
I don't think anyone has the right to intrude in your life, but they do. I would like people to separate the actress and the woman.
quote by Ingrid Bergman
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Chauvinist
I’d never really comprehended such a mighty range of
Shapes and sizes down behind, it’s really rather strange:
The buttock muscle in a woman, overlaid with fat
Is actually such a focal point for men to want to pat
Or squeeze, and then to tease her if it’s eminently stout,
Or even risk a stay in clink to sting it with a clout!
After all, we men are tuned to be that way inclined –
And tho’ our needs are varied, girls, they’re all perverse of mind!
Best of all, our sacred dream: to see her shed her gown
When gliding to the shower for the ritual sponging down.
But then alas! With body lathered, oops! she drops the soap;
‘Please! ’ we beg her, ‘bend and bare! ’ But we can only hope!
I’m sure by now you get the picture – like a rule of thumb –
That men like me obsess all day about the fairer bum.
Copyright © Mark R Slaughter 2010
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poem by Mark R Slaughter
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How on earth? ? ?
My money could separate her from you-make her legally mine; but how on earth could I extricate your infinite reflections from the whites of her eyes; which were the sole sublimation of her otherwise impoverished life?
My money could separate her from you-make her legally mine; but how on earth could I erase your infinite fronds of desire from her sensuous lips; which were the sole reason behind her every uninhibited smile?
My money could separate her from you- make her legally mine; but how on earth could I remove your infinite whispers of adventure from her intricate ears; which were the sole ounces of enlightenment in her otherwise hackneyed way?
My money could separate her from you- make her legally mine; but how on earth could I evaporate your infinite praises from her mellifluous voice; which were the sole pillars of strength in her otherwise devastated existence?
My money could separate her from you- make her legally mine; but how on earth could I abolish your infinite fantasies from her astoundingly evolving brain; which were the sole panacea of her otherwise slowly diminishing life?
My money could separate her from you- make her legally mine; but how on earth could I scrap your infinite infernos of yearning from her amiably resonating spine; which were the sole sensitivities in her otherwise robotically mundane existence?
My money could separate her from you-make her legally mine; but how on earth could I annihilate your infinite impressions of destiny from the insides of her blissfully tinkling palms; which were the sole glimmer of hope in the fabric of her otherwise inexplicably withering life?
My money could separate her from you- make her legally mine; but how on earth could I behead your infinite compassionate pecks from her unabashed ardent cheeks; which were her sole sensations to forever triumph; in the otherwise fading horizons of her existence?
My money could separate her from you- make her legally mine; but how on earth could I massacre your infinite epitomes of artistry from her wondrously wandering fingers; which were the sole insinuations of companionship in her otherwise obfuscated life?
My money could separate her from you- make her legally mine; but how on earth could I trounce your infinite shades of humanity from her insuperably celestial blood; which were the sole lanterns of friendship in her otherwise miserably betrayed existence?
My money could separate her from you- make her legally mine; but how on earth could I assassinate your infinite pillars of tenacity from her altruistically affable bones; which were the sole Sun of fearlessness in her otherwise despicably slavering life?
My money could separate her from you- make her legally mine; but how on earth could I vanquish your infinite spell-binding imageries from her innocuously pristine mind; which were the sole spots of untamed brilliance in her otherwise penuriously incarcerated existence?
My money could separate her from you- make her legally mine; but how on earth could I pulverize your infinite recesses of warmth from her voluptuous bosom; which were the sole flames of friendship in her otherwise treacherously obsolete life?
My money could separate her from you- make her legally mine; but how on earth could I lynch your infinite fragrances of optimism from her impregnably fiery nostrils; which were the sole heavens of victory in her otherwise subserviently defeated existence?
My money could separate her from you- make her legally mine; but how on earth could I extradite your infinite images of truth from her undaunted conscience; which were the sole harbingers of eternal bliss in her otherwise deliriously distorted life?
My money could separate her from you- make her legally mine; but how on earth could I exonerate your infinite impressions of solidarity from her impeccably unbridled soul; which were the sole skies of ultimate freedom in her otherwise gruesomely penalizing existence?
