down stairs, -- by St. Bartholomew!
As backwards as he can, -- is't something new?
Or is't his custom, in the name of fun?'
'He always comes down backward, with one shoe'--
Return'd the porter -- 'off, and one shoe on,
Like, saving shoe for sock or stocking, my man John!'

XXXV.
It was indeed the great Magician,
Feeling, with careful toe, for every stair,
And retrograding careful as he can,
Backwards and downwards from his own two pair:
'Salpietro!' exclaim'd Hum, 'is the dog there?
He's always in my way upon the mat!'
'He's in the kitchen, or the Lord knows where,'--
Reply'd the Swiss, -- 'the nasty, yelping brat!'
'Don't beat him!' return'd Hum, and on the floor came pat.

XXXVI.
Then facing right about, he saw the Page,
And said: 'Don't tell me what you want, Eban;
The Emperor is now in a huge rage,--
'Tis nine to one he'll give you the rattan!
Let us away!' Away together ran
The plain-dress'd sage and spangled blackamoor,
Nor rested till they stood to cool, and fan,
And breathe themselves at th' Emperor's chamber door,
When Eban thought he heard a soft imperial snore.

XXXVII.
'I thought you guess'd, foretold, or prophesy'd,
That's Majesty was in a raving fit?'
'He dreams,' said Hum, 'or I have ever lied,
That he is tearing you, sir, bit by bit.'
'He's not asleep, and you have little wit,'
Reply'd the page; 'that little buzzing noise,
Whate'er your palmistry may make of it,
Comes from a play-thing of the Emperor's choice,
From a Man-Tiger-Organ, prettiest of his toys.'

XXXVIII.
Eban then usher'd in the learned Seer:
Elfinan's back was turn'd, but, ne'ertheless,
Both, prostrate on the carpet, ear by ear,
Crept silently, and waited in distress,
Knowing the Emperor's moody bitterness;
Eban especially, who on the floor 'gan
Tremble and quake to death,-- he feared less
A dose of senna-tea or nightmare Gorgon
Than the Emperor when he play'd on his Man-Tiger-Organ.

XXXIX.
They kiss'd nine times the carpet's velvet face
Of glossy silk, soft, smooth, and meadow-green,
Where the close eye in deep rich fur might trace
A silver tissue, scantly to be seen,
As daisies lurk'd in June-grass, buds in green;
Sudden the music ceased, sudden the hand
Of majesty, by dint of passion keen,
Doubled into a common fist, went grand,
And knock'd down three cut glasses, and his best ink-stand.

XL.
Then turning round, he saw those trembling two:
'Eban,' said he, 'as slaves should taste the fruits
Of diligence, I shall remember you
To-morrow, or next day, as time suits,
In a finger conversation with my mutes,--
Begone! -- for you, Chaldean! here remain!
Fear not, quake not, and as good wine recruits
A conjurer's spirits, what cup will you drain?
Sherry in silver, hock in gold, or glass'd champagne?'

XLI.
'Commander of the faithful!' answer'd Hum,
'In preference to these, I'll merely taste
A thimble-full of old Jamaica rum.'
'A simple boon!' said Elfinan; 'thou may'st
Have Nantz, with which my morning-coffee's lac'd.'
'I'll have a glass of Nantz, then,' -- said the Seer,--
'Made racy -- (sure my boldness is misplac'd!)--
With the third part -- (yet that is drinking dear!)--
Of the least drop of crème de citron, crystal clear.'

XLII.
'I pledge you, Hum! and pledge my dearest love,
My Bertha!' 'Bertha! Bertha!' cry'd the sage,
'I know a many Berthas!' 'Mine's above
All Berthas!' sighed the Emperor. 'I engage,'
Said Hum, 'in duty, and in vassalage,
To mention all the Berthas in the earth;--
There's Bertha Watson, -- and Miss Bertha Page,--
This fam'd for languid eyes, and that for mirth,--
There's Bertha Blount of York, -- and Bertha Knox of Perth.'