My money could separate her from you-make her legally mine; but how on earth could I slaughter your infinite droplets of healing moisture from her stupendously magnetic eyelashes; which were the sole mists of unexpected miracles in her otherwise deplorably traumatized life?
My money could separate her from you-make her legally mine; but how on earth could I eliminate your infinite ecstatically ever-pervading shadows from her passionate breath; which were the sole rainbows of untainted exhilaration in her otherwise disdainfully slithering existence?
And my money could separate her from you-make her legally mine; but how on earth could I terminate your infinite beats of immortal love from her thunderously throbbing heart; which were the sole rays of contentment in her otherwise fatally premature and truncated life…
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poem by Nikhil Parekh
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Actress
Some day I'm going to grow up
And be every man's dream
Some day I'm going to grow up
And forget this sad little me
I'm going to shine in the spotlight
Wear sexy clothes
Be somebody everybody wants to meet
And no one ever really knows
No one will ever know me
I'm an actress through and through
And to my bones
I'm an actress through and through
And to my bones
Critics will adore me
At least they will at first
But you see I already know this
So it can't never really hurt
And if it does, I'm an actress
I'll play it nonchalant
In the total scheme of things it's insignificant
(sure I can take the knocks)
Cause I'm an actress through and through
And to my bones
I'm an actress through and through
And to my bones
I may not be that pretty now
But who's the referee
Standards of beauty
Will be redefined because of me
And then they'll be the scandals
Everywhere my name
Men will jump from balconies
And I'll just shrug and take the blame
(yeah, they'll say I died for love)
Cause I'm an actress through and through
And to my bones
Well, I'm an actress through and through
And to my bones
My acceptance speech will be a milestone
Never will such a star
Have ever graced the microphone
And of course I'll thank my agent
The way they always do
Though I could have done it without him
And that goes for the Academy too
And the makeup people and the lighting designers and everybody else
Cause I'm an actress throughand through
And to my bones
I'm an actress through and through
And to my bones
[...] Read more
song performed by Carly Simon
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Woman Power
Youve heard of woman nation,
Well, thats coming, baby.
What we need is the power of trust,
That its coming.
Youve heard of the law of selection,
Well, thats how were gonna do it, baby.
We allow men who wanna join us
The rest can just stay by themselves.
Woman power! (woman power!)
Woman power! (woman power!)
Two thousand years of male society,
Laying fear and tyranny.
Seeking grades and money,
Clinging to values vain and phony.
Woman power! (woman power!)
Woman power! (woman power!)
Do you know that one day you lost your way, man?
Do you know that some day you have to pay, man?
Have you anything to say, man, except
Make no mistake about it, Im the president, you hear?
I wanna make one thing clear, Im the president, you hear?
Woman power! (woman power!)
Woman power! (woman power!)
You dont hear them singing songs,
You dont see them living life,
cause theyve got nothing to say, but
Make no mistake about it, Im the president, you hear?
I wanna make one thing clear, Im the president, you hear?
Woman power! (woman power!)
Woman power! (woman power!)
You may be the president now,
You may still be a man.
But you must also be a human,
So open up and join us in living.
Woman power! (woman power!)
Woman power! (woman power!)
In the coming age of feminine society,
Well regain our human dignity.
Well lay some truth and clarity
And bring back natures beauty.
Woman power! (woman power!)
Woman power! (woman power!)
Evry woman has a song to sing,
Evry woman has a story to tell.
Make no mistake about it, brothers,
We women have the power to move mountains.
Woman power! (woman power!)
Woman power! (woman power!)
Did you have to cook the meals?
Did you have to knit?
[...] Read more
song performed by Yoko Ono
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Second Book
TIMES followed one another. Came a morn
I stood upon the brink of twenty years,
And looked before and after, as I stood
Woman and artist,–either incomplete,
Both credulous of completion. There I held
The whole creation in my little cup,
And smiled with thirsty lips before I drank,
'Good health to you and me, sweet neighbour mine
And all these peoples.'
I was glad, that day;
The June was in me, with its multitudes
Of nightingales all singing in the dark,
And rosebuds reddening where the calyx split.