XLIII.
'You seem to know' -- 'I do know,' answer'd Hum,
'Your Majesty's in love with some fine girl
Named Bertha; but her surname will not come,
Without a little conjuring.' ''Tis Pearl,
'Tis Bertha Pearl! What makes my brain so whirl?
And she is softer, fairer than her name!'
'Where does she live?' ask'd Hum. 'Her fair locks curl
So brightly, they put all our fays to shame!--
Live? -- O! at Canterbury, with her old grand-dame.'

XLIV.
'Good! good!' cried Hum, 'I've known her from a child!
She is a changeling of my management;
She was born at midnight in an Indian wild;
Her mother's screams with the striped tiger's blent,
While the torch-bearing slaves a halloo sent
Into the jungles; and her palanquin,
Rested amid the desert's dreariment,
Shook with her agony, till fair were seen
The little Bertha's eyes ope on the stars serene.'

XLV.
'I can't say,' said the monarch; 'that may be
Just as it happen'd, true or else a bam!
Drink up your brandy, and sit down by me,
Feel, feel my pulse, how much in love I am;
And if your science is not all a sham.
Tell me some means to get the lady here.'
'Upon my honour!' said the son of Cham,
'She is my dainty changeling, near and dear,
Although her story sounds at first a little queer.'

XLVI.
'Convey her to me, Hum, or by my crown,
My sceptre, and my cross-surmounted globe,
I'll knock you' -- 'Does your majesty mean -- down?
No, no, you never could my feelings probe
To such a depth!' The Emperor took his robe,
And wept upon its purple palatine,
While Hum continued, shamming half a sob,--
'In Canterbury doth your lady shine?
But let me cool your brandy with a little wine.'

XLVII.
Whereat a narrow Flemish glass he took,
That since belong'd to Admiral De Witt,
Admir'd it with a connoisseuring look,
And with the ripest claret crowned it,
And, ere the lively bead could burst and flit,
He turn'd it quickly, nimbly upside down,
His mouth being held conveniently fit
To catch the treasure: 'Best in all the town!'
He said, smack'd his moist lips, and gave a pleasant frown.

XLVIII.
'Ah! good my Prince, weep not!' And then again
He filled a bumper. 'Great Sire, do not weep!
Your pulse is shocking, but I'll ease your pain.'
'Fetch me that Ottoman, and prithee keep
Your voice low,' said the Emperor; 'and steep
Some lady's-fingers nice in Candy wine;
And prithee, Hum, behind the screen do peep
For the rose-water vase, magician mine!
And sponge my forehead, -- so my love doth make me pine.

XLIX.
'Ah, cursed Bellanaine!' 'Don't think of her,'
Rejoin'd the Mago, 'but on Bertha muse;
For, by my choicest best barometer,
You shall not throttled be in marriage noose;
I've said it, Sire; you only have to choose
Bertha or Bellanaine.' So saying, he drew
From the left pocket of his threadbare hose,
A sampler hoarded slyly, good as new,
Holding it by his thumb and finger full in view.

L.
'Sire, this is Bertha Pearl's neat handy-work,
Her name, see here, Midsummer, ninety-one.'
Elfinan snatch'd it with a sudden jerk,
And wept as if he never would have done,
Honouring with royal tears the poor homespun;
Whereon were broider'd tigers with black eyes,
And long-tail'd pheasants, and a rising sun,
Plenty of posies, great stags, butterflies
Bigger than stags,-- a moon,-- with other mysteries.

LI.
The monarch handled o'er and o'er again
Those day-school hieroglyphics with a sigh;
Somewhat in sadness, but pleas'd in the main,
Till this oracular couplet met his eye
Astounded -- Cupid, I do thee defy!
It was too much. He shrunk back in his chair,
Grew pale as death, and fainted -- very nigh!
'Pho! nonsense!' exclaim'd Hum, 'now don't despair;
She does not mean it really. Cheer up, hearty -- there!

LII.
'And listen to my words. You say you won't,
On any terms, marry Miss Bellanaine;
It goes against your conscience -- good! Well, don't.
You say you love a mortal. I would fain
Persuade your honour's highness to refrain
From peccadilloes. But, Sire, as I say,
What good would that do? And, to be more plain,
You would do me a mischief some odd day,
Cut off my ears and limbs, or head too, by my fay!