I felt so young, so strong, so sure of God!
So glad, I could not choose be very wise!
And, old at twenty, was inclined to pull
My childhood backward in a childish jest
To see the face of't once more, and farewell!
In which fantastic mood I bounded forth
At early morning,–would not wait so long
As even to snatch my bonnet by the strings,
But, brushing a green trail across the lawn
With my gown in the dew, took will and way
Among the acacias of the shrubberies,
To fly my fancies in the open air
And keep my birthday, till my aunt awoke
To stop good dreams. Meanwhile I murmured on,
As honeyed bees keep humming to themselves;
'The worthiest poets have remained uncrowned
Till death has bleached their foreheads to the bone,
And so with me it must be, unless I prove
Unworthy of the grand adversity,–
And certainly I would not fail so much.
What, therefore, if I crown myself to-day
In sport, not pride, to learn the feel of it,
Before my brows be numb as Dante's own
To all the tender pricking of such leaves?
Such leaves? what leaves?'
I pulled the branches down,
To choose from.
'Not the bay! I choose no bay;
The fates deny us if we are overbold:
Nor myrtle–which means chiefly love; and love
Is something awful which one dare not touch
So early o' mornings. This verbena strains
The point of passionate fragrance; and hard by,
This guelder rose, at far too slight a beck
Of the wind, will toss about her flower-apples.
Ah–there's my choice,–that ivy on the wall,
That headlong ivy! not a leaf will grow
[...] Read more
poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
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Three Women
My love is young, so young;
Young is her cheek, and her throat,
And life is a song to be sung
With love the word for each note.
Young is her cheek and her throat;
Her eyes have the smile o' May.
And love is the word for each note
In the song of my life to-day.
Her eyes have the smile o' May;
Her heart is the heart of a dove,
And the song of my life to-day
Is love, beautiful love.
Her heart is the heart of a dove,
Ah, would it but fly to my breast
Where love, beautiful love,
Has made it a downy nest.
Ah, would she but fly to my breast,
My love who is young, so young;
I have made her a downy nest
And life is a song to be sung.
1
I.
A dull little station, a man with the eye
Of a dreamer; a bevy of girls moving by;
A swift moving train and a hot Summer sun,
The curtain goes up, and our play is begun.
The drama of passion, of sorrow, of strife,
Which always is billed for the theatre Life.
It runs on forever, from year unto year,
With scarcely a change when new actors appear.
It is old as the world is-far older in truth,
For the world is a crude little planet of youth.
And back in the eras before it was formed,
The passions of hearts through the Universe stormed.
Maurice Somerville passed the cluster of girls
Who twisted their ribbons and fluttered their curls
In vain to attract him; his mind it was plain
Was wholly intent on the incoming train.
That great one eyed monster puffed out its black breath,
Shrieked, snorted and hissed, like a thing bent on death,
[...] Read more
poem by Ella Wheeler Wilcox
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Woman In Me (feat. Destiny's Child)
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Ohhhhh
The face that I see it's the woman in me
It's the woman that I wanna be
The face that I see it's the woman in me
It's the woman in me I see (I see)
As I look in, look in the mirror I see
Life is really here to be with me, oh
I can see myself getting stronger everyday
I'm not the same woman I used to be
So now I tell myself I am thinkin strong
I see the beauty lying within my soul
The face that I see it's the woman in me
It's the woman that I wanna be
The face that I see it's the woman in me
It's the woman in me I see (I see)
When I love myself I can do whatever I want
Doesn't matter what you do to me, do to me
Honest people, there's a possibility
To tell you my real reality
The face that I see it's the woman in me
It's the woman that I wanna be (I wanna be)
The face that I see it's the woman in me
It's the woman in me I see (woman in me baby)
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Doo doo da da da da da
Can you see the woman in me
Do you really wanna see the woman in me
Hahha, let me show you
Don't underestimate the woman I become
The woman I am
So now I tell myself that I'm thinkin I'm strong
And I see the beauty lying within my soul
The face that I see it's the woman in me
It's the woman that I wanna be (I wanna be)
The face that I see it's the woman in me
It's the woman in me I see (I see)
The face that I see it's the woman in me
It's the woman that I wanna be (I wanna be)
The face that I see it's the woman in me
It's the woman in me I see (I see)
[...] Read more
song performed by Jessica Simpson
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Her Bum
‘Does my bum look big in this? ’ She glared.
I gulped and stared upon the floor.
I must escape; the bedroom door
Was open. ‘Run! ’ my senses cried.
But I was numb – nerves were fried!
‘Well? ’ She scowled. I sought a subterfuge.
‘It’s absolutely huge! ’ I thought –
But how to tell her that–? A short
And blighted life she’d wreak on me.
And so to Wife, on bended knee
I prayed ‘Oh please release me from this hell! ’
She gave a yell: ‘So is it big? ’
I looked again – a mammoth rig
Was hanging down – but how to say?
An honest man would surely pay!
I stuttered ‘Err... well, yes it’s nice.’
Her voice was ice: ‘But in this? ’
I tried diversion with a kiss.
‘I love you’ also burbled out – but
I was heading for a rout.
I drew a breath. ‘Be a man! ’ I growled
Inside this howling, quaking head.
‘Well actually love, ’ and now I’m dead,
‘It’s colossal – a real whopper... ’
The bedroom shook; I couldn’t stop her.
I daren’t publish anymore…
Copyright © Mark R Slaughter 2010
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poem by Mark R Slaughter
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The Tower Beyond Tragedy
I
You'd never have thought the Queen was Helen's sister- Troy's
burning-flower from Sparta, the beautiful sea-flower
Cut in clear stone, crowned with the fragrant golden mane, she
the ageless, the uncontaminable-
This Clytemnestra was her sister, low-statured, fierce-lipped, not
dark nor blonde, greenish-gray-eyed,
Sinewed with strength, you saw, under the purple folds of the
queen-cloak, but craftier than queenly,
Standing between the gilded wooden porch-pillars, great steps of
stone above the steep street,
Awaiting the King.
Most of his men were quartered on the town;
he, clanking bronze, with fifty
And certain captives, came to the stair. The Queen's men were
a hundred in the street and a hundred
Lining the ramp, eighty on the great flags of the porch; she
raising her white arms the spear-butts
Thundered on the stone, and the shields clashed; eight shining
clarions
Let fly from the wide window over the entrance the wildbirds of
their metal throats, air-cleaving
Over the King come home. He raised his thick burnt-colored
beard and smiled; then Clytemnestra,
Gathering the robe, setting the golden-sandaled feet carefully,
stone by stone, descended
One half the stair. But one of the captives marred the comeliness
of that embrace with a cry
Gull-shrill, blade-sharp, cutting between the purple cloak and
the bronze plates, then Clytemnestra:
Who was it? The King answered: A piece of our goods out of
the snatch of Asia, a daughter of the king,
So treat her kindly and she may come into her wits again. Eh,
you keep state here my queen.
You've not been the poorer for me.- In heart, in the widowed
chamber, dear, she pale replied, though the slaves
Toiled, the spearmen were faithful. What's her name, the slavegirl's?
AGAMEMNON Come up the stair. They tell me my kinsman's
Lodged himself on you.
CLYTEMNESTRA Your cousin Aegisthus? He was out of refuge,
flits between here and Tiryns.
Dear: the girl's name?
AGAMEMNON Cassandra. We've a hundred or so other
captives; besides two hundred
Rotted in the hulls, they tell odd stories about you and your
guest: eh? no matter: the ships
Ooze pitch and the August road smokes dirt, I smell like an
old shepherd's goatskin, you'll have bath-water?
CLYTEMNESTRA
They're making it hot. Come, my lord. My hands will pour it.