LIII.
'Besides, manners forbid that I should pass any
Vile strictures on the conduct of a prince
Who should indulge his genius, if he has any,
Not, like a subject, foolish matters mince.
Now I think on't, perhaps I could convince
Your Majesty there is no crime at all
In loving pretty little Bertha, since
She's very delicate,-- not over tall, --
A fairy's hand, and in the waist why -- very small.'

LIV.
'Ring the repeater, gentle Hum!' ''Tis five,'
Said the gentle Hum; 'the nights draw in apace;
The little birds I hear are all alive;
I see the dawning touch'd upon your face;
Shall I put out the candles, please your Grace?'
'Do put them out, and, without more ado,
Tell me how I may that sweet girl embrace,--
How you can bring her to me.' 'That's for you,
Great Emperor! to adventure, like a lover true.'

LV.
'I fetch her!' -- 'Yes, an't like your Majesty;
And as she would be frighten'd wide awake
To travel such a distance through the sky,
Use of some soft manoeuvre you must make,
For your convenience, and her dear nerves' sake;
Nice way would be to bring her in a swoon,
Anon, I'll tell what course were best to take;
You must away this morning.' 'Hum! so soon?'
'Sire, you must be in Kent by twelve o'clock at noon.'

LVI.
At this great Caesar started on his feet,
Lifted his wings, and stood attentive-wise.
'Those wings to Canterbury you must beat,
If you hold Bertha as a worthy prize.
Look in the Almanack -- Moore never lies --
April the twenty- fourth, -- this coming day,
Now breathing its new bloom upon the skies,
Will end in St. Mark's Eve; -- you must away,
For on that eve alone can you the maid convey.'

LVII.
Then the magician solemnly 'gan to frown,
So that his frost-white eyebrows, beetling low,
Shaded his deep green eyes, and wrinkles brown
Plaited upon his furnace-scorched brow:
Forth from his hood that hung his neck below,
He lifted a bright casket of pure gold,
Touch'd a spring-lock, and there in wool or snow,
Charm'd into ever freezing, lay an old
And legend-leaved book, mysterious to behold.

LVIII.
'Take this same book,-- it will not bite you, Sire;
There, put it underneath your royal arm;
Though it's a pretty weight it will not tire,
But rather on your journey keep you warm:
This is the magic, this the potent charm,
That shall drive Bertha to a fainting fit!
When the time comes, don't feel the least alarm,
But lift her from the ground, and swiftly flit
Back to your palace. * * * * * * * * * *

LIX.
'What shall I do with that same book?' 'Why merely
Lay it on Bertha's table, close beside
Her work-box, and 'twill help your purpose dearly;
I say no more.' 'Or good or ill betide,
Through the wide air to Kent this morn I glide!'
Exclaim'd the Emperor. 'When I return,
Ask what you will, -- I'll give you my new bride!
And take some more wine, Hum; -- O Heavens! I burn
To be upon the wing! Now, now, that minx I spurn!'

LX.
'Leave her to me,' rejoin'd the magian:
'But how shall I account, illustrious fay!
For thine imperial absence? Pho! I can
Say you are very sick, and bar the way
To your so loving courtiers for one day;
If either of their two archbishops' graces
Should talk of extreme unction, I shall say
You do not like cold pig with Latin phrases,
Which never should be used but in alarming cases.'

LXI.
'Open the window, Hum; I'm ready now!'
Zooks!' exclaim'd Hum, as up the sash he drew.
'Behold, your Majesty, upon the brow
Of yonder hill, what crowds of people!' 'Whew!
The monster's always after something new,'
Return'd his Highness, 'they are piping hot
To see my pigsney Bellanaine. Hum! do
Tighten my belt a little, -- so, so, -- not
Too tight, -- the book! -- my wand! -- so, nothing is forgot.'

LXII.
'Wounds! how they shout!' said Hum, 'and there, -- see, see!
Th' ambassador's return'd from Pigmio!
The morning's very fine, -- uncommonly!
See, past the skirts of yon white cloud they go,
Tinging it with soft crimsons! Now below
The sable-pointed heads of firs and pines
They dip, move on, and with them moves a glow
Along the forest side! Now amber lines
Reach the hill top, and now throughout the valley shines.'