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poem by Robinson Jeffers
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Eighth Book
ONE eve it happened when I sate alone,
Alone upon the terrace of my tower,
A book upon my knees, to counterfeit
The reading that I never read at all,
While Marian, in the garden down below,
Knelt by the fountain (I could just hear thrill
The drowsy silence of the exhausted day)
And peeled a new fig from that purple heap
In the grass beside her,–turning out the red
To feed her eager child, who sucked at it
With vehement lips across a gap of air
As he stood opposite, face and curls a-flame
With that last sun-ray, crying, 'give me, give,'
And stamping with imperious baby-feet,
(We're all born princes)–something startled me,–
The laugh of sad and innocent souls, that breaks
Abruptly, as if frightened at itself;
'Twas Marian laughed. I saw her glance above
In sudden shame that I should hear her laugh,
And straightway dropped my eyes upon my book,
And knew, the first time, 'twas Boccaccio's tales,
The Falcon's,–of the lover who for love
Destroyed the best that loved him. Some of us
Do it still, and then we sit and laugh no more.
Laugh you, sweet Marian! you've the right to laugh,
Since God himself is for you, and a child!
For me there's somewhat less,–and so, I sigh.
The heavens were making room to hold the night,
The sevenfold heavens unfolding all their gates
To let the stars out slowly (prophesied
In close-approaching advent, not discerned),
While still the cue-owls from the cypresses
Of the Poggio called and counted every pulse
Of the skyey palpitation. Gradually
The purple and transparent shadows slow
Had filled up the whole valley to the brim,
And flooded all the city, which you saw
As some drowned city in some enchanted sea,
Cut off from nature,–drawing you who gaze,
With passionate desire, to leap and plunge,
And find a sea-king with a voice of waves,
And treacherous soft eyes, and slippery locks
You cannot kiss but you shall bring away
Their salt upon your lips. The duomo-bell
Strikes ten, as if it struck ten fathoms down,
So deep; and fifty churches answer it
The same, with fifty various instances.
Some gaslights tremble along squares and streets
The Pitti's palace-front is drawn in fire:
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poem by Elizabeth Barrett Browning from Aurora Leigh (1856)
Added by Veronica Serbanoiu
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10:10 A.M.
10: 10 AM
by Inro Lavil
09-13-12
Woman, Woman
This may be respectful but you held me an extra month
Three blood gushed out before I was beamed by
Sunlight and you were not in a right time to deliver
Woman, why did you love me?
Woman, Woman
I might be adamant but you molded me too early
I might be the biggest fool on this world
And I hated it when you made me intelligent like them
Woman, why did you love me?
Woman, Woman
I might be so selfish but you still treated me normal
I'm not normal since I am an extra month held by you
And everyone looks at me with piercing eyes
Woman, why did you love me?
Woman, Woman
I did my best but you angrily pushed me to be more of me
I wanted to do this and that but your eyes always watched me
Like you're some kind of omniscient being in clouds
Woman, why did you love me?
Woman, Woman
I was not prepared but why did you leave me abruptly?
All these tupperwares around me hid to me your stains
The name of the pain that you have also hidden to me
Woman, why did you betray me?
Woman, Woman
Your loss gave me no Merry Christmas since you left me
I had two graduations you failed to attend and now
The third is coming, when will I hear you're proud of me?
Woman, why did you leave me?
Woman, Woman
I am free to choose my path but yours is still the one
The one I still chose since you're not here, I will
Run the steps you have walked and try to surpass them
Woman, why did you love me?
Woman, Woman
I was waiting for you on the gate every afternoon you came
[...] Read more
poem by Inro Lavil
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XI. Guido
You are the Cardinal Acciaiuoli, and you,
Abate Panciatichi—two good Tuscan names:
Acciaiuoli—ah, your ancestor it was
Built the huge battlemented convent-block
Over the little forky flashing Greve
That takes the quick turn at the foot o' the hill
Just as one first sees Florence: oh those days!
'T is Ema, though, the other rivulet,
The one-arched brown brick bridge yawns over,—yes,
Gallop and go five minutes, and you gain
The Roman Gate from where the Ema's bridged:
Kingfishers fly there: how I see the bend
O'erturreted by Certosa which he built,
That Senescal (we styled him) of your House!
I do adjure you, help me, Sirs! My blood
Comes from as far a source: ought it to end
This way, by leakage through their scaffold-planks
Into Rome's sink where her red refuse runs?
Sirs, I beseech you by blood-sympathy,
If there be any vile experiment
In the air,—if this your visit simply prove,
When all's done, just a well-intentioned trick,
That tries for truth truer than truth itself,
By startling up a man, ere break of day,
To tell him he must die at sunset,—pshaw!
That man's a Franceschini; feel his pulse,
Laugh at your folly, and let's all go sleep!
You have my last word,—innocent am I
As Innocent my Pope and murderer,
Innocent as a babe, as Mary's own,
As Mary's self,—I said, say and repeat,—
And why, then, should I die twelve hours hence? I—
Whom, not twelve hours ago, the gaoler bade
Turn to my straw-truss, settle and sleep sound
That I might wake the sooner, promptlier pay
His due of meat-and-drink-indulgence, cross
His palm with fee of the good-hand, beside,
As gallants use who go at large again!
For why? All honest Rome approved my part;
Whoever owned wife, sister, daughter,—nay,
Mistress,—had any shadow of any right
That looks like right, and, all the more resolved,
Held it with tooth and nail,—these manly men
Approved! I being for Rome, Rome was for me.
Then, there's the point reserved, the subterfuge
My lawyers held by, kept for last resource,
Firm should all else,—the impossible fancy!—fail,
And sneaking burgess-spirit win the day.
The knaves! One plea at least would hold,—they laughed,—
One grappling-iron scratch the bottom-rock
[...] Read more
poem by Robert Browning from The Ring and the Book
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Actress, Model...
Dear Mom
I'm dating an actress
And I'm just writing to let you know
Why I'm so far from home
I followed her to Stella Adler
A method man was what she was after
She must have seen them on TV
She's my actress model dancer whatever
I've been watching you
I've been wanting you
Actress model dancer whatever
You're so over there
You're so everywhere
I met her over a cigarette
And though I don't really know her yet
I could see she sees something in me
A thousand bucks won't pay the rent
And I don't know where the money's spent
But it shows Lord cause nothing's free
She's my actress model dancer whatever
I've been watching you
I've been wanting you
Actress model dancer whatever
You're so over there
You're so everywhere
She made a promise
she'd never act with me now
But I saw her move her lips
They were reading scripts
She made a promise
she'd never act with me now
And I saw her move her lips
Line please line please
Dear Mom
I'm dating an actress
And I'm just writing to let you know who who
Actress model dancer whatever
I've been watching you
I've been wanting you
Actress model dancer whatever
You're so over there
You're so everywhere
Dear Mom
I'm dating an actress
Dear Mom
I'm dating an actress
Now I'm an actor too
song performed by Unwritten Law
Added by Lucian Velea
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Tamar
I
A night the half-moon was like a dancing-girl,
No, like a drunkard's last half-dollar
Shoved on the polished bar of the eastern hill-range,
Young Cauldwell rode his pony along the sea-cliff;
When she stopped, spurred; when she trembled, drove
The teeth of the little jagged wheels so deep
They tasted blood; the mare with four slim hooves
On a foot of ground pivoted like a top,
Jumped from the crumble of sod, went down, caught, slipped;
Then, the quick frenzy finished, stiffening herself
Slid with her drunken rider down the ledges,
Shot from sheer rock and broke
Her life out on the rounded tidal boulders.
The night you know accepted with no show of emotion the little
accident; grave Orion
Moved northwest from the naked shore, the moon moved to
meridian, the slow pulse of the ocean
Beat, the slow tide came in across the slippery stones; it drowned
the dead mare's muzzle and sluggishly
Felt for the rider; Cauldwell’s sleepy soul came back from the
blind course curious to know
What sea-cold fingers tapped the walls of its deserted ruin.
Pain, pain and faintness, crushing
Weights, and a vain desire to vomit, and soon again
die icy fingers, they had crept over the loose hand and lay in the
hair now. He rolled sidewise
Against mountains of weight and for another half-hour lay still.
With a gush of liquid noises
The wave covered him head and all, his body
Crawled without consciousness and like a creature with no bones,
a seaworm, lifted its face
Above the sea-wrack of a stone; then a white twilight grew about
the moon, and above
The ancient water, the everlasting repetition of the dawn. You
shipwrecked horseman
So many and still so many and now for you the last. But when it
grew daylight
He grew quite conscious; broken ends of bone ground on each
other among the working fibers
While by half-inches he was drawing himself out of the seawrack
up to sandy granite,
Out of the tide's path. Where the thin ledge tailed into flat cliff
he fell asleep. . . .