LXIII.
'Why, Hum, you're getting quite poetical!
Those 'nows' you managed in a special style.'
'If ever you have leisure, Sire, you shall
See scraps of mine will make it worth your while,
Tid-bits for Phoebus! -- yes, you well may smile.
Hark! hark! the bells!' 'A little further yet,
Good Hum, and let me view this mighty coil.'
Then the great Emperor full graceful set
His elbow for a prop, and snuff'd his mignonnette.

LXIV.
The morn is full of holiday; loud bells
With rival clamours ring from every spire;
Cunningly-station'd music dies and swells
In echoing places; when the winds respire,
Light flags stream out like gauzy tongues of fire;
A metropolitan murmur, lifeful, warm,
Comes from the northern suburbs; rich attire
Freckles with red and gold the moving swarm;
While here and there clear trumpets blow a keen alarm.

LXV.
And now the fairy escort was seen clear,
Like the old pageant of Aurora's train,
Above a pearl-built minister, hovering near;
First wily Crafticant, the chamberlain,
Balanc'd upon his grey-grown pinions twain,
His slender wand officially reveal'd;
Then black gnomes scattering sixpences like rain;
Then pages three and three; and next, slave-held,
The Imaian 'scutcheon bright, -- one mouse in argent field.

LXVI.
Gentlemen pensioners next; and after them,
A troop of winged Janizaries flew;
Then slaves, as presents bearing many a gem;
Then twelve physicians fluttering two and two;
And next a chaplain in a cassock new;
Then Lords in waiting; then (what head not reels
For pleasure?) -- the fair Princess in full view,
Borne upon wings, -- and very pleas'd she feels
To have such splendour dance attendance at her heels.

LXVII.
For there was more magnificence behind:
She wav'd her handkerchief. 'Ah, very grand!'
Cry'd Elfinan, and clos'd the window-blind;
'And, Hum, we must not shilly-shally stand,--
Adieu! adieu! I'm off for Angle-land!
I say, old Hocus, have you such a thing
About you, -- feel your pockets, I command,--
I want, this instant, an invisible ring,--
Thank you, old mummy! -- now securely I take wing.'

LXVIII.
Then Elfinan swift vaulted from the floor,
And lighted graceful on the window-sill;
Under one arm the magic book he bore,
The other he could wave about at will;
Pale was his face, he still look'd very ill;
He bow'd at Bellanaine, and said -- 'Poor Bell!
Farewell! farewell! and if for ever! still
For ever fare thee well!' -- and then he fell
A laughing! -- snapp'd his fingers! -- shame it is to tell!

LXIX.
'By'r Lady! he is gone!' cries Hum, 'and I --
(I own it) -- have made too free with his wine;
Old Crafticant will smoke me. By-the-bye!
This room is full of jewels as a mine,--
Dear valuable creatures, how ye shine!
Sometime to-day I must contrive a minute,
If Mercury propitiously incline,
To examine his scutoire, and see what's in i,
For of superfluous diamonds I as well may thin it.

LXX.
'The Emperor's horrid bad; yes, that's my cue!'
Some histories say that this was Hum's last speech;
That, being fuddled, he went reeling through
The corridor, and scarce upright could reach
The stair-head; that being glutted as a leech,
And us'd, as we ourselves have just now said,
To manage stairs reversely, like a peach
Too ripe, he fell, being puzzled in his head
With liquor and the staircase: verdict -- found stone dead.

LXXI.
This as a falsehood Crafticanto treats;
And as his style is of strange elegance,
Gentle and tender, full of soft conceits,
(Much like our Boswell's,) we will take a glance
At his sweet prose, and, if we can, make dance
His woven periods into careless rhyme;
O, little faery Pegasus! rear -- prance --
Trot round the quarto -- ordinary time!
March, little Pegasus, with pawing hoof sublime!

LXXII.
Well, let us see, -- tenth book and chapter nine,--
Thus Crafticant pursues his diary:--
''Twas twelve o'clock at night, the weather fine,
Latitude thirty-six; our scouts descry
A flight of starlings making rapidly
Towards Thibet. Mem.: -- birds fly in the night;
From twelve to half-past -- wings not fit to fly
For a thick fog -- the Princess sulky quite;
Call'd for an extra shawl, and gave her nurse a bite.

LXXIII.
'Five minutes before one -- brought down a moth
With my new double-barrel -- stew'd the thighs
And made a very tolerable broth --
Princess turn'd dainty, to our great surprise,
Alter'd her mind, and thought it very nice;
Seeing her pleasant, try'd her with a pun,
She frown'd; a monstrous owl across us flies
About this time, -- a sad old figure of fun;
Bad omen -- this new match can't be a happy one.

LXXIV.
'From two to half-past, dusky way we made,
Above the plains of Gobi, -- desert, bleak;
Beheld afar off, in the hooded shade
Of darkness, a great mountain (strange to speak),
Spitting, from forth its sulphur-baken peak,
A fan-shap'd burst of blood-red, arrowy fire,
Turban'd with smoke, which still away did reek,
Solid and black from that eternal pyre,
Upon the laden winds that scantly could respire.

LXXV.
'Just upon three o'clock a falling star
Created an alarm among our troop,
Kill'd a man-cook, a page, and broke a jar,
A tureen, and three dishes, at one swoop,
Then passing by the princess, singed her hoop:
Could not conceive what Coralline was at,
She clapp'd her hands three times and cry'd out 'Whoop!'
Some strange Imaian custom. A large bat
Came sudden 'fore my face, and brush'd against my hat.

LXXVI.
'Five minutes thirteen seconds after three,
Far in the west a mighty fire broke out,
Conjectur'd, on the instant, it might be,
The city of Balk -- 'twas Balk beyond all doubt:
A griffin, wheeling here and there about,
Kept reconnoitring us -- doubled our guard --
Lighted our torches, and kept up a shout,
Till he sheer'd off -- the Princess very scar'd --
And many on their marrow-bones for death prepar'd.

LXXVII.
'At half-past three arose the cheerful moon--
Bivouack'd for four minutes on a cloud --
Where from the earth we heard a lively tune
Of tambourines and pipes, serene and loud,
While on a flowery lawn a brilliant crowd
Cinque-parted danc'd, some half asleep reposed
Beneath the green-fan'd cedars, some did shroud
In silken tents, and 'mid light fragrance dozed,
Or on the opera turf their soothed eyelids closed.

LXXVIII.
'Dropp'd my gold watch, and kill'd a kettledrum--
It went for apoplexy -- foolish folks! --
Left it to pay the piper -- a good sum --
(I've got a conscience, maugre people's jokes,)
To scrape a little favour; 'gan to coax
Her Highness' pug-dog -- got a sharp rebuff --
She wish'd a game at whist -- made three revokes --
Turn'd from myself, her partner, in a huff;
His majesty will know her temper time enough.

LXXIX.
'She cry'd for chess -- I play'd a game with her --
Castled her king with such a vixen look,
It bodes ill to his Majesty -- (refer
To the second chapter of my fortieth book,
And see what hoity-toity airs she took).
At half-past four the morn essay'd to beam --
Saluted, as we pass'd, an early rook --
The Princess fell asleep, and, in her dream,
Talk'd of one Master Hubert, deep in her esteem.

LXXX.
'About this time, -- making delightful way,--
Shed a quill-feather from my larboard wing --
Wish'd, trusted, hop'd 'twas no sign of decay --
Thank heaven, I'm hearty yet! -- 'twas no such thing:--
At five the golden light began to spring,
With fiery shudder through the bloomed east;
At six we heard Panthea's churches ring --
The city wall his unhiv'd swarms had cast,
To watch our grand approach, and hail us as we pass'd.

LXXXI.
'As flowers turn their faces to the sun,
So on our flight with hungry eyes they gaze,
And, as we shap'd our course, this, that way run,
With mad-cap pleasure, or hand-clasp'd amaze;
Sweet in the air a mild-ton'd music plays,
And progresses through its own labyrinth;
Buds gather'd from the green spring's middle-days,
They scatter'd, -- daisy, primrose, hyacinth,--
Or round white columns wreath'd from capital to plinth.