Far seaward
The daylight moon hung like a slip of cloud against the horizon.
The tide was ebbing
From the dead horse and the black belt of sea-growth. Cauldwell
seemed to have felt her crying beside him,
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poem by Robinson Jeffers
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Her Desire for 40G
Now back when I was 28,
I met and loved a 38 –
DD!
Hmm…I never really saw her eyes…
Perhaps I never needed to –
‘Twas all about her size.
Come on, be honest,
You really show surprise?
Oh yes, the storyline:
One sunny day she said to me,
‘I need to make you happy, see,
By undergoing surgery
So you can have my guarantee
That when you see my 40G,
You’ll hit new heights of ecstasy! ’
‘Phew! ’ I drew a breath.
‘Well thank you dear, you’re very kind,
But won’t you risk me going blind?
If one of those should catch my eye,
I’m sure to wave them both goodbye;
And after all, you’re rather tall –
With extra weight you’ll likely fall;
Forwards, I should clarify.
Hmm…we’re back again to my poor eye.’
‘It’s all about your precious sight! ’
She screamed at me with all her might,
‘I only want to make you proud
And me to stand out in the crowd.’
‘You do already stand right out!
Any more, then there’s no doubt
You might as well just poke me blind,
So in the streets I’ll tag behind,
Unaware of all the fuss,
Especially when on the bus –
Assuming you could squeeze on board…
Hmm…at least I know I’ll be ignored…
Okay – go get them done.’
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poem by Mark R Slaughter
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VI. Giuseppe Caponsacchi
Answer you, Sirs? Do I understand aright?
Have patience! In this sudden smoke from hell,—
So things disguise themselves,—I cannot see
My own hand held thus broad before my face
And know it again. Answer you? Then that means
Tell over twice what I, the first time, told
Six months ago: 't was here, I do believe,
Fronting you same three in this very room,
I stood and told you: yet now no one laughs,
Who then … nay, dear my lords, but laugh you did,
As good as laugh, what in a judge we style
Laughter—no levity, nothing indecorous, lords!
Only,—I think I apprehend the mood:
There was the blameless shrug, permissible smirk,
The pen's pretence at play with the pursed mouth,
The titter stifled in the hollow palm
Which rubbed the eyebrow and caressed the nose,
When I first told my tale: they meant, you know,
"The sly one, all this we are bound believe!
"Well, he can say no other than what he says.
"We have been young, too,—come, there's greater guilt!
"Let him but decently disembroil himself,
"Scramble from out the scrape nor move the mud,—
"We solid ones may risk a finger-stretch!
And now you sit as grave, stare as aghast
As if I were a phantom: now 't is—"Friend,
"Collect yourself!"—no laughing matter more—
"Counsel the Court in this extremity,
"Tell us again!"—tell that, for telling which,
I got the jocular piece of punishment,
Was sent to lounge a little in the place
Whence now of a sudden here you summon me
To take the intelligence from just—your lips!
You, Judge Tommati, who then tittered most,—
That she I helped eight months since to escape
Her husband, was retaken by the same,
Three days ago, if I have seized your sense,—
(I being disallowed to interfere,
Meddle or make in a matter none of mine,
For you and law were guardians quite enough
O' the innocent, without a pert priest's help)—
And that he has butchered her accordingly,
As she foretold and as myself believed,—
And, so foretelling and believing so,
We were punished, both of us, the merry way:
Therefore, tell once again the tale! For what?
Pompilia is only dying while I speak!
Why does the mirth hang fire and miss the smile?