LXXXII.
'Onward we floated o'er the panting streets,
That seem'd throughout with upheld faces paved;
Look where we will, our bird's-eye vision meets
Legions of holiday; bright standards waved,
And fluttering ensigns emulously craved
Our minute's glance; a busy thunderous roar,
From square to square, among the buildings raved,
As when the sea, at flow, gluts up once more
The craggy hollowness of a wild reefed shore.

LXXXIII.
'And 'Bellanaine for ever!' shouted they,
While that fair Princess, from her winged chair,
Bow'd low with high demeanour, and, to pay
Their new-blown loyalty with guerdon fair,
Still emptied at meet distance, here and there,
A plenty horn of jewels. And here I
(Who wish to give the devil her due) declare
Against that ugly piece of calumny,
Which calls them Highland pebble-stones not worth a fly.

LXXXIV.
'Still 'Bellanaine!' they shouted, while we glide
'Slant to a light Ionic portico,
The city's delicacy, and the pride
Of our Imperial Basilic; a row
Of lords and ladies, on each hand, make show
Submissive of knee-bent obeisance,
All down the steps; and, as we enter'd, lo!
The strangest sight -- the most unlook'd for chance --
All things turn'd topsy-turvy in a devil's dance.

LXXXV.
''Stead of his anxious Majesty and court
At the open doors, with wide saluting eyes,
Congèes and scrape-graces of every sort,
And all the smooth routine of gallantries,
Was seen, to our immoderate surprise,
A motley crowd thick gather'd in the hall,
Lords, scullions, deputy-scullions, with wild cries
Stunning the vestibule from wall to wall,
Where the Chief Justice on his knees and hands doth crawl.

LXXXVI.
'Counts of the palace, and the state purveyor
Of moth's-down, to make soft the royal beds,
The Common Council and my fool Lord Mayor
Marching a-row, each other slipshod treads;
Powder'd bag-wigs and ruffy-tuffy heads
Of cinder wenches meet and soil each other;
Toe crush'd with heel ill-natur'd fighting breeds,
Frill-rumpling elbows brew up many a bother,
And fists in the short ribs keep up the yell and pother.

LXXXVII.
'A Poet, mounted on the Court-Clown's back,
Rode to the Princess swift with spurring heels,
And close into her face, with rhyming clack,
Began a Prothalamion; -- she reels,
She falls, she faints! while laughter peels
Over her woman's weakness. 'Where!' cry'd I,
'Where is his Majesty?' No person feels
Inclin'd to answer; wherefore instantly
I plung'd into the crowd to find him or die.

LXXXVIII.
'Jostling my way I gain'd the stairs, and ran
To the first landing, where, incredible!
I met, far gone in liquor, that old man,
That vile impostor Hum. ----'
So far so well,--
For we have prov'd the Mago never fell
Down stairs on Crafticanto's evidence;
And therefore duly shall proceed to tell,
Plain in our own original mood and tense,
The sequel of this day, though labour 'tis immense!
* * * * * * * * * * * * * * * * * * * * * *

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Any More Than The Moons Aglow

There are fairies in the light
In that glowing bulb so bright
Resin trunks - amber lockets
Wound-around a ring of spirits.

Who goes there… in the wilderness?
Shaking snow, laden with deftness.
Is she an angel—I don't know?
Any more than the moons aglow…

Who goes there… in the shadows?
Winking, when all I do is frown.
Oh there's a seraph in moonlight.
Owl-wing-flutters drown my soul tonight…

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Candy and Music are the same

As a friend of mine said once music is like candy you have to throw away all the rappers. That friend of mine is right.
Music can make you smile, laugh and sad all at the same time but all the rappers take our music and add there cussing and dirty way then it can no longer be called music cuzz rappers take away the meaning and the emotion so now it is no more then some one yelling out cuss words and ditty things now I ask you please open your candy and throw away the rappers so all that is left is the sweet emotion

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