My masters, there's an old book, you should con
For strange adventures, applicable yet,
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poem by Robert Browning from The Ring and the Book
Added by Veronica Serbanoiu
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Actress
She uses her innocence as a shield
Hoping no one will ever see past it
See inside her story, once upon a time
For girl-next-door-beautifuls everywhere
She asked him
To her surprise, he refused
It broke her heart like a mirror
with her real face on the other side feeling pain
All I can say is
She's an actress
A great actress
She asks them how their day was
And gives them a grin
She teaches her "philosophy"- Think Win-Win
Yeah, right
But beyond that cheer is something called fear
of being on the outside of life
Beyond that joy is something that boy
left when he walked away
Leaving her in the dark
If she's an actress, she's the best
Or is she being real? Maybe she's happy that it
Happened, but if she's happy,
He's the one that's heartbroken
Walking away cause he saw it was a dare
A dare for herself, but he's wrong
She's an actress
A great actress
She revolves her life around him
When he refused, he broke her heart
Her real girl-next-door life
She failed girl-next-door-beautifuls
Thanks to him
She's an actress
He started a new life for her by refusing
If her philosophy was Think Win-Win,
he would have said yes
He would have said yes
She's an actress
A great actress

A Strong Woman vs. A Woman Of Strength
A strong woman works out every day,
Pride in her appearance she portrays,
But a woman of strength kneels to pray,
Her soul in shape, God leading the way.
A strong woman claims she isn't afraid of anything,
Looking forward to challenges each day will bring,
Women of strength show courage in the midst of fear,
Declaring triumph through faith because God is near.
Strong women won't let anyone get the best of them,
So skilled in defenses even if they have to pretend,
Yet a woman of strength gives her best to everyone,
And even on a cloud filled day still bright as the sun.
A strong woman relies on the physical attributes making her tough,
In her search for power and money she will never have enough,
A woman of strength understands that it's not about material stuff,
Knowing that before becoming a diamond first she'll be in the rough.
A strong woman sometimes disguises her feelings shadowed by clouds,
Unhinged when challenged on her policy becoming boisterous and loud,
A woman of strength concerns herself not with judgment from others,
And will not let business interfere with commitments as a wife and mother.
A strong woman is easily impatient back and forth she will begin to pace,
Counting on her holier than thou attitude instead of depending on faith,
A woman of strength is assured trust in God will always carry her through,
And at the Creator's appointed time she'll receive all that is justly due.
A strong woman makes mistakes and avoids the same for tomorrow,
Refusing to take time looking back with reverence and Godly sorrow,
The woman of strength realizes life's mistakes no matter how slim,
While thanking God for the blessings as she capitalizes on them.
A strong woman walks head first with no doubt in her mind,
No matter what, she'll not make this mistake a second time,
But a woman of strength knows God will catch her when she falls,
So when a situation arises again, she's not afraid to answer the call.
A strong woman wears the look of confidence on her face,
Always doing whatever it takes to finish, seeking only first place,
The woman of strength competes with an emotional sense of grace,
Understanding it's more important to run a Holy Spirit filled race.
A strong woman has faith that for the journey she'll have enough,
No matter how uneven the terrain or roads being rocky and rough,
A woman of strength knows it's in the journey she will become strong,
And the love of God is forever with her, no matter how difficult or long.
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poem by Luke Easter
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Battered Doll
A red dress for blood spilt,
Torn blouse for flesh rent;
Ladders in the stockings –
A rung for every callous blow landed.
Scuffed shoes winked about the kicks –
After all, bruise-gorged eyes can’t –
Just permanently closed.
Burning tears were scant warmth
Against a chill from ugly cries.
Lipstick smudges on the chin to
Nullify all vestiges of beauty –
Those that constituted rare patches
Of purest cream skin, from
Days of feminine joy, telling once
Upon a time there was an angel…
But now, a battered doll.
Copyright © Mark R Slaughter 2010
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poem by Mark R Slaughter
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Her Hidden Treasure
Her flame was only for the women –
Not for us unlucky men;
A weakness lay for feminine way:
To feel an even fairer skin
In silky slide.
Her lips were for the satin love that
Only flows from rising breast;
The creamy tan was not for man
To pull towards a chiselled chest
In weathered hide.
Her hidden treasure down below
Would shy away from macho length
And only rouse upon the blouse
Undone by other sapphic strength –
In time, inside!
Copyright © Mark R Slaughter 2010
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poem by Mark R Slaughter
